Empire Grille: The New ‘Eating House’

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Sandwiches, burgers, salads, chops. This was the simplicity of the idea behind a new restaurant in Felton called Empire Grille, which had a soft opening this summer. Owner Roger Barnes says that the Empire Grille is an homage to the old “eating houses” that used to be found in mining communities like Felton. He took the time to talk to GT about his modern take on the concept.

What are eating houses?

ROGER BARNES: Lumberjacks and miners worked in this area, and there were eating houses—places you went to eat, not particularly to “dine.” It had to be affordable. People would come, eat hearty food and meet each other. And often, the company that they worked for had an account at that particular eating house. The social economic landscape of this area is changing, but the sense of community is very strong. Food choices and menu choices are changing. The eating habits reflect that change. More people consume meals away from home. It’s often simpler and less time consuming to go out and eat. The Empire Grille is an eating house. I serve food you can recognize. I serve food you can pronounce. Comfortable foods. Comfortable interactions.

You have something on your menu called the Abientôt Lunch Box. What is that?

It’s a play on words for the bento box. À bientôt means “see you soon” in French. It’s actually a lunch box. It’s a sandwich with either French fries or macaroni salad or a salad and a beverage. I put that on the menu because a lot of teachers are coming in and ordering 10 of them for their class, or they’re going on a field trip, and the bus will swing by and pick up 15. Office managers pick up 10 to 15 boxes for their staff. I’ve got a specials board. Today’s is ham and cheese, BLTs. I change the Abientôt Boxes once every couple of weeks. I was changing them more regularly, but the kids don’t like the change. The office managers have their list on their walls or their refrigerators. Everyone knows what they are. If I change them too soon, they get mad at me. They want the thing that they had before. So I have to be careful.

6155 Hwy. 9, Felton. 704-2130.

Martin Ranch Winery’s J.D. Hurley Label

My husband and I ran into Martin Ranch Winery owners Dan and Thérèse Martin at a dinner where their wine was being poured. The Martins shared a few insights into growing grapes, harvest and wine production—all of which is a ton of work and can be very stressful.

One of the Martin Ranch wines we tasted under their J.D. Hurley label was the 2014 Santa Cruz Mountains Cabernet Sauvignon, a terrific, robust red with an abundance of ripe cherry and plum evolving into a “full, round middle”—and which the Martins say is kissed with soft, balanced tannins. It pairs nicely with all grilled meats, so it’s handy to keep this wine in stock to serve with holiday fare. The full-bodied Cab gained 95 points, a gold medal and best of class of region at the 2017 California State Fair.

Martin Ranch wines and their J.D. Hurley label wines can be found all over, and Deer Park Wine & Spirits in Aptos sells this Cab for about $25. If you’re looking for an up-front, fruit-forward red wine with a big structure, then this one fits the bill.

Martin Ranch Winery, 6675 Redwood Retreat Road, Gilroy, 408-842-9197. martinranchwinery.com

 

WineBox—A Container Hotel in Chile

When my husband and I were exploring the wine country in Chile a couple of years ago, we came across a forward-thinking winemaker called Grant Phelps. Phelps, who hails from New Zealand and now calls Chile home, lives in the port city of Valparaiso. He came up with the brilliant idea of building “a haven for winos ‘apart hotel’”—a “WineBox” made completely out of recycled containers, which he salvaged right there from the port.

“When finished,” says Phelps, “this badass building made of boxes will boast a wine bar and wine shop … along with an amazing 360-degree rooftop view.”

Check out the website and video at purplemouthed.com—you’ll be amazed. It may make you want to head straight to the vibrant cosmopolitan city of Valparaiso, which is an easy drive from Santiago, Chile’s capital city. You can also find WineBox Valparaiso on Facebook.

Film Review: ‘Three Billboards Outside Ebbing, Missouri’

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Forget about your kick-ass super-heroines. Mildred, the middle-aged mother at the center of Three Billboards Outside Ebbing, Missouri, doesn’t have magic, bullet-repelling bracelets or jiu-jitsu training. All she’s got is a spectacularly vulgar mouth, a fearless take-no-prisoners attitude, and a relentless drive to see justice done—whatever the cost to her family, her community, or her own shaky reputation.

As portrayed with steely grit by the superb Frances McDormand, Mildred is a one-woman Justice League out to avenge the murder of her teenage daughter. That she has a few demons of her own to exorcise along the way deepens her character and the story in this third layered and complex morality play from Anglo-Irish playwright-turned-filmmaker Martin McDonagh.

As in his previous films, the extraordinary In Bruges, along with Seven Psychopaths, McDonagh displays his gift for mixing raucously funny dialogue and irreverent observation of human nature and foibles with an uncompromising (and often surprising) sense of morality. He also likes to keep us guessing about who are the bad guys, who are the good guys, and what—if anything—separates them.

It’s been long months since her daughter was raped and murdered in the rural town of Ebbing, and Mildred (McDormand) is still incensed that no suspects have ever been found and the case has gone cold. When she notices three dilapidated billboards along what was once the main road into town (before the freeway diverted traffic), she pays to have signage put up demanding action from the town police chief, Willoughby (a terrific Woody Harrelson). This has a divisive effect on the townsfolk: everyone sympathizes with Mildred’s loss, but nobody agrees with her confrontational tactic of blaming the hard-working Willoughby.

Neither a folksy visit from Willoughby himself, however, or the discomfort of her own supportive, but embarrassed son, Robbie (Lucas Hedges), can persuade Mildred to remove the billboards. Most offended are the chief’s partisans on the police force, especially loose-cannon deputy Dixon (Sam Rockwell), who lives on the outskirts of town with his tough, butch Momma (Sandy Martin). Dixon likes to get drunk and intimidate black folks, “fags” like Red (Caleb Landry Jones) who rents billboard space to Mildred, and the town “midget,” James (Peter Dinklage).

But Mildred is all about confrontation. When the local priest objects to the billboards, she delivers a tart lesson in “culpability,” comparing Catholic priests to gang members who support the organization despite the crimes committed by other members. She provokes her ex (John Hawkes) into drawing a knife on her over the matter of his 19-year-old sweetie, rudely dispatches a couple of teens who egg her car, and turns the drill on her dentist when he tries to complain about her tactics.

Another actress might choose to chomp on the scenery with extra relish and hot sauce, given such extravagant material. But McDormand commands the material, instead, by playing Mildred small and close; her volatility—and her pain—are right there in her acute gaze and pursed mouth, but she rarely even has to raise her voice. The character’s vulnerability is even more closely guarded, but seeps out in telling, effective ways—particularly as her own sense of personal culpability is gradually revealed. And McDormand has a wonderful scene with Harrelson when an interrogation takes a sudden, unexpected turn: they drop their antagonism, and share a moment of genuine empathy and understanding.

Antagonisms abound in Three Billboards, most of which explode in random acts of sympathy or unexpected alliances. Just about everything you think you know about the characters at first undergoes some sort of sea change, which is what makes McDonagh’s movies so provocative and entertaining.

A more conventional filmmaker might also try to frame this story as more of a traditional mystery thriller, or a subversive black comedy—or possibly both. But throw your expectations out the window, because McDonagh isn’t interested in making a typical genre movie. Nothing gets tied up with a neat bow, here. However marginal his characters, or how dire their circumstances, what interests him above all else is the universal quest for redemption—in whatever oddball form it might take.

 

THREE BILLBOARDS OUTSIDE EBBING, MISSOURI

*** (out of three)

With Frances McDormand, Woody Harrelson, Sam Rockwell, John Hawkes and Peter Dinklage. Written and directed by Martin McDonagh. A Fox Searchlight release. Rated R. 115 minutes.

Christopher Titus Brings ‘Amerigeddon’ to Santa Cruz

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Christopher Titus is one of the hardest-working comedians in the business. From his eponymously titled television sitcom Titus in the early 2000s to his one-man show (and groundbreaking comedy album) Norman Rockwell is Bleeding, Titus’ work ethic is staggering and influential.

But Titus is still not a household name. There comes a time in a performer’s life when they have reached escape velocity from relative obscurity and begun to penetrate the world of ubiquitous fame. For Titus, who brings his new comedy show entitled Amerigeddon to the Rio Theatre on Dec. 13, wide acceptance is long overdue.

Last time Titus played the sold-out Rio (as a benefit for the Boys and Girls Club), he was angry at life and love, and laying all the foibles, follies and fubars of relationships on thick. The show was scathing and hilarious. But now that the entire planet is coming apart at the seams, Titus has found his stride with a new confidence and a weird optimism. “I see us all, as a planet, finally coming together and working as one,” he says by phone from his home in Los Angeles. “This happens right after the nuclear war.”

Snarkiness has infiltrated pop culture to the point where even animated M&Ms have an attitude. But for Titus, critical assessment of society isn’t a fad, it’s a permanent lifestyle. Besides touring Amerigeddon around the country, Titus is most proud of his new feature film Special Unit. It’s about the worst cop in L.A. taking on a crew of specially abled officers.

“Able-bodied people, especially the gatekeepers want to make sure that they are handled with kid gloves. The reality is different. My best friend is disabled,” says Titus. “They’re inspiring, and they’re assholes, and they’re great, and they’re funny, and they’re angry, and sometimes they suck.”

In Special Unit, available at Titus’ website and iTunes, the comedian’s prickly character is modeled after Nick Nolte in 48 Hours. “You hate him so much in the first 10 minutes that you crave everyone getting even with him,” says Titus. “He seems to be an immovable, psychotic alcoholic, but they take him down. I didn’t want to make a Hallmark movie.”

He has been touring Amerigeddon around Red and Blue states for two years. “At this point, I don’t check where I go anymore. If they say I’m going to Alabama, that’s where I go,” says Titus. “I actually went to Alabama, North Carolina and Texas. At first I was upset, but things work out the way they’re supposed to. I still talked about this bright orange carpet fire who is running the country, but it made me realize I need to respect the people who voted for him.”

Titus isn’t totally into the blame game—he’s earnestly seeking to break open the conversation that will heal the country, but has some harsh words for those that opt out of participating in democracy. “Trump voters didn’t do the wrong thing, they did the right thing for themselves. They did what Americans do; they voted for the guy that they wanted. It’s the people that didn’t vote that piss me off. When they see the mushroom cloud, that’s on them. I just wanted to be clear that while Trump voters did the right thing, they got conned. Even my son, while watching the news one night, said, ‘How is Mexico going to pay for the wall?’”

Titus has always provided fresh and brutally honest takes on current issues, both political and social. He lays down some pretty specific guidelines on how to handle one’s self in the public eye—or in the case of Louis C.K., how not to. “Spend more time writing jokes and less time masturbating in front of strangers and friends,” says Titus.

Titus seeks to forge a connection with his audience. “We end up a community of friends,” he says. His ultimate goal? “Bringing the country together, one drunk audience at a time.”

 

Christopher Titus performs on Wednesday, Dec. 13 at the Rio Theatre, 1205 Soquel Ave., Santa Cruz. Tickets are $30 General Admission, $42 Gold Circle.

How Super are So-Called Superfoods?

In the past decade or so, “superfoods” have become quite trendy, leading to a meteoric rise in demand for previously obscure foods like quinoa, kale and acai berries. Kale production, for instance, increased by 60 percent between 2007 and 2012, according to the USDA, and it is still increasing in popularity, finding its way into everything from chips to pasta sauce to baby food. And even more common foods like oatmeal, salmon, and blueberries that also fall into the supposed category of superfood are on the rise. Per capita blueberry consumption increased by almost 50 percent between 2010 and 2015, according to the North American Blueberry Council. Some new-wave superfoods to watch out for in 2018 include watermelon seeds, tiger nuts, and protein powder made from crickets. But is the whole superfoods trend just a vapid, gimmicky concept, or do some foods really deserve to be in Clark Kent’s lunchbox?

Kale, seaweed, and acai berries get their “super” tag due to high levels of antioxidants, vitamins, minerals, and fiber. Quinoa and oatmeal are often touted for their combination of protein, energy-sustaining complex carbohydrates and fiber. And foods like salmon, walnuts, and almonds are revered because of their protein content and healthy unsaturated fats like omega-3s.

But if the term “superfood” suggests any ability to override other dietary sins, this is far from the case. Most nutrition professionals choose not to use the word at all, and consider the concept overly reductive and misleading. For instance, kale gets a lot more superfood shine than spinach, but they have similar levels of iron, fiber, calories, and protein. Blueberries also get more nutritional notoriety than other berries, but raspberries, for instance, contain more than twice as much fiber and vitamin C. Almonds and walnuts get plenty of superfood love as well, but all nuts are fairly similar nutritionally and are good sources of protein, healthy fats, fiber, vitamins, and minerals.

Yet another tricky part about superfoods is that the scientific evidence supporting many of their health benefits is often not as robust as one might think. Many studies of human nutrition rely on longitudinal data, where people self-report what they eat over time and then researchers analyze what trends and health outcomes they observe. Not only does data like this rely on self-reporting that is often inaccurate, it also doesn’t lend itself to cause-and-effect conclusions, making it hard to isolate the impact of a single food.

One such study published in 2013 in the journal Circulation looked at dietary data from more than 93,000 middle-aged women, and found that participants who consumed three or more servings of blueberries and strawberries per week (both of which are rich in a type of antioxidant called anthocyanins) had a 32 percent lower risk of heart attack than those who consumed berries once a month or less. But this data does not prove that blueberries and strawberries lower the risk of heart attack, because the finding was only a correlation, and potentially many other dietary and lifestyle factors could have been involved.

Many of superfoods’ purported health benefits are also based off studies either done on animals or in vitro. For example, a study published in 2014 in Nature Nanotechnology found that an anticancer protein combined with EGCG (a major antioxidant compound in green tea which is often labeled a superfood) had significantly better cancer-fighting properties than the protein alone. But their experiments were conducted in test tubes and in mice, weakening the strength and scope of the data and requiring more follow-up research.

Overall, nutrition experts agree that a healthy diet should be comprised primarily of vegetables, fruits, whole grains, nuts, legumes, and lean proteins. Basically, all of these foods can be thought of as superfoods because they truly can benefit our health. Good nutrition is the ultimate preventative medicine, and most nutritionists put it simply: eat a rainbow. If it’s a plant, it’s likely pretty super, and a diverse, plant-filled diet ensures a vast array of nutrients. A healthy diet is about everything one eats and drinks over time, taken in totality.

California’s 2018 Elections Come into Focus

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With the 2018 midterm elections heating up, California’s crowded governor race includes two frontrunners, Lt. Gov. Gavin Newsom and former Los Angeles Mayor Antonio Villaraigosa.

And at first glance, it looks like the race could come down to geography, with L.A.—and its larger population—favoring Villaraigosa while the greater Bay Area, with its higher voter turnout, favors Newsom, a former San Francisco mayor.

If that were the case, Santa Cruz would surely be at the edge of Newsomland, but Fred Keeley, retired county treasurer and former state lawmaker, has thrown his support behind Villaraigosa, a friend going back to their days in the assembly. Keeley will host a meet-and-greet for Villaraigosa at his midtown home this month, citing the candidate’s experience and his knack for making needed compromises “without compromising his principles,” he explains.

Here on the Central Coast, State Assemblymember Anna Caballero (D-Salinas), who represents Watsonville, has announced she’s running for the state senate in that same June primary.

At the Santa Cruz County level, District 4 County Supervisor Greg Caput—a strong supporter of term limits—tells GT he’s changed his mind and has decided to run for a third four-year term after all. Caput had said in the past that eight years would be enough, but he wants to continue work on ongoing projects, including flood protection along the Pajaro River. So far, three Watsonville city councilmembers, Jimmy Dutra, Felipe Hernandez and Nancy Bilicich, are also vying for that seat. And in North County, District 3 County Supervisor Ryan Coonerty has attracted two activist challengers, Steve Pleich and Doug Deitch.

The primary race is June 5, and—if no candidate secures a majority in a given race—the top two choices will face off in the November 2018 election.

That November race has already begun taking shape as well. On the Santa Cruz City Council, Councilmember Richelle Noroyan says she’s running for re-election, although Mayor Cynthia Chase has made no announcement. Vice Mayor David Terrazas is terming out. It’s still very early, but so far Drew Glover—the Project Pollinate founder, who ran unsuccessfully last year—is the only other candidate to jump in.

Santa Cruz’s next shakeup at the state legislature will likely be in 2020, when State Senator Bill Monning (D-Carmel) terms out. Many political observers expect former legislator John Laird—now serving as resources secretary under Gov. Jerry Brown—to run for that seat and win. Laird tells GT, via email, that he’ll “take a hard look at it as it gets closer.”

Santa Cruz has no shortage of local politicians waiting in the wings, but the next real opening may not be until 2024, when Assemblymember Mark Stone (D-Scotts Valley) would term out. We may have to wait until then to see an ambitious county supervisor (à la Ryan Coonerty, John Leopold or Zach Friend) have a crack at a big election.


Update 12/10/17 8:07 p.m.: A previous version of this story erroneously reported Mayor Cynthia Chase’s election plans. She has made no announcement about running.

Update 12/11/17 4:09 p.m.: A previous version of this story misstated the district that County Supervisor Ryan Coonerty represents.

Music Picks Dec 6-12

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Music highlights for the week of December 6, 2017.

WEDNESDAY 12/6

HOLIDAY/ACOUSTIC

GYPSY SOUL

Described as a cross between Bonnie Raitt, the Civil Wars and Lady Antebellum, Gypsy Soul adds a multicultural perspective to the mix that sets them a class apart. Comprising singer-songwriter Cilette Swann and multi-instrumentalist Roman Morykit, the duo is now in its 20th year as an independent touring and recording act. Gypsy Soul returns to Santa Cruz to perform “A Gift Within the Song,” a collection of traditional holiday songs reworked in acoustic rock and blues styles. The evening promises to be a soul-stirring, inspiring affair. CJ

INFO: 7:30 p.m. Don Quixote’s, 6275 Hwy. 9, Felton. $17. 335-2800.

THURSDAY 12/7

AMERICANA

MCCOY TYLER

McCoy Tyler has always worked hard to weave together many influences to create impactful music. The local singer-songwriter’s background of rock, metal, bluegrass and who-knows-what-else informs his unique approach to the singer-songwriter Americana style. For “26,” the lead single on his latest album, he’s created a picture of the day-to-day struggle that all of us are dealing with by telling several stories of hardship that speak to that larger truth. This new self-titled album is a powerful entry into his already exceptional discography. He’s backed by the Coffis Brothers, who gel with his style perfectly. Kelly McFarling opens the show. AC

INFO: 8:30 p.m. Moe’s Alley, 1535 Commercial Way, Santa Cruz. $7/adv, $10/door. 479-1854.

THURSDAY 12/7

CELTIC

WINTERDANCE

Does the idea of bagpipes make you think of Christmas? If that’s the case, you need to be at the Winterdance. Hell, even if you don’t, you might still want to spend the evening hearing traditional Scottish and Irish Christmas carols. The Winterdance is an annual concert held by local purveyors of Celtic music, Molly’s Revenge. They always play new and old Christmas songs. Let’s just say it’s not a stuffy affair. Joining them this year will be guest vocalist Christa Burch and the Rosemary Turco Irish Dancers. AC

INFO: 7:30 p.m. Don Quixote’s, 6275 Hwy. 9, Felton. $22. 335-2800.

FRIDAY 12/8

FOLK/ROCK

JUSTIN TOWNES EARLE

The son of Steve Earle, JTE has made his own name with a decade’s worth of records—and in the Bay Area, years of playing the Hardly Strictly Bluegrass Festival. By blending a hearty mixture of blues, rock, country, folk and more, he creates a style that ranges from a good ol’ time to the kind of introspection that follows heartbreak. MAT WEIR

INFO: 8 p.m. Rio Theatre, 1208 Soquel Ave., Santa Cruz. $26.25/gen, $36.75/gold. 423-8209.

FRIDAY 12/8

ROOTS/HAWAIIAN

PETER ROWAN

Peter Rowan is well-known as a bluegrass artist, first landing a spot in Bill Monroe’s Bluegrass Boys in the mid-’60s. But Rowan’s musical interest and technical expertise aren’t limited to bluegrass—or even American roots music, for that matter. On his latest album, this year’s My Aloha!, Rowan digs into the roots of Hawaiian music and emerges with 11 original tunes that borrow from island traditions and blend with contemporary folk, bluegrass and classic country. The result is a showcase of the interconnected roots of all of these styles. CJ

INFO: 7:30 p.m. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $25/gen, $40/gold. 427-2227.

SATURDAY 12/9

REGGAE

ITALS

The Itals are one of most important ’70s roots reggae bands still actively touring. And more importantly, they still record new music. The last album that the Jamaican group put out was 2015’s Let’s Get It On, which is a tribute to classic R&B songs. Old Jamaican music from the ’50s and early ’60 was largely influenced by American R&B, though they flipped the beat to make it their own. On the Itals tribute to the genre, they cover a lot of soul and R&B from the late ’60s and ’70s, and it works splendidly. AC

INFO: 9 p.m. Moe’s Alley, 1535 Commercial Way, Santa Cruz. $15/adv, $20/door. 479-1854.

SATURDAY 12/9

ROCK

ESMÉ PATTERSON

As co-founder of Denver-based indie-rock band Paper Bird, Esmé Patterson established the band as a regional standout. After four albums with the band, however, she struck out on her own to pursue a solo career. Fast-forward a few years and Patterson has relocated to Portland, Oregon, branched out into rock and psych territory, and caught the attention of the New York Times, the Guardian, David Letterman and more. Her latest album, We Were Wild, sees Patterson taking her time—the album took a year to complete—and digging deeper into her own life and perspective. CJ

INFO: 9 p.m. Catalyst, 1011 Pacific Ave., Santa Cruz. $13/adv, $15/door. 423-1338.

MONDAY 12/11

FUSION

MIKE STERN BAND with RANDY BRECKER AND DAVE WECKL

While everything about guitarist Mike Stern’s band screams “power chops,” this rock/jazz fusion icon has always been more interested in creating something beautiful than in blowing the socks off of his audiences. A superb foil for Miles Davis during the trumpeter’s early 1980s reemergence, Stern possesses a singularly searing sound that can wail, whisper or sweetly croon. He’s joined by trumpet great Randy Brecker, a player who combines puckish humor, grandeur and slashing wit, and much-imitated drummer Dave Weckl, who gained fame during his 1980s stint in the Chick Corea Elektric Band. Though he’s not billed, bassist Tom Kennedy is also a creative force whether playing standup or electric, and his long standing rhythm section partnership with Weckl makes him an ideal choice for this tour. ANDREW GILBERT

INFO: 7 & 9 p.m. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $30/adv, $35/door. 427-2227.

TUESDAY 12/12

HIP-HOP

THE GROUCH & DEL THE FUNKY HOMOSAPIEN

For 11 years, hip-hop guru the Grouch, has been stealing stages during the holidays with a who’s-who cast of DJs and MCs straight outta Whoville. This year he takes Bay Area lyricist and friend Del the Funky Homosapien out on the road for a one-of-a-kind festive treat for hip-hop heads. If you’ve been particularly naughty this year, buy a pair of tickets for your special someone and show them you care. They might even say your heart grew three sizes that day. MW

INFO: 9 p.m. Catalyst, 1011 Pacific Ave., Santa Cruz. $25/adv, $29/door. 429-4135.


IN THE QUEUE

POLYRHYTHMICS

Funk and soul outfit from Seattle. Wednesday at Moe’s Alley

BELLS ATLAS

Eclectic rock out of Oakland. Thursday at Crepe Place

BONE THUGS-N-HARMONY

Legendary, Cleveland-based rap group. Friday at Catalyst

DECEMBER PEOPLE

Classic rock Christmas music. Saturday at Rio Theatre

PETTY THEFT

Tribute to the late, great Tom Petty. Saturday at Catalyst

5 Things to Do in Santa Cruz Dec 6-12

Event highlights for the week of December 6, 2017.

Green Fix

Jingle Shells

popouts1749-Green-FixSwap out your bells for shells this holiday season—it’s the Santa Cruz way. The Seymour Marine Discovery Center’s Jingle Shells Arts and Crafts Festival will feature plenty of beautiful shell and beach crafts to adorn any mantel, plus there’s free gift wrapping. If you aren’t in the market for gifts, the Seymour Center also offers discounted admission all day and there will be live music and hot cider.

INFO: Sunday, Dec 10. Noon-5:30 p.m. Seymour Marine Discovery Center, 100 McAllister Way, Santa Cruz. 459-3800. seymourcenter.ucsc.edu. $6 adults, $4 children and seniors, Children 2 and under free.

 

Art Seen

Spoken/Unspoken

poputs1749-artseenThis audio exhibition features the stories from hospice patients in end-of-life care. Hospice Santa Cruz County and the Museum of Art and History collected interviews from patients nearing life’s end and produced this intimate and moving audio installation to both explore what matters most to these individuals and also invite others to consider what matters in their own lives.

INFO: Show opened Friday, Dec. 1 and runs through Sunday, March 25. Santa Cruz Museum of Art and History, 705 Front St., Santa Cruz. santacruzmah.org. $10 general admission, free on First Fridays. Photo by Joop Rubens.

 

Saturday 12/9

Festivos on the Rancho

Welcome Larkin Valley’s new state historic park with tours and hot, handmade tortillas during its first holiday open house. Originally built in 1849, the Castro Adobe State Historic Park is the first historic park in South County and one of the best examples of a traditional rancho hacienda in the Bay Area. While you’re there, check out the newly restored kitchen and iconic garden. Parking is very limited so carpooling is encouraged.

INFO: 11 a.m.-3 p.m. Castro Adobe State Historic Park, 184 Old Adobe Road, Watsonville.

 

Friday 12/8-Sunday 12/17

‘Scrooge: The Haunting of Ebenezer’

popouts1749-scroogeThere are many renditions of Charles Dickens’s A Christmas Carol, but chances are you haven’t seen this one. This week Jeff Garrett will take it upon himself to play every character in the story—all 24 of them. He hopes to convey transformation and transcendence through the story, and get back to the roots of what the Dickens story originally was: a ghost story with a holiday touch.

INFO: Shows at 2 p.m. and 7:30 p.m. Colligan Theater. 1010 River St., Santa Cruz. jeweltheatre.net. $35 preview, $40 general admission. Photo by Peter Ruocco.

 

Sunday 12/10

Jan Brett’s ‘The Mermaid’

popouts1749-mermaidWhat would make Goldilocks and the Three Bears even better? Magical sea creatures, of course. The Mermaid is a fantastical under-the-sea rendition of the classic fairytale—think octopi instead of bears. In celebration of her new children’s book, Jan Brett will return to Santa Cruz for a book signing and special talk about her story. She also has a mermaid tour bus, which will be parked outside of the venue for photo opportunities.

INFO: 5 p.m. Santa Cruz Museum of Art and History. 705 Front St, Santa Cruz. bookshopsantacruz.com. Free.

The Nonprofits Working to Heal Santa Cruz

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Virginia Wright, development director for Community Bridges, says Meals on Wheels—which delivers healthy, nutritious meals to senior citizens in their homes—is about more than simply showing up with food.

The national program, with a local branch managed by Community Bridges, also gives the elderly a greater sense of independence, she explains, while building important bonds.

“We value seniors being able to stay at home and be healthy longer,” Wright says. “We’re actually giving people agency so they have their own ability to manage their lives, and making sure they have connections to people. It looks like we’re just feeding someone. We’re actually providing a whole social network.”

The program has historically fed seniors daily, but it may have to cut meal deliveries on holidays, Wright says, as it faces budget cuts. For seniors with no families to help, that could be devastating.

To prevent that, Community Bridges is highlighting its Meals on Wheels program in Santa Cruz Gives this holiday season. Now in its third year, Santa Cruz Gives is a holiday fundraising program raising money for more than 30 nonprofits in Santa Cruz County—each highlighting a special project for donors to support.

Community Bridges is one of five organizations in Santa Cruz Gives focusing on health and wellness, with each serving a different purpose and fulfilling a different need in the community.

At the Survivors Healing Center, longtime volunteer Kathy Riley says this year’s SCG project is “Caring for Kids,” which supports kids affected by sexual abuse. Riley says it’s especially important in light of recent high-profile local cases of sexual abuse, including that of Santa Cruz brain surgeon Dr. James Kohut, who’s accused of raping young children through his practice and is facing 48 felonies.

“Ninety percent of child sexual abuse happens with a person the child knows. It’s a topic that nobody likes to talk about. It’s one of the hard issues in our society,” Riley says. “How do you tell your children that there are people out there in the world who are okay with sexually abusing them?”

The Survivors Healing Center used to organize the Stop the Silence walk in Watsonville, a demonstration to raise awareness about sexual abuse. Riley and her fellow team members want to educate kids and parents more directly about how to protect themselves and identify abuse as it’s happening. They are going to schools, parents’ groups and youth organizations. One new tool the program provides is an education coloring book for kids and parents to work on together.

“We have to give kids language to be able to talk about their bodies,” says assistant program director Ama Delevett. “This is not about being graphic with kids about rape and sexual assault. The coloring book is playful. If someone does something to you that doesn’t feel good, you get to tell someone else. We don’t want kids to keep a secret when it comes to touch. This is your body and these are your body parts. It’s also about teaching consent. It’s a real cultural shift.”

Of course, there are many ways that kids fall between the cracks when it comes to getting the health services they need. Santa Cruz Community Health Centers, which is also participating in Santa Cruz Gives this year, serves more than 11,000 low-income patients to fill in those gaps.  

Cradle to Career, the project that the nonprofit is featuring this year, is a way to ensure that kids get the help they need to maintain their health and have the opportunity to succeed, says development director J. Guevara. The organization works with the families to make sure it has the needed support to make that a reality.

“What’s amazing about it is we are creating parent leaders, largely in the Latino community, that are helping to guide the policies in unprecedented ways. It’s creating all these wonderful results,” Guevara says. “It involves putting the needs of families first, and making a critical connection between medical care, education, and families. We make sure they have prenatal care, and nutritional health information. We’re starting to connect that to the needs of parents, who are looking for guidance on preventing diabetes, eating healthy, and living a healthy lifestyle.”

The program has been in effect for a couple of years in the Live Oak school district, and Guevara aims to expand it.

When it comes to leading a healthy life, food is at the center of all discussions. The Boys & Girls Clubs of Santa Cruz County recognizes that sometimes a lack of access to healthy foods can have serious impacts on kids as they go through school and prepare for adulthood.

In their project, Positive Sprouts, kids will get to work with the organization in a garden to grow fruits and vegetables—and eat them. They’ll have access to tasty, nutritious recipes, which they can take home as well. “It’s a way for kids to nurture and foster a relationship with food, and to really spark a lifelong love and appreciation of growing and eating nutritional foods and living healthy lifestyles,” says development associate Alexandra Baker.

The Positive Sprouts program is already in effect in the downtown location. Money raised during this year’s Santa Cruz Gives will help to get a garden going in its Live Oak location, and the program serves two purposes: not only does the program feed children, it’s also educational. The focus, though, is on making sure children are getting balanced meals, which the Boys and Girls Club supplements with food donations.

“Kids are not getting enough food every day. We want to make sure they have more homemade, warm, healthy, wholesome foods to eat,” says creative director Deirdre Lister. “I’ve been a teacher for 22 years. I noticed a huge surge in their concentration and their mood levels.”

And regardless of what kids are eating, poor dental hygiene can lead to all sorts of problems beyond the mouth. Dientes, another participating nonprofit, is committed to giving low-income kids and adults the dental services they are in need of.

Its “Big Idea” program is Give Kids a Smile Day, which will provide educational services to 30-40 uninsured kids, with the goal of understanding ways to prevent tooth decay and mouth diseases, so they won’t have to pay large dental bills. For a lot of kids, once problems start, they can quickly escalate.

Wright, of Community Bridges, says providing assistance, whether through donations or volunteering, is a tremendous gift locals can give themselves.

“Going out and delivering food to people is an incredible benefit to the person who volunteers as well,” Wright says. “It puts them in touch with generosity. It puts values of kindness and community and caring for others. It puts those values into action. That’s something I think is important to share with people.

To read more about the organizations participating in Santa Cruz Gives, and to donate, go to santacruzgives.org.

Joey Santiago and the Sonic Legacy of the Pixies

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When people talk about the Pixies’ massive influence on the sound of rock music, what exactly do they mean? Certainly the vocal styles of Black Francis and Kim Deal, and their lyrical obsessions. But perhaps even more often, they’re referring to the sound that lead guitarist Joey Santiago is able to wrestle out of his instrument.

If pressed, however, to describe Santiago’s style—which has graced everything from the gorgeous “Where is My Mind” to the mysterious doom of “Gouge Away” to the almost onomatopoeic guitar tide of “Wave of Mutilation”—they probably can’t.

That’s OK. Neither can he.

“I have no idea what I did,” he says of the sound he developed from the group’s debut EP Come on Pilgrim in 1987 through the last album before their breakup, 1991’s Trompe Le Monde—and then again on the two albums they’ve recorded since their 2004 reunion, 2014’s Indie Cindy and last year’s return-to-form Head Carrier.

He can’t even explain exactly how he finds that diverse but distinctive palette of sound again when he needs it for a new song. “I just go for this thing, and I don’t know how I come up with it. I can’t really explain it,” he says. “Sometimes it comes automatically, sometimes I have to search for it. But mostly automatic. Once I get the gist of the chord progression, I start hearing it. I’ll come up with a little trick here and there, and then lo and behold, it’ll sound like it.”

It sounds like it can be a bit complicated. But not always.

“Sometimes I can just write it down on a piece of paper and go, ‘I know this shit’s gonna work,” he says.

Born in the Philippines, Santiago emigrated to the U.S. with his family as a child in 1972 after Ferdinand Marcos declared martial law. Growing up in New York and Massachusetts, he met Charles Thompson IV—later to be known as Black Francis—while studying economics at the University of Massachusetts Amherst in the early ’80s. After rooming together and talking about starting a band for years, they finally did it in 1986, recruiting bassist Deal and drummer David Lovering for the Pixies.

After the Pixies broke up, Santiago played on Thompson’s solo albums (for which the former frontman switched up his stage name to Frank Black), played with his wife Linda Mallari as the Martinis, and scored some films and television shows.

Even when the Pixies got back together, Santiago knew they wouldn’t be making new albums anytime soon.

“When we reunited, we knew what people wanted. They didn’t want to hear new songs,” he says. “I would be bummed if I went to see a band that I’d be waiting for and they didn’t make room for the songs I wanted to hear.”

But when the reunion went on longer than expected—their sold-out shows this year seem to indicate the band is as popular as ever—they decided they had to figure out if they could make it work in the studio again. And …

“Well, it didn’t, the first time,” says Santiago, laughing. He’s referring to the much-maligned Indie Cindy, which critics and fans felt strayed too far from the Pixies’ classic sound, though he says the reunited band’s first effort was probably doomed no matter what—if they had tried to recreate their old sound, “it would have been ‘oh no, they didn’t grow up.’”

Last year’s Head Carrier struck a better balance—“we wanted to embrace the past,” he says—and Santiago found the experience “fantastic.” He’s seen the difference in the audience response when they play live.

“I can see people singing along to tracks from Head Carrier,” he says. “It’s great.”

In a lot of ways, he feels like the reunited Pixies simply picked up where they left off, though there are some differences. Deal left in 2013, and was briefly replaced by Kim Shattuck before the band found Paz Lenchantin, who co-wrote and sang “All I Think About Now” on Head Carrier—and of whom Santiago is a big fan.

And there are other differences, too, for the 52-year-old Santiago, who co-founded the band three decades ago.

“Now I have a family,” he says. “So after a while you wonder what the hell they’re doing over there. I get these texts like, ‘Hey, blah blah blah!’ It’s like, holy shit, what’s going on? I better go home! Or take a nap.”

But in general, Santiago is happy with the sound—whatever you want to call it—that he created, and the unique spot he found in Rock ’n’ Roll Town (which is almost certainly on the Planet of Sound) by not just ripping off his own guitarist influences.

“I looked at it like ‘that guy’s a fireman, why am I gonna be a fireman in this town? Maybe I’ll be a cop—oh, there’s already a cop in this town! Maybe I’ll be a janitor! Oh, there’s already a janitor,’” he says. “I ended up being the guy hanging out in the coffee shop.”

The Pixies perform at the Catalyst at 8 p.m. on Monday, Dec. 11. catalystclub.com.

 

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