Preview: Talkie to Play at Crepe Place

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[dropcap]B[/dropcap]ay Area indie group Talkie took most of 2017 off from live shows to complete their follow-up to 2015’s huge double-album Hablas. They are in the final stages of mastering the recordings, but spent so long working on the material that they ended up with two albums.

“We were just taking our time and not trying to rush it,” says drummer Eric Martin. “We set out thinking, ‘hey, let’s write a follow up to Hablas,’ We ended up writing the follow-up to Hablas, and a follow-up for that as well,” says drummer Eric Martin. “It really speaks to the amount of time it ended up taking.”

They’ve released a couple of songs from the first of the records, which are mellow and have a groovier beach-pop feel and lusher production than Hablas. That album should be out this spring. The other will come later, and will have a harder edge.

The band explains the first album as being “cold,” and the second as “warm.” Sensing my confusion, they then explained it in Santa Cruz terms. The first one is “you are going out to Santa Cruz and have yourself a hot chocolate and listen to this record, then [the other is], you’ll be riding the Giant Dipper, drink an energy drink and get on that roller coaster,” says Martin.

As complicated as it all sounds, these two albums are actually a move away from the heady thought processes behind Hablas, which they say is loosely a concept album. They’d only put out one release prior—a short and sweet self-titled EP. While discussing the follow-up, they imagined an album cover taken at the psychedelic, desert-y Salvation Mountain, and then they wrote all of the songs with that visual in mind, capturing the mood of that photo, and then imagining various narratives that would work in that setting.  

“We really just wanted to make an indulgent double-album for our debut. We thought it would be hilarious,” says Martin.

Just as the extremity of doing a self-indulgent concept record is the opposite of their bare-bones rock ’n’ roll EP, they see the next two records following a similar pattern of ping-ponging between different extremes.

“Everything reacts to the last thing we did,” says singer/guitarist Brad Hagmann. “We were reacting to the original EP which was very heavy rock. Hablas was the other end of the spectrum. It was kind of psychedelic, a little more delicate. This reacts to Hablas in a similar way, but it’s definitely not the EP.”

The new records are also part of a continuum of self-production that they started with Hablas. After recording their first EP in a proper studio, they decided to build a portable DIY studio, which first got installed in a barn in San Martin. Having their own studio afforded them the time to really devote to fleshing out details without fear of going over budget.

They’ve become competent self-engineers, which has given them the ability to experiment in terms of textures, creative mic placements and little songwriting tweaks. The drums on this upcoming record, for instance, were recorded in a cabin in Lake Tahoe, to give it “a big room sound.”

“There was a lot of experimentation. Because we’re not working in Abbey Road, or even Tiny Telephone, everything we did was the second or third attempt that we did doing it, for us being musicians first and then record engineers and then producers and mixers after,” Martin says. “Doing all three and having the ability to not worry about the clock, that allowed us to really experiment.”

They have consulted with some sound experts who steered them in the right direction at times, but a lot of the charm of the recording is that they didn’t always know the correct way to do it. When they would land on the wrong thing, they’d come up with some creative sounds.  

“If it’s technically wrong, then who cares? If it sounds cool, let’s try it,” Hagmann says. “When you’re recording in odd spaces, you just try a lot of things.”

Talkie perform at 9 p.m. on Saturday, Feb. 17 at the Crepe Place, 1134 Soquel Ave., Santa Cruz. $8. 429-6994.

Oasis Tasting Room & Kitchen Closes, Plus More Culinary Changes

[dropcap]I[/dropcap]t was a sudden parting of the ways. The Oasis umbrella entity that housed both the restaurant Matambre, and the tasting room for Uncommon Brewers closed its doors two weeks ago. Chris Laveque, entrepreneur of El Salchichero who teamed up with Uncommon Brewers in the ambitious—and very spacious—venture behind River St. Cafe had a few reflections to share.

“Its bittersweet that things have come to an end,” says Laveque. “It has taught me a lot in the several months we were open and the many years it took to get open.” Laveque wanted to clarify that Matambre was solely responsible for the food, and Uncommon for the beer, and front of the house. “We had a few things plague us from the start, the main being the name. It was envisioned as a tasting room for Uncommon Brewers but with no direct name association it was not viewed as that by the public,” he says. He’s right about that. Name recognition is something to be leveraged. “In the end we were known for the food, a different direction than what was envisioned by Uncommon Brewers.” Leveque also noted that there were no wine options available for those who preferred something other than beer. “There are many groups of people who do not drink beer—we had no option for them,” he says. Meanwhile, “the butcher shop is doing great as we enter our eighth year in this space,” the artisanal butcher noted. “We’re continuing to grow and are looking at some fun new projects here as well.” Stay tuned.

 

New Leaf at New Leaf

In a sudden pivot, designs to expand the Portland-based New Seasons Market empire of which New Leaf Community Markets is a part, have changed. There had been plans for a new store in Carmel as well as several in the Bay Area. Mary Wright, VP for New Leaf Community Markets, responded to our query about how the changes in the parent company—for example, its CEO stepping down—might affect our local stores.
“New Leaf Community Market’s stores will continue business as usual, and we look forward to continuing to serve our local communities. We are excited to open another New Leaf in Aptos later this year, and we are targeting a fall opening,” she says. Meanwhile, the Felton and Boulder Creek locations, owned by Bob Locatelli, will operate independently as of April 2 of this year, after 24 years of being part of New Leaf.

 

Lunch at Gabriella

Ladies who lunch find a lot to like at Gabriella, especially when uber-host Paul Cocking is on site as he was last Tuesday. Rita and I succumbed to some feather-light, fresh focaccia as well as two gorgeous seafood entrees. Rita’s buxom salad topped with a filet of true cod was lovely, but my rainbow trout over creamy polenta was even better. We celebrated the fine weather by sharing a glass of white wine and an order of affogato. Rita ate the vanilla gelato, and I scarfed down the chocolate cookie with sea salt. Happy day.

 

Mutari Bi-location

Hmmm, just exactly where are those chocolatiers of Mutari? Well, as co-owner Katy Oursler explained, they are in two locations. The shop and factory live at Front Street, with its extended drink menu and indoor seating. Except when Mutari inhabits “an extended Pop-Up” of grab-and-go items in the bouncy little Pacific Avenue space next door to Assembly. Hope this clarifies things for you. It does for me. Chocolate. Always a great idea. Heads up: Mutari is open today, Valentine’s Day from noon until 9 p.m. Chocolate. Valentine’s favorite! 504A Front St., Santa Cruz. mutarichocolate.com

Patrick McCaw on Struggles, Santa Cruz Warriors Loss

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[dropcap]G[/dropcap]olden State Warriors shooting guard Patrick McCaw was in Santa Cruz last night and pinned the team’s 105-99 loss on himself.

“Coming down here, I just really don’t want the team to lose. I take this loss. I could have done a lot more,” said McCaw, who had specifically requested an assignment on the Santa Cruz Warriors, an affiliate of Golden State, hoping to shake off the cobwebs and work on his game.

While the sophomore guard felt happy to get his feet wet again and see more game time, he rated his play at a five out of 10—a harsh grade for someone who finished with 22 points, eight rebounds and two assists. The Friday, Feb. 9 match was also the first game this season that Golden State Warriors majority owner Joe Lacob came down to see in person, as he tries to keep tabs on the Santa Cruz team. The team is now 18-17 and riding a three-game losing streak.

McCaw, who has seen his efficiency slump at Golden State this year, started last night’s game slow, with 1 for 5 shooting in the first quarter.

“I tend to start games slowly, but that’s because I’m trying to really pick apart everything, from the opposing team to my team,” said McCaw, who expects to play in Santa Cruz again on Sunday, Feb. 11, against the South Bay Lakers. “I was just getting a feel for everybody, and I slowly did, and I felt a lot more comfortable with our guys. For me, I was just trying to pick apart the defense and make reads out of the pick and roll, knowing when to come up and knock down shots. I’m definitely getting back [to] comfortable, using my mind and being out there playing that many minutes. It’s all gonna come back to me.”

NBA players don’t normally seek game time at the development-league level, but that may change.

After struggling point guard Isaiah Thomas returned from a hip surgery this year, analyst Brian Windhorst suggested that he should have made his debut at a lower level before returning to the NBA, and fellow ESPN writer Zach Lowe recently said he doesn’t know why there’s a stigma against NBA players spending time at a lower-level team, especially considering how baseball players do it all the time. Lowe predicted that stigma would change in a few year years.

McCaw says he doesn’t know why that stigma exists, but such perceptions don’t bother him. “It takes a guy who knows where he wants to be. I know where I want to be two or three years from now, so I can’t slow down for anybody,” says McCaw, who attributes his second-year struggles at Golden State to inconsistent playing time and an inability to rind a rhythm.

Santa Cruz had the game’s better players in Friday night’s game—with not only McCaw, but also Golden State backup center Damian Jones and point guard Quinn Cook, who is playing on a two-way contract, that’s designed to split his time between Santa Cruz and Golden State.

But the Legends, who were without their top two scorers, played with more hustle and a stronger team effort. “No question,” said coach Aaron Miles. “They were down guys, and they said, ‘You know what, we’re gonna do it together.’”

The Legends outscored the Warriors in every quarter, but the third.

Santa Cruz Warriors GM Kent Lacob, who sat courtside next to his dad Joe for the game, said he and the Warriors owner spent most of the game talking basketball. He said he and his dad view the Santa Cruz and Golden State teams as one organization, so it’s helpful when guys from the NBA team come down to see how things are going.

“We do have that family atmosphere,” Kent Lacob said. “It’s good, and I think the guys appreciate it, to know that people are watching and they care about their progress.”

What creeps you out?

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“Veggie burgers that taste too much like the real thing.”

Dawn Perchik

Programmer
Los Gatos

“Flying bugs, because they can find my face.”

Eva Dunn

Social Media Manager
Campbell

“I have trypophobia, which is a fear of irregular patterns of small holes or bumps.”

Ryan Powell

Cook
San Jose

“Killer whales in captivity attacking trainers. ”

Skyler McKinley

Solar Installer
Santa Cruz

“Donald Trump freaks me out because he’s a blatant racist.”

Sam Johnson

Cook
Santa Cruz

Opinion February 7, 2018

EDITOR’S NOTE

It’s been a week now since our Santa Cruz County vs. Monterey County issue came out, and of course I can’t stop thinking of things that we forgot to put in there. One reader wrote in wondering why we didn’t point out that our weather is infinitely better than theirs. “Ever been to Monterey in August?” he wrote. “Sheesh, it’s colder than San Francisco.” Also, I realized I forgot to put any surf movies like Chasing Mavericks—which is basically a love letter to Santa Cruz—in the Movies category. And seriously, we should have had a category for Sex Positivism, which we would have won hands down. I mean, Susie Bright, Annie Sprinkle and Beth Stephens all live here, for god’s sake!

We’re making up for that last one this week in our Valentine’s Day issue by profiling two Santa Cruz podcasters who are quickly becoming icons of sexual consciousness, Amy Baldwin and April Lampert. I’ve been all about podcasts for the last few years, and I just added their show Shameless Sex to my subscriptions. After reading Maria Grusauskas’ story about them, you might do the same.

Meanwhile, Sven Davis looks at a different, but no less important kind of love: the bond between humans and their ruff-ruffs. His insights are as Sven as you’d want them to be—and, of course, very funny. I hope this month brings lots of love for you and your significant others, no matter how many legs they have.

STEVE PALOPOLI | EDITOR-IN-CHIEF


LETTERS TO THE EDITOR

Read the latest letters to the editor here.

WE ALL WIN

County lines (GT, Jan. 31)? Some of us don’t see it that way. When I moved to the Monterey Bay area in December 1983,  I expected it to be for the rest of my life. And so far, it has.

I am one of many of us who escaped Southern California—Los Angeles County to be precise. While I am pleased that there are improvements in L.A. since I left, I would never return there to live. Twice as many people live there now. Too, too many.

I have lived in Pacific Grove, Monterey, Salinas, Capitola and now, Watsonville. I was a renter in Pacific Grove and Monterey, a condo owner in Salinas and Capitola, and now a house owner in Watsonville.

I have lived in both counties, and I have never regretted it. I now live on the border of the two counties, just a few yards from Salsipuedes Creek, and less than a mile from Monterey County. What Monterey County lacks, Santa Cruz County has, and vice versa. But we live in a fabulously beautiful region that people who don’t live here would love to live in.

Don’t believe me? Listen to visitors in restaurants or shopping areas or any attraction we have. “God, I wish I lived here !” “This place is beautiful; you are so lucky to live here!” I have heard this so many times.

And then you tell them about the homeless problem and tell them the price of homes to buy or rent. And then they faint, mouth wide open.

I am grateful for the job interview at Soquel High School in 1977 that first brought me here. And I knew if I did not get the job I would return. And six years later, I did. There is a God.

Steve Trujillo | Watsonville

GRACIAS FROM SENDEROS

In this time of dire uncertainty for immigrants, we are so grateful for the Good Times support of Senderos in the Santa Cruz Gives holiday fundraising program. Your feature article on Nov. 29 highlighted the important pathways Senderos is creating with free dance, music and educational support programs for Latino youth and families.

In 2017, Senderos performed at 30 community and school events for an estimated 23,000 people. Sharing the rich cultural diversity of our region encourages understanding and boosts the confidence and pride of our participants. We are deeply grateful to Good Times, Volunteer Center, sponsors, and all the new and returning donors who gave so generously to Senderos and the other 32 nonprofits serving our County.

¡Muchas Gracias!

Fe Silva, Senderos Director

Carolyn Coleman, Senderos Board Member

Busted System

Re: “Vouch For ’Em” (GT, 11/1): It still has not gotten better. Landlords are still turning down vouchers left and right. People are losing their vouchers every day due to lack of landlords accepting vouchers and not getting extension notices ’til a month later, with each extension only lasting two months leaving you a month of nos. There should be an alternative.

Antonyette L. Fuller | Santa Cruz

CORRECTION

Last week’s news story on tiny homes (“Seeing a Shrink,” 1/31) misquoted Boxed Haus owner Todd Clayton. He had actually said, “I feel like an outlaw by trying to make a better world with a very decent product, a product people need, but can afford.”


PHOTO CONTEST WINNER

Submit to ph****@go*******.sc. Include information (location, etc.) and your name. Photos may be cropped. Preferably, photos should be 4 inches by 4 inches and minimum 250dpi.


GOOD IDEA

OPENING TIP
Soquel Drive in Aptos Village returned to being two lanes starting late Friday, Feb. 2. The repair project took several months to complete as the Santa Cruz County public works and Watsonville-based contractor Granite Construction, worked to fix a large slip-out at Valencia Creek. The Federal Highway Administration provided primary funding, with supplemental money from Caltrans. Local funds came from SB 1, the Road Repair and Accountability Act of 2017.


GOOD WORK

COUNTER WEIGHT
Santa Cruz County District Attorney Jeffrey Rosell announced a civil law enforcement settlement last week against Walgreens for more than $2 million. The DA’s office, along with other district attorneys and Santa Cruz County Environmental Health Services, had found that Walgreens was charging consumers more than the advertised prices, and selling infant formula, baby food, and over-the-counter drugs after their expiration dates. The company admits no wrongdoing.


QUOTE OF THE WEEK

“Straight talk is a virtue. Dirty talk is a goddamn blessing.”

-Kate Meader

Pelican Ranch’s Rosé of Zinfandel is Valentine’s Day Elixir

[dropcap]A[/dropcap]fter brunch at Gayle’s Bakery one recent Saturday, we headed to Pelican Ranch Winery’s tasting room just a few minutes’ drive away in Capitola. Ebullient owner and winemaker Phil Crews greeted us at the door, making us feel like long-lost friends with his gracious hospitality.

We tasted several wines, including a very voluptuous 2016 Santa Cruz Mountains Glen Canyon Vineyard Pinot Noir ($50), but the 2017 Rosé of Zinfandel ($19) jumped out as a delightful elixir for Valentine’s Day. Easy to open with a screw cap, the Rosé of Zinfandel hits the mark like Cupid’s arrow—a magic potion for your romantic dinner at home.

Grapes for this softly crimson Rosé are harvested from Rinaldi Vineyard in Fiddletown, and the result is a seductively ripe juicy wine with an attractive blush color full of blackberry fruit and perfect with many kinds of food, though perfectly enjoyable all by itself. With a harvest date of Oct. 18, 2017, and a release date of Nov. 17 the same year, it was a mighty-quick turnaround to get grape into bottle. With Crews at the helm, anything is possible.

“We used a modified Old-World process to make this blush or vin gris wine,” Crews says on his label. “The pink-juice Gold Country Zinfandel grapes were immediately fermented in small stainless-steel barrels” which produces a nouveau-style wine “rich with strawberry and rose aromas.” Local Café Iveta carries it, and so does Scotts Valley Market.

As well as Rosé, Crews makes Chardonnay, Gewurztraminer, Viognier, Torrontes, Pinot Gris, Pinot Noir, Zinfandel, Cinsault, Pinotage, Syrah, and a delicious dessert wine called Raspberry Heritage that goes gangbusters-well with the mountain of chocolate you have hopefully piled up for Valentine’s Day. With its rich, jammy wild berries, Crews says it demands chocolate accompaniment!

Pelican Ranch Winery, 100 Kennedy Drive #102, Capitola. 426-6911, pelicanranch.com

Valentine’s Dinner at Burrell School

Burrell School Vineyards is putting on a “deliciously romantic” Valentine’s dinner with a seating at 5:30 p.m. and at 7 p.m. on Feb. 14. A five-course meal with wine pairings will be prepared by Chef Nicole Fischer. Cost: $180 per pair. Info: burrellschool.com or contact Kyle Davis at ky**@bu***********.com for reservations.

Bruxo Emphasises Local Ingredients and World Flavors

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[dropcap]“I[/dropcap]t’s pronounced ‘brew-ho,’” explains Bruxo food truck owner Brooks Schmitt, pronouncing the soft ‘x’ as he exhales. “But a lot of people pronounce it ‘brucks-o,’ which kinda sounds like my name, so I’m OK with that.”

The moniker, which means “shapeshifter” in Portuguese, is Schmitt’s clever way of describing his playful approach to his food truck’s menu, which includes dumplings, a sandwich or wrap, a salad, and chicken inspired by different world cuisines. So while the items remain the same, the flavors change dramatically from visit to visit.

The first time I ordered through the window of his unmissable truck—wrapped in a colorful, geometric Sol Lewitt print outside of Humble Sea Brewing—I was drawn in by the Shanghai soup dumplings, a dish normally served off of Sunday dim sum carts. Each hand-twirled mouthful sent a plume of ginger and lemongrass-scented steam out my nostrils as the homemade oxtail and chicken aspic liquified on my tongue, filling my mouth with delicious hot bone broth.

A couple of weeks later, Bruxo’s menu shapeshifted to offer Israeli-inspired Tel Aviv soup dumplings with passionfruit and tahini amba sauce, tabbouleh salad with bulgur grain and house-pickled peppers, turmeric fried chicken, and a wrap with pomegranate molasses-braised lamb shank, yogurt, hummus and pickled onions. That menu was followed by Russian flavors: borscht, chicken kiev, pierogies and cabbage and turnip salad. Schmitt hinted at a French-inspired cassoulet wrap and short rib osso buco dumplings in the future.

While the inspiration morphs, Schmitt’s commitment to sourcing ingredients of the highest quality never wavers, and he frequently supplements local products with condiments, pickles and preserves that he makes himself. A Booneville native, what he can’t get here he sources from local producers from the Anderson Valley, and proudly uses Mendocino Heritage Pork. “The idea is to source locally and bring in global flavors,” he explains. “Our guiding principle is umami—from a flavor and a visual perspective. We incorporate salty, spicy, sweet and have every color represented in each dish as much as possible to create visual umami.”

 

Bruxo is at Humble Sea Brewing Tuesdays and Wednesdays from Noon to 8 p.m. Pop-ups announced on Instagram at @bruxofoodtruck and bruxofoodtruck.com.

Film Review: ‘Winchester’

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[dropcap]D[/dropcap]o guns kill people, or do people kill people? What if it’s the people who make guns who kill people? That’s the theory proposed by a houseful of angry ghosts, victims of gun violence all, in the new chiller, Winchester. And, yes, the house in question is the fabled Winchester Mystery House, right in our own backyard.

Most of us know something of the true story of heiress Sarah Winchester, and the nutball Victorian mansion she had built on the outskirts of San Jose around the turn of the last century. She famously claimed the house—with its confusing maze of rooms, staircases leading nowhere, and abrupt dead ends—was built for the thousands of people killed by the deadly Winchester Repeating Rifle, the foundation of her own vast fortune. Work continued around the clock, for decades, as a memorial to, or possibly penance for, those lost lives.

There’s a compelling psychological thriller to be made of Sarah Winchester’s obsessive compulsion. It could easily be as creepy as the 1961 horror classic The Haunting, in which the only thing to fear was fear itself—and that was plenty! And the participation of the great Helen Mirren as Sarah is even more promising. But co-directors the Spierig Brothers (Jigsaw), who wrote the script with Tom Vaughan, settle for a fairly routine, living-vs.-dead haunted house spooker (albeit in Masterpiece Theatre clothing).

The story begins in 1906. Protagonist Dr. Eric Price (Jason Clarke) is a psychoanalyst who believes the mind plays tricks with perception, and refuses to believes anything he can’t see. He’s also a laudanum addict still grieving after the recent death of his beloved wife. Hired by the Board of Directors of the Winchester Rifle Company to evaluate their boss, Sarah Winchester (they’re hoping to get her declared crazy so they can take over the business), Price journeys by stagecoach from his home in San Francisco down to San Jose to spend a week in the Winchester House.

He’s greeted not by the lady of the house, but her disapproving niece, Marion (Sarah Snook). (Demonic child alert: Marion has a young son, Henry (Finn Scicluna-O’Prey), prone to strange interludes of sleepwalking.) Work crews surround the house, in the yard and up on scaffolding, sawing lumber and fitting boards constantly, day and night, and the bell in its tower clangs every midnight. Cupboards conceal secret doorways, and entire hallways are bordered by doors bolted shut from the outside.

The mistress of the manor, Sarah, herself (Mirren), swans around in perpetual mourning, under a black lace veil. But she doesn’t seem crazy to Price; she’s sharp and articulate, even though she speaks of creating a sanctuary for the spirits of the dead, while keeping the more “unruly spirits” locked away. And while we see her in a trance-like state one night, making automatic architectural drawings, she herself is not a mouthpiece or conduit for the ghosts—her life is in just as much jeopardy as everyone else’s when the scary stuff begins.

Here’s where things could get deliciously creepy—is Sarah’s own psyche causing all of the weird phenomena? Is it all just illusions of the mind, as Price at first believes? And how does his personal history factor into it all? (Rather nicely, actually, in the one subplot that provides an element of intrigue.) But soon enough, it all devolves into a conventional ghost story with one particularly vengeful spirit as the designated villain. The focus of the story turns to defeating this one spirit, at the expense of anything more psychologically complex.

Along these lines, the scares are pretty predictable. Creepy faces pop out of the dark. Strange murmurings and sobbing emanate from a panel of speaking tubes that connect the rooms. And as soon as a display case of rifles is wheeled into a newly completed room, you know there’s going to be target practice before long.

There’s a vibe of earnest, eerie elegance about it all, but the whole construction never rises above the ordinary.

 

WINCHESTER

**1/2 (out of four)

With Helen Mirren, Jason Clarke, and Sarah Snook. Written by Tom Vaughan and The Spierig Brothers. Directed by The Spierig Brothers. A Lionsgate release. Rated PG-13) 99 minutes.

The Future of Encampments in Santa Cruz

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[dropcap]I[/dropcap]t’s mid-afternoon on a sunny winter day, four months after the first transients pitched tents in the benchlands area of San Lorenzo Park. The camp, freshly cleaned by parks and recreation workers, is once again being filled on a first-come, first-served basis. Campers here have heard chatter about relocating to the Harvey West area, but at this point they, like the rest of the community, are waiting for the city of Santa Cruz to announce the next move.

Billy Lowery was one of the first people to set up camp in the benchlands after being asked to move from the downtown Post Office area. He says he’s optimistic about the next move if Santa Cruz Police Chief Andy Mills, who was sworn in this past summer, is involved, like he was with the last one.

Lowery says Mills talks to homeless individuals with respect. “The chief—he did good. I love the way he talks to people,” Lowery says. He says that, until recently, he had felt disillusioned with local police, but that he thinks officers have taken a different approach under Mills.

Lowery, 54, with a salt-and-pepper Afro and an animated face, grew up in the housing projects of Watts in Los Angeles. Lowery is hopeful that the city and county plan to provide opportunities for a way out of homelessness, as well as a safe place to sleep. He sees the need for mental health help and job counseling.

“I can guarantee you, 40-something percent of people would change if you gave them the opportunity to learn something and go to a job interview. You’ll see so many people change. I like that,” he says about the prospect of these services being offered at the River Street Camp located at 1220 River St., just north of the Tannery.

The timeline for the move is still uncertain though, and previously set goals for moving have come and gone. “We’re still operating under ‘as soon as we can,’” says Assistant City Manager Tina Shull, “so we don’t have a hard and fast date yet. What I will say that is very encouraging is that we are moving very close to having an operator identified.” The chosen nonprofit operator will oversee the operational details of the camp, she says.

Shull says she and other leaders from the city and county modeled the latest plan after San Diego’s partnership with the nonprofit Alpha Project. San Diego had a large Hepatitis A outbreak that began in the homeless population and ultimately resulted in 20 deaths there, as it spread to Santa Cruz.

Moving to a managed campground at the city’s River Street lot will be just the first step in a three-pronged approach. The second will be to move the camp from there to a leased property, which Shull believes they’ll be able to do within four months, although they don’t have a property lined up. The third step will be moving it onto a property that the city hopes the county will help purchase—but no one has answers about where it might be. All three phases will involve day-use type services, with shifting structures and capacity, says city analyst Susie O’Hara.

There will be places for tents, common areas, storage facilities, portable showers and toilets, Shull says, and the city will bring in a meal daily. Health and human service workers from the county will reach out to determine individual needs and do assessments, she adds.

The city has graded the gravel lot to prevent water from flowing into the nearby San Lorenzo River, and Shull says she canvassed the residential homes near the site in December to talk to residents about the city’s plans. Residents had questions about security, she says, but, after her conversations with them, she believes they won’t notice any impact from the city-run encampment in Harvey West.

“It’s hosted 24/7 so you have people on site,” Shull says. “You have security on site, and you have a lot of services coming through, so it’s not just a place for people to pitch a tent. It’s a place for community building for them to start their exit from homelessness.”

Now that officers have stopped enforcing the camping ban on public property, it isn’t clear whether or not the San Lorenzo Park encampment will actually end once the River Street one opens.

Homeless advocate Brent Adams says that while he appreciates the overall approach of providing a more long-term solution, he wishes the city were taking a more data-driven approach, similar to the encampment models in Eugene and Seattle. “As director of the Warming Center, we support and applaud these, with the asterisk of we wish we were more involved, and only because we’ve done the work. We really have seen what’s possible, and it ain’t a security guard,” says Adams, who had hoped to partner with the city on a homeless storage program before being spurned by city leaders.

Adams says a full-spectrum approach would include an emergency shelter, a transitional encampment, a parking program for the hundreds of people living in their cars, and safe sleep zones—a more temporary, overnight allowance for sleep. Adams has shared the Eugene city manager’s 2016 second annual report on these programs with local city and county officials, as well as with GT. According to the report, 75 individuals from Eugene’s housing program—45 percent of the residents—went to permanent housing when they left, up from 31 percent in 2015). Residents there contributed a total of 636 hours of community service, according to the report.

Shull says that even though it’s newer, the San Diego model provides a useful template for responding to an urgent public health emergency. With the help of a nonprofit, San Diego launched a managed campground, while getting other types of shelter up and running.

O’Hara says the use of a storage facility for housing, one of 20 stand-alone recommendations that the council adopted in May of last year, would be best partnered with a day-services center and overnight shelter. “Many of the folks that would be using the campground site would be in need of storage as well,” she says, “so it just made sense to find an operator that could do both of those things at one site.”

 

5 Things to Do in Santa Cruz Feb. 7-13

Event highlights for the week of February 7, 2018.

 

Green Fix

How to Meditate While Thinking

For years, blissed-out yoga teachers have been telling you that in order to meditate you need to clear your mind—don’t think, just breathe. Turns out, you might be able to think about, say, what to make for dinner while meditating. Ommmmm … pizza …. ommmm. Join longtime meditation teacher Lama Lena in exploring how to calm your mind while not blocking out your precious pizza (or other) thoughts.

INFO: 7-9 p.m. Friday, Feb. 9, 11 a.m.-1 p.m. and 3-5 p.m. Saturday Feb. 10. Wisdom Center of Santa Cruz, 740 Front St. #155, Santa Cruz. 471-7883. By donation only.

 

Art Seen

Wine and Watercolor Workshop

popouts1806-wine-watercolorNothing gets those creative juices flowing like a glass of wine, right? Wine and watercolor painting are a match made in heaven, and this event will give you a little freedom to express yourself on paper. New Leaf will provide the materials and still life subject, you provide the friends and creativity. If you don’t have friends or creativity, well, this might just be the place you can get some. Reservations recommended.

INFO: 6-8 p.m. Friday, Feb. 9. Westside New Leaf Community Market. 1101 Fair Ave., Santa Cruz. 426-1306. newleaf.com/events. $18.

 

Thursday 2/8

34th Martin Luther King Jr. Memorial Convocation

popouts1806-mlkconvocationMartin Luther King day might be over, but February is Black History Month. In recognition of Dr. King’s legacy, the Martin Luther King convocation presents speakers to talk about equality, justice and opportunity. Previous years’ speakers include Angela Davis, Benjamin Jealous, and Alicia Garza, and this year’s speaker is UCLA and Columbia law Professor Kimberlé Crenshaw. Crenshaw is a leading authority on civil rights, Black feminist legal theory, and race, racism and the law, and will talk about institutional oppression within marginalized communities, Dr. King’s legacy of social justice, and the continued struggle for equality.

INFO: 7 p.m. Santa Cruz Civic Auditorium. 307 Church St., Santa Cruz. specialevents.ucsc.edu/mlk. Free.

 

Monday 1/29-Friday 3/2

Cabrillo’s ‘Findings’

popouts1806-findingsTwo long-term Cabrillo faculty members are back from recent sabbaticals to present their research and artwork inspired from their respective trips. Dawn Nakanishi spent her time researching traditional Japanese design motifs and connections between nature and her cultural heritage. The show includes her decorative metal crafts and jewelry. Rebecca Ramos draws inspiration from Hawaiian indigenous and endemic plants and connects topics of material culture, cultural identity, ecology, and the environment in her drawings and prints. Both artists will hold individual informative demos.

INFO: Exhibit runs through Friday, March 2. Reception: Thursday, Feb. 8, 5-8 p.m.

Artists’ talk during reception at 7 p.m. Demo by Dawn Nakanishi: Tuesday, Feb. 13, 11 a.m.–1 p.m. Participatory demo with Rebecca Ramos: Wednesday, Feb. 14, 11 a.m.–1 p.m. Cabrillo Gallery, 6500 Soquel Drive, Aptos. 479-6308. cabrillo.edu/services/artgallery. Free.

 

Sunday 2/11

Santa Cruz Antique Faire

popouts1806-Antique-FaireYour uncle’s political views may be antiquated, but some of these treasures aren’t. The antique fair brings hundreds of knick-knacks, from Victorian lace doilies to vintage AC/DC shirts. Maybe you’ll find those cowboy boots or that turquoise ring you’ve been searching everywhere for. Either way, you’re also guaranteed to find something you weren’t looking for.

INFO: 8 a.m.-5 p.m. Intersection of Lincoln and Cedar streets, Santa Cruz. Free.

 

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