Yogi Shapiro’s dad opened Dharma’s in 1982 and first started working there as a kid during summer breaks. Then he followed his own life path, getting a geology degree from UCSC and working in the field for several years. In 2003, Yogi began managing Dharma’s after attending a yoga retreat. He describes Dharma’s as laid back with a new-age ambiance boasted by spiritual art and bright green plants. Yogi defines the menu as “conscious food” with diverse international influences, with every item 100% vegetarian and many dishes totally vegan. Fresh Thai spring rolls highlight the appetizer offerings, and the Gardener Salad is also a hit, with popular dressing choices like lemon tahini and vegan bacon ranch. The (Not) Chicken Chow-Mein is another crowd-pleaser, as is the Bo Thai, an adaptation of traditional Pad Thai. The Brazilian tapioca and almond shortbread raspberry tart are dessert favorites. Hours are 11am-8pm daily. GT asked Yogi about returning to work at Dharma’s and the ethos there.
What did you gain from your time at the yoga retreat?
YOGI SHAPIRO: After a career transition, I went to find my purpose moving forward. I learned how to work with more drive, a better work ethic and a sense of incorporating service and community into my life. Twenty years later, I still feel like a beginner, but one who has improved.
What is Dharma’s philosophy?
We don’t aim to only serve vegetarians, vegans and health-conscious people. We welcome everyone. There is a big movement among people to improve their well-being through nurturing the mind-body connection. We have done our job if we can serve as an element in this process.
Site-specific concerts can offer the unique experience of setting music in an environment that amplifies its emotional impact. But presenting Ghost Ensemble in Evergreen Cemetery is a particularly brilliant stroke from Indexical, the nonprofit music organization activating spaces across Santa Cruz with surprising sounds since 2015.
A new music collective with a core nonet directed by accordionist Ben Richter and oboist Sky Macklay, Ghost Ensemble, is in California for a May 18 performance at St. John, the Evangelist Episcopal Church in San Francisco, presented by Other Minds, the Bay Area’s flagship new music festival. But the New York-based group will mostly be haunting Evergreen and Windrush as part of a four-concert May 19-20 Indexical residency.
At the cemetery, the group is performing Pauline Oliveros’ Environmental Dialogue as part of Indexical’s “Beyond the Grave: Writing Ghosts” program. Indexical founder and Executive Director Andrew C. Smith has been connected with the group since Ghost Ensemble came together in 2012, “and we were playing his music early on,” Macklay, a 2021-22 Guggenheim Fellow and Assistant Professor at Johns Hopkins University’s Peabody Institute, says. “He’s been a great champion of Ghost Ensemble.”
“He knew we’d be a good fit for this kind of concert because we’re up for anything. We like to play a lot of droney, spooky, possibly transcendental type music, and we’ve found a lot of inspiration from Pauline Oliveros and her deep listening practice and text pieces.”
The four-part “Beyond the Grave” program includes Tasting Menu, the Los Angeles-based sonic collaboration of Tim Feeney, Cassia Streb and Cody Putman, and writers LuLing Osofsky and Isola Tong, who’s presenting “Ghost Calligraphy,” an embodied piece drawing on the Chinese history present in the cemetery.
Ghost Ensemble also materializes in the evening at Windrush for two different evening programs May 19-20. Friday’s double bill with Tasting Menu features new works by Tasting Catherine Lamb, Richter and Macklay. Playful and uncanny, Macklay’s piece “Harmonifriends” deploys two hand-crafted harmonica-wielding inflatable sculptures powered by fans that she controls.
“I turn them on and off at various moments, so it’s well choreographed between them and us,” Macklay says. “They’re in front of the ensemble, and ‘Harmonifriends’ is a concerto for them. When they inflate, they play these slightly microtonally triadic drones, and the ensemble is reacting to them. It’s a light-hearted, happy piece about friendship. The idea is they’re the soloist. They’ve been a musical muse for me.”
The residency concludes with Saturday’s Windrush program pairing Ghost Ensemble and Laura Cetilia, whose immersive installation piece “nestled in the static” uses an array of 12 mini-speakers creating an aura of spatialized, pre-recorded score while she occupies the center of the sound field with her cello. Ghost Ensemble performs Catherine Lamb’s “interius/exterius,” a piece she developed in close collaboration with the group last year to open up multiple directions for spontaneous exploration.
If there’s a friendly ghost presiding over the engagement, it’s the beatific composer and accordionist Pauline Oliveros, who’s “deep listening” practice “has helped us navigate Cat Lamb’s piece when our colleagues are entering or fading out with these just intonation textures,” Macklay explains. “It really designed to open up all these possibilities.”
Anyone who knows feisty Santa Cruz attorney-turned-author Leslie Karst knows she’s one persistent woman. A while back, Karst set her sights on creating a culinary splash by cooking a meal for the formidable Supreme Court hero Ruth Bader Ginsburg. Aided by an inside connection through her father and a judge, Karst has colorfully recreated the caper in her new book, Justice is Served.
Good Times caught up with Karst for a look behind the scenes.
Your book describes your research for your RBG dinner in mouth-watering terms. How did you choose the “perfect” dishes for the occasion?
LESLIE KARST: There were two primary issues to consider in creating a menu for such a momentous dinner party. First, the dishes needed to be tasty and attractive to the eye—a meal sufficiently elegant to be worthy of my esteemed guests and varied enough that one’s palate stayed fresh through five different courses. And I, of course, wanted to ensure that everything I served consisted of ingredients the Ginsburgs liked and could eat.
But in addition, I needed the menu to be made up of dishes that could be prepared largely in advance, then finished off à la minute, for I certainly didn’t want to have to spend the entire evening in the kitchen!
After so many years of writing mystery stories with a protagonist—Sally Solari—who is not you, did you find it easier to slip into a first-person memoir-style? Or not?
Yes and no. Memoirs are similar to novels in that they tell a story, have a narrative arc, and tend to contain the same elements as their fiction cousins: dialogue, discrete scenes, dramatic highs and lows, and a payoff at the end. But writing Justice is Served felt far different from writing my Sally Solari mysteries. As you say, this story was about me; I had to be honest about myself in a way not required of fiction. No easy feat. It’s scary to put your thoughts, feelings and emotions out there for all the world to read and analyze.
Short vignettes of background on RBG are peppered throughout your memoir. I found this a refreshing way to break up the story. Was this your idea?
It was, indeed. As soon as I started writing down the story of the dinner and all that led up to it, I realized that since the memoir concerned not simply me but also the celebrated and iconic Justice Ruth Bader Ginsburg, this was her story as well, which needed to be woven throughout as part of the structure of the book. Hence, I came up with what I term the “interludes” that occur in each chapter: snapshots of RBG’s life and life’s work, each of which relates to what was going on at the moment in my own life.
After eating fresh, organic, and minimally sauced items that fill our menus here in Santa Cruz, do you ever crave the more decadent fare of Paris?
Every day! For I am a true cream hound and do believe I could regularly feast on creamy mushroom soup, triple cream brie cheese, steak Béarnaise, and crème brûlée. (Okay, so I might occasionally need a green salad in there to balance out the meal.)
How did you and your partner Robin keep from gaining weight during your recipe testing weeks and months?
During our Paris sojourn, walking some ten miles a day as we searched for that perfect recipe for The Dinner, it was easy to keep off the weight. But then, once we returned to Santa Cruz, I think both of us may very well have added an inch to our waistline during those months of recipe testing. But it was well worth the sacrifice!
Choosing the menu was only one of the anxiety-producing necessities this dinner created. Which caused the most panic or difficulty? Choosing wines? Table settings? Clothing?
What made me the most nervous in the weeks leading up to the big event was the thought that the esteemed justice might engage me in law talk. I was, after all, an attorney at the time, so it seemed a likely prospect. But how on earth would I be able to discuss the law with the Notorious RBG without becoming utterly tongue-tied? The very idea gave me the shudders.
In the end, given the loss of many of the subjects of this book—your parents, RBG herself, and her beloved husband, Marty—is the result a bittersweet success for you?
It is, indeed. But at the same time, the memoir provides me with a wonderful snapshot of a time when all four were still fully vibrant and engaged. All I have to do is dip into the book and read a few pages to bring them all marvelously back to life. And this may be the very best part of having written the book.
Leslie Karst’s Book Release happens on Thursday, May 18, 6-8pm at Madson Wines, 328 Ingalls St., Santa Cruz. Free. madsonwines.com
As the Santa Cruz County Board of Supervisors prepares to approve its $1.04 billion budget—a process that includes presentations from every department later this month—they must consider a grim prediction: a recession will hit this year, and is estimated to last the better part of two years.
The county is already reeling from a string of recent disasters, from the Covid pandemic to the CZU fires to the recent storms and floods.
Worse, the county has still not received more than $100 million in federal reimbursement for those natural disasters.
“It’s a tough time,” he says.
Still, Pimentel is optimistic about the county’s ability to pull through the coming downturn.
“Despite being understaffed, despite being underfunded, we have a lot of good people in the county who are really committed to doing good work,” he says.
Supervisor Bruce McPherson says that it is “essential” to advocate at the state and federal levels to get the federal reimbursement funds.
“If that doesn’t come through, we’re in a world of hurt,” he says.
The county is also facing $300 million in unfunded infrastructure repair costs, says County Administrative Officer Carlos Palacios.
Part of the financial woes stem from the way the county collects its taxes.
With a 9% sales tax rate, the unincorporated county collects less revenue than Watsonville and Scotts Valley, which collect 9.75%, and the city of Santa Cruz, which collects 9.25%, Palacios says.
Pimentel predicts a growing deficit, which he says could reach $24.5 million by 2027/28.
This picture is worsened by declining sales tax revenues.
Pimentel estimates that the county loses roughly $5 million in sales tax revenue as increasing numbers turn away from brick-and-mortar stores.
Revenues from the tax on disposable cups—originally predicted to bring in $700,000 annually—is instead predicted to earn around $100,000 per year, Pimentel says.
At the same time, property tax revenues are predicted to grow from $85.1 million this year to $110.5 million by 2026/27, Pimentel says.
But the county receives just 13 cents on the dollar from those taxes, less than its neighbors and similar-sized counties.
McPherson also praised county staff, who he says have weathered the recent challenges well.
“Our workforce has really sacrificed above and beyond the call of duty to meet the challenges that are facing us through no fault of our own,” he says. “This is not mismanagement of a budget, this is natural disasters personified over and over again in Santa Cruz County. This is one of the most uncertain times I can recall in my years of public service in state and federal government.”
Board Chair Zach Friend says this systemic underfunding has led to many of the county’s financial challenges.
“The county is going to have significant budgetary pressures facing it in the next five to 10 years in ways that will need action not just locally, but above our levels in order to address,” he says.
The supervisors will hear in-depth talks for the 2023-24 budget on May 30 and 31, and on June 13.
Several months ago, historian and Stanford University lecturer Ignacio Ornelas told me about historical strikes in Watsonville in the late 1980s, when the city was home to many frozen food plants. One of the standouts surrounding this particular labor movement is that it was led by Mexican-immigrant women, many undocumented, who were line workers making unlivable wages without any family health benefits. When a thousand women organized a strike, the region, once known as “the frozen food capital of the world,” took notice. It’s worth noting that over the last 40-plus years, this moment in U.S. history is often unrecognized.
Nearly a thousand women occupied picket lines daily while raising children, upholding their households and working within a union ruled by a network of “good old boys.” While the yearlong strike wasn’t a complete success, health benefits were instated, and doors previously closed to women vying for positions as forklift drivers opened.
I knew it was a dynamic local story worth telling. However, upon learning that Paula Hernandez was one of the major players involved, the story evolved into something even more compelling. The history of the 1987 Watsonville strikes is also about mothers. Coincidentally, Paula’s son, Felipe, became the mayor of Watsonville and was elected as county supervisor in 2022.
Todd Guild’s cover story (“Get Up, Stand Up”) this week dives into the history of the arduous battle a thousand women endured to receive fair wages and family healthcare. It was also a battle for equality and equity—much more work must be done.
But Guild’s piece is also a story about the strength of mothers, courage and standing up for what’s best for their children. We’ve all heard about the mother who reportedly lifted a car to reach her baby trapped underneath. Whether true or not, it’s a perfect metaphor for the power a mother can summon to ensure their children thrive and do so in a world that’s a little less evil than before they were born. Happy Mother’s Day!
Adam Joseph | Interim Editor
PHOTO CONTEST WINNER
Downtown Santa Cruz on the corner of Soquel and Pacific Avenue on Cinco de Mayo. Photograph by Maria Choy.
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GOOD IDEA
The Santa Cruz Public Libraries can buy 21 new laptops for its afterschool STEAM program at La Selva Beach Branch Library, thanks to a grant from the U.S. Institute of Museum and Library Services. In this program, students ages 8-18 learn basic engineering principles while playing Minecraft. Students with library cards can also check out a laptop or tablet at any library branch.
GOOD WORK
Dav Pilkey, bestselling author and illustrator of children’s book favorites like Dog Manand Captain Underpants, gave a special gift for elementary grade students at 16 public schools throughout Santa Cruz County. Each student, classroom teacher and librarian will receive a copy of Pilkey’s newest book, Dog Man: Twenty Thousand Fleas Under the Sea, for free on Tuesday. The writer chose Bookshop Santa Cruz to help fund the giveaway to local schools—one of only two bookstores in the state to coordinate this surprise in the community.
QUOTE OF THE WEEK
“Youth fades; love droops; the leaves of friendship fall; a mother’s secret hope outlives them all.”
Over 200 tickets were sold for the National Agriculture Day Spring Luncheon held Wednesday, April 26, 2023, in the Heritage Hall at the Santa Cruz County Fairgrounds in Watsonville. The annual event is coordinated by the Santa Cruz County Farm Bureau and the educational organization Agri-Culture.
At the luncheon, the 2023 Al Smith Friend of Agriculture Award was presented to Randy Repass and Sally-Christine Rodgers for their strong support of local agriculture and tireless volunteerism.
The award was announced and presented by Richard and Mary Travis, who received the award in 2022. This award is named after Al Smith, who founded Orchard Supply Hardware and donated 3,000 acres (Swanton Pacific Ranch) on our north coast to Cal Poly.
The ranch has row crops, timber and even a one-third-scale railroad, which was Al’s hobby. The award is on a piece of redwood with a train depicted on it. It is presented annually to an individual, business or organization not involved in production agriculture but who has done much for the industry.
This year, the organization, Agri-Culture, streamlined its scholarship program so that all students could apply for multiple scholarships if they met the qualifications specified in each one. The featured speaker for the luncheon was Sarah Newkirk, Executive Director, Land Trust of Santa Cruz County, who spoke on “Conserving Working Lands in the Era of Climate Change.”
Other notables in attendance include Santa Cruz County Supervisors Felipe Hernandez and Bruce McPherson; Watsonville Mayor Eduardo Montesino; Scotts Valley Mayor Jack Dilles; PVUSD Superintendent Dr. Michelle Rodriguez; Community Foundation of Santa Cruz County CEO Susan True; and Shadowbrook Restaurant Owner Ted Burke.
Matt Gianelli | Santa Cruz County Farm Bureau Assistant to the Executive Director
These letters do not necessarily reflect the views of Good Times.To submit a letter to the editor of Good Times: Letters should be originals—not copies of letters sent to other publications. Please include your name and email address to help us verify your submission (email address will not be published). Please be brief. Letters may be edited for length, clarity and to correct factual inaccuracies known to us. Send letters to le*****@*******es.sc
RYAN MONTBLEAU WITH REID GENAUER “My whole adult life has been this journey of trying to figure out where home is,” Ryan Montbleau says. “I think I’ve finally found it.” From the jungles of Peru to the beaches of Costa Rica to the streets of Brooklyn, from the backseat of a 16-passenger van, the acclaimed singer-songwriter has spent much of his life traversing the world on a continuous search for understanding. It’s a pursuit that’s guided him personally and professionally and come to define not only his music but his sense of who he is. And yet, listening to Montbleau’s aspiring new multi-part album, Wood, Fire, Water, and Air, there is a reflective sense of satisfaction in sitting still, an appreciation that perhaps all those spiritual treasures he’s been chasing for so long were right in front of him all along. Singer-songwriter Reid Genauer is known for fronting the jam-folk outfit Strangefolk in the mid-nineties. Since then, he has cemented his reputation as a prolific songsmith and band leader, fronting the Assembly of Dust. Genauer’s success as a songwriter is evident by the talented musicians who have supported him throughout the years. Beyond his Strangefolk and Assembly of Dust bandmates, Genauer has collaborated with the likes of Bela Fleck, John Scofield, Mike Gordon, David Grisman and Richie Havens.$20/$25 plus fees. Wednesday, May 10, 8pm. Moe’s Alley, 1535 Commercial Way, Santa Cruz. moesalley.com
DESCENDENTS WITH THE BOMBPOPS AND PLASMA CANVAS Iconic punk outfit the Descendents formed in 1977, led by guitarist Frank Navetta, bassist Tony Lombardo and drummer Bill Stevenson. In 1979, they enlisted Stevenson’s school friend Milo Aukerman as a singer. They reappeared as a punk rock band, becoming a major player in the hardcore punk scene developing in Los Angeles. Since 1986, the band’s lineup has consisted of singer Milo Aukerman, guitarist Stephen Egerton, bassist Karl Alvarez and drummer Bill Stevenson. They have released seven studio albums, three live albums, three compilation albums and three EPs. $39.50/$45 plus fees. Thursday, May 11, 8pm. The Catalyst, 1101 Pacific Ave., Santa Cruz. catalystclub.com
KUUMBWA JAZZ HONOR BAND The Kuumbwa Jazz Honor Band features Derick Freitas on guitar, Jonah Harre on drums, Kyle McMillan on bass, Logan Manildi on trumpet and Noah Rowe on tenor saxophone. The group is a showcase of some of the most talented high school musicians from Santa Cruz County and the Central Coast. These young jazz ambassadors pass a rigorous audition to earn their position in the Honor Band. During weekly rehearsals, the band studies advanced jazz theory, arranging and improvisation while learning life skills and critical thinking. The culmination: a headline performance at the Kuumbwa Jazz Center.$10.50/$15.75; $8/students. Thursday, May 11, 8pm. Kuumbwa Jazz, 1205 Soquel Ave., Santa Cruz. kuumbwajazz.org
MARIEE SIOU Mariee Siou has learned to embrace her role in the ancient and new tradition of “healer-singers”—artists who help hold the human social fabric together. Through music, she attempts to fill a cultural void left by severed connections to her Polish, Hungarian and Indigenous North American heritages, thereby addressing the broader cultural gaps Americans feel today. She does this “with hopes of enticing the sacred work of grief back into our lives from the exile American society has placed it in”—and this is strongly evident in her 2019 release, Grief in Exile, and her forthcoming EP, Circle of Signs.$20/$25 plus fees. Friday, May 12, 8pm. Lille Æske Arthouse, 13160 Hwy 9, Boulder Creek. lilleaeske.com
NANCY SINGLETON HACHISU: ‘JAPAN: THE VEGETARIAN COOKBOOK’ In this collection of new recipes, Nancy Singleton Hachisu, one of the most authoritative voices in Japanese home cooking today, showcases Japanese vegetarian dishes, bringing the exquisite flavors of the nation’s elegant cuisine to those who follow a plant-based diet or want to lower the amount of fish and meat they eat. Recipes are divided by cooking style—dressed, vinegared, deep-fried, simmered, steamed, stir-fried, grilled, pickled and sweet—alongside which Hachisu shares her expert knowledge of the ingredients, culture and traditions of this unique culinary style.Free (registration required). Tuesday, May 16, 7pm. Bookshop Santa Cruz, 1520 Pacific Ave., Santa Cruz. bookshopsantacruz.com
COMMUNITY
DOWN TO EARTH WOMEN LUNCHEON This event is for women who are involved in or support local agriculture. The luncheon raises funds for Agri-Culture’s Focus Agriculture program, the Jimmie Cox Memorial Scholarship fund and the Santa Cruz County Farm Bureau’s educational programs. A portion of this year’s proceeds will also go to the farmworker flood relief efforts. The featured speaker will be Emily Bonder, owner of Santa Cruz Bee Company, who will speak on “Bees: Essential Pollinators for a Healthy Planet.” The Mistress of Ceremonies for the event will be Santa Cruz County Bank President and CEO Krista Snelling. $150. Thursday, May 11, 11:30am-1:30pm. Driscoll’s Rancho Corralitos, 242 Corralitos Road, Watsonville. 831-722-6622. ag**********@*******al.net
SPRING ART MARKET “The Spring Art Market is a beautiful way to celebrate Mother’s Day weekend,” says MercedesLewis, Tannery Program Manager for Arts Council Santa Cruz County. “Bring the whole family,and find the perfect gift for all the special women in your life while supporting our local creativeentrepreneurs.” The family-friendly event features local artisans, food trucks, wine and beer, art activities, live music and open studios on the Tannery campus. This year’s lineup includes live music with La Familia De Calle and Aquin, composed of the duo Genoa Brown & Jase “Monk” Earl. Enjoy beer and wine from Santa Cruz Mountain Brewing and Big Basin Vineyards alongside food trucks Epoch Foods, Taquizas Gabriel and sweet treats from LaLi. Discover everything from handmade ceramics, unique jewelry, paintings and prints to candles, self-care products and one-of-a-kind clothing from over 40 Santa Cruz County artisans. Purchase fresh flowers from local farms Happy Patch Flowers, Quaintrelle Farms and Localife Flowers. Free art activities to engage youngsters and the young at heart, including a glass-blowing demo with Chris Mosley, Public Art Bingo with Linda Cover and Bird Quest with Suzy Radonsky. Local artist Kirk McNeill will be spinning the Sharky-Go-Round.Free. Saturday, May 13, 10am-5pm, Tannery Arts Center, 1050-1070 River St., Santa Cruz. artscouncilsc.org
MOTHER’S DAY MIXED MEDIA WORKSHOP Mom, and anyone who joins her, will sip a glass of wine. At the same time, Heide Michelle guides participants through the joy of putting brush to paper, demonstrates watercolor and collage techniques and leads a step-by-step process for creating a beautiful, one-of-a-kind floral still life. Participants can also visit the onsite Annieglass retail shop, which features a well-stocked inventory of Annieglass, and hand-crafted items sourced from the region’s rich collective. $90. Saturday, May 13, 1-3:30pm. Annieglass Studios, 310 Harvest Drive, Watsonville. annieglass.com
When San Jose math-rock trio Covet released their third full-length album, Catharsis, on April 7, 2023, it represented so much more than just another record.
“If anything, this album is a love letter to all the different kinds of music that I have been listening to and inspired by,” explains Yvette Young, Covet’s driving force and guitarist. “When I started writing it, a lot of it felt very whimsical and fantastical, reminding me of a fantasy world. So, I wanted this album to have a theme of being a fantasy.”
While Covet has played the Catalyst Atrium before, their current tour closes with their first headlining show in the thousand-person main room, a coup for the trio.
In a modern twist, Catharsis is accompanied by a virtual art gallery where the band features album artwork, music videos and previews for upcoming releases. The gallery also has a link where fans can submit their own photos, videos and artwork.
“Just no nudes!” Young laughs.
For Young, writing music is a puzzle she’s constantly piecing together to find the completed picture.
“Every song is a problem waiting to be solved,” she explains. “I start with a riff that excites me, then I ask, ‘Where does this riff belong?’ and then build around it.”
The songs for the new record were written during the 2020 lockdown, which gave Young more time to work on them and view the new material with her original intent: as creative fun instead of work.
“I think it was a renaissance period for a lot of creatives,” she admits. “I had spent much time on the go, touring and working non-stop. I forgot what it was like to create for fun.”
“Firebird,” the album’s first single, was inspired by the first car her mom purchased after she moved to America—a Pontiac Firebird.
“It was her pride and joy because she saved up,” Young reminisces. “I wanted to write a song in celebration of moving to a new place and having the autonomy and freedom to do whatever you want.”
To further drive this point, the video features Young and ex-Covet drummer (who appears on Catharsis) Forrest Rice being driven around iconic San Jose locations in a–you guessed it—Pontiac Firebird. After stopping at Streetlight Records and City Diner, they cruise down Hwy 1 along the coast.
While the road for Young was always paved in music, it wasn’t always smooth. At four, she learned how to play the piano and picked up the violin by age seven. Yet the pressure to excel at music and academia weighed down on her, and at the end of her high school years, she was hospitalized for health complications. There, she picked up the guitar and taught herself the unique, two-handed tapping method she’s become known for.
“It saved my life,” she admits. “When I was in the hospital, [the guitar] gave me a voice again and control over something for myself.”
She started Covet in 2014 as a garage project “just for fun.” By 2016, the band’s popularity had grown, and Young decided to take a chance on herself, dedicating Covet as a full-time job. And it paid off.
Since then, she has been recognized as a guitar virtuoso, collaborating with peers such as Ichika Nito and sharing the stage with guitar gods like Steve Vai. Pop-turned-rock sensation Willow—as in Willow Smith—even asked for a custom guitar tab book, got a couple of lessons from Young and called her “one of the best guitarists of this generation.”
“It’s crazy; I’m very honored and would love to do a record with her,” Young says.
However, over the years, the fun turned to disharmony.
Last October, Young announced she had parted ways with original Covet bassist Dave Adamiak and Rice. The new line-up consists of Brandon Dove on bass and Jessica Burdeaux on drums, or as Young calls them, “angels in my life.”
“I was miserable before,” she says, comparing Covet’s last U.K. tour to a lobster slowly being boiled alive. “I was a prisoner in my own project. I couldn’t really pinpoint why until some really bad stuff happened. Now that I’m out of it, I can’t believe I normalized so much stuff that was not okay.”
The disastrous path eventually led to what became Catharsis. The album is also Young’s love letter to herself, a way to release past traumas, heal from them and start a new beginning with new members on her own terms.
“If you [are a musician], you can’t care what people think,” she says. “There are going to be people that hate you no matter what. You might as well do the things that make you feel the best, that make you feel healthy.”
Covet with Scarypoolparty and Alto Palo performs Saturday, May 13, at 8pm. The Catalyst, 1101 Pacific Ave., Santa Cruz. $25/$30 plus fees. catalystclub.com
In 1985, Paula Hernandez worked at Richard Shaw Frozen Foods in Watsonville, processing spinach, broccoli, cauliflower and other vegetables, depending on the season.
It was a steady, albeit physically demanding job that allowed her to support her family at a time when the city was home to several frozen food plants, earning the area the title “The frozen food capital of the world.”
“It was good,” Hernandez says. “The only thing we didn’t like is they never opened job opportunities for line workers.”
Instead, management advertised higher-level jobs in local newspapers, she says. That was not the only source of discontent. During this era, industry leaders and politicians engaged in union-busting, which still affects labor. Perhaps the best example occurred in August 1981, when 11,000 air traffic controllers—represented by the Professional Air Traffic Controllers Association—went on strike to protest unfair wages.
In a speech from the Rose Garden, then-President Ronald Reagan demanded that they (air traffic controllers) go back to work—two days later, all those who hadn’t returned were fired. The unilateral move showed workers and industry leaders where government loyalty lay.
When the owners of two Watsonville plants—Shaw and Watsonville Canning and Frozen Food—proposed cuts to already abysmal pay and family health benefits, a thousand workers, including Hernandez, walked away from their jobs and embarked on a strike that’s considered a watershed moment in United States labor history. In many ways, the strike was successful.
Historian and Stanford University lecturer Ignacio Ornelas says the workers—most Latina women—took unprecedented leadership roles in the strike.
“It was a very powerful moment in United States labor history that often goes unrecognized,” Ornelas says.
The women occupied the picket line daily while raising children, maintaining their households and navigating a union dominated by an entrenched, good-old-boy network.
“In the history of labor movements, many of them are led by men,” Ornelas explains. “But in this case, the iconic leaders at the forefront were Mexican-immigrant women, in many cases undocumented. They fought really hard to gain some of those victories.”
And this grit, which translates to ganas in Spanish, did more than make the strike victorious. It also inspired a new generation of Latino leaders who hold leadership positions today.
Paula Hernandez’s son Felipe went on to be elected to the Watsonville City Council and serve as the mayor of Watsonville; he also served on the Cabrillo College Board of Trustees and sits on the Santa Cruz County Board of Supervisors.
“I’m finding their parents and grandparents have this really beautiful history, obviously as immigrants, but like her, the very hardworking ethic that they live by has been transferred over to some of their children,” Ornelas says.
The greatest thing the women strikers could do, Paula says, is show future generations that Watsonville mothers have always been strong and would stand up to defend their families against injustice.
“We mingled, and we bonded,” Paula says. “We got stronger. We knew how we felt weak, but when we united, we became one. We were in the same plight, and we became mother strong.”
Felipe was about 10 when he accompanied his mother in the picket line.
“For me, it was watching her do different things—going down to the Teamsters Hall on Fifth Street, talking to the Teamsters, watching all the women there congregate and meet and discuss what they wanted to do,” Felipe says.
He remembers seeing his mother intercept a frozen food truck pulling into a grocery store’s parking lot and convince him not to drop it off. Instead, Felipe said that the driver left the load by the side of the road in a show of solidarity with the strikers.
The strikes, protests and the tireless fight for fair pay at Watsonville frozen food plants in 1987 lives on in history books and college classes throughout the state and beyond. PHOTO: Courtesy of San Francisco State Labor and Archive Research Center
“I thought, ‘Wow, my mom just told this truck driver, don’t bring the food,’” he says. “I admired my mom, and it left an impression on me. I was proud of her and everything she did.”
WAGE WAR
At the time, the workers were represented by Teamsters Local 912. Richard King, the secretary-treasurer and principal officer then, had negotiated a master contract with all the frozen food companies, giving all workers the same wages.
But buoyed by the anti-union sentiment that marked the era, Watsonville Canning owner Edward “Mort” Console forced a strike by slashing wages by 40 cents and taking away family health benefits.
Console was banking on a rule that allowed decertification of a union after one year of striking, thus allowing him to set the wages.
Console hired Littler, Mendelson, Fastiff and Tichy, a law firm specializing in employment and labor law, to assist with his efforts. He also got an $18 million line of credit from Wells Fargo Bank to get his company through the strike.
“In other words, the strike became a weapon of the company rather than a weapon of the workers,” says Joe Fahey, a rank-and-file activist with Teamsters Local 912—who later became its president.
Soon after Console made his announcement, Shaw announced he was imposing identical reductions at his company—Paula says Shaw refused to open its books to justify the proposal.
“We saw that the management had new cars and was always having parties in the conference room,” she says. “We weren’t getting equal opportunities. I thought it was very unfair what they were proposing. And they didn’t even show why they wanted it. They just thought we would fall into it.”
But the workers weren’t counting on their union—King was considered an ineffective leader. So, looking to fill this vacuum, the union looked to its rank-and-file members for strong leaders, forming a Strikers’ Committee.
Gloria Betancourt, an outspoken activist at Watsonville Canning for over two decades, became the face of the strikes. Paula turned down an offer to become a shop steward to whom other workers would bring their concerns.
“I was already stressing out with what was going to happen,” Paula says.
Shaw caught wind of her refusal and asked her to become a rank-and-file representative who would attend union meetings and report back to management.
“He thought I would be an ally to the company,” Paula says. “I was very outspoken and assertive about what’s going on.”
The Teamsters went into negotiations with the companies, which proved to be unfruitful, and Paula’s fellow workers came to her for advice.
“I said, ‘They’re taking away our health benefits. I’m for a strike,’” Hernandez confirms.
The workers at both plants voted to strike and began receiving $55 per week from the union fund. A food committee that funneled millions of dollars of food donations throughout northern California was also formed.
In addition, strikers received a weekly box of food from Second Harvest Food Bank and clothes for their families donated from local stores. Local grocery stores contributed soon-to-expire food, and bakeries provided pastries for the strikers’ breakfasts.
Paula says the show of community support kept the strikers going through the tough times.
“I didn’t feel the strike at that time because we were getting all this help,” she says.
After several weeks, the men left the strike for different jobs, saying they needed to support their families.
“I would go to the picket line and see nothing but women,” Paula recalls.
During the strike, union members found few allies in the city, which imposed rules for the demonstration so onerous that one striker was arrested for standing on her porch across the street from the plant.
Police bring down a protester after refusing to disband. PHOTO: Courtesy of San Francisco State Labor and Archive Research Center
According to Fahey, Shaw negotiated a settlement five months later, which reduced wages from $7.06 to $5.85 an hour. But Watsonville Cannery workers held out and continued the strike; there were also mass rallies, one of which turned violent when protestors began smashing windows on Main Street.
ENCROACHING DEADLINE
Under the National Labor Relations Act, strikebreakers were the only ones who could vote after 12 months on strike. If there were no workers to vote, the union could be decertified.
That was when the Teamsters learned something that would turn the tables: the union had never been formally approved by a majority membership vote at Watsonville Canning.
This meant that Teamster members would have to round up a thousand employees to vote for the approval, a Herculean task since many were no longer in the area.
They managed to pull it off, which restarted the clock and gave the union another year to strike.
Meanwhile, Console was facing troubles of his own: he had blown through his $18 million line of credit and had to mortgage his property.
In a case of poetic justice, the Teamsters had millions of dollars in accounts at Wells Fargo. And thanks to Console’s mortgages, the bank now owned his company.
With that as leverage, the union threatened to withdraw its money, which persuaded Wells Fargo to foreclose on Console.
David Gil, who Watsonville Canning reportedly owed $3.2 million, took over the company in 1987 and formed NorCal, according to a Feb. 11, 1987, article in the Register-Pajaronian.
That began a new chapter in the saga.
While NorCal offered the same wages as was in the contract with Watsonville Canning, the seasonal workers who made up much of the workforce were seen as new hires, meaning they would not qualify for health benefits for several years.
So, the strikers began a five-day hunger strike, which capped off when they marched on their knees from the plant to St. Patrick’s Church.
The strike was successful, and health benefits were restored.
“They were heroic,” says Oscar Rios, a former Watsonville City Councilman who helped with the strikes. “They were the ones that came to the forefront, and it was the women that organized the hunger strike. They saw they had the strength and the power to make this happen.”
A BETTER TOMORROW
Rios says the strikes—and the people who worked in the plants—effectively shaped the evolution of the South County city.
“The reason gentrification has not happened is because many of the homes were purchased by cannery workers,” Rios says.
While the outcome was not everything the workers wanted, Fahey says it did have some significant achievements.
“Leadership,” Fahey says. “There were just tons and tons and tons of people like Paula Hernandez who stepped up and took leadership of their coworkers. That spread in the community, so there was a real sense of “Watsonville is an important place.”
Ornelas says that the women stand out in history for the way they bucked the system, despite poor treatment by both their companies and their union.
“They really saw past the cronyism between the union and the corporations,” he says.
But Ornelas stops short of romanticizing this period in history. Throughout the strike, they still had to contend with the same day-to-day struggles everyone faced.
“It was a very painful period,” he says. “People went hungry. People were evicted from homes. Their properties were foreclosed. People lost their jobs. But through it all, the women showed that there was a reason to fight; there was dignity to fighting.”
For Paula, the victories did not end there. She persuaded management to let her move up the ranks to become a foreman.
With that under her belt, she paved the way for her fellow workers to be promoted. Paula also convinced the company that women could be forklift drivers; if they could drive a standard transmission car, she told the women that learning a forklift would be easy.
I said, “We’re going to train you, and you’re going to learn. And we’re going to learn it better,” she adds. “We were able to get six women as forklift drivers.”
That, she says, created an industry-wide change.
“We got our own women, and that’s what created this whole change there,” she says. “And productivity went up because us women were better at it. We looked at something and said, ‘This could be changed. We could do this.’”
Monterey County Supervisor Luis Alejo, who also served as a California Assemblyman and as Watsonville Mayor, says the sight of the women picketing on Walker Street inspired him.
“The Watsonville Cannery Strikes left a lasting impression on me since then about standing up for what’s right and never backing down,” he says. “The strikes have become symbolic, and even synonymous, of the hardworking people of Watsonville.”
Alejo says he studied the cannery strikes closely as a student at UC Berkeley.
“Because it was the history of our courageous mothers who never crossed the picket line on each other for two long and difficult years,” he says. “They were a symbol of strength and pride for me. I remember proudly seeing the numerous photographs in Elizabeth Martinez’s book, 500 Years of Chicano History.”
In statements when he was sworn in as County Supervisor in January, Felipe Hernandez was quick to credit his mother as his inspiration.
“For me, something special occurred during that time,” he says. “It was a tumultuous time, but something special occurred amongst the women. I learned life lessons. I think, both leadership and to stand up to injustice.”
Village Trailer Park sits at the edge of Pajaro. There are piles of debris outside some mobile homes, remnants of the flood that overtook the community.
The older pull-alongs and newer manufactured homes were invaded with up to four feet of water after the levee breaches on the Monterey County side of the Pajaro River. Although most of the primary residences sit atop elevated platforms, some residents have converted storage sheds into living quarters, which were inundated by the flood waters. Despite having incurred similar damage to their properties, neighbors here—some mere steps away from each other—have had markedly different results in their dealings with FEMA.
“They only granted us $250,” resident Alejandro Zamora says. “We almost rejected the check; it was insulting.”
Zamora lives with his 74-year-old father, the owner of their mobile home. His daughter lives in the storage shed they converted into a room at the back of their lot. It was flooded, and many of their possessions were destroyed.
It has been almost two months since the devastating Pajaro flood in mid-March of this year, and residents are facing new challenges in the wake of the initial disaster. As the waters have receded and the mud and debris have mostly been cleared out, frustrations over the pace and scope of assistance for flood victims are mounting for those trying to regain their lives.
For many affected by the flood, the deployment of federal funds has been slow, and, in some cases, it is not enough to replace their possessions and repair damage. Some have had to rely on these funds for mere survival and cannot address those material needs. Eventually, the process required to get some of these allocations is complicated: many residents affected by the floods are low-income, non-native English speakers, facing institutional barriers that slow down aid or make it inaccessible.
A few yards away, another resident, who requested to remain anonymous, had set up his storage unit similarly to Zamora’s daughter. The unit also flooded, but he received $4,500 in FEMA assistance.
Meanwhile, Maria Navarrete, who lives next door, had a FEMA inspector come to her small one-bedroom trailer. According to Navarrete, the inspector told her that she would not qualify for damage assistance since the waters did not reach inside the home. However, there is visible damage to the property stored outside and the trailer’s undercarriage.
“What about all the damage out here?” she asks. “It’s going to cost me maybe $15,000 to have a contractor fix this.”
According to Tiana Suber, the FEMA media relations specialist for the area, the discrepancy in the amounts of these residents in aid isn’t arbitrary.
“It’s a case-by-case basis; it depends on what receipts and documentation they have for the things they have lost,” says Suber.
But for residents like Zamora, who scoffs at the amount of aid he received for the flood damage, the little assistance from FEMA leaves them to find the solution themselves.
Assistance Challenges
Tony Nuñez-Palomino, the communications manager for Community Bridges, has seen flood victims struggle with the FEMA application process.
Community Bridges has provided flood victims more than $720,000 in economic assistance since March 11. The nonprofit has also helped residents who have difficulty understanding and filling out official documentation, filling a need that has skyrocketed since the Pajaro flood.
Many residents who suffered damages from the Pajaro levee breach are farmworkers who do not speak English. It’s estimated that 170,000 Indigenous Mexican farmworkers live in California, and their primary language is Mixteco, Zapoteco or other regional dialects.
This demographic is mainly undocumented, putting them in a vulnerable position when disaster strikes and they need help from local and federal institutions. Therefore, the FEMA process is daunting even if an undocumented flood victim may qualify for aid through a household member.
“It’s going to take a major shift on the national level in the way we treat undocumented individuals,” Nuñez-Palomino says. He sees documentation status as the largest systemic barrier for disaster victims when seeking federal aid.
Residents from the mobile home park also encountered the language barrier.
These families primarily speak Spanish, and English-speaking FEMA inspectors interviewed some as part of their claim process. The inspector that came to Maria Navarrete’s residence spoke only English: Navarrete was afraid to ask for clarification on the application process since she speaks little English.
“The flood didn’t ask us our immigration status or if we spoke English,” Navarrete says in Spanish.
According to Suber, FEMA has deployed 339 personnel to the area, 50 percent multilingual, including Spanish-speaking staff. FEMA workers can also access over-the-phone interpretation for Alto Mixteco, Bajo Mixteco and Zapoteco.
The estimated cost of flood damages to the Pajaro region is unknown. To date, $1,552,036.90 has been disbursed to individuals and households in the area, according to FEMA. Since early April, 1,140 residents have applied for FEMA assistance, making the average disbursement per person about $1,300.
Waiting Game
Esperanza Esquivel fled her home in the center of Pajaro after the levee was breached. The house she rented for four years is now uninhabitable, severely damaged by the flood waters. Furniture, appliances and her family’s personal effects were all lost to the destruction. Esquivel applied for FEMA assistance and received a little over $4,000, less than a third of what she estimates her belongings were worth.
Before last winter, Esquivel worked as a picker in the local strawberry fields for years. The job barely supported herself and her three children while paying the $1,400 rent on her then one-bedroom apartment.
During the floods, Esquivel was turned away from the Santa Cruz County Fairgrounds temporary shelter due to capacity issues. Unable to find anything more affordable in the Watsonville area, Esquivel was forced to leave her daughters in the care of her sister in Watsonville. She is now paying $1,200 monthly for a room in Salinas for her and her 4-year-old son.
The one $4,000 check she received from FEMA has gone to rent, food and gas—all of which are more expensive due to nationwide inflation. She has stopped traveling to Watsonville to see her daughters because she can no longer afford it.
“All of us need to be helped, to be heard. We need a lot of help. We need the right type of help,” says Esquivel.
On March 11, the town of Pajaro was overtaken by the rushing waters of the Pajaro River. On April 3, almost a month after the catastrophe, President Biden signed a disaster declaration after the rising voices of the community urging local and state officials to request federal aid were finally heard.
The delayed response from state and federal officials has left residents wondering what it will take to get a more urgent pace in the recovery process and if more assistance is coming down the pipeline.
Last week, Pajaro residents voiced their frustrations in a town hall that included representatives from Monterey County about the lack of communication about services and long-term recovery efforts. Additional help is needed for many that have lost homes, vehicles and wages to the floods and are hanging on by desperate threads.
Community-based organizations have tried to fill the void between residents in need and governmental institutions. As soon as Pajaro residents were allowed back into their homes after the flood, Community Bridges staff went door to door to help victims understand what resources and financial assistance were available.
Some, like Esquivel, did not receive this help as she was not allowed back into her dwelling due to unsafe conditions. Nuñez-Palomino says that his organization will be facilitating a second and third round of payments to residents soon, hoping to reach those that fell through the cracks.
As the needs of California’s undocumented disaster victims come to the fore after events like the Pajaro flood, lawmakers have recently moved to propose Assembly Bill 513 (California Individual Assistance Act) and Senate Bill 227 (Excluded Workers Program) to address them.
SB 227 would allow individuals ineligible for existing state or federal benefits to receive $300 per week for each week of unemployment for up to 20 weeks. AB 513 would help residents with repairs not covered by insurance and recover lost income. According to a Community Bridges press release, the state would work with local agencies and community-based organizations after a disaster.
While the proposed bills going through the California legislature will help disaster victims and provide aid retroactively, these will not take effect immediately. Residents in Pajaro will still have to rely mostly on community-based organizations to address urgent needs.
Nuñez-Palomino is looking forward to what his organization calls a “third wave” of assistance to help with long-term recovery, including assisting residents in navigating through permitting processes for repairing and rebuilding and insurance claims assistance. He is focused on getting people help now and admires how residents have stood up to inform the community of their needs.
“At least, at this moment, the people of Pajaro who have been forgotten about for so long now have a voice and are now saying how they feel and what they want,” Nuñez-Palomino adds.
Paula Hernandez (county supervisor Felipe’s mom) and the women of the Watsonville frozen food plants strikes encouraged thousands to stand up against unfair conditions