California Fires Fuel Interest in CERT’s Local Disaster Training

There’s an adage these days that health care should not begin in the emergency room—given that preventative care is more impactful and more cost-effective than a last-minute trip to the ER when a patient is already in serious trouble. It is equally true that emergency preparation should not begin in the midst of a fire, flood, mudslide, or earthquake.

That’s why Santa Cruz County CERT, which stands for Community Emergency Response Team, brings neighbors together to train, plan and prepare for a wide variety of hazards before they happen. Safety is a serious concern this fall, as fires are raging throughout California. But CERT goes beyond thinking about worst-case scenarios.

“This is about community more than anything. It’s about neighbors learning to work as a cohesive unit,” says Santa Cruz County CERT executive director Mary Edmund, 69, of Aptos. “People expect the government to step in and handle things in an emergency. That’s a dangerous way of thinking. The government cannot do everything for us.”

This holiday season marks the first time that Santa Cruz County CERT has been selected to participate in the holiday fundraising program Santa Cruz Gives, a partnership between GT and the Santa Cruz County Volunteer Center.

A retired U.S. Army colonel, Edmund’s 30-year military career ranged from duty as a nurse to medical advisor for the chief of the U.S. Army Reserve. She spent the final 10 years of her career working for the undersecretary of defense for personnel and readiness at the Pentagon.

After retiring from the Army in 1996, Edmund moved to Santa Cruz County and became a self-described “career volunteer.” She spent 16 years with the Homeless Garden Project and more than 20 years with the Monterey Bay Master Gardeners.

When Edmund took a CERT class in 2012, she immediately realized the potential benefit of expanding the program across the county. The former colonel took it upon herself to do exactly that.

“Considering my background, CERT seemed like a natural fit, and I wanted to do something for my neighborhood,” Edmund says. “At that time, there were only one or two classes a year in the entire county. Watsonville hadn’t had a CERT class in nine years.”

Beyond the Basics

CERT plans to use its Santa Cruz Gives funds to partially cover the cost of training equipment, including two manikins, for search-and-rescue and disaster medicine training units. Edmund says the program aims to expand and adapt its FEMA-certified basic and advanced training to reflect the unique geographical areas in Santa Cruz County. She wants to develop a training branch that focuses on mountain communities’ needs and another that serves coastal communities.

Edmund says Santa Cruz County CERT operates on an annual budget of roughly $40,000. To date, the program has survived on grants and donations, yet a sudden drop off in donations has strained resources in 2018, she says.

“This year has been a tough one. I’m not sure if it was because of changes to the tax law or all the calls to action in the wake of the wildfires, but I’ve noticed the decrease,” Edmund says.

At the same time, demand for Santa Cruz County CERT’s classes is climbing. FEMA-certified instructors train volunteers in basic disaster response skills, such as fire safety, disaster medical operations and search and rescue.

“Last year we didn’t post our 2018 classes until January,” says Santa Cruz County CERT registrar Dawn Mackey. “This year we’re getting requests in October for classes in March of next year. People are jumping on registration. We’re seeing far more interest even than last year.”

Mackey, 70, has lived in Bonny Doon since 1974. She joined CERT three years ago because she wanted to help her neighborhood prepare for fire, heavy rains and other hazards. Mackey sees CERT as not only emergency preparedness, but also invaluable community building.

“In the event of an emergency, people may have to rely on one another for seven to 10 days, especially if they’re living in remote areas or places with limited access,” Mackey says.

Community exercises, such as Map Your Neighborhood, teach neighbors to rely on each other during the hours or days before fire, medical, police or utility responders arrive. Map Your Neighborhood also prompts neighbors to locate natural gas and propane tanks and create a contact list to identify the homes containing the elderly, disabled or children.

The FEMA-certified training classes are free to all residents of Santa Cruz County. The only requirements are time and the willingness to support your neighborhood and community, according to Mackey.

“When you’re done, you’re prepared to give first responders a specific, valuable map of your neighborhood when they arrive during an emergency,” Mackey said. “It can save them a lot of crucial time.”

For more information or to enroll in a Basic CERT Training class, visit santacruzcountycert.org. To donate to CERT Santa Cruz County as part of Santa Cruz Gives, visit santacruzgives.org through Monday, Dec. 31.

Santa Cruz Holiday Markets Set Up Shop

Holiday honey, artisanal ciders, aromatic wreaths—it’s time for the annual Holiday Fair at the Downtown Farmers Market, now through the last Wednesday before Christmas, Dec. 19.

If you’re in gift-giving mode and looking for some unique, distinctive goodies, then you’ll love this holiday expansion of the downtown market. Selected local artisans will be showing their finest handmade goods to add to the fun of the already abundant al fresco scene.

The sensory joys of holiday wreaths made by the UCSC Arboretum are frankly irresistible. Gorgeously designed and arranged succulent wreaths are one of the Arboretum’s specialties. Truly vibrant, bristling with a lively mix of textures and more than 50 shades of green, these wreaths are legendary among collectors.

And who wouldn’t love an artfully designed potted plant or dried flower bouquet? Only the Grinch! Handmade pottery makes an ideal gift, so don’t miss the stoneware collections from Santa Cruz Pottery and LizzeTee. One-of-a-kind aprons, pot holders and shopping totes from seamstress Violet Resser, or handmade beeswax candles—such a luxury—from R+K Honey Bees. And yes, there are tons of intriguing gifts everywhere in the eclectic market—wines, cheeses, small-batch chocolates, preserves, organic body products, and the old-fashioned stocking stuffers: citrus and pomegranate.

If you think of the Downtown Farmers Market as one-stop holiday shopping, you would be just about right. And many of the holiday vendors and their wares will also be on site each Saturday at the Westside Market through Dec. 22.

Gifts Galore

The Homeless Garden Project Holiday Store is now open at 1338 Pacific Ave. in downtown Santa Cruz—between El Palomar and the Santa Cruz Coffee Roasting Company. Store hours are 11 a.m.-7 p.m. through Dec. 6 and 10 a.m.-8 p.m. Dec. 7-24. This is one of the most delightful holiday gift pit-stops; from jewelry to textiles, teas and cookies and herbal soaps. Gorgeous stuff.

Pumpkin Pie Final

Our panel moaned in unison at the first (and last) bite of Beckmann’s pumpkin pie. While I’d put it neck and neck with Kelly’s for the top slot, I could easily be convinced that this is the Holy Grail of pumpkin pies. On every level—texture, flavor, tenderness—Beckmann’s excels. The crust is so delicious it’s worth eating all by itself. And while the actual slices are not quite as thick as Kelly’s or Gayle’s or the Buttery’s, they are just fine.

A small pie retails at $11.99 and provides four adult-sized slices of pie. Three, for those with larger needs. Leading with nutmeg and ginger, the first bite unfolds into a rich pumpkin flavor laced robustly with cloves and cinnamon as well. Confident spices. Complex pie, not too sweet. Firm, creamy texture, and that wonderful tender, flaky butter crust make this an outstanding example of the classic autumn dessert.

Here’s a pie I would serve at a holiday diner and claim to have made myself. That’s an endorsement.

At Shopper’s, New Leaf, Whole Foods, and the Aptos Farmers Market.

Cookie of the Week

Il Biscotto’s local, handmade almond cookies, in an orgy of various traditional Italian shapes and sizes, are available at the farmers markets these days. The mouth-watering array at last week’s Westside Market included four types of GF cookies, and we’ve been enjoying the Lady Almond cookies—chewy, dense with almonds, honey and nutmeg—for the past week. $10/dozen.

Post-Turkey Interlude

Sushi! The perfect palate cleanser between holiday dinners loaded with turkey, gravy, stuffing, and traditional desserts. Hamachi nigiri, tekka maki, spicy tuna roll, etc. Head on over to Sushi Totoro to reboot your palate with the bright flavors of seaweed and wasabi.

1701 Mission St., Santa Cruz. Open for lunch and dinner daily.

Preview: Comedian Brian Regan Comes to the Rio

0

Brian Regan is known for his across-the-aisle brand of humor. The rubber-faced man-boy who gravitates to sweeping, accessible topics has been called “the funniest stand-up alive” by Vanity Fair and “your favorite comedian’s favorite comedian” by Entertainment Weekly.

But the highly kinetic Regan’s act isn’t static—in fact, he’s evolving, with smart political observations and opinions that can be seen on his new Netflix special, Nunchucks and Flamethrowers. Regan still aims to make 100 percent of his audience laugh, but expect a more mature comedian to grace the stage these days.

Three decades of touring up to 100 cities a year is what is called in the comedy business “a grind.” But for Regan, being on the road is what he always dreamed of. Starting off in Florida in the early 1980s, Regan worked his act out on stage up to seven nights a week. And it was the vision of traveling to make people laugh that was foremost in his mind. “It took a while before I played on the West Coast,” says Regan. “I was limited geographically. I literally bought Greyhound bus passes where you could go anywhere you want for 30 days. It wasn’t until after I moved to New York in 1986 that I began branching out and playing the West Coast states.”

It took a decade on the East Coast circuit and a chance gig with Jerry Seinfeld to open Regan’s eyes to the beauty of playing theaters, rather than clubs. “I love the complete focus you get from a theater. When you go back to a comedy club, it’s people eating nachos and there’s a blender going off in the background and the people over here, they came from New York and it’s Jack’s birthday,” Regan reflects. “It’s a different vibe, I enjoy it, but I don’t enjoy it as much as everyone sitting in velvet chairs and paying 100 percent attention.”

Even with an audience giving a comic 100 percent of their undivided attention, there is something that Regan misses from the early comedy club days, and that’s hanging out with other comedians after a gig. Which is why after a Mountain Winery show earlier this year, Regan popped by Rooster T. Feathers in Sunnyvale, just to hang out and say hello. Because for Regan, comedy clubs are his home away from home.

“That’s a great way to put it. I miss the camaraderie of comedy clubs. What’s weird at a theater is that you say good night and the audience goes and walks out one door, and you walk out another door,” he says. “Aren’t we supposed to cuddle when we’re done?”

Over the years, Regan has been adamant that he was not a comic looking to move toward a TV show or some lame sitcom about his life. Call it kismet, but the stars lined up, and Regan is now on a Farrelly Brothers-directed show called Loudermilk on the somewhat obscure AT&T Audience Network channel. “I love the autonomy of being a stand-up comedian and all the choices that come with that,” Regan admits. “Besides the amount of time I get to perform, it’s all up to me and I get to do whatever I want to do.” But when asked about the differences, it seems Regan is no longer against being on the tube. “Acting is a whole other animal. I’m thrilled that I get to do it because it’s a big deal for me. You only get this one life—might as well take on some challenges. I like the team aspect of acting. It’s real interesting to see how a TV show is made.”

For season two, Regan is being directed by either Peter or Bobby Farrelly in various episodes. “Both of them are great,” he says. “Both of them are very cool about letting me branch out and do what I want to do, but if it goes beyond what’s going to help the scene they have to reign me in. And I don’t mind because I’m serving somebody else’s creative vision. I like the difference, and I like being able to do both.”

Brian Regan performs at 7 p.m. on Nov. 30 at the Rio Theatre, 1205 Soquel Ave., Santa Cruz. $47.50/General Admission, $63/Gold Circle. riotheatre.com.

Rob Brezny’s Astrology Nov. 28-Dec. 4

Free will astrology for the week of Nov. 28, 2018.

ARIES (March 21-April 19): Every year the bird known as the Arctic tern experiences two summers and enjoys more daylight than any other animal. That’s because it regularly makes a long-distance journey from the Arctic to the Antarctic and back again. Let’s designate this hardy traveler as your inspirational creature for the next eleven months. May it help animate you to experiment with brave jaunts that broaden and deepen your views of the world. I don’t necessarily mean you should literally do the equivalent of circumnavigating the planet. Your expansive adventures might take place mostly in inner realms or closer to home.

TAURUS (April 20-May 20): When the American Civil War began in 1861, the United States fractured. Four years later, the union was technically restored when the northern states defeated the southern states. At that time, African American slavery became illegal everywhere for the first time since the country’s birth decades earlier. But there was a catch. The southern states soon enacted laws that mandated racial segregation and ensured that African Americans continued to suffer systematic disadvantages. Is there a comparable issue in your personal life? Did you at sometime in the past try to fix an untenable situation only to have it sneak back in a less severe but still debilitating form? The coming weeks will be an excellent time to finish the reforms; to enforce a thorough and permanent correction.  

GEMINI (May 21-June 20): Does an elusive giant creature with a long neck inhabit the waters of Loch Ness in northern Scotland? Alleged sightings have been reported since 1933. Most scientists dismiss the possibility that “Nessie” actually exists, but there are photos, films, and videos that provide tantalizing evidence. A government-funded Scottish organization has prepared contingency plans just in case the beast does make an unambiguous appearance. In that spirit, and in accordance with astrological omens, I recommend that you prepare yourself for the arrival in your life of intriguing anomalies and fun mysteries. Like Nessie, they’re nothing to worry about, but you’ll be better able to deal gracefully with them if you’re not totally taken by surprise.

CANCER (June 21-July 22): Does moss really “eat” rocks, as Cancerian author Elizabeth Gilbert attests in her novel The Signature of All Things? Marine chemist Martin Johnson says yes. Moss really does break down and release elements in solid stone. Gilbert adds, “Given enough time, a colony of moss can turn a cliff into gravel, and turn that gravel into topsoil.” Furthermore, this hardy plant can grow virtually everywhere: in the tropics and frozen wastes, on tree bark and roofing slate, on sloth fur and snail shells. I propose that we make moss your personal symbol of power for now, Cancerian. Be as indomitable, resourceful, and resilient as moss.

LEO (July 23-Aug. 22): Let’s shout out a big “THANKS!” and “HALLELUJAH!” to the enzymes in our bodies. These catalytic proteins do an amazing job of converting the food we eat into available energy. Without them, our cells would take forever to turn any particular meal into the power we need to walk, talk, and think. I bring this marvel to your attention, Leo, because now is a favorable time to look for and locate metaphorical equivalents of enzymes: influences and resources that will aid and expedite your ability to live the life you want to live.

VIRGO (Aug. 23-Sept. 22): “Every dreamer knows that it is entirely possible to be homesick for a place you’ve never been to, perhaps more homesick than for familiar ground,” writes author Judith Thurman. I’m guessing you will experience this feeling in the coming weeks. What does it mean if you do? It may be your deep psyche’s way of nudging you to find an energizing new sanctuary. Or perhaps it means you should search for fresh ways to feel peaceful and well-grounded. Maybe it’s a prod to push you outside your existing comfort zone so you can expand your comfort zone.

LIBRA (Sept. 23-Oct. 22): Venice, Italy consists of 118 small islands that rise from a shallow lagoon. A network of 443 bridges keeps them all connected. But Venice isn’t the world champion of bridges. The American city of Pittsburgh, Pennsylvania holds that title, with 446. I nominate these two places to be your inspirational symbols in the coming weeks. It’s time for you to build new metaphorical bridges and take good care of your existing metaphorical bridges.

SCORPIO (Oct. 23-Nov. 21): To aid and support your navigation through this pragmatic phase of your astrological cycle, I have gathered counsel from three productive pragmatists. First is author Helen Keller. She said she wanted to accomplish great and noble things, but her “chief duty” was “to accomplish small tasks as if they were great and noble.” Second, author George Orwell believed that “to see what is in front of one’s nose” requires never-ending diligence. Finally, author Pearl S. Buck testified that she didn’t wait around until she was in the right mood before beginning her work. Instead, she invoked her willpower to summon the necessary motivation.

SAGITTARIUS (Nov. 22-Dec. 21): Blackjack is a card game popular in gambling casinos. In the eternal struggle to improve the odds of winning big money, some blackjack players work in teams. One teammate secretly counts the cards as they’re dealt and assesses what cards are likely to come up next. Another teammate gets subtle signals from his card-counting buddy and makes the bets. A casino in Windsor, Ontario pressed charges against one blackjack team, complaining that this tactic was deceptive and dishonest. But the court decided in the team’s favor, ruling that the players weren’t cheating but simply using smart strategy. In the spirit of these blackjack teams, Sagittarius, and in accordance with astrological omens, I urge you to better your odds in a “game” of your choice by using strategy that is almost as good as cheating but isn’t actually cheating.

CAPRICORN (Dec. 22-Jan. 19): What has become of the metaphorical seeds you planted during the weeks after your last birthday? Have your intentions flourished? Have your dreams blossomed? Have your talents matured? Have your naive questions evolved into more penetrating questions? Be honest and kind as you answer these inquiries. Be thoughtful and big-hearted as you take inventory of your ability to follow through on your promises to yourself. If people are quizzical about how much attention you’re giving yourself as you take stock, inform them that your astrologer has told you that December is Love Yourself Better Month.

AQUARIUS (Jan. 20-Feb. 18): If you want to play the drinking game called Possum, you and your friends climb up into a tree with a case of beer and start drinking. As time goes by, people get so hammered they fall out of the tree. The winner is the last one left in the tree. I hope you won’t engage in this form of recreation anytime soon—nor in any other activity that even vaguely resembles it. The coming weeks should be a time of calling on favors, claiming your rewards, collecting your blessings, and graduating to the next level. I trust your policy will be: no trivial pursuits, no wasted efforts, no silly stunts.

PISCES (Feb. 19-March 20): In his song “Happy Talk,” Academy Award-winning lyricist Oscar Hammerstein II offered this advice: “You gotta have a dream. If you don’t have a dream, how you gonna have a dream come true?” Where do you stand in this regard, Pisces? Do you in fact have a vivid, clearly defined dream? And have you developed a strategy for making that dream come true? The coming weeks will be an excellent time to home in on what you really want and hone your scheme for manifesting it. (P.S. Keep in mind Antoine de Saint-Exupéry’s idea: “A goal without a plan is just a wish.”)

Homework: Hug yourself as you tell yourself your biggest secret.

Nina Simon Stepping Down as Director of the MAH

The Nina Simon era at the Museum of Art and History in Santa Cruz is coming to an end.

Simon and the MAH’s board of directors announced this week that she will leave her position as the museum’s executive director in 2019, and the board will begin the search for a replacement in December. Simon will become the director of a new nonprofit, in association with the MAH, to help cultural organizations around the world pursue innovations in developing their communities. She and her family will remain residents of Santa Cruz County.

Simon radically transformed the MAH during her eight-year tenure as its leader. Before she assumed the job in 2011, the MAH was a traditional, if unremarkable, community museum with a twin mission of preserving local history and promoting fine art through periodic exhibitions. Today, it’s the vortex of a wide range of community activities from socio-politically oriented exhibitions to celebratory fire festivals. Simon’s leadership also includes the $5 million Abbott Square project, which transformed the small plaza adjacent to the museum into a bustling urban community space in the spirit of San Pedro Square in San Jose and the Grand Central Market in Los Angeles. Attendance has grown more than eight-fold, from 17,000 in 2010 to 148,000 in 2017, according to the MAH’s statistics.

Once a successor is hired, Simon will spearhead a new organization called OF/BY/FOR ALL, which will seek to take the lessons from the transformation of the MAH and create a framework for other community-focused organizations to emulate—including not only other museums, but parks, libraries and media organizations.

Simon is quick to correct the notion that she’ll take on the role of a consultant. “We’re really seeing this as a movement,” she says. “The MAH is a beautiful place and it is perceived as a leader and an incubator of these kinds of approaches. This is about putting more fuel into sharing that energy and these opportunities globally.”

The new effort has been in the planning stages for about a year, and the specific relationship between the MAH and the new organization has yet to be determined. “The idea,” says Simon, “is to have strong separate entities—the MAH doing great local work, and OF/BY/FOR ALL sharing the secret sauce and the framework [of the MAH] that we see being adaptable in many different contexts.”

The move is a natural extension of Simon’s career as a kind of agent for bold democratization of historically elitist museum culture. She laid the groundwork of her vision in her ongoing blog “Museum 2.0,” which began in 2006, and the publication of her book The Participatory Museum in 2010. Her mission, she says, is to break down the barriers that have prevented full participation of communities in their local institutions, not only as audiences but as creators and decision-makers, an approach reflected in her new organization’s Lincoln-esque use of the prepositions “of,” “by,” and “for.”

Though she’s ready to take the MAH model global, Simon says that leaving her position was “a very hard decision to make.” Of her successor, she says, “I honestly think this is the best executive director job in the world. [Whoever is hired] is going to be one of the luckiest people in the world.”

Sagittarius—A Beam of Directed Light: Risa’s Star’s Nov. 28-Dec. 4

Every month, the light distributed to Earth from each sign (Spiritual Hierarchies) is different, holding different tasks for humanity’s evolution. Each sign also describes the connection between the Soul and personality.

Each year, within each human, the light grows from Aries to Pisces, from a “dim point of light within the circle of life seeking where it can be used for divine expression” (Aries) to a light that “saves the world” (Pisces). In Pisces, the light “reveals the Light of Life itself and ends forever the darkness of matter.”

The light of each sign (Aries to Pisces) describes the Soul in relationship to the personality. Eventually the Soul, which is light itself, completely encompasses the personality, becoming its director, its shield, and its protector. The Soul then “uses” the personality as a vehicle to bring light to matter, which in religious terms means the “redemption” (upliftment into the Light) of matter. From dark to light.

Sagittarius is a beam of directed, focused light, revealing a greater light (the Soul, then Spirit) ahead (toward Capricorn) and illumining the pathway to the Center of the Light. Always, Sag is on a quest following the “beam of light revealing the greater light ahead.” That is why the “archers” are great travelers, wanderers, philosophers, teachers, professors, truth-tellers, publishers—all armed with goals, aims and self-realized inner truths. The wandering and wanderlust of Sagittarius is the outer manifestation of the inner spiritual seeking of ever-pushing Sagittarius, like an arrow, onward and upward. Outer pilgrimages bring into awareness the inner subjective worlds of truth, light, love and the cosmic music of the spheres.

ARIES: Finances and resources, personal and with others, are highlighted. Careful attention is needed, along with concentration, efficiency, economy and strength. Accomplish these each day in a slow, consistent rhythm. You may uncover more resources. So many things are hidden during retrogrades. Remember others who have much less. Tithing creates great abundance.

TAURUS: You want to move consistently into the future with new ideas and plans, but there are so few who understand, few with your illumined vision, and even fewer with your force of will and stamina. Always you strive for poise during transition times while sending prayerful requests for able, intelligent and financial assistance in order to manifest all that is new into form and matter. Your prayers prepare the field. Maintain a winter garden.

GEMINI: Deep feelings emerging from early life at home may be playing out in present relationships. Because of this, be careful with thoughts, actions and communication. Careful that you don’t become part of the difficulty or project onto others your pain. Don’t hide your vulnerability, because everyone else will be vulnerable, too. Showing yours eases barriers, allowing heartfelt communication and contact. You want love. Love comes from intentional contact.

CANCER: You may experience stress and overwork as constant change occurs to everyone everywhere in your life. These daily changes reflect the pulse of humanity playing through your body. You need stabilization, an immediate sense of purpose and remaining within the safety of home. Make changes in small ways. When viewing the big picture stand with compassion and dispassion. Children bring both blessings and hard work.

LEO: It seems you need a retreat to bring forth creative freedom. This week should bring heightened sense of feeling separated from others, which you may enhance should your communication be harsh. You are able to be very intuitive, so observe your thoughts carefully. Is daily life feeling like a transformation is about to occur? Are financial needs being served? A sudden revelation occurs which expands you into other worlds. Take us with you.

VIRGO: Small changes occur in your personal life, which in turn create big changes. Money may feel restricted, communication may be hidden (from whom, why, where?), there’s a desire to run away from home and a need for regeneration. It feels like seeds of the future, life-changing, are breaking through. You’re restless for emotional independence. Moving forward is slow. Allow inner spiritual intentions to hold you. Transformation arrives for a long visit.

LIBRA: You’re called to a past situation and then to a present-future one. The past holds and keeps you for a while in order for it to be liberated. The present-future creates optimism. However, there are two sides working within you. One contains judgment, the other love. Both are risky. One keeps you spiritually lonely. The other shifts you into a loving community. Can you identify the two sides and where you’re positioned? All the past needs to be forgiven. Forgiveness is alchemical.

SCORPIO: For about a year, you will participate in changes behind the scenes, internal changes that create your coming future. Change comes with a revelatory impact. Since you live within this field constantly, be aware of a need to serve others. Be aware of growing compassion and becoming a model for others. As Scorpio is the warrior of the zodiac, you’re prepared for the coming times where the death of the old finally occurs. Strength and courage will be needed.

SAGITTARIUS: You’re restless, yet duty-bound, responsible yet rebellious, seeking security yet craving freedom, pleased yet dissatisfied and stimulated within conflicts. You’re a paradox once again. Allow contradictions to work psychologically within. They create new insight, revelations. Don’t push them aside. They are the Harmony Through Conflict process Sag works through to bring new consciousness forth, a natural trajectory into the future.

CAPRICORN: Do you feel pulled between self needs and responsibility to family, relationship and work? Are you seeking freedom? Are your needs upsetting home, family and relationships? Are you able to communicate clearly what your needs are? Do you need new communication skills for others’ understanding? You are definitely on the “cross” of change. It’s imperative you learn how to communicate to others so they can understand. Study and learn Compassionate Communication techniques (nonviolent communication).

AQUARIUS: Some Aquarians are experiencing great success. Some will be traveling the world soon seeking community. Even more are experiencing love, honor and popularity, expanded social and work reputations, tending to financial responsibilities, developing new business or life plans. They’re climbing the ladder of success as they define it (some don’t), and doing more than they thought capable. Keep going.

PISCES: You need flexibility in great amounts as interruptions and unexpected events occur in all parts of your life, geographically and in terms of your self-identity. You cannot prepare for what will happen. You can only soothe yourself with knowledge that what occurs is redesigning your life in ways you could never have designed yourself. You’re capable, sensitive, sensible and smart. And being looked after in all ways. Something great just occurred.

Preview: Blockhead to Play the Catalyst

Producer Blockhead has never worked with Justin Bieber, but he kind of wants to, despite building his entire career on collaborating with some of the most respected names in underground hip-hop.

“If Justin Bieber wanted to do a beat that I made, as is, then he could have that beat,” says Blockhead aka Tony Simon. “I’d be curious to know what he does with it, to be honest with you.”

For many pop music fans, the name Blockhead doesn’t ring a bell. But for a generation of hardcore hip-hop heads, he’s right up there with RZA, Pharrell and Dr. Dre as one of the greatest producers to ever do it. His brilliance isn’t as overt as some of the household beatmakers. There’s a moody atmospheric quality and subtle complexity to his beats.

As a young artist, he didn’t really know what he wanted to do. In the mid-90s, the young Manhattanite enrolled at Boston University, a stone’s throw from Harvard and MIT. Less than a year later, he dropped out.

His college career was a nonstarter, but one good thing came out of it: he met a fellow New Yorker on campus, a lanky guy named Ian Bavitz with a similar taste in rap. The two got along immediately. The rap world would soon know Bavitz by his stage name: Aesop Rock.

“Back in that era, you knew what kind of music people listened to by how they dressed,” Simon says over the phone. “You just see someone and you’re like, ‘That’s gonna be my friend. I know that person is into what I’m into.’”

Soon after meeting, the two began to collaborate. When Aesop Rock signed to tastemaking label Def Jux (founded by El-P, of Run the Jewels), Simon produced the lion’s share of the album, a production job that drew praise from Pitchfork for his “remarkably lush, cinematic spread of subtly weaving beats.”

“I made my beats on a cassette back then,” Simon remembers. “I’d just play them, and he’d be like, ‘I want that one, I want that one, I want that one.’ Then he’d write, and we’d make the song. It was a very simple time.”

During the Def Jux era, Simon made many of the label’s rappers’ best beats. Since then, he’s worked with a wide array of the underground’s finest: Open Mike Eagle, Murs, Billy Woods, and Cannibal Ox’s Vordul Mega.

By the mid-2000s, Simon had developed a taste for producing his own instrumental hip-hop music—a niche taste for sure, but a place where his subtle beat-making gifts shine. He crafts songs which trace a strange and invisible architecture, curling along the faultlines of their own internal logic.

“I find instrumental music in general to be pretty predictable and boring, so I purposefully make mine not that,” Simon says, describing his Frankensteinian process of beats chopped and sutured.

The process can be particularly complicated, but the results when done right are a disorienting kaleidoscope of sounds.

“I’m taking two or three beats that weren’t originally made together and kind of fusing them,” he says. “That leads to the whole song style that I’ve been doing the last four or five albums, where it starts at point A and ends at part C, instead of just A, B, A, B.”

The seven-minute “Festival Paramedics” from 2017’s Funeral Balloons opens with a piano melody straight out of Halloween, transforms into a pulsing mutant disco, and then settles into an odd lounge/juke hybrid complete with wood flute, soul horns, and an unfurling harp. Elements arise and disappear only to reappear at unexpected times, creating the odd contiguity of a cryptid skeleton. Live, things only get stranger.

“I have all the parts separated, then I sequence and mix and match. It’s like putting all my songs in a blender,” Simon says. “I add on vocals from other things—some of it’s kind of quirky, some of it’s kind of funny. It goes all over the place.”

It’s also a chance to see the producer in his element: sampling; mixing; pulling elements out of the ether and fusing them into alchemical combinations. He may not be working with mainstream pop stars anytime soon, but after 20 years in the game, Blockhead remains one of the strongest, most enduring undercurrents in hip-hop. Bieber take note.

Blockhead performs at 9 p.m. on Tuesday, Dec. 5, at the Catalyst, 1011 Pacific Ave., Santa Cruz. $15/adv, $18/door. 429-4135.

Mountain Community Theater Presents ‘Miracle on 34th Street’

After a couple of years of playing Kris Kringle, Peter Gelblum has traded in his Santa cap for a director’s hat.

Maybe he’s looking to change things up, or maybe it’s that he hasn’t quite gone gray enough yet. Regardless, his new role suits him, and Mountain Community Theater’s new Santa Claus, Jackson Wolffe, fills Gelbum’s boots ably.

MCT is rounding out their 36th season with Miracle on 34th Street, a tried and true original classic not only as a film, but also for the theater. Now in their 10th installment of the show, Miracle on 34th Street was MCT’s first show ever after opening its doors in 1982.

The founders and original cast members wrote a new version of the play adapted from the 1947 black-and-white film starring Maureen O’Hara and Edmund Gwenn. MCT’s latest production has its own modern twists, of course, including cell phones and online holiday shopping.

No, Miracle on 34th Street never goes out of style. Despite having probably seen the film’s heartwarming ending, the thought of committing Santa Claus to a mental institution is enough to keep children and adults alike on the edge of their seats. Still, Miracle seems particularly important this holiday season. In a year filled with so much sadness and anger, particularly in the aftermath of disasters across California, I had a little extra appreciation for Gelblum and the cast’s determination to bring the holiday spirit to the stage.

In fact, the very existence of MCT’s Miracle is somewhat of a miracle in its own right. After losing the rights to produce and publish the play 10 years ago, Gelblum, also an attorney, sought to regain them from 20th Century Fox. Gelblum’s brother represented Fox, and they were able to make a deal to insure that MCT could continue their Miracle legacy.

This time of year, it’s easy to get caught up in the details, the prices and the planning of the holidays. Some of us are already on the edge of panic over Christmas presents and party planning, and there’s still Thanksgiving turkey in the fridge.

Too many holiday shows leave cast members and audiences alike drowning in red bows and holiday lights, or on the contrary, throw a fat man in a red suit and expect it to just “work.”

It’s no easy feat to put on a successful holiday show, particularly one rooted in so much history and tradition. MCT’s Miracle promised extra laughter and warmth, and delivered both.

This Miracle is a gentle reminder that though the holidays are drawing near, there’s no need to stress, because they are about more than planning and presents. It’s silly and goofy, with a good amount of holiday carolling for a hefty two-and-a-half-hour production (including intermission), and the heart of it all is community.

There’s nothing particularly profound or provocative about Miracle—but then again, there doesn’t need to be. I don’t know if it was the holiday lights, the extra-convincing Santa Claus or the trio of young, somewhat clumsy unionized elves—but I left feeling like there’s enough enchantment to breathe a little magic into the most shriveled holiday hearts. To the Santa Claus naysayers and holiday pessimists: I believe the front seats are reserved for you.

MCT’s ‘Miracle on 34th Street’ runs Friday-Sunday at 2 and 8 p.m. through Sunday, Dec. 9. 9400 Mill St., Ben Lomond. 336-4777. mctshows.org. $10-$20.

Film Review: ‘Boy Erased’

Talk about the politics of fear. What kind of demonic cult would subject its own impressionable children to shame and torment in order to force them into its own rigid code of behavior?

If you’re thinking Jim Jones or Charles Manson, think again. The culprits are a fear-mongering group of Baptist church elders convinced they’re doing the lord’s work in Boy Erased, a harrowing look inside the practice of so-called “gay conversion therapy” in small-town America.

Written and directed by co-star Joel Edgerton (who gives himself one of the juiciest supporting roles), the movie is adapted from the book Boy Erased: A Memoir of Identity, Faith and Family, by Garrard Conley. Disturbing as only a true story can be, it recounts the experiences of a teenaged college freshman still trying to figure out his own identity who’s forced into a draconian program to drive the “sin” out of him. Besides exposing the wrong-headed horrors of the program itself, the story delivers a tutorial for resistance in the way the young protagonist manages to find his own moral compass—at last—and stick to it, in spite of daunting pressure to conform.

    Lucas Hedges stars as Jared, only son of folksy-seeming but strict Baptist pastor Marshall Eamons (Russell Crowe), at a small-town Arkansas church. Jared’s mom Nancy (Nicole Kidman) is the perfectly coiffed and manicured pastor’s wife; she loves her son to pieces, but is in all ways obedient to her husband.

They’re a close, loving family until Jared’s first semester at college, where he has a brutal encounter with an upperclassman. Fleeing for the security of home, he’s shocked to learn his parents have been told he was involved in some sort of scandalous liaison. Seeking advice from the church elders, his father enrolls him in a program called Love In Action. His mom drives him to the center where the program takes place in another town, and rents a hotel room nearby. It’s supposed to last 12 days.

First, they isolate the kids from their families; no phone calls or texts are allowed during the day, and the inmates are forbidden to discuss what goes on in the program with outsiders—especially their parents. Herded around by burly henchmen, the kids are subjected to the psychological abuse of chief interrogator Victor Sykes (Edgerton), a bullying martinet under a facade of reasonableness who insists that homosexuality is a “choice,” forces them to always refer to it as a “sin,” and declares, “God can’t love you the way you are now.”

Budding writer Jared’s notebook is confiscated upon entry, and scrutinized for any dubious content. When it’s returned to him, half of his stories have been ripped out. Yet, when it’s his turn to get up and read the confession everyone in the program is required to write, describing the nature of their sins, Jared’s isn’t salacious enough for Sykes, who keeps probing him for more lurid details.

The irony is that Jared is so inexperienced, he can’t even make up the kind of stuff his interrogators want to hear. The private mantra whispered among the inmates —“Fake it ’til you make it”— takes on a more sinister meaning; not to achieve heterosexuality, but survive the program. (Some don’t, as punishments shift from psychological bullying to the corporeal.) Ever-dutiful Jared tries to ignore the red flags and “get better”—until Sykes starts pressuring him to ditch college and spend a year imprisoned in the program instead.

It’s the insider’s view of this predatory “therapy” that gives the movie its infuriating power. Jared isn’t an envelope-pushing rebel, he’s just trying to be a good kid, at a most vulnerable time in his life when he’s still trying to understand who he is. The zealous way the adults in charge try to to snuff out (or erase) what they fear in him is chilling. His solitary journey to trust his own judgment and determine right from wrong is heroic.

BOY ERASED

*** (out of for)

With Lucas Hedges, Nicole Kidman, Russell Crowe, and Joel Edgerton. Written and directed by Joel Edgerton. From the book by Garrard Conley. A Focus Features release. Rated R. 114 minutes.

2018 Holiday Gift Guide

0

I love that when I look over the dozens of local gift ideas featured in this year’s Holiday Gift Guide, I see so many old friends—businesses that have graced these pages for many years.

May there never be a GT Holiday Gift Guide that doesn’t feature something from the Homeless Garden Project, for instance.

But there are so many new and exciting businesses to support in here, too—some of them so unconventional we had to change the format of the magazine just to describe them! A makerspace membership from Idea Fab Labs? A shirt made by youth from Barrios Unidos’ employment program? A gazillion different options for CBD? It’s all here!

And I want to make a pitch, as I always do, for giving the gift of our Santa Cruz Gives program. Go to santacruzgives.com through Dec. 31 to give to one of the many participating local nonprofits doing great things for our community.

STEVE PALOPOLI | EDITOR

California Fires Fuel Interest in CERT’s Local Disaster Training

CERT
Nonprofit Santa Cruz County CERT teaches safety while building community

Santa Cruz Holiday Markets Set Up Shop

wreath
A primer on locally made gifts, from artisan wreaths to small-batch chocolate

Preview: Comedian Brian Regan Comes to the Rio

Brian Regan
Even now that he’s on TV, Brian Regan still likes getting close with a stand-up crowd

Rob Brezny’s Astrology Nov. 28-Dec. 4

Astrology, Horoscope, Stars, Zodiac Signs
Free will astrology for the week of Nov. 28, 2018

Nina Simon Stepping Down as Director of the MAH

Nina Simon with book
In leaving the Museum of Art and History, Simon aims to serve as an ambassador to a new movement

Sagittarius—A Beam of Directed Light: Risa’s Star’s Nov. 28-Dec. 4

risa's stars
Esoteric Astrology as news for the week of Nov. 28, 2018

Preview: Blockhead to Play the Catalyst

blockhead
The producer is a hip-hop poet’s best friend—but he saves some of the best beats for himself

Mountain Community Theater Presents ‘Miracle on 34th Street’

mountain theatre
MCT’s 10th ‘Miracle on 34th Street’ puts the holidays in perspective

Film Review: ‘Boy Erased’

Boy Erased
Gay ‘conversion therapy’ outed in harrowing ‘Boy Erased’

2018 Holiday Gift Guide

gift guide 18
The ultimate guide to local holiday shopping
19,108FansLike
8,845FollowersFollow