Homeless Advocates Scramble as Limbo Looms for River Street Camp

Just off Highway 1, at the far end of River Street in the Harvey West neighborhood of Santa Cruz, a temporary micro-city is still humming along despite another deadline fast approaching for its residents. Behind a tall fence topped with barbed wire, tents housing some five dozen people are arranged in neat rows, personal touches like prayer flags and a water station thoughtfully arranged near the front entrance.

Outside the city-backed homeless encampment, temporary no parking signs posted when the camp first opened in February still list a June 30 expiration date. Now, with just over a week to go until the city’s next self-imposed deadline for an alternative shelter, GT has learned that the city is poised to again delay a decision on the camp amid ongoing resistance to proposed longer-term locations.

“It doesn’t look like we’ll be taking anything to City Council on the 14th,” city spokesperson Eileen Cross wrote in an email, referring to next week’s Santa Cruz City Council meeting. “No decision has been made on River Street.”

Cross adds that “the city and county are continuing to explore feasible options of locations to move the camp to,” though she did not specify individual sites or neighborhoods. Santa Cruz County Spokesperson Jason Hoppin, meanwhile, says the county is more focused on the potential for increased state funding and youth homelessness outreach.

“The River Street camp itself was always something the city did,” Hoppin says. “Their efforts to relocate people and find a new location for that—that’s going to be up to them.”

With the future of the River Street camp uncertain, some local homeless advocates are taking matters into their own hands, launching efforts to create more options for people to sleep safely in cars or store personal belongings. At the county level, nearly $2.5 million in federal funding has also flowed this summer into efforts to address homelessness among young adults and school-age children who lack stable housing.

In the process of identifying potential paths forward, Santa Cruz is grappling with an increasingly acute situation felt in cities throughout California and beyond.

“It’s a huge issue up and down the coast,” says Bob Erlenbusch, executive director of the Sacramento Regional Coalition to End Homelessness, where policymakers in the state capital are also exploring city-sanctioned camps for some 600 people. “The West Coast, from San Diego to Seattle, all saw pretty significant increases in homelessness.”

PUBLIC LAND DILEMMAS

Perhaps the biggest question now is how far local governments in Santa Cruz and cities with similarly outsized homeless populations will go to use public land to alleviate homelessness while policymakers discuss longer-term fixes for affordable housing.

Four sites were previously proposed for an interim shelter facility to be open for 18-24 months until a new permanent shelter could be built, including a county facility on Emeline Avenue, the National Guard Armory near the DeLaveaga Golf Course, Pogonip Clubhouse off Golf Club Drive, and Dimeo Lane near the city landfill. Though homeless advocates and some residents have urged immediate action, many would-be neighbors have staunchly opposed the proposals, stalling a decision.

“It’s been an endless cycle,” says Brent Adams, who heads local nonprofit homeless services and advocacy group the Warming Center Program, alluding to evictions prior to the River Street camp in San Lorenzo Park and elsewhere. “We think there needs to be a more holistic and street-aware approach to shelter.”

While public agencies debate next steps, grassroots groups like Adams’ have started to offer up stop-gap measures—some with government support, some without.

The Association of Faith Communities, for instance, has appealed for public funds to expand its SafeSpaces program offering free parking spaces to the estimated 30 percent of homeless residents who sleep in their cars each night, one third of whom live in their cars with a child. The Warming Center Program, which operates with no public funding on a $65,000-a-year budget, has offered its namesake winter shelter since 2014 and in June began a free service that allows homeless residents to store their belongings while not in use.

Last Thursday evening, Adams and the Warming Center’s one paid employee stood outside a white passenger shuttle bus parked at a running city meter in the lot behind the downtown Wheel Works. A slow trickle of men and women walked up to the bus, gave their names and waited for the gray plastic bins with their belongings — bedding, clothes, shoes — to be retrieved for the night.

One man with a bald head and bright blue eyes, Larry, said he lived at a home in the Santa Cruz Mountains for 40 years and used to commute to Silicon Valley for work as an engineer. Finding a new job after a layoff proved impossible at an older age, he said, which led to spending the last few weeks sleeping in a quiet spot with good light, on the street near downtown.

Still, Larry, who declined to give his last name, said he was hopeful he’d find a new place in the mountains in a few more weeks. He described himself as “independent,” but also said living on the street was for him something like an out-of-body experience you might read about in a book. He even sympathized with neighbors in houses and apartments who remain divided over what to do next.

“They’re in a tough spot,” he said. “It’s a lot of people.”

THE MAKING OF A STALEMATE

The official numbers, tallied one day every other year by a team of volunteer surveyors, say that Santa Cruz was home to 2,249 homeless individuals last year—up from 1,964 people in 2015, but well below the 3,536 people counted by the point-in-time survey in 2013. About 68 percent of people surveyed last year lived in the county prior to becoming homeless, and 38 percent of people had been homeless for 11 months or less.

Still, advocates and public officials alike question whether statistics capture the full range of people living in various stages of homelessness. Gray areas like constant couchsurfing, long stays in motels or families living doubled or tripled up are often overlooked, along with people who may try to avoid being counted or stay in more isolated outdoor areas.

“I think we forget all the different faces of homelessness,” says Santa Cruz Vice Mayor Martine Watkins, who also works as a community organizer for the Santa Cruz County Office of Education. “We have a lot of kids who are homeless in our county.”

About 17 percent of those tallied in the 2017 homeless count were children under the age of 18. During the 2016-2017 school year, the county reported 3,263 homeless school-age students, mostly living in overcrowded homes or apartments shared with other families.

Starting this school year, Santa Cruz County Schools and Pajaro Valley Schools will each receive $175,000 annually for the next three years to serve homeless students. As part of more than $2 million in federal funding for youth homelessness announced by the county this summer, schools will also benefit from $100,000 annually to be spent on a new Youth Homeless Response Team to bring children who may be on the street or in shelters back into the school system.

Though homelessness can result from a range of circumstances—job loss, medical conditions, substance abuse, evictions—the reckoning about the future of the issue comes at a time of increasing anxiety about widening economic disparities in the county. A disconnect between high costs of living and scarce high-wage work in Santa Cruz has earned the city several dubious distinctions in recent years.

One 2015 UCSC report named the city the “least affordable small metro area in the entire country.” Just two weeks ago, the nonpartisan Public Policy Institute of California reported that Santa Cruz County is the second-poorest county in California—Los Angeles County topped the list—with nearly 24 percent of area residents falling below a localized poverty rate of $33,953 for a family of four.

“Housing costs are really the single-largest component of what’s driving at least the California poverty measure,” says Tess Thorman, co-author of the PPIC study. “Any changes in that statewide will really have an impact on poverty.”

Though Santa Cruz built more housing than required by state regulators from 2007-2014 for residents earning $41,700 a year or more, the city did not report building any of the minimum 75 units ordered for residents earning less money. The city’s latest state-mandated housing assessment from 2015 attributes the gap to the recession-era dissolution of statewide redevelopment agencies, which previously provided permanent funding for affordable housing.

As residents with and without housing await word on what might come next, Hoppin says an estimated $8-10 million from the state that could be made available on an emergency basis by the end of this year could be a game changer. Still, even good news comes with caveats.

“That funding is one-time, and it has to be spent in a relatively short amount of time,” Hoppin says. “We have a lot of work ahead of us to figure out how we’re going to spend it.”

Preview: Giraffes Giraffes to Play Crepe Place

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The latest record by offbeat math rockers Giraffes Giraffes, called Memory Lame, is cut into 37 chapters, most with mind-bogglingly long titles that might seem like non-sequiturs. But in fact, they tell a story—one that begins right here in Santa Cruz.

The title of chapter 2 is “Free Concert at the Boardwalk and Eddie Money Rips Into ‘I Wanna Go Back’” which, for guitarist/vocalist Joe Andreoli, is an iconic Santa Cruz image.

“Eddie Money is playing in Santa Cruz. Every year he’s there. That’s just what happens,” Andreoli says. “That starts off this sort of stream of events that the person has.”

It shouldn’t be a surprise that Giraffes Giraffes would set their story in Santa Cruz; the band basically started here. Originally from the East Coast, the duo (Andreoli and drummer Kenneth Topham) relocated to Santa Cruz a little over a decade ago, after a friend told them how well their music would work here. The two had started jamming while still living on the East Coast. Andreoli previously played in a post-rock band; drummer Ke Topham, a spazzy psych-rock group. Together they started spitting out math rock, but with a fun, almost silly edge.

In Santa Cruz, they blossomed into a real band, and were almost immediately embraced by the scene here. They’ve since moved back to the East Coast, but the group recorded its first two records here, and still have fond memories of their early years in Santa Cruz.

“I often wonder if we had stayed in New England, if we would have really gotten the same amount of traction or interest,” Andreoli says.

The fact that Memory Lame starts at the Santa Cruz beach near the Boardwalk is just a setup. With some reluctance, Andreoli explains to me the premise of the record, which features a man in Santa Cruz falling and hitting his head on the ground. He has a rush of memories—some his, some other people’s. They continue as he drifts off into the unknown.

“I wanted it to almost feel like a book or even a classical movement, something with a lot of different sections that are like these memories, these different things that either happen to me or to Ken or the people that we know, or sort of like universal memories or scenes that a lot of people can identify,” Andreoli says.

This is all mostly instrumental music, so there’s no literal narrative. The songs jump around, often times in little spasms that last less than a minute. Some came to be by the band musically interpreting some element of the song title. For instance, one chapter called “Martian Tears” refers to a time when Andreoli was a kid and he and a friend used to burn sheets of plastic just to watch it melt. They called it “Martian tears,” and it made a weird whipping sound. So he tried to make his guitar mimic that sound from his memory.

Overall, the record is somewhat less aggressive-sounding than their past work, something Andreoli attributes to being essentially the first album they’ve done that was recorded in a studio. It’s also the first time they’ve worked with an actual label, Top Shelf.

“Our whole career, we’ve been independent. We just did everything. We like having total control over every aspect of our band,” Andreoli says. “There was some curiosity. What’s it like on the other side? There’s pros and cons, but it’s been a total net gain working with Top Shelf.”

Despite the math rock tag, the band tends to not play in an overly technical manner, or in a way that’s stiff or serious. There’s always this sort of goofiness to the way they assemble songs, which ends up impacting everything they do in the context of the band.

“We just want to have fun. That’s the only motivation for us to be doing any of this. It’s to be enjoying ourselves and enjoying seeing other people. When we play, we face each other, because it’s like this thing that we’re doing together,” Andreoli says.

Giraffes Giraffes plays at 9 p.m. on Friday, Aug. 10, at the Crepe Place, 1134 Soquel Ave., Santa Cruz. $10/adv, $12/door. 429-6994.

Film Review: ‘Blindspotting’

When Billy Bob Thornton won an Oscar for his screenplay, Sling Blade, he cited advice he’d once been given by legendary director Billy Wilder: if he wanted a great acting role in a movie, he’d better write it himself.

Daveed Diggs and Rafael Casal must have gotten the same memo. The two Bay Area performers—actors, singers, rappers and poets—have written themselves a couple of terrific roles in their remarkable movie, Blindspotting, a love letter to the diverse culture and community of Oakland. Both actors turn in virtuoso performances as friends confronting issues of race, class, identity, and their own volatile, longtime friendship.

Far from a typical crime drama about violence on the mean streets, it’s much more intricate, rich, and satisfying. Director Carlos López Estrada, in his feature film debut, makes bold, stylistic choices in every frame. And while the story can be intense, it’s told with plenty of sharp humor as the filmmakers celebrate the cultural vitality of the city they love.

Collin (Diggs), who is black, and Miles (Casal), who is white, have been best friends since they were 12, and grown up together in the neighborhood. Collin is on probation (for a crime that is not revealed until late in the movie). With only three days left to serve on his sentence, he’s looking forward to moving out of the halfway house where he’s under strict curfew and resuming his life—if he can just stay out of trouble.

Not so easy, with Miles in the picture, who’s prone to making scenes when he feels like a line has been crossed. Which happens a lot in their day job driving a moving van around the city, where they mostly pick up the discarded remnants of previous lives—old furniture, family photo albums—and cart them to the dump so the houses can be gutted and gentrified by the new class of “white hipsters” being lured to tech jobs in the Bay Area from places like Portland.

Collin inadvertently misses his curfew by a few minutes one night, when an incident involving a white cop and a black fugitive plays out alongside his van, putting him under even more intense scrutiny. Matters are further complicated when Miles acquires a gun, for the “protection” of his  girlfriend, Ashley (Jasmine Cephas Jones), and their young son. Meanwhile, Collin tries to warm up his relationship with his ex, moving company receptionist, Val (Janina Gavankar), which cooled when he went to prison.

But it all adds up to something way more interesting than a gangsta melodrama. Inveterate rhymers, Miles and Collin can’t help improvising sly verses just walking down the street together, observing life. (Although in the electrifying finale, the rhymes are much more harrowing.)

Director Estrada keeps the action popping right off the screen: Collin’s nightmare plays like a music video from Hell; on his morning run past the cemetery, he envisions black victims standing silently by their headstones. When the nature of his own crime is finally revealed in flashback, it’s a scary clash of race, culture, and simmering tension, yet the narration by two men of color who saw it all is raucously funny. (The white hipster involved is variously referred to as “Neil Patrick Harris,” and “Portlandia.”) But it also illustrates one of the movie’s major themes—no matter how deeply immersed Miles is in the ethnic culture of the community, he’s accorded an extra degree of privilege because of his race.

Diggs is warm, pragmatic, and surprisingly explosive as Collin. (Diggs won a Tony in Hamilton on Broadway while this project was seeking funding.) Casal’s Miles is the smooth operator, peddling discarded items with his honeyed verses. With the easy rapport of the longtime friends they are in real life, they’re consistently entertaining, even as the movie ramps up to its intense, yet transcendent conclusion.

BLINDSPOTTING

**** (out of four)

With Rafael Casal and Daveed Diggs. Written by Rafael Casal and Daveed Diggs. Directed by Carlos López Estrada. A Lionsgate release. Rated R. 95 minutes.

Preview: The ‘Melt Me Into The Ocean’ Experience

The sun had dipped above the horizon, but local artist Yolande Harris wouldn’t have seen it amidst the chilly July haze encircling the end of the Santa Cruz Wharf. She lowered her hydroscope into the water and watched as a shoal of anchovies swirled around it. She listened to and recorded the happenings of another world just beneath the surface, and amidst the white noise of hissing and snapping, she could hear sea lions bark and perhaps a dolphin click.

“It’s a very magical sound,” she says of her recordings. “Watching the surface and motions and swirling, I get totally taken away. It’s hypnotizing.”

Harris is a woman of the sea. She has always been, in retrospect, having grown up sailing and swimming with her family in the Atlantic before eventually moving to Santa Cruz a couple of years ago.

The same is true for her art, a collection of marine sounds aimed at deepening our understanding of the ocean. Harris’s latest work is part of a larger series presented by local chamber and experimental music group Indexical. The performance, titled “Melt Me Into the Ocean,” is a one-time evening event that uses sound to connect participants to this sense of place and community.

“The experimental scene in Santa Cruz is really growing, and there are a lot of people that are interested in it that just don’t know it yet,” says Madison Heying, the event’s curator, and a teaching fellow and Ph.D candidate in cultural musicology at UCSC. “There are a lot of people here who are open to experiencing new things, and that really want to experience art that challenges their senses and how they look at the world. This challenges how they listen and what they think of as music.”

Harris’ contribution has two parts. The first is a walk to the Walton Lighthouse along the West Jetty Walkway with headsets, and the second is a sunset performance featuring a dreaming sea lion dancing to her oceanic recordings. Harris will be joined by Maidens of Delos, who will be playing ancient Celtic battle trumpets that look like monsters to accompany their piece on ancient Greek sea monsters Scylla and Charybdis. Casey Anderson will also be using radio transmitters and receivers together to explore sound and Ann Alstatt and Kyle Lane-McKinley will be contributing a more visual composition of surreal collage and conversation around the history and future of Santa Cruz landscapes and scenery.

“There are a couple of misconceptions about experimental music. One is that it looks haphazard, that people are just making crazy sounds or anyone could do it, when actually a lot of discipline goes into making experimental music,” Heying says. “The other misconception is that it’s not approachable, and it definitely can be. That’s one of our goals with this event in particular and Indexical in general—we really don’t want anyone to feel like there is a barrier to entry.”

In “Melt Me Into the Ocean,” Harris will use her wharf and harbor recordings, along with some deepwater recordings borrowed from the Monterey Bay Research Institute (MBARI). MBARI records and streams the sounds from 900 meters below the surface, compared to the Monterey Bay Canyon’s depth of nearly 4,000 meters—which is far deeper than the Grand Canyon. On the particular segments Harris has used, there are whales and a deep hissing echo radiating from within the canyon walls.

“What I asked [MBARI] for was not the most perfect Humpback whale song. What I wanted to hear was the mass of sound that is under there,” Harris says. “There are many different things going on, and I wanted to try and understand what the environment of that space is, and try to listen to the context of the environment.”

Harris’ main performance will be reliant on the evening light. She says instead of having an arc of a beginning, middle and end like most performances, her work is a trance-like space that doesn’t revolve on time, but rather sunlight. The diminishing light will provide a transition as it fades and her sea lion projections become clearer.

“It’s about standing on the edge of the land and looking out at the surface. How do you know the huge depth and environment that’s beneath there?” Harris says. “There are many ways, and I thought sound is a way that can ease you into that, give you a different kind of information and sensation of immersion in it.”

She says that, above all, it’s about people’s ability to stand at the edge of the ocean and imagine—and in listening to the recordings and seeing the projections, her work allows them to do that.

“It’s largely about taking time to imagine. I hope there will be more serious attention given to it if people can imagine,” Harris says. “In terms of conservation, it’s too easy and convenient to ignore the ocean, and use it just for pleasure and entertainment.”

Harris isn’t interested in the surface itself; she wants to dip below it. For her, identity is not visual or limited to the surface—it’s beyond what the eye can see. So she uses sound in an embodied experience that extends beyond visual or tangible aspects.

“If you give something a real presence,” Harris says, “then you can’t ignore it anymore.”

‘Melt Me Into The Ocean’ takes places at 3 p.m. Saturday, Aug. 11. Ocean View Park, 102 Ocean View Ave., Santa Cruz. indexical.org. Free.

‘Bringing the Harvest Home’ Workshop Series at Mountain Feed & Farm Supply

The green thumbs of Ben Lomond’s vibrant Mountain Feed & Farm Supply will be rolling out a new workshop series this summer called Bringing the Harvest Home. Supporting regional ag, these workshops will focus on preserving foodstuffs to fill your pantry using fresh produce direct from farms and delivered to the participants at Mountain Feed on the day of the class. Think of it as a homegrown “meet and greet” between farmers and home-preservers, as well as a way to keep your pantry stocked with peak harvest all year long,

On Aug. 11, Canning Tomatoes provides an intensive class in creating new tomato recipes such as tomato paste, ketchup and soup. Preservationist extraordinaire Jessica Tunis—a self-described food nerd—will walk participants through the basics of canning whole tomatoes. Tunis has been doing this for a decade, and her lively style in the kitchen will make the class accessible to the beginner as well as those who already have some skills in preserving foods. Bringing the Harvest Home classes are two hours long, 11 a.m.-1 p.m., $60. Participants will take home recipes, a flat of produce, a case of jars, and the new skills to preserve new harvests in bulk. Pre-registration is required—these classes will fill up fast, so reserve your space now! mountainfeed.com.

As the Soif Spins

Patrice Boyle, prime mover and shaker of La Posta and Soif, contacted me with the bracing news that there’s a new chef in the Soif kitchen. As of Aug. 1, Tom McNary, formerly of Carried Away, now heads the restaurant of the durable wine bar and dining room, replacing the brief tenure of Marshall Bishop. Turns out that McNary and Boyle share a large and growing passion for all things farmers market—the growers, the fresh-harvest action, and the amazingly vibrant produce. “Ultimately, what we serve people matters,” Boyle explains. “And it is something I need to stand behind. When I opened Soif in 2002 we were not big farmers market shoppers, and I realize now I have become a bit of a zealot.” And she’s not alone. We all run into our friends, neighbors, and work colleagues at one or the other of our county’s incredible weekly farmers markets. “I think local farming is important and makes a difference, not the least of which is that it’s delicious,” Boyle says. Soif is on the verge of intensifying its devotion to the fresh and the local, as well as sophisticated cocktails and far-flung wines. Anticipate seeing farm fresh vegetables, herbs, cheeses, fruits, pastured meats appear with increasing vigor on the menus at Soif.

“Tom shares that point of view,” Boyle says. “There are certain areas where that alignment is crucial, and this is a big one for both of us.” The new Soif chef is already underway checking out the kitchen territory. And while the menu won’t immediately reflect a radical change,

we can expect McNary’s influence—with the help of farmers market foraging—to show up in the days and weeks ahead. “It’s always exciting here,” Boyle confirms. Not a bad phrase to describe the entire Soif experience. Always exciting. Stop by, order something cool and wet, and welcome chef Tom McNary to his new gig.

Spirits of the Week

Shakespearean Pop-Ups at The Grove in DeLaveaga Park. On Friday, Aug. 10, look for Venus Sprits to be serving “Venus” inspired cocktails—at the opening of Venus in Fur, of course. And the following week, Saturday, Aug. 18, Birichino offers tasting flights for $5 before Romeo and Juliet. More reasons to see this season’s Santa Cruz Shakespeare productions!

 

 

 

County Board Approves Affordable Housing Measure for Ballot

Andy Hartman, of the local electrical workers’ union, has noticed a strange irony when it comes to building affordable housing.

Oftentimes, the men and women laboring to bring a project to life make too little at the construction sites to afford to live in one of the finished units, explains Hartman, the business manager for the International Brotherhood of Electrical Workers Local 234.

That’s why he’s excited about a new $140 million bond measure headed to the November ballot to fund affordable housing, as it would require that workers be paid a living wage—which, for electricians, would be $46 an hour—instead of hourly wages that he says can run as low as $15.

“We want to see workers out there on projects,” he says. “We want to ideally have more local people going to work on the projects.”

It isn’t just the unions who are throwing their weight behind the measure, which would need a two-thirds voter majority to pass on the Nov. 6 ballot.

By last month, the coalition working on the November measure had grown to more than 70 people, including members of local city governments, affordable housing developers, the Community Action Board, Visit Santa Cruz County, Barrios Unidos, the Santa Cruz Farm Bureau, and Santa Cruz for Bernie, to name a few. On Tuesday, Aug. 7, the Santa Cruz County Board of Supervisors voted 5-0 to place the measure on the upcoming ballot.

During a public comment period that lasted more than an hour, Cathy Sarto, of Peace United Church of Christ, spoke on behalf of COPA, a coalition of more than 29 institutions, like schools and churches. Her voice trembling, she spoke about her five children—one of whom works for Hospice of Santa Cruz County, and another in mental health.

“These are Santa Cruz’s own kids, kids who did everything we asked of them,” she said.
“We asked them to get an education and contribute and give back to society. Our congregations are losing members and clergy. Our schools can’t recruit teachers. Our health institutions can’t recruit doctors and nurses.”

The rent for a two-bedroom Santa Cruz apartment is about $3,200, according to data from both Zillow and Rent Jungle, which is more than half the median household income.

Casey Beyer, the executive director of the Santa Cruz Chamber of Commerce, has been working on the measure and building a coalition for more than a year, since former Mayor Don Lane and former state Assemblymember Fred Keeley asked if he would pitch in to help strategize. Beyer says that when the chamber polls its members on top priorities, three things rise to the top of the list—housing, transportation and retention or recruitment of employees, in that order. When Beyer asks business owners about their recruiting problems, he says they tell him, “Well, if we can recruit someone here, we often lose that potential candidate because the cost of housing is too high.”

The challenge, he says, applies to both the public and private sectors.

Some progressives were understandably less than thrilled at the bond’s dollar amount, given that it would provide $110 million less than the $250 million measure Lane and Keeley had initially pitched. Keeley says the trick was finding that sweet spot between how much voters’ checkbooks will support and how much money was required to provide the needed impact. The last time that the Affordable Housing Santa Cruz County (AHSCC) coalition met, members in attendance voted unanimously to support the measure. They also voted unanimously to go “all in” on the campaign, meaning that even if someone is running a different campaign, the affordable housing bond should be their second-biggest priority.

“We gotta be number two, not number three or four,” Keeley explains.

In the measure, 75 percent of the funds are slated for affordable housing construction, and 15 percent would go to fund the brick-and-mortar construction costs for new homeless facilities that could be spent anywhere in the county. The final 10 percent would go to assistance for home ownership, like loans to first-time homebuyers.

Beyer says that in order to build units that are truly affordable, the community will need funding, and if Santa Cruz wants to compete for state grants, the county needs local sources like a ballot measure.

The measure’s money is split between the county’s five local governments, with a breakdown that the city managers and the county administrative officer agreed upon.

Recent polling paid for by AHSCC reveals some encouraging tidbits about likely voters’ compassionate interest on these issues—but also cause for concern. Only 60 percent of voters support the measure at first, with 3 percent more leaning in that direction. After hearing more information, that number jumps to 64 percent, with 2 percent more leaning toward supporting it, bringing the total number to 66 percent, still technically under the needed two-thirds threshold.

The measure includes language, recently mandated by state law, about the cost of the bond measure to property owners on their property tax bill. It would cost $16.77 per $100,000 of the officially assessed value of the property.

The pollsters told Keeley support could be 5 to 12 percent higher were it not for that language. Coalition members know they could wait two years and put the measure on the ballot in 2020, when they can count on higher turnout from a presidential election. But if a recession begins between now and then, Keeley isn’t sure that the climate would be any more favorable. He notes that coalition members have plenty of campaign experience, and that housing will drive voters to the polls in November, as there will be two statewide housing measures and two local ones.

With a short runway ahead, Beyer says campaigners need to craft a cohesive message and stay on the same page. “Now’s the time to play ball. We have 100 days to pull it across the finish line,” says Beyer, a onetime chief of staff to former Congressmember Tom Campbell.

In the AHSCC poll, county voters’ top three priorities were affordable housing, homelessness and mental health services. Those needs came in ahead of education, transportation, the environment and public safety. Eighty-four percent of likely voters agreed that local governments should do more do address the homeless problem in Santa Cruz County, with 60 percent strongly agreeing. Those numbers are up from polling in 2017. Not only that, but the numbers of those who were unsure, who somewhat disagreed and who totally disagreed went down.

The polling indicates that people are less concerned about being able to find a place to live for themselves than they are about other people. That indicates encouraging findings on what Keeley calls “the compassion meter.”

“The compassion meter in our community isn’t inexhaustible, but this isn’t so much about them,” he says. “It’s about what kind of community do we want to live in?”

Keeley stresses the campaign is in the business of securing money for affordable housing, not making housing policy decisions that local governments will figure out in the future.

“We’re not in the business of saying where it should go, should it be single-family or multi-family? Should we do four stories on Water Street? We’re staying in our lane,” Keeley says, “and our lane is forming capital, providing funding and community funding to make these pencil out.”

Update: A previous version of this story misspelled Cathy Sarto’s last name and misstated Tom Campbell’s former title, as well as the findings of a previous housing poll.

How is Santa Cruz California’s second-poorest county?

The national numbers are already jarring. Just over 15 percent of Santa Cruz County residents live under the federal poverty line of about $24,300 per year for a family of four.

Add in local housing costs and the value of safety-net services like food and rent assistance, though, and that number jumps — to the second-highest poverty rate in the state behind Los Angeles County, according to a report recently released by the Public Policy Institute of California.

When factoring in costs of living and the local availability of social services, more like 23.8 percent of residents fall below what researchers call a more realistic poverty line for Santa Cruz County of $33,953 for a family of four.

Here’s a snapshot of the statewide findings from the nonpartisan think tank, which looked at the most recently-available data from 2014-2016:

California poverty chart

To understand the gap between the official poverty rate and the on-the-ground financial realities in Santa Cruz County, we talked with study co-author Tess Thorman. The conversation has been edited for length and clarity.

There’s a stereotype that inland California is the poorer part of the state and the coast is more affluent. What does this report say about the reality?

TESS THORMAN: The official poverty measure has always shown poverty in the Central Valley. The California poverty measure additionally shows that there is poverty in what we’ve considered to be wealthier regions along the coast.

By including the full range of resources that families are using to meet their needs — but also variation in cost of living — you can see that families in higher-cost places may be earning enough to not be in federal poverty, but still be struggling to afford living in places where it’s expensive.

What issues should people who are concerned about high poverty numbers be watching moving forward?

I mean, housing costs are really the single-largest component of what’s driving at least the California poverty measure. I think that any changes in that statewide will really have an impact on poverty. Most housing policy is really happening at the local level. It’s not something that the state has really taken on.

With regard to the safety net, there’s been conversations about adding work requirements to SNAP, which is the federal program behind CalFresh. That will have a big impact, given that CalFresh is a major program that alleviates poverty in California. That’s a place to watch what’s happening in the Farm Bill.

One thing that was surprising is that nearby places known for being even more expensive, like Santa Clara and San Francisco, ranked below Santa Cruz for poverty. Is it clear why that is?

That’s a good question. It’s hard to tell specifically, but it’s likely to do with the average amount of resources that people do have.

In Santa Cruz, for example, many people who are earning above the federal poverty level but are still struggling to make ends meet are not eligible for a lot of safety-net programs. Those programs don’t have the chance to assist, and it may also be that people in the Bay Area have slightly higher incomes.

How Stoned Is Too Stoned to Drive?

When Juanita Sorrentino hung up the phone with her eldest granddaughter, she never imagined that the quick, casual goodbye would be her last. Isabelle Gonzalez, a 16-year-old San Jose High School student, told her grandma she’d hang out with friends for a few hours, but would come home in time to rest up for her cheerleading rally the next morning.

Around 1:30 a.m. on March 16, Gonzalez sat in the back seat of a Honda Accord. The car’s driver, 22-year-old Brandon Gomez Hunsperger, barrelled down Casselino Drive at freeway speed before losing control of the car, striking a small tree and careening over a nearby hill. Paramedics pronounced her and Hunsperger dead on the scene. Her best friend and another man in the car survived with treatable injuries.

Though the crash remains under investigation, the coroner’s toxicology report showed that he had 11 nanograms of delta-9-tetrahydrocannabinol, or THC, in his system. Had Hunsperger been driving in Colorado, that would have put him over twice the legal limit for that particular cannabinoid, perhaps the drug’s most common and also most psychoactive ingredient. What should not be overlooked is that lab results also showed that Hunsperger died with more than twice the legal limit for alcohol in his bloodstream as well.

When pot became fully legal for recreational use in California at the beginning of the year, law firms and law enforcement stepped up warnings about stoned driving. Signs like “Drive High, Get a DUI” along freeways warned about the consequences of getting busted behind the wheel while under the influence. But unlike Colorado, California does not yet have a definite maximum THC level, so policing marijuana-induced driving under the influence (DUI) charges has proved challenging.

“It is the officer’s interpretation of the situation based on their training to determine whether a person is too intoxicated to drive,” says Santa Cruz County California Highway Patrol (CHP) spokesperson Trista Drake. “Hopefully, we will have something like Colorado. We have been slow to catch up so far.”

Officer training, Drake says, includes programs on both enforcement of impaired driving and recognizing various substances, each of which includes identifying if someone is high. And the state legislature will soon fund a UC San Diego study to look at the effects of cannabis on driving.

One of the problems with using THC to draw a hard line, however, is that cannabis affects different users differently. Medical cannabis patients, for example, may have a tolerance that is far beyond that of recreational users—and not be impaired regardless of how much THC is built up in their bloodstream, where it can remain for weeks after use.

Issues of drug use and driving have come up in Santa Cruz recently, as well. On the Westside, 24-year-old Kelsey Knoll was recently charged with murder after barreling her SUV into 23-year-old McKenzie Gilbert. Knoll’s toxicology reports have yet to come back, but she’s faced felony drug charges in the past, including for methamphetamine and heroin.

In general, Sorrentino says she’s concerned that, absent a standard for intoxication, the legal penalties for driving while stoned will fail to reflect the seriousness of the crime. “We want justice served,” Sorrentino says. “We want justice for Isabelle.”

Because it’s still early in weed’s post-prohibition era, regional law enforcement officials have been unable to confirm to what extent such fears are warranted. CHP’s San Jose branch has been tracking the number of marijuana-related DUIs, but the office has yet to draw any conclusions about whether stoned driving has gone up there.

While DUI related arrests in Santa Cruz County are on the rise, compared to last year (with a total of 615 for the first six months), Drake says incidents of cannabis-specific DUIs in Santa Cruz County haven’t increased.

Local cannabis attorney Ben Rice isn’t surprised by that fact, adding that cannabis-specific DUIs are “pretty darn rare” in his experience. “Cannabis is so different from alcohol. Users are more relaxed, and they mostly become more careful, and it makes them slow down, not speed up,” Rice says.

Rice adds that although CHP officers will arrest someone they believe is under the influence of cannabis, there’s often little the district attorney can do to prosecute such cases, since studies have yet to conclusively prove how to measure impairment.

Although federal research has shown that while smoking before driving does elevate the risk of crashing, it’s less impairing than alcohol. Anyone using both substances at the same time, though, can end up far more impaired than someone using either drug on its own.

While the American Journal of Public Health published a study last summer reporting that the states of Colorado and Washington saw no increase in fatal crashes after legalization, a separate study from the Insurance Institute for Highway Safety found that collisions went up 3 percent. The Washington Post called it “plausible that legalization could lead to a slight increase in minor accidents that don’t prove fatal.”

According to a Denver Post analysis last year, however, data from Colorado showed an increase in fatalities where the driver tested positive for recent cannabis use, with the rate more than doubling annually between 2013 and 2016.

In San Jose, the crash that killed Gonzalez wasn’t Hunsperger’s first drug offense. Court records show he had both drug- and driving-related infractions to his name. In April 2016, police pulled him over for participating in a speed contest. An officer found cocaine, pot and drug paraphernalia in his car. A judge gave him two years’ probation and suspended his license for one year—but he violated the terms of his sentence by getting behind the wheel again in 2017.

Hunsperger also entered a deferred entry judgement, a program for drug offenders that offers counseling or substance-use education in exchange for the chance to expunge their record. Gonzalez’s loved ones say the system that tried to save Hunsperger failed their family.

“She was underage, she was a little girl,” her aunt, Vivian Chavez, says. “That guy had no business drinking.”

There are other incidents that have indicated the trickiness of prosecuting drug-related DUIs in the year 2018.

On May 15, Fremont police arrested 21-year-old Dang Nguyen Hai Tran for allegedly causing a a five-car pile-up that killed three people. Police suspected Tran was under the influence of marijuana during the wreck, but released him from jail three days later without charges. “The justice system is that easy to let these guys go,” Sorrentino laments.

But others say that after decades of heavy-handed enforcement that disproportionately impacted people of color and fueled the crisis of mass incarceration, the powers that be have been trying to strike the right balance. Chris Johnson, a program manager for the pedestrian safety advocacy group Walk San Jose, says he isn’t entirely convinced that more severe punishment is the best way to prevent drug-related DUIs. Instead, he calls for expanding public transportation options.

“You make the choice to get behind the wheel of a car,” he says. “Yes, there should be very serious consequences for that, but I’m skeptical of the harshness of that sentence as a deterrent. It’s not premeditated.”

Update 8/3/18, 9:05 a.m.: A previous version of this story misstated attorney Ben Rice’s views on cannabis testing.

Be Our Guest: Santa Cruz Shakespeare’s ‘Romeo and Juliet’

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Romeo, oh Romeo. The story of Romeo and his beloved Juliet has woven itself into our pop culture—in movies, songs, books and more—and for good reason. Romeo and Juliet is Shakespeare’s most iconic love story, a tragic tale of two young people desperately in love, and the society determined to keep them apart. This year, Santa Cruz Shakespeare presents the classic production under the guidance of director Laura Gordon.

INFO: Through Sept. 1. Grove at DeLaveaga Park, 501 Upper Park Road, Santa Cruz. $20-$35. 460-6399. Information: santacruzshakespeare.org.

WANT TO GO?

Go to santacruz.com/giveaways before 11 a.m. on Friday, Aug. 3 to find out how you could win a pair of tickets to the performance.

Love Your Local Band: Suborbitals

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Ryan Masters recalls how excited he was in 2006 when his avant-pop band the Suborbitals released its debut record, Blackout Rolling. It felt like there was some momentum behind the group, and he was ready to get in the studio and record a follow-up album.

The following year, a series of personal issues led him to Atlanta for five years. He still worked on material for his band, and when he moved back to the area, they were playing live again. But it’s at this upcoming show at the Crepe Place that the Suborbitals will finally release that follow-up, Hey Oblivion. It may have taken longer than expected, but Masters believes the album benefitted.

“It didn’t have the murky darkness of our live shows,” he says of the group’s first record. “We’ve always had a reputation as a good live band. We’ve never had any solid recordings behind us. We’d have to say, ‘come see us live.’ This album sounds like us. It’s really moody and dark. We can send people this album to see what we’re like.”

Besides vocalist Masters, the group is comprised of Heath Proskin on bass, Gordon Stokes on drums and Ben Herod on baritone sax and flute. There’s a gritty punk sound mixed with a mysterious jazzy quality, and the execution at times sounds like cabaret-pop with a dark side.

The band members have been re-energized by finally getting their sophomore album out.

“It went so well that I’m hoping we’ll make another one. Of course, I said that last time, and it took 12 years. I probably shouldn’t say that this time,” Masters says. 

INFO: 9 p.m., Saturday, Aug. 4. Crepe Place, 1134 Soquel Ave., Santa Cruz. $10. 429-6994.

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How Stoned Is Too Stoned to Drive?

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Law enforcement awaits state guidance on measuring impairment

Be Our Guest: Santa Cruz Shakespeare’s ‘Romeo and Juliet’

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Win tickets to an upcoming performance of 'Romeo and Juliet' at the Grove at DeLaveaga Park

Love Your Local Band: Suborbitals

suborbitals
The Suborbitals play Saturday, Aug. 4 at the Crepe Place
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