The Kitchen at the Octagon To Open Late Summer

Breakfast for lunch? Why not? Beer with that? You bet! Chef/owner of the Kitchen at Discretion, Santos Majano, is excited about his new Octagon project at downtown Santa Cruzโ€™s Abbott Square. Like most of us, he wants it to go online yesterday, but the reality is probably late summer.

โ€œOur place inside the Octagon was added after the original project, so it will take longer to get ready,โ€ he explains. โ€œThe other six shops have to open firstโ€”and all at once.โ€

Meanwhile heโ€™s busy renovating the former Lulu Carpenterโ€™s Octagon interior for food service and applying for licenses.

โ€œIt will probably be August or so,โ€ he says with a grin. Fine. But Iโ€™m hungry now! What I wanted was the snapper taco I saw on Richard Alfaroโ€™s Facebook page last week. Santos laughs. โ€œNot today. Tuesday is ramen day,โ€ he says.

I had already sampled the incredibleโ€”and hugeโ€”ramen creation. I wanted something new. โ€œThe duck egg and smoked potatoes. Thatโ€™s what you should have,โ€ he says.

I figured he should know. Along with a tiny 3-ounce glass ($2) of a new house IPA called Jugo Nuevoโ€”a pale, cloudy, golden hue with a caramel center and a grapefruit finishโ€”I dug into a beautiful plate of red and green lettuces and smoked potatoes, decorated with fresh peas and heroic spears of asparagus. On top of this gorgeous mess was a plump poached duck egg, and everything was perfumed with chile oil and micro toasted bread crumbs ($13). To. Die. For! It was a lunch that brought with it the mighty elements of a hearty breakfastโ€”eggs and potatoes. The little glass of beer seemed to have been made just for this luscious dish. And to think I was sitting in a quiet, secluded gastropub/brewery just a few feet away from busy 41st Avenue.

Discretion Brewing, open daily 11:30 a.m. to 9 p.m.; 2703 41st Ave., Soquelโ€”next door to Cafe Cruz.


Cocktail of the Week

The Old Colonel (donโ€™t laugh) at Soif is a serious, delicious, undeniably masculine drink. Shaken and poured over ice into a low-slung tumbler are Diplomatico Reserva rum, Ponal French vermouth, lime, and plenty of mint. The result is both refreshing and quite delicious, with a suggestion of cola (perhaps from Ponalโ€™s gentian?). You could tinker around with these basic ingredients at home. On the other hand you wouldnโ€™t be sipping the Old Colonel in the metro chic setting of Soifโ€™s bar, would you? Ask bartender Manni about the drinkโ€™s name.


Entree of the Week

Once again, weโ€™ve fallen for the chicken tandoori up at Scotts Valleyโ€™s popular new Ambrosia, home of authentic Indian cookery served by a very warm and welcoming staff. For $12 we are presented with a sizzling platter filled with a half chicken, chopped into easy-access pieces, tinged crimson by the spicy yogurt marinade that gives each bite a luscious moist flavor. The chicken pieces sit on top of a bed of onion, whose aroma rises up and permeates the chicken. On top, a dusting of freshly chopped cilantro adds its own olfactory note. Slices of lime accompany, and its juices make each bite sparkle.

Last week we added an order of saffron rice, plus another entree of fiery lamb vindaloo ($15), whose rich meat sauce also went well with the chicken. When I ordered, I was reminded by the server that the lamb vindaloo is quite spicy. For the record, the vindaloo was assertive but not tongue-numbing spicy. Wonderful.

Ambrosia India Bistro, 6006 La Madrona Drive (across the street from the Hilton), Scotts Valley.

5 Things to Do in Santa Cruz This Week

Event highlights in Santa Cruz County for the week of April 12, 2017

Green Fix

โ€˜Lose Your Lawnโ€™ Workshop

popouts1715-green-fixThe long California drought is over, but the next drought may be just around the corner. As governor Jerry Brown said last week, โ€œConservation must remain a way of life.โ€ Learn how to make that a reality with Santa Cruz Countyโ€™s โ€œLose Your Lawnโ€ workshop to convert an existing lawn into a beautiful and colorful drought-tolerant Monterey Bay-friendly garden. The workshop will cover converting overhead spray irrigation to efficient drip irrigation, proper selection of water-wise California native and Mediterranean plants, and how to save money and time by using sheet mulching method for lawn removal.

Info: 10 a.m.-1 p.m. Saturday, April 15. County of Santa Cruz, 1080 Emeline Ave., Building D, Santa Cruz. Free.

 

Art Seen

Pure Pleasure Comedy

popouts1715-PurePleasureComedyA โ€œJoiseyโ€ native and veteran of the Bay Area comedy scene since 2001, Ronn Vigh once worked as a flight attendant and didnโ€™t smother any of his passengers with a pillow. Vigh has been performing stand up for 13 years and his acerbic wit landed him a writing gig on Joan Riversโ€™ โ€œFashion Policeโ€ on E! Entertainment Television. With Vigh headlininga, Pure Pleasure is bringing six of the funniest folks from the Bay Area to Santa Cruz: Emily Catalano, Liz Stone, Emma Haney, Taโ€™Vi, and Aviva Siegel will bring the house down this Friday, April 14.

Info: 8 p.m. Friday, April 14. Pure Pleasure, 111 Cooper St., Santa Cruz. purepleasureshop.com $25.

 

Friday 4/14 – Saturday 4/29

โ€˜The Netherโ€™ at Center Stage

Itโ€™s a virtual wonderland that provides total sensory immersion. The Nether only requires a login, choosing an identity, and indulging in every desire. But a young detective uncovers a disturbing brand of entertainment, and when she does, she triggers an interrogation into the darkest corners of the imagination. โ€œThis is a disturbing play, but also one which rewards by generating conversation on the topic and providing much food for thought,โ€ says director Brian Spencer. The crime drama won the 2012 Susan Smith Blackburn Prize, Los Angeles Ovation Award in 2012, and the 2014 ATCA Francesca Primus Prize. For mature audiences only.

Info: 8 p.m. Center Street Theater, 1001 Center St., Santa Cruz. $20.

 

Saturday 4/15 โ€“ Sunday 4/16

12th Annual Secret Film Festival

popouts1715-secret-fim-festivalโ€œThe titles are a secret. The awesomeness is not.โ€ Thatโ€™s the promise of this yearโ€™s Secret Film Festival, this areaโ€™s coolest movie event for more than a decade running. Founding SFF mastermind Scott Griffin brings a mix of genres to his 12-hour movie marathon every year, and always gives audiences a sneak peek of highly anticipated films that donโ€™t premiere until later in the year. The catch: you donโ€™t get to know what they are! The titles are only revealed as each film begins. Last year’s festival included the premieres of Hunt for the Wilderpeople, The Invitation and the best overlooked gem of last year, Operation Avalanche. Concessions are open all night; pillows and PJs are encouraged.

Info: 11:59 p.m., Del Mar Theater, 1124 Pacific Ave., Santa Cruz. $25.

 

Tuesday 4/18

โ€˜The Fluidity of Statusโ€™ Conversation

popouts1715-fluity-of-statusMigrant domestic workers are those whose legal residency is dependent on their continued employment as live-in workers with a designated sponsor; since 1996, five million people have been deported from the U.S. With two Ted-style talks, Tanya Golash-Boza and Rachel Parreรฑas close UCSCโ€™s seminar on non-citizenship. Theyโ€™ll be discussing what they see as some of the most critical issues framing migration right now, including gender, deportation, incarceration, slavery, human trafficking, structural violence, and global apartheid. The event will be followed by a Q&A; attendees are asked to register in advance.

Info: 6:30-8:30 p.m. Santa Cruz Museum of Art & History, 705 Front St., Santa Cruz. ihr.ucsc.edu. Free.

Opinion April 12, 2017

EDITOR’S NOTE

When was the first time you heard about virtual reality? For a lot of us, it was some science fiction movie like Tron or TV show like Star Trek: The Next Generation. On the latter, the idea of being fully immersed in a computer-constructed โ€œholodeckโ€ seemed literally centuries away, and both had a wink-wink element of magical realism, as if their creators were saying, โ€œOK, thereโ€™s no way this will really happen.โ€

And yet, just a couple of decades later, our writer Christina Waters took a VR spacewalk that she describes in this weekโ€™s cover story as a โ€œgorgeous illusion.โ€ And it happened right here at a little production studio in Santa Cruz. Maybe locals are familiar with filmmaker Eric Thiermann, who was part of UCSCโ€™s first graduating class and has been making headlines here with his documentary work since the 1980s. But few know what heโ€™s doing now with virtual reality at his company Impact Creative. It has, however, drawn the attention of huge companies like Google, which keep Thiermann and his team busy.

Watersโ€™ story is an in-depth look at the state of the VR art, and whatโ€™s possible now would be incredible no matter who was doing it. But the fact that one of the major forces driving the creative application of this technology is a small studio right here in Silicon Beach kind of boggles the mind. Meet their team and take a step into the future. Whatโ€™s next, jetpacks? Please let it be jetpacks.

STEVE PALOPOLI | EDITOR-IN-CHIEF


LETTERS TO THE EDITOR

Read the latest letters to the editor here.

Eastside, Not Midtown

I have wondered how our cherished Eastside neighborhood was somehow renamed Midtownโ€”by some merchants, not by the local residents, mind you!

I posted a conversation on the NextDoor site, and in six days, there have been more than 100 responses, 99 percent of them in support of the fact that we are in fact Eastside, and not Midtown!

Someone suggested writing to you, as you have apparently been referring to us as โ€œMidtown,โ€ even in the heading of your site โ€ชsantacruz.com. You list businesses, and that they are all in Midtown!

Are you able to provide me with some facts as to who changed our name, and how to get it back? I think this topic is involved in a very lively discussion, and not going away any time soon.

Nikki Shoemaker | Resident of Eastside Santa Cruz for more than 30 years

Nikki, this very topic is hotly debated even in our office. See Jacob Pierceโ€™s โ€œBest Argument Weโ€™re Dying to See Settledโ€ in the Best of Santa Cruz County issue (GT, 3/15) for more context. โ€” Editor

Range of Opinions

I disagree with Paul Cockingโ€™s (GT, 4/5) disparaging remarks against our Park Rangers, who help protect residents, workers, and tourists on Pacific Avenue. The Rangers help deter crime and other antisocial behavior that adversely affects seniors, children, and everyone else who lives, works, and visits downtown Santa Cruz.

Robert deFreitas | Santa Cruz

Itโ€™s a Shame

I have noticed many demonstrations recently here in Santa Cruz protesting everything from Trumpโ€™s presidency to condemnations of racism, sexism, xenophobia, homophobia, transphobia and prejudice against poor, homeless and disabled people, and although I agree that these are important issues to address, I sometimes wonder about the motivations behind the protests. Is it about promoting better policies than the current political administration, and ending racism, sexism, xenophobia, homophobia, transphobia and prejudice against the poor, the homeless and disabled, or is it about shaming people who disagree with you, or even shaming people who are your allies if they happen to be more privileged than you in some way? Most people are privileged in some ways, and lacking privilege in other ways, and I have noticed that politics on both the Left and the Right often involve shaming people for their privilege and their lack of it (often both). Shaming others may help one feel better about oneself, but it is a poor motivator for changing others and changing society for the better. Many people are politically apathetic because they donโ€™t want to be around a lot of angry self-righteous people who may potentially shame them from being who they are. Both the privileged and those who lack it have internalized the values of a hierarchical society based on comparison and shame, which leads to a hostile, competitive us-versus-them, self-versus-other mentality which is extremely divisive. We have all been poisoned by these destructive values, and we can move beyond it by both respecting differences and acknowledging our common humanity and our common struggles with compassion, and understanding instead of shame.

Erich J. Holden | Santa Cruz

Online Comments

Re: Rising International

Rising International is an inspired and inspiring organization! I just canโ€™t believe that such an innovative solution to poverty both locally and globally has not been done before. If youโ€™re wondering what you can do, contact Rising International and host a party. Iโ€™ve done two of them and they are so much fun. And they bring such a spirit of love and warmth into your home.

Thank you Anne-Marie for highlighting this amazing organization and their work.

โ€” Jenny L. Wood


PHOTO CONTEST WINNER

Submit to ph****@*******es.sc. Include information (location, etc.) and your name. Photos may be cropped. Preferably, photos should be 4 inches by 4 inches and minimum 250dpi.


GOOD IDEA

COMIC EFFECT
Lily Richards, a 13-year-old comic artist, dropped off a comic strip last week and asked to be included in our paper. GT doesnรขโ‚ฌโ„ขt run comics, but Lily has written more comics than we have, and is a young powerhouse in the making, so we wanted to give her a shout out. Atlantis Fantasyworld on Cedar Street carries both of her two running series: รขโ‚ฌล“The Adventure of Tubby the Clumsy Bear and Crabbyรขโ‚ฌย and รขโ‚ฌล“The Adventures of Super Gecko.รขโ‚ฌย

Update 4/19/2017 12:45 p.m.: We incorrectly stated the street that Atlantis Fantasyworld is on. It’s on Cedar Street, not Front Street. We also incorrectly spelled Fantasyworld as two words. It’s one word.


GOOD WORK

MEAL PLAN
Julie Guthman, a social sciences professor at UCSC, has been awarded a 2017 Guggenheim Fellowship. Guthman, a leading scholar on the history and geography of California agriculture, is one of 173 scholars, artists and scientists recognized and selected from among nearly 3,000 applications. Guthman, well-known for her research on sustainable agriculture and alternative food movements, is the author of two books, including Weighing In: Obesity, Food Justice, and the Limits of Capitalism.


QUOTE OF THE WEEK

รขโ‚ฌล“Reality continues to ruin my life.รขโ‚ฌย

-Bill Watterson

When is it OK to not tell the truth?

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“During a crisis. To keep people tranquil.”

David Jones

Santa Cruz
Conservation Enthusiast

“When it might cause more harm than good in a small situation.”

Sadie Grattan

Waitress

“I once heard that itรขโ‚ฌโ„ขs better to make somebody cry by telling them the truth than it is to make them smile by telling them a lie.”

Matt Umstead

Santa Cruz
Driver

“When the truth could hurt yourself or others.”

Lauren Baker

Santa Cruz
Self Employed

“You have to always tell the truth. There is no exception.”

Merve Arslan

Santa Cruz
Housewife

Music Picks April 12โ€”17

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WEDNESDAY 4/12

INDIE

MITSKI

The name of Mitskiโ€™s fourth album, Puberty 2, suggests a personal transformation so intense, she likens it to the body literally growing hair where there was none, the voice dropping, and all of those other awkward changes we go through. But for her, this life transitionโ€”the sequel to pubertyโ€”is a subtle one. The album chronicles the anxiety and depression of her day-to-day life as an adult in her mid-20s: Trying to find peace in routine, questioning love and identity, and trying to comprehend the great abyss that is human existence. She pulls it off in a somber, fuzzy-guitar-driven alt-rock album that will move you to pieces if you take the time to soak in the nuances. AARON CARNES

INFO: 8 p.m. Catalyst, 1011 Pacific Ave., Santa Cruz. $15/adv, $18/door. 429-4135.

WEDNESDAY 4/12

ROCK

SCOTT PEMBERTON BAND

What comes to mind when you hear the words โ€œtimber rock?โ€ A Northwestern flair? A grunge feel? A deep-woods vibe? If yes, then itโ€™s a good way to describe guitarist extraordinaire Scott Pemberton. A technical and passionate lead guitarist with a joy and lightheartedness that seeps into everything he does, Pemberton is a hard-to-define, easy-to-love rocker whose wheelhouse includes rock, blues, funk, jazz, jam and psych-rock. Often compared to fellow Northwestern rocker Jimi Hendrix, Pemberton is one of the most innovative guitarists, performers and artists of his time. CJ

INFO: 8:30 p.m. Moeโ€™s Alley, 1535 Commercial Way, Santa Cruz. $9/adv, $12/door. 479-1854.

FRIDAY 4/14

ROCK

LOVEFEST 2017

When is not a good time for a Lovefest? Answer: Itโ€™s always time. Itโ€™s not clear why this show is being billed as Lovefest 2017โ€”maybe the bookers just think we all need more love in our lives. Theyโ€™re not wrong! We do know that on April 14, Don Quixoteโ€™s will host three excellent regional bands who make the kind of music that should inspire a lot of free-loving. Weโ€™re talking bands that mix Americana, rock, jazz and country all into a big, heaping psychedelic stew. The lineup includes Action Street Ramblers, Levi Jack, and Grampaโ€™s Chili. Be prepared for copious hugs. AC

INFO: 8 p.m. Don Quixoteโ€™s, 6275 Hwy. 9, Felton. $10/adv, $12/door. 335-2800.

FRIDAY 4/14

JAZZ

LEE RITENOUR & DAVE GRUSIN

A fleet and fluid guitarist with a light and ingratiating tone, Lee Ritenour has spent some four decades bringing sleek melodicism, fusion, intelligence and style to smooth jazz, both as a solo artist and a founding member of the all-star quartet Four Play. Heโ€™s touring with longtime friend, jazz pianist Dave Grusin, an Academy Award-winning Hollywood composer. Often overlooked in jazz circles due to his focus on his film career, Grusin is an excellent player who recorded with heavyweights like Carmen McRae, Gerry Mulligan, Howard Roberts and Art Farmer. ANDREW GILBERT

INFO: 7 and 9 p.m. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $38/adv, $48/door. 427-2227.

SATURDAY 4/15

BLUEGRASS/TRIBUTE

GRATEFUL BLUEGRASS BOYS

If you know anything about the Grateful Dead, you know that the band has its roots in bluegrass music. The Grateful Bluegrass Boys skip the Deadโ€™s psych-jam bits and take the band full-circle with traditional bluegrass covers of their classic tunes, including โ€œRipple,โ€ โ€œRamble On Rose,โ€ โ€œEyes of the World,โ€ and โ€œScarlet Begonias.โ€ But the hot-picking band members donโ€™t stop thereโ€”they also put a bluegrass twist on Bob Dylan, the Stones, Van Morrison and more. Also on the bill: Santa Cruzโ€™s own honky-tonkinโ€™ jam band Edge of the West. CJ

INFO: 8:30 p.m. Don Quixoteโ€™s, 6275 Hwy. 9, Felton. $12/adv, $15/door. 335-2800.

SUNDAY 4/16

BLUES

INDIGENOUS

The smoothed out licks of Indigenous have brought smiles to audience members since the late โ€™90s. Led by frontman Mato Nanji, Indigenous captures the roots of American blues, and beefs them up with a powerful, electric punch. Not surprising, since Indigenous has played with everyone from Bonnie Raitt to the late B.B. King, and Nanji once toured with original Jimi Hendrix band members Billy Cox and Mitch Mitchell for the Experience Hendrix tour in 2012. This Sunday, get to Moeโ€™s early, as itโ€™s a 4 p.m. matinee show. MAT WEIR

INFO: 4 p.m. Moeโ€™s Alley, 1535 Commercial Way, Santa Cruz. $15/adv, $20/door. 479-1854.

SUNDAY 4/16

NEW MUSIC

MIVOS QUARTET

The Mivos Quartet is a new music ensemble that the Chicago Reader called โ€œone of Americaโ€™s most daring and ferocious.โ€ Hailing from New York City, the quartet has a comfort zone that spans from metal clubs to museums and traditional venues. On Sunday, the ensemble hits Santa Cruz for a selection of works from the U.S., Denmark and Iran. The program includes pieces by avant-rock and metal guitarists Patrick Higgins and Mario Diaz de Leon, string quartets by Anahati Abbasi and Scott Wollschleger, and a quartet by Danish composer Martin Stauning. CJ

INFO: 8 p.m. Resource Center for Nonviolence, 12 Ocean St., Santa Cruz. $10/student, $20/gen. 423-1626.

MONDAY 4/17

HIP-HOP

DJ SHADOW

Ever since he dropped his debut album, Entroducing, in 1996, DJ Shadow has been a household name in the electronic and hip-hop worlds. With a record collection of more than 60,000 albums to sample beats and instruments from, he sticks to the old-school tradition of crate-digging and hands-on DJing. While heโ€™s constantly dropping new tracks and EPs, Shadow has only five albums on the market since his debut. Last year saw the release of his latest work, The Mountain Will Fall, which finds the producer extraordinaire diving deeper into the modern world of electronic beats and sounds. MW

INFO: 9 p.m. Catalyst, 1011 Pacific Ave., Santa Cruz. $25/adv, $28/door. 429-4135.


IN THE QUEUE

OF MONTREAL

Experimental rock band out of Athens, Georgia. Wednesday at Catalyst

AVI ZEV BAND

Santa Cruz-based surf-rock band. Wednesday at Crepe Place

TECH N9NE

Long-running hip-hop favorite. Friday at Catalyst

MELVIN SEALS & JGB

Longtime Jerry Garcia Band member and his mighty band. Saturday at Moeโ€™s Alley

AFRO-CUBAN ALL STARS

Celebrated Cuban outfit led by Juan de Marcos Gonzรกlez. Monday at Kuumbwa

Giveaway: Lou Harrison Centennial Celebration

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If the phrase โ€œnew musicโ€ doesnโ€™t mean anything to you, you might not know about Santa Cruz music legend Lou Harrison. If youโ€™re looped into the new music scene, however, you know that the late Harrison is a giant of 20th century classical music. A composer known for incorporating found-sound percussion and non-Western elements into his work, Harrison pushed contemporary music forward in ways largely unknown to mainstream audiences. On Sunday, May 14, Harrison collaborators and appreciators pay tribute to him with two performances: a matinee of Organ Concerto, and an evening performance of Solstice.


INFO: 3 & 7 p.m. Sunday, May 14. Peace United Church of Christ. 900 High St., Santa Cruz. $17-$20. 426-2010. WANT TO GO? Go to santacruz.com/giveaways before 11 a.m. on Wednesday, May 3 to find out how you could win a pair of tickets to the evening performance.

Love Your Local Band: Ginger and Juice

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โ€œDonโ€™t let the juice loose.โ€

Thatโ€™s the slogan of local band Ginger and Juiceโ€™s line of condoms. Thatโ€™s right: this band sells its own condoms. And they work, tooโ€”thatโ€™s the bandโ€™s guarantee. No juice will be let loose.

โ€œOther bands have vinyl records. We have Ginger and Juice condoms and flasks,โ€ says lead singer Ty Armstrong.

As ridiculous as this sounds, itโ€™s only the tip of the ridiculous iceberg for Ginger and Juice, whose members play a blend of smooth โ€™70s yacht rock and groove-rich, toe-tappinโ€™ R&B.

Most bands shy away from the very notion of being thought of as gimmicky. Ginger and Juice embraces it, and takes it to the limit. The live shows are filled with costumes, audience participation, sing-alongs, give-away contests, burlesque dancers, and other unexpected moments. For this particular show, they plan to orchestrate an Easter egg huntโ€”in the Crepe Place.

Initially, when the group started a couple years ago, it was a much more straightforwardโ€”and seriousโ€”rock project. As the members pushed into campy, dance-y territory, people started to take notice. Clubs were calling them with offers for gigs, so many that they had to turn some down. It was a shock to the group, as they donโ€™t even have anything released yet. They hope to have an EP out this summer.

โ€œThereโ€™s a zillion good bands around here. I want to stand apart in this town,โ€ Armstrong says of Ginger and Juiceโ€™s unhinged approach. โ€œWe want people to feel like a part of it. Weโ€™re trying to be ahead of the curve.โ€


INFO: 9 p.m. Friday, April 14. Crepe Place, 1134 Soquel Ave., Santa Cruz. $8. 429-6994.

Monterey Bay Community Power Will Start Enrolling in Summer

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Nearly half of greenhouse gas emissions from Santa Cruz, San Benito, and Monterey counties come from energy production. In our western energy region, which includes pretty much all of California, 63 percent of electricity comes from gas-powered plants like the one in Moss Landing, according to the Environmental Protection Agency.

A long-discussed solutionโ€”more than four years in the makingโ€”aims to create energy thatโ€™s cleaner, cheaper, and locally sourced. The reality is closer than ever. Monterey Bay Community Power (MBCP), a new group, aims to launch next spring as a green alternative to Pacific Gas & Electric (PG&E).

Both the Santa Cruz City Council and the county Board of Supervisors officially signed on to MBCP, the tri-county Community Choice Energy (CCE) partnership, in late February. The agreement brings together local governments with ones from San Benito and Monterey counties.

โ€œWe understood that we have something in common, and that we can work together to solve our contribution to our greenhouse gas emissions and take control of our own energy,โ€ says Virginia Johnson, the project manager for MBCP and analyst for County Supervisor Bruce McPherson, who also played a leading role in starting MBCP.

Johnson says there is a financial benefit of having more partners, as it increases the CCEโ€™s purchasing power. Although not everyone has signed on so far, MBCP has more than enough partners to start the agency and be successful economically and environmentally, Johnson says, creating a local grid that harvests energy from solar and other renewables.

โ€œCCE will allow us to do things more consistent with local values,โ€ says Santa Cruz Mayor Cynthia Chase. ย 

Two committees, one for policy and another for operations, will run the energy group, a joint powers agency with 18 municipalities.

Elected officials like Santa Cruz City Councilmember Sandy Brown will serve on the policy board, holding public meetings for input into deciding which types of electricity to purchase, setting the rate for customers, and deciding on how exactly to spend surplus revenue. MBCP will use that surplus revenue, expected to be about $9 million per year, to lower its rates, invest in local renewable electricity projects, and provide interest-free programs for solar home installations, says Johnson.

The operations boardโ€”made up of administrators like Santa Cruz City Manager Martรญn Bernalโ€”will manage the agencyโ€™s day-to-day work. Both boards will meet monthly, with their first meetings coming up at the end of this month.

Municipalities with more than 50,000 citizens will get permanent seats on the 11-member boards, with the six remaining seats to be shared. Capitola and Scotts Valley, for example, will be swapping control of the seat every two years.

Starting this summer, MBCP will automatically enroll residents, who will have an option to opt-out and stay with PG&E, which will also operate the CCE grid, its meter readings, and maintenance services, PG&E spokeswoman Brandi Merlo says.

Santa Cruz County will set up a credit guarantee with a local bank for the projected $3 million cost of starting MBCP, and once itโ€™s paid off by the end of 2018, the agency will be financially independent, says Johnson. Initially, MBCP will purchase green electricity from nearby renewable projects, like the local Panoche Valley Solar Farm, which currently sells its renewable electricity to Southern California Edison. But its leaders expect to buy renewable electric plants within the next several years, using surplus revenue.

โ€œAt some point, MBCP can choose to be an owner of plants or continue to purchase from renewable projects,โ€ says Johnson. โ€œIn Southern California, we are overloaded with solar systems throughout the state. There are plenty of places to buy renewably generated power for our program.โ€

Of course, Santa Cruz residents can already install solar at their homes and sell it back into PG&Eโ€™s grid. MBCP could just make it even more lucrative for people to do so. A CCE in the Silicon Valley, for instance, will let residents sell energy at four times the rate that PG&E does, allowing such people to get up to $5,000 back, says Allterra Solar Marketing Director David Stearns, an avid supporter of the local CCE plan. โ€œYouโ€™re taking the power back, literally and figuratively,โ€ he says. ย 

Today, in California, there are two fully functioning CCE programs, Marin Clean Energy and Sonoma Clean Power, and three other new onesโ€”Clean Power San Francisco, Peninsula Clean Energy, and Silicon Valley Clean Energyโ€”that are in the process of enrolling customers. Additionally, East Bay Community Energy, like MBCP, was recently approved, and more than 16 counties and cities, including San Jose, are exploring CCE programs.

This is the simplest and most effective way for Californians to make a big difference in reducing carbon emissions, says Tatanka Bricca, a long-time environmental activist who lives in Ben Lomond. Heโ€™s attended city council meetings on CCE in Santa Cruz and Watsonville.

โ€œItโ€™s a duplicatable model that is spreading across California,โ€ says Bricca. โ€œWe can make a difference nationwide through CCE, even when the temporary residents of the White House make decisions hostile to the Earth and its people.โ€


Stellar Efforts

A look at Community Choice Energy efforts in the Bay Area

  • Marin Clean Energy (MCE)- Offers 50 percent and 100 percent renewable options for customers. 83 percent of meters in the municipalities served are signed-on with the CCE program.
  • Sonoma Clean Power (SCP)- Offers 36 percent and 100 percent renewable options for customers. 88 percent of meters in the municipalities served are signed-on with the CCE program.
  • Clean Power SF (CPSF) – Offers 35 percent and 100 percent renewable options for customers. 99 percent of meters in the municipalities served are signed-on with the CCE program, but they havenโ€™t completed their enrollment.
  • Peninsula Clean Energy (PCE) – Offers 50 percent and 100 percent renewable options for customers. 98.3 percent of meters in the municipalities served are signed-on with the CCE program, but they havenโ€™t completed their enrollment.
  • Silicon Valley Clean Energy (SVCE) – Offers 50 percent and 100 percent renewable options for customers. They are beginning their first enrollment phase this month.
  • East Bay Community Energy (EBCE) – Will begin enrollment this summer, renewable options not yet established.
  • Monterey Bay Community Power (MBCP) – Will begin enrollment this summer, renewable options not yet established.

Santa Cruz Warriors Fall in Playoffs

1

โ€œWhat are you talking about?โ€

โ€œI donโ€™t know. Coach was yelling something aboutโ€”โ€

โ€œItโ€™s too loud in here, mostly because Iโ€™m yelling!โ€

On the streaming video, the Oklahoma City Blueโ€™s two broadcasters were breaking down a play in the teamโ€™s D-League game against the Santa Cruz Warriors. Or at least trying to.

This Facebook Live feed was the only way to watch Monday nightโ€™s game, which was played in Oklahoma. Typically, a game has two announcersโ€”a color commentator and a play-by-play one. But this gameโ€™s analysts clearly came from a different school of communications, as they repeatedly asked each other what was happening, leaned over to check in with the coaches and nervously criticized each otherโ€™s choice of words. The Cox Convention Center, where the Blue play, is a hockey arena built in the โ€™70s that seats close to 14,000, but looks like it has about 400 guests for the playoff game. ย 

The Warriors got off to a hot start, as they often have lately, going up 29-16 in the first quarter, thanks to beautiful passing, limited mistakes, smart defense, and some wild shots finding their way into the hoop.

But that lead slipped away (another recurring theme), giving way to a competitive back-and-forth battle, until a fourth-quarter collapse left Santa Cruz with a 124-104 loss and the revelation that it had been eliminated from the playoffs. Now change is on the way.

In the D-League, every year is a rebuilding year, as rules restrict how many players a team can keep from the previous season. And athletes frustrated by the pay often try their hands playing overseas.

Both player consistency and pay may see an upswing next year, though, as the NBAโ€™s collective bargaining agreement will create two-way players, who will make $50,000-$70,000 a yearโ€”about twice what traditional D-League players makeโ€”and bounce back and forth between the two leagues. Itโ€™s all part of the D-leagueโ€™s growing reputation.

The second-tier organization is slowly adding a few teams each year, and the league announced it would rebrand as the Gatorade League next seasonโ€”a rather brazen corporate sellout, but maybe itโ€™ll lead to better compensation. (The switch also makes us feel bad about how, two years ago, we mocked the Warriors for adding sponsorship from the local company PayStand to its jerseys, an experiment that, comparatively, doesnโ€™t look so bad these days.)

For an organization where executives pride themselves on fostering an environment thatโ€™s the โ€œclosest thingโ€ to the NBA, part of the charm is that this lower-budget league is still different. The Blueโ€™s bumbling commentators harken back to a time when professional sports were just a little less, erโ€”professional … before $140 million contracts or even first-class flights, or announcers who are practically movie stars. When the only thing that mattered more than the game itself was just how much everyone loved it.ย 

Film Review: โ€˜Frantzโ€™

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Sadly, the first World War did not live up to its advertising as โ€œthe war to end all wars.โ€ Its consequences were devastating; particularly within the European community, where a generation of young men were lost, either dead or damaged, fighting their neighbors in the trenches. French filmmaker Francois Ozon revisits that era in all its complexity in Frantz, a moody, mysterious, and utterly engrossing tone poem on love, loss, and absolution.

The origins of Ozonโ€™s story lie in a 1932 stage play by Maurice Rostand, which Ernst Lubitsch made into the film Broken Lullaby the same year. At that time, no one knew the world was on the brink of yet another Great War, which only proves how stubbornly the human species refuses to learn from its mistakesโ€”a situation Ozon finds as disturbingly timely as ever today.

Protagonist Anna (poised, wistful Paula Beers) is a young German woman in a small town, whose fiancรฉ, Frantz, was killed in the war. Itโ€™s 1919, and Anna has moved in with Frantzโ€™s parents, doctor Hans Hoffmeister (Ernst Stotzner), and homemaker Magda (Marie Gruber), to share their grief. On one of Annaโ€™s daily visits to the cemetery, she finds a stranger, soft-spoken young Frenchman Adrien Rivoire (Pierre Niney), leaving flowers on Frantzโ€™s grave.

Adrien tells them all that he knew Frantz in Paris, where their Francophile son lived for a time before the war. Most of the townsfolk, Hans included, are suspicious of a Frenchman in their midst, but Magda warms up to Adrien; she calls him โ€œshy and stormyโ€โ€”like Frantz. They are charmed that Adrien plays the violin, like their son. Anna too befriends Adrien, showing him around to places that held special meaning for Frantz, in exchange for Adrienโ€™s precious memories of her lost love.

The rest of the plot is best left to the viewer to discover. Letโ€™s just say the movie keeps changing direction, but never quite ends up where you might think itโ€™s going. Ozon (who made the elegant 2002 thriller Swimming Pool) shoots in expressionistic black-and-white, evoking both the between-the-wars period (special kudos to costume designer Pascaline Chavanne), and the element of mystery at the heart of his story.

Both visually and in storytelling terms, Frantz is an immersive experience. We are drawn to the characters and into their world even as we begin to unravel the intricacy of liesโ€”some tormenting, others mercifulโ€”woven into the underpinning of their story. Ozon also subtly switches to color for some scenes, for reasons that become apparent only gradually. His images are as haunting and steeped in emotion as the story deserves.

Maybe itโ€™s the black-and-white film, but the compelling Niney has the expressive look and demeanor of a silent movie actor, with his dark-rimmed eyes and pencil moustache. He doesnโ€™t exaggerate, but you can read everything heโ€™s feeling on his face. His Adrien desperately wants to do the right thing (by Frantz and his family, and by Anna) if only he could figure out how. He embodies the dilemma faced by everyone, at the front and at home, forced into unimaginable horror from which there will never be any escape.

Ozon quietly makes this point again and again, especially in his devastating riff on the uber-patriotic scene from Casablanca in which a roomful of French civilians stands up to sing โ€œLa Marseillaiseโ€ when German soldiers enter Rickโ€™s bar. Except this time, Ozon provides subtitles to the anthemโ€™s bloodthirsty lyrics, which puts a whole new spin on the scene, and the notion of passionate, unbridled nationalism.

Another telling scene occurs in the neighborhood taproom, where Hansโ€™ peers who have lost sons in the war are denouncing the murderous French. Hans suggests they stop blaming the โ€œenemyโ€ and direct their ire at those who urged the young men to go fight and supplied them with weapons and a reason: the fathers themselves. And the Fatherland.

With Frantz, Ozon has gifted us with the kind of thoughtful, lyrical moviemaking we donโ€™t see enough of anymore.


FRANTZ

**** (out of four)

With Pierre Niney and Paula Beer. Written by Francois Ozon and Philippe Piazzo. Directed by Francois Ozon. A Music Box Films release. (PG-13) 113 minutes. In German and French with English subtitles.

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