Lani Faulkner Launches Supervisor Campaign

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A longtime biotechnology researcher and public transportation advocate is challenging Santa Cruz County Supervisor Manu Koenig when his District 1 seat goes up for reelection early next year.

Lani Faulkner kicked off her campaign on Sunday afternoon in a small, redwood-studded picnic area in Delaveaga Park. More than one hundred people were in attendance, including elected official and nonprofit leaders that make up the dozens who have signed on with endorsements.

Faulkner, 55, says she made the decision to run after several community members approached her saying they felt that their concerns were not being addressed by the board.

If elected, Faulknerโ€™s view on the countyโ€™s public transit system would be a stark contrast to that of  Koenig, whose vocal opposition to the future passenger rail project has become a centerpiece of his time in public office.

Faulkner is founder of Equity Transit, a Santa Cruz-based nonprofit that advocates for โ€œa robust and affordable public transportation system.โ€

She points out that more than 70% of voters in Santa Cruz County opposed Measure D, which was supported by trail-only advocates and would have all but scuttled plans for a passenger rail.

Equity Transit actively opposed the measure.

โ€œSupervisor Koenig doesnโ€™t represent the majority and thatโ€™s part of the problem,โ€ she says. 

Supporting public transportation systems such as passenger rail ties into environmental protection, which she says is another of her key priorities.

โ€œTransportation is really critical, because it is one of our top contributors to greenhouse gasses,โ€ she says. โ€œSo we really have to manage our transportation system and support robust public transportation, our bussing, future passenger rail and anything else that can help address these environmental issues.โ€

She adds that the state of California has signaled its support for such plans with its financial investment in the statewide rail network.

Faulkner has spent 15 years in the biotechnology industry and is currently the senior clinical research associate at Stryker Neurovascular, a Fremont-based company that develops technology to help stroke victims.

She says her experience in that industryโ€”requiring her to work collaboratively with state, national and international institutionsโ€”has helped prepare her for the role as supervisor.

She also lists housing, homelessness, disaster preparedness and water and resource management among her priorities, as well as supporting and improving services for children and seniors.

She would also look to improve the countyโ€™s responses to disaster victims, such as those affected by the CZU fires.

โ€œWhen I think of disaster preparedness, Iโ€™m thinking of this larger umbrella about how we can be better prepared for our future to manage all these things that might come,โ€ she says. 

Faulkner serves on multiple local boards, including the local chapter of the NAACP. 

She teaches systemic and cellular physiology at U.C. Davis, where she holds undergraduate and graduate degrees in physiology.

Bike On 

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Three years ago, red electric bikes zoomed across the city and were left in piles at Santa Cruz city limits.ย 

In less than a week, the city will once again try out a new electric bike sharing. This time, local officials promise the issues that were prevalent with the ubiquitous red bikes have been solved. 

On June 20, city officials will unveil the new electric bike sharing program, inviting the public to come and take a test ride and listen to guest speakers. 

But whatโ€™s going to be different and why are the bikes coming back now? 

A Different Approach

The color of the bikesโ€”sleek black and white instead of the fire engine redโ€”isnโ€™t the only thing that will be different this time around. 

While the red bikes were owned by JUMP, an Uber-run bike share system, the new ones are owned by BCycle, a company owned by Trek Bikes, of Wisconsin. 

The bikes run $7 for half an hour, but there are monthly passes available for $30 and yearly passes for $150, in an effort to offer financially accessible options for regular riders and commuters.   

Importantly, the BCycle model is dock based, which means that all bikes must be checked out and returned to a dockโ€”or riders run the risk of racking up a $2,000 fine. This is different from the former JUMP system where bikes could be left anywhereโ€”a big complaint from local residents, who were left to navigate around the discarded bikes. 

But according to Claire Gallogly, transportation planner for the city, local residents have been anticipating the return of the bike sharing system. 

โ€œMy favorite reaction is why has it taken so long for them to come back,โ€ Gallogly says. 

Itโ€™s a sentiment echoed by fourth year graduating UC Santa Cruz student Michael Wool. 

โ€œThe bikes are spectacular because it really helps address that critical last mile of transit  transportation,โ€ Wool says. โ€œThat last mile is a make or break for public transportation. If the last mile is difficult, or the last mile involves getting in a car, that is a barrier to entry and that’s usually what makes people who have the means to choose to drive instead. I just wish it had happened sooner.โ€  

Gallogly says that with the pandemic restrictions ending and summer right around the corner, now is the perfect time to launch the program the city has been planning for over a year. 

โ€œBike share offers one more easy way for people to choose to make some trips on bike,โ€ Santa Cruz Mayor Fred Keeley says. โ€œThis complements the overall goals of the city of reducing car trips within town and making biking, walking and public transit a convenient first choice.โ€ 

Keeley says he expects the primary bikers to be local, regular users, although thereโ€™s virtually no way to know whether bikers will be tourists, students or local commuters. 

With JUMP, each bike saw almost five trips per day, and the average trip distance was 1.9 miles. On average, the bike share program saw over 25,000 trips per month. 

โ€œWhile we love for students and tourists to use bike share, the primary users will likely be locals,โ€ Keely says. 

The BCycle has a top speed of 17 mph and can provide power for about 25 miles per charge, according to the company. 

Encouraging Equity 

Looking at how many and where bikes are being allocated throughout each city in the county, itโ€™s clear that the bikes are located in areas with high concentrations of students and tourists.ย 

Santa Cruz will receive 300 bikes. UC Santa Cruz will receive around 100 bikes and Cabrillo College will get 50. Meanwhile, Capitola (with a population of around 9,000) will receive 50 bikes, while Watsonville (a population of 55,000) will receive 25. 

Alex Yasbek, environmental projects manager for Watsonville, says that this isnโ€™t coming as a surpriseโ€”all cities in the county were heavily involved in the process of divvying up the bikes and choosing the bike share company. In fact, heโ€™s happy bikes are coming to Watsonville at all.  

โ€œWatsonville is a bit of an unknown for the bike share company, because we donโ€™t have a college or a very large tourist industry,โ€ Yasbek says. โ€œThere’s just not a whole lot of examples of cities like Watsonville that have bikeshare already. Weโ€™re really excited that the company is trying Watsonville and we’re hoping to show that it can be successful, because that then allows bikeshare to start happening in all these other cities that have, up to this point, been excluded from bikeshare programs.โ€ 

Watsonvilleโ€”along with other jurisdictions besides the city of Santa Cruzโ€”wonโ€™t be launching the bikeshare program until sometime in 2024. 

When it does launch, Yasbek hopes to have a plan in place that allows for discounts or fee-waivers for low income riders or students. Right now, the bikes are limited to people 18 years old and up, but Yasbek wants Watsonville to spearhead a program for students using the bikes to get to and from home. 

Riding Out

The bike launch on Tuesday will offer refreshments, have officials answering questions and going out on a ride when the bikes go live. 

Keely, who plans on being at the launch, says that coupled with the investments the city is making to improve bike infrastructure, the new bike share system should help more people choose biking. 

โ€œIn the past few years, we’ve expanded our network of enhanced bike lanes, added protected bike lanes on Water Street, completed Arana Gulch, built the first section of rail trail and made safety improvements at dozens of intersections to enhance biking and walking,โ€ Gallogly says.  She adds that this summer, the city will be constructing protected bike lanes on Bay between Escalona and Nobel, and adding protected bike lanes on Laurel. Early next year, the city will have the next section of rail trail complete. 

If you go:  

Where: Santa Cruz City Hall Courtyard 

When: Tuesday June 20, 2PM 

Our Shot to Let it Rot

Inside the Dimeo Lane Resource Recovery Center, on the ramp of the Food Scrap Pre-Processor, a team of three works to back up a trash truck. Itโ€™s a tight fit. 

The truck deposits its load into the processor: giant corkscrew-shaped augers shepherd banana peels, avocado skins, and unidentifiable, wet slop to an opening at the end of the tank. The material then moves into a series of chutes and emerges, through a loom-like screen, as a brown mash.

โ€œWhen you mix all the colors of the rainbow, you get brown. It’s like a brown applesauce,โ€ Leslie Oโ€™Malley says, pointing at a window behind which the slurry churns. Oโ€™Malley is the City of Santa Cruzโ€™s waste reduction program manager. She is part of the city-wide effort to comply with SB1383, the state bill which works to reduce methane and other short-lived climate pollutants across California.  

The Food Scraps Recovery Program, now just shy of a year in operation, responds to the SB1383 mandate that each jurisdiction reduce organic waste by 75% relative to 2014 levels by 2025. This is key in reducing greenhouse gas emissions. 

โ€œMethane emissions from landfill and food scraps in a landfill are the third leading contributor to greenhouse gas emissions,โ€ Oโ€™Malley explains. 

The Gritty Details

As many as 33 to 40 tons of raw food scraps arrive at the facility each week from commercial and residential units of Santa Cruz. After pre-processing, the material continues its journeyโ€”in tanks aboard another truckโ€”to Sustainable Organic Solutions in Santa Clara. The material then gets processed into animal feed. 

โ€œWe are working to dispel this idea that it goes directly from collection to pig slop,โ€ Oโ€™Malley says. โ€œIt is made into pellets for animal feedโ€”that part gets lost. It goes through further processing. Once it is dehydrated, it becomes additive for parts of pig feed. Other parts of it go to biodiesel and fertilizer.โ€

While the City of Watsonville mixes food scraps with yard waste in their green bins and trucks the organic material to an industrial composter in Marina, Santa Cruz decided to go for the food-scrap processor. This allows the city to limit the carbon costs of transporting the material. 

โ€œIf we had [commingled yard waste and food scraps], we would have had to send seven trucks a day to Marina, just to do that part, and then theyโ€™d have to come back and collect the recycling and the garbage,โ€ Oโ€™Malley explains. With the current system, โ€œSustainable Organic Solutions comes and gets it about every ten to fourteen days.โ€

The food scraps processor also allows for an eventual transition to a more local solutionโ€”digesting the food scraps in the cityโ€™s Wastewater Treatment Facility. 

โ€œThe Wastewater Treatment Facility is within six to ten miles of this facility. It’s in our own โ€˜waste-shedโ€™, if you will,โ€ Oโ€™Malley says. 

The Wastewater Treatment Facility is not ready for the volume of deposits from commercial and residential collections. Consultants are beginning to study what is needed for digesters to handle deposits of the highly acidic food waste and how best to capture energy from the decomposition process. 

Challenges

John Lippi, former sanitation supervisor back from retirement to oversee operations at the Resource Recovery Center, has another 51 daysโ€”and countingโ€”before his second retirement. Over the 40 years of his career, he has seen many sides of waste management. One big challenge looms. 

โ€œWe get enough plastic bags with the commercial, so that’s why we insist that the residential people don’t use them,โ€ Lippi says. Plastic bags and compostable bags foul the machinery, getting twisted in the augers and further along in the processing.

While looking at the deposits from the truck, Oโ€™Malley points out a compostable bag and an aerosol spray can.

โ€œYou know, most people have in their mindset composting, that it’s a composting program, and so they don’t understand, โ€˜Why can’t I use a compostable bag?โ€™โ€ Oโ€™Malley says

The other factor that Lippi manages, beyond contamination, is the upkeep of the motors, cleaning the units, and managing the water content in the mash. 

โ€œThe system needs some moisture to keep it all moving. [Lippi and his team] have really worked hard to figure out the balance. Sometimes it’s too wet and they have to add drier material,โ€ Oโ€™Malley says. 

This material is agricultural in origin to maintain the quality of the mash as an eventual animal feed. All inputs into the system must be food-based. Thatโ€™s why the program canโ€™t accept items like paper towels, coffee filters, or compostable to-go items.

โ€œThe good thing about Santa Cruz being vertically integrated is that we are our own public works department. We run the facility. We collect the stuff. We get the opportunity to be more closely connected to it. It is great to be able to come and look at a load and say, โ€˜John, what are people still confused about? How many bags are you seeing? What do we need to do outreach on?โ€™โ€ Oโ€™Malley says. 

Every single-family home within the city limits of Santa Cruz received a postcard explaining the system, along with a curbside, six-gallon brown pail for food scraps collection last August. For multi-family residences, the steps are more complicated.

Currently, those living in multi-family residences that number five or more units must contact their property manager who then contacts the city to arrange for counter-top pail collectors and a central food scrap collection can or dumpster. Oโ€™Malley has hired additional staff to facilitate enrollment of the more than 400 multi-family residences within Santa Cruz.

โ€œNot everyone is cookie-cutter. Not every multi-family has the same set up of carts. Maybe they’re gonna have a dumpster, maybe they’re gonna have a cart. But the biggest thing for multi-families often and business is the space constraints and the enclosures. We’re working with planning on all these new building projects going up as they’re thinking about their trash rooms.โ€ 

Looking Ahead

Oโ€™Malley says we wonโ€™t know if we are hitting our 75% reduction goal until the next Waste Characterization Study, during which third-party contractors categorize and measure waste in representative trash truck loads. Meeting the goals of SB1383, according to Oโ€™Malley, is a big lift. She makes mention of a report on state-wide progress which suggested that we wonโ€™t make our targets and the need for re-assessment.  

โ€œIt’s great legislation and well intentioned. I think it’s just hard. How could they have possibly thought of everything and what it was gonna take to implement it? And back to that report coming out saying, โ€˜I don’t think we’re gonna make it. We should pause.โ€™ Are you kidding me? We have put in so much energy and we’ve got that momentum going.โ€

While the Food Scraps Recovery Program is a step in the right direction, Oโ€™Malley is very clear on the biggest thing people can do to fight food-waste-related greenhouse gas emissions. 

โ€œPrevent it,โ€ Oโ€™Malley says. 

โ€œI think itโ€™s great that we’re getting organics out of the landfill,โ€ she continues. โ€œBut let’s really look at how much food we’re purchasing. Or restaurants are serving, or grocery stores, which are buying to make sure that we have this cornucopia of color at our disposal when we go grocery shopping. People can reframe their relationship to food and not rely on, โ€˜It’s okay, I put it into the brown pail. Or, โ€˜I put it into the compost, I didn’t waste it.โ€™ These steps are valuable, but they have to work together, just like those three Rs of Reduce, Reuse, Recycle. It’s gotta be: Reduce, Reuse, and Rot.โ€

Public Tours Resource Recovery Center, Fridays, June 16-August 25, at 10am and 1pm. Free. 605 Dimeo Lane, Santa Cruz. Pre-registration required.

County Supes Appoint New Agricultural Commissioner

The Santa Cruz County Board of Supervisors on Tuesday unanimously approved David Sanford as the Countyโ€™s next Agricultural Commissioner.

Sanford has served as the Deputy Agricultural Commissioner since 2016.

He will lead a department responsible for a range of activities including pest management, weights and measures, pesticide enforcement and oversight of agricultural programs such as farmerโ€™s markets and the annual Crop Report.

โ€œIโ€™m very happy to see David assume this new role,โ€ County Administrative Officer Carlos Palacios said. โ€œHe brings a wealth of local experience working with the agricultural community and has served admirably since stepping in as interim Agricultural Commissioner in February.โ€

Sanford has a bachelorโ€™s degree in agricultural science from UC Davis. 

He previously served as Deputy Agricultural Commissioner in Monterey County before coming to Santa Cruz County in 2016, where he oversaw the Pesticide Use Enforcement Program and the Crop Statistics and Organic Registration program, while also helping supervise the Direct Marketing Program, among many other duties.

โ€œIโ€™m grateful to the Board of Supervisors for their vote and look forward to leading this department on a permanent basis,โ€ Sanford said in a prepared statement. โ€œI look forward to working with all sectors of the community to cultivate partnerships, nurture growth, protect the environment and safeguard the bounty of our agricultural heritage.โ€

Letters & Online Comments

Letters to the Editor

TIRE NOT

Thanks for the story on 6PPD-Quinone in the 7-13 June issue.

If you take a ride on AMTRAK you’ll see hundreds of tires standing sentinel-like out of the mud in Suisun Bay. Removing those might be a good first step.

When I worked for the County of Santa Cruz I rolled many a-tire out of the mighty San Lorenzo River. I suggested several times that we marshall the volunteer clean-up crews to attach lines to the many tires you can find in the river channel and haul them up via winch from the bridges along the river.

They always ignored me. They also ignored my suggestion to put solar panels on the roofs and parking lots of County properties.  That’s finally happened so maybe they’ll start hauling the tires out, too. 

Abrasion from sand/silt in the runoff exposing fresh tire surfaces could account for higher 6PPD numbers after rains when dilution is otherwise expected.

Coho salmon sensitivity to part per *trillion* levels of 6-PPD is astonishing.

— Pureheart Steinbruner


FATHER JACOB

I thought it might be important to let you know that a very humble man will be retiring, and he has certainly done a lot for Santa Cruz and the surrounding areas. He is a member of the AFC Santa Cruz and his name is Father Joseph Jacob. He has done so much good in this community with so many successes and I just thought it should be noted in your paper, if possible. It would be a wonderful thing because he’s touched a lot of people’s lives for the better and made a big difference with the homeless. He runs the safe spaces program and has put it on the highest caliber of integrity. He is a very interesting man and he’s climbed a lot of hills and fought a good fight in his humble and meek ways. Thank you for your time.

— Sandra Miller


LONG LIST

I saw your Editor’s Note yesterday where you ask the community to tell you, Good Times’ new editor, what we think is important for GT to cover. That’s probably an enormous list since this county, while small, has so many different regions and neighborhoods, each with their own sets of stories. Thanks for asking this and for not assuming that “the community” or “Santa Cruz” just means the city itself.

Some of us here in North County notice that GT has started to pay more well-deserved attention to South County. I think the coverage you guys gave to the horrible Pajaro floods was thorough, accurate and nuanced. I hope you will also start paying more attention, at least occasionally, to North County, especially its northern end in the San Lorenzo Valley (SLV). That’s what most of Santa Cruz seems to think is the Far Outer Reaches of the known world, the part including Ben Lomond, Brookdale, and Boulder Creek, where I live.

Many people in the city think things are “getting back to normal,” at least after Covid. But we here are not back to normal after anything elseโ€”not even close. Not after the August 2020 CZU Lightning Complex Fire, not after the horrific storms earlier this year, not after ongoing problems with a local tiny water company. Lots of people have given up in despair and moved away over one or more of these disasters.

But we’re not just about problems. The people who remain are survivors and moreโ€”we’re problem solvers. I noticed this when I moved here 23 years ago: when problems happen that affect the community, groups spring up like mushrooms, sui generis, to tackle whatever it is. When individuals need help, other individuals offer it. A lot of that has happened here since the fire, which many, many people, especially in Boulder Creek, are still suffering the effects of. Much of it has to do with rebuilding efforts, and some of it has to do with water.

If you search  “Boulder Creek” on the GT site, you won’t come up with much. Most recently, your writer Josuรฉ Monroy did a story on the crazy-complex situation involving a local water company. Because of a history of problems it keeps not solving, Big Basin Water Company, which has “only” about 500 customers, is now under the scrutiny of the State Water Resources Control Board and the California Public Utilities Commission. Several of us BBWC customers talked with Josuรฉ, trying to explain and help clarify this ridiculously complicated mess. We were pleasantly surprised at how carefully he listened, the relevant questions he asked, and the fact that he got everything right in the article.

Anyway, that was a great start. I hope you guys do more. Talk to us. We’re ready for you.

Thanks for listening,

— Ann Thryft


Online Comments

So, Wow! Looks like things blew up at Good Times. What happened to all the Marijuana ads? I was beginning to think it was the MJ Weekly. I can actually breathe fresh air as I read real articles which harken back to the Old Times. However, I sympathize that your bottom line may be a little smoky at this point. J-Students at Cabrillo could do some investigative reporting (or not). The backstory would be extremely interesting! Please tell all.

— Mary Comfort

Editorial Note

Santa Cruz California editor of good times news media print and web
Brad Kava | Good Times Editor

I caught the Santa Cruz Symphonyโ€™s โ€œMovie Nightโ€ last Saturday โ€“part of its pops programโ€“and I was blown away, not just by the level of the performance, but by the low attendance.

The Civic was three quarters full for a show that should have sold out several nights. 

The music was phenomenal, truly family friendly and not the least bit schlocky, which was a worry when the program included themes from James Bond, โ€œStar Wars,โ€  โ€œThe Pink Panther,โ€ โ€œBatmanโ€ and โ€œUp.โ€

The level of musicianship from a nearly 100-person orchestra was phenomenal in bringing out the depth of movie composers who may be overlooked compared to the masters traditionally covered by the symphony. Maestro Danny Stewart was theatrical and friendly with light-hearted explanations that won over my VIP guest, Parker, 7, who was seeing his first symphony.

โ€œThe violins bring out the light and the drums bring out the dark,โ€ he said as he reviewed the show. I donโ€™t know if heโ€™s ready for extended classical works, but we would definitely see this same show again, if there was a second performance.

And I hope there will be many, many more geared to audiences of all ages. Yeah, I know kids canโ€™t help asking questions during the music, and yeah, they drop popcorn all over the floor, but the joy this music brought to a first-time listener was one of the highest moments of my life. Now, should I also bring him to a Dead show?

One last note: how about more videos to accompany the movie scores? They had one for Charlie Chaplinโ€™s โ€œSmileโ€ from โ€œModern Times,โ€ but more video could bring out more of the computer-raised generation.

Good Times has another new editor, Jeanette Bent, who has a seriously diverse background. Here is her introduction: 

As a journalist and Santa Cruz native, Iโ€™ve always revered the Good Times. I grew up working at the now defunct Gangplank newspaper at Harbor High School before studying print journalism at Cal State, Long Beach, where I also held down city and managing editorship at the schoolโ€™s daily and monthly publications, respectively. During this time, I had a stint working as a correspondent for my schoolโ€™s paper and magazine in Aix-en-Provence while abroad in France, before moving to New York City on an internship at Dance magazine. 

Hereโ€™s where I should probably note that Iโ€™ve always simultaneously maintained a career in journalism as well as performance art, namely dance and aerial arts โ€“ the latter a skill I picked up while choreographing for a resort in the Caribbean, where I also met my now husbandโ€ฆ very Dirty Dancing. Moving back to NYC and taking a job as the copy, then production editor at Movmnt Magazine, I decided to focus on performance art, which is primarily what Iโ€™m known for in Santa Cruz. The serendipitous nature of my role now as managing editor lies somewhere between my extensive journalism background and my former aerial studio, Aerial Arts Santa Cruz. As I write this from the Good Timesโ€™ office, I look out the window over the San Lorenzo River where I dangled off the Soquel bridge as an aerialist a mere six years ago. Iโ€™m thrilled to leverage my deep knowledge and resources of this eclectic area to better serve our community. And you never know where me or my merry performers might just pop up!

Jeanette in an elbow hang on the crescent moon aerial apparatus

Brad Kava | Interim Editor

Jeanette Prather | Managing Editor


Photo Contest

HAWK WITH GOPHER SNAKE

Hawk gets caught with gopher snake on Delaware near Natural Bridges State Park on June 8, 2023. Photograph by Nanda Wilson.

Good Idea

Wilder Ranch Park is celebrating the communities and cultures of the region this Saturday from 11 am to 4 pm. There will be live music and dance performances, collaborative art opportunities, speakers from Santa Cruz County, games, food trucks, tours of the historic complex and more. The celebration is part of State Parks Week, a collaboration between State Parks, Friends of Santa Cruz State Parks, Santa Cruz County Black Health Matters Initiative, the Amah Mutsun Land Trust and more local organizations. The event is free.

Good Work

You might have noticed the holdups caused by construction if you travel between 41st Avenue and Soquel Drive: the construction wonโ€™t let up anytime soon, but itโ€™s all going to the good cause of making biking and pedestrians safer. The project is an effort to create a new bicycle and pedestrian overcrossing at Chanticleer Avenue, all part of the broader Highway 1 Corridor Project thatโ€™s building pathways between Santa Cruz and Aptos. For this week expect slowdowns during the day and evenings, with the full schedule here: sccrtc.org


Quote of the Week

โ€œThe job of the newspaper is to comfort the afflicted and afflict the comfortable.โ€

– Mr. Dooley, 1902

Things to do This Week, June 14 – 20

ARTS & MUSIC

Wesli You canโ€™t get much more worldly than the Haitian/Canadian singer, songwriter, guitarist and producer named Wesley Louissaint, 42, who plays Moeโ€™s Alley Wednesday at 8pm.

His four albums feature slices of voodoo, rara, roots reggae, Afrobeat and hip-hop and have won top honors in Canadaโ€™s answer to the Grammys, the Junos. 

Search his video and youโ€™ll find a tuneful spirit reminiscent of Bob Marley and Jimmy Cliff. Tickets are $18 and you must be 21 and over to get in. Mokili Wa, the Congolese band opens. Moeโ€™s is at 1535 Commercial Way, Santa Cruz.

Beatles Trivia Night at Britannia Arms in Capitola at 7:30 pm Saturday features 50 questions about the fab four and itโ€™s free. There are Beatles prizes for our most knowledgeable teams, a costume contest where you can win just for dressing as your favorite Beatle from your favorite era and more Beatles fun all night long! All teams must have at least one player with access to a smart phone/tablet/laptop as the game is played on your phone or other internet connected device. Wi-fi is provided.

COMMUNITY

Ganja Yoga No, this isnโ€™t The Onion. Itโ€™s serious. We swear. Well, why not? We have Goat Yoga and Hot Yoga, so this is a natural next step in the Cruz, High Yoga.

In their words: โ€œThis class is a magical space where Cannabis, Yoga and Community come together to chill and elevate your soul. Javiโ€™s classes can be described as a blend of slow vinyasa flow, relaxing vibes, grounded spirituality and a touch of latino spice. A San Francisco classic now right here in downtown Santa Cruz!โ€

This is an all levels class – CBD/THC friendly. Bring your Own Weed (BYOW) – Masks optional. No prior Yoga or Cannabis experience is required. It meets 6:15-7:45 Thursdays through the summer at The Studio on Squid Row, 738 Chestnut Street. (Info: 415-545-8484). First class is free; $18 suggested donation afterwards.

Astronomy on Tap You drink and the kids learn about the stars. Or the kids drink and you see stars. Who says drinking canโ€™t be educational?  Not the Humble Sea Brewing Company, which is bringing astronomers to talk about strange things in the skies, like dark matter. Admission is a blissful FREE for the 6:30pm Thursday talk at 820 Swift St., Santa Cruz.

In โ€˜The Flash,โ€™ Michael Keatonโ€™s Batman Returns to the DCEU

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Barry Allen is the man who can outrun time itself. Bathed in electrified chemicals, he became The Flash, the fastest man alive.

Seeing the previews for The Flash, one expected sobbing nostalgia. Hereโ€™s not just Ben Affleckโ€™s recent Justice League Bat, but the main event: Michael Keatonโ€™s class of โ€™89 Batman mentoring a goofy pair of parallel-world Barry Allens (played by Ezra Miller).

Keatonโ€™s Batman is now a hairy recluse. The two speedy boys recruit him for a mission to find Superman after their earlier quest to save Barryโ€™s mom from murder is upset by the arrival of an armada of Kryptonian fascists led by General Zod (Michael Shannon).

Tim Burtonโ€™s feat in his long-ago blockbuster Batman (1989) was to disinter film noir itself. His hit opposed the cheerleading, flag-flapping fare of the day; instead of celebrating the wealth of the suburbs, Burton addressed the anguish of the cities. It was a story about how grief could change you into something you wouldnโ€™t recognize, into something you wouldnโ€™t want to meet in a dark alley.

Decades of dead friends and bulldozed movie theaters later, itโ€™s a pleasure to see that old Bat, spry and ready for a fight, and to see a guano-spattered tarp peeled back to reveal the block-long Batmobile. Thereโ€™s more modern manic action when he and the Flashes engineer a prison break in a Siberian facilityโ€”the Commies are still afoot in this parallel world.

The rescued prisoner solves a Goldilocks problem the fanboys have about Supermanโ€“whether heโ€™s too mild or too badass. This time those supreme powers are in the imprisoned Kara (the winning Sasha Calle), a figure known elsewhere as Supergirl. The single best idea in Christina Hodsonโ€™s script is putting all of that power into a fiery-eyed yet compassionate figure.

Still, the film is about The Flash, who can access all time and space, laid out before him as if it were a slowly turning celestial zoetrope. Director Andrรฉs Muschietti (of the It remake) treats this hero with a lot of scorn, stripping him for laughs and smearing food on his face. In the filmโ€™s worst scene, heโ€™s pelted with marshmallows by some potheads.

Ezra Millerโ€™s personal troubles are immaterial. As Charlotte Rampling said of Sean Connery, one prefers the man on screen to the man in real life. I liked him from first sight in 2016, where his Barry described himself as โ€œa good-looking Jewish kidโ€; thereโ€™s a bit of Dustin Hoffman in the self-satisfaction, add a bit of Jerry Lewis in the klutziness and impulsiveness. Heโ€™s striking in his crimson armor ready for a run, posing like Mercury on the FTD flower box. And thereโ€™s a very pretty scene of a group of children, shrieking with delight at their encounter with The Flash.

He is on a noble quest, racing back through the years for one last chance to see his mom, appealingly played by Maribel Verdรบ.  Still, the script is so clumsy that it doesnโ€™t offer a clue to who murdered herโ€”thatโ€™s all on the TV show elsewhere.

Are multiverses just an excuse for not picking a tone or choosing a story? Our cinemaโ€™s flavor of the last few years may just be the child of channel-surfing. Battles royal carried out to guitar shredding canโ€™t overcome the saddening counterpoint: The Flash makes you feel simultaneously overserved and underserved.

In theaters June 16.

Prog-Psych-Stoner Trio

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Mammatus clouds are a force of nature not to be reckoned with. The geometric cellular pattern of pouches form through atmospheric turbulence within cumulonimbus clouds. Theyโ€™re primarily composed of ice and can extend for hundreds of miles, often changing direction due to unstable air pressure and wind shear. 

As turbulent as they are, mammatus clouds are also wondrously beautiful, igniting awe-inspiring sunsets for quiet moments of reflection. 

You donโ€™t need to know all this to listen to Santa Cruzโ€™s prog-psych stoner trio, Mammatus, but it lends a meteorlogic perspective for the groupโ€™s expansive vision. 

โ€œI think our emphasis is that life is amazing,โ€ explains guitar player, Nicholas โ€œNickyโ€ Emmert. โ€œItโ€™s sacred to be a living, breathing thing experiencing and interacting with the universe.โ€ 

He takes a pause, then laughs with his band matesโ€“brother and drummer Aaron Emmert and bassist Chris Freelsโ€“before adding, โ€œThatโ€™s pretty much the theme of every one of our songs. Thereโ€™s lightness and darkness and we want to be bearers of light in the darkness.โ€  

Ok, thatโ€™s a heavy answer to asking about the bandโ€™s inspiration. However, one listen to their upcoming album, Expanding Majestyโ€“out June 23 on Silver Current Records with a record release party that same night at the Blue Lagoonโ€“and it makes perfect sense. 

As the title implies, Expanding Majesty is a massive journey of sound. Ethereal synths, space exploring riffs, and heavy rhythms take the listener on an aural adventure through the multiverse of music. Unlike their 2015 release, Sparkling Waters, with its mellow and majestic melodies, Expanding Majesty finds the band grounded in their heavier sound allowing them to take off at any point on a gust of fresh air. 

Itโ€™s the result of a long, drawn-out and heavily meditated process of how the band builds their music. 

โ€œCertain songs we thought were done and then weโ€™d add five more minutes of music,โ€ Freels says. โ€œThere were songs that were mostly written but then weโ€™d go on a backpacking trip and feel super inspired. Weโ€™d pour that inspiration into a song we already wrote and all of a sudden thereโ€™d be a new riff.โ€ 

Mammatus is the living embodiment of the saying, โ€œAll good things take time.โ€ Despite playing together for almost 20 years, Expanding Majesty is only their fifth studio album. Large gaps in time between albums is commonโ€“like the six years between their sophomoric The Coast Explodes and their third release, Heady Mentalโ€“which allows the trio a chance to ruminate on what theyโ€™re doing, giving meaning to each note and movement. 

โ€œIf we didnโ€™t do it this way we wouldโ€™ve broken up by now because we wouldโ€™ve burnt out,โ€ explains Freels.

Even with the time they give themselves to write and record each album, Aaron views Mammatusโ€™ music like a fourth generation copy of a cassetteโ€“present but some of it is lost in the static. 

โ€œOnce you start finding the riffs and themes, then you have this epic vision of what itโ€™s going to be. [However], then it ends up maybe 60 percent close to what you were going for and you say, โ€˜Ok, I guess weโ€™ll go with that.โ€™โ€ 

If trueโ€“that weโ€™re only listening to a portion of what Mammatus wants to sound likeโ€“maybe thatโ€™s a good thing. The human brain might not comprehend if they were able to get any closer to the great collective aether artists draw from and strive to return to. Songs like โ€œBy the Skyโ€ and โ€œForeveriffโ€ have a spiritual quality to them, briefly peeling back the curtain to something else before returning the listener into this realm. Finite beings trying to express infinite ideas. 

โ€œPhil Manley, who recorded Expanding Majesty, described Mammatus as when you look up in the sky and see a hawk,โ€ explains Nick. โ€œWhen itโ€™s flying really high up there and just looks like a speck.โ€ 

Manley should know. Along with being a longtime friend of the band and founding member of D.C. post-rock trio, Trans Am (as well as current member of space jam rockers, Terry Gross), this is the second Mammatus album Manley has recorded at his El Studio in San Francisco. 

However, Expanding Majesty marks the first time the band has worked with Spanish sci-fi and fantasy illustrator, Cristian Eres. A red dragon soars across the clouds into a castle backlit by the setting sun perfectly encapsulates the common feeling throughout the album. An otherworldly sense of simple and pure freedom.

Those that get the rare chance to see Mammatus live should always take it. Just as their albums are elusively spread out, so are their shows. This year they only have four dates planned with a fifth unannounced show in the works.  

โ€œIf there was an AI [artificial intelligence] version of Mammatus, it would just be sitting there doing nothing,โ€ Aaron dryly smiles.

Turkish Delight

Authentic Turkish street food, brilliant to see, brilliant to eat. That’s what you get at the Walnut Avenue hot spot Arslans, where the menu offers bold flavors without identity issues. This is food that knows what it is. And it’s off the charts delicious. Listening to the Traveling Wilburys, watching soccer, and inhaling plates filled with warm fragrant pita bread, garlic-infused spit-roasted lamb and chicken, dipping each bite into seriously zippy hot sauceโ€”that was our lunch last week at Arslans. Run by the talented, hardworking team of Yunus and Marissa Arslan, this is a popular pit-stop for downtown workers, visitors, and inquiring foodies like ourselves. We were blown away by the quality. Of course! After all, this is food that has been taste-tested for thousands of years. We added a chilled bottle of Tamarind soda ($4, good choice to partner spicy cuisine, btw)  The central item on the energetic menu is the acclaimed dรถner (pronounced do-nut, with a soft “t”). If you’ve enjoyed Greek gyros, or shawarma, then you have a good idea of the dรถner. The aromas filling the two-dining room shop had us all but drooling, and the rotisserie roasted dรถner is why. I order the combo dรถner wrap, which involved beef and lamb and chicken, plus a host of accompaniments: fries, carrots, onions, lettuce, tomato and red cabbage, slathered with two sauces, (there’s some lemony-smoky sumac in the mix somewhere) all tightly packed into thin lavosh ($14.50). The huge wrap was the size of the Bosporus and came with an army of thin-sliced dill pickles. Meanwhile, my companion went for a gorgeous platter of beef and lamb dรถner ($20), that arrived with an acreage of micro-shredded lettuce, cabbage, arugula, and tomato salad on one side of the plate, a mound of moist, buttery rice pilaff on the other. The centerpiece thin slices of spiced meats lay under a soft blanket of warm fresh pita. A white sauce of mayo, yogurt, dill and garlic added more flavor magic, but I was an immediate fan of the house hot sauce, involving high wattage spices (smoked paprika, plus cumin, cinnamon) and hot red peppers.

Sexy food, without question, each bite a poem to the timeless appeal of garlic and we ate for long minutes before we came up for air. Patrons seated around us were inhaling huge bowls of colorful salads, and others stopped by for their carry-out orders. I can see how Arslans could become a regular lunch stop for anyone with tastebuds.

Lunch began with an order of baba ganoush ($8) surrounded with quarters of tender pita served in a blue pottery bowl. The smoky roasted eggplant had been mixed with roast tomatoes and sweet peppers, which made it lighter than the tahini-infused version of this Mediterranean classic. I could have eaten it all day long. But then I could have eaten the house pita bread all day long too. Warm and tumescent it was an outstanding example of the ancient staple. Let me be clear: the Arslans wrap is flat-out fantastic. I can’t remember when I’ve had so much fun eating lunch. The balance of ingredients is precise and accurate. Nothing else is needed to make every bite sensational. Big flavors and huge portions. Inflation fighting at its tastiest. And the baklava! The moist, flaky rectangles of filo encrusted with butter, pistachios and honey were imported from Turkey. Ethereal yet not too sweet, this is the feather-light dessert finish that spicy food requires ($4). We left this dining spot happily full and ready to go back soon. Actually, I could have eaten this entire meal all over again. Immediately!

Arslans Turkish Street Food – 113 Walnut Ave, SC Open daily 11:30amโ€”8pm, ’til 9pm Fri&Sat.

http://www.arslansturkishstreetfood.com/

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Prog-Psych-Stoner Trio

Mammatus Band
Mammatus clouds are a force of nature not to be reckoned with. The geometric cellular pattern of pouches form through atmospheric turbulence within cumulonimbus clouds. Theyโ€™re primarily composed of ice and can extend for hundreds of miles, often changing direction due to unstable air pressure and wind shear.  As turbulent as they are, mammatus clouds are also wondrously beautiful, igniting...

Turkish Delight

Arslan's Turkish Food
Authentic Turkish street food, brilliant to see, brilliant to eat. That's what you get at the Walnut Avenue hot spot Arslans, where the menu offers bold flavors without identity issues. This is food that knows what it is. And it's off the charts delicious. Listening to the Traveling Wilburys, watching soccer, and inhaling plates filled with warm fragrant pita...
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