Ann Hazels on her Vision for the Tannery’s Central Gallery

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For five years, the crisp space within the Tannery Arts Center complex has served as a salon of surprises known as Radius Gallery, where owner/director Ann Hazels regularly experiments with ideas of exhibition. An army brat, Hazels grew up all over the Midwest before college in Kentucky, followed by various art internships in Baltimore.

“I began with a six-week residency, and I stayed for five years,” she recalls with characteristic sparkle. To support her ceramics practice, Hazels wisely honed her “day job” skills as a gallery administrator. “I was always a clay artist,” she contends, “but I thrived on interaction with the public. Something happens when visitors experience your work. A gallery is access to something bigger than we are.”

Admitting that she “thrives on chaos,” the multi-talented entrepreneuse was fussing with the Radius interior when I arrived on the eve of a special performance. “I’m fed by other people’s input,” she admits. “I’m still a clay artist, and try to get into the studio here at the Tannery once a week—and will often be there for two-week stretches when I’m working on a piece for a show.” Hazels did her homework before making the move to Santa Cruz. “When a friend told me that Santa Cruz was a mecca for nonprofits, that did it!”

Hazels’ background in fundraising and nonprofit administration launched her move to this area. “I did fundraising and development for the Colligan Theater here at the Tannery. It’s fascinating how people spend money,” she observes.

“Connecting people with their interests,” has formed the heart of her career thus far. Fluent in the languages of art and development, Hazels offers Radius as a place for communication around the overarching theme of visual experience.

“I’m limited with what I can do here, financially,” she admits. “I can only offer small stipends to artists who show.” And the way she does that is by making the Radius space pay for itself. “No flashing lights yet, but it’s been a welcoming community. The part that was hard was the gallery itself. It’s getting more interest all the time, and I get requests from artists who are interested in showing here.”

A couple with their three children come in to look around as I talk with Hazels. Immediately, the kids begin picking up bits of interactive sculpture and using them to explore a sound installation. Their delight echoes throughout the gallery. “Sometimes people approach me about projects—that seems to happen organically,” she explains. “People really want to show their work, so I’ll pick something that I’m interested in; for example, an installation.”

She plots out the gallery schedule a year in advance, and closes each year with an invitational. “End of the year is the spirit of giving. Why not give art?” Radius is nontheless a commercial gallery...

What feeds her? “The changes and the variety. We’re open Wednesday through Sunday, noon to five, and I try to be here during those times,” she says. “Organizations like Catamaran will rent the space for receptions. I’m here for most of those events.” Her 18 years of art biz experience pays off. “The vocabulary is natural to me.”

Hazels says she still does contractual work for nonprofits when need and opportunity arise, but admits she still needs to make art. “I exhibited here at Radius recently with three other artists—I did pieces about windows and reflections, water and clouds.” Admitting that she has a desire to do “big things,” Hazels says that gallery success would mean being able to pay artists commissions. But for now, it’s crucial to make people respond—and laugh.

“The next show is wild,” she promises. “I want people to come in with fresh eyes.”


The Radius Gallery is at 1050 River St. #127. The “Micro/Macro” show runs Oct. 20-Nov. 12. radius.gallery.

Preview: The Coffis Brothers and the Mountain Men

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Jamie and Kellen Coffis picked up harmony early. The brothers behind local group the Coffis Brothers and the Mountain Men grew up singing children’s music onstage with their mom, who exposed them to a variety of harmony groups, including the Everly Brothers and the Boswell Sisters. The experiences helped make music second nature.

“Harmonizing has always come easily and naturally to us,” says Jamie. “I see some people struggle with that, but it’s an innate ability with us because it’s been ingrained from such an early age.”

As adults, the brothers and their band have emerged as rising stars of the local music scene. They’ve carved a musical niche for themselves, expanded their fan base throughout California and now Jamie is a DJ at KPIG. Though their band gets the generic “roots music” descriptor, the sound is closer to 1970s rock, with keyboard-driven tunes, two guitar parts, catchy hooks and singalong harmonies. Lyrically, the band covers love, making it through hard times, changing perspectives, life and loss.

Comprising Kellen on guitar and vocals, Jamie on keyboards and vocals, Kyle Poppen on lead guitar, Aidan Collins on bass and vocals, and Sam Kellerman, who replaced longtime drummer Henry Chadwick, the group draws comparisons to the Southern California-based band Dawes, but its primary influence stretches back well before that.

“Tom Petty and the Heartbreakers have given us the outline,” says Jamie of their appreciation of uncomplicated tunes that stand the test of time—Petty’s “Free Fallin’” is the song that pops to his mind. “That’s kind of our playbook.”

The two recently saw the late Petty in concert and marveled at the experience. “Everyone sang along to every song,” says Kellen. “You can sing along even if you don’t know the song.”

Kellen took up the guitar at the age of five, under the guidance of local guitarist Steve Palazzo, who encouraged the youngster to sing while playing. “I still have old guitar charts that are handwritten by Steve,” he says.

Once Kellen started writing songs and jamming with friends, Jamie took up writing as well, gravitating to the keyboards.

“I just needed something to do to accompany myself,” he says. “I was an average keyboard player. I took lessons forever but never got that great. I was kind of a bad student.” He adds with a laugh, “I’ve just learned some tricks.”

Casual jams grew into an official band that has developed a sound of its own. The Coffis Brothers and the Mountain Men draw from proven classic rock, but the band has a down-home feel about it. This is probably due to the fact that the brothers were raised in Ben Lomond, with its “slow life” culture, natural beauty, and mountain music scene.

On Friday, October 13, the band celebrates the release of its new album, Roll with It, which was recorded at Barefoot Studios in Los Angeles. The famed studio was a hotspot in the ’70s and ’80s that attracted top-tier talent, including Jimi Hendrix, the Doors, Supertramp, Marvin Gaye, and Stevie Wonder, who recorded Songs in the Key of Life there.

Recording at Barefoot presented the band an opportunity to record on analog tools to tape, an experience that forces artists to focus on getting good takes live and not relying on digital edits. The result is a record that’s warm, nuanced and gorgeous. It’s the next step for a band that’s been grinding for years and is starting to see the hard work pay off.

“Every year has been a little better than the last year,” says Kellen. “We’re starting to get fan bases outside of Santa Cruz. We don’t show up and sell 300 tickets, but we’re seeing people come out in the North Bay and San Francisco and San Luis Obispo. That hasn’t happened before.”

Jamie adds that because they stay busy and the changes are slow, they don’t always recognize them. But when they look back five years, they’re “definitely doing a heck of a lot better.”

“You realize that at least we’re not playing in front of two people at some shitty bar,” he says. “We’re playing in front of people, usually, and we’re getting paid a little bit, usually, and we’re playing more often, so we’re going somewhere.”


The Coffis Brothers and the Mountain Men will perform at 9 p.m. on Friday, Oct. 13 at Moe’s Alley, 1535 Commercial Way, Santa Cruz. $12/adv, $15/door. 479-1854.

Bantam Adds Bar, Plus Parish Opens in Aptos

Busy Bantam has unveiled another popular feature to please its clientele, a full liquor license under the watchful eye—and hand—of bartender Greg Tavangar (who also works the tasting room at Venus Spirits).

In the interests of spiritual research, Angie and I took a seat at the bar last week and admired the colorful view of three tiers of designer liquors ranging from Leyenda mezcal and Venus aquavit to Laphroaig, Potrero Rye and Nikka Coffey Vodka. And that’s not counting the stash of more traditional cocktail ingredients such as Fernet Branca, Gran Classico and Campari. The house offers a short list of special cocktails, all of which sounded adventurous. So we were full of questions, for which Tavangar had answers as detailed as any high-proof nerd might want. A gorgeous assortment of designer and housemade bitters filled little amphorae next to jars of citrus, fresh fruit and olive additives. As Tavangar answered our questions, he didn’t skip a beat mixing up exceptionally good-looking cocktails—a watermelon fizz was particularly gorgeous. The Aperitivo involved a classic Italian-style vermouth called Alessio Vermouth Bianco, plus a pale yellow bitters called Gran Classico (think pale Campari) and a Prosecco top—all for $10. Angie, who enjoys something bubbly on a warm afternoon, was on board with that.

I needed to know more about the item austerely named Gin Cocktail. Bruto Americano (a New World Fernet), plus sweet vermouth that was not actually sweet, and orange bitters ($12). “So it’s a bit like a modified Negroni?” I asked. Tavangar nodded, but pointed out that it had depth and subtlety denied to the ordinary vermouth, gin and Campari Negroni. I adore any cocktail with both gin and bitters, and this one called out to me. My cocktail arrived in a handsome tumbler cooled by a single gigantic ice cube. An attractive blood-orange color, the concoction offered up layers of bitter orange and gentian root, all carried on the steady current of gin. A splendid cocktail that invites both contemplation and easy sipping.

After pouring the prosecco as the top layer of the three Aperitivo ingredients—the three elements actually formed bands, much like a high-spirited latté—Tavangar then briskly stirred them together in a tall, icy highball glass. I took a taste and discovered my favorite cocktail that doesn’t involve gin. It was intricate and refreshing, a perfect warm-weather quencher. As we watched the cocktails being engineered, Tavangar mentioned the acquisition of a new Japanese gin. Just released, he grinned. I expressed amazement and was immediately provided with a sip.

This was a mysterious and beautiful gin, with hints of botanicals, such as sancho pepper and Japanese yuzu, kabosu and amanatsu citrus. Nothing Dutch about this spirit, and one that would reward the postmodern purist. Bantam’s Nikka Vesper cocktail is made with Nikka gin, vodka and dry vermouth—an East-West poem for $15.

Of course we shared an appetizer of the house signature warm avocado toast topped with mint leaf and pomegranate seeds ($8). Cocktails are a portal. Check Bantam’s Facebook page for details.


Any Minute Now …

And the new Aptos installment of Parish Publick House should be online. Expect to be greeted by a classic pub experience. Also, the long-awaited Birichino Tasting Room in the heart of downtown Santa Cruz will be open pronto. From what I can see, some things are worth waiting for.

 


 

Au Revoir to Au Midi

And to the gracious Michel Loubiere and his chef/wife Muriel, who for 10 years offered the flavors of the South of France to grateful South County patrons. The Loubieres are taking their delicious act from Aptos to a new restaurant in Monterey. To which we say, “Bon chance!”

Opinion October 4, 2017

EDITOR’S NOTE

Last week, I led a Q&A with Valerie Faris and Jonathan Dayton, the directors of the new Battle of the Sexes, after a screening at the Nick. It was my first time seeing the film, which is a complex but fun look at the 1973 tennis match between Billie Jean King and Bobby Riggs, and maybe the most subversive sports movie I’ve ever seen (read Lisa Jensen’s review).

Faris and Dayton, previously best known for their debut film Little Miss Sunshine, are obviously not your typical Hollywood people—and their Q&A responses were thoughtful and full of insightful behind-the-scenes secrets—but I have to say, what impressed me the most was the crowd. I’ve been part of quite a few events like this, and rarely are the questions from the audience as on-point as they were at the Nick Q&A. A couple of times, the audience questions were almost word-for-word something I was planning to ask them, and I’m supposed to be doing this professionally! (Jury’s still out on that.)

My point is simply that Santa Cruz has great film people—which, yeah, I already knew, but this was a nice reminder going into what has oddly become film festival season in Santa Cruz County. The Watsonville Film Festival (Oct. 5-8) and Santa Cruz Film Festival (Oct. 11-15) are both imminent, and in this week’s cover story I explain why the theme of “movies about movies”—and, more generally, “movies about art”—that pops up in many of this year’s entries (at both festivals!) is one that intrigues me so much. Hope to see you at the Mello Center this week, and the Tannery Arts Center next week!

STEVE PALOPOLI | EDITOR-IN-CHIEF


LETTERS TO THE EDITOR

Read the latest letters to the editor here.

The Motherpeace Has Landed

Re: Fashion Issue (GT, 9/20): Great news about Vicki Noble and the Motherpeace [tarot deck]!

About 25 years ago, I went to a women’s circle where the Motherpeace was being used for inspiration and self-reflection. It was my first experience of alternative, new interpretations of the tarot, and it was truly a life-changing evening!

I have turned to it for help and understanding ever since. Over the years, I have found and appreciated other decks and oracular tools as well, but the Motherpeace is, and always will be, my main squeeze in the world of divination and psychic awareness.

Kudos and congratulations to Vicki and her persistent vision and courageous, outward expression in this world we share.

Sherry Conable

Santa Cruz

Strained System

Your article with Phil Coturri (GT, 9/6) raises some good questions about marijuana but they need a deeper look.

He is right about the effects commercialization will have on medical and recreational marijuana. An article published on Aug. 30 stated that of the samples tested at Anresco Labs for the Bay Area Hempcon, 80 percent tested positive for pesticides, fungicides and/or molds and microbes. This is a huge problem. I was Agricultural Director at WAMM for 20 years, and it was my job to ensure that our members received the highest quality, safest medicine. I did this by growing organic and never using any chemicals in any form. Lab testing did not exist at the time so it was the only way to be sure the medicine was clean.

Since then, a lot of people have come into this “industry” because of the allure of big money. As a result, there is a general lowering of standards, to the detriment of patients/consumers. Mr. Coturri also mentions the issue of genetic quality, which is as important as testing clean. I know breeders, myself included, that work to preserve land race strains—or, as some folks like to say, heirloom strains. We also work to hybridize new strains to improve them for medical use.

Mr. Coturri talks about the regulations as part of the problem. He is right. I know some form of regulation is needed, but only because the government made marijuana illegal in the first place. This created the black market as we know it. Also, the government has been involved in price fixing. This was stated explicitly by the 9th Circuit Court of Appeals during the WAMM lawsuit. It was done to keep prices artificially high. Thus, we have the costs of today.

The regulations will also put a target on the backs of folks who grow, but don’t want to be in the system. Those crops not registered will be easily found and eradicated. That doesn’t mean those growers are bad, just not registered. Although there are plenty of bad apples, as they say. At the moment, I am only cultivating true-to-type stable genetics for seed sales. I feel this is a way that I can have input into keeping higher standards, which was my original goal in the first place.

I urge all patients/consumers to put pressure on cultivators and sellers to operate with the highest ethics possible. It will be for the benefit of all. And my use of the words “high” and “highest” were puns intended.

Mike Corral | Director, Fenix Genetix | SANTA CRUZ


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GOOD IDEA

HOUSE FRAMING
While housing costs squeeze every spare coin out of our wallets and chase locals out of town, Santa Cruz city officials are handing out a booklet they call the 2017 Housing Conversation Kit to get people brainstorming solutions. The survey’s also available at cityofsantacruz.com/housing. It’s a nice way to gear up for Affordable Housing Week, which runs from Thursday, Oct. 19 through Saturday, Oct. 28, with 17 events planned. For information, visit santacruzcommunitycalendar.org.


GOOD WORK

COP ON TOP
New Santa Cruz Police Chief Andy Mills has impressed a lot of locals with what seems to be a fresh approach to running the SCPD. Mills will start holding community meetings next week, with a total of five forums through the end of the month—gatherings to serve downtown, the Westside, the Beach Flats, Midtown and the Ocean Street areas. For more information, visit santacruzpolice.com or call 420-5844.


QUOTE OF THE WEEK

“Basically, I’m afraid of everything in life, except filmmaking.”

-Lars von Trier

Is it time for a serious conversation about our gun laws?

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“Being a Brit, we see all the news and the gun crime happening in America and we think it’s quite crazy that you haven’t done anything already.”

Finn Sayce

Britain
Traveler

“My uncle was at the concert in Las Vegas. He says it is something that should be looked at, but to infringe on our liberties granted to us by ourselves is just one step closer to not having any at all.”

Chase R.

Santa Cruz
Salesman

“It’s not a gun issue, it’s a people issue. That’s where we should start the discussion.”

Six o Nine

Santa Cruz
Wood Design/Builder

“It’s a perfect time to talk about gun policy. I’m down for it 100 percent.”

Vergie Murietta

Santa Cruz
Stocker

“It’s time to not have conversations, it’s time for change. ”

Ryan P

Santa Cruz
Network Engineer

5 Things to Do in Santa Cruz County Oct 4-10

Event highlights for the week of October 4, 2017.

Art Seen

Local Poetry Book Exhibition

popouts1740-Art-SeenIf you’ve been to Santa Cruz Coffee Roasting Company recently, you may have seen the drawing of an hourglass woman on the wall, or the poem encircled in roses. These are pieces from Illustrated Poems, by local writer Scott C. Mehner. The book is a collection of illustrations and poems from both local and worldwide artists, self-published by Mehner through Bookshop Santa Cruz. It’s a unique take on the art of poetry that’s on display through October.

INFO:  Santa Cruz Coffee Roasting Co., 1330 Pacific Ave, Santa Cruz. scottcmehner.com. Free.

 

Green Fix

Bike to Work Day

popouts1740-Green-Fix_Give your car the day off, it deserves it. Ecology Action’s Bike to Work day is an excuse to dust off the rusty beach cruiser in your garage and peddle for a cause—if the bike still works, that is. Did we mention there is free breakfast and bike maintenance? Stop by any of 12 locations for free coffee, breakfast, and a tune-up. Last year, more than 13,000 residents participated across the county; this year there’s sure to be even more. Check online to see which location is nearest you.

INFO: Breakfast 6:30 a.m.-9:30 a.m. Thursday, Oct. 5. ecoactbike.org. Free.

 

Sunday 10/8

Open Farm Tours

popouts1740-Open-Farm-TourTour 10 Corralitos regional family farms while learning about sustainable farming practices and where our food comes from. The tour is self-guided, and there will also be apple-juice making, fermentation demos and U-pick options, so make sure you wear comfy clothes and shoes and bring a hat.

INFO: 10 a.m.-4 p.m. Alladin Nursery, 2905 Freedom Blvd., Watsonville. openfarmtours.com. Free, donations accepted.

 

Sunday 10/8

Open Streets

For one day, West Cliff Drive will be closed to traffic and opened up for pedestrians, bicyclists, street performers and vendors. Enjoy the beauty of Lighthouse Field and West Cliff beaches without any of the pesky traffic. Check out any of the dance workshops and browse the local vendor tents. Rubberneckers welcome. Photo by Bill Bishoff.

INFO: 9 a.m.-2 p.m. West Cliff Drive, Santa Cruz. scopenstreets.org. Free.

 

Saturday 10/7

Third Annual Festival of Colors

Based on Holi—the Hindu celebration of spring, love and harvest known for its vibrant colored powders—the festival of colors is like a water balloon fight, only using colored, washable powders. The festival features live music, yoga and a variety of delicious vegetarian food. It’s not spring, but who can really wait that long, anyway?

INFO: 11 a.m.-4 p.m. San Lorenzo Park, 137 Dakota St., Santa Cruz. festivalofcolorsusa.com. Tickets start at $6.50.

 

Local Watchdog Looks Out For Health of Laurel Creek

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Driving on Laurel Street during the two-and-a-half months of Westside construction has been an inconvenience for many Santa Cruz drivers, but one resident who lives near the PG&E work site at the top of Laurel Street hill says he spotted something more serious than a navigational irritant.

Silty excess asphalt has been piling up in the gutters along California and Laurel streets. David Callahan, an environmental activist and retired carpenter, is concerned that the dark sediment is falling directly into the nearby grates that lead down to Laurel Creek, a hidden, partially underground brook that wends its way to Neary Lagoon, and from there to the Monterey Bay.

There are four drains at the intersection that flow into the creek below. For the last two months, Callahan says he watched Snelson, the company contracted by PG&E, do nothing about the asphalt piling up in the gutters, so he started making phone calls to the city, county, and state agencies. He even tried to reach the federal Environmental Protection Agency.

“The level of their concern has been ‘We will respond to you as a citizen, but we don’t think it’s in our ballpark,’ or whatever. I find that completely shocking,” says Callahan, a 62-year-old with a scraggly white beard and a penchant for detailed storytelling, and once he gets going, it isn’t easy to slow him down.

Callahan remembers joining a tactical nonviolence training through the San Jose Peace Center to protest nuclear power in 1979 following the infamous Three Mile Island accident in Pennsylvania. The experience, he says, taught Callahan and his young classmates, who were just learning to question authority, how much power they have in the world. Ever since, he explains, Callahan has kept his eyes open for ways to make a difference in his immediate community. Laurel Creek runs through Callahan’s backyard, just upstream from the California Street work site and the Laurel Street hill.

Since his initial calls on Sept. 13, five county and city officials have made visits to the site, leading to a few attempts at corrections, such as sweeping up some but not all of the asphalt, he says. Crews recently put bright orange plastic filters over the gutters, eight weeks into the project, and two weeks after Callahan started making phone calls.

The city of Santa Cruz has a strict stormwater program that prohibits residents and businesses from discharging any pollutants including asphalt down the storm drains. Violations may be subject to up to $25,000 in fines.

Dave Martin, one of three environmental compliance inspectors at the city, paid the site a visit after Callahan reached out to him. “He phoned everyone,” Martin says of Callahan. Martin couldn’t find any evidence of a violation. He says that, yes, any amount of asphalt at all entering storm drains would be too much, but adds that it’s reasonable for a working construction site to move asphalt around during the active construction phase if they clean it up when the project is completed or before it rains.

Although rain totals have not been particularly high, it did rain a few times since construction began, for a total of a sixth of an inch over that time, according to the city’s water department. That’s a far cry from a winter storm, but more than enough to wet the ground a few times. Callahan says he also saw water from people washing their cars flow down the gutter into the grate, carrying the asphalt with it, in the weeks before crews installed the drain filters, which Callahan worries are too flimsy to keep out soot anyway.

When reached for follow-up, Martin says there are catch basins under each grate and that if any of them were to fill up with asphalt particles, city staff would force PG&E to clean them out.

In a statement, PG&E spokesperson Mayra Tostado says they responded to a formal complaint and found no violations. “Crews will continue to work safely to complete the project and protect the environment,” she writes.

According to a 1997 report from the National Parks Service, the main hazards from asphalt spills are its carcinogens and chemical compounds that can move through the ecosystem as the asphalt breaks down. “Asphalt,” it reads, “should be kept out of rivers, streams, and other natural waters to the extent possible.”

Some officials responding to Callahan’s calls claimed that what Callahan believed to be asphalt particles were probably only dirt. Skeptical of those suggestions, Callahan conducted an organic chemistry experiment in his garage, testing the solubility of the material with paint thinner and alcohol, proving that it was in fact, asphalt.

Laurel Creek, according to a 2008 analysis from the city, is, sure enough, an important riparian corridor, especially because it feeds Neary Lagoon, a critical wetland. “Although constrained by residential land uses, this reach is an important area for terrestrial and aquatic species due to its close proximity to the lagoon,” the report reads. “This reach offers some opportunity to enhance wildlife use and provide continuity to habitats within the lagoon.”

Callahan says he’s learned that environmental precautions should be part of any job site like the one on Laurel and California streets. “I’ve worked in construction sites where they have to wash the tires of the trucks off when they come off the construction site onto the road because they don’t want whatever is in the construction site to contaminate the drains, which can be outflows to the creeks, rivers, or the bay,” Callahan says. The first priority on a construction site, according to Callahan, is safety, followed only by environmental compliance.

In a follow-up email, Martin acknowledges that the project has been “very inconvenient” and knows that many people haven’t been happy about the construction. “However,” he writes, “PG&E is performing critical and necessary work, replacing a gas line to prevent real catastrophic loss of human life and property.”

Freedom Within Prison Project Provides Support to Incarcerated

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Jay Saber, cofounder of the Freedom Within Prison Project, says that whether we realize it or not, each day is filled with constant decision-making—a 2007 Cornell University study found the average person makes 227 decisions a day about food alone—but it’s the bad choices that can change everything, Saber says.

He and Jim Urgo created the Freedom Within Prison Project nearly 10 years ago to spark personal growth for incarcerated men through trainings and workshops. “There are a lot of boys walking around in men’s bodies, they never got a rite of passage. They don’t know how to be a man, they are boys and they are 50,” says Saber, who leads prisoners through what he calls “rites of passage retreats.”

To be clear, these “boys walking around in men’s bodies” may not fit what the average person thinks of when they picture somebody who’s young at heart. Many of them have been convicted of violent crimes and are serving lifelong sentences.

“We developed a curriculum that starts with communication skills, emotional literacy, meditations, a lot of edgy experiential processes,” Saber says. “That work has been profound, especially for men that are in for life without parole.”

Saber leads the program with four other men, focusing on restorative justice and accountability for those faced with gang violence and oppression, and he says it’s changed the lives of many incarcerated men, improving communication skills, self-awareness and forgiveness.

The Freedom Within Prison Project, which is hosting a fundraiser at the Museum of Art and History (MAH) on Saturday, Oct. 7, began in Folsom State Prison and branched out to Soledad Correctional Facility and San Quentin Prison. In 2013, the project came to Santa Cruz Main Jail, where it began holding weekly workshops for both men and women. The nonprofit currently focuses on the level-four maximum security sector of Salinas Valley Prison, holding a year-long curriculum of two groups of 30 men, while also hosting programs in both the county jail and Rountree Medium Facility in Watsonville.

Leveraging its Oct. 7 event at the MAH, the Freedom Within Prison Project hopes to keep expanding its initiatives, an effort that includes Saber’s goal of bringing on women to work in women’s prisons. Ex-inmates who have gotten out and taken part in the project will speak, as will Mayor Cynthia Chase, who’s also the inmate programs manager for the county sheriff’s office.

Saber and the volunteers strongly believe that everyone deserves a chance at redemption and freedom from violence and oppression, even those who murder and rape. But because of the project’s small size and delicate subject matter, it doesn’t have much funding to operate with, he says, adding that he spent thousands of his own dollars on the organization last year. “We don’t have a grant writer or anything,” he says.

The Freedom Within Prison Project, Saber says, is always looking for new members who want to learn how to work with the incarcerated. “Just like people work with the elderly, the handicapped or the homeless,” he says, “we work with the faction of society that is oppressed and shut off from everything.”


The Freedom Within Project Fundraiser is at the MAH on Oct. 7 at 5 p.m. For more information visit freedomwithinproject.org

Music Picks October 4-10

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Live music highlights for the week of October 4, 2017.

THURSDAY 10/5

EXPERIMENTAL

ROEDELIUS

Hans-Joachim Roedelius had a band called Kluster, then later another called Cluster, then later still one called Qluster. It’s probably no secret that we’re talking about an experimental artist here. The most famous incarnation of the group was Cluster, a ’70s Krautrock band that ranged from massive prog rock anthems to teeny tiny electronic ambient noise orchestrations. And that’s only scratching the surface of Roedelius’ projects. As a solo artist, the sheer amount of music he’s released is approaching critical mass. His fame has also risen steadily since the ’90s, as his pioneering work in modern electronic music has gained attention. AARON CARNES

INFO: 8 p.m. Crepe Place, 1134 Soquel Ave., Santa Cruz. $15. 429-6994.

THURSDAY 10/5

ROOTS

RISING APPALACHIA

Quickly now: a band that calls themselves “Rising Appalachia” plays what kind of music? If your answer was “Americana,” you get partial credit. Of course, when you think of Appalachian music, you imagine mountain folk with string ensembles. Sisters Leah and Chloe Smith grew up in the South, hearing this music as kids, but they also heard hip-hop, jazz, soul and world beat. So they decided to start a band that would allow them to explore their own interpretation of the music from their youth. The duo has remained fiercely independent since its formation in 2005. AC

INFO: 9 p.m. Catalyst, 1011 Pacific Ave., Santa Cruz. $23-$75. 429-4135.

FRIDAY 10/6

REGGAE

PREZIDENT BROWN

Put on your dancing shoes, smoke a fat spliff and get ready to praise Jah with the uplifting sounds of Prezident Brown. For decades, he has been a leader in Jamaican dancehall, first mentoring under U Brown’s wing, and later branching out on his own with songs like anti-drug anthem “Blow Your Nose.” This year, Prezident Brown released his 12th album, Journeyman Pilgrimage, the follow-up to his 2015 EP The Journeyman. He doesn’t tour the U.S. very often, so this Friday at Moe’s Alley will surely be a treat for all the natty dreads. MAT WEIR

INFO: 9 p.m, Moe’s Alley, 1535 Commercial Way, Santa Cruz. $14/adv, $18/door. 479-1854.

FRIDAY 10/6

HIP-HOP

MURS

Murs is the underground hip-hop equivalent to Jay-Z. He started building his empire as one of the founders of the L.A.-based group Living Legends, then went on to make a string of iconic, collaborative albums as Felt. If that wasn’t enough, he founded the Paid Dues Festival in 2007, which lasted for six years, all while continuing to record and release his own solo projects. Earlier this year, Murs released his 23rd album (outside of his Living Legends recordings), Captain California, once again proving that if you want to be the king, you can’t stop hustling. MW

INFO: 9 p.m. Catalyst, 1011 Pacific Ave., Santa Cruz. $18/adv, $23/door. 429-4135.

SATURDAY 10/7

CELTIC

MARTIN HAYES & DENNIS CAHILL

Longtime collaborators Martin Hayes and Dennis Cahill are Celtic music royalty. The duo’s one-two punch of Irish fiddle virtuoso Hayes and American guitarist Cahill have spent two decades fine-tuning their sound, while working with an impressive list of artists ranging from jazz guitarist Bill Frisell, jazz vocalist Cassandra Wilson and Sting. With a tendency to strip traditional jigs and reels down to their essence to make room for new interpretations of them, Hayes and Cahill are musical visionaries. CJ

INFO: 7:30 p.m. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $22/adv, $25/door. 427-2227.

SATURDAY 10/7

POP-ROCK

GAVIN DEGRAW

Gavin DeGraw is liberal with his influences, whether it’s rock ’n’ roll, soul, pop or roots rock. It doesn’t matter. What he’s all about is huge choruses, heart-on-the-sleeve lyrics and belting out the words with every ounce of his being. That last one might have gotten missed by some listeners, since he’s also fond of high production value and large backing bands. This current tour could turn a few heads as he embarks on his first ever “stripped down” tour. He’ll be performing songs with an intimate trio, from his smash hit “I Don’t Want to Be” to tracks from his subsequent half-dozen records. AC

INFO: 8 p.m. Rio Theatre, 1205 Soquel Ave., Santa Cruz. $42/gen, $63/gold. 423-8209.

MONDAY 10/9

JAZZ

CHRISTIAN McBRIDE’S TIP CITY

More than a virtuosic bassist, Christian McBride is one of jazz’s great public figures, an avuncular intellectual who’s embraced leadership roles as programmer (including the Newport Jazz Festival), broadcaster, and tireless bandleader. His latest ensemble is Tip City, a trio designed to showcase the brilliant young pianist Emmet Cohen, a McBride mentee since his teenage years in New Jersey. For this tour, they’re joined by versatile guitar great Rodney Jones, a longtime Juilliard faculty member whose resume includes recordings with Dizzy Gillespie, Ray Charles, Maceo Parker, James Brown, and James Carter. ANDREW GILBERT

INFO: 7 and 9 p.m. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $30/adv, $35/door. 427-2227.

MONDAY 10/9

COUNTRY

JUNIOR BROWN

Junior Brown’s classic country look and sound have established him as a favorite of the roots faithful, but Brown is no wannabe. He makes a point of being current and relevant with his song topics, with one of the best examples being his “Hang Up and Drive” anthem. Brown masterfully brings that classic sound and songwriting approach into modern times, and advises other artists to do the same. As he told GT in 2015, “Don’t sing about the boogie-woogie bugle boy of company B. That’s World War II. Stick with your own era.” On Monday, Brown makes his Moe’s Alley debut. CJ

INFO: 8 p.m. Moe’s Alley, 1535 Commercial Way, Santa Cruz. $25/adv, $30/door. 479-1854.

MONDAY 10/9

ROCK

JOE ROBINSON

A 25-year-old guitar virtuoso, Joe Robinson has head-turning technical chops and a songwriting ability that keeps audiences singing and swaying along. Hailing from Temagog, New South Wales, Robinson moves easily between rock, the blues, jazz and R&B to create a sound of his own. As the story goes, the self-taught Robinson started taking guitar lessons at the age of nine, but he “quickly outpaced” his instructor and started teaching himself by watching videos. The strategy paid off—Robinson won the 2008 season of the hit TV show Australia’s Got Talent and has a fanbase that stretches around the world. CJ

INFO: 7:30 p.m. Don Quixote’s, 6275 Hwy. 9, Felton. $10. 335-2800.


IN THE QUEUE

LOW LILY

Irish and Americana group led by fiddle champion John Wheeler. Wednesday at Don Quixote’s

THE GREEN

Hawaiian reggae favorites. Wednesday at Catalyst

MICHAEL FEINBERG QUARTET

Jazz bassist and his band, featuring Berkeley trumpeter Billy Buss. Thursday at Kuumbwa

B-SIDE PLAYERS

Ace Afro-Latin band celebrates new album, California Brown. Saturday at Moe’s Alley

MAPACHE AND ENTRANCE

California country and psychedelic rock. Saturday at Crepe Place

Be Our Guest: Damian Marley

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In 2005, Damian Marley released his debut album, Welcome to Jamrock, and immediately became a reggae sensation. The youngest child of the legendary Bob Marley, Damian continues—and furthers—his father’s legacy with songs of justice, rebellion and humanity. His latest record, this year’s Stony Hill, is a return to the spirituality of reggae music, and a reference to the uptown Kingston, Jamaica neighborhood he was raised in. “Coming from uptown doesn’t mean you can’t care about people who don’t live where you live,” Marley has said. “Jamaica is so small that nowhere is far.”


INFO: 9 p.m. Tuesday, Oct. 17. Catalyst, 1011 Pacific Ave., Santa Cruz. $38. 423-1338. WANT TO GO? Go to santacruz.com/giveaways before 11 a.m. on Wednesday, Oct. 11 to find out how you could win a pair of tickets to the show.

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