Santa Cruz Slow on Tiny Homes As Other Cities OK Villages

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[dropcap]R[/dropcap]ayne Marr, the county’s homeless services coordinator, says several people have approached her with similar versions of the same big idea—how tiny homes could work as a transitional “bridge” that house Santa Cruz’s most needy. But Marr describes a pushback from local planning and building officials, who insist that state requirements prevent them from approving any such project, even though other California cities and counties have found ways to do it.

“Every time I even mentioned tiny homes or a tiny home village, I was told it can’t be done due to state law,” Marr says. Nonetheless, back in November, the Santa Cruz County Board of Supervisors received a homelessness report from Marr that touched on a successful tiny home village for the homeless in Yuba County called 14 Forward. That prompted the board to direct that staff to develop a plan, in concept, for tiny home villages along those same lines, with one village planned per supervisorial district.

Cities in both California and Oregon have been getting creative with sheltering their homeless in relatively low-cost individualized shelters and villages of tiny homes, also called tiny houses or micro-shelters. But in spite of the board’s recent direction, local officials have generally shown a slow-moving reluctance to outline serious plans for a tiny home community.

Carol Berg, the housing and community development manager for the city of Santa Cruz, says that the city doesn’t have much available land for new projects. “The concept you are exploring [tiny home village] might offer a better fit in communities that are not so built out,” Berg says, via email. Julie Conway, the housing manager for the county, says officials have focused on streamlining the permit process for accessory dwelling units, also known as in-law units, in backyards. She’s also skeptical of a tiny home village, saying that “the county is also land-constrained, and finding a site for such a thing would no doubt be problematic.”

After the financial collapse of 2008, tiny homes emerged as a way to downsize and enter the world of affordable entry-level homeownership. A tiny home qualifies as what developers, planners and architects often call “affordable by design,” as each unit is only a few hundred square feet at most, and therefore requires less labor and fewer raw materials to build—not to mention the fact that it takes up less real estate. For many who bought in, the move into a tiny home also let them relinquish the need for a permanent foundation, as many tiny homes are put on trailers, like mobile homes, to allow for flexibility. But that leaves regulators scratching their heads, trying to figure out how to permit something that isn’t quite a house and yet doesn’t meet health and safety certifications for factory-built housing like camp trailers, either.

 

TINY REPORT

Back in 2016, the Santa Cruz City Council expressed interest in tiny home villages and asked staff to research the issues. A staff report on tiny homes presented on Oct. 11, 2016, included a three-page memo from city planner Ron Powers detailing the legal difficulties of permitting tiny homes. Certain state agencies certify mobile homes and RVs for compliance with health and safety codes, Powers explained, each with different codes and standards. And local building officials are responsible, per state law, for ensuring that tiny homes on trailers meet those certifications.

“It just seems to me it’s really a shame we can’t get this together,” says Todd Clayton, a construction contractor-turned-entrepreneur who started a business two years ago in Scotts Valley called Boxed Haus, which converts shipping containers into tiny homes.

“My homes are energy-efficient,” he says, “with sustainable, non-toxic materials and state-of-the-art finishes. I’m not trying to skirt the building codes at all, and I’m meeting and exceeding most the performance specs for heating and ventilation, but I still can’t get permits. I feel like an outlaw by trying to make a better world with a very decent product, a product people need, but can afford.”

Clayton says he submitted a proposal to Los Angeles County for homeless shelters made out of partitioned shipping containers that can be put on temporary foundations and still remain movable in the long-run. Clayton proposed four eight-by-10-foot bedrooms within 40-foot containers, and two bedrooms in every 20-foot container, with common bathrooms and kitchens in separate buildings, all of which, he thinks, combine into a winning emergency housing strategy. “And I’m still waiting to hear back,” he says.

“There is an overwhelming need for low-cost, quality housing and it seems to me, it’s just a bunch of bureaucratic red tape that lies between helping people and not helping people,” Clayton says.

Locally, there are other basic requirements that pertain to tiny homes; for example, minimum square-footage requirements. Both the city and the county rules say that the minimum size for any kind of house is 220 square feet, which is bigger than some tiny homes.

And every home—tiny or otherwise—must have a bathroom, a sleeping area of at least 70 feet and a closet. Each home in the city of Santa Cruz must have a kitchen as well. Also, current zoning rules limit how many homes a property owner can shove onto one parcel. In a neighborhood of single-family residences, for example, someone would not be able to put more than one or two tiny homes on a property.

 

A LITTLE MOVEMENT

Other jurisdictions have moved forward. Former Assemblymember Nora Campos (D-San Jose) went so far as to get a state law passed that suspended the normal state-required permitting in order to foster “emergency housing” for the homeless in San Jose. The law allows for micro-shelters without plumbing and sewage disposal, which would otherwise violate many building codes, including minimum square footage requirements.

The approval of the first tiny home village in San Jose did not happen without ire from angry homeowners, who expressed concern during a heated December City Council meeting. The San Jose City Council scaled down the original plan of building several villages to building just one, a micro-shelter village pilot project of 40 units, on a site yet to be determined. The council approved a design concept received from the Gensler architectural firm at no cost to the city, featuring futuristic-looking 80- to 140-square-foot sleeping cabins.

The San Jose City Council designated Habitat for Humanity as the project’s developer and general contractor. The units will cost San Jose between $18,000 and $30,000 per unit, with an overall cost of $2.3 million for the entire project.

Oakland and Yuba County have approved villages as well, both opting for an austere toolshed-like structure that does not include any insulation, plumbing or electricity, but comfortably accommodates two single beds. In both projects, portable restrooms and wash stations are provided. In Yuba City, a nearby Christian charity has agreed to make its shower facilities available, offer two daily meals to village residents and provide office space for case management.

Oakland’s tiny house village has opened in what was once an empty downtown lot. It features 20 units designed to house 40 people for up to six months at a time. The city has contracted a nonprofit to bring mobile shower facilities to the village once a week. The encampment will offer a variety of services and case management aimed at getting people into more permanent housing. Oakland Mayor Libby Schaaf said at a December news conference that she’s very excited about the project, adding, “Let’s be clear, this is not a permanent solution—this is a right-now intervention.”

Several miles east, Sacramento Mayor Darrell Steinberg announced last week that he wants to build 1,000 tiny homes in his city over the next two years.

In Santa Cruz, Steve Pleich, a longtime homeless advocate and member of the Emergency Shelter Working Group, is a proponent of tiny homes, both on trailers and in villages.

He says there are three major obstacles to them becoming a reality, either in the city or the county, “and those three problems are location, location, and location. It’s not about funding or homeless programing or about sanitation and building codes or even political will—it’s about where to locate them. Nobody is coming forward on where they should go.”

Pleich has worked for years on a safe-parking program for otherwise homeless individuals and families who live in cars and RVs. He supported rule changes that allowed certain public and private parking lots to be designated as safe spaces where the “vehicularly housed,” as they’re called, could park safely at night in spots monitored by a nonprofit service provider.

Pleich—who lived out of an RV for years himself—says that whether such spaces could also accommodate tiny houses on trailers “remains to be seen.” It would depend, in part, he says, on the site, because tiny homes on trailers are less mobile than RVs.

Despite the obstacles, Marr plans to keep exploring the possibility of a tiny home village for Santa Cruz County. “Until we don’t have homelessness anymore,” Marr says, “we need to keep all options on the table.”


Update 02/07/18 11:06 a.m.: A previous version of this story misquoted Todd Clayton and has been updated with correct quotes from him.

Taylor Rae to Play Michael’s on Main

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Last year, Taylor Raw was surprised to learn that she’d won a NEXTie. The native Santa Cruz singer-songwriter didn’t even know what the NEXTies were. Although she grew up here, she’d been living in L.A. from 2012 to 2016, so she was a little out of the loop.

The most surprising thing about her win was that when she got the call, she was informed she’d won Foodie of the Year, which just confused her. She remembers thinking: “I have no idea what kind of speech I’m going to make.”

A second phone call affirmed she’d actually won Musician of the Year. It was a clear acknowledgement of the hard work she’d put in to the live music scene in Santa Cruz since moving back from L.A. Some weeks, she was playing five to six nights a week. In 2017, she played more than 150 shows.  

All this gigging has been a nice change for her. In the almost four years she was in L.A., she didn’t play a whole lot of shows. She first went to school to study music, then worked with people in the music industry to try to launch a career. Once she returned home in early 2016, she set that aside and opted to organically build a fanbase in her hometown.

“It was very clear that [L.A.] wasn’t the place for me. I just had a really hard time being a broke musician,” Rae says. “I was like ‘OK, I’m not feeling L.A. I’m going to go back up to Santa Cruz and just become a full-time live player and just focus on my acoustic stuff.’”

Since making that decision, she’s been able to support herself playing music full-time. She plays mostly solo acoustic shows, sometimes as a duo with a keyboardist, and on occasion her band from L.A. will come up to Santa Cruz for bigger gigs. She will perform with the band at Michael’s on Main on Feb. 10.

On the same date, Rae will be releasing her new single, the soulful-acoustic “Liquify,” which is off her upcoming album, Mad Twenties. She released the first single off the record, “Morning Fade,” at the beginning of the year. The song was a departure from her last record, 2014’s Gettin’ High to Stay Low, an Americana-meets-Southern-country-rock record. For “Morning Fade,” she collaborated with engineer/friend Parker Miller to create a jazzy, ’70s AM pop radio track. According to Rae, it’s got a “Steely Dan vibe.”

The projected release date for the record is early summer. It’s a project three years in the making, with the tracks recorded in Colorado, L.A. and Santa Cruz.  

“A lot of musicians are involved,” Rae says. “The way we recorded, it’ll sound a little different stylistically. In a way, they’ll be cohesive. The writing style is similar, which will bring it together.”  The title of the new record references the fact that she wrote and recorded the album in the first three years of her 20s, and it reflects “all the highs and lows of them … how they were crazy,” Rae says.

Before she left Santa Cruz in 2012, people knew her around town as a gifted teenage singer-songwriter, calling her an “old soul” and wondering how she had insight into the emotional depths she was singing about.  

“I feel like I understood that they were deep because other people were reacting that way,” she says of the songs she wrote then, “but I had not experienced any event I was talking about.”

That’s all different now. She sees these songs on her forthcoming album as a clear reflection of her life, and a way for her to process all of the experiences and emotions that she’s been going through, and to try to understand them.

“All of them have meaning to my life. They’re just genuine,” Rae says. “I think once the record is out and done, I can come to a sense of closure and start working on a whole new batch of songs, let my mind open up to next wave.”

INFO: 8 p.m. Michael’s on Main, 2591 Main St., Soquel. $10/adv, $12/door. 479-9777.

Thad Vogler Brings His Liquor Vision Quest to Santa Cruz

[dropcap]T[/dropcap]here are foodies. And there are flavor nerds. And then there’s Thad Vogler, a man possessed when it comes to the rarified demimonde of hand-made liquors.

Vogler, creator of such highly hip pitstops as San Francisco’s Bar Agricole and Trou Normand, is a one-man vision quest who has traveled the world tracking down the most rare and exotic tipples on the planet. A Santa Cruz native, Vogler went to Yale before he began pursuing a career that evolved from bartender to high proof anthropologist, working in bars in Cuba, Ireland, Paris, Tokyo, Belize—you get the picture. Think Anthony Bourdain perpetually attached to a shot glass. For nearly two decades Vogler worked at top Bay Area venues before opening his own trendsetting restaurants. Why am I telling you about this double-distilled fortune hunter? (Poetically speaking). Because global spirit chaser Vogler is coming to town next Thursday, Feb. 8 for an event sponsored by Bookshop Santa Cruz and held off-site at Venus Spirits Distillery. That got your attention, didn’t it?

Vogler is nothing if not passionate about tracking down spirits—mezcal, rum, single malt—to their agricultural roots, and stocks his restaurant bars exclusively with little-known, small-batch selections drenched with a strong sense of history and place. For example at Trou Normand, patrons can sample myriad artisanal cognacs and calvados—many made from named and handpicked barrels in France, paired with a menu of exotic craft meats. Bar Agricole, the contemporary tavern long on industrial chic and farmhouse distilling, was the south-of-Market venture that launched Vogler’s rapidly expanding reputation. Essentially he has taken the small, local, handmade concepts and fused them with authentic liquors of far-flung regions. If you shun box store products and industrial labels such as Seagrams, Smirnoff and Bacardi, and if you’re devoted to local and seasonal, then Thad Vogler is speaking to you. He’s doing for booze what Alice Waters did for food. So what he’ll be doing at our very own handmade artisanal distillery (thank you Sean Venus!) is sharing his many drinking tales from years of road trips, as well as sipping and analyzing some of Venus’ greatest hits—with you, the intrigued mixophiliac—perhaps? But here’s the real reason Vogler will be with us on Feb. 8: By the Smoke and the Smell: My Search for the Rare & Sublime on the Spirits Trail. That’s the name of Vogler’s new book that takes readers on the road to meet the fantastic and obsessed artisans who produce handmade spirits, from the mountains of Mexico to the wilds of Scotland. Join me next Thursday, Feb. 8 at 6 p.m. at this free event at Venus Spirits, 427 Swift St., Ste. A. Plan to get there early, and stay for the reading and discussion which will end at 7 p.m.  The way you think about what you drink will never be the same.

 

Wines of the Week

The White: the crisp, complex, and mineral-laden 2015 Chenin Blanc Jurassic Park Vineyard, from Birichino ($22). We are hopelessly smitten with this gorgeous white wine. The Red: Windy Oaks’ Terra Narro, one of the suite of sumptuous fruit and spice-laced estate Pinot Noirs created by alchemist/winemaker Jim Schultze that is in our price point ($29).

 

Peanut Butter Elegy

If, like me, you cannot imagine life without the possibility of peanut butter, then you’ll be cheered to know that last Wednesday, Jan. 24, was not only the birthday of Fiona the Hippo and Frank Galuszka, the painter, but it was also Peanut Butter Day. Thank you, George Washington Carver.

Candlemas, a Fire Festival: Risa’s Stars Jan. 31-Feb. 6

February has a rhythm of festivals, with the purpose of uplifting humanity from the darkness of winter, to the hope for Spring.

Feb. 1 and 2 (Thursday and Friday) are St. Brigid’s Days (Imbolc, Gaelic festival). We bake multigrain breads and weave crosses of wheat or oat stalks. The crosses, hung in our homes, protect from fires and lightning. We make corn dollies from dried (soaked in water) corn sheaves, offering the dollies as gifts.

Friday is Candlemas Day and Groundhog Day (does the groundhog return to his burrow or see his “shadow”? Candlemas is significant astronomically and spiritually. As a cross-quarter day, Candlemas marks the moment in time (day and night) between winter solstice and spring equinox. Like a spring festival of preparation, we turn over the soil, prepare it bio-dynamically, sort seeds and bless their life-force, thus securing our future food supply. The Light is returning. We feel hope. It is also called Imbolc (Celtic festival).

In the Catholic Church, Candlemas, 40 days after Christmas, marks the end of Epiphany. On this day, the holy child and Mary are presented in the Temple. Mary is bathed (purified in a ritual‚ mikvah, bath of sea/salt water) and the holy child (Jesus) is recognized as the promised and long awaited One—the “Light of the world.” We, too, bathe ourselves in salt and sea water. Dedicating ourselves to also be the “Light of the world” for thirsty humanity (Aquarian task).

Candlemas, a fire festival, celebrating the Sun’s rising light, the sap rising (fires) in the plant kingdom. At Mass, beeswax candles are blessed, to be used throughout the year for light and protection. These rituals anchor into our thoughts and our world the “Light of Life itself.” Rituals connect us to Earth and to the Heavens. We come into balance during these days.


ARIES: Slowly over the next many years, so much that is within you, often unknown and unheeded, will surface. So much has been forgotten. When remembered they become “found objects” of self, awaiting the right time and season to emerge. Memories will surface in dreams, symbols, amulets and talismans. As the mystery of yourself is revealed, unseen worlds will be seen. Faith and trust and hope are your guides.

TAURUS: In the coming times, you will be needed by a wider group of like-minded, socially conscious, and spiritually aware people. You will all be artistic, creative and quite unusual. You will be create, build and form a community that is the template for the new culture and civilization. You have sought to create this. Continue to imagine it. First the storm, then thunder, then the Voice of the Silence.

GEMINI: Should you feel uncertain about your work in the world, know that this is part of the fire’s function, attempting to refine you into the new ways of being, centering you in the heart. The heart needs stillness and silence. Fiery ways slowly undermine the idea that you can act like everyone else. You can’t. What you’re left with is your imagination. What do you imagine your future to be?

CANCER: Inspired and immersed in the chambers of the subtle heart … you touch a cosmic magnet and the fire of space. You will enter deeper into mystical and/or esoteric teachings. It will be good to read Rumi. You learn new ways, enter into new places of knowledge, gather ancient wisdoms. You are called to share all that you know. Humanity is thirsty for real knowledge. You love humanity.

LEO: The fires of space restore the equilibrium of humanity. You are that fire. There may be explorations, deep and profound, into issues concerning life, death, sex, rock and roll, and everything else transformative. Taxes, too. And freedom and money. Questions like what is death and what is the function of sex? Am I sexy? What’s sexy to me? And how do we want our money to be used to create the new paradigm shift?

VIRGO: You will see everything through the lens of the spiritual. You will see and recognize the life force, a fire within all cells. Some Virgos may see the actual angels (devas) building the kingdoms. You will discover what unconditional love means. First by seeking it. Then by providing it. A sacred contract. You will make new connections. Love will be released. Everything’s different than before.

LIBRA: A new authenticity will come forth from within and your lifestyle will change. Forgiveness will begin, then continue. Forgiving the self first, is good. What (whom) do you think needs forgiving? Commune with all with one heart. Then the cosmic magnet will breathe through you. Let your daily routines focus on creating and sustaining vibrant health. Become very careful and caring with health. Let direct communion in the heart lead the way. Then you distribute the holy fragrance of life itself.

SCORPIO: You are the master of illusion. You will meet others who also have your gift, protecting themselves against all emotional intrusions. You will come to a point when feelings of aloneness must give way to making true contact. Romance may find you. You can be “romanced” by ideas, by a rare coin or flower, by an angel, a stone or one of the kingdoms. You will become intimate in knowledge with what humanity needs.

SAGITTARIUS: There might be an inner return (memories) to family of origin, family history; its successes, disappointments, strengths and yearnings. Learning what sacrifices the family made. Realizing you hold these for your family (family karma, the carrier). You yearn for clarity, for release, for freedom, for a new reality of home. Also for authentic closeness and care. Let’s pray for it together.

CAPRICORN: Gradually you notice the many forms of nonverbal communication and expression surrounding you. It’s as if you can hear (and see) the angels (devas) building form out of the air. Read again the Findhorn Garden. Your intuition senses all subtle signals unknown by most others. This stimulates your imagination. Community, gardens, fields of flowers are your keywords. If allergies arise, turn to homeopathics.

AQUARIUS: Make sure to be careful with money. It may feel that the outflow is greater than the inflow. And perhaps it is. Eventually your ideas about money will change. New values will replace previously accepted values about money and how it’s made. A new spiritual reality comes forth and you enter gladly into the new sharing society. Watch for this. In the meantime, be prudent with all resources.

PISCES: You become more subtle, refined, changeable, whimsical and elusive. You may feel the need for more rest, reflection and contemplation. You may experience Oneness, the Love of God. Your identity may shift and lines blur around boundaries. You become mysterious and reflect upon the needs of others. You “save” others by inspiring compassion. You then need to rest more.

Rob Brezsny Astrology Jan. 31-Feb 6

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Free Will astrology for the week of January 31, 2018.

ARIES (March 21-April 19): In all of history, humans have mined about 182,000 tons of gold. Best estimates suggest there are still 35 billion tons of gold buried in the Earth, but the remaining riches will be more difficult to find and collect than what we’ve already gotten. We need better technology. If I had to say who would be the entrepreneurs and inventors best qualified to lead the quest, my choice would be members of the Aries tribe. For the foreseeable future, you people will have extra skill at excavating hidden treasure and gathering resources that are hard to access.

TAURUS (April 20-May 20): Stories have the power to either dampen or mobilize your life energy. I hope that in the coming weeks, you will make heroic efforts to seek out the latter and avoid the former. Now is a crucial time to treat yourself to stories that will jolt you out of your habitual responses and inspire you to take long-postponed actions and awaken the sleeping parts of your soul. And that’s just half of your assignment, dear Taurus. Here’s the rest: Tell stories that help you remember the totality of who you are, and that inspire your listeners to remember the totality of who they are.

GEMINI (May 21-June 20): Author Anaïs Nin said, “There are two ways to reach me: by way of kisses or by way of the imagination. But there is a hierarchy: the kisses alone don’t work.” For two reasons, Anaïs’s formulation is especially apropos for you right now. First, you should not allow yourself to be seduced, tempted, or won over by sweet gestures alone. You must insist on sweet gestures that are synergized by a sense of wonder and an appreciation of your unique beauty. Second, you should adopt the same approach for those you want to seduce, tempt, or win over: sweet gestures seasoned with wonder and an appreciation of their unique beauty.

CANCER (June 21-July 22): Are you more inclined right now to favor temporary involvements and short-term promises? Or would you consider making brave commitments that lead you deeper into the Great Mystery? Given the upcoming astrological omens, I vote for the latter. Here’s another pair of questions for you, Cancerian. Are you inclined to meander from commotion to commotion without any game plan? Or might you invoke the magic necessary to get involved with high-quality collaborations? I’m hoping you’ll opt for the latter. (P.S. The near future will be prime time for you to swear a sacred oath or two.)

LEO (July 23-Aug. 22): In March 1996, a man burst into the studio of radio station Star FM in Wanganui, New Zealand. He took the manager hostage and issued a single demand: that the dj play a recording of the Muppet song “The Rainbow Connection,” as sung by the puppet Kermit the Frog. Fortunately, police intervened quickly, no one was hurt, and the kidnapper was jailed. In bringing this to your attention, Leo, I am certainly not suggesting that you imitate the kidnapper. Please don’t break the law or threaten anyone with harm. On the other hand, I do urge you to take dramatic, innovative action to fulfill one of your very specific desires.

VIRGO (Aug. 23-Sept. 22): Many varieties of the nettle plant will sting you if you touch the leaves and stems. Their hairs are like hypodermic needles that inject your skin with a blend of irritant chemicals. And yet nettle is also an herb with numerous medicinal properties. It can provide relief for allergies, arthritis, joint pain, and urinary problems. That’s why Shakespeare invoked the nettle as a metaphor in his play Henry IV, Part 1: “Out of this nettle, danger, we pluck this flower, safety,” says the character named Hotspur. In accordance with the astrological omens, Virgo, I choose the nettle as your power metaphor for the first three weeks of February.

LIBRA (Sept. 23-Oct. 22): Knullrufs is a Swedish word that refers to what your hair looks like after sex: tousled, rumpled, disordered. If I’m reading the astrological omens correctly, you should experience more knullrufs than usual in the coming weeks. You’re in a phase when you need and deserve extra pleasure and delight, especially the kind that rearranges your attitudes as well as your coiffure. You have license to exceed your normal quotas of ravenousness and rowdiness.

SCORPIO (Oct. 23-Nov. 21): In his “Crazy Lake Experiment” documented on YouTube, Harvard physicist Greg Kestin takes a raft out on a lake. He drops a tablespoon of olive oil into the water, and a few minutes later, the half-acre around his boat is still and smooth. All the small waves have disappeared. He proceeds to explain the science behind the calming effect produced by a tiny amount of oil. I suspect that you will have a metaphorically comparable power in the next two weeks, Scorpio. What’s your version of the olive oil? Your poise? Your graciousness? Your tolerance? Your insight into human nature?

SAGITTARIUS (Nov. 22-Dec. 21): In 1989, a man spent four dollars on a painting at a flea market in Adamstown, Pennsylvania. He didn’t care much for the actual image, which was a boring country scene, but he thought he could use the frame. Upon returning home, he found a document concealed behind the painting. It turned out to be a rare old copy of America’s Declaration of Independence, originally created in 1776. He eventually sold it for $2.42 million. I doubt that you will experience anything quite as spectacular in the coming weeks, Sagittarius. But I do suspect you will find something valuable where you don’t expect it, or develop a connection with something that’s better than you imagined it would be.

CAPRICORN (Dec. 22-Jan. 19): In the 1740s, a teenage Capricorn girl named Eliza Lucas almost single-handedly introduced a new crop into American agriculture: indigo, a plant used as a dye for textiles. In South Carolina, where she managed her father’s farm, indigo ultimately became the second-most-important cash crop over the next 30 years. I have astrological reasons to believe that you are now in a phase when you could likewise make innovations that will have long-range economic repercussions. Be alert for good intuitions and promising opportunities to increase your wealth.

AQUARIUS (Jan. 20-Feb. 18): When I was in my early 20s, I smoked marijuana now and then. I liked it. It made me feel good and inspired my creativity and roused spiritual visions. But I reconsidered my use after encountering pagan magician Isaac Bonewits. He didn’t have a moral objection to cannabis use, but believed it withered one’s willpower and diminished one’s determination to transform one’s life for the better. For a year, I meditated on and experimented with his hypothesis. I found it to be true, at least for me. I haven’t smoked since. My purpose in bringing this up is not to advise you about your relationship to drugs, but rather to urge you to question whether there are influences in your life that wither your willpower and diminish your determination to transform your life for the better. Now is an excellent time to examine this issue.

PISCES (Feb. 19-March 20): Would you like to shed unwieldy baggage before moving on to your next big challenge? I hope so. It will purge your soul of karmic sludge. It will prime you for a fresh start. One way to accomplish this bravery is to confess your sins and ask for forgiveness in front of a mirror. Here are data to consider. Is there anyone you know who would not give you a good character reference? Have you ever committed a seriously unethical act? Have you revealed information that was told to you in confidence? While under the influence of intoxicants or bad ideas, have you done things you’re ashamed of? I’m not saying you’re more guilty of these things than the rest of us; it’s just that now is your special time to seek redemption.

 

Homework: What’s the best, most healing trouble you could whip up right now? Testify at Freewillastrology.com.

 

Opinion January 24, 2018

EDITOR’S NOTE

A couple of years ago, we wrote about Santa Cruz’s stunning legacy of hip-hop dance, and I am still surprised this community hasn’t embraced it the way we should. Over the hill in San Jose, the Bangerz—who compose the music for the Jabbawockeez, probably the most famous hip-hop dance crew of all time—are a cultural fixture, wowing crowds at huge downtown festivals and working closely with other arts groups in the area. By comparison, Santa Cruz’s history with the Jabbawockeez—as in, the founder of the group, Gary Kendell, came out of our dance community—should be the stuff of local legend.

It hasn’t really happened yet, but we’re going to continue to do our part to make it so. The Santa Cruz studio that Kendell taught at, Motion Pacific, turns 20 this year, and Georgia Johnson’s cover story this week explores how hip-hop was one aspect of how they revolutionized the dance scene here. At the same time, it also goes a little deeper in Kendell’s history than we have before, exploring how his work with the Boom Squad changed a lot of minds about the meaning and possibilities of hip-hop dance.

I’ve been wowed by many Motion Pacific shows over the years. Congratulations to them on two decades of helping to shape how our community thinks about dance.

STEVE PALOPOLI | EDITOR-IN-CHIEF


LETTERS TO THE EDITOR

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KZSC: Where They Are Now

Re: GT’s KZSC cover (12/6): I knew it was Robin Lewin. I did not know that people were asking. I was the tie-breaking vote that got him in as station manager when he was only a freshman.

My husband, Kevin Monahan, is also in that 1978 picture on your inside pages—he is the cute one in the middle, left, with a mustache. I was not in that picture, as I had already graduated and was in L.A. working at NBC.

Kevin went on to work at EMU Systems in Santa Cruz, and invented the first sound library for musicians. So much of the ’80s music came from Kevin’s sounds. Maybe there should be a follow-up story on all of the sound developments that happened (and are still happening!) in Santa Cruz. The EMU founders are still alive (and working) and many of the ex-EMU people are still working at Universal Audio. Others are at Apple, etc. Our tenant at the original EMU house in Santa Cruz on Broadway, also a later EMU person from England, is presently at Amazon Alexa, for example.

Robin was also in last year’s 50th anniversary UCSC alumni magazine, along with several of the students from our small little “communications” group. There were about 20 of us under the guidance of Gordon Mumma, head of the electronic music studio. I was Kresge Town Hall Manager at the time, and assistant teacher to Gordon. A lot of the existing audio people in our industry came out of Gordon’s electronic music studio. I knew Robin as late as 1980, when a bunch of us got together and got a hotel room at the second-ever Billboard Video Music Awards in L.A. I stayed in L.A., started my own company, and won a Billboard Music Video Award in 1986. My ex, Rob Schafer, who also helped maintain KZSC, is still a top engineer at CBS NY, and has been so for about 40 years.

Doing radio shows at KZSC was one of the most fun things in my life. I have been a video editor for almost 45 years, doing a documentary on Jackson Browne right now for the NAMM Awards show in L.A.

But there is nothing like real-time broadcasting for a real continual adrenaline rush.

Kevin and I live in Corralitos and still do video … and support Danny Croft’s ’80s show on KZSC with contributions.

Thanks for publishing the info on KZSC.

Denise Gallant | Corralitos

Pleasure Point Posse

Hi. Enjoyed the CVB/Cracker article (GT, 12/27). Used to see them when I was playing with Square Roots, way back last century.

Here is a song by Square Roots about where the band lived: Pleasure Point. We were all surfers and wrote about what we knew: We’re the Pleasure Point Posse/We like to surf it when is glassy/We’re all locals, we’re not Aussies/We no do cocaine, it too costly.

Most of the Roots are still around. I run the Pleasure Point Horns (“rent-a-horn section”); band leader/lead singer/drummer Billy Pitrone is the leader/guitarist/vocalist with Bean Creek; bassist Chris Sandman is with Extra Large, etc.

We’re still contacted by folks worldwide, so our old guitarist put up a Square Roots tribute page: myspace.com/squarerootssantacruz.

Also of note, I’m playing with a bunch of “kids” in the prog-funk-rock-jam band Jive Machine. Three-fourths of the band are grads of Musicians Institute in Hollywood and the guitarist studied with Joe Satriani. We just killed NYE at Abbott Square.

Dan Young | Santa Cruz


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GOOD IDEA

HOUSE MONEY
A local operation is officially launching its Landlord Incentive Program designed to encourage property owners to accept tenants with Section 8 rental vouchers. The basic concept, covered by GT last year (“Vouch for ‘Em,” 11/2), offers loss coverage of up to $2,500 per tenant. The program protects landlords if they incur certain expenses within the first year of tenancy. The county’s low-income renters can spend several years on the waiting list before getting a voucher, and even then, many don’t find a home before it expires.


GOOD WORK

SLAMMER DUNK
A judge in Canada recently banned solitary confinement, relying heavily on testimony from UCSC psychology professor Craig Haney. For decades, Haney has been an expert on the psychological effects of imprisonment, as well as a critic of solitary confinement, and he testified at the trial about the effects of isolation on mental health. His expertise has figured prominently in numerous court decisions regarding the treatment of inmates. Here in America, California and other states have begun limiting the use of solitary confinement.


QUOTE OF THE WEEK

“Let us read, and let us dance; these two amusements will never do any harm to the world.”

-Voltaire

What do you think about the homeless camp in San Lorenzo Park?

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“The campgrounds are definitely needed in this community, and I think we should have more. There’s still land available.”

Joe Forst

Felton/Boise
Retired Drug and Alcohol Counselor

“I think visually it looks bad, and I also want the homeless to have a place to go, and resources to help those who need it. ”

Elizabeth Taylor

Santa Cruz
Mother

“They obviously need a place to go, but I’m concerned with the proposed move to the Harvey West area, because there are residents in that area.”

Ian Thornburgh

Santa Cruz
Audio Engineer

“The homeless population is out there for the Santa Cruz community to see. We need to do something about affordable housing in Santa Cruz.”

Stephanie Howe

Santa Cruz
Nurses Aid

“When society won’t make space for somebody, they will carve out their own niche.”

Lindsley Britton

Santa Cruz
Archeologist

Film Review: ‘Phantom Thread’

4

No one could accuse filmmaker Paul Thomas Anderson of a lack of ambition. His new movie Phantom Thread aspires to present an insider’s look at the ritzy, exclusive world of international haute couture, grafted onto a battle-of-the-sexes melodrama about a cranky artiste and his stubborn muse struggling for control of their fractious relationship. There are moments of intrigue and interest—mostly in the pleasure of watching star Daniel Day-Lewis act—but Anderson never manages to stitch all of the pattern pieces into a seamless whole.

Set in London in the postwar 1950s, the story revolves around fashion designer Reynolds Woodcock (Day-Lewis), whose clients include celebrities, royalty, and obscenely wealthy dowagers. An “incurable bachelor” of a certain age, Reynolds is a man of strict routines; the business of the formidable House of Woodcock is handled by his crisply efficient sister Cyril (a terrific Lesley Manville), who maintains the atmosphere of peace and quiet that Reynolds needs to work. Her duties include giving her brother a gentle nudge to move on whenever his current mistress becomes tiresome.

After delivering an important gown to a countess, Reynolds motors down to his country house for some R&R. In a seaside cafe, he meets fresh-faced, ever-so-charmingly-gauche Alma (Vicky Krieps) waiting tables. He asks her out to dinner, a bizarre first date that includes him taking her home, stripping her to be fitted for a gown-in-progress, and taking all of her most intimate measurements. Turns out she’s his “perfect shape” (not too busty). Next thing we know, he’s moving her into his London townhouse.

Here, the mechanics of the plot start to get a little hazy; Alma models in his private showroom sometimes, but otherwise, she wanders around in the same antiseptic white uniform his staff of seamstresses wear. The points by which her position is gradually upgraded to new mistress are ticked off cleanly enough, but we never feel an emotional connection between them. Which becomes a problem when, once she’s ensconced, persnickety Reynolds starts finding fault with everything she does, from consuming her breakfast too noisily to arguing with him about his taste.

The problem with this so-called love story is that we have no idea who Alma is‚ or what she wants, and neither does Anderson. She has a vaguely European accent (Krieps is from Luxembourg), but she’s given no backstory, and apparently has no family or friends, or life of her own. Compliant at first (almost all she says in her first few scenes is “yes”), she only starts to grow a spine when it’s convenient for Anderson to set her up in opposition to Reynolds’ perfectly ordered world.

Reynolds, of course, has plenty of backstory, from the deceased, adored mother, to whom he still feels spiritually connected, to his habit of sewing secret messages into the lining of his gowns. But beneath his veneer of elegant charm, he’s also vicious and belittling. It’s never clear what Alma is getting emotionally from this abusive match-up; by the time she finally exclaims she’s tired of “waiting around for you to get rid of me,” the audience can’t figure out why she’s still there. The solution she dreams up to her dilemma does give the story sort of a nifty, perverse kick in the late innings, but it’s not really enough to justify all of the effort we’ve put into it.

Meanwhile, Anderson mines the haute couture milieu to try to keep our attention. There’s tactile pleasure in the way the camera fawns over antique lace and voluptuous fabrics, or noses among the corps of veteran seamstresses hand-sewing an extravagant gown. (It’s a nice touch that Anderson casts many now-matronly women who actually did sew for the great fashion houses of the ’50s as Reynolds’ seamstresses.)

There are moments of sly, subversive wit, as Reynolds and Alma bait and challenge each other—on the rare occasions when he’s not insulting or demoralizing her (and sometimes when he is). But we never become invested in these prickly characters, their relationship, or their insular world.

 

PHANTOM THREAD

**1/2 (out of four)

With Daniel Day-Lewis, Lesley Manville, and Vicky Krieps. Written and directed by Paul Thomas Anderson. A Focus Features release. Rated R. 129 minutes.

 

Vine and Dine: Boisset Family Estates

Exploring different wine regions always means coming across new and vibrant places. On a three-day trip to Napa last month, my husband and I ventured into Boisset Family Estates tasting room–also known by the owner’s initials JCB, for Jean-Charles Boisset. And what an amazing place it is! Be prepared for a sensory overload of leopard-print curtains and bar stools–and thousands of dollars’ worth of Baccarat crystal, including a simply mesmerizing chandelier as a middle-of-the-room showstopper.

I recommend a flight of four bubblies at $30 per person for a fascinating JCB experience. These gorgeous sparklers are incredibly well-made and delicious, and tasting them becomes a celebration. The sparkling Rosé Wine No. 69—named for the year of Boisset’s birth—is a Pinot Noir Brut bubbly packed with flavor and style. As well as sparkling wines, other wines are available to taste as well.

A tour of JCB’s private salon followed—a room so over-the-top fabulous, it’s hard to take it all in. Backs of chairs covered in white feathers, a ruby-red grand piano, a glass-topped table with gold leaf underneath that moves with the heat of your hand—and so much more.

JCB, 6505 Washington St., Yountville, 707-934-8237. jcbcollection.com

 

Bargetto at Bridal Expo

You don’t have to be planning a wedding to visit the Bridal Expo on Sunday. It’s an opportunity to check out photographers, caterers, reception venues and more. But if you’re interested in the latest wedding trends, then the Cocoanut Grove is the place to be. Bargetto Winery will be at this year’s expo to provide a wine tasting as well as detailed information about weddings, rehearsal dinners, and private events at their winery in Soquel—and booths galore are set up for you check out vendors’ goodies. Joyce Anderson (of Anderson Productions) is putting on fashion shows at 12:30 and 2:30 p.m. featuring Bridal Veil Fashions, Seabreeze Bridal Boutique, Men’s Wearhouse, Jewels on Pacific, and DJ Trevor Williams of Santa Cruz DJ Company. The Expo is 11 a.m. to 4 p.m. Sunday, Jan. 28 at the Cocoanut Grove, 400 Beach St., Santa Cruz. For more info visit beachboardwalk.com/bridal-expo.

Jack and the Beanstalk Will Change Your Mind About Tofu

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Tofu may be the most misunderstood food in America. Maybe its useful but creepy ability to be anything and everything is what has made this anemic-looking block of curdled and pressed soy milk a pre-packaged punchline. Just add it in front of the name of any popular food: tofu cheesecake, tofu smoothie, tofu burger—doesn’t sound fun.

It doesn’t help that, because tofu is loaded with protein and iron, Western culture forced it into a meat-shaped mold, and the results are confusing. The embodiment of this is the tofurky, whose reappearance every year around the holidays as a bloodless centerpiece is heralded by inexplicably strong emotional reactions ranging from cultish devotion to patriotism-flecked disgust.

The biggest problem for me was that I thought tofu was boring. For that reason, I avoided it for pretty much all of my life, convinced that this weird looking sponge tasted exactly how it looked—like nothing.

Then, on what turned out to be a very fateful evening, a friend served Jack and the Beanstalk tofu, and a surprising thing happened: I reached for a third helping. And I suspected that I may have only ever eaten bad tofu, because this tofu was unbelievably tasty.

Certified organic and made in nearby Salinas, Jack and the Beanstalk exposed me to how delicious and versatile well-made tofu can be, and now I eat it all the time. On its own, it has a pure, sweet, fresh taste and a silky texture. When cooked, the innocuous flavor complements the other ingredients and doesn’t, as I assumed, just absorb whatever flavoring you add. It’s delicious sliced cold with green onion and drizzled with soy sauce and sesame oil. The cubes get delightfully puffy when baked and thrown in grain bowls or salads. I love fishing out chunks of it in curry or soup, or frying slices for quick snack or a banh mi.

Available at Staff of Life, New Leaf Markets and served at Charlie Hong Kong.

Santa Cruz Slow on Tiny Homes As Other Cities OK Villages

tiny homes for homeless
The county is tentatively studying building five villages spread through the region

Taylor Rae to Play Michael’s on Main

Taylor Rae
After leaving her native Santa Cruz to make it in L.A., Taylor Rae finds success and fulfillment back in her hometown

Thad Vogler Brings His Liquor Vision Quest to Santa Cruz

Thad Vogler at Venus Spirits
Global spirit chaser celebrates the rare and sublime at Venus Spirits

Candlemas, a Fire Festival: Risa’s Stars Jan. 31-Feb. 6

risa's stars
Esoteric Astrology as news for week of Jan. 31, 2018

Rob Brezsny Astrology Jan. 31-Feb 6

Astrology, Horoscope, Stars, Zodiac Signs
Free Will astrology for the week of January 31, 2018.

Opinion January 24, 2018

Plus Letters to the Editor

What do you think about the homeless camp in San Lorenzo Park?

Local Talk for the week of January 25, 2018.

Film Review: ‘Phantom Thread’

phantom thread
Director Paul Thomas Anderson can’t sew patchwork story together

Vine and Dine: Boisset Family Estates

Jean-Charles Boisset
Jean-Charles Boisset’s tasting room is quite an experience

Jack and the Beanstalk Will Change Your Mind About Tofu

jack and the beanstalk tofu
Salinas company makes misunderstood food smooth as silk
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