Gamble’s 2018 Cabernet Sauvignon Sizzles with Sweetness

The time is ripe to get an early start on some good wines for Valentine’s Day. Don’t leave it till the last minute to surprise your sweetie with something special to go with the gourmet meal you have prepared for that romantic occasion.

Gamble Family Vineyards in Napa is known for its superior wines, all beautifully packaged. The winery’s 2018 Napa Valley Cabernet Sauvignon ($60) is particularly enticing with its aromas of black raspberry, fresh strawberry and cassis with traces of graham cracker, espresso beans and cherry pie. Its palate of brambleberry, blueberry, nutmeg and brown sugar leads to a flavorful finish. Kudos to winemaker Jim Close, a British expat who’s made every bottle of Gamble wine since starting work in 2003 with founder Tom Gamble.

Gamble is not open to the public, but you can buy online and at various locations. A private visit can be arranged, and sometimes you may toast with Tom if he stops by “for one of his cameo appearances.”

The black and gold label says, “We hope you enjoy this wine over several hours with good food and those you love.” That sums it up nicely. gamblefamilyvineyards.com

Wine and Crab Feed 

Your crab cravings can be assuaged at Burrell School Vineyards in February 2023. Chef Kyle Davis will prepare each dine-in or take-out box, including local crab with lemons, homemade clam chowder, fresh sourdough, Caesar salad, crab-themed cupcakes and a bottle of Burrell School’s “Field Trip” Chardonnay. Visit burrellschool.com or email ky**@bu***********.com for custom pick-up time.

Busy Bees Café’s Elevated Comfort Food Buzzes

Ty Pearce grew up working at his parents’ Bay Area restaurant. He went to culinary school before traveling and living throughout Europe. When he returned to the States, he opened his own spot in Capitola. Pearce describes Busy Bees—part caterer, part café—as “elevated comfort food.”

The “grandma’s kitchen” vibe cinnamon roll, served hot, is an instant classic. Another customer favorite is the biscuit sandwich with eggs, cheddar cheese—with bacon, sausage or greens—and sweet honey or spicy chipotle sauce. The benedict burrito, stuffed with pan-fried potatoes, eggs, ham, spinach and hollandaise. The vegan breakfast bowl is another hit, with masala tofu, winter vegetables, greens and a cashew coconut curry sauce.

After the catering side’s success, Pearce recently opened the café on Saturdays and Sundays, 8am-2pm, with plans to expand the menu and hours. There’s also a new patio area. GT caught up with Pearce to learn more about the business and his motivation.

What inspires you about cooking?

TY PEARCE: I love when I can tell someone is enjoying the food I’ve prepared—not just the taste, but also how it makes them feel. I want to cook food that I would feed my own family, that nourishes and is sourced locally. Produce is a big thing for us, and we also care about customer service and experience. Everyone that works in our “colony” naturally shares this vision.

How do the business’ two parts complement each other?

The catering and café sides work together well. We are involved in all aspects of the community. We will cater a wedding, feed them breakfast the next day at the café and then cater their baby shower in the future. It keeps us relevant, accessible and allows us to serve everything from a large corporate event to a casual breakfast for two.

Busy Bees Café & Catering,1200 41st Ave., Ste. B, Capitola, 831-854-2212; busybeescafecatering.com

Flooding Causes Widespread Damage Countywide

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Santa Cruz County is considering making a disaster declaration in the wake of the massive rainstorm that brought flooding to several parts of the county, according to Santa Cruz County spokesman Jason Hoppin.

The county is still waiting on responses from State and federal officials. 

“Yesterday outperformed all expectations,” he said. “Everybody predicted this was going to be a normal winter storm.”

On Sunday morning, Crews assessed the damage to 43 roads in the unincorporated parts of the county that were impacted by the rains, including a sinkhole on Glen Haven Road and a culvert that collapsed on China Grade.

In South County, there was flooding on numerous streets, including College and Holohan roads.

While the Pajaro River is not expected to reach flood stage, Corralitos Creek in Watsonville went significantly over its banks, sending water into surrounding neighborhoods.

The county relocated and housed 27 people from a farm worker camp in Freedom with help from the American Red Cross, Hoppin said. 

Watsonville briefly opened a shelter, which closed soon after that for lack of use, Hoppin said

Soquel Creek rose more than two feet in less than two hours, surprising officials investigating the cause.

“We are trying to get a handle on what went on there,” Hoppin said. “That is a lot in a very short amount of time, and it makes us wonder whether there was a blockage upstream that released or something like that.”

The rains led to widespread flooding, road closures, evacuations, power outages and toppled power and communication lines, and scores of people trapped in their homes. 

By late afternoon Saturday, Corralitos and Salsipuedes creeks bulged with built-up rainwater as intersections such as Holohan Road at Green Valley Road and Holohan at College Road, and Riverside Drive at Bridge and Blackburn streets began to flood. Some vehicles started to float in several spots and collide with one another or through fences and landscaping.

Tuttle Street and surrounding Bay and Pajaro villages turned into flowing rivers of dark brown water by 8pm.

Watsonville firefighters evacuated numerous residents along Delta Way into the night after flood waters began to seep into their homes.

“We had no warning at all; my friend told me I had to get out,” said Robert Carrancho, who lives at the corner of Atri Court and Delta Way. “That’s when I noticed my parked car was filling up with water. The water didn’t get into my house. But my car is gone; it’s a total loss.”

Hoppin said that the county issued flood advisories in advance of the flooding and sent out reverse 911 calls to the residents who were at risk. A wider alert, he added, is used only during serious emergencies.

Watsonville City Councilwoman Ari Parker, whose District 7 includes the flooded areas, said communication measures fell short of promptly alerting the community.

She said the reverse 911 calls came after the floodwaters had arrived. While police officers and firefighters were staged at either end of the affected neighborhoods—fire officials warned people to shelter in place—nobody was coming to offer help.

Parker said the water flowing down Bridge Street “was like a rushing river” as it continued onto nearby streets, knocked over a retaining wall at Vista Montana, and entered garages and homes.

“The water was everywhere,” she said. “It was on Delta; it was on Bronte. It was everywhere in the senior villages.”

The floods also affected Argo Circle, she said.

Parker said that the floods came despite the city’s measures—such as a pump station at Vista Montana and an overflow pond at Pajaro Vista. 

Instead, Parker said the water came from a swollen Corralitos Creek, under Santa Cruz County’s purview. 

“They could have kept a better watch on Corralitos Creek. No place in the City of Watsonville flooded like we did, and it all came from County water. They should have been on top of that.”

Watsonville City Manager Rene Mendez said that the city is looking into what went wrong and when.

“We’re assessing that,” he said. “We’re trying to figure out what we could have done better.”

Mendez said that all the city’s pump stations, and other infrastructure worked but did not assign a cause.

“I can tell you that we were all on call and monitoring that,” he said. “Something happened that we weren’t expecting, but we’re trying to figure out how we can improve that.”

As the waters receded on Sunday, County officials were preparing for a rainstorm on Wednesday night that is expected to bring at least as much rain as Saturday’s. 

The county is also planning on putting up a disaster recovery web page for businesses and homeowners impacted by the floods, Hoppin said.

On Bronte Way near Village Way, large swaths of the ground were carved away by flood waters, allowing powerful water streams to infiltrate Pajaro Vista’s neighborhood and into Pajaro Village.

“The water was gushing high into the air, and mud and rocks were streaming into my street,” said a woman who only gave the name Nan. “It was terrifying. The water came right up to our property but not into my house.” Nan said she’d lived at the home since 2012 and had never seen anything close to the New Year’s eve flooding.

Andy Gonzalez said the water reached four inches inside his home and stayed there until 11pm.

“I’ve been here 12 years, and I’ve never seen it like this,” he said. 

Wedding photographer and planner Hayne Benick said she was helping people with the New Year’s wedding when she got trapped in her Toyota minivan on Atri Court. After her car died, Benick said she ran barefoot through waist-deep water carrying two dogs until a kayak man rescued her.

The kayak proved too unstable, she said, and she stayed put.

“It was the most terrifying night of my life,” she said.

Throughout the day, Sunday residents and others pitched in to clear mud and debris in front of their homes, driveways and sidewalks. Heavy mud carpeted numerous streets, and several barricades were still in place along College Road, where water continued to gush onto the pavement from Salsipuedes and Corralitos creeks.

Bay Village resident Woody Rehanek said he’s lived in his home for 18 years and has never seen anything close to Saturday night’s flooding.

Mendez said that the city is preparing for the next storm on Wednesday and will open a second sandbag station at Ramsay Park in addition to Fire Station 1 at 115 Second St.

The best thing residents can do to protect themselves is to stay informed, Hoppin said.

“That’s one thing we want people to do is maintain weather awareness, especially into this next storm,” he said. “Turn on the news. Follow authoritative social media accounts, whether national weather service, the City of Watsonville, County sites, or CHP.”

Parker also said that the information available during the flooding was inaccurate, including the website aware.zonehaven.com, which showed that the flood risk for Parker’s neighborhood was “normal” despite having already been flooded.

“They never changed that the entire night,” she said. “If there had been a better response from the county, there would have been better communication.

“It was a very distressing New Year’s Eve for almost all of the senior village,” she said.

New Year’s Eve Storm Update and Helpful Tips

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As steady, hard rain continues to fall throughout Santa Cruz County, officials didn’t waste any time issuing evacuation warnings on Saturday morning for residents in the Felton Grove neighborhood (FEL–E008) and Paradise Park in Santa Cruz (CRZ–E081).

The warnings come after heavy overnight rain and wind drenched the county, toppling trees and power lines and causing mudslides in some areas. 

County spokesman Jason Hoppin said the flood advisory is being issued before possible evacuations. Residents should prepare to leave should an evacuation alert be issued. 

The County Emergency Operations Center has been activated to monitor other impacts from the storm, including localized flooding and road impacts.

The rains are expected to continue throughout Saturday, with some clearing on Sunday before returning later in the week.

Check evacuation zones at community.zonehaven.com.

Flood Tips

-Move to higher ground. Be aware of drainage channels and other areas known to flood suddenly.

-After a flood, stay away from downed power lines and designated disaster areas.

-Return home only when authorities indicate it is safe.

-If you encounter a flooded roadway, turn around and take another route. The road underneath may be damaged and impassable. 

-Don’t drive through floodwaters or around barricades. Only a few inches of water can sweep your vehicle off the road.

-Stay out of standing floodwater. The dirty water can disguise hazards below the surface, such as deep holes and dangerous debris.

New Santa Cruz County Supes Make History

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The Santa Cruz County Board of Supervisors reached a milestone Thursday by swearing in Justin Cummings, the first Black person to serve on the board in its 172-year-long history, to the District 3 seat before a large audience that packed the chambers.

During the same ceremony, Felipe Hernandez became the second Latino to serve on the Board.

Justin Cummings said his ascension to the position is noteworthy for several reasons.

“This is significant because African Americans have made significant contributions to the country and the community,” Cummings said after being sworn in by Gary Patton, who held the District 3 seat from 1975-1995. “Yet we continue to struggle to overcome poverty and oppression and to have a voice in the decision-making process.”

Cummings said his new position is also significant because people in the U.S. are still treated differently based on the color of their skin.

“But when we include the voices and perspectives of oppressed people in the decision-making process and create more inclusive policies that help alleviate oppression, everyone benefits,” he said.

Cummings said he plans to work on affordable housing issues and on helping the community continue to recover from the CZU fires. He also wants to improve the infrastructure along the North Coast, combat climate change and increase food security.

In addition, he hopes to reduce homelessness, expand mental health programs and support the rail-trail project.

Hernandez, sworn in by Congressman Jimmy Panetta, acknowledged his mother, who he said was instrumental during his campaign.

His mother was a former cannery worker who was part of the strikes during the 1980s, and Hernandez recalled looking up to her as a leader and a role model who shaped his political aspirations.

He witnessed how agriculture and cannery workers were, and continue to be, underrepresented, as has South County as a whole.

He said he plans to focus on affordable housing and farmworker housing, as well as a “viable, equitable transportation system.”

He also plans to support Watsonville Community Hospital as it grows under the local ownership and leadership of the Pajaro Valley Community Health Trust.

“Those are the things I want to make sure that we address,” Hernandez said. “I want to assure you that I will work hard for the county, but I really want to make sure that the County works for South County.”

Scholarship Honors Memory of Plane Crash Victim

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The family of Stuart Camenson, who died in a plane collision at Watsonville Municipal Airport on Aug. 18, has created a permanently endowed scholarship for Cabrillo College students in his honor.

The Stuart Camenson Memorial Endowed Scholarship aims to support those studying within Cabrillo’s Visual and Performing Arts (VAPA) department, where he was deeply involved. Stuart took studio and performing arts classes and became close with many students and instructors. 

“It was important for me to do this,” Stuart’s mother, Lori Camenson, said. “[Stuart] loved the school so much, and they returned that love in education tenfold. I just want to keep that going at Cabrillo and help someone who wants to continue their personal growth and education.”

VAPA instructors, staff and students helped organize a Celebration of Life for Camenson on Oct. 16, which was held at Cabrillo’s Aptos campus. They also set up a memorial display at VAPA with photos, pieces of Stuart’s art and notes of sympathy.

The Camenson family then approached Cabrillo College Foundation executive director Eileen Hill to help create the scholarship, which will be given to students annually, in perpetuity. While the exact amount has not been set, Lori said the family plans to match up to $8,000 in donations. All donations of $100 or more will automatically be matched.

Lori expressed her appreciation for the college’s support.

“Part of our hearts will always be in the Cabrillo [and] Santa Cruz area,” she said, “as that is where Stuart called home and where we found so many caring, compassionate individuals. I would like members of that community to know how important they are to us.”

To donate, visit foundation.cabrillo.edu/donate-2 and enter “Stuart Camenson Scholarship” in the special instructions or notes field); checks payable to the “Cabrillo College Foundation” (state “Stuart Camenson Scholarship” in the memo); or call directly 831-479-6338.

Things to Do in Santa Cruz: New Year’s Eve 2022

CHINA CATS NEW YEAR’S EVE EXTRAVAGANZA The Grateful Dead put on some of the most brilliant New Year’s Eve shows. With three-four-hour—sometimes more—shows and all of the pre and post-performance hoopla, fans always knew they would be in for something extra special. One year, famed promoter Bill Graham appeared at midnight as “Father Time”—he hovered high above the audience, riding a glowing Godzilla-sized joint. Then, Jerry, Bobby, Phil, Keith, Mickey and Billy returned for their third set—spanning over an hour—and a three-song encore. While the Veterans Memorial Building wouldn’t be able to accommodate a recreation of any of Graham’s “Father Time” spectacles, the China Cats have proven their ability to carry on the legacy of the Dead’s monster repertoire with an infectious energy that inspires nonstop dancing. Matt Hartle (lead guitar and vocals), Scott Cooper (rhythm guitar and vocals), Steve Sofranko (keys and vocals), Rockin’ Roger (bass and vocals) and Michael Owens (drums) might not be the Grateful Dead. Still, they’re dedicated to the band’s music and aware of the coveted New Year’s Eve shows. Who knows what they’ll bring to their Santa Cruz New Year’s Eve Extravaganza? One thing is guaranteed: It will be one hell of a night. $45/$50. 8pm. Veterans Memorial Building, 846 Front St., Santa Cruz. thechinacats.com.

GATHERING IN GRATITUDE Originally called the Santa Cruz Dance Gallery, The 418 Project—a nonprofit “movement arts center”—was founded in 1993 by modern dancer Rita Rivera shortly after the Loma Prieta earthquake. Rivera began sharing the space with Samba, Capoeira and African dance communities to keep the center open, leading to its organic metamorphosis into downtown Santa Cruz’s avant-garde melting pot. As 418 turns 30, party people are invited to celebrate ground zero for artistic fusion. Enjoy cocktails, vegan eats and hot cacao elixirs while a massive Origami mobile—made of thousands of hand-folded paper birds—suspended overhead blows your mind. Get your boogie on as Latin bass and afro beats carry you through the night with the assistance of a dazzling disco ball and big-screen video expedition. The event was concocted to represent a metaphor for the nonprofit’s diverse artistic offerings. So, the versatility of entertainment will be endless and unexpected. There’s a little bit of everything from roller dance, poetry and Samba pop-up performances to visual theater, spoken word, musical sets and a set from hip-hop group Mic Drop. The best part is that ticket sales benefit Santa Cruz working artists. $36-250. 8pm. The 418 Project, 155 S. River St., Santa Cruz. the418project.org.

GIMME GIMME DISCO: A DANCE PARTY INSPIRED BY ABBA “I don’t know much about dancin’, that’s why I got this song/ One of my legs is shorter than the other, and both my feet’s too long.” Don’t worry. Even those who fit the description of a “Dancin’ Fool”—Frank Zappa’s acid-tongued homage to the disco era—the Scandinavian pop outfit’s cherished hits will drown out all of your dance jitters. From the softly lit harmonies of “Knowing Me, Knowing You” to the anthemic disco ball spinner “Dancing Queen,” a soundtrack laden with the tunes that put Sweden on the disco map will echo throughout downtown Santa Cruz. Leisure suit onesies, nine-inch platform boots and abundant exposed chest hair are encouraged. $20-75 plus fees. 9pm. The Catalyst, 1101 Pacific Ave., Santa Cruz. catalystclub.com.

HARRY AND THE HITMEN AND BOBCAT ROB Harry and the Hitmen’s education in funk, soul, R&B and otherwise runs so deep the local group has recreated entire shows—while employing their own style—down to a complete horn section. One of their greatest and most challenging was a Stax Revue concert from 1967 that featured everyone from Booker T & the MGs to Otis Redding. Until the pandemic, the Hitmen had a New Year’s Eve Crepe Place tradition that had been going on for more than a decade. The blue-eyed soul men will be back and likely have something saucy in store in addition to the countdown and balloon drop. Tickets usually sell out, so get them while they’re out. Also performing, Bobcat Rob and the Nightly Howls is a self-described musical contradiction—“songs that are as uplifting as they are haunting.” And frontman Bobcat Rob’s voice has been likened to “honey drizzled over burning coals.” All good stuff. $30/$40. 8pm. The Crepe Place, 1134 Soquel Ave., Santa Cruz. thecrepeplace.com.

LOS LOBOS AND MATTSON 2 Check out this week’s cover story for everything you wanted to know about Los Lobos and why their Santa Cruz New Year’s Eve show will be exceptional. Openers Mattson 2 come with their own brand of musical magic. San Diego identical twins Jared and Jonathan Mattson have created a world where Dick Dale’s retro reverberated surf rock melds with Horace Silver’s and Art Blakey’s original variation of hard bop delivered by The Jazz Messengers. Mattson 2 is unlike anything you’ve heard before, just like Los Lobos had been when they first arrived on the scene five decades ago. $85.05 plus fees. 9:30pm. Rio Theatre,1205 Soquel Ave. Santa Cruz. folkyeah.com.

MARTY O’REILLY WITH QUINN DEVEAUX: ROARING ’20S NYE PARTY Marty O’Reilly performs every show as if it’s his last; he’s not done performing until he’s sweated every last drop of sweat he has. Trying to categorize O’Reilly’s music is like finding a corner in a round room. Usually, fans who attempt to describe his music sound like they’re struggling to explain a dream in the morning. Meanwhile, Quinn DeVeaux has one of the most powerful voices on the planet. He recently contributed his bluebeat soul vocals to the California Honeydrops’ 2022 tunes “Take You Back” and “Very Best Thang.” There will be a photo booth at the show and a champagne toast at midnight. $30/$35 plus fees. 9pm. Moe’s Alley, 1535 Commercial Way, Santa Cruz. moesalley.com.

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Andrea Hart Selected as Cabrillo Stage’s New Artistic Director

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Local musical theater company Cabrillo Stage has entered a new creative phase, naming Andrea L. Hart as artistic director.

Hart was hired following the retirement in September of Jon Nordgren, who served as artistic director of the nonprofit musical theater company, which produces musicals every summer at Cabrillo College, for 17 years. Most recently, he saw the company through difficult times in the pandemic. After Covid canceled its entire 2020 season, Cabrillo Stage moved from its longtime home in the Crocker Theater to the college’s outdoor amphitheater in 2021, putting on five small shows over the course of five weekends.

“We took a huge loss in 2020,” Nordgren said earlier this year. “Last year’s shows were mostly volunteer-led, with very small audiences. It was difficult, but we did it. It turned out great.”

This summer, Cabrillo Stage returned to the Crocker, planning its first full season in the pandemic era. A staging of Grease went off without a hitch in July, earning praise for its excellent cast and direction, but the subsequent Candide—heralded as possibly the company’s most ambitious production ever—was cut short by Covid in August. 

Moving Theater Forward

Hart is the first woman to lead Cabrillo Stage in its 40-year history. She moved to Santa Cruz in July after finishing a Masters in Fine Arts (MFA) in Directing at the University of Texas at Austin.

Before graduate school, she lived in the Berkeley area for 20 years, where she was a co-founder and member of several small theater companies, including 6NewPlays, which focused on producing new plays by Bay Area playwrights. She also taught visual and performing arts and directed musicals and plays in schools all over the Bay Area.

In addition to directing, Hart is also an accomplished playwright and theater maker, having had her work developed at the Great Plains Theatre Conference (GPTC), New Ohio Theatre, Hyde Park Theatre, the University of Texas New Theatre Festival of New Work and more. While working as Director of Education and Public Programs at the Oceanside Museum of Art, she began the first dance residency with dancer Alyssa Junious. 

Hart has self-produced multiple shows, and worked for many years producing a Fringe Festival at the GPTC.

“Studying how to make live theater during a pandemic was not what I set out in graduate school to do,” Hart said. “However, I feel incredibly fortunate to have been in school during that time. It served as a crucible to not only my artistic practice, but my thinking on how to keep live performance relevant to our communities as we move forward.”

These are some of the same issues Cabrillo Stage has been focusing on. They arose, for instance, in this summer’s production of Grease, which was directed by Nordgren’s daughter, Cassie Nordgren, with musical direction by Nordgren himself. The pair reworked aspects of Grease to make it both more modern and truer to the original stage production.

“Theater is changing quickly,” said Jon Nordgren. “There has been a huge turn towards diversity and ‘cancelation’ of a lot of older shows that are too hurtful to some people. There’s a much more open look at what you can do with theater now.”

The show also brought in more diversity with its casting. Corey Jones, a Black actor and singer who uses a wheelchair, was chosen for the iconic role of the Teen Angel. (Due to health reasons, his role was played by Jennifer Taylor Daniels, a Black woman.)  Ella Currie played Sonny, a T-Bird who is usually male. 

Currie said it was the director’s idea to change the character’s gender. During cast callbacks, she pulled her aside to ask if she’d be interested in the role.

“I was worried at first,” Currie said. “Given some of the lines Sonny has, how’s he’s usually played … I didn’t want to perpetuate stereotypes of the queer community. I wanted to avoid that.”

Currie praised Cassie Nordgren for her openness and respectfulness in creating the new version of the character.

“Cassie has been absolutely wonderful,” she told GT before Grease opened. “She’s so open to my ideas, we’re always on the same page. I love how we’re taking an opportunity to display the queer experience, especially in an era that was not as accepting.”

John Graulty, Cabrillo College’s dean of Visual, Applied and Performing Arts, is excited to see Hart’s vision for the company unfold. 

“Our national search for a new artistic director landed us a bright, young, articulate star in the theater firmament,” he said. “Andrea has the passion and talent to work collaboratively with the Cabrillo Stage team to take the company to even greater levels of success and service to our musical theater-loving community. We are thrilled to welcome her aboard.”

Hart says she hopes to continue growing and developing Cabrillo Stage’s community connections and importance. 

“Theatre, by its very nature, is a local endeavor,” she said. “It exists in a particular place and time and it speaks to those who see it in that moment. I want Cabrillo Stage to represent the Monterey Bay community in all of its fullness and to be a place our audiences call home.”

For information, visit cabrillostage.com.

Opinion: A Farewell from the Editor

EDITOR’S NOTE

Steve Palopoli editor good times santa cruz california

Over eight years of heading up GT, I have written somewhere around 400 of these editor’s notes. That’s more than 80,000 words—the length of a short novel. That means some of you have read a whole book’s worth of whatever I was thinking about as we finished each week’s paper, which blows my mind. I feel like at this point I’ve told you so many stories about my life living in and covering Santa Cruz—from UCSC to the Pajaronian to Metro Santa Cruz to Santa Cruz Weekly to here—that I’m not sure how many more I even have!

Well, I have one more—and it’ll be my last, as I’m leaving Good Times at the end of the year for a new opportunity on the other side of the hill. This time, I want to tell you what bringing you the paper every week for almost a decade has meant to me.

In short, everything. When I came back here to be editor of Santa Cruz Weekly, after seven years of not covering this area, it was the start of a real creative rebirth for me. When we merged with Good Times a couple of years later, some people were skeptical, because GT really is a beloved local institution. But others were looking forward to what we would bring to it—including local ownership for the first time in decades—and I remember thinking, “Well, we’ll see what people think in a year.” But long before that, I started hearing encouraging feedback.

I think both our news and cultural coverage got better every year—and then the pandemic hit. By the fall of 2020, there were two emergencies to cover, Covid and the CZU fire, as well as an important social movement in Black Lives Matter. We were liveblogging news about all three nonstop, doing more news coverage than at any time in the paper’s history. But there was so much to cover, nonstop, that for the first time I really had no idea whether we were doing an adequate job or not. So when we were subsequently named the best weekly newspaper in the state by the California Newspaper Publishers Association for the second year in a row, I was stunned, and even more grateful for our staff’s incredible dedication through the toughest of times.

We’re now at three years in a row for that award, and I’m so proud of what we’ve accomplished. I’m thankful to all of the amazing people I’ve had the chance to work with, both at GT and in the community. And I’m thankful for you, for picking us up, clicking to us online, and reading us. You’re the reason we do it, and the reason I’ve kept coming back to cover Santa Cruz County again and again in my career. There’s no other place quite like this one, and I’ll miss you.

STEVE PALOPOLI | EDITOR-IN-CHIEF


PHOTO CONTEST WINNER

TIDINGS OF JOY Speaking of King Tides (see Good Idea, this page), this was the scene on Christmas Eve during one of the King Tides’ famous extreme low tides. Photograph by Linda Weyers.

Submit to ph****@go*******.sc. Include information (location, etc.) and your name. Photos may be cropped. Preferably, photos should be 4 inches by 4 inches and minimum 250dpi.


GOOD IDEA

ALL HAIL THE KING TIDES

It might be wet and gloomy outside, but that doesn’t mean it can’t be a beach day. Strangely enough, it’s one of the best times to explore the seaside, because the California King Tides are coming to our shores. That means high tides and powerful waves, but also dramatic low tides expose rarely seen tide pools. Mark your calendars for Jan. 21 and 22, when the King Tides return.


GOOD WORK

BIG NEWS

More trails and roads in Big Basin Redwoods reopened last Friday, a total of four miles that includes the newly renovated Meteor Trail, a one-mile segment of Skyline to the Sea Trail, and dog-friendly access along the first mile of North Escape Road. The first mile of Sunset Trail is finishing reconstruction, and is expected to open sometime next month. Since Big Basin reopened to the public on July 22, over 16,000 people have visited the park. You still need to make a reservation, which you can do at: parks.ca.gov.


QUOTE OF THE WEEK

“You can get excited about the future. The past won’t mind.”

—Hillary DePiano

Letter to the Editor: Where Green Taxes Go

Re: Cannabis Chronicle (GT, 12/21): The Cannabis industry is complaining that their tax rates are too high for them and they can’t afford to make a profit, so they are lobbying to get their taxes lower. And guess what? They are winning. They are getting supported by people, maybe even paying them out, which means less tax revenue for childcare and youth prevention groups. Communities of color and youth are affected by the cannabis tax cut, which means no funding for prevention programs in a community at need. This may result in a rise in substance use, higher incarceration, and less affordable childcare, which is the last thing this community needs.

We strongly oppose these tax reductions because not only us but millions of youths of color that rely on youth prevention groups will be affected. Empower Watsonville is a youth-led group that focuses on expanding youth advocacy to implement more equitable policies. This is sometimes the only guaranteed state funding in communities like mine and with a cut in the tax rates, it’ll all go away.   

Communities of color struggle every day to make ends meet. This issue isn’t going away—why are people supporting this? Why would anyone support reducing cannabis taxes where it imposes a threat to communities that will be negatively impacted like mine. We choose to ignore that children living in poverty and youth of color have a higher risk of engaging in using substances. We are way behind in providing stability for vulnerable communities, and we need this funding accessible more than ever. So, if the cannabis tax is reduced, all that money will be used for intense marketing to target youth, these youth who need stability. Affordable childcare is a huge problem, as wages are low and childcare rates are high. That help that is protected, as of now, by the funding that is allocated because of the taxes on cannabis.

Empower Watsonville is not just an ordinary afterschool program. We are learning to inform about policies and laws that affect us to create change within our community. We are staying active and vigilant to ensure that our voices are heard on policies that disrupt all the hard work we have been doing to reduce substance use.  

Mia Ruiz, Empower Watsonville Youth Advocate


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