A Superb Cabernet Sauvignon 2014 from Integrity Wines

Integrity Wines’ 2014 Napa Valley Cabernet Sauvignon is a dazzling display of all that a good Cabernet should be–smoky, earthy and nutty, with a ton of up-front fruit.

Cabernet is known for its distinctive black currant, coffee, tobacco and mint notes, and this one shines like a star with all of these features and more. Gorgeous aromas of cedar, toast, coffee, and a smidgeon of spearmint highlight this superbly made Cabernet ($40) by Mark Hoover. A glass or two of this inky nectar will pair perfectly with a juicy steak and other hearty fare.

Hoover also makes a 2015 Barrel Select Cabernet Sauvignon for $24, which you will be able to sample at Gourmet Grazing on the Green, along with many other wines he produces. Integrity also participates in the quarterly Passport event organized by the Santa Cruz Mountains Winegrowers Association (the next one is Nov. 17).

“Integrity is not just about the wine itself,” says Hoover on his website. “It’s about everyone who helped create this wine experience.”

INFO: Integrity Wines, 135 Aviation Way, Suite 16, Watsonville. 322-4200. Integrity.wine. Tasting room open noon to 5 p.m. Saturday and Sunday.

Gourmet Grazing on the Green

Gourmet Grazing on the Green is an annual food and wine extravaganza put on by the Santa Cruz Cancer Benefit Group—with all proceeds going to local beneficiaries. Vendors number around 70—with an abundance of local wineries and restaurants showcasing their wares. 

INFO: Noon-4 p.m. Oct. 6 in Aptos Village Park. Tickets are $65. Visit sccbg.org for more info.

Café Bittersweet

Café Bittersweet is a charming small-cafe offshoot of Bittersweet Bistro serving breakfast and lunch. I had breakfast with a friend there recently, and we shared a delicious Greek Goddess Omelet ($13)—which was plenty for two. Two things to note are the reduced-price ($8.50) Breakfast Busters, served from 8-11 a.m., and that pooches are welcome on the shaded outdoor patio.

Café Bittersweet is open for breakfast 8 a.m. to 1 p.m., and for lunch 10 a.m. to 2 p.m. Wednesday to Sunday.

INFO: Café Bittersweet, 787 Rio Del Mar Blvd., Aptos, 662-9899. cafebittersweet.com

Jacob’s Heart Celebrates 20 Years of Community Support

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On a February day in 1998, local Lori Butterworth’s life changed forever. Her friend’s son, Jacob, was diagnosed with a deadly form of childhood cancer.

“I called around, and there was no support available specifically for children, and that angered me,” says Butterworth. She took matters into her own hands, and started a grassroots-style nonprofit right then and there.

Twenty years later, that nonprofit organization, named Jacob’s Heart, is still beating strongly. “Our mission statement is to improve the quality of life for children with cancer, and support their families in the challenges they face,” says Butterworth, who is the group’s executive director. “Our community should be really proud to have such an organization that helps families through one of life’s most difficult imaginable situations.”

To say Jacob’s Heart has accomplished a lot in 20 years would be an understatement. September is nationally recognized as Childhood Cancer Awareness Month because of Jacob’s Heart—and has been since 1999, when the organization originally advocated for its distinction to then-Gov. Gray Davis. That alone is incredible for a nonprofit that began as one woman’s dream, but Jacob’s Heart continues to have a huge impact in the lives of local families.

In the last year alone, Jacob’s Heart has provided more than $360,000 in financial assistance to those families, including rent, bills, food, fuel, and funeral expenses. It has also donated more than 4,000 bags of nutritious groceries to homes and hospitals, nearly 1,000 hospital visits for children and families, and more than 2,500 hours of emotional support, including family and individual counseling.

Butterworth says she is particularly proud of creating an organization that has meant so much to children with cancer and their families. Stated perfectly by one child named Alex, who has since passed on: “Jacob’s Heart will never go away, because that would mean that people didn’t care about kids with cancer … and people will always care. If there wasn’t a Jacob’s Heart, that would mean there was no more love in the world, and that’s impossible because a world without love is impossible.”

To celebrate its 20th anniversary, Jacob’s Heart is planning a “Kid-rageous” event on Sept. 23 from noon-5 p.m. at the Watsonville City Plaza. Butterworth says that one main feature of the event is honoring those children that have passed away by showcasing their favorite activities and hobbies for everyone to enjoy. There are also activities that teach compassionate action—which Butterworth calls a main tenet of the organization—such as decorating and filling grocery bags that will go to families dealing with the disease. “The event also raises funds, raises childhood cancer awareness, and reunites families that have been helped,” says Butterworth. “It creates a community net, and helps achieve the vision of the organization.”

One local issue that Jacob’s Heart has taken on is the disturbing frequency of childhood cancer here. “The rate of childhood cancer in Santa Cruz County is still higher than the state average,” says Butterworth, citing the most recent available data that shows our county has 19.2 cases per 100,000 compared to the state average of 17.4.

There is also an ethnic disparity that Jacob’s Heart hopes to have a positive impact upon. “White children have the highest cancer rates among all ethnic groups, but Latino children are more likely to die from it,” says Butterworth. “This is something we’re definitely working on.”

Looking forward, Butterworth hopes that one day Jacob’s Heart will go away—when it’s no longer needed, because childhood cancer has ceased to exist. “We envision a community in which every child with a serious illness has a strongly informed family able to fully participate in their care,” says Butterworth about Jacob’s Heart’s long-term mission. “We inspire compassionate action within our local community to create a safety net to meet the unique needs of every child.”

The Harden Foundation is matching funds during September, in honor of Childhood Cancer Awareness Month. “Every dollar is matched by a measure of love,” says Butterworth. “Until there’s a cure, Jacob’s Heart will be here.”

To donate, please visit the Jacob’s Heart website at jacobsheart.org.

Pivot Runway Show Carries on Santa Cruz Fashion Tradition

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Maybe one day, every runway fashion show in New York, Paris and Milan will consist of smart, stylish collections of clothing punctuated by delightfully absurd and grotesque art pieces that happened to be draped on a human body. When that day comes, we’ll all know that the Santa Cruz style of fashion has finally achieved true cultural dominance.

If that happens, then surely 2018 will be seen as a pivotal (or, shall we say, Pivotal) year for Santa Cruz fashion.

After 12 years, Santa Cruz’s signature fashion event—the runway show FashionART that invented this mixture of the sublime and the ridiculous—has closed up shop, leaving the Civic Auditorium silent and dramatically less colorful for the first September in more than a decade.

Photo: Hiram Chee / Designer: I.B. Bayo
Photo: Hiram Chee / Designer: I.B. Bayo

Into that vacuum roars another outfit of artists and fashion designers known as Pivot: The Art of Fashion, once an offshoot of FashionART that this year will take on the role of Santa Cruz’s alpha cultural force in the world of fashion.

On Saturday, Sept. 22—on a weekend that FashionART once owned—Pivot will continue pushing fashion forward with its new runway show called Hall of Fashion in the old Wrigley Building on the Westside of Santa Cruz.

Pivot is the brainchild of two energetic Santa Cruz women, artist and curator Rose Sellery and designer Tina Brown. Both women had partnered with artist Angelo Grova to produce the FashionART show for years—Sellery was in fact one of the event’s founders—until in 2015, they decided to spin off with their own event.

Photo: Hiram Chee / Designer: Ellen Brook
Photo: Hiram Chee / Designer: Ellen Brook

Unlike FashionART, which presented a more-or-less traditional runway show at the Civic each year, Pivot has been more of a pop-up phenomenon, adapting its show to a variety of different venues—including the Rio Theatre, the R. Blitzer Gallery and Anne and Mark’s Art Party at the Santa Clara County Fairgrounds in San Jose.

This time, Pivot, in partnership with the Blitzer, is taking over the main corridor of the Wrigley, the one-time chewing-gum factory that has turned into an eccentric entrepreneurial hub of creative businesses. The unusually wide and open corridor at the Wrigley turns out to be a perfect stage for a runway show, says Brown.

“Going back to a more traditional runway, the show will be on the floor, two rows of chairs, the models are right there in front of you,” she says. “They’re really close, it’s really intimate. With the photographers at one end, it’ll feel more like a New York runway event. Then we throw some performance art in there, and that’s where you get your Santa Cruz twist.”

Photo: Hiram Chee / Artist: Mariclare McKnight
Photo: Hiram Chee / Artist: Mariclare McKnight

If the form of the Pivot show is constantly shifting and evolving, the content of it has been remarkably stable. Pivot and FashionART have for years shared many of the same artists and creators. And this year many of those names—Charlotte Kruk, Tobin W. Keller, Mariclaire McKnight, IB Bayo, the Great Morgani—are returning, along with many of the models, make-up artists, photographers and stylists that have formed the backbone of Santa Cruz’s small but fertile fashion scene.

“We still have a real love for what FashionART was,” says Sellery. “It opened so many doors for us, and now we’re doing a similar thing. But it’s kind of sad to see it go because it was a real institution. And we’ve been part of that.”

With a nod to the artistic notions that inspired FashionART, Pivot is also attempting to redesign what a runway show is, pushing beyond the familiar motif of catwalking models mastering the art of sashay. With the wide hallway at the Wrigley, Pivot is toying with ideas of other modes of ambulation—skates, bicycles, rolling platforms.

“We can really play with the idea of what’s supposed to be on the runway,” says Brown. “It doesn’t have to always be walking. We’ll have some surprises.”

Photo: Hiram Chee / Artist: The Great Morgani
Photo: Hiram Chee / Artist: The Great Morgani

Pivot will feature many of the familiar and popular styles that emerged from Santa Cruz’s rich fashion scene—Bayo’s vivid African-influenced looks, Keller’s bold prints, Kruk’s cheeky and flirty candy-wrapper dresses and whatever emerges from the constantly churning mind of Morgani. As tradition dictates, Sellery will also be contributing a new piece as an artist (this one involves bubble wrap). But the event will also feature some new names and faces.

Among those emerging names is Santa Cruz artist Chris Allen, who debuted in 2017 in what turned out to be the final FashionART event. Allen presented three pieces last year as a wearable-art artist. This year at Pivot, he is in the designer slot with nine pieces in one cohesive line he’s calling “Battle Mode.”

“Last year was my first year,” says Allen at his home near Pasatiempo. “I had seen it as a spectator many times and thought, ‘Wow, it would be so cool to have something in there. I want to design.’ Things worked out this year where I sort of had models and time and materials all converge at once.”

Photo: Hiram Chee / Designer: Tobin W. Keller
Photo: Hiram Chee / Designer: Tobin W. Keller

To the tune of a song called “Riding Into Battle With Her High Heels On,” Allen has fashioned found-object materials into proto-martial outfits—if you can imagine skirts made from CalTrans-orange plastic fencing or reel-to-reel magnetic tape or a couple of hundred hotel key cards from the Dream Inn.

FashionART started as a showcase for artists interested in creating intriguing outfits (Rose Sellery created a stir early on with a dress made from animal bones). But it soon folded in collections from designers interested in creating clothes that people actually wear in public. Tina Brown was brought in a few years later to bolster the designer side of the equation. “By the time I came along, the art side of it was so strong, I felt like I have to really bring the designers up to the artists’ level. And that was my goal,” she says.

Still, the ambitions of Sellery and Brown for Pivot go beyond runway shows. They are hoping next year to host a textile/design conference to allow some of their artists and designers to teach classes and workshops—perhaps at Cabrillo College, where Sellery worked for many years as curator at the campus art gallery.

Photo: Jana Marcus / Artist: Rose Sellery
Photo: Jana Marcus / Artist: Rose Sellery

As to where Pivot goes now that it’s the main engine driving the local fashion industry, neither Sellery or Brown is ready to predict. Maybe they’ll come up with a new venue next year—“It’s a nice challenge for us to play with going into new spaces each time,” says Sellery—or maybe they’ll realize their ambitions of making their runway show only one part of an entire year’s worth of fashion-forward activities and events.

“My vision,” says Brown, “is that we’re going into San Francisco. We’re going to Monterey. We’re really going to doing things more than just once a year.”

Hall of Fashion

Presented by Pivot: The Art of Fashion and the R. Blitzer Gallery

Saturday, Sept. 22. 7:30 p.m., with a 6 p.m. VIP reception and Pivot Designer’s Market. $20 in advance; $25 at the door; $55 VIP reception. Wrigley Building, 2801 Mission St., Santa Cruz. pivot-artfashion.com.

Santa Cruz Grounds Bird Electric Scooters — For Now

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Last Thursday, Santa Cruz residents woke up with a new form of on-demand transportation available with a few clicks of a smartphone. Black and white, two-wheeled electric scooters sporting the logo of Santa Monica startup Bird appeared on corners around town overnight.

The catch: Santa Cruz officials say they never gave the company the green light to launch, setting off a chain of events that is the latest skirmish in a broader battle between fast-moving transportation startups and local governments struggling to address evolving mobility demands.

“Bird hasn’t contacted anyone at the city about their program, which is apparently consistent with their business model,” City Spokesperson Eileen Cross told GT in an email Thursday morning.

The startup, which has raised $415 million from venture capitalists to bring its on-demand scooters to the masses, declined to answer questions about how its electric scooters were launched locally. A spokesperson told GT in a statement last Thursday that, “Santa Cruz is a forward-thinking city that shares Bird’s vision of getting cars off the road to reduce traffic and carbon emissions.”

Though Bird and competitors like Uber-owned Lime have attracted controversy about safety and neighborhood nuisances in other cities, the statement adds that Bird hoped to “work closely with city leaders so that we can help the entire community more easily get around town.”

But the city still wasn’t buying it. A press release from the city manager’s office said that a cease-and-desist letter was sent to Bird the same day the scooters were set free in town, giving the startup until midnight on Sept. 13 to remove the devices from all public sidewalks or rights-of-way in the city. The move, the statement continued, followed steps taken in San Diego, Boston, Nashville and Fresno to issue similar letters, restrict scooter use or ban the devices.

When scooters were still on Santa Cruz streets after the deadline last week, the city followed through on a promise to take action.

“The city is impounding the scooters,” City Spokesperson Joyce Blaschke told GT on Monday, though it is not clear when or how Bird might reclaim the devices. “They’re following the cease-and-desist letter.”

There may still be a happy ending for scooter enthusiasts. Bird told GT on Monday that the startup expects to meet with city officials this week.

“Bird hopes to work closely with city officials to develop a framework that works for everyone so that the Santa Cruz community can have access to our fun and affordable transportation option,” a spokesperson said in an email. “We are in touch with city officials and we look forward to meeting with them this week.”

App Adversaries

As for when residents might see scooters back on the street, City Manager Martín Bernal made it clear in a statement last week that companies would be wise to adhere to local business laws if they want to stay up and running.

“Bird’s approach is dismissive of the hundreds of businesses in Santa Cruz who play by the rules, receive proper permits and licenses, and operate legally,” Bernal said.

The model of insta-renting electric devices to get from Point A to Point B will be familiar to local residents who have used the bright orange, Uber-owned Jump bikes available in Santa Cruz since earlier this year. Similarly, the Bird app works by allowing users to upload a credit card, use a map to locate nearby scooters, then take a picture of a code on the device to ride for $1, plus 20 cents per minute.

When the scooters first appeared last week, many were neatly arranged in small clusters around midtown and near downtown Santa Cruz. At least three dozen scooters spread from the Westside to Seabright appeared ready to ride on the Bird mobile app. By Tuesday, the app was still active in Santa Cruz, but showed only a few available scooters across town, including one approaching Scotts Valley. Bird declined to comment on its future plans in the city.

Bird map
SMALL FLOCK Just a few scooters were available on the Bird app near Santa Cruz by Tuesday, Sept. 18.

Like ridesharing providers Uber and Lyft before them, e-scooter companies are an example of the often-thorny relationship between fast-moving startups and local governments. The friction is especially obvious with transportation in California, where many environmental and social groups are already campaigning for more alternatives to notoriously car-centric urban sprawl.

Trouble tends to arise with e-scooters in particular because of the devices’ top speeds of around 20 miles per hour, sometimes making it dicey to share bike lanes or sidewalks, and providers’ reluctance to police their users. In addition to a reputation for asking cities for forgiveness rather than permission to launch scooter-sharing systems, Bird and its competitors have argued that they shouldn’t be responsible for users who ride recklessly or leave devices in the public right of way.

In San Jose, where Bird and Lime have been operating e-scooter sharing systems since spring, officials say they don’t have enough cops for regular traffic stops, let alone scooter incidents. Instead of banning the devices, the city has allowed them to be used while crafting scooter-specific traffic regulations expected later this fall, said Colin Heyne, a spokesman for the San Jose Department of Transportation.

“We’re trying to figure out ways to allow these innovations to happen on the public right of way, just to make sure they’re safe and responsible as they happen,” Heyne said in a May interview.

Early last year, Bird Founder and CEO Travis VanderZanden, who previously worked at both Uber and Lyft, released the startup’s own “Save Our Sidewalks” (S.O.S.) pledge. He committed Bird to only introducing new scooters if devices are ridden three or more times per day, paying cities $1 per vehicle per day for traffic infrastructure, and ensuring that scooters are picked up every night (usually by paid contractors called “Bird hunters”).

Competitor company Lime has also floated the idea of a Hunger Games-esque scenario where users are asked to report other users. Lime already requires users to submit a photo of how they park their scooter in order for a trip to officially end and billing to stop. The company has also considered asking riders to submit photos of other riders’ parking fails, or offering yet-undefined “incentives” for good behavior, said Sam Dreiman, Lime’s director of strategic development for California, in a May interview.

Santa Cruz Transportation Planner Claire Fliesler told GT in June that the city had no plans to pursue a scooter system, since planners were focused on building out bike sharing. Still, she said, local officials have been following the saga of e-scooters in neighboring cities.

In a departure from San Jose’s approach, San Francisco temporarily banned the devices following concerns about mowing down pedestrians and sloppy parking that obstructed sidewalks. In late August, the city began allowing licensed operators back on the road, though they notably barred Bird, Lime and several other competitors from the newly legal industry.

Rob Brezny’s Astrology Sept 19-25

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Free will astrology for the week of Sept. 19, 2018.

ARIES Mar 21–Apr 19

“The flower doesn’t dream of the bee. It blossoms and the bee comes.” So says poet and philosopher Mark Nepo in The Book of Awakening. Now I’m transmitting his observation to you. I hope it will motivate you to expend less energy fantasizing about what you want and devote more energy to becoming the beautiful, useful, irresistible presence that will attract what you want. The coming weeks will be an excellent time to make plans to produce very specific blossoms.

TAURUS Apr 20–May 20

Budi Waseso, the former head of the Indonesian government’s anti-narcotics division, had a radical plan to prevent escapes by people convicted of drug-related crimes. He sought to build detention centers that would be surrounded by moats filled with crocodiles and piranhas. But his replacement, Heru Winarko, has a different approach. He wants addicts and dealers to receive counseling in comfortable rehabilitation centers. I hope that in the coming weeks, as you deal with weaknesses, flaws, and sins—both your own and others’—you’ll opt for an approach more like Winarko’s than Waseso’s.

GEMINI May 21–June 20

In one sense, a “patron saint” is a Catholic saint who is a heavenly advocate for a person, group, activity, thing, or place. St. Jude is the patron saint of lost causes, for instance. St. Francis of Assisi is the guardian of animal welfare and St. Kentigern is the protector against verbal abusers. “Patron saint” may also be invoked poetically to refer to a person who serves as a special guide or influence. For example, in one of his short stories, Nathaniel Hawthorne refers to a veteran nurse as “the patron saint of young physicians.” In accordance with current astrological omens, I invite you to fantasize about persons, groups, activities, things, or places for whom you might be the patron saint. To spur your imagination, here are some appropriate possibilities. You could be the patron saint of the breeze at dawn; of freshly picked figs; of singing humorous love songs in the sunlight; of unpredictable romantic adventures; of life-changing epiphanies while hiking in nature; of soul-stirring music.

CANCER Jun 21–Jul 22

In August 1933, author Virginia Woolf wrote a critical note to her friend, the composer Ethel Smyth, lamenting her lack of emotional subtlety. “For you,” Woolf told Smyth, “either things are black, or they’re white; either they’re sobs or shouts—whereas, I always glide from semi-tone to semi-tone.” In the coming weeks, fellow Cancerian, you may encounter people who act like Smyth. But it will be your sacred duty, both to yourself and to life, to remain loyal and faithful to the rich complexity of your feelings.

LEO Jul 23–Aug 22

“People think of education as something they can finish,” said writer and scientist Isaac Asimov, who wrote or edited over 500 books. His point was that we’re wise to be excited about learning new lessons as long as we’re on this earth. To cultivate maximum vitality, we should always be engaged in the processes of absorbing new knowledge and mastering new skills and deepening our understanding. Does that sound appealing to you, Leo? I hope so, especially in the coming weeks, when you will have an enhanced ability to see the big picture of your future needs for education.

VIRGO Aug 23–Sep 22

Virgo businessman Warren Buffett is among the top five wealthiest people on the planet. In an average year, his company Berkshire Hathaway adds $36 billion to its already swollen coffers. But in 2017, thanks to the revision of the U.S. tax code by President Trump and his buddies, Buffet earned $65 billion—an increase of 83 percent over his usual haul. According to my analysis of the astrological omens, you’re entering a year-long phase when your financial chances could have a mild resemblance to Buffet’s 2017. I’m not predicting your earnings will increase by 83 percent. But 15 percent isn’t unreasonable. So start planning how you’ll do it!

LIBRA Sep 23–Oct 22

As he stepped up to use an ATM in a supermarket, a Scottish man named Colin Banks found £30 (about $40 U.S.) that the person who used the machine before him had inadvertently neglected to take. But rather than pocketing it, Banks turned it into a staff member, and eventually the cash was reunited with its proper owner. Shortly after performing his good deed, Bank won £50,000 (about $64,500 U.S.) in a game of chance. It was instant karma in dramatic action—the positive kind! My analysis of the astrological omens reveals that you’re more likely than usual to benefit from expeditious cosmic justice like that. That’s why I suggest you intensify your commitment to doing good deeds.

SCORPIO Oct 23–Nov 21

As you dive down into your soul’s depths in quest for renewal, remember this testimony from poet Scherezade Siobhan: “I want to dig out what is ancient in me, the mistaken-for-monster . . . and let it teach me how to be unafraid again.” Are you brave and brazen enough to do that yourself? It’s an excellent time to douse your fear by drawing wild power from the primal sources of your life. To earn the right to soar through the heights in November and December, delve as deep as you can in the coming weeks.

SAGITTARIUS Nov 22–Dec 21

According to author Elizabeth Gilbert, here’s “the central question upon which all creative living hinges: do you have the courage to bring forth the treasures that are hidden within you?” When I read that thought, my first response was, why are the treasures hidden? Shouldn’t they be completely obvious? My second response was, why do you need courage to bring forth the treasures? Shouldn’t that be the easiest and most enjoyable task imaginable? Everything you just read is a perfect riddle for you to contemplate during the next 14 months, Sagittarius.

CAPRICORN Dec 22–Jan 19

A blogger named Sage Grace offers her readers a listof “cool things to call me besides cute.” They include dazzling, alluring, sublime, magnificent, and exquisite. Is it OK if I apply those same adjectives to you, Capricorn? I’d like to add a few more, as well: resplendent, delightful, intriguing, magnetic, and incandescent. I hope that in response you don’t flinch with humility or protest that you’re not worthy of such glorification. According to my astrological analysis, now is one of those times when you deserve extra appreciation for your idiosyncratic appeal and intelligence. Tell your allies and loved ones that I said so. Inform them, too, that giving you this treatment could help mobilize one of your half-asleep potentials.

AQUARIUS Jan 20–Feb 18

Many educated Americans and Europeans think of reincarnation as a loony delusion, even though it’s a cornerstone of spiritual belief for over 1.5 billion earthlings. I myself regard it as a hypothesis worthy of intelligent consideration, although I’d need hundreds of pages to explain my version of it. However you imagine it, Aquarius, you now have extra access to knowledge and skills and proclivities you possessed in what we might refer to as your “past lives”—especially in those past lives in which you were an explorer, maverick, outlaw, or pioneer. I bet you’ll feel freer and more experimental than usual during the next four weeks.

PISCES Feb 19–Mar 20

“When the winds of change blow,” says a Chinese proverb, “some people build walls while others build windmills.” Since the light breezes of change may soon evolve into brisk gusts of change in your vicinity, I wanted to bring this thought to your attention. Will you be more inclined to respond by constructing walls or windmills? I don’t think it would be foolish for you to favor the walls, but in the long run I suspect that windmills would serve you better.

Felton Rising: A Mountain Town’s Retail Makeover

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Walk into one of the growing number of quaint stores in downtown Felton selling local dahlias, crystals or Western-style clothing, and you’re likely to hear a common refrain about how that store came to be: “It’s a long story.”

Candi Lee is one of the people who’ll tell you that. She has watched Felton evolve from a quirky mountain hideaway to an extended suburb of the Bay Area from her perch at the top of the one-road downtown. Since 2010, she’s sold crystals, jewelry and other mystical wares at the shop she and her husband started, Mountain Spirit, after years of selling handmade goods on the road.

“I didn’t think we’d get it,” Lee says of the prime ground-floor storefront in a former B&B at the corner of Highway 9 and Felton Empire Road. “We had dreadlocks down to the ground.”

In the last few years, a small wave of new shops have opened on the main drag of the town, steeped in a unique blend of coastal and redwood lore. The “Peace on Earth” window decals and occasional house with horses in the front yard are still easy to spot, but added to the mix are new offerings like clothing and accessories boutique Tomboy Outpost, flower shop Wild Iris, True North Tattoo, and soon-to-open eco goods purveyor the Source Zero.

“Felton has been so funny,” says Summer Duppen, a 20-year Felton resident who opened her second store, Tomboy Outpost, after five years running the original Tomboy boutique in Santa Cruz next to the Rio Theatre. “There are so few commercial spaces that it’s like gold when you find a shop. You would have to wait years, like I did.”

It took Duppen two years to find her 300-square-foot shop on Highway 9 across from the former New Leaf Market—now operated as Wild Roots. Still, rents at a going rate about half that of neighboring Santa Cruz can make the wait worthwhile. Even though Duppen’s shops are just seven miles apart, she says they often feel like they’re in two different worlds.

“I have so many mountain mama girlfriends saying, ‘Honey I’m sure your store is amazing, but I’m not going to town,’” Duppen says. “In Santa Cruz it’s the same.”

Highway 9-to-Silicon Valley commuters have long bolstered San Lorenzo Valley communities like Felton, Bonny Doon and Boulder Creek. In the last decade, locals like Heidi Hart say they’ve seen the number of transplants accelerate dramatically. Hart, who is president and CEO of downtown Felton’s California Dreaming Real Estate, says costs have risen so fast that she now often sees buyers from next door in Santa Cruz outbid by commuters moving from San Jose or Palo Alto.

“We have a lot of Bay Area people moving in,” Hart says from her cozy wood-paneled office, where visitors are greeted by a toy dog. “Everything’s changing.”

The median home sale price in Felton hit $660,000 this summer, more than double the $315,000 that local houses were commanding five years earlier, according to the real estate data site Trulia.

The trend toward recent growth in unconventional corners of the county is mirrored in communities from Aptos and Watsonville, local development officials say.

“It’s not only in the mountains,” says County Economic Development Coordinator Barbara Mason. “Virtually every single community has something going on.”

Smaller-scale retail footprints like those in Felton are especially in demand among independent and pop-up retailers, Mason says. Plus, there’s still a certain character to Felton, which this weekend will play host to jam-band standy the Santa Cruz Mountain Sol music festival.

For newer shop owners like Felton resident Molly Kavanaugh, who opened botanical and home goods shop Wild Iris two years ago, offering reliable services like wedding floral arrangements and fresh flower deliveries help round out varied foot traffic from redwood hikers, RV campers and Santa Cruz daytrippers.

“There really weren’t too many retail shops,” Kavanaugh says of her patch of Highway 9 just down the block from Tomboy and more utilitarian staples Felton Feed & Pet Supply and True Value Paint & Hardware. Monthly events like Felton’s “Second Saturdays” featuring outdoor music and downtown shopping are also bringing more people to town, she says.

A block away at the Source Zero, which is planning for an October grand opening, workshops on topics like indigo dyeing will complement shopping for zero-waste products such as silk “dental lace,” bamboo sporks and Himalayan salt deodorant. Also downtown is Flynn’s Cabaret, the freshly-painted navy blue building with black trim that until last year housed the uniquely-colorful bar and music venue Don Quixote’s.

Through it all, Lee’s spot on the corner has made her an unofficial bridge between the old and new Felton, chatting with curious new neighbors moving to town.

“A lot of them come in to buy sage for their new houses,” she says from behind the counter at Mountain Spirit. “Sometimes, I’m afraid to tell them how wonderful it is.”

Festival of Atonement: Risa’s Star’s Sept. 19-25

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We are in the Jewish High Holy Days of the New Year (Rosh Hashanah). Following Rosh Hashanah, we have had 10 days of reflection, ending in the Day of Forgiveness (Yom Kippur).

In the book Dune, author Frank Herbert writes, “Beginnings are fragile things. A beginning is the time for taking the most delicate care that the balances are correct.” It is good therefore to begin a new year with forgiveness—offering and receiving forgiveness. These Days of Awe, Reflection and Forgiveness occur this year in Virgo, sign of purification, preparing us for the balance and harmony of Libra.

And so, among ourselves, to and for each other, we offer forgiveness. When we do so, we are “likened to the angels.” And, as we forgive, we too are forgiven (by G-d). “For on this day He will forgive us, purify us, that we be cleansed from all imbalances (ignorance, inabilities, unknowings, hurting others, judgments, criticisms, non-virtuous ways of being that create separations, etc.) before G-d.”

Candles are lit. We read the Book of Jonah & Psalm 27. Praying to G-d. Knowing   G-d is Goodness always. In our introspections, we come closest to G-d (essence of our Soul). “G-d, benevolent G-d, compassionate and gracious, slow to anger, abounding in kindness and truth; He preserves kindness for two thousand generations, forgiving iniquity, transgression and sin, and He cleanses.” This is the prayer of the Angels. We have “captured” it. So we can be angels too.

We ask forgiveness. We offer forgiveness to those who have hurt us. Being forgiven, we, in turn, forgive. “Forgive me,” we beseech G-d and all those we have hurt. “You are forgiven,” we say to each other. And then we see G-d has written and sealed our names in the Book of Life. And all 12 petals of the heart unfold in Joy.

ARIES: The season’s about to change and so must our health regimes, diets, ways we exercise and plan our day. Through this Virgo time, it’s good to begin thinking along new lines, preparing for the coming changes in the sunlight, shadows, color, air and clouds. These changes are reflected within ourselves, too. Relationships need extra tending so others around us don’t feel cold, separated, alone and left out. We embrace them.

TAURUS: You want to be out and about, learning new things, attending lectures, classes, gathering information. Always your life and its task are to illuminate the minds of humanity. And so, you are serious and disciplined. It would be good to consider what is playful for you, brings enjoyment, fun; what calls forth your humor and spontaneity? Perhaps you need to swim more, in clear pure warm waters.

GEMINI: Family, whether biological, friend, group, colleagues, etc. matters more and more these days. Something new has occurred in your life and you are to bring forth the next stage in a relationship. Harmony is your focus with a touch of compromise (not much). Listening to others until you understand the essential message is a parallel goal. All of this brings love forth—your task. Love heals.

CANCER: Make contact. These two words have a depth most don’t understand. Making contact releases Love. But it must be true, real and intentional contact. It must be from the heart, connecting heart to heart, Soul-to-Soul. The results are that the Love released creates liberation for everyone. You are the one to begin this process. Do this ceaselessly, quietly, with heartfelt intention with all of the kingdoms. Begin in the garden.

LEO: It’s time to create a new plan concerning finances and resources. When you do so, a new state of values also comes forth. You may want to communicate more deeply with people close to you, sharing your values with them, asking what values they hold, assessing what values are held in common. What are your desires and aspirations for the future, based on these values? Your sense of identity and values have changed this past year.

VIRGO: You will want to come out of the shadows and into a greater light. Standing in shadows, perhaps in the shadow of another can be comforting. However, there comes a time when we each must define ourselves, recognize our own self-identity, understand what we initiate, realize that we’re capable, summon our confidence, and seek a new support system. Am I speaking to Virgo or Pisces? Both. They are the shadow of each other.

LIBRA: This morning I saw a drawing of a sheaf of wheat. A Virgo symbol of nourishment for humanity. I thought of Libra and what nourishes them. Relationships, beauty, friends, equilibrium, balance, love, parties, art. In the beauty and balance of the wheat sheaf I thought Librans must return to their art in whatever form calls to them. Some Librans design clothing, some paint, some have galleries, some are collectors. What art form of beauty and balance calls to you?

SCORPIO: Do you sense restlessness, a discontent? That there’s a group that belongs to you, yet somehow you can’t find it or they you? Not yet. As you both search for the other, assess your present and future goals (again). They’ve changed recently or are in the process. So many of us are on the fence, uncertain about the future. We must summon patience. Speak with those close to you. Ask for their visions and goals. Listen deeply. There’s a message there.

SAGITTARIUS: During these months the perfect execution of your creative work is a priority. It always is but a new dimension has been added. Multiple concepts flow through your mind; you’re being impressed with ideas that become ideals and later, goals. There’s an inner enthusiasm. You’re gestating a new reality. Do you sense the need to begin something? Share your ideas with others who love to listen to you. Diplomacy is paramount.

CAPRICORN: What will you do when autumn begins? It’s only days away. It seems something’s calling you, someone, somewhere. Maybe it’s a garden deva. Perhaps it’s a course of study, something you want (or need) to learn. Is there somewhere you want to visit, travel to, discover? Maybe it’s freedom. Is there something you need to say to someone far away? Or visit? Something lovely your ways comes (soon).

AQUARIUS: Take extra care with money and resources. Use this time to discriminate between what is needed and what is not. Give away what is no longer useful and then give more away. Giving provides us with meaning, a true sense of service. Giving liberates and allows everyone involved to move forward in their lives. Give to yourself then give of yourself to others. With love.

PISCES: We are to do our best wherever we find ourselves. Many of us are uncertain these days, on the fence (uncomfortable), unable to know where we’re going, what to do when we don’t know what to do, and how to provide our gifts when opportunities don’t seem to exist. Again, we (especially Pisces) are to do our best wherever we find ourselves. We’ve been placed there for a reason.  Relationships need a bit of compromise. A bit of surrender. You understand.

Preview: Hiss Golden Messenger to Play the Catalyst

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A strange thing happens when you listen to the new Hiss Golden Messenger record Hallelujah Anyhow. You kind of don’t know how to feel. At least that was my reaction, which I tell leader MC Taylor at the beginning of our interview.

He responds with a knowing chuckle, as though this is exactly the reaction he was hoping for.

“I’ve always been interested in whether there’s a way to translate that tangle of emotions into a song—a mix of joy and confusion and anger and sorrow all at the same time. That feels real to me,” Taylor says. “That is something that I like and definitely mean to have in there. Especially with the way that America feels right now.”

There is something particularly poignant about the record in these polarizing times, and what often feel like catastrophic moments in history. It’s almost as though Taylor read our collective unconscious despair, and set our confused emotional state to bittersweet indie-Americana music.

There’s a whole range of contradictory emotions on the record. Opening track “Jenny of the Roses” has the line: “I’ve never been afraid of the darkness/It’s just a different kind of light.” He tells me I’m not the first person today to point out that specific line to him.

Joy in the midst of despair was a particular area of focus for him on the record, Taylor says. The title of the album basically says it all.

“I’m trying to find hope in small corners. We need that joy. We can be horrified about separating children from their parents at the border, and we can also find joy in certain moments in our day-to-day lives. They’re not mutually exclusive,” he says. “Maintaining that level of horror and shock alone is too exhausting. I think it leads to a normalization of the policies that show up in the news so much these days.”

Not that there are any specific references on the album to anything happening in our world.

“I have an aversion to feeling like I’m going to compose ‘protest music.’ I had absolutely no compulsion to speak for anybody other than myself and my family,” Taylor says. “My job as an artist is to make something that feels real.”

The album is an extension of what he’s been doing since his 2010 masterpiece Bad Debt, a landmark moment for him in terms of expressing contradictions via music. He’s been making music before that for years, and although it was still within the Americana world, it never quite had this depth. Ever since, he’s taken the same approach with each subsequent album.

“There’s nothing drastically different about how I went about composing the songs for this record. I think it has to do maybe with the way that this album rubs up against what life feels like in our country right now,” Taylor says. “With Bad Debt, I just hit some emotional something. I felt like the only way my music is going to be worth anything to anybody including myself is if it feels real.”

Hallelujah Now, he tells me, just poured out of him. He’s not even sure why. He’s currently working on his new record, which he says isn’t coming out with nearly as much ease. However, it’s all relative. Ever since he struck gold with Bad Debt and learned a way to express himself in a sincere way, it hasn’t ever really been too hard.

“I’m always surprised to hear people talk about how difficult song writing is for them. I’ve never really had that feeling,” Taylor says. “Even with the latest batch of songs, it’s not like it was hard. It’s more like, ‘Am I going to want to live with this song forever?’ That’s one of the questions that I ask myself a lot.”

Hiss Golden Messenger performs at 8 p.m. on Tues., Sept. 25 at the Catalyst, 1011 Pacific Ave., Santa Cruz. $20. 429-4135.

Photo or Painting? Exploring Artist F.J. Anderson’s Ocean Realism

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F.J. Anderson is both a painter and photographer, but there’s no guarantee you’ll be able to tell which is which when you look at his art.

Most people can’t, initially, hence the signs denoting “oil painting” at his shows. With a background in scientific illustration and a passion for the ocean, his realistic wave and landscape works embody Santa Cruz surf culture.

Just don’t ask him if he surfs.

“Last weekend at the Sausalito Art Festival, I got asked if I surf probably 100 times. Every time, I was just like, ‘yeah,’” Anderson shrugs. “People are surprised, too, when they see my work, then see me sitting in my chair. They are always like, ‘You did this?’ I guess it’s because I’m young, I don’t know.”

A lifelong Santa Cruzan from a family of creatives, Anderson has been painting and drawing his whole life, working his way up to a successful full-time career from his idyllic beachside bungalow. He will work on anywhere from eight to 10 paintings at a time, jumping between series and sometimes revisiting old works in progress. He’s recently started a new, more abstract motion-based series that, unsurprisingly, still closely resembles the ocean and waves.

“I’ve always been drawn to realism, I think just because I was good at it growing up,” he says. “There’s a lot of planning involved and experimenting with color and layers, so it’s kind of hard to decide when I’m done. Sometimes I could just fiddle with something forever.”

In the first part of his process, Anderson will go out bodysurfing with a waterproof camera. Blacks Beach is just a hop, skip and jump away, so he messes around in the waves there and gets photos to enlarge and use in a painting. He says one of the main reasons he’s drawn to realism is the challenge of copying a photograph.

“I have to approach each painting differently, so it keeps it interesting. Also one of the most satisfying parts of being an artist is experiencing people’s reactions to my work,” he says. “It’s always inspiring when people have an emotional connection with my paintings.”

Every new painting starts with a thick bright red or orange base color, which comes as a bit of a shock considering Anderson deals in mostly soft blues and greens. But he says it’s all about the layers, and will leave nothing more than proof flecks of red and orange around the canvas sides as he layers different colors, hues and notes across the canvas.

“A lot of my clients have said they need to buy a certain painting,” Anderson says. “Sometimes they tell me they don’t exactly know why, but feel a connection [to a painting]. Maybe because humans are mostly water, so it’s an unconscious attraction? A lot of other people say they make them feel calm and comforted.”

Anderson is one of 300 Santa Cruz County artists participating in Open Studios next month, and after a long month of sales at the Sausalito Art Festival and Capitola Art and Wine Festival, he’s preparing paintings, prints and illustrations for another big event.

“I’ll be showing my work at my parents’ house. There just isn’t enough room in this place to show everything,” he says. “I might have a sale on some old series stuff, sort of an out-with-the-old, in-with-the-new. I have work everywhere, my house, my parents’ house, my closet, it’s time to try and move it along.”

Anderson’s work will be on show at Open Studios Oct. 6-7 and 20-21. For more information, visit fjartwork.com and santacruzopenstudios.com.

Film Preview: ‘We the Animals’

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It could almost be a Third World country. The overgrown landscape is lush and green, with rambling, clapboard houses tucked in here and there, and a swimming hole hidden under an outcropping of trees. It’s an Eden for two of three young brothers growing up half-wild in the woods of upstate New York while their parents are preoccupied with each other—but a challenging proving ground for the youngest brother struggling to come of age in We the Animals.

Documentary filmmaker Jeremiah Zagar makes an impressive transition to fictional storytelling in We the Animals. Adapted by Zagar and Dan Kitrosser from the novel by Justin Torres, the movie is a lyrical plunge into the subconscious of a boy on the brink of manhood trying to piece together his own identity. Zagar manages a very deft balance between powerful, evocative visual style and the casual poetry of Torres’ narrative voice, using minimalist dialogue, documentary realism, and fanciful animation to tell a simple-seeming, yet complex and moving tale.

The story is set in the 1980s, when Torres himself was growing up, and the absence of cell phones, social media, or basically any kind of technology (besides a broken-down TV) adds an extra layer of mysteriousness and insularity to the brothers’ lives. Jonah (Evan Rosado) is the youngest, just about to turn 10. His two older, alpha siblings are Manny (Isaiah Kristian) and Joel (Josiah Gabriel).

While his brothers take after the quick-tempered Puerto Rican father they call Paps (Raul Castillo), Jonah is closer to their mother, Ma (Sheila Vand), who tries to protect his sensitivity from the harshness of life. But the playful, simmering sexual tension between their parents that fascinates the boys also explodes into anger sometimes when things don’t go right. And when Paps lashes out, it’s Ma on the receiving end.

But Jonah has a private escape route from the unpredictability of family life. At night, while the others sleep, he sneaks off to scribble his own story in a secret notebook, illustrated by expressionistic drawings—not only of what he sees, but what he feels and imagines. These rough-hewn images take flight on the page, providing a vivid, animated commentary on the fractious realities of Jonah’s life.

At the same time, Jonah’s words provide another ongoing narrative as he appraises his family life. “Us three. Us brothers. Us kings,” he says at the outset. “We wanted more. More volume. More muscle.” But when they all charge indoors to find their parents peacefully curled up together on the sofa, asleep, he notes, “Sometimes less. Less noise.”

When Paps takes off after a violent interlude, and Ma is too despondent for a while to care for them, the brothers try shoplifting at the mini-mart for food. But eventually, Paps does come back, when, Jonah notes, “He wanted more of us. More of her. More of our family.” As the family’s precarious fortunes—financial and emotional—fluctuate, the older brothers become more aggressive, testing and taunting Jonah to the point that they start appearing as beaked, flying demons in Jonah’s drawings.

Questions of male identity and adulthood percolate throughout the tale as Jonah searches for his own place in the world, separate from his family unit. And filmmaker Zagar makes the journey compelling by sticking close to Jonah’s viewpoint, observing everything, and setting it to Nick Zammuto’s yearning musical soundtrack and Mark Samsonovich’s animated sequences, which beautifully convey Jonah’s inner life.

Castillo and Vand are quite good as the parents whose volatility has such an impact on their kids’ lives. (When Paps teases Ma that they should “make some more boys,” she groans, “Just what I need—more men!”) There’s enough going on in the story to keep viewers invested, but this is not a movie of big events. Instead, it depends on small, profound moments—like the first time the brothers see their humbled father close to tears—to achieve its singular vision.

WE THE ANIMALS

*** (out of four)

With Evan Rosado, Isaiah Kristian, Josiah Gabriel, Sheila Vand, Raul Castillo. Written by Dan Kitrosser and Jeremiah Zagar. Based on a novel by Justin Torres. Directed by Jeremiah Zagar. Rated R. 94 minutes.

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