Kathryn Kennedy Winery’s Expertly Crafted Wines

Made with organic grapes, the 2016 Sauvignon Blanc ($24) from Kathryn Kennedy Winery is a lovely white wine that is perfect for summer, when it’s time to have a few lighter wines on hand.

Winemaker Marty Mathis has crafted fruit from CCOF-certified organic vineyards in Napa, Lake, Mendocino, and Sonoma counties—each vineyard selected “for its exceptional viticultural care.” This Sauvignon Blanc smacks of bright fruit, sparkling flavors of key lime and honeydew melon, and has a succulent juicy finish. Its bright-green screw cap hints at the crisp-apple-fresh flavors within.

We ordered this easy-drinking wine and shared it with friends at Cantine Winepub in Aptos Village. The cozy Cantine has a good selection of wine and beer to pair with its delicious tapas-style menu.

Mathis, son of the late Kathryn Kennedy, who started the winery in the 1970s and was a pioneer of women in the wine business, is one of the more respected winemakers in the Santa Cruz Mountains—and his wines are always in big demand, both online and in local stores.

Visit kathrynkennedywinery.com for more info. There is no tasting room.


Aptos Wine Wander

The second Aptos Wine Wander is an afternoon of tasting delicious local Santa Cruz Mountains wines in the heart of Aptos Village. The event is 1-4 p.m. Saturday, June 9, and proceeds benefit Aptos-area elementary schools. Participating wineries are Armitage, Bargetto, Burrell School, Integrity, Loma Prieta, Nicholson, Stockwell Cellars, Windy Oaks, Wrights Station, and Krazy Farm Cider Co. Organizer of the event is the Santa Cruz Mountains Winegrowers Association, and tickets are $35.

Visit scmwa.com for more info and a list of hosting businesses, which includes Cantine.


La Vita Release Party at Bargetto Winery

The always-fun release party features the unveiling of the new La Vita label, tasting of the new wine, live music with Extra Lounge, and light appetizers. La Vita retails for $60 a bottle, with a percentage of sales going to a local nonprofit. The release party is from 3-5 p.m. Sunday, June 10. Cost of tickets is $30.

For more info visit bargetto.com.

Meet the Couple Behind Tiny House Chocolate

Gustavo Hilsdorf, 35, and Maiana Lasevicius, 29, moved to Santa Cruz from São Paulo, Brazil more than three years ago, and brought with them an exquisite taste for quality-sourced chocolate. They started their company Tiny House Chocolate a year after the move, drawing from their experiences and techniques back home (Lasevicius’s father makes chocolate in Brazil). Together the couple roasts and grinds multi-origin cacao beans to make about 225 bars each week—an intentionally very small amount, they say, compared to other companies.

 

What’s unique about your chocolate?

Maiana Lasevicius: We want to keep it simple with two ingredients—cacao and sugar—so that you can taste the cacao. We have two lines; one is the single-origin that’s just cacao and sugar, and then the other has some inclusions. We add sarsaparilla, lemongrass, Earl Grey tea, or coffee. It’s a lot of work, especially with just us two, but it’s totally worth it. It’s what makes us happy at the end of the day.

Gustavo Hilsdorf: The chocolate bar as we know it came from a big industry, Nestle or Hershey’s, and then between seven and 10 years ago there was a “bean to bar” chocolate movement in California, which sources the beans straight from farms with less processing. We are part of that, and we want to to educate people on how we make chocolate. There are a lot of people who don’t know the process. Some think that chocolate comes from cows—we don’t use milk at all.

 

Why do it in Santa Cruz?

Lasevicius: We wanted to change our lives, that’s why we came here. We love it here. We both work other jobs, too, and now we really want to focus on our chocolate.

Hilsdorf: We want to bring our own research about cacao to the Santa Cruz market. The same bean in a different company would taste different, so the research we do and processes we use make us unique.

 

What’s important about craft chocolate?

Hilsdorf: This new movement, bean to bar, is changing farmers’ lives. Years ago, they wanted volume, and to pay a little for a lot. Now we have co-ops across the world, and people are harvesting and picking and are treated much better. So we want to stay craft and local, not industrialized. The chocolate product is amazing, but behind it all it’s a community that is becoming better.

Lasevicius: Before this movement, there was a lot of slavery and child labor on cacao farms. Now they are starting to get better. You pay more but it’s for quality, there’s a choice behind it all.

 


 

Tiny House Chocolate is hosting a trunk sale at Home/Work form 2-6 p.m. on Saturday June 9. 1100 Soquel Ave., Santa Cruz. Their chocolate is also available locally at Luma Yoga, 1010 Center St., Santa Cruz, and The Point Market, 23040 E Cliff Drive, Santa Cruz. For more information, visit tinyhousechocolate.com.

 

Film Review: ‘First Reformed’

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In 1976, Paul Schrader wrote the incendiary script for Taxi Driver, about a troubled loner so disgruntled by the vice and corruption of modern life that he plots to stage a horrifying act of violence in protest. The state of the world has not improved much in the 42 years since then; we can now add the ongoing destruction of the planet to the list of humanity’s crimes—an issue Schrader now addresses through another troubled protagonist in his powerful new drama First Reformed.

Directing his own script, Schrader crafts a slow-building drama of despair, loss, and attempted redemption. At its center is a conflicted Protestant pastor whose tragic past and bleak present lead him to question his faith and his own purpose. Ethan Hawke plays the part with the desperate self-control of someone who knows he’s teetering on the edge of the abyss. All the elements are in place as Schrader’s dark gears of story and sensibility grind toward what seems to be their inevitable climax. It’s not until the last few frames that the movie goes a little off the rails.

The story revolves around a small First Reformed church in woodsy upstate New York, established in 1767. It’s now mostly a quaint, Dutch Colonial tourist attraction (once a stop on the Underground Railroad, shepherding runaway slaves to freedom), with a tiny congregation ministered to by its pastor, Rev. Toller (Hawke). The plumbing leaks and the organ doesn’t work; all the action (and the funding) is at the flashy, modern Abundant Life church down the road, the organization that now also operates First Reformed.

As plans are underway for the little church’s 250th anniversary, Rev. Toller starts writing a diary in longhand at night, fueled by bottle after bottle of hooch. This provides a voice-over narration to his daily activities, as well as a glimpse of his tragic past—losing his only son in Afghanistan, and the subsequent break-up of his marriage. Toller is having crisis of faith, feeling he’s a fraud in his profession. “If only I could pray,” he says.

Toller’s already shaky grasp on his duties is further challenged by Mary (Amanda Seyfried), a young parishioner whose eco-activist husband, Michael (Philip Ettinger) has just been released from jail. Mary is pregnant, but Michael doesn’t want to bring a child into a world with what he considers such a short expiration date. Michael pleads his case with a series of alarming statistics and videos, which only adds to Toller’s sense of despair.

The nature of their conversation shifts to the question, “Can God ever forgive us?” for destroying His creation. The jolly, convivial pastor from Abundant Life (Cedric Kyle)—Toller’s opposite in every way—tells him that God “wants our obedience. Maybe destroying the Earth is God’s plan.” The industrial tycoon whose corporation owns the churches turns out to be one of the most venal polluters.

Early on, Toller tells Michael “Courage is the answer to despair.” Toller is heading for some kind of breaking point, and Schrader keeps us on edge as to what form the pastor’s “courage” will take. And a sort of courageous act (although not the one we’re expecting) does conclude the movie. But while it works as metaphor, the practical logistics of these last few moments are so skewed, the movie loses focus when it most needs it.

Schrader’s filmmaking is moody and atmospheric—small figures under vast, mottled grey skies; the silent, empty rooms, devoid of furniture, in Toller’s house, outside the shadowy, candlelit room where he writes and drinks away his nights. Portentous musical chords signal every emotional shift, ever deeper and darker as we head toward the finale. The effect is so rich and haunting overall, you might be tempted to forgive the poorly realized ending.

 

FIRST REFORMED

**1/2 (out of four)

With Ethan Hawke, Amanda Seyfried, and Cedric Kyle. Written and directed by Paul Schrader. An A24 release. Rated R. 117 minutes.

Felton and Capitola Library Projects Move Forward

The construction project set to begin in Felton this summer isn’t your grandpa’s library building. There will be a park, a nature classroom, a cozy fireplace area, and plenty of high-tech amenities, including digital charging stations—all blended with an extensive book collection into a community center for the entire San Lorenzo Valley. In renderings, it almost resembles a ski lodge more than a hub for reading.

Just a few steps from the library’s patio, the park will feature native plants, interpretive displays, accessible paths, benches, natural play areas for children to climb about, and even a small stage.

“The emphasis is on environmental consciousness—opportunities for programs inside and outside. It’s going to be bigger, brighter and modern,” says Michelle Mosher, an organizer for the Felton library project. “We want it to appeal to people of all ages.”

Landscape architects who are designing the outdoor portion will share the plans with the public on Thursday, June 14, at 6 p.m. at Felton Community Hall, located at 6191 Hwy. 9. Library director Susan Nemitz says linking of indoor and outdoor space is a common feature of modern libraries.

Betsy Lynberg, the county’s capital projects manager, says $10 million from a $67 million 2016 bond measure is being spent on Felton’s new building, including furnishings and public art.

The Capitola Library is also starting over from scratch, having shut down last month, and the next facility will double down with a new play area and state-of-the-art technology.

Although demand for print books from libraries has declined in recent years, Nemitz says demand for technology grew 50 percent in the last year. People come into libraries when they need to fill out a job application, tax forms and financial aid paperwork.

The library bond measure, which got 70 percent voter support two years ago, is funding improvements to eight other county libraries as well, with cash going to branches in Santa Cruz, Aptos, Live Oak, Scotts Valley, Boulder Creek, and La Selva Beach—replacing failing roofs, outdated bathrooms, electrical systems, and structurally damaged areas.

The Capitola Library will go to bid by mid-summer, but Steve Jesberg, Capitola’s director of public works, warns that there is a high demand for contractors and subcontractors this year so it may make for a tight market.

Jesberg says the new building will replace temporary structures that have been in place for 14 years. Nearby libraries at Aptos and Live Oak will add hours while Capitola awaits its new facility. A book drop will be added at Jade Street Community Park and storytelling programs for preschoolers will be available at Porter Memorial Library in Soquel.

Nemitz says the plans for replacing the main library in downtown Santa Cruz have been complicated because the bond measure provided only $23 million, but estimates for a new structure are $38 million. She says the $67 million total offered to the voters in the bond measure “was based on what the public would pass—not what it would take to bring it into the 21st Century.”

A special library committee looked at future possibilities for the library, including the idea of integrating the new library into plans for a long-discussed parking structure that would replace existing street-level parking on the corner of Cathcart and Cedar streets downtown. It would spare library officials from having to pay for the structure’s foundation, but sustainable transportation activists are fighting the concept, leery to incentivize future car trips.

The Santa Cruz City Council will study the issues when it looks at downtown parking issues in a meeting that’s tentatively scheduled for Tuesday, June 19.

This past January, the Downtown Library Advisory Committee recommended a full remodel with a new parking structure, as it literally checks 13 of 15 boxes the group looked at, including one for cost.

The committee’s next-favorite idea was a full renovation of the current facility, which checks three fewer boxes and comes in at an estimated $11.1 million more.

Do Electric Rental Scooters Go Too Far?

Joape Pela isn’t your average lanky tech bro. Sure, the 30-year-old East Palo Alto native lives in downtown San Jose and works as a payment analyst at local startup Finxera. But the former University of Utah football player’s 6-foot-3, 320-pound stature made him wary of one trend quickly gaining traction with his startup brethren: electric scooters.

“I was surprised. They have some jump,” Pela says of the devices that started to appear on San Jose streets this past February. “It felt pretty good, having the wind blow through my hair and all that.”

The rental scooters represent the latest trend in a sharing economy that’s changing the world of transportation.

The city of Santa Cruz’s bike share system has seen more than 5,100 trips since the program’s unofficial launch on May 7. The pedal-assist electric Jump bikes allow riders to find, reserve and pay for them, all through an app on their phones. The bikes are $1 for the first 15 minutes and 7 cents for every minute after that, although $30 monthly plans are also available.

Over the hill, meanwhile, cities like San Jose have zipped full-throttle into the next frontier.

And Pela is one of many San Jose residents, commuters and business owners navigating the sudden emergence of hundreds of scooters available through two deep-pocketed app providers. San Mateo startup Lime has raised $132 million to offer on-demand shared bikes and scooters in San Jose and more than 50 other cities nationwide. Bird, a startup based in Santa Monica, is backed by $115 million and focused solely on e-scooters.

New riders can set up an account in minutes by downloading the free app, uploading a credit card and agreeing to terms of service that include parking out of the public right-of-way and wearing a helmet. Bird also requires users to scan a valid driver’s license. From there, users who pay a flat $1 fee, plus 15 cents per minute, can use the app’s map feature to find an available scooter and take a picture of a QR code to unlock the device.

The scooters, controlled by a simple hand throttle and brake, can reach a speed of 15 mph and hold a charge that lasts up to 18 miles. In San Jose, which lacks quick transit options, the scooters alternately attract praise from loyal users, ire for clogging public sidewalks, skepticism about safety, and criticism as a perceived harbinger of gentrification—controversies that also surround sharing economy services such as Uber, Lyft and other programs.

Claire Fliesler, a Santa Cruz transportation planner, says that Surf City has no plans to pursue a scooter system at this point—as leaders have their hands full trying to make bike share as robust as possible—but she adds that local officials have been following the issues as they unfold in other cities.

THROTTLE BEHAVIOUR

The trick with scooters: They’re just obscure enough to make them tough to regulate.

“There was no coordinated strategy for introducing the scooters to the street,” says Colin Heyne, a spokesman for the San Jose Department of Transportation. “Not surprisingly, we didn’t have a policy around e-scooters.”

Concerns the city has heard mostly include illegally riding scooters down sidewalks, users discarding scooters on lawns at the end of the ride and riders not wearing helmets. As a result, scooters have emerged as the latest uniquely 21st century question of where a company’s responsibility ends and a city’s or consumer’s begins.

“Riders are required to obey the law, but enforcement is difficult for us,” says Sam Dreiman, Lime’s director of strategic development for California. “In some ways, it’s an even bigger question of how much we can enforce or should enforce.”

If companies try to dodge enforcement responsibility, though, it’s not clear whether the city is ready to step in.

Both San Jose and the state are hashing out first-ever attempts at regulations designed specifically for e-scooters, but San Jose’s aren’t due until September.

GRAY AREA

Take a trip to Diridon Station during rush hour, and it’s clear that commuters in Silicon Valley are already seeking alternatives to the region’s decades-old mass transit systems. From foldable bikes and electric skateboards to the occasional pair of inline skates or old-fashioned Razor scooters, long commutes and already-overflowing BART and Caltrain cars have pushed the non-car-dependent to get creative.

In some ways, Silicon Valley is late to the party that planning wonks refer to as “multimodal urban mobility,” where future transportation systems stand to encompass more options than 20th-century cars, trains and buses.

Fast-growing cities in China, for example, have already spent the better part of the last decade trying to figure out how electric scooters of varying sizes can coexist with electric bicycles and other car alternatives. Automakers like Hyundai and Toyota have unveiled their own high-tech scooter prototypes in recent years, and Lyft in late May signaled an interest in rolling out e-scooters in San Francisco.

“It’s just very costly to use cars to make short trips, especially in cities,” says Ratna Amin, transportation policy director for Bay Area urban planning think tank SPUR. The rise of scooters and other smaller-scale alternatives, she says, “require us to now think differently about our streets.”

For the past several months, scooters have been a touchy subject in San Francisco, where a temporary ban on them went into effect on Monday, June 4, as the City by the Bay gets a permitting program in order.

E-scooters’ more recent arrival in San Jose has been marked by a wide range of reactions.

“Bros are racing app rental electric scooters outside my apartment,” San Jose Sharks digital media coordinator Ann Frazier wrote on Twitter. “This is now normal everyday life in downtown.”

Dueling opinions between people who either love or love to make fun of the service surfaced almost as fast as the scooters themselves.

In San Jose, Lime scooters were the first to appear, in late winter, Heyne says.

Soon after came Bird, which opted for same-day deployment instead of advance conversations with the cities.

“That was shorter notice,” Heyne says. “As in, we got a call that they were going to be dropped off on our streets.”

Kenneth Baer, a Washington, D.C.-based consultant for Bird, declined to detail the company’s approach to entering San Jose or other new cities. “Obviously, we have a deliberative process,” he says. “I’m not going to get into the details.”

Despite the unconventional rollout, demand has ramped up quickly for the scooters, sometimes making it difficult to find an available device near hubs like Diridon Station.

In the meantime, though, business operators like Cafe Stritch’s Maxwell Borkenhagen say the largely unregulated devices can cause problems day to day.

SCOOTER COPS

Spending months crafting detailed policies just for e-scooters might seem a bit excessive. At stake, though, are much bigger questions about who’s responsible for the less-desirable side effects of the sharing economy. As venture capital-backed startups seek rapid growth with minimal costs, that tension can come to a head in multiple ways.

First and foremost, Lime contends, e-scooter companies are providing cities with a publicly accessible transportation option at no direct cost to the city. All they ask is that municipalities pay for necessary taxpayer-funded elements, like bike lanes and road maintenance.

“We provide the subsidy-free mobility,” Lime spokeswoman Emma Green says. “Cities provide the infrastructure.”

But what happens if riders violate the company’s terms of service, or laws governing riding on sidewalks, parking scooters in the right of way or not wearing a helmet?

State lawmakers are just now writing policies to govern bike lane usage for scooters. In San Jose, using traffic cops to police such low-level nuisances isn’t practical, Heyne says.

“We are woefully understaffed for traffic enforcement,” Heyne says, noting one recent tally counted just a half dozen citywide traffic cops.

Companies, too, are eager to avoid costly, on-the-ground scooter patrols.

“That’s a big one, trying to hold people accountable for how they park,” Dreiman says. He noted that Lime now requires users to submit a photo of how they park their scooter in order for the trip to officially end and billing to stop. The company is also considering using riders to police each other, submitting photos of other riders’ parking fails, or offering yet-undefined “incentives” for good behavior, he says.

Still, safety is another moving target. In San Francisco, a Twitter account registered to Facebook product manager Dan Grover in mid-May posted a screenshot from the Lime app alongside an X-ray showing a broken wrist.

“Took a spill as they don’t handle uneven pavement well,” Grover tweeted. “Aside from broken bones, UX was good.”

Though Lime keeps records of user-reported injuries, not all get reported. Green says the company carries business insurance mandated by each city it operates in. Lime has also started a helmet distribution center in San Francisco or done occasional helmet giveaways. Bird has sent some 22,000 helmets to users who request them, Baer says.

In San Jose, Heyne says helmets and other safety rules will likely be included in the city’s September policy recommendations.

“It’s like bring your own seat belts if you’re renting a car,” Heyne says. Still, he added, injuries are also difficult for the city to track: “Nobody calls the DOT if they get into a scooter crash.”

Santa Cruz Journalist’s Thriller ‘See Her Run’ Out This Week

The only thing missing from novelist Peggy Townsend’s new thriller See Her Run is a trigger warning. So here goes: If you’re looking for a sweet little whodunit that could have been cribbed from Murder She Wrote, one that won’t bother you with disturbing mental images of death, violence, and the darkness that lurks in the recesses of the human soul, look elsewhere. This ain’t that.

“Ask any reporter who’s worked long enough,” begins one passage, “and they can tell you about the slideshow in their head: The dead man whose arms have been chainsawed from his body, the skeletal remains of an eight-year-old girl who’d been chained in a closet and starved to death by her mentally ill mother. The body of a teenager in an alley with a needle in her arm.”

Townsend was one of the most prominent names in Santa Cruz journalism for her 30-plus years as a reporter and editor for the Santa Cruz Sentinel. Until she left the newspaper in 2007, she was the Sentinel’s most illuminating feature writer, specializing in hard-nosed but empathetic portraits of people in the throes of struggle, be it homelessness, illness or tragedy. But before all that, back in the ’70s and ’80s, she covered the cops/court beat, a job that’s not for the emotionally fragile.

“I covered murders and murder trials,” says Townsend in the Pleasure Point home she shares with her husband, longtime former Aptos High head football coach Jamie Townsend. “In that job, I became really familiar with how detectives work, how police work, what happens in an autopsy, what a medical examiner would look for. I’ve seen things that as a civilian I would turn away from in horror. But as a reporter, you look at it in a whole different way—clinical, studied, looking for details.”

All those chops have been brought to bear in Townsend’s first foray into fiction. By coincidence, the publication this month of See Her Run comes at the same time as the new anthology Santa Cruz Noir (see cover story, page 16), which includes Townsend on its roster of contributing writers.

Her Santa Cruz Noir story, titled First Peak, is an eerie, quasi-supernatural take on the housing pressures taking place in Townsend’s neighborhood. But in See Her Run, Townsend wanted to get away from Santa Cruz. The book is set in tech-happy modern-day San Francisco.

“It’s almost uber-California,” she says of San Francisco. “There’s just so much history, so much creativity, so much change, especially now. It mirrors the whole state and the frontier idea, being on the edge of so many things.”

The novel’s protagonist is Aloa Snow, a haunted former newspaper reporter trying to outrun both an eating disorder and a crippling sense of shame from being caught fabricating sources in a story, a mistake that torpedoed a once promising career. Aloa’s self-loathing is stronger than any sense of recrimination from the outside world, so she lives a ghostly life with the only family she has, a collection of friendly misfits at a North Beach dive bar near her home.

Aloa gets a chance to get back in the journalism game when she receives a call from an old flame, a wealthy tech entrepreneur running a respected news website. The story is an investigation into the death of a young woman, a trained athlete whose body was found in the Nevada desert and ruled a suicide. Aloa is not eager to take on the assignment, but eventually, with the help of a motley tribe of conspiracy-addled hippie burnouts called the Brain Farm, she jumps into a mystery that eventually reaches halfway around the world and into the highest levels of corporate misbehavior.

The North American publication of See Her Run got a boost from promising early numbers in Australia and the U.K. and a glowing review in Kirkus. (The book is also available in audio.) Townsend, who now works as a writer for UCSC, says that she’s just finished her second installment in the Aloa Snow series, to be published in June 2019. And she’s set for teaching a workshop in detective fiction at this summer’s Catamaran Writing Conference in Pebble Beach.

As for the permeable membrane that separates nonfiction from fiction, Townsend is not ready to declare she’s switched teams. “I like them both,” she says. “I just like figuring out human stories and what makes people tick.”

The current chaos in the San Francisco housing market is a major subtheme in See Her Run, and Townsend promises that she’ll continue to make the city a central preoccupation in the series. “I have an idea for book three already,” she says. “And I still love [writing about] San Francisco. There’s just so much history to discover. Even now, the parallels with times past are really striking. It has a lot of possibilities I’ll continue to explore.” After a pause, she laughs. “Unless I can find a way to set it in Hawaii.”

Preview: The Mattson 2 Plays Two Shows at Michael’s on Main

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Jonathan Mattson started providing a beat for his twin brother Jared about eight weeks after conception, a steady pulse that in one form or another has propelled their relationship onto international stages.

It wasn’t until their mid-teens that they introduced the rest of the world to their preternatural rhythmic bond, and by that time Jonathan had expanded his rhythmic arsenal from the cardiac to the trap set, accompanying his brother’s turbo-charged electric guitar. What began in utero has evolved into Southern California’s avant-surf-jazz combo known as the Mattson 2, a mighty duo that generates a shimmering multilayered sound with Jared’s looped bass lines and chiming riffs.

The Mattsons bring their dynamic combo to Michael’s on Main on Thursday, and return Friday with Oakland guitar great Calvin Keys, an acid jazz patriarch esteemed by jazz legends like Pat Metheny and Ahmad Jamal.

The identical twin brothers’ musical connection flows from “sharing the same DNA strands,” says Jared, speaking by phone from the family’s San Diego County ranch. “It’s the way we were designed and brought into this world. We communicate with this heightened level and use our twinship to our advantage.”

Nature may have given them a boost in non-verbal communication, but the brothers have also been nurtured by some remarkable musicians. While earning Bachelor’s and Master’s degrees in music from UC San Diego and UC Irvine, respectively, they studied with heavyweights like inventive trombonist/composer Michael Dessen, Silk Road Ensemble shakuhachi maestro Kojiro Umezaki, and flutist and Afro-futurist visionary Nicole Mitchell.

“We had all these amazing resources to dive into,” Mattson says. “Nicole Mitchell said, ‘What I do is very similar to what you could be doing, mixing the known and the unknown.’”

The brothers connected with Calvin Keys through his classic 1971 debut album Shawn-Neeq, which was reissued by Tompkins Square Records on vinyl in 2012. Though obsessed with the album, they didn’t realize that Keys was still very active on the Bay Area jazz scene until visiting a cousin in the East Bay who happened to mention a regular jam session at Oakland’s now defunct 57th Street Gallery that the guitarist led for years.

This spring, the Mattson 2 spent several months on the road opening for the popular Thai-inflected psychedelic funk trio Khruangbin. When the tour hit the Fillmore for two nights last month, the brothers invited Keys to come by and check them out. Duly impressed, Keys readily agreed to join them in playing the music from Shawn-Neeq track for track.

“I like the energy they had, and they sure get a lot of music out of that duo,” says Keys, 75. “The drummer Jonathan is a monster. It’s going to be interesting to see how we come up with something. Shawn-Neeq was written for my niece when she was like a week old, and we tried to capture the beauty of bringing a newborn baby into the household.”

Born and raised in Omaha, Nebraska, Keys spent most of the 1960s on the road playing with various organ combos on the Midwest chitlin circuit, including extended road trips with Jackie Ivory, Jackie Davis, and Frank Edwards (whose long Bay Area runs introduced Keys to the region). A rising force on the L.A. jazz scene in the early 1970s when he connected with Black Jazz, Keys created a soul jazz touchstone marked by his warm tone and slinky phrasing.

Shortly after Shawn-Neeq’s release, Keys hit the road with Ray Charles on a Norman Granz-produced tour with the Count Basie Orchestra and the Oscar Peterson Trio. After two years with Charles, he honed his pianistic approach during a long stint in piano legend Ahmad Jamal’s quartet, an experience during which he “developed a certain emotional drive,” says Keys, who moved to Oakland in the mid-70s.

He’s still part of Jamal’s extended musical family, but Keys has thrived as a guitarist’s guitarist, serving as a mentor or beacon for searing players like Mimi Fox, Bruce Forman, and Pat Metheny, who dedicated the tune “Calvin’s Keys” to his fellow Midwesterner on the 2008 album Day Trip (Nonesuch). Keys is “the real deal,” Metheny told me in an interview several years ago, and now the Mattsons are taking their first step into his ravishing musical world.


The Mattson 2 perform at 8:30 p.m. on Thursday and 9 p.m. Friday at Michael’s on Main, 2591 S Main St., Soquel. Tickets for each show are $25. 479-9777.

Bottle Jack Winery Maintains Momentum, Plus Bargetto’s La Vita Release

As I sipped the supple Sangiovese along with dinner of pork loin and braised English peas, I realized that it was a very good idea for John Ritchey to showcase his Bottle Jack wines in the Surf City Vintners tasting complex. The more the wine opened, the more I liked it. And so will tasters who discover this and other Ritchey wines at the tasting room he began sharing with Silver Mountain Winery last month.

“Before we opened the new tasting room, people had to really seek us out,” Ritchey admits. “The increased visibility—and the response—has been great.”

Filled with a robust and velvety mid-section of savory cherries, the 2014 Bottle Jack Winery Sangiovese—made from Machado Creek Vineyard, Morgan Hill grapes—has now become one of our house favorites. A Santa Cruz native, Ritchey found his way to winemaking by way of Italy (a year studying abroad in Florence) and Moldova (Romania) as a Peace Corps volunteer. “Moldova was my first experience in winemaking—I just fell into it by pure accident since wine is such a huge part of the culture there.”

It was in those Moldovan vineyards that Ritchey first began using a bottle jack to press the freshly harvested grapes. And after a stint with Beauregard Vineyards, then a degree in enology, Ritchey made the leap in 2012, and Bottle Jack was born.

Taking a double gold in the recent State Fair competition, Ritchey’s big, peppery Rhone-style blend of Syrah and Grenache grapes, all from the high slopes of Zayante Vineyards, also pleased us, especially with after-dinner cheeses. At 14.5 percent alcohol, it is a robust stand-alone blend that almost begs to be carefully savored. Notes of allspice and leather fill the center of this opulent creation. Plums adorn the finish. Ritchey calls this wine “almost a field blend” in that the two varietals were harvested on the same day at the same vineyard.

“The wine was pretty much made in the vineyard,” he says.

The winemaker may be modest, but the California State Fair judges were blown away, awarding Bottle Jack’s Syrah-Grenache blend a Double Gold award and a 100 point rating.

Fans of big reds, rejoice! Bottle Jack’s Zinfandel, Syrah, Cabernet Sauvignon, Super Tuscan blend, and Merlot are also yours to sample and purchase at the tasting room.

402 Ingalls St., Ste. 29, Santa Cruz. Open Friday from 3 -7 p.m.; Saturday and Sunday, Noon-5 p.m. bottlejackwines.com.

 


 

Bargetto La Vita

Celebrating its 85th year, our region’s oldest winery is set to release its annual La Vita blend at a party on Sunday, June 10 from 3-5 p.m. at Bargetto Winery. Produced from a custom blend of 50 percent Dolcetto, 29 percent Refosco and 21 percent Nebbiolo, the grapes for this year’s La Vita were grown on the Regan Estate Vineyards. This year’s La Vita beneficiary is Pajaro Valley Community Health Trust, so come on down and enjoy the ceremonial unveiling of the new wine, plenty of tastings, live music and light appetizers. Tickets, $30, can be purchased online at bargetto.com or by calling Bargetto Winery at 831.475.2258 x10. La Vita retails for $60 per bottle.

 


 

Changes a la Cart

The bountiful UCSC Farm & Garden Market Cart is open! Located at the corner of Bay & High streets, the market cart will be open from noon to 6 p.m. on Fridays only this season. Stop by and explore the fragrant, organic world of such early season offerings as blueberries, strawberries, broccoli, lemons, arugula, salad mix, shallots, radishes, and a variety of greens including pac choi, spinach and chard. Flower bouquets will also be available, along with packaged quinoa grown on the UCSC Farm.

From Judge to Governor, a Look at Primary Races Affecting Santa Cruz County

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When Syda Cogliati talks about her experience, she sounds as proud of her educational background as she does her legal credentials.

Cogliati—a judge pro tem who’s practiced law for the past 23 years, and is also a professor at the Monterey College of Law—is running for Santa Cruz County Superior Court judge.

Cogliati volunteers with fifth graders in the Elementary Law Program. She coaches a high school mock trial team. She additionally has served on Pacific Collegiate School’s Diversity Committee. All that comes in handy, Cogliati says, because helping people better understand the legal system is one of her favorite parts of the job. “That experience I have of helping people understand the justice system—I’m going to bring that bench,” she says.

The first judicial election in eight years is shaping up to be one of the most interesting races of the June 5 primary, with Deputy Public Defender Zach Schwarzbach having also thrown his hat into the ring.

Cogliati has an amassed an impressive list of endorsers, including California Senator Bill Monning, Assemblymember Mark Stone, Assemblymember Anna Caballero, four county supervisors and all seven Santa Cruz city councilmembers. Two years ago, California Women Lawyers rated her “well qualified” to be a Superior Court judge.

Schwarzbach, meanwhile, says he decided to run because he’s found that the best judges come from trial attorney backgrounds. He says he knows the ins and outs of the population that goes through county’s courts. He’s worked closely with those who suffer from mental illness and drug addiction. Schwarzbach, a public defender since 2008, has worked on more than 50 trials, which he says make up a small fraction of the total cases that have come across his desk, as many of those are resolved outside the courtroom.

Schwarzbach, a Santa Cruz local, says he has extensive background in selecting juries, which he adds is a deceptively tricky task and one that involves judges asking more questions than ever. “You can’t just walk into a courtroom and expect to pick a jury and do it well. This is an area where someone who has done a lot of trial work, I think, has an advantage,” he says.

Schwarzbach has earned endorsements from Santa Cruz County Criminal Defense Bar, Santa Cruz County Deputy Sheriff’s Association, retired Watsonville Police Chief Manny Solano, and retired Capitola Police Chief Rudy Escalante, who’s now the CEO of Janus of Santa Cruz.

Judge John Salazar, who endorsed both candidates, says Schwarzbach’s trial background could be immensely helpful on the bench. He adds, though, that Cogliati is more experienced overall and that she has compiled an especially impressive résumé of volunteer experience as well. “I know them both pretty well and feel they’re both well-qualified to be a judge. They both have the traits you look for,” he says.

Each candidate, Salazar explains, is smart and experienced, and both care deeply about the community.

The judicial election one of a few local races to watch, along with Measure S—the city of Santa Cruz’s sales tax initiative—and the county’s District 4 supervisorial race, where Greg Caput is facing off against four challengers.

Activist Steve Pleich is running against District 3 County Supervisor Ryan Coonerty. Ballots will feature local school board measures in certain areas, and the city of Santa Cruz also has measures on UCSC growth and cannabis enforcement in the era of legalization.

Statewide propositions include measures on natural resource conservation, financial responsibility with transportation funds, cap-and-trade changes, minor election changes and rainwater catchment systems.

Then there’s the gubernatorial election.

In the race to be California’s next governor, Lt. Gov. Gavin Newsom remains the head of the pack, several months after former Los Angeles Mayor Antonio Villaraigosa—and fellow Democrat—had appeared to be gaining on him.

The race’s top two candidates from the June ballot will face off in November.

Politicos across the state had long been expecting an all-Democrat governor’s race this coming fall and viewed the election as a two-man contest between Newsom and Villaraigosa. But while several candidates having been inching up in the polls in recent months, Villaraigosa has remained mostly flat-footed. Formerly undecided voters have been throwing their support behind other candidates in the crowded race. The most recent poll now has Villaraigosa third, behind Republican businessman John Cox.

Newsom, a former San Francisco mayor, remains the frontrunner, with support from a quarter of likely voters. Three other high-profile gubernatorial candidates are trailing, but still in the chase—Republican Assemblymember Travis Allen and two Democrats, state Treasurer John Chiang and Delaine Eastin, the former state schools chief.

Veteran political journalist Phil Trounstine, who’s based in Aptos, has argued that Democrats hoping to flip congressional seats in November had better root for a Newsom vs. Villaraigosa November runoff. That contest would energize liberal voters to get back to the polls in the fall, he says. If Cox is on November ballots instead, the opposite will be true, he argues.

“Those crucial California House races will be substantially tougher for Democrats because Republicans will have a candidate,” Trounstine wrote on his site, CalBuzz.com.

As part of a final push, Villaraigosa visited the Central Coast on Saturday, May 26, for a tour of Cruzio Internet, visited farmworker housing and announced new endorsements.

Villaraigosa has gotten support from Santa Cruz Mayor David Terrazas, Monterey County Supervisor Luis A. Alejo, Watsonville City Councilmember Felipe Hernandez and former California Assemblymember Fred Keeley—as well as former Watsonville mayors Eduardo Montesino and Daniel Dodge.

Santa Cruz County voters with a vote-by-mail ballot for the June 5 primary may return their ballot to any polling place in the State of California no later than 8 p.m., Tuesday, June 5. Ballots may also be mailed in or dropped off at one of several drop boxes in the county anytime until 8 p.m. Tuesday, June 5.

The county’s election offices in both Santa Cruz and in Watsonville will be open 9 a.m. to 5 p.m., this Saturday and Sunday, June 2 and June 3, to accept vote-by-mail ballots. For more information on voting and local races, visit votescount.com.

Music Picks May 30-June 5

Live music highlights for the week of May 30, 2018.

 

THURSDAY 5/31

JAZZ

SANTA CRUZ WOMEN OF JAZZ

Reassembling the inviting cast of players from last year’s celebration of Ella Fitzgerald’s centennial, the latest edition of Kuumbwa’s “Live and Local” series features a bevy of Santa Cruz’s top jazz singers backed by a talented band. Expanding the focus from Ella to include her contemporaries and the temporal range from the swing era to contemporary jazz repertoire, the show features the three-part harmony Jazz Birds—Gail Cruse, Cher Peterson and Vicki Coffis—and vocalists Ann Whittington, Charmaigne Scott, Ruby Rudman Judy Turowski, and the New Flamingo Swing Orchestra’s Stella D’Oro (who also performs around town with her band Stella By Barlight). The band also borrows from New Flamingo with the orchestra’s tenor saxophonist Brad Hecht and drummer Olaf Schiappacasse joined by guitarist Gino Raugi, bassist Bill Bosch, and reed expert Phil Smith. ANDREW GILBERT

INFO: 7 p.m. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $21/adv, $26.25/door. 427-2227

FRIDAY 6/1

REGGAE

FIDEL NADAL

One of the most important Argentinian bands in the ’80s and ’90s was the reggae-hip-hop-punk band Todos Tus Muertos, which translates to “All Your Dead.” It was a vibrant, eclectic and political group. The band name was a reference to the dead bodies in Argentina’s “Dirty War.” Since the band broke, vocalist Fidel Nadal has embarked on a successful solo career. Dropping the hip-hop and punk elements, he plays mainly roots reggae with a strong dancehall edge, still political, but also lots of personal material. He’s still a big star in Argentina, while in the U.S., he’s loved by die-hard reggae fanatics. AC

INFO: 9 p.m. Moe’s Alley, 1535 Commercial Way, Santa Cruz. $15/adv, $20/door. 479-1854.

FRIDAY 6/1

ELECTRO-FUNK

PLANET BOOTY

Here’s a fact you probably didn’t know, but won’t be surprised to find out: Oakland electro-funkster group Planet Booty has a song called “Das Booty” that opens with this line: “Ladies and gentlemen, people of the world, I want to welcome you to … your booty.” The six-piece band prides itself on creating a “sweat-a-thon” at their shows, mixing all your favorite ’80s electronic funk, ’70s disco, and early ’90s R&B with booty-themed lyrics and a lot of humor into the best dance party you can attend this week. Underneath all the wackiness is a message of self-love, so long as what you love is your booty! AC

INFO: 9 p.m. Crepe Place, 1134 Soquel Ave., Santa Cruz. $10. 429-6994.

SATURDAY 6/2

BLUES-ROCK

ERIC LINDELL

Born in San Mateo, California, singer-songwriter Eric Lindell made the jump from the Bay Area to New Orleans in the late 1990s, making his way onto the national blues-rock scene and eventually landing a spot on the Alligator Records roster. With a reputation for raw talent, a range that spans blues, funk, R&B and rock, and a natural feel for the New Orleans sound, Lindell’s blue-eyed soul and attention-grabbing guitar work have established him as a favorite of roots and blues fans, and sealed his fate as a California local-boy-done-good. CJ

INFO: 8:30 p.m. Moe’s Alley, 1535 Commercial Way, Santa Cruz. $20/adv, $25/door. 479-1854.

SUNDAY 6/3

PSYCH

STRANGE MISTRESS

The self-proclaimed “heaviest rock band in Outerspace, Nevada,” Strange Mistress blasts their way onto the stage at Flynn’s Cabaret. The ex-Don Quixote’s is a perfect location for this otherworldly psych quartet. They launched their first CD, Divisions, last year and that cosmic piece of third-eye-opening ear fuel is still sending us to alternative dimensions. MAT WEIR

INFO: 7:30 p.m. Flynn’s Cabaret, 6275 Hwy. 9, Felton. $15. 335-2800.

MONDAY 6/4

PROG-METAL

ATLAS MOTH

These days, when someone tells you they’re in a metal band, that means one of two things: either they play punishingly slow 20-minute-long stoned-out jams, or they are going to take you on a wild adventure in riffage, mathematics and insane technical wizardry while simultaneously screaming out all of their darkest feelings. Atlas Moth falls primarily in the second camp, while dabbling in the first. There’s so much variety in their songs that seasoned prog-metal listeners will have their minds blown quite a bit. AC

INFO: 8:30 p.m. Catalyst, 1011 Pacific Ave., Santa Cruz. $12/adv, $15/door. 429-4135.

TUESDAY 6/5

IRISH

JOHN DOYLE

John Doyle is a standout of contemporary Irish music. A renowned guitarist and bouzouki player, Doyle composes tunes that bend tradition and blur lines. Performing original tunes and Irish traditional numbers, the one-time member of Irish supergroup Solas, Doyle brings his artistry to Soquel for an intimate house concert hosted by the Celtic Society of the Monterey Bay. CJ

INFO: 7:30 p.m. House concert, Soquel. $22. 464-9778. Information: celticsociety.org.

TUESDAY 6/5

HIP-HOP

COZZ

In a world of Soundcloud hip-hop and Xanax rappers, it’s hard to see a true talent in the game go underrated. Hopefully Cozz’s latest full-length, Effected, is what he needs to blow up into the mainstream. Signed to J.Cole’s Dreamville Record since 2014, Cozz has mixed smooth lyrics—riding between being woke about society and still wanting to have fun like any 20-something—with new beats that have an old school feel. MW

INFO: 9 p.m. Catalyst, 1011 Pacific Ave., Santa Cruz. $20/adv, $25/door. 429-4135.

TUESDAY 6/5

INSTRUMENTAL/POP

CHRISTIE LENÉE

The reigning international fingerstyle guitar champion, Christie Lenée is a captivating artist who wows audiences around the world with her guitar virtuosity and ability to blend pop hooks with fingerstyle and guitar tapping techniques. The result is an otherworldly sound full of complexity and sonic layers. Drawing comparisons to Michael Hedges, Joni Mitchell and Dave Matthews, Christie Lenée is also a masterful storyteller and songwriter with a gift for bringing people together through music. CJ

INFO: 7:30 p.m. Michael’s on Main, 2591 Main St., Soquel. $10/adv, $12/door. 479-9777.

 


IN THE QUEUE

TOMORROWS BAD SEEDS

Reggae-rock out of Hermosa Beach. Thursday at Catalyst

ALEX LUCERO & LIVE AGAIN

Central Valley soul outfit. Friday at Michael’s on Main

TOMMY ALEXANDER

Indie-rock singer-songwriter. Saturday at Flynn’s Cabaret

SANTA CRUZ HIP-HOP SHOWCASE

Khan, Alwa Gordon, TDC and QEDJ. Saturday at Crepe Place

MITCH WOODS & HIS ROCKET 88’S

Jump n’ boogie blues. Sunday at Moe’s Alley

Kathryn Kennedy Winery’s Expertly Crafted Wines

Marty Mathis, Kathryn Kennedy
Sauvignon Blanc 2016 is a bright and crisp summertime staple

Meet the Couple Behind Tiny House Chocolate

Tiny House Chocolate
Why less is more in California’s bean-to-bar movement

Film Review: ‘First Reformed’

First Reformed
Pastor seeks faith, purpose, in despairing ‘First Reformed’

Felton and Capitola Library Projects Move Forward

Felton Library, Capitola Library
The status of improvements from 2014’s $67 million bond measure

Do Electric Rental Scooters Go Too Far?

electric scooters
While Santa Cruz’s bike share program thrives, other cities take the sharing economy to next level

Santa Cruz Journalist’s Thriller ‘See Her Run’ Out This Week

Peggy Townsend, See Her Run
Peggy Townsend brings her reporter’s instincts to some unsettling crime fiction

Preview: The Mattson 2 Plays Two Shows at Michael’s on Main

Mattson Brothers, The Mattson 2
The twin-brothers jazz duo brings guitar great Calvin Keys as guest on Friday

Bottle Jack Winery Maintains Momentum, Plus Bargetto’s La Vita Release

John Ritchey, bottle jack winery
John Ritchey of Bottle Jack Winery is winning top honors for his big reds

From Judge to Governor, a Look at Primary Races Affecting Santa Cruz County

When Syda Cogliati talks about her experience, she sounds as proud of her educational background as she does her legal credentials. Cogliati—a judge pro tem who’s practiced law for the past 23 years, and is also a professor at the Monterey College of Law—is running for Santa Cruz County Superior Court judge. Cogliati volunteers with fifth graders in the Elementary Law...

Music Picks May 30-June 5

Live music highlights for the week of May 30, 2018.
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