Things to Do in Santa Cruz: Jan. 25-31

ARTS AND MUSIC

SUNSET LINES WITH HUMAN ERRORS AND TAPES Liz Brooks (vocals/synth) and Paul McCorkle (producer/guitars/synth) decided to start Sunset Lines following the intense collapse of a previous project. Their 2017 debut EP, Slippery Slope, is synth-heavy pop that centers around San Francisco, the joys of moving to a new city and wounds healing from the end of a long-term relationship. The duo has continued to hone Sunset Lines’ sound—Brooks on the writing end and McCorkle on the music production side. The result: ’80s synth-pop with crisp modern-day production and effects, which erupt throughout their latest EP, Home Anywhere. The recently married couple now lives in Santa Cruz, and Sunset Lines’ new chapter includes a tight rhythm section courtesy of Brett Wiltshire (bass) and Adam Soffrin (drums). The synth-pop roots remain intact with a bonus dance-oriented sound that inspires high-energy live shows with an ever-present symbiotic relationship between the band and the audience. $10. Wednesday, Jan. 25, 9pm. The Blue Lagoon, 923 Pacific Ave., Santa Cruz. thebluelagoon.com

NEIL HAMBURGER WITH MAJOR ENTERTAINER From Madison Square Garden to the Edinburgh Fringe Fest, Gregg Turkington, aka Neil Hamburger, has performed at every venue imaginable. Once, he even did a show in pitch black. The comedian, whose alter-ego echoes with inspiration from the likes of Andy Kaufman, has a growing list of television credits that include “Tim and Eric Awesome Show,” “Tom Green Live” and “Jimmy Kimmel Live.” Jack White produced Hamburger’s Live at Third Man album in Nashville, and one of his earlier records—1992’s Great Phone Calls—was touted by Spin magazine as one of the “40 Greatest Comedy Albums of All Time.” The 2015 feature-length film Entertainment, loosely based on the Hamburger alter ego, co-stars John C. Reilly, Tye Sheridan and Michael Cera. It premiered at Sundance to glowing reviews. Hamburger’s 2019 record, Still Dwelling, features a noteworthy version of “Everything’s Alright” from Jesus Christ Superstar that includes Hamburger crooning alongside Mike Patton and Jack Black. “Twenty years of touring for a normal entertainer would be great,” Hamburger told Impose recently. “But 20 years of touring for me is like 45 or 50 years of touring for anyone else because there are no days off.” $25/$30 plus fees. Thursday, Jan. 26, 8pm. The Catalyst Atrium, 1101 Pacific Ave., Santa Cruz. catalystclub.com

SMOKE CHASER WITH KING TIDE AND THE NEVER HASBEENS Smoke Chaser, featuring members of the Suborbitals and Monterey singer Malinda DeRouen, is self-described as an “original rock band from Santa Cruz that creates lush, catchy psych-pop soundscapes.” Meanwhile, the Never HasBeens’ We Will Not Be Unheard is a country-punk-alt-rock hybrid intertwined with the fingerprints of Santa Cruz. St. Paul was inspired to pen “Radio Songs,” a catchy indie throwback to early ’90s MTV “Buzz Bands” like the Gin Blossoms, after hearing Wilco’s cover of the Kinks’ “Waterloo Sunset” on KZSC. “Radio songs they came out of my window/ ‘Waterloo Sunset’ covered by Wilco,” St. Paul sings. There’s even a shout-out to the local radio station: “As the radio waves began to rise from the left of the dial/ The ‘Great Eighty-Eight’ still survives.” $10/12 plus fees. Thursday, Jan. 26, 8pm. Felton Music Hall, 6275 Hwy 9, Felton. feltonmusichall.com

CUT CHEMIST WITH MH THE VERB (DJ SET PLUS FULL BAND) A talented turntablist, DJ and producer, Cut Chemist (born Lucas MacFadden) is also a member of underground rap outfit Jurassic 5 and the Los Angeles Latin funk band Ozomatli. His tracks have also appeared on two renowned DJ compilations, Return of the DJ, Vol. 1, and Deep Concentration. Cut Chemist blew up on the scene with his B-side debut “Unified Rebelution” in 1993. “Lesson 4: The Radio” was a tribute to Double D and Steinski’s influential hip-hop collage “Lessons 1-3” and includes homages to Indeep, Bob James, Spoonie Gee and Dan Ackroyd. Cut has remained busy, contributing “Lesson 6” to Jurassic 5’s eponymous EP and producing the record. He’s also a master remixer of work by everyone from DJ Shadow to Liquid Liquid and outside work (scratching for Less Than Jake). Multimedia artist MH the Verb uses afro-futurism, ala Octavia Butler, to build community while blending jazz, funk, hip-hop and electronica. The MC/DJ/producer has created a spacey catalog by mixing live instrumentation and studio production complimented by his bass vocals and poetic activism. $22/24 plus fees. Friday, Jan. 27, 8pm. Felton Music Hall, 6275 Hwy 9, Felton. feltonmusichall.com

GHOST-NOTE WITH DJ WYZE 1 Ghost-Note—headed by Snarky Puppy’s multi-Grammy Award-winning percussive duo Robert Sput Searight and Nate Werth—unearths an eruption of sound. Alongside next-level musicians—representing members of Prince, Snoop Dogg, Erykah Badu, Herbie Hancock, Kendrick Lamar and others—they push funk into the future and build uplifting foundations inspired by the likes of James Brown and Sly & the Family Stone. With Ghost-Note’s 2019 LP, Swagism, their mission is clear: unleash heavy-hitting beats first and foremost, then shape a tapestry of uninhabited, layered music. The record includes a variety of notable guest collaborators, including Kamasi Washington, Karl Denson, Bobby Sparks and Nigel Hall. Swagism is also an example of the band’s astonishing ability to meld and magnify sounds, ultimately bringing together complex alliances. $25/$30 plus fees. Saturday, Jan. 28, 9pm. Moe’s Alley, 1535 Commercial Way, Santa Cruz. moesalley.com

JASON MARSALIS QUARTET: IN TRIBUTE TO LIONEL HAMPTON The Jason Marsalis Quartet pays tribute to iconic vibraphonist Lionel Hampton. From a young age, it was clear that Marsalis had what it took to be a jazz great, on par with his father, Ellis Marsalis, and siblings, Wynton, Branford and Delfeayo. The four brothers and their patriarch Ellis comprise “New Orleans’ venerable first family of jazz.” Renowned as both a vibraphonist and a drummer, Jason continues to grow and develop as a composer and performer. His maturity and musical command are evident each time he performs. The Jason Marsalis Quartet will feature clarinetist Joe Goldberg, pianist Kris Tokarski and drummer Gerald Watkins. $42/$47.25; $23.50/students. Monday, Jan. 30, 7pm. Kuumbwa Jazz Center, 320-2 Cedar St., Santa Cruz. kuumbwajazz.org

COMMUNITY

HOUSING MATTERS X COLLECTIVE: H.O.U.S.E. PARTY Eat, drink, shop, dance and laugh the night away as you enjoy live music from the Joint Chiefs, food by Yakitori Toriman, Hindsight Café and A Party For Your Palate, sweets by Laurel Bakes and Bread Boy, drinks by Front & Cooper, live comedy from DNA Comedy Lab and KindPeoples and an interactive scavenger hunt (win a wine tasting at Windy Oaks Estate). There will also be a champagne toast to celebrate the partnerships that have assisted over 1150 people through H.O.U.S.E. Dr. Josh Bamberger, an early adopter of Permanent Supportive Housing will speak. $10. Thursday, Jan. 26, 6-9pm. Santa Cruz Museum of Art & History, 705 Front St., Santa Cruz. housingmatterssc.org

HISTORIC RANCH GROUND TOURS Discover what life was like a century ago on this innovative dairy ranch. This hour-long tour includes the 1896 water-powered machine shop, barns and other historic buildings. Space is limited, and pre-registration is recommended. Masks and social distancing are required. $10 (parking fee). Saturday, Jan. 28, and Sunday, Jan. 29, 1pm. Wilder Ranch State Park, 1401 Coast Road, Santa Cruz. thatsmypark.org

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8 Tens @ 8’s Short Play Festival Returns

Such a treat watching 8 Tens @ 8 at the intimate Center Stage, especially after a few years of on-again, off-again pandemic-challenged live theater. The two suites of eight short plays, Part 1 and Part 2, are performed on alternating nights, running through Feb. 19. (Tempus fugit, so get tickets fast.) Both opening nights showed off the noticeable ramping up of playwriting expertise, and it’s a pleasure to point out a few highlights from this never-boring adventure in live theater.

First, Part I: Kudos to the entire cast of Man’s Best Friend, a bit of comic surrealism with a crisp script, a wild outcome and lots of physical charm. Special praise for Karin Babbitt as the gymnastic canine with strong opinions. Ward Willats and Lee Ann Gray played for broad laughs and a touch of nostalgia in Wonder People, a sweet look at two loners with a thing for “Wonder Woman” comics, television shows and nerdy stats. The delightful premise showed off Willats’ impeccable timing and vocal polish. 

I was unprepared for the stunning performance by Manirose Bobisuthi in The Most Precious Thing. An accomplished performer, Bobisuthi plays a young woman in a dead-end job who a mysterious guy suddenly approaches with an intriguing existential proposition. Bobisuthi is spellbinding as she agonizes about her character’s life, her stupid retail career and the possibility of life in hell. I could have been watching a Broadway actor walking away with the show. She was astonishing in impeccable timing, gritty and nuanced vocal work. Tristan Ahn‘s confident support matched her every step of the way. Don’t miss this little gem. 

There were a few false steps in the second half, although the fun of watching Ward Willats and Tristan Ahn as two collaborating priests in 

Confessions à Deux, with one of the cleverest endings of any of these short pieces, was priceless. The final Part I work, Father Michael’s Doing Mass, paired seasoned actors Karin Babbitt and Karen Schamberg as vintage parishioners reminiscing about how great Father Michael’s masses used to be. These funny and occasionally touching performances gave the first evening’s audience a final treat.

Note: If I don’t mention a performance, it’s probably for the best. 

Part 2 continued the prevailing tone of strong playwriting with Everything Happens for a Reason…Right?, a two-hander featuring Mindy Pedlar and Andrew Yabroff as affectionate mother and son with a sudden issue on their hands. Delightful realization of a very crafty script. The following three pieces offered lots to enjoy, and I found myself reeled in by the performances of Scott Kravitz and David Leach in an ingenious tale of undercover cops and con artists in Something Holy in Croatia, neatly directed by Marcus Cato. 

Two pieces stood out during the rest of the evening. In Eddy & Edna, playwright Donald Loftus boldly imagines the bittersweet realities of a couple no longer sure of each other’s mental capacities. Performers Steven Capasso and Mindy Pedlar reached through the realm of make believe and convinced us we were watching a genuine encounter between long-marrieds no longer on top of their memory game. The twist at the end was deliciously neat, an absolute stunner. And finally, major kudos to director Wilma Marcus Chandler for her no-holds-barred orchestration of An Adventure in Forms, an absurdist fiesta of moods, mayhem and adventurous acting styles. This piece showed off the non-sequiturs inherent in every bureaucratic setting. The excellent cast, notably Hannah Eckstein, clearly had a lot of fun dispatching this little surrealist bonbon.

One final note: Yelling is not acting. 

8 Tens @ 8 Short Play Festival (Part 1 and 2) is produced by the Santa Cruz Actors’ Theatre and runs through Feb. 19 at Center Stage, 1001 Center St., Santa Cruz. santacruzactorstheatre.org

Opinion: 2023 Health and Fitness Issue

EDITOR’S NOTE

adam joseph editor good times santa cruz local news

My predecessor, Steve Palopoli, noted that last year’s Health and Fitness Issue might have been Good Times’ “biggest ever, in terms of reporting on both [health and fitness].” “Biggest ever” I can’t confirm or deny, but I can say with confidence—after sifting through several back issues—that the 2022 Health and Fitness Issue delved deeper into mental health than any previous year, and I commend Palopoli for that. But the emphasis on mental health made the issue stand out. During the pandemic, it seemed like mental health became more prevalent, or maybe people have become more open to discussing it. How to follow that up?
With writers like Liza Monroy, who regularly deliver content loaded with resourceful information coated with generous portions of passion—no matter the subject she covers—any apprehension I had about putting together a compelling Health and Fitness Issue was eased. Monroy’s cover story “Not Your Parents’ School Lunch” centers on the bill Gov. Newsom approved in 2022, which allocates $100 million for improving school food. Last year, when Monroy first reported on this, readers responded with excitement about California becoming the first state to support plant-based meals in schools. As she reports, it’s a complicated issue, and “things stalled—and changed.” While everything isn’t moving according to the initial plan and timeline, positive changes are beginning. 
In fitness news, Mark C. Anderson previews Watsonville’s Ramsay Pump Park Track, which opened in 2021. The newish concept first debuted in 2004 in Colorado, and it’s caught fire worldwide. Anderson reports that the 20,000 square feet of meticulously crafted loops, turns and hills can be navigated by just about anything with wheels, from skateboards to scooters to bicycles to wheelchairs. And it’s free to all. Lastly, on the fitness end, Hugh McCormick, whose excitement for, well, everything, gives us a look inside dance instruction at the revamped Palomar Ballroom in downtown Santa Cruz. His elation surrounding these dance lessons is evident in his prose. McCormick notes that the classes have been filling up faster than ever, and it’s a great way to stay fit and have fun—he knows firsthand; his mom is a student.  
I hope you get as much out of reading these stories as I have and find some ideas for how to stick to your New Year’s resolution if it involves exercising more. 
You have a week to get your votes in for Best of Santa Cruz County. This is your opportunity to show appreciation for everything that makes you love Santa Cruz County. Visit goodtimes.sc through Jan. 31. 

ADAM JOSEPH | INTERIM EDITOR


PHOTO CONTEST WINNER

Earl makes a blanket fort for Foggy, a rainy holiday tradition. Photograph by Jamie Schnetzler.

Submit to ph****@*******es.sc. Include information (location, etc.) and your name. Photos may be cropped. Preferably, photos should be 4 inches by 4 inches and minimum 250dpi.


GOOD IDEA

Last week, UC Santa Cruz announced that its new major art space, a 15,000-square-foot building on the Westside, will open its doors this February. The building, which will showcase art at the forefront of social justice, will have three galleries, a screening room and event space. The upcoming exhibitions all incorporate an element of prison abolition, designed to shift the social attachment to prisons through art and education. ias.ucsc.edu


GOOD WORK

If you were strolling West Cliff this blessedly rain-free and sunny weekend, you might have noticed some areas of the sidewalk modified for bikers and pedestrians and blocked off to traffic. The city is implementing temporary restrictions as it assesses damages caused by recent storms and, starting Monday, will be working on an emergency stabilization project to restore the iconic path. Construction activity began Monday, but might continue or change throughout the week, so check all road changes at cityofsantacruz.com/westclifftrafficcontrols


QUOTE OF THE WEEK

“The food you eat can be either the safest and most powerful form of medicine or the slowest form of poison.”

—Ann Wigmore

Letter to the Editor: Cut It Out

Currently making its way through the legislative process, SB 396 poses serious risks to California’s environment. It would allow utilities such as PG&E to fell any “Overstrike Tree” along 25,500 miles of power lines in High Threat Fire Districts, any distance outside their right of way, without review by an arborist, and without clear procedures for appeal or compensation for damages. A 200-foot tall redwood tree 199 feet from a power line is an “Overstrike Tree.” By PG&E’s estimates, there are over 10 million “Overstrike Trees” in its service area.

SB 396 legalizes a ‘taking’ of private property and makes utility easements on private property or a public right of way meaningless. Utilities have long had good alternatives to faulty or outdated equipment, such as replacing bare wires with insulated conductors rather than clearcutting trees. Southern California Edison is already doing just that. Sponsored by Senator Brian Dahle, SB 396 permits clearcutting, heightening wildfire risk and climate change. Clearcutting creates wind tunnels that propel flaming brands, quickly spreading wildfire, and produces drier vegetation under power lines, weakening trees once sheltered by the larger trees targeted by PG&E’s Enhanced Vegetation Management (EVM). These trees are more vulnerable to winds and at greater threat of falling.

Disturbingly, SB 396, introduced in 2021 and amended this year, removes previous protections given by Public Resource Code (PRC) 4295, which required utilities to give notice to property owners of tree felling, and did not absolve them from damage liability.  SB 396 further states that the CA OEIS is not required to hear landowners’ complaints and fails to identify any redress. 

This bill provides no meaningful benefit while undermining the rights of individuals as guaranteed under the California State Constitution, Section 1. Legislators should reject SB 396.

Kristen Sandel, Ben Lomond


These letters do not necessarily reflect the views of Good Times.To submit a letter to the editor of Good Times: Letters should be originals—not copies of letters sent to other publications. Please include your name and email address to help us verify your submission (email address will not be published). Please be brief. Letters may be edited for length, clarity and to correct factual inaccuracies known to us. Send letters to le*****@*******es.sc

The Plant-Forward, Healthier, More Sustainable Future of School Meals

Millions of students rely on school-provided food as their primary source of nutrition. Recent Assembly Bills in California outline advancements to ensure these meals provide a chance for the dietary habits and choices that begin in childhood to be healthful, sustainable ones. Last summer, Gov. Newsom approved a bill allotting $100 million toward plant-based foods for schools, plus $600 million to upgrade the infrastructure of school kitchens and train and pay food service workers to prepare these meals. It totaled a $700 million investment toward expanding plant-based, California-grown and other options. 

“School meals are a crucial point of leverage to instill healthy eating habits at a young age and combat diet-related disease,” the Morning Ag Clips reported. Over a hundred school districts, nonprofits and grower associations formed a coalition and signed a joint letter “asking the United States Department of Agriculture (USDA) Food & Nutrition Service (FNS) to align with the 2020-2025 Dietary Guidelines for Americans via updating K-12 meal requirements that create barriers to serving more pulses [beans, peas, lentils and chickpeas] in school meals.” This coalition asked for updated guidelines to allow beans, peas, lentils, tofu, and soy products to qualify as “meat” or “meat alternatives,” to “diversify protein options.”

In July of last year, I first reported on the forthcoming availability of the $100 million investment in plant-school meal schools. GT readers who wrote in the previous article’s comments expressed hopeful anticipation over California becoming the first state to support plant-based meals in schools. 

But then things stalled—and changed.

Eat for the Earth prepared free plant-based meals for a Youth for Climate Justice climate strike event in early 2022.

MYSTERIOUS FRUITS

“The impetus for this money was a bill that was initially 100% for plant-based meals,” says Beth Love, Executive Director of Eat for the Earth. “[The bill] was gradually diluted through the political process until the point where we are now when it seems that increasing plant-based meals is just one of many options for the money.”  

Eat for the Earth—a Santa Cruz Gives participant—has raised tens of thousands of dollars to help fund programs such as Community Rx, a diet, health and education program in partnership with local healthcare providers at Salud Para La Gente in Watsonville. The emphasis of the investment is on “plant-based, but also sustainably produced foods, food from California and for students with religious and other restrictive diets,” Love says. Love most wants to reach those “marginalized when it comes to healthy nutrition information.”  

Regarding food and diet policy, she reminds us that adding options is not equivalent to taking anything away. “People say, ‘the government isn’t going to tell me what to eat,’” Love says. “People are attached to their food and their choice. I have never heard any policy suggestion to legislate that people can’t have what they want.” Contrary to specific arguments, vegans are not looking to criminalize cheeseburgers. They just might be stoked that there are more options “Beyond”—especially for kids.

Now, at the end of “Veganuary,” the month the vegan-curious tries more plant-centered meals, where in the pipeline are the funds? When will kids likely see an increase in local, healthful and plant-based school-food options? Amy Hedrick-Farr, Food Services Director at Santa Cruz City Schools, said, “Sometimes we get behind a bill and are passionate about it, and nothing happens, or you don’t know what happens because it takes so long.”   

“We saw a big gap between student demand” for plant-based meals “and supply,” says Chloe Waterman, environmental nonprofit Friends of the Earth’s senior program manager for their Climate-Friendly Food Program. The original bill, AB 479, introduced by former Representative Adrin Nazarian in 2019—Friends of the Earth was among the sponsors—stated that schools could receive grants reimbursing a portion of costs for plant-based meals. AB 479 would have created the “California School Plant-Based Food and Beverage Program” to provide grants for school districts to add plant-based food and milk options to meals. AB 479 set up the vision for the program but didn’t pass. What ultimately did pass, Waterman explains, was a different bill, AB 558, “The Child Nutrition Act of 2022.” 

“It didn’t make sense to pass two similar but slightly different programs,” Waterman says. Remains of the “California Plant-Based Food and Beverage Program” were folded into “The Child Nutrition Act of 2022,” which removed language about providing plant-based school meal options to “nutritionally adequate” ones.  

Waterman alludes to “The big-ag interest in California,” the California Cattlemen’s Association, that lobbied against the bill to not use language surrounding and linking climate change to diet. They dropped the “climate” but “reneged and opposed the bill in the most recent legislative session.” “They didn’t want to frame it as a climate initiative,” Waterman says, “only expanding options for students,” which she calls “a worthy goal in and of itself.”

AB 558 still gives districts the option to receive “reimbursement of up to $0.20 per meal for meals that include a plant-based or restricted diet food option … or up to $0.10 per meal for meals that include a plant-based milk option” or both. It also allows for “grants of up to $100,000 to local educational agencies for additional purposes relating to the program.” 

“Even a reimbursement of 10 cents per meal can make a big difference in the budget,” Waterman says. “This worked well for the local food movement; let’s mirror that for the plant-based school food movement.” 

Nora Stewart, Friends of the Earth’s manager of the California Climate-Friendly School Food Program, adds that they are working with 60 districts around California to expand plant-based and organic menu offerings. “Districts are aware, and there’s momentum for the use of these funds.” Districts need to opt-in for the funds, but the ones that do so are eligible to receive them. 

Kiearan Kelly, the Deputy Chief of Staff in Supervisor Zach Friend’s office, wrote the board item supporting AB 558. “The state budget adopted in June 2022 includes $600 million over three years for school kitchen infrastructure upgrades and equipment and employee training related to serving school meals using fresher, minimally processed California-grown foods,” Kelly told GT via email. “The budget also included $100 million in one-time funding to help school districts procure California-grown or California-produced, sustainably grown, whole or minimally processed foods for school meals.” 

Kelly also recognized that since Gov. Newsom signed the bill into law last September, its contents have substantially changed. The bill now centrally emphasizes a requirement that the California Department of Education “provides guidance to school districts” on how they might be able to offer meals to non-enrolled children, such as siblings of students who qualify for the free and reduced-price lunch program. 

NOT JUST FOOD

Love, Waterman and Stewart highlight the social justice stakes of providing plant-based school meal options. These meals’ availability transcends being for vegans or those reducing animal-product consumption for health reasons. 

It’s “a food justice issue,” Love says. “Dairy purchases are going down, but dairy production is not because it’s so subsidized.” The heavily subsidized dairy industry having a part in the dairy requirement of the nutrition guidelines is not, Love points out, in the interests of food justice, referencing the higher instances of lactose intolerance in BIPOC and Latinx populations. It’s obvious how many of the vegetarian entrees on local school menus are cheese-heavy: bean and cheese burritos, cheesy pull-a-parts (which are what?), cheese pizza, grilled cheese sandwiches and so forth.

“The milk requirement is one of the most unjust related to school meals programs,” Waterman says. “It has terrible consequences for health disparities for BIPOC students and the environment. Lactose-normal is what most people know as lactose intolerance. It’s harming BIPOC students who rely on school meals.” 

The dairy industry’s political power is ensuring that what shows up on the menus for kids reliant on school meals is as much a result of “lobbying by the dairy industry as it is what’s healthy for kids to eat. Right now, the only way a school can be required to provide an alternative is a doctor’s note for a student. The history of milk is inextricably linked to the history of colonization in this country. The fact that dairy milk is one of the required components is part of the legacy of colonization and racism persisting today.” 

Cheese is “made available to schools at an extremely cheap rate,” Waterman says. “We are significantly overproducing dairy,” she adds. “Subsidies create the wrong incentives,” leading to a dairy crisis. “Dairy farmers are going out of business, but subsidies incentivize them doing more rather than supply management like Canada does.”

A government cheese surplus following World War II was funneled into schools. “That idea of schools being a dumping ground for the food we are producing too much of has carried through,” Waterman says. “One school district told me they’re ‘drowning in cheese.’ It’s why you get cheese-heavy entrees. For a dairy producer, cheese takes a lot of milk to produce. It’s a good use of milk from their perspective.”

Beth Love also observes how those “vaults of surplus cheese and products used in subsidized programs” are given to the populations with higher rates of lactose intolerance, as well as the matter of economics. “For so many families in our community who are packing lunches, it might be more economical to take advantage of the school lunch program, but they can’t,” Love says. “I don’t want to imply there aren’t plant-based options, but it should be a right for any student who wants to eat plant-based to have comprehensive choices to meet their needs.”

SCCS Food Services Director Hedrick-Farr acknowledges that “we tend to be cheese-heavy around here,” a shift toward “plant-forward” is indeed underway.

Over a hundred school districts, nonprofits and grower associations formed a coalition and signed a joint letter asking the USDA and Food & Nutrition Service to update K-12 meal requirements that create barriers to serving more beans, peas, lentils and chickpeas in school meals.

PLANT-FORWARD MOTION

Nesh Dhillon, Executive Director of Santa Cruz Community Farmers Markets, assures that there isn’t much information on progress and momentum yet because it’s still brand new.

“It’s all happening right now,” he says. Dhillon and the Farmers Markets are working on the issue in “little slices and dices” along the way, with the Live Oak school district as a pilot program. “There’s always been a discussion on how we get fresher foods, scratch cooking, fresher produce and local produce in school meals, considering we’re in a farm belt,” he says. “People have worked on different parts of this over the years. There’s bureaucracy within school systems. They have to be as cost-effective as possible, as their funding is always under pressure. There’s fear— ‘will this work?’ You don’t want to adopt a new system and have it fall apart when it comes to children.” Hence some risk-averseness on the administrative side.        

Dhillon believes that with the additional funding from the state, school districts can “take baby steps in this direction.” He points to “model programs” such as Davenport’s Pacific Elementary, where food is grown in “an amazing garden right above Whale City Bakery.” Students learn to cook and prepare healthy meals. “It’s a vertically integrated curriculum; kids are eating truly healthy food, but it’s a small, somewhat privately funded program. Is it scalable? It takes manpower and money.”

It benefits the growers as well. In the Live Oak school district, Dhillon says, “We’re in our fourth week of distribution” of fresh produce from the Sunday Live Oak Market. Vendor Billy Bob Orchards out of Watsonville is “moving a product they have an abundance of—20 bins of fuji apples a week.” 

It’s been refreshingly simple: At the end of the market, they drive three blocks to the school and move products into their cooler, then Del Mar school students get apples and pomegranates in their meals.

“So far, it’s great,” Dhillon says. The funding comes from a grant they received that’s affiliated with some of the Assembly Bills that passed. As more funding comes through, “the more we can scale up and provide a direct link to local ag and through the farmers markets” to provide all-California-based foods, which Dhillon calls a win for everyone. Children will stop being “weaned on sugar, salt and high fat,” which, like a drug, they then “can’t get enough of,” Dhillon says. “They get hooked on this stuff and don’t quit.” 

From an economic standpoint, “why wouldn’t we expand opportunities for local producers?” Dhillon says. “Institutional buyers of local produce have a short carbon footprint. Everything’s right here; you’re vertically integrating and helping to create a stronger food system. If you want to support the essence of what it’s all about, you’ve got to know and buy from your growers as best as you can. Farming communities are everywhere. If you can do it, do it.”

Dhillon’s perspective speaks to the true beating heart of this story: the importance of health and learning to make healthy choices from a young age—and our responsibility to provide for them. 

In February or March, the California Department of Education will release criteria for the $100 million to support locally sourced, minimally processed, sustainably grown and freshly prepared meals that can include plant-based or restricted diet options. School districts, county offices of education and charter schools can opt-in to receive funds. 

The demand for them is present. SCCS’ Hedrick-Farr says, “we are interested, have signed up and are doing a lot of new things to incorporate scratch-cooking and plant-forward options,” including hiring a cook/baker and taste-testing. “You can’t get away from chicken tenders and pizza Friday, especially at the elementary level,” she says, “but we honor our California Thursdays and scratch-cook every Tuesday and Thursday.” A recent Santa Cruz High offering was a green salad with avocado, cucumber and quinoa—along with a QR code for student feedback.

“Lots of districts wanted to provide more taste-testing activities for students,” Stewart of Friends of the Earth says. “We received an incredible response, a huge influx of school districts wanting [small grants that were available.] We now have a pot of $100 million available to districts that could be used to expand more plant-based offerings.” 

To help spread the word locally, Beth Love and Eat for the Earth have been seeking leadership for “an advocacy committee to educate school districts about this additional funding,” Love says, and to create “support for our local children” to reap the benefits. So far, they have eight volunteers and the capacity to reach out to five or more school districts and are starting communications with school district personnel. “We’ve filled out all the forms and are just waiting on the state,” Hedrick-Farr adds. “Kids are asking for it,” she says, “and we need to follow that too. School food has really changed, and we are trying to do amazing things.”

Health and Fitness: Palomar Ballroom Dance Lessons Boom

With a slight shudder and soft “ding,” the ancient elevator opens on the mezzanine level of the Palomar Inn Hotel in downtown Santa Cruz. It’s like a tale of two cities—on the right side, shabby, stained, torn, gray carpet leads the way to even-shabbier numbered tenements. On the left, lush potted palms and gold-leafed mirrors line the plush, burgundy rug leading to a well-made black reception desk and the elegance and opulence of the Palomar Ballroom. 

The ornate blue-and-gold art deco carvings frame the main ballroom’s heavy, ancient wooden doors, leading to the mirrored, brightly-lit 1,800 square-foot area that has emerged as the hub of the dance scene in Santa Cruz County. 

Dancing at the luxurious yet ornate ballroom dates back to the swinging 1930s—when boogieing down to big live bands and even-bigger music was America’s most popular social pastime. When founder Steve Hughes and the Palomar Ballroom Dance Company took over the space in 1997, it was rough and slightly weathered but brimming with history and potential. 

After extensive renovations and repairs, the new Palomar Ballroom opened and emerged as the preeminent local dance spot we see today, offering highly lauded private and group instruction in both International and American Ballroom and Latin dances for both recreation and competition. 

Sporting a well-tailored and snug head-to-toe black ensemble and excellent posture, Jeremy Pilling floats into a comfy plush leather chair in the ballroom’s spacious lobby. His looks are youthful and boyish—there’s no way this guy is 47. 

Pilling, current owner and head instructor at the Palomar, has been teaching and performing in the ballroom for over 23 years—and dancing all of his life socially. He can do it all on the dance floor—but he specializes in American Smooth, American Rhythm and International Latin. 

Pilling can be a technique-oriented taskmaster on the dance floor, but he says that “dancing is all about fun.” The relaxed yet poised instructor-in-chief invites me into the bright, echoing and gleaming confines of the Palomar’s main ballroom to get a feel for the place and watch him in action, teaching a group salsa class. When I hear “Lord, Make a Rainbow” start pulsing through the high-end sound system, I know this will be fun. 

Blinking and twinkling yellow lights hang above the large, shiny wooden main ballroom dance floor. In the center of the action hangs a large ornate, well-lit metal chandelier nestled among lines of ancient, painted and patterned wooden beams. 

Pilling’s students—a total of eight women and nine men—walk into the bright, professional and historic space semi-quietly, with deference, and get prepared on red and gold chairs lining the floor and facing a fully-mirrored wall. Boots and jackets off. Dancing shoes on.

Pilling has owned and been one of the head dance instructors at the Palomar Ballroom since 2000. But he, his successful company and the local dance scene barely survived the pandemic. 

“We were closed for most of it,” he says. “When you dance, you’re a foot away from someone and breathing in their face. But we made it through; we are still here. A lot of people were excited to come back and get back into dancing. We all missed it.” 

Now, business is booming, and most of the Palomar Ballroom’s group classes and private lessons are either full or close to full. 

As they bounce or sashay down the ballroom’s cushy, carpeted mezzanine halls, most dancers wear a smile on their face and have a twinkle in their eyes—to go along with sharp, sometimes-extravagant outfits and composed demeanors. Most seem healthy, blissfully happy and pretty-darn physically fit. 

“Dancing is exercise, but you don’t think of it that way. It’s not like jumping on the treadmill,” Pilling explains. “If you’re doing a lot of dancing, you definitely will burn a ton of calories. It’s a cardiovascular workout, and you get your muscular endurance and coordination. But it helps keep you sharp mentally as well; you’re constantly using your brain to learn and remember patterns and things.” 

Some visitors, and those semi-new to the world of dance, ask instructors like Pilling just how long it will take to get good at dancing. How long until they can say cha-cha confidently, do the hustle or swing in public at a nightclub? 

Pilling admits that, like anything, “it’s all about repetition.” Performing one of the 17 styles of dance depends on how quickly one learns and absorbs information. It does take some dedication. 

“We get everyone,” he says. “Folks from 16 to 80-year-olds. Anyone can learn how to dance. Some people just learn and pick it up faster than others.” 

Visit palomarballroom.com for more info.

Health and Fitness: Watsonville’s New Pump Track is Worth a Ride

Fitness has a fun new form. 

At Ramsay Park Pump Track in Watsonville, that form is not just fluid but curvy, speedy, lumpy, life-affirming and self-perpetuating all at the same time. 

And that’s by design. 

“Pump track” represents a new term for many. It describes a carefully sculpted circuit of hills, straights, loops and turns built for riders of all shapes, sizes and wheeled vehicles, whether BMX bicycles, mountain bikes, skateboards, scooters, roller skates or even wheelchairs. 

The way the track lays out encourages riders to maintain enough momentum to fly around its interwoven loops with up-and-down body movements—aka “pumping”—and not much pedaling or pushing.

The concept debuted in Boulder, Colorado, in 2004 as a counterpoint to more challenging and subsequently dangerous skateparks. Watsonville’s own opened in 2021 and can claim the largest, and only paved, example of such a track in Santa Cruz County, with almost 20,000 square feet of flowing rollers, berms and jumps.

Santa Cruz Mountains Trail Stewardship rallied funding for the project and helped structure and construct the park, with big-time support from 51 volunteers logging 194 hours and sponsors Bell Helmets, Shelton Inc., Sierra Azul Nursery and Delta Bluegrass Co. A video on SCMTS’s website reveals a satisfying timelapse tracking how blank dirt transformed into a rollicking symphony of shapely rises, dips and banked hairpin turns.

SCMTS spokesperson Katy Poniatowski and her colleagues love how it’s been received. 

“When I visit, it is always swarming with kids and adults who want to improve their cycling skills,” she says. “It clearly filled a gap.” 

Hydrologists, general contractors and outside advisors all collaborated on the layout, surrounded by 8,000 square feet of drip-irrigated native plant landscaping. 

“Riding out there is like being dropped in the ocean—the possibilities are endless as far as what directions you can ride, opportunities to explore and skills to build,” Poniatowski says. 

The city of Watsonville partnered on the endeavor, and its staff couldn’t be happier with the resident response, per Parks and Community Services assistant administrative analyst Jeremy Sanders.

“From kids taking the training wheels off to the adults with their mountain bikes to guys with their longboards, it’s widely loved by a range of ages,” Sanders says. “It [achieves] one of the things we look for when we’re putting our parks together: physical activity that’s fun and challenging at the same time.”

On two visits, Good Times observed a broad spectrum of users, with ecstatic young peddlers sharing space with enthusiastic 40 somethings unable to contain their joy, squealing “Yeeeee” along the way.

Six-year-old Mays Lawrence Fowler of Seaside was among those who traveled outside the county to try out the pump park.

After a tentative acclamation period—figuring out the best ways to seize enough speed for the taller mounds and requisite courage to zip through cupped embankments—he was hooked. 

“I really liked it as I got really good at the turns,” he says. “I was like, ‘Woah, now I get it.’ It was more and more fun. I really do like all those turns.”

Young Fowler’s rising enjoyment is an apt metaphor for the park’s increasing popularity. 

As city staffer Sanders says, “Its momentum is really picking up.”

The Ramsay Park Pump Track is free and open from sunrise to 8pm daily at 32 Harkins Slough Road, Watsonville, santacruztrails.org/projects/ramsay-park-pumptrack

The Science Behind Santa Cruz County Trails

Most tourists know Santa Cruz for its beach boardwalk or world-famous surf culture, but take a poll of why residents love it, and another gem emerges: easy access to nature. Within a couple of minutes’ drive of almost anywhere in town, you can meander down coastal bluffs or wind through redwoods and meadows. 

Many of the trails that enrich our lives feel like they’ve always been there, but digging a little deeper reveals careful engineering and thousands of hours of hard work. Santa Cruz Mountains Trail Stewardship (SCMTS) is one of the organizations responsible for designing and maintaining those natural spaces. The nonprofit is hosting trail cleanup days after the storms, dig days at new parks, teen events and classes for those who want to learn advanced trail-building skills. 

As new trails open and old ones get resurrected from fire and flooding, Good Times sat down—or rather hiked around—with the volunteer-focused group to explore the science behind trails.

OFF THE BEATEN PATH

A well-built trail looks and feels like part of the landscape as if it emerged just as organically as the vegetation surrounding it. A good trail is also built to last. A little maintenance here and there is expected, but it needs to hold up to long-term foot traffic, water and erosion. 

It should be scenic without disturbing sensitive environments or native wildlife. Efficient without being overly strenuous or dangerous.

The ingredients quickly add up, and suddenly the recipe for a good path through the woods feels complicated. But trail designers start simple.

“We always start with the desires of the users: who’s going to use it and where are they trying to go,” says Drew Perkins, the SCMTS trail planning director.

Perkins was the first employee at the trail stewardship. He’s worked in Pogonip, Wilder Ranch, the Soquel Demonstration Forest and Glenwood Open Space Preserve, to name a few. SCMTS works with local land managers as consultants and partners.

The nonprofit recently finished building multi-use trails for the Land Trust of Santa Cruz County at San Vicente Redwoods. The trail system, which includes seven and a half miles of trails for hikers, bikers and horses, opened to the public in December.

Eventually, the land trust envisions 30 more miles and a connection to Coast Dairies National Monument—another of SCMTS ’s projects.

The beginnings of these projects involve lots of bushwhacking and measuring grades. Planners might start by considering 100-foot-wide corridors that connect points of interest.

They then consider “fatal flaws” that could kill the project, such as property lines, bridge crossings, archaeological sites or endangered species and habitats. In a few recent projects, mountain lion usage helped determine trail placements.

Of all the considerations that go into mapping a trail, how water will move across the landscape is one of the most important. 

“You have to look into the future,” says Perkins. “We’re building it forever.” 

His background in hydrology and forestry helps him predict how trails will change with time. Nearby plants give him hints about what the soil is like, and soil hints at how the area will erode and handle water.

“A lot of trails are just managing water and erosion,” he says. One popular technique for forcing water off a path is to create short, alternating inclining and declining sections of trail, called grade reversals. 

But water is not the only thing trail designers try to manage. A little bit of psychology makes its way into trail science too.

“People are always going for the most efficient route,” says Perkins. “Bikers going uphill are always looking for the smoothest line, and they’ll go wider and wider around something to find the smoothest spot.”

Land managers try to predict where people naturally want to go to prevent people from cutting switchbacks and creating their own trails.

DOWN TO EARTH

Once the trail is mapped, and the permitting is in place, trail crews dig in. They clear vegetation and rocks out of the way, tackling poison oak, blackberry brambles and occasionally discarded household appliances. With the help of shovels, elbow grease and the occasional mini-excavator, a path begins to take form.

At SCMTS, volunteers do a lot of this work. The organization hosts dig days weekly, and sometimes as many as 100 participants show up to excavate together. Even some of the bridges are volunteer-built. 

“The community shows up with skills and knowledge and engagement and care when they are given the chance,” says Perkins.

And the trail stewardship gives that chance often. Recently, in addition to dig days, the organization has hosted trail cleanup days. About 25 volunteers showed up to a Saturday trail restoration day at Pogonip State Park to create runoff ditches and clear trees from the storms.

“It’s a bit of work, but it’s also super rewarding,” says Camille Padilla, a first-time volunteer with the organization. “Seeing your handiwork on the trails is fantastic.” 

She adds that it’s a great way to meet new people, a sentiment shared by long-time SCMTS volunteer Erin Simons-Brown.

“It’s a great way to give back to the land that is part of why we all love Santa Cruz,” Simons-Brown says. “And it’s always really fun going back to those trails and knowing that you’ve been a part of helping maintain and keep these trail systems working.”

The organization’s next restoration days are Friday, Jan. 27, and Saturday, Jan. 28, at DeLaveaga Park. After the cleanup, the She Adventures Film Tour at the Rio Theatre on Jan. 28 will showcase independent films about women in outdoor adventures worldwide. A portion of the proceeds will benefit SCMTS. For those who can’t get enough and want to learn more, the nonprofit hosts a “trail academy.” Starting in February, participants can get their hands dirty with trail science classes and chainsaw training.

BLAZING AHEAD

One of the most notable trail systems the nonprofit is working on is the 5,800-acre Cotoni-Coast Dairies National Monument in Davenport. The plan to open trails on the land ruffled some feathers locally. Perkins says most of the disapproval was over the proposed parking lots and not the trails themselves.

The Bureau of Land Management—the federal agency in charge of the area—pressed on, partnering with SCMTS to construct eight and a half miles of new trails. About half of that is completed, and the nonprofit expects to complete the work this summer.

The group is also working in Big Basin State Park, removing hazardous trees left behind by the 2020 CZU fire and recent storms. 

By the time they’re done, no one will notice they were there in the first place, says Perkins. 

“The best trail work no one can see,” he says.

Visit santacruztrails.org to learn more about upcoming volunteer opportunities.

Businesses and Residents Hope for Post-Storm Relief

When Watsonville resident Amy Thomas reached out to the Federal Emergency Management Agency (FEMA) for help, she had already paid thousands of dollars to repair damages caused by a spate of recent atmospheric river storms.

The colossal storm that hit Santa Cruz County on Jan. 1 resulted in the flooding of Thomas’ home and dozens of other homeowners along Corralitos Creek with contaminated water. Thomas’ house has been flooded twice, ruining her belongings and forcing her and her family to temporarily move to a rental residence.

After the first flood filled her home on New Year’s Eve, Thomas paid $6,900 for a disaster cleanup company to shovel the muddy water and dry the flooring. Then, her house flooded a second and a third time the following days.

“Our whole house is damaged,” she says. “We have to replace everything, so I’m not sure what the cost is going to be.”

Thomas’ homeowners insurance will cover only repairs to her house, but not her personal property and other expenses, leaving her on the hook for a rental, among other things. 

So, Thomas started looking into relief programs like FEMA, who says their disaster assistance program can help with temporary housing, emergency home repairs and uninsured and underinsured personal property losses. The federal program can also go toward medical and dental expenses.

But according to Thomas, the application process isn’t simple. She spent two days of frustrating and fruitless efforts trying to apply through FEMA’s website. She finally called the agency and—thanks to having all the necessary personal information needed on hand—was able to put in an application.

With FEMA grants averaging $5,000, Thomas hopes she will receive enough money to remove the mud from her home and the surrounding areas.

Amy Bach, whose company United Policyholders advocates for insurance holders, says Thomas’ frustrating experience isn’t an anomaly. Insurance adjusters are trained to deny coverage for flooding when property owners file claims through their own insurance.

Instead, Bach advises that people filing claims read and understand their policy before calling their insurance companies and choose their words carefully when making a claim.

“If you say there was damage to the structure that allowed water to come in, that could be covered,” she says.

If denied, Bach says property owners can get a second opinion by contacting a public adjuster, who typically charges as much as 10% of the eventual payout or a private attorney, who may charge around 30%. The bottom line is that insurance companies are private companies that do not have property owners’ interests as their focal point.

“The reality is that this is a financial situation where you’re dealing with a for-profit insurance company,” Bach says. “They’re trying to hold on to the money, and you need the money.”

SUFFERING BUSINESSES

Days after the storms ripped through the Central Coast and a tidal swell sent waves into the beachfront restaurants in Capitola Village, My Thai Beach owner Dominick King returned to find six inches of water still standing in his business.

While the foundation is still sound, he lost his inventory, the floors and back windows were destroyed and the entryway and back wall was severely damaged.

“All of our plumbing has been washed away into the sea somewhere, I assume,” he says. 

Because he rents the space, King says he is turning to his landlord’s insurance company to help rebuild.

He is also considering applying for one of the SBA loans but says the move is on hold until he can get an estimate from a contractor.

“We’re still trying to figure everything out,” he says. “There are still a lot of unanswered questions with insurance.”

Even though Capitola City officials say it will take more than a year to repair the wharf, King emphasizes that the rest of the village—the majority of which is undamaged—is still open for business and hoping locals and tourists bring their business back.

“They’re all open,” says Carrie Arnone, Capitola Soquel Chamber of Commerce CEO. “They are fully functioning and they are ready to serve, so it’s a matter of people coming to support them. It looks as beautiful as it always has, even if it’s a bit different.” 

Land Trust Raises $21 Million

The Land Trust of Santa Cruz County aims to protect, care for and connect people with nature, and that can be quite costly. On Jan. 19, the organization announced it had raised $21 million through its Nature Connection Campaign, which will fund wildlife connectivity, new trails and farmland protection over a three-year period. One of the primary projects is protecting 2,600 acres at Rocks Ranch for a wildlife crossing over Hwy 101 and Hwy 17 at Laurel Curve.

Rocks Ranch encompasses 2,700 acres of wildlands straddling San Benito and Monterey counties. The new crossings will link the Santa Cruz and Gabilan mountain ranges and provide safe passage for mountain lions and other wildlife whose habitats have been increasingly constrained by residential development and highway barriers.

From work done to create a wildlife crossing at Laurel Curve, the Land Trust says they have documented evidence that mountain lions are on a fast track to becoming inbred due to limited movement around the state. UC Santa Cruz’s Puma Project has identified cats with kinked tails—the visual hallmark of genetic mutation.

Rocks Ranch contains a 4.4-mile-long stretch of intact habitat ideal for animal movement. On its northern end, it abuts a 2.5-mile stretch of Hwy 101 that is currently a “hot spot” for wildlife/vehicle collisions. 

So far, the funds raised have helped the Land Trust protect an additional 5,600 acres of land. The organization also plans on building 16 miles of new trails throughout Santa Cruz County, including 7.3 miles of trails at the newly opened San Vicente Redwoods and 7.2 miles at the Glenwood Open Space Preserve, which opened in May 2020. The total amount of protected land has reached 16,000 acres of farmland and rare habitat throughout Santa Cruz County.

The first crossing on Hwy 17 at Laurel Curve in the Santa Cruz Mountains will be completed this month. The Land Trust expects to break ground on the second crossing by 2024.

Visit landtrustsantacruz.org for more information.

Things to Do in Santa Cruz: Jan. 25-31

Cut Chemist, Jason Marsalis Quartet, Housing Matters X Collective: H.O.U.S.E. Party and More

8 Tens @ 8’s Short Play Festival Returns

The fest showcases 16 stellar 10-minute plays at the intimate Center Stage

Opinion: 2023 Health and Fitness Issue

Watsonville-pump-track
From bump tracks to dance lessons to plant-based school meals

Letter to the Editor: Cut It Out

Redwood forest
A letter to the editor of Good Times

The Plant-Forward, Healthier, More Sustainable Future of School Meals

An update on the $100 million allotted to California schools to provide healthier meals

Health and Fitness: Palomar Ballroom Dance Lessons Boom

With roughly 17 styles of dance, there’s something for everyone

Health and Fitness: Watsonville’s New Pump Track is Worth a Ride

The large concrete expanse is a playground for all vehicles with wheels

The Science Behind Santa Cruz County Trails

Santa Cruz Mountains Trail Stewardship and volunteers discuss what it takes to build and maintain local trails in the face of fires and floods

Businesses and Residents Hope for Post-Storm Relief

Costs continue to add up even with assistance from FEMA and flood insurance

Land Trust Raises $21 Million

The Nature Connection Campaign funds will go to building an animal crossing and land protection
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