Goal Oriented: Watsonville’s Aztecas Youth Soccer Academy

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AztecasSoccer team transforms troubled boys into role models
For the 50 teenage boys in Watsonville’s Aztecas Youth Soccer Academy, their purple uniform is more than just a jersey and shorts. It’s a metamorphosis—a chance to lose their baggy pants, long T-shirts and gang colors, and become something new, says Gina Castaneda, a Santa Cruz County deputy probation officer and the academy’s head coach.
Most of the boys are probationers from migrant farmworker families. Many are in gangs, some in generational gangs with their parents, uncles and grandparents. Several struggle with drugs and alcohol.
On the team, the boys receive not only elite soccer coaching, but also mentoring, academic help, field trips and community service opportunities from a group of volunteers—several who are probation department employees.
At some point, something truly transformative happens.
New players begin dressing in Aztecas gear off the field, not just occasionally, but constantly, says Castaneda. It’s a signal to gang members to leave them alone.
“The warm-ups—they wear them all the time. Their jerseys and T-shirts, they’re worn until they’re tattered,” she says. “They’re absolutely right. They get to identify all the time as athletes. They don’t have to go back to wearing their gang clothes.”
Castaneda, a former Aptos High soccer standout and collegiate player, founded the nonprofit academy in 2008 with the Santa Cruz County Probation Department, after realizing that many of the boys on her case load wanted to play but had no money to join a team. More than just a space for soccer, she wanted to create a safe place, where boys from rival gangs could play together.
She has a strict rule: no gang colors at practice.
“They’re at a point in their lives where they’re rejecting gangs and they’re getting clean and sober, and that’s scary for them,” she says. “There’s a safety concern. How do you move away from gangs and violence and not have your homeboys come after you? What do you do? It’s changing their identity.”
Most of the young men, who range in age from 13 to 20, grew up playing street ball, but never organized soccer. With Aztecas, they’re able to play in competitive adult men’s leagues and receive professional coaching.
The players also include 15 adult volunteer mentors, all Latino men—some who are graduates of the program and others who are probation officers, police and community organizers.
Volunteer Alex Sanchez, a coordinator for the Watsonville employment nonprofit Alcance, says he grew up on Watsonville’s toughest street, and his ticket out was soccer, especially with the mentors he gained in the process.
Sanchez began mentoring with Aztecas after playing the boys in his adult league and seeing an ESPN documentary about the team. “People ask me all the time if I’m scared,” Sanchez says. “I’m like, man, have you ever spent time with these kids? They’re like any other kid.”
Like Sanchez, most of the group’s mentors grew up in Watsonville and grappled with similar life choices.
“You’re talking about a population of kids that people don’t want to support,” Castaneda says. “It’s easier to incarcerate them and forget about them than actually give them service. When they see that there’s all these people and probation officers that show up for them every single practice and every single game, they get motivated.”
Coming into the program, the boys have different goals than many other teens, Sanchez explains—getting fed that day or staying alive, for instance, rather than college.
“It’s changing the mindset,” Sanchez says. “It’s having a bright future, going from ‘I could graduate’ to ‘I’m going to graduate and this is how I’m going to do it.’”
Sanchez says that several of the boys already knew him from his Alcance work. The boys know the other mentors, the police and probation officers, too, from their lives on the streets, he adds.
“We’re not strangers to them,” he says. “Having law enforcement on the team, the boys get to joke around with them and know that they’re human and they make mistakes, too.”
In the past four years, Aztecas has graduated more than 15 students from high school. Outside of the program, Castaneda says, in 10 years she’s had only two students in her probation caseload graduate from high school.
What’s more, Aztecas boasts a handful of alumni playing college soccer at Cabrillo College and California State University Monterey Bay.
“They’re not just kids that are at risk or kids that are on probation or gang kids,” she says. “We really guide these kids into becoming athletes, and not just athletes, but pretty competitive athletes.”:

Santa Cruz Gives

Aztecas Youth Soccer Academy is one of 30 nonprofits in GT’s Santa Cruz Gives holiday giving campaign, which runs through Dec. 31. To read about the project for which they are seeking funding from Santa Cruz Gives donors, go to santacruzgives.com. For more information on how to become an Aztecas volunteer, visit aztecasyouthsocceracademy.org.


SPREADING CHEER Paulina Gonzales, an Aztecas assistant coach, gets doused in a team celebration.

Open Shot: Ronnie Brewer’s Unique Stroke

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Ronnie BrewerRonnie Brewer brings experience and unique stroke to Santa Cruz Warriors
One of the oldest clichés in sports journalism is the narrative of an athlete who, when faced with hardship, works night and day to prove doubters wrong. Usually these tales happen in young adulthood—maybe getting cut from a team, forgotten in college recruiting or skipped over in the draft. For some players, though, the going gets tough much earlier on.
Ronnie Brewer, a small forward and shooting guard for the Santa Cruz Warriors, faced his first major obstacle at age 10, when he broke his arm, suffering a compound fracture on a waterslide. Ever since, Brewer has been unable to raise the ball over his head to take a basketball shot with proper form. Instead, he holds the basketball closer to his face with his elbows bent and shoves the ball up into the air.
“The way my arm set made me shoot the way that I did, and I just practiced over the years and tried to make it repetitious, and it’d go in,” says Brewer, who was drafted by the Utah Jazz in 2006 and has eight years of NBA experience. “It got me to where I am, and it’s never perfect. That’s why you practice it. I continue to work every day on it.”
Brewer’s father Ron was an eight-year player in the league. Big on fundamentals, the elder player felt that if someone wasn’t going to play the right way and make the right decisions on both offense and defense, they shouldn’t bother playing at all. At first, his father assumed Brewer was just being rebellious by using an unorthodox stroke, but when he realized he couldn’t shoot any other way, they began working on his shot together to make it more consistent.
Brewer’s father warned him that people were going to criticize him, telling him to change his shot, but that if he got points, it didn’t matter. It was a lesson he would hear again when he met Roy Williams, a decorated basketball coach from the University of North Carolina at Chapel Hill and University of Kansas.
Brewer remembers Williams telling him, “Ronnie, there are going to be times in your life where people are going to tell you you can’t do something. You can’t listen to the naysayers. The only way you can stop them from saying you can’t do something is to go out there hard enough you change their mind. People are going to tell you to change your shot, [that] you need to do something different, that it will never go in. All you can do is work on it and make it where it’s natural and have confidence in it.”
Brewer, who is currently out with a pulled hamstring, has played only two games for the Santa Cruz Warriors, who are 5-4, and the team hopes to have him back soon. He averaged 6.5 points and 1.5 steals in 21 minutes. Part of Brewer’s immense value to Santa Cruz is his experience on a handful of NBA play-off teams. Brewer, who was waived by the Chicago Bulls in August, knows what it’s like to guard Kobe Bryant or Russell Westbrook. Just a few years ago, he was starting for NBA teams, and he’s only 30 years old.
Santa Cruz Coach Casey Hill and Pat Sund, the team’s associate general manager, were both amazed Brewer was still around for the 30th overall pick in this year’s D-League draft. Some players would be miffed about slipping so far in the draft, but Brewer says those numbers don’t matter, noting that there are players like Paul Millsap and Rajon Rondo who were taken after him in the 2006 NBA draft who are still contributors in the big leagues. He just wants to be on the court to prove he still works hard and can still ball.
“I feel like I’ve got a lot of years of basketball left. I’m 30 years old,” Brewer says. “There are a lot of guys in the NBA that are a lot older. I’m still passionate about basketball. There’s a lot I can still learn.”


BOUNCING BACK Eight-year NBA veteran Ronnie Brewer, who’s currently out with a hamstring injury, comes to the Santa Cruz Warriors after having guarded stars like Kobe Bryant.

Learning Inside Out: New Tech is Revolutionizing Education for Students with Dyslexia

DyslexiaOne Aptos teacher’s innovations are a striking example of how technology—and a better understanding of how our brains work—is revolutionizing education for dyslexic students
I’ve always been a little bit dyslexic. After an exhausting day, signs that should say “Open Now” read, at first glance, something like “Nepo Ow”; “Pearl Alley” looks like “Peral Leeway.” When sources give me a callback number over the phone, it demands all of my focus and energy to translate their words to the paper in front of me—sometimes I still get it wrong. I’ve never been diagnosed; I’ve just tried to make do.
That’s kind of the problem, says Mark Rogers, a longtime Santa Cruz County educator who has developed a teletherapy program to teach dyslexic children how to read.
“One in five of the population is somewhere on the dyslexia spectrum,” says Rogers, who also holds a doctorate in education. “In a lot of ways, it’s really the level of tolerance that a child has for sub-optimum instruction.”
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Many dyslexic children get by for years with gaps in their public school education, he says. But his program, Eulexic, aims to fill those gaps with a multimedia strategy that draws on the Orton-Gillingham Approach, a multisensory, cumulative cognitive reading instruction method.
Some kids will innately comprehend what they’re taught in school, says Rogers. Others—like the more than 40 million American adults living with dyslexia, according to Austin Learning Solutions—need the information broken down into basic building blocks. That’s where newer approaches have made an impact; these more individualized alternatives that have sprung up over the past 10 years include Lexercise, a program Rogers worked with before building on it to create his own approach. Without such programs, most public education can’t offer the kind of one-on-one attention children with learning disabilities need, says Rogers.
Although it used to be called “word blindness,” dyslexia has nothing to do with sight. Rather, it has to do with processing: the information doesn’t easily travel from the right side of the brain, which is partly responsible for spatial thought, to the left. It’s also hereditary and not indicative of I.Q.—Albert Einstein was dyslexic and he had an estimated I.Q. of 160. Rogers chose the name Eulexic for his program because he also strives to end the stigma associated with the disability. ”Eu” is from the Greek word meaning “good”; by replacing the “dys” in “dyslexia,” he’s helping children become “good with words.”
Through Zoom’s video conference software, I virtually sat in on a teletherapy session that Rogers led with Julie McGovern and her 12-year-old daughter, Sara. First, Rogers opens Whizzimo, a program where a set of tiles sits on the screen with single letters and combinations like “ch” and “tch.”
Sara is steely-eyed and locked in, creating “gym” when Rogers asks her to think of letters with a “j” sound, and even opting to wear a blindfold in the later part of the spelling fluency program.
Her mother tells me later over the phone from a suburb of Rockford, Illinois, that in Sara’s case, the school provided a 37-page report on her dyslexia and dysgraphia (a writing disorder) when she was in first grade.
“She would sound out pretty much every single word and she would take a word like ‘people,’ and sound it out really weird like ‘peuh-ah-eu-pleh’ and then she’d go ‘people!’ and just laugh,” recounts McGovern.
Rogers’ program unpacks each building block of a word, from the bottom-up—starting with the sounds to the word—then to the grammatical rules, rather than the other way around. This linguistic approach is also the basis for Eulexic’s spelling, reading comprehension and vocabulary instruction.
For many children with learning disabilities, there’s crossover, so a child might have dyslexia and dyscalculia. Dyscalculia makes understanding arithmetical calculations difficult, and when combined with dyslexia, things like word problems become all the more frustrating. In the McGoverns’ case, the school did conduct the examination to see if Sara was dyslexic (something public schools in California don’t do), and eventually offered to pay the monthly $395 fee for Rogers’ Eulexic—but only because McGovern wouldn’t stand for how they were treating her daughter.
“They wanted her to go up 10 points in math for state testing, and they were going to have an award for it. Well, Sara went down 10 points,” says McGovern. “They punished her, they put her in the library with three magazines that she couldn’t read for 45 minutes while the other kids got to watch a movie and eat ice cream. I went to the board of education and complained—that is uncalled for for a girl who has been diagnosed with dyslexia and dysgraphia.”

Language Barriers

At one point during the session with the McGoverns, Roberts turns to my tiny window on the screen and, toggling over a “k” tile and an “o” tile, asks, “what is the difference between a consonant and a vowel?”
My stomach lurches, my face flushes: “I know this, I write for a living!” I tell myself. But it’s been ages since I pondered anything about the topic beyond the scene in My Fair Lady where Eliza Doolittle has to recite vowels with marbles in her mouth. I can name them, of course, but explain the actual difference?
Not all teachers know the answer either, Rogers says. A vowel is a speech sound that comes from the vocal cords by way of the lungs and a consonant serves as a “break,” meaning it closes the vocal tract—pronounced with the lips, tongue or throat, unlike vowels. Similarly, few people can explain why the first “c” in “circle” is pronounced like an “s” and not a “k”—simplified, it’s because of the rule “soft c’s” generally come before an “i,” “e,” or “y.” The point is that though we need language to communicate, it can be extremely difficult to communicate about language, which only makes things harder for dyslexics.
The cliche is that most dyslexics see letters in the wrong order or backwards, that a “d” is a “b” and so on. However, symptoms and acuteness exist on a spectrum.
“Whatever way you label it, it’s a problem,” says Rogers. “There are parents and kids in desperate need of extra support in this area.”
Rogers has understood this in a very personal way since about age 5, when he went to school and was asked to “decipher those little marks on the page,” as he describes the process now. In those days, his teachers treated Rogers and his brother, who’s also dyslexic, as if they had a handicap. No one ever said the word “dyslexia.”
So he worked harder, and although learning to type was “a nightmare,” eventually graduated cum laude and went on to develop after-school programs in reading as a Special Education teacher and assistant principal.
The biggest problem, says Rogers, is that not a lot has really changed since he was a kid.
“Definitely in chapter books, after I read it I can’t really remember what happens,” Ryder Esquivel tells me in short bursts over Facetime, in between rolling off the back of the couch onto the floor, bouncing on his heels, waving his Santa figurine into the camera or bounding off the screen all together.
Ryder is 9 and in fourth grade in Alameda. The Esquivels moved to Alameda to be in a better school district so it was a huge disappointment when they found Ryder wasn’t getting the attention he needed.
“He spoke about feeling stupid—for a 5-year-old that can be a pretty painful thing,” says Esquivel of her son who’s now been working with Rogers since last year.
For Esquivel, it was baffling when her son’s school didn’t know what to do with him.
“It’s kind of the battle between the school system and the health industry: you go to the school and you say ‘I think my child’s dyslexic’ and they say ‘Well, we’re teachers, that’s a medical issue, we don’t test for that,” says Esquivel. “And then you go to your pediatrician and they say ‘That’s a reading issue, we’re not teachers, we’re doctors—you need to go to your school.’ The two places where you should be able to turn to are sending you to each other.”
Even after Ryder was diagnosed, the word “dyslexia” was excluded from his file. That’s just the way their district does it, says Esquivel, but between the difficulties of adjusting to the new expectations of Common Core standards instituted in 2009 and having no name for the learning disability, children get lost.
These children oftentimes have to work a lot harder, says Esquivel—to which Ryder adds, with a sigh, “That’s kind of unfair.”
I know what Ryder means: I struggled with math. I loved the subject and was so jealous of students who just got it. I went to after-school help, sought out tutors, spent hours on extra online practice and barely scraped by. No one had ever asked me how I saw the numbers—why, if the answer was 43, I had written 34.

Code Breaking

That’s the thing about dyslexia and other learning disabilities—they can’t be cured. You just have to learn the tools to get around them, says Rogers, who still has moments of misreading signs as well. Without the tools, we end up with “Swiss cheese education,” he laughs.
“The research shows that with good structured literacy up to all but six percent of kids will respond,” says Rogers. “What happens is that we create a wait-to-fail model. If you’re behind in kindergarten, you’re stuck.”
In October, the California Assembly passed Assembly Bill No. 1369, which stipulates that teachers receive guidelines for dyslexics based on an “evidence-based, multisensory, direct, explicit, structured, and sequential approach.” It also added “phonological processing” to the list of things to evaluate in the learning disability. However, no monies are to be allocated for the addition, and in California the “guidelines” don’t have to be completed until 2018.
The tools that Rogers teaches his students help grow new neural pathways, he says. Teaching children to better identify distinctions among individual sounds helps all students spell, regardless of learning disability.
“You’re spending the first few years learning to read, and then you’re reading to learn. For a while you can treat everything like a sight word, like “the” or “in,” but then when you get into upper grades and vocabulary explodes, it starts coming to the fore,” says Rogers.
As someone who’s seen both sides of the education system, Rogers wants to expand his method to be more accessible for more children.
“It also can depend on the degree of hurt you’re suffering as you’re watching your child who is hopeful and vivacious start turning inward and feeling bad about themselves,” he says, describing his goal to create a nonprofit to support students and parents with the same resources.
“It’s hard for parents to be involved, and it’s not just ‘are they working full time?’ It’s a matter of cultural access to the schools, are the schools responsive to you? Does getting involved help your child—are you getting positive feedback for getting involved with the schools?”

Slipping Through the Cracks

Whether it’s in public school, private school, or at home, there’s no shortcut to teaching a dyslexic child, says Harbor High School psychologist Sara Rodais.
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In the U.S., students can qualify for an Individualized Education Program (IEP) as mandated by the Individuals with Disabilities Education Act. This spells out a child’s learning needs to their school and educators. Typically the evaluations for an IEP take place before high school, says Rodais, but sometimes they’ve managed to pass through unnoticed or teachers give higher grades than they deserve.
McGovern says that in her daughter’s case, that’s exactly what happened.
“Sara got an A+ in reading, but how can you give an A+ to a kid who can’t read?” asks McGovern. “Her second-grade teacher gave her all twos (out of four) and I thanked her. I said ‘this needs to go in her file—I don’t want to see Sara being pushed through the system.’”
Rodais says that it’s a hard line for some teachers, wanting to help a student and also teach them independence.
“It’s terrible for us, because for the diploma track we have these requirements,” says Rodais. “If they’re being passed through general education classes and these things aren’t talked about, it makes it really difficult on us, and more importantly it makes it more difficult on the child.”
At Harbor, says Rodais, students with an IEP that are on a diploma track can qualify for the special education program, which is a more restrictive environment, or a less restrictive environment like the resource support class, which is more typical for children with learning disabilities.
The resource support class is a period in a child’s schedule which offers access to a teacher and case manager to help students stay organized. Typically, she says, classes are comprised of about 15 students who receive individualized help based on what they’re struggling with. Students have access to audiobooks, software programs like Read 180, and are presented with study skills at the beginning of each class.
“Their case managers will say ‘OK, what’s going on in English, you got a D?’ And they’ll know exactly what’s coming down the pike in English,” says Rodais. “There’s a fine line between teaching the kids to advocate for themselves and helping them; we try to do the best that we can. We want students to be as independent as they can be.”
It’s impossible to catch every problem all the time, she says, especially within the system of public education.
“We have a lot of interventions in place and we have a lot of people looking for those kids. I think this district does a great job of working with what they’ve got,” says Rodais. “School workers and teachers and specialists are not miracle workers, but I think parents and students need to advocate for themselves and do the best they can, too. We’re trying.”
For children with more than one disability, even alternative education schools can be a challenge.
Jim Hale’s son, Christian, is 14 and was attending a Montessori school where they live in Goochland County, Virginia, when about a year ago Christian had a complete breakdown, says Hale. On top of being dyslexic, Christian also has Tourette syndrome, so Hale was hopeful that Montessori would give him the individual attention he needed. The problem was, says Hale, that his needs didn’t fit with the philosophy of freedom and independence Montessori schools are known for.
“He had begun struggling so much socially as well as academically that we had to take him out because we feared for his long-term psychological and emotional health,” says Hale, who worked in public schools and special education in Charlottesville, Virginia. “We weren’t planning to homeschool him, but we felt that we had no recourse.”
Hale has worked in public schools and says his family is not “anti-public schools.” They just can’t individualize the curriculum like Rogers can with Eulexic.
Christian reads at a fifth-grade level, but in just the five weeks that they’ve been working with Rogers, Christian’s confidence and comprehension has skyrocketed.
“This has never happened with my son,” says Hale. “The other night we went to bed and I saw the light on his room and I said ‘Christian, what are you doing?’ and he said, ‘I’m reading!’ I was almost in tears. We celebrated that moment.”


SOUND IT OUT Mark Rogers leads a teletherapy teaching session with Christian Hale, 14, and his father, Jim, who are in Goochland County, Viriginia. Rogers works with students who have learning disabilities, most commonly dyslexia, to help overcome the gaps in their reading and writing education. PHOTO: KEANA PARKER

Armitage Wines

Armitage WinesA passionately made Pinot, plus fruitcakes from Big Sur, and local chocolates
Armitage Wines has an inviting tasting room in the Aptos enclave that is also home to the Warmth Company, Pure Life, Starbucks, Cantine Winepub, and more. The new addition of colorful tables and chairs outside means al fresco tastings on warm-weather days—even through fall and winter. One good reason to go check it out is for the 2013 Pommard Pinot Noir.
Made from 100 percent pommard clone grown in Carmel Valley, this exceptional Pinot ($45) is produced by winemaker extraordinaire Brandon Armitage. Armitage, who is just as busy making fine wine for other wineries as he is for his own label, particularly excels at full-thrust Pinots, capturing every ounce of flavor from his harvested grapes.
Armitage, who was born in the Chinese year of the Tiger, says his winemaking style reflects the character of this year: strength, passion and the power to pounce at a split-second’s notice. So when you head to Armitage’s tasting room, look for the Pinot with two tigers on the label. Family and friends will appreciate such a worthy wine at the holiday table.
Armitage Wines, 105c Post Office Drive, Aptos, 706-6601. armitagewines.com. Check the website for hours.

Fruitcake Made by Monks

I recently tried some delicious Brandy-dipped Fruitcake and Brandy-dipped Date-Nut Cake made by Camaldoli monks in Big Sur—one of their prime sources of income, especially over the holiday season. The monks have been making these cakes for years, and are well known for producing quality products. Most Brits love fruitcake, and I’m one of them. Their granola, too, is very tasty and packed with good stuff. Brother Michael said he hoped we would enjoy the cake and the “Holy Granola.” I certainly felt blessed when I’d eaten it. Info and to order: 866-886-0544 and HermitageBigSur.com

Judy’s Candy at Ben Lomond Market

Short on ideas for the holidays? Ben Lomond Market carries festive milk chocolates shaped liked Christmas trees and Santas that are sure to please the locavore—and just perfect for individual place settings or for stocking stuffers. Handmade the old-fashioned way by Judy’s Candy Company, boxed assorted chocolates are also available. Prices range from $3.99 to $19.99. Ben Lomond Market, 9440 Mill St., Ben Lomond. benlomondmarket.com


FRUITS OF LABOR A wonderful selection of wines from Armitage Wines. PHOTO: COURTESY OF ARMITAGE WINES

Well-Assembled at Assembly

AssemblyRustic California cuisine at Assembly, plus wine of the week and a Holiday Open House
Seeking aid, comfort and a hearty lunch on a gray day last week, we found all of the above—and more—at Assembly. The house that Kendra and Zach built is more appealing than ever, graced with some of the best-trained servers in the area and a seductive menu. Absolutely “yes” we answered our server Michael when he tempted us with “bread fresh from the oven.” My lunch date, on his initial visit to Assembly, was won over immediately by the huge salt crystals topping the side of butter served with the warm, wood-fired bread. Here were carbs so earthy and sustaining that they mocked the very idea of waistline issues.
I love those pretty little cast-iron pots Assembly provides for orders of green tea. And the equally pretty glazed cups. I needed something substantial, and the flat iron steak and avocado salad looked just right ($14.50). My companion spied Assembly’s popular West Coast burger and looked no further ($13.50.) We busied ourselves with tea, bread, and a tiny plate of pistachios and apples. Jack admired the sleek industrial interior of the restaurant, and I was happy that we had gone early enough in the lunch hour that the restaurant was quiet enough for conversation. Looking ridiculously gorgeous, both main dishes delivered what we needed. Jack’s burger—done exactly at the rare/medium-rare point—was enthroned on a homemade brioche bun lavish with scarlet beefsteak tomato ($3 extra), an aioli-esque “secret sauce,” melted cheddar and a side of thin dill pickle. It was indecently thick, juicy and delicious. The side of fries was abundant and crisp next to a generous bowl of ketchup. Slightly larger than an actual human mouth, the burger allowed itself to be deconstructed (Jack removed the top bun) before inundation. I love that burgers are back! And they’re available, by the way, at Assembly all day long. But I also loved my rare flat iron steak slices, fanned across half the plate, avocado slices nearby next to a super-crisp endive salad strewn with Early Girl tomatoes and hyper-crisp micro-chips of sunchoke. Charred sweet peppers formed an intense relish drizzled over the steak, with more of those killer pickled onions and a hint of cilantro bringing it all into a whole new dimension. Steak salad with green tea. Here was a combo I could live with, again and again. And the beauty of the flat iron cut is that its marbling means that it has much more flavor than the more buttery (and expensive!) filet mignon. Rustic California foods, locally sourced and beyond fresh, never tasted better than this. Assembly, another great idea from those Penny Ice Creamery folks. Open daily at 1108 Pacific Ave., except Tuesday. assembleforfood.com

Wine of the Week

Beauregard Vineyards Lost Weekend ($24), is a full-throated and instantly likeable red blend from the wild mind of winemaker Ryan Beauregard. I sampled it last week at Gabriella Cafe while putting up my current exhibition of portrait paintings. (Check ’em out.) The 2012 Lost Weekend—named for the colorful saloon once located on the spot of today’s tasting room—is a savory berry-laden blend of Sangiovese and Merlot, a very versatile partner for pasta, pizza, burgers, and chocolate ice cream.

Tasting Tips

Swing by lovely Carmel Village for the Windy Oaks Winery Holiday Open House, Saturday, Dec. 19, from noon to 7 p.m. Sample the exceptional Pinot Noirs made by winemaker Jim Schultz, enjoy apps from Affina, cheese from the stupendous Cheese Shop and some holiday tunes, too. The Tasting Room is at the west side of Dolores, between 5th and 6th. Charming to the max.


HIGH STEAKS Flat iron steak and avocado salad is a sizzling lunch item at Assembly. PHOTO: CHIP SCHEUER

So Very Grateful: Alex Bleeker and the Freaks

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Alex Bleeker and the FreaksAlex Bleeker and the Freaks go all in for the Dead sound on ‘Country Agenda’
Grateful Dead fans are so devoted that they not only followed them around town to town, but even earned the first fan nickname. And they pop up in the least likely of places—even in the music world, where they include Jane’s Addiction’s Perry Farrell, Sonic Youth’s Lee Ranaldo, and Real Estate’s Alex Bleeker.
The Dead’s influence isn’t all that apparent in any of these groups, but it’s unmistakable in Bleeker’s solo work, which is far removed from Real Estate’s dream-pop sound. When he started recording solo in 2009, the Dead influence was there, but the blown-out production, combined with a Crazy Horse energy, disguised the full extent of Bleeker’s Grateful Dead fandom. Things became quite a bit clearer when he penned a heartfelt essay for Stereogum about his experience at all three of the Dead’s farewell shows.
This is all important to keep in mind when listening to Bleeker’s third record, Country Agenda, which was released in October. He’s gone all in and let his Grateful Dead flag fly high and proudly.
But Country Agenda is very specific in the inspiration it takes from the Dead. It brings to mind their two 1970 albums, a highlight in their recording career (and the only period some non-Deadheads consider listenable). These two records, The Workingman’s Dead and American Beauty, are gorgeous breezy mixtures of country, folk and bluegrass that keep the wandering solos to a minimum.
The same is true of Country Agenda. This is a feel-good, country-inspired record in literally the same vein. Real Estate fans might run screaming at the mere mention of the Grateful Dead as the record’s primary influence, but if they give it a shot, they might be surprised to find themselves liking these lighthearted folk tunes (and maybe even find themselves digging into the Dead’s discography). Alt-rockers may feel an affinity to the music, too, as this era of the Dead influenced ’90s groups like Wilco.
This is the first album by the Freaks that’s a full-band collaborative affair. On Bleeker’s self-titled debut, he enlisted mostly fellow Real Estate bandmates to back him (which produced a record that was a little disjointed and jolting), but now he’s got a band of like-minded souls, and the chemistry is fantastic. On Country Agenda, Bleeker and the Freaks play with confidence and sound like they’re having a lot of fun in the process.
The record was recorded at a studio on the coast of Stinson Beach, which seems to be perfectly captured in the music. Whether or not Bleeker was trying to make a record inspired by the California coast, he did—it has a gentle, breezy sound, and laid-back groove. Even the lyrics fit the theme, as in “California” (“California, California, you’re set free”).
Deadheads will get a kick out of their rendition of the traditional tune “Turtle Dove,” which Jerry Garcia covered frequently. Overall, the record’s only real problem is that Bleeker may have succeeded a little too well in bringing his influences to the fore—I’m not exaggerating when I say that Country Agenda literally sounds like the Grateful Dead circa 1970. A lot of Deadheads will just listen to the real thing.
INFO: 8 p.m., Dec. 10, Don Quixote’s, 6275 Hwy. 9, Felton. $15. 335-2800.


OUT COME THE FREAKS Alex Bleeker and the Freaks play Don Quixote’s on Thursday, Dec. 10.

Rising at Dawn with Aerial Show ‘Eos’

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EosThe aerial show ‘Eos’ combines circus feats with themes of rebirth
Say circus to someone over 40 and they’ll probably think of old-school clowns and prancing animals, fire eaters and tightrope walkers. But the circus has evolved, from three rings and a big top to the surrealistic morphing of technique and creativity that grew Cirque du Soleil into a worldwide performance juggernaut. Its place in our imagination now ranges from the insane-yet-somehow-Zen image of Philippe Petit tightrope walking between the twin towers to the fitness craze that blends trapeze, acrobatics, juggling, and balance. Circus has become more than a show or pastime. It has transformed into a mode of expression.
Take Allie Cooper and her ensemble AeraFlux, who created the dark, industrial-themed aerial dance show Aurora in 2014. Onstage, she showed with gravity-defying precision that circus can tell a complex, dynamic story. For Cooper’s new show, Eos—a “second phase” of the project she began with Aurora—she has partnered with fellow local aerial/acrobatic teacher and choreographer Rose Calucchia, as well as musician Logan Gritton.
“I dabbled in circus when I was young,” says Cooper, “but it wasn’t until I moved to Santa Cruz that I really became involved with the circus community.”  Since then she has traveled all over the world teaching workshops and performing. “People who don’t have a lot of exposure to circus default to the glitz, but for me, and especially abroad, it’s more of an art form, more contemporary. That’s what I’ve tried to bring back, a departure from the spectacle to embrace contemporary circus.”
She’s not daunted by the way pop culture has appropriated circus concepts into other realms like fitness: “It’s like anything. The accessibility is great, but it brings growing pains,” says Cooper. “There’s a network of artists who have been doing this for years who want to maintain the integrity of circus as a creative language. It’s just a matter of finding balance.”
Aurora used literal balance, as well as soundscapes and visual projections, to express the dissonance of conflict.
“It was about the idea of battle,” she says, “a group struggling to survive, dark and chaotic, but working together.” The notion of teamwork continues to play out in Eos, her current show and Aurora’s reflective, even somber, follow-up. Eos means “dawn” in Latin, and its stripped-down approach evokes aftermath as well as rebirth. Fittingly, the six dancers in this hour-long piece of aerial, acrobatic and dance work are young women between the ages of 12 and 15. Cooper knew they were the right performers to tell her story. “It’s a difficult time to be young and female in our country right now, so it’s important to acknowledge that vulnerability, even as we celebrate inclusiveness and strength in a group,” she says.
After two commanding presentations, will there be another chapter after Eos to complete the journey? “I hope so,” says Cooper. “I’d like to bring together the adult cast members and this young group. It would bring things full circle. The third piece will be about rebuilding.”
What inspires her about this show, she says, is the extraordinary talent at work.
“These girls may be young,” she says, “but their skill is incredible, totally professional, comparable to any high-level circus performers anywhere.”
Though Eos is family-friendly, it’s not a kids show. “These are serious themes,” Cooper says, “and yet having young people explore them, wearing utilitarian, pedestrian costumes, makes what they’re doing that much more spectacular.”
Without the glitz, in other words, there’s nowhere to hide.
“Exactly,” she says. “And that, coupled with the innocence and power these young women bring to their performance, is going to blow people away.”
AeraFlux presents ‘Eos’ at 7 p.m. on Friday, Dec. 18 and Saturday, Dec. 19 at the Santa Cruz County Memorial Veterans Building, 846 Front St., Santa Cruz. Tickets are $20 general, $15 for youth 12 and under. 800-838-3006, aeraflux.brownpapertickets.com.


ON THE UP AND UP ‘Eos’ means ‘dawn,’ and the young cast will explore themes of renewal and rebirth in the show. PHOTO: JAKE J. THOMAS

Medal to the Pedal: Santa Cruz Named a Bicycle Friendly Community

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Bicycle Friendly CommunitySanta Cruz honored with gold award and new grants for biking, but improvement still needed on hazards
Long before bearded hipsters made cycling cool again, Santa Cruz prided itself as a bike-friendly community, and now it has a gold award—plus several sizable grants—to back it up.
The League of American Bicyclists announced its bi-annual Bicycle Friendly Communities awards on Nov. 16. With rankings from platinum to bronze, the league’s rankings are announced each fall and spring. This year Santa Cruz came out in the gold tier, making it one of 24 in the entire country to receive the honor since the awards began in 2003.
A public celebratory ride took place on Nov. 24 from City Hall down the San Lorenzo Riverwalk, although the chilly winter night brought in a lower-than-expected turnout, says Amelia Conlen, director of the nonprofit Bike Santa Cruz County. “But we did have treats donated by the Pacific Cookie Company and Cocoamotion,” she says.
The League of American Bicyclists was originally founded in 1880 as the League of American Wheelmen—as cyclists apparently were then called. The League is a national bicycling advocacy group working to change policy and create a safer experience for anyone who chooses to ditch four wheels in favor of two.
Santa Cruz is now in good company, with only three other gold members in the state: San Francisco, Palo Alto and San Luis Obispo.
Among its accolades, Santa Cruz was acknowledged for its strong infrastructure, cycling education programs and 10 percent of its population biking to work. Sixty percent of Santa Cruz’s arterial streets have bike lanes, compared to an average of 78 percent in most platinum-ranked areas. Davis is the only Californian city that’s achieved platinum status.
On the city’s “report card,” the league noted a few reasons why Santa Cruz did not receive a platinum rating, and a big one is accidents. Santa Cruz County routinely has among the highest rate of per capita bike accidents in the state. The county’s higher-than-average ridership at least partly explains those numbers. Still, the report card notes that the city’s average crashes per 100,000 cyclists is 222, more than twice the average for platinum communities.
Ken Mcleod, the league legal and policy specialist, was one of three reviewers who went over Santa Cruz’s application, and he says the city is on the right track when it comes to transportation. “It seemed very ambitious for the community compared to other applications we received,” he says, “especially with the building of new facilities to encourage more cyclists.”
Earlier this year, the Santa Cruz County Regional Transportation Commission won two big grants for bike projects. One grant extends part of the Coastal Rail Trail, a planned multi-use 32-mile path from downtown Watsonville to Davenport. The other adds bicycle route signs to instruct commuters about the safest and fastest paths, something Conlen is excited about. “Many cyclists may not be as experienced as others, which is why the sign program is so important around town,” she says.
The league based its awards on 111 questions, as well as data collected by both the city and by the league itself. Criteria ranged from the number of bike-friendly laws to access to cycling education programs. The number of active bicycle advocacy groups within the community also played a factor.
Bike Santa Cruz County, formerly known as People Power, is probably the best-known of those advocacy groups. This year, the nonprofit teamed up with the city to complete the Arana Gulch multi-use trail and the green lane bike path on Laurel Street. One of its programs is the Earn-A-Bike program in Watsonville. Over the course of six weeks, students are taken on bike-related field trips, and they learn to work on bicycles donated by community members—which they then get to keep at the end of the program.
“Having access to bikes can be difficult,” explains Conlen. “Especially the tools and accessories needed to hang-on [to] and maintain one. We provide all that, so the kids are ready to go.”
But there is even more good bike news that didn’t make it into the Bicycle Friendly Community award application. Just three weeks before being honored, Santa Cruz was awarded $3.2 million in grants from Caltrans.
The first grant of $1.4 million went to a program to improve school crossings. The city and environmental nonprofit Ecology Action will work together to improve 24 crosswalks around eight local schools, as well as transportation education in the classrooms. Sometimes changing people’s habits can create serious momentum when it comes to how people get around.
“Many of the crossings are simply perceived as being unsafe—causing more parents to drive and drop off children, which in turn puts more cars on the road,” Santa Cruz transportation manager Jim Burr tells GT in an emailed statement via a city spokesperson. “This is a vicious cycle that the ATP and Safe Routes projects are seeking to reverse.”
The second grant, an impressive $1.8 million, was allocated for the Branciforte Creek Bridge. The project is a multi-use path stretching from under the Soquel Avenue bridge to San Lorenzo Park, and it’s the last remaining gap in the riverwalk along the levees. Staff originally had the idea almost three decades ago, and although it was a popular concept, funding was scarce. Construction on it should begin by 2017 and be finished within six months.
“It’s been a pretty incredible year,” says Conlen.
The League of American Bicyclists also took special interest in Santa Cruz’s Active Transportation Plan (ATP), which the Santa Cruz City Council approved in April.
Mirroring the state’s Active Transportation Program, the ATP takes a comprehensive look at transportation throughout the city, in an attempt to make pedestrian and cycling traffic safer and more convenient. Since August, city staff has been doing public outreach and collecting data for the ATP and aims to submit its first draft to the Transportation and Public Works Commission in March. The city hopes the new Active Transportation Plan will pave the way for even more grants.
More than a small niche, the world of cycling has become its own economy, and more cycling and safer routes mean big business, according to Bike Santa Cruz County. In its 2015 State of Cycling Report, the nonprofit estimated that the cycling industry employed over 1,000 individuals in the county, generating $800 million.
When it comes to building a community, Conlen says, it all boils down to the basics.
“It takes good facilities to make people feel safe enough to get out of their cars and on their bikes,” she says. “If you build it, they will come.”


FINISH LINE Amelia Conlen of Bike Santa Cruz County and transportation planner Claire Fliesler stand near the last remaining project on the San Lorenzo Riverwalk. PHOTO: KEANA PARKER

From The Editor

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ednote stevePlus Letters To the Editor

Road Again: Environmentalists and Labor Clash Over Transportation Tax Measure

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Zach Friend Transportation TaxThere’s an assumption these days in politics that labor and environmentalists have a hard time seeing eye to eye.
Sure enough, a recent meeting for the county’s Regional Transportation Commission broke, more or less, along those lines. The matter this time is a half-cent transportation sales tax measure that the RTC board is leaning toward supporting. Environmental activists, worried about climate change, are taking issue with 25 percent of the proposed money going toward adding merge lanes—also called auxiliary lanes—from off-ramp to on-ramp, stretching from Soquel Avenue to 41st Avenue and back.
After Santa Cruz activists made the case that any improvement would be marginal, the RTC board responded with Santa Cruz Mayor Don Lane mentioning that it may not have a huge impact, but it also isn’t a huge chunk of change in transportation dollars. He showed sympathy for the people of Watsonville, many of whom have to commute to Santa Cruz. “Those folks have been waiting, not just in traffic every day, but for our county to do something,” Lane said.
RTC boardmembers, especially those representing South County, said it was time to lend a hand to the predominantly lower-income work force driving northbound every day—and much of the Santa Cruz economy year-round.
District 2 County Supervisor Zach Friend admitted that merge lanes don’t do away with a ton of congestion, and that’s why the RTC tried 11 years ago to build carpool lanes, which reduce traffic and cost more. The board proposed a measure in 2004 that the Campaign for Sensible Transportation lobbied hard against and helped defeat.
With some of those same people in the room for the Dec. 3 meeting, Friend explained that many of his poorest constituents couldn’t make it to the meeting because they were either stuck in traffic or stuck at their jobs, but he insisted they would beg the RTC to “do something. They would say, ‘we didn’t elect you to do nothing.’”
With that, he asked for the activists’ support. “If not, I invite you come down to the South County to sit with people to tell them why we couldn’t get something done,” Friend said.
During a meeting break, Paul Elerick from the Campaign for Sensible Transportation suggested that maybe it would help if more people changed their working hours and reiterated that he didn’t think the lane would make for much change.
“Looking at the EIR [Environmental Impact Report],” he said, “I don’t think it will have the impact people are looking for.”


PICTURED: District 2 County Supervisor Zach Friend

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