Venus Pie Trap Brings ‘New Haven-style’ Pizza to Aptos

The words “Pie, Coffee, Pizza” across the front of this sparkling white seaside cafe say it all. Yes, Venus Pie Trap (mega-points for clever name) does indeed specialize in all of the above, as well as a variety of bagels from Holey Roller, pastries from Manresa, little hand pies and quiches (from Edith’s Pie of Oakland) and house fired pizzas of the New Haven—as in Connecticut—variety. And what exactly is New Haven-style pizza, you might wonder. (I did.) Well according to the internet, it means a thin-crust, rustic, non-cheese-intensive pizza that’s easy to eat.

Melo and I met at one of the black wrought-iron cafe tables out front, took a moment to enjoy the sunshine and beautiful little white clouds sailing by over Rio del Mar beach and then ordered what amounted to brunch. Thanks to an alliance with 11th Hour Coffee, Venus Pie Trap offers righteous coffees, including an outstanding macchiato ($3.25). We shared a hot and fragrant Mootz ($18) pizza topped with a thin glaze of mozzarella, provolone, pecorino, romano cheeses and tomato sauce. Easy peasy.

Our Caesar salad ($12) arrived in a clear plastic container, with the dressing in a separate plastic container. Not tossed. Obviously destined for a picnic on the beach. In fact, as we watched people come in, grab a coffee or a pastry and head out to the beach, we realized that the entire concept here is really geared toward grab-and-go dining. We were happy with the outdoor cafe vibe, but next time we’ll aim for lunch on the beach.

For dessert, we each ordered something different from the ample selection of Edith’s pies. Mine was a plump slab of cocoanut cream pie needlessly topped with whipped cream, which was a bit too sweet. Melo’s butter walnut chocolate pie was sin itself, like a thick pecan pie only made with walnuts and laced with dark chocolate. Delicious interior, though the crust was tough. We found out later that this is one of Edith’s headliners called Scribble Pie.

Entrepreneur Sean Venus, whose Aptos outpost of cocktails and kitchen sits conveniently right next door to the Pie Trap, believes that “pies should be enjoyed all day.” I couldn’t agree more. But I look forward to one of the luscious Manresa pastries and another of those terrific macchiatos on my next visit. 

Venus Pie Trap is open Tuesday-Sunday, 7am-3pm, with pizzas starting at 11am. 113 Esplanade, Aptos. venuspietrap.com.

Harvest Festival

The Watsonville version of our original natural foods pioneer Staff of Life wants everybody to come on over to the first-ever Organic Harvest Festival on Saturday, Oct. 1, from noon to 4pm. Just cruising through this amazingly well-stocked store is excuse enough for a visit, but if you want more reasons, here are a few: the free festival will showcase the super fresh, all-organic harvests and products from top growers from Santa Clara to Monterey; there will be live music, samples, tastings, food sales (including Staff’s juicy cheeseburgers and pulled pork sandwiches), and wine/beer tasting for $3. Even better, you’ll be able to meet your local farmers from Coast Produce, Earthbound Farms, Pinnacle Farms, Jas Family Farms, Lakeside Organic, and many more. “We are looking forward to having a great day at our 1st annual Organic Harvest Festival,” says Staff of Life owner Gary Bascou. “We want to showcase the farmers that grow right here in the Tri-valley.” 

Staff of Life, 906 E. Lake Ave., Watsonville. staffoflifemarket.com.

Lynn Guenther’s Passion for Teaching Inspired ‘Light of the Bay’

3

For decades, artist, educator and naturalist Lynn Guenther has aimed to create a robust arts and sciences curriculum for students across Santa Cruz County. Guenther has served at local schools, museums and municipal organizations, and during that time, she says she discovered a passion for teaching local history.

“I just love introducing kids to the history of where they live—the natural, the cultural, everything,” she says. “Especially about our watersheds, about how they have helped Santa Cruz thrive. This is a very unique county.”

This passion for local history has resulted in Guenther writing her first novel, Light of the Bay, which is out now.

Guenther says she started working on the book 10 years ago, digging through local museums and libraries. When reading Frank Perry’s Lighthouse Point: Illuminating Santa Cruz, she learned about Laura Hecox, a local legend who spent 50 years living and working as

a lighthouse keeper at Point Santa Cruz. In 1905, Hecox donated 2,000 items from her vast

personal collection of historical artifacts and scientific specimens to the newly established Santa Cruz Museum of Natural History.

Guenther chronicles Hecox’s life, adopting her voice to give readers a firsthand view of historical events such as the Gold Rush, westward expansion, the persecution of Native Americans and immigrants, the fight for women’s suffrage, the conservation movement

and more.

“Laura is an amazing role model,” Guenther says. “She really knew how important it was to preserve the past and was interested in everything—in coins, architecture, animals. She was so scientific. It was interesting to go into her mind and learn about the people she admired. I got to know her pretty well.”

Other local historical figures appear in the story, including Dr. Charles Anderson, Martina Castro, Theo D’Estrella, Georgiana Bruce Kirby, Josephine McCracken, London Nelson, Charley Parkhurst, Douglas Tilden, and Sarah Winnemucca.

“Not everyone is familiar with these interesting characters,” she says. “I try to show what their personalities might’ve been like. Give perspective on some of their stories.”

Guenther says that writing Light of the Bay was challenging but sped up in the past few years.

“In the past three years, I’ve been fighting cancer,” she says. “I really wanted to sit down and finish this book. I have many people who have supported me on this journey; I’m very grateful to them.”

Light of the Bay is out now. The novel is ideal for fifth-grade readers and up, Guenther says, though older readers can enjoy it.

“My main goal is to bring this history alive to a younger audience,” she says. “My dedication to teaching this runs deep. How can we take care of our home? This is the primary thing I want to relay. People need to understand this history, our place in it and we have a responsibility to

protect its future.”

‘Light of the Bay’ is available at Bookshop Santa Cruzthe Santa Cruz Museum of Natural Historythe Santa Cruz Museum of Art & History and online. It is available at all Santa Cruz Public Libraries.

The 8 Tens @ 8 Short Play Festival Returns

0

Community theater is essential no matter where you live. Lucky us to live in a town with a wide array of theatrical presentations. The high quality of our intimate local theater, perhaps best embodied in the Actors’ Theatre of Santa Cruz—formerly known as the “little theater”—reminds us that live theater is something we shouldn’t take for granted. It’s a necessary boost to the culture of our community and more.

Actors Theatre’s signature presentation of eight short plays in a single sitting is one of the best examples of the power of live theater to flip our scripts into new awareness, unexpected emotions, and rich expansions of outlook.

After a two-year hiatus, during which we all retreated to Zoom, the 8 Tens @ 8 Short Play Festival: The Reboot is welcome.

A full house greeted the reboot (live, slightly reorganized version of last year’s streaming), which opened last week in the intimate (tiny) theater in downtown Santa Cruz. After two years of waiting, there were actual live actors on that live stage performing for a live audience. I always look forward to these little morsels of live magic; whether they enlighten or entertain, they never bore. 

Opening with a darkly funny long-distance phone conversation between an estranged mother and daughter, Are You One of Those Robots? by Dierdre Gerard began with an all-too-familiar situation. One person’s need to speak to a human being is frustrated repeatedly by what sounds like a robotic menu of choices on the other end. Skillfully directed by Gail Borkowski, this opening piece delighted the audience with the smooth and utterly convincing acting of Kristen Brownstone and Alyssa Woodbury. The following work, Me and Him, was my favorite, directed with a light touch by Suzanne Schrag and featuring an utterly confident Miguel Reyna as the sole character, a funeral director with a smooth “bedside” manner. The writing was clever, each turn in the fascinating monologue of mordant revelations a wicked surprise. Reyna took the audience by the hand and walked us down a mortician’s garden path. Terrific pacing and economy of gestures—this was a treasury of art imitating life, including the afterlife.

Among the most successful of the current 8Tens crop was a skillful two-hander, Old Aquatics, that showed off the acrobatic acting abilities of Sarah Kauffman Michael as a woman who’d over-imbibed on New Year’s Eve. Michael, who also charmed the audience in the semi-sweet little sitcom-like The Coriolus Effect, was a master gymnast and seamless embodiment of inebriation. Her solid stage partner was Scott Kravitz as the cabbie who comes to fetch what he thinks is one more partier in need of a ride home. Excellent direction by Gerry Gerringer, who knew exactly how to coax a slow, steady build-up from his actors. Clever writing, too—a sheer delight. 

Special mention goes to Slow Dancing by Adam Szudrich, a one-person vehicle giving beautiful, fearless Lillian Bogovich time to capture our hearts with her dynamic memory of a romantic evening, smartly directed by Buff McKinley. And there were other short plays—less completely realized—that gave the opening night crowd a chance to be engaged, bewildered, uncomfortable, disarmed, and puzzled—but never bored. The overall results of these theatrical nuggets ranged from terrific to not-so-terrific. Discover your personal favorites.

Congratulations to the 8 Tens @ 8 production team, who seem to work miraculous scene changes and spot-on placement of all the properties and actors, entirely in the darkened stage between plays. Kudos to Davis Banta (Sound Design), Carina Swanberg (Light Design) and Cheryl Wong (Properties Manager.)

8 Tens @ 8: The Reboot runs Fridays and Saturdays at 8pm and Sundays at 2pm through Sunday, Oct. 2. Actors’ Theatre, 1001 Center St., Santa Cruz. $38; $35/seniors and students. santacruzactorstheatre.org/tickets.

Things to Do in Santa Cruz: Sept. 21-27

ARTS AND MUSIC

‘THE LANGUAGE OF BIRDS’ Part of MAH’s inaugural CommonGround Festival, ‘The Language of Birds’ “seeks to uncover hidden and imaginary histories of Evergreen Cemetery and the surrounding Harvey West Park area.” Composer Carolyn Chen aims to introduce audiences to an alternate perception of the landscape and soundscape. Artist Natalie Jenkins’ sculptural installations obscure the environment through acoustic illusion and mystification while unseen speakers tell stories of natural and human history. Ticketed performances include a docent-led tour and Chen’s new composition for voices and strings, “taking a nod from early music and transcriptions of birdsong.” Chen has made music for “supermarket, demolition district and the dark.” In addition to a bevy of fellowships and lofty reviews, the multitalented artist’s work has been supported by the Fulbright Program. Free (RSVP required). Thursday, Sept. 22–Saturday, Sept. 24, 5pm (guided tour and performance). Evergreen Cemetery and Wagner’s Grove, 261 Evergreen St., Santa Cruz. santacruzmah.org/commonground.

BOOKSHOP SANTA CRUZ PRESENTS: RANDALL MUNROE In 2014, former NASA contract programmer and roboticist Randall Munroe launched xkcd.com, a webcomic featuring now-iconic stick-figure drawings about science, technology, language and love. Munroe’s knack for using simple explanations to answer esoteric math or physics-related questions is addictive. With millions of fervent followers, a book deal was the natural progression: The quirky Pennsylvanian’s What If? Serious Scientific Answers to Absurd Hypothetical Questions skyrocketed to the top of the New York Times bestsellers list and featured as the “Amazon Best Book of the Month.” The book led to a monthly column in the New York Times, “Good Question,” in which Munroe answers user-submitted questions in the same ilk as his best-selling book. Now, there’s a sequel, What If? 2: Additional Serious Scientific Answers to Absurd Hypothetical Questions. One more question: Why did it take eight years to get out the second book? $35-40. Thursday, Sept. 22, 7pm. Hotel Paradox, 611 Ocean St., Santa Cruz. bookshopsantacruz.com.

SUPERBLUME WITH THE RUNAWAY GROOMS The Santa Cruz quartet has been quickly gaining traction locally, drawing inspiration from jam band vets like Phish and blues legends such as Muddy Waters. The outfit intertwines improvised soundscapes with original grooves that emit tightly knit bouts of funk, R&B and ’70s rock. Like any good psychedelic experience, the Blume moves from sunny spaces to darker places and takes a few side trips on the way. The band’s ultimate goal: deliver a different musical experience each time they perform. Godspeed, young bucks. $18/$23 plus fees. Thursday, Sept. 22, 8pm. Moe’s Alley, 1535 Commercial Way, Santa Cruz. moesalley.com.

LOCAL H During a time when record labels were throwing millions at any group from Seattle who could write songs with simple hooks, wore flannel shirts and suffered from perpetual seasonal disorder, Illinois rockers Local H was churning out tunes like “Eddie Vedder,” which asks, “If I was Eddie Vedder, would you like me any better?” The rhetorical question might as well have been major label repellent, but Scott Lucas, Matt Garcia, Joe Daniels and John Sparkman made music on their own terms. In addition to a fervent cult following and favorable reviews from every venerable music critic in the country, Local H eventually scored largescale gigs opening for some of those bands they were opposites of, including Stone Temple Pilots. In 2013, the original lineup dissolved into the current iteration, featuring Lucas and Ryan Harding. Since, they’ve opened for Metallica, performed NFL playoff game halftime shows and worked with music producer/engineer powerhouse Steve Albini. That’s a pretty good resume. $22/$24 plus fees. Friday, Sept. 23, 8pm. Felton Music Hall, 6275 Hwy 9, Felton. feltonmusichall.com.

SHAME WITH THE VIAGRA BOYS If you can only attend one more show in 2022, Shame with the Viagra Boys should be that show. While the U.S. has only recently caught on to the post-punk anthems that have fueled Shame’s international success since their visceral 2018 release, Songs of Praise, the outfit’s energetic, “let’s get into a bar fight, then gulp pints with the blokes who broke our noses” sensibility has garnered regular comparisons to the likes of Fontaines DC and Idles. Most likely, this will be the last tour you’ll be able to experience the London rockers with any kind of intimacy. The same might be said for co-headliners, the Viagra Boys. It’s easy to embrace the wacky and wild Swedish punk outfit’s antics, even with their godawful forehead tats. The Stockholm force is loaded with musical talent with a side of political satire and straight-up weirdness—forget the Hives. Their latest, Cave World, is irresistibly catchy, strange and laden in Beastie Boys humor. Now that’s a winning combination. $20/$25 plus fees. Monday, Sept. 26, 7:30pm. The Catalyst, 1101 Pacific Ave., Santa Cruz. catalystclub.com.

COMMUNITY

CASTRO ADOBE OPEN HOUSE Explore the interior rooms of the two-story adobe, including the famous fandango room, one of the last remaining indoor cocinas in California, and the lush gardens. Learn about the adobe’s ongoing restoration and the meticulous creation of 2,400 adobe bricks. Tours also include the history of the Castro family, the vaqueros who worked the rancho and plenty of background on the Rancho period. Free (registration required). Saturday, Sept. 24, 10:30am-3:30pm. Rancho San Andres Castro Adobe, 184 Old Adobe Road, Watsonville. santacruzstateparks.as.me.

CAPITOLA BEACH FESTIVAL The popular two-day event returns to the way it had been, pre-pandemic. That means the sand sculpture contest, fishing derby, rowboat races, horseshoe tournaments, chalk and children’s art and the lighted boat nautical parade will be in full effect. Don’t forget to register for the Little Wharf Fun Run. The scenic three-mile run, sponsored by Wharf to Wharf, kicks off on Saturday at 8am. Free. Saturday, Sept. 24, 8am and Sunday, Sept. 25, 7am. Esplanade Ave., Capitola. capitolabeachfestival.com.

COMMONGROUND: A FESTIVAL OF PLACE-INSPIRED, OUTDOOR WORK The new biennial festival of place-inspired, outdoor work will be hosted throughout Santa Cruz County, from forested hillsides and historical landmarks. Focused on temporary and performative public art projects in rural, urban, and architectural spaces, the 10-day event features site-responsive installations and interventions across the area’s natural and built environments, connecting people, stories and landscapes. Most events are free. Runs through Sunday, Sept. 25. santacruzmah.org for exhibits, locations and times.

GROUPS

WOMENCARE ARM-IN-ARM This cancer support group is for women with advanced, recurrent or metastatic cancer. The group meets every Monday and is led by Sally Jones and Shirley Marcus. Free (registration required). Monday, Sept. 26, 12:30pm. WomenCare, 2901 Park Ave., A1, Soquel. 831-457-2273. womencaresantacruz.org.

OUTDOORS

FALL CREEK AFTER THE FIRE 2022 After 18 months of recovery work in the wake of the CZU fires, the Fall Creek Unit of Henry Cowell Redwoods State Park has reopened and wants to share it with you. See how the landscape and wildlife have responded to the fire, from redwood trees to wildflowers and banana slugs to birds, and how community members can help monitor the fire’s impacts. Free with park admission. Saturday, Sept. 24, 10am-noon. Fall Creek Unit Trailhead, Felton Empire Road, Felton. santacruzmuseum.org/fall-creek-after-fire-2022.


Email upcoming events to Adam Joseph at least two weeks beforehand

Or, submit events HERE.

Pianist John Orlando Performs First Solo Concert in Decades

On Sept. 24, John Orlando, acclaimed pianist and director of the Distinguished Artists Concert and Lecture Series, will host a special performance to honor the victims of Covid-19 in Santa Cruz County.

Dubbed “Love and Loss,” the concert is Orlando’s first full solo recital in nearly half a century. 

“When Covid started and we had to isolate, I took advantage of that time to really hone my skills on the piano,” says Orlando, who lives in Aptos. “I read so many books; I studied them carefully. I learned so much more than I ever thought was available to the piano.”

Orlando, who graduated summa cum laude with a Doctorate of Musical Arts degree in performance from the University of Southern California (USC), has performed with the San Jose, Santa Cruz County and Fresno symphonies, the San Francisco Sinfonietta, the Cadenza Chamber Orchestra and more. He is also a founding member of the Johannes Trio and toured California with the Akademos Quartet from Warsaw, Poland.

“I’ve been witness to an untold number of first-rate professional performances, artists and musicians throughout the world,” Orlando says. “I’ve been invited to other countries to perform and see some amazing music. It’s been a wonderful experience.”

Orlando has held teaching positions at USC and the University of Santa Clara, and is instructor emeritus at Cabrillo College, where he was head of the piano department for decades. He was one of the first recipients of the Gail Rich Award for community service in the Arts in Santa Cruz County.

“Being a teacher is always very inspiring,” he says. “I love to teach. I miss my years at Cabrillo. I learned a great deal by teaching my students. I considered myself one of the learners right along with them, and I still do. There’s always more to learn.”

“Love and Loss” will include a pre-concert talk with UC Santa Cruz music professor Anatole Leikin at 6:30pm. A donation of $30 or more is requested, but any amount is appreciated and no one will be turned away.

The concert itself will feature mazurkas, etudes, Ballade No. 3 and the funeral march (from Piano Sonata No. 2) by Frederic Chopin and Alexander Scriabin’s Nocturne for the Left Hand. The set will start with Chopin and round out with Scriabin’s piece at the end.

“Scriabin was born 50 years after Chopin died,” Orlando says. “His piece is, in a way, an homage to Chopin. I thought that was a fitting way to end the concert.”

The inclusion of the funeral march was important, he adds, as the event is a memorial.

“I wanted this concert to acknowledge the people in our county who passed away from Covid,” he said. “But I also want this to be an opportunity for people to attend who have lost loved ones, or been afflicted by it. They will have a chance to write down any thoughts or emotions—anything they feel inspired to write. We hope to eventually find a venue where those things can be published, if they wish.”

Distinguished Artists was founded by Orlando in 1985. Its mission is to bring together local and international artists, organizations, educational institutions and more for a variety of projects. The series has brought hundreds of guest artists from around the world to perform in Santa Cruz, including acclaimed violinist Lucia Luque, composer and pianist Haskell Small, pianist Stanislav Khristenko, the Tempest Trio and many more. 

“We are so lucky to have had so many incredible people perform with us,” Orlando says. “And we’re so happy to once again be able to hold live concerts.”

After “Love & Loss,” the series will kick off its 2022-2023 season with a celebration of Brahms’ 125th birthday, featuring acclaimed pianists Alon Goldstein and Crystal Jiang. The pair will perform on two pianos: Distinguished Artists’ special Yamaha grand piano, which Orlando says was one of the first of such instruments to arrive in the U.S., as well as their newly procured Estonia piano from Russia.

From there, the series will host a number of other concerts and talks through April 2023. People can sign up now for season tickets that give them access to all the events.

Orlando said he considers “Love and Loss” to be one of the major concerts of his career.

“I’m feeling very good about the concert,” he says. “It’s an opportunity to share my music with my community. To show the results of my hard-earned efforts and the revelations, inspirations I’ve experienced these past couple of years. I hope people will turn out for it.”

‘Love and Loss’ will be performed by John Orlando on Sept. 24 at 7:30pm at Peace United Church of Christ, 900 High St., Santa Cruz. For more information, to reserve tickets and for a schedule of upcoming events, go to distinguishedartists.org.

Randall Munroe Talks About the Crazy Science of ‘What If 2’

If you’ve ever had a 10-year argument with a friend about whether all the world’s bananas could fit inside all the world’s churches, Randall Munroe’s newest book, What If 2: Additional Serious Scientific Answers to Absurd Hypothetical Questions, might be for you. 

Besides settling that very specific debate, Munroe dives into other pressing mysteries, including why humans have yet to build a billion-story building, how many people a tyrannosaurus would need to eat per day in New York City, and the optimal playground swing-set size.

Munroe, a former NASA roboticist turned internet cartoonist and author, will visit Santa Cruz for a conversation with author and illustrator Raina Telgemeier at Hotel Paradox on September 22 in an event cosponsored by Bookshop Santa Cruz and KAZU 90.3 FM. They will discuss the release of Munroe’s newest book, which is full of silly questions answered using serious science.

Munroe got his start posting stick-figure comics on his website, xkcd.com. People started sending him questions, and he eventually compiled the answers and comics into the #1 New York Times bestseller What If. The new sequel, What If 2, keeps the same spirit, embracing absurdity, irony and sheer curiosity. 

Stick Figures

“When I hear a question that really sparks my curiosity, it’s like getting a song stuck in your head. I can’t quite focus on anything else until I figure out the answer,” says Munroe. 

He compares his process to nodding off and waking up 12 hours later surrounded by PDFs of old studies, books and calculations. Munroe tries anything he can think of to get a reasonable answer to unreasonable questions.

Once he finds a satisfying solution, Munroe imagines going back in time to save himself the effort. 

“I think of it like writing up Cliff’s Notes for my past self instead of trying to translate it for someone else,” he says. 

Munroe grew up reading newspaper comics like Calvin and Hobbes, The Far Side and Fox Trot

“I think I read every Garfield strip published up until sometime in the ’90s,” he says with a chuckle. His humor comes through in easy reading, punchy stick-figure comics and witty diagrams. 

Even the footnotes include jokes, often pointing to rabbit holes tangential to the original question. 

“I have to limit myself and not make endless digressions and never actually get to the point I was trying to get to,” says Munroe. 

The footnotes and comics break up the pace and add to comedic timing, turning what could easily be overly technical into an entertaining read. 

Serious Science

And although most of the questions sound ridiculous, Munroe and his readers learn surprising facts about the weird world around us.

One reader asked what might happen if you stood next to an object super-cooled to absolute zero—the lowest temperature possible.

At first, Munroe thought you might just need to wear a winter jacket in the room. But digging deeper revealed a surprising danger.

“Really cold stuff can have oxygen condense out of the air onto the surface,” he says. That liquid oxygen is highly flammable and unstable. 

“So really, really cold objects can actually start fires,” says Munroe.“Engineers who work with cryogenic equipment have to look out for this.”

Some of the questions lead to active areas of research and problems that still need solving.

“It’s hard to tell what’s going to be a complicated question when you start,” says Munroe.

One such question was, essentially, “Where does the rubber go as tires wear down?” It seemed simple enough at first, but the road to the answer was windy and confusing.

“It turns out it goes everywhere,” says Munroe. “We’re not sure how it’s carried around. It seems to be showing up in the water and the air and the soil. There’s nowhere good that it’s going, and it’s actually a huge problem. No one has figured out what to do about it.”

He includes these types of uncertainties in the book, reminding readers that the world is still full of solvable mysteries.

“I think it’s encouraging when you’re reading all this stuff, especially as a kid, to realize that we haven’t figured everything out yet,” says Munroe. 

Using math and science, “you can transform questions that seem unanswerable into things that actually have a concrete answer,” he says. “And then you can go find it. I think that’s really cool.”

Randall Munroe will discuss ‘What If 2’ Thursday, Sept. 22, 7pm. Hotel Paradox, 611 Ocean St., Santa Cruz. $35; $5 for additional attendee (includes book). bookshopsantacruz.com

Letter to the Editor: Protect the Soil

Re: “Drawing the Line” (GT, 9/14): I grew up in Watsonville, and have lived and worked in the Pajaro Valley all my life. I have been an agronomist, scientifically analyzing agricultural soils in California and throughout the United States. I have studied thousands of different soils, and I can say unequivocally that the Pajaro Valley soils are the best in the world.

People who advocated paving over some of our farmland to create housing or tax benefits do not understand how valuable this land is. No one is making more soil; we are losing arable land all over the country, and it is imperative that we protect ours here in Watsonville.

Measure Q helps the city develop the resources they have within city limits, while Measure S weakens the urban limit line and opens up our city to urban sprawl and paving over this valuable farmland.

Gene Spencer

Watsonville


These letters do not necessarily reflect the views of Good Times.To submit a letter to the editor of Good Times: Letters should be originals—not copies of letters sent to other publications. Please include your name and email address to help us verify your submission (email address will not be published). Please be brief. Letters may be edited for length, clarity and to correct factual inaccuracies known to us. Send letters to le*****@go*******.sc

Letter to the Editor: Tragically Naive

Nearly everyone here agrees that housing costs and the related homelessness is our biggest local problem.

Unfortunately I’ve seen several letters in the GT during the last few weeks that, while well meaning, have been tragically naive about the solutions to the problem.

Most annoying was the person complaining that they could barely afford a shared room and therefore supported “just start building—get it done!”

The sad fact is that Santa Cruz has about 1% of the SF Bay Area population of 7 million residents. Therefore even if we doubled the housing units here, the increase in supply would have very little change in the housing costs. We live near a very large metro area, and the large majority of new units are affordable only to those with salaries from the tech world, and just serve to bring more people to our town.

What are often ignored are the livability issues coming with large and unplanned growth. Where is the transportation infrastructure and water service supposed to appear from?

Another idea I take issue with was expressed in the letter saying, in effect, “we need to get rid of all those RV dwellers on our streets.”

Well, it’s obvious that there are undesirable side effects of unhoused people living in the streets. However the “just run them off” mentality ignores the fact that the question of where to run them off to doesn’t deal with the problem being far from unique to our area.

How about some proposals for solutions for the situation? Other areas have done much with many innovative programs that we could emulate, but Santa Cruz has gone through many millions of dollars with little visible progress.

As an example, a recent million-dollar grant to Santa Cruz was used to fund a $300K consultant study and two $15K a year “homelessness worker” positions!

As to suggestions for progress:

1. Hire several social workers with successful experience elsewhere to do outreach and help people get on programs that help generate income and solutions for them, such as SSI, GI benes, drug rehab programs, etc.

2. With such funds available, beneficiaries could fund their own costs for living in tuff shed villages, SROs, etc. Many folks aren’t capable, for various reasons, of pulling their lives together and thus end up on the street, but with a little support the issue could be greatly alleviated. This isn’t pie in the sky—numerous examples already are proving very effective in the U.S. and Canada.

3. Create RV parks that could also fund their operation by charging just a few dollars a day and provide structure, security and centralized plumbing facilities.

These could be in appropriate areas—such as industrial zones—and greatly reduce the impact of RV campers on the public.

Fred J. Geiger

Santa Cruz

Opinion: The Untold Stories of Local Ag

EDITOR’S NOTE

Steve Palopoli editor good times santa cruz california

For all the talk about Silicon Beach over the last couple of decades, agriculture is what built this area, and continues to be one of its biggest economic engines. In fact, Santa Cruz County’s neighbor to the south, Monterey County, is still one of the top 10 agricultural counties in the U.S. There’s a letter in this very issue from an agronomist who calls Pajaro Valley soil “the best in the world.” And yet, the workings of the ag industry are invisible to most people here.

Maybe that’s why we love farming cover stories so much here at GT. There are so many interesting ag and land-use related stories that don’t get the attention they deserve in this county; our historical cover story last week on the Bracero Program is one example. This week’s piece by Mark C. Anderson is a very different kind of ag story, but it also has deeper cultural and political implications. If you’ve never heard of David Blume or Whiskey Hill Farms, I think you’ll be surprised to discover the kind of innovation that’s being engineered right here on our local farmland. The ecological impact of what’s being pioneered there could be huge not just for Santa Cruz County, but also for the planet.

STEVE PALOPOLI | EDITOR-IN-CHIEF


PHOTO CONTEST WINNER

SKYWALKERS Bandaloop performs outside the Santa Cruz Museum of Art and History. Photograph by Esther Hill.

Submit to ph****@go*******.sc. Include information (location, etc.) and your name. Photos may be cropped. Preferably, photos should be 4 inches by 4 inches and minimum 250dpi.


GOOD IDEA

TALKING THROUGH IT

The Resource Center for Nonviolence (RCNV) has officially opened registration for its antiracism book circles. RCNV started these book circles in response to the social justice protests happening around the country, and as a way to foster interconnectedness. Register at rcnv.org


GOOD WORK

BEACH COMBING

With the help of 1,361 volunteers, Save Our Shores tackled 64 beach cleanup sites during its Annual Coastal Cleanup Day last Saturday. In the largest beach cleanup of the year, 896 community volunteers came out in support of Santa Cruz County oceans. They removed over 3,506 pounds of trash and 326 pounds of recycling from beaches and waterways.


QUOTE OF THE WEEK

“Here’s to alcohol, the cause of—and solution to—all of life’s problems.”

— Homer Simpson

Whiskey Hill Farms’ Clean-Fuel Revolution

Way out off a rural road in Watsonville, a full-on tropical forest bursts with life. Hundreds of fruiting plants, 450 all told, fill a large greenhouse. The jungle pops with passionfruit blossoms, big bunches of bananas, mountain papayas, tropical spinach and multiple types of South American “tree tomatoes” (aka tomarillos). 

But it’s just one of the fascinating elements at Whiskey Hill Farms. So many eye-catching things are thriving here, in fact, that it can be easy to miss the big picture—even if the big picture involves preventing war, food waste, hunger and carbon monoxide poisoning.

Some species in the tropical forest are so rare Whiskey Hill owner David Blume and his team share cuttings with conservation groups worldwide.

“If it wasn’t for us protecting them, there would be no way to recover from the devastation of their habitats,” he says. He does add that it’s not a purely altruistic endeavor, as they want to bring a number of the curated fruits to market.

Another wonder is the zero-emission research-and-development distillery that can convert food scraps, crop surpluses, Halloween candy and eventually plastic into alcohol that cleanly and cheaply fuels ovens, cars, boats and buses—or can be made into things like organic sanitizer and vodka. The distillery is technically the work of WHF sister LLC Blume Industries, but they’re so integrated they’re essentially inseparable.

It’s about as far away from burning coal or oil as it gets. As one Whiskey Hill/Blume Industries slogan goes, “Real environmentalists don’t burn dinosaurs.” 

Around the corner sits a permaculture nerd’s fever dream, a slick and multi-functional ecosystem that closes the bio refinery’s loop by transforming potential waste streams into more positives. 

Carbon dioxide from fermenting in the distillery feeds into another huge greenhouse, boosting the yield of Skittles-colored cherry tomatoes, sweet bell peppers and broad-leafed wasabi. 

Whiskey Hills and Blume Industries can convert everything from walnut husks to surplus candy into fuel, pharmaceutical-grade ethanol and spirits of varying proofs. PHOTO: Mark C. Anderson

Hot water from the distilling process and compost-heated water pipes provide radiant heat beneath grow beds. 

Additional effluent from making alcohol runs into a methane digester that spits out natural gas that powers the biorefinery’s boiler. The system also sends nutrient-rich water into a marsh, which in turn filters the water for the adjacent catfish pond (aka bonus sustainable protein)—while growing starchy cattails perfect for making more fuel.  

The pond’s fish poop can be used as fertilizer for crops. Other plant juice runoff from the still can also be converted into fertilizer.

In short: zero landfill, more synergy, maximum production. It all vibrates with another one of Whiskey Hill’s mottos: “There is no such thing as waste.”

“Everything that comes out of that system gets used,” Blume says. “There’s no leftovers.”

Andy Martin of Pajaro Valley-based A&A Organic Farms has been helping Whiskey Hill find a buyer for its turmeric and tomatoes for 20 years, so he is well-acquainted with the wonderland.

“It’s like the Winchester Mystery House of farms,” he says. “David’s our mad scientist and always has something groovy-crazy going on.”

That’s why it would be understandable if visitors missed the bigger reality. Tom Harvey, executive vice president of Blume Distillation and spokesperson for the farm, helps provide perspective.

“We want to solve fuel scarcity, energy shortages, lack of local jobs and environmental remediation challenges,” he says. “That’s what our work is really about.”

Each of those issues presents pressing challenges. And recent events and rule changes are only adding to the urgency.

PLANTS INTO FUEL

As a kid in the 1960s, Blume helped his dad tend crops on a San Francisco city lot.

“It’s not what I thought about doing for the rest of my life as an occupation, though I knew I wanted to grow vegetables for myself,” he says. “Being a teenager is really hard, and growing my own food taught me I could put energy in and get energy out. I was getting through angst by growing food for my family. Besides, it was quiet in the garden.” 

He would go on to study ecological biology and biosystematics at San Francisco State, teach similar disciplines and even do gig work on behalf of the National Aeronautics and Space Administration. For NASA, the goal was to determine if it was possible to sustain an island hotel on purely solar energy—processing sewage, distilling water, generating electricity. 

As Blume says, “To prove it can be done, as if the hotel was in outer space.”

When the 1970s energy crisis descended, he developed the nonprofit American Homegrown Fuel Co., teaching thousands how to make and produce alcohol fuel on the cheap at home—from waste streams like food scraps—or on the farm, with enough land.

When Bay Area radio station KQED invited him to participate in a series called “Alcohol as Fuel,” he wrote a companion manual called Alcohol Can Be a Gas!, with a foreword from legendary architect and systems theorist R. Buckminster Fuller, who would call Blume to discuss designs. 

The original collaboration call came when Blume was 26 years old and dead asleep in the middle of the night. 

“The guy on the phone says, ‘I’m Buckminster Fuller, and I want to talk about something I’m designing,’” Blume recalls.

His response: “If you are who you say you are, tell me the net primary productivity of the Earth.” (NPP is the amount of biomass or carbon produced by primary producers per unit area and time, obtained by subtracting plant respiratory costs from gross primary productivity or total photosynthesis.)

The man Blume still calls “Bucky” nailed the figure. Then they talked for four hours, into the wee hours. 

“He told me he liked the way I thought,” Blume says. “Then he said, ‘I think we’ve got it,’ and hung up. I wondered, ‘Did I just drop acid?’” 

The discussions went on for years. Today, the updated Alcohol Can Be a Gas! fills 640 pages, 8-1/2-by-11 inches each, with 514 charts, photos and illustrations. It dives deep into how alcohol isn’t a new fuel, but one that predated oil as a primary option, buried by Prohibition and oil’s cutthroat-competitive (and effective) messaging. It also reveals how easy it is to use alcohol with existing combustion engines after simple adaptations. 

Amphibian habitats called “frog condominiums” by farm staff provide homes for frogs that eliminate pests without chemicals. PHOTO: Mark C. Anderson

Like the thriving stimuli at Whiskey Hill, the information can be a lot to take in, but it boils down to some fundamentals: You can turn plants into fuel—“liquid sunshine,” Blume likes to call it—which means with enough sun you’ll never run out of gas. You may make fuel from carbon dioxide-sequestering plants, reversing greenhouse effects. You need no new technology. You end up with byproducts that are clean and useful. You can do it with abundant food waste.

To simplify further: One person’s trash can be everyone’s treasure.

TIME HAS COME

As another gas crisis surfaced this year with the war in Ukraine, Blume found new motivation to leverage his knowledge to make a case for alcohol. 

Another bit of motivation in 2022 goes right back to Blume’s waste-free ways: California Senate Bill 1373 went into effect in January, mandating counties to do something with their organic scraps other than chucking them in the landfill. Suddenly, cities from Arcata to Artesia are sussing out ways to deal with waste wisely.

Meanwhile, as part of a bold plan to fight climate change, state regulators approved a policy last month stopping the manufacture, sales and use of gas-powered vehicles by 2035 in California, the largest car market in the country, with interim reduction goals along the way.

This month, lawmakers followed that with a record $54 billion in climate spending and passed extensive new limits on oil and gas drilling. That came paired with a mandate that California stop contributing carbon dioxide to the atmosphere by 2045. Currently, more than 60 percent of the nation’s electricity is generated from burning fossil fuels like coal, natural gas and petroleum.

Much of the resulting media coverage has focused on electric alternatives, which has some experts questioning where that surge in power will come from—whether nuclear, hydro, wind or fossil fuels. 

Blume has different ideas.

“I think the car companies will take advantage and carve out a profitable niche for high-mileage clean-alcohol-only cars,” he says. “They will produce less climate change gasses and pollution when compared to [what generates] our current electricity.”

SCALING UP

Blume’s decades-long education efforts hint at what Whiskey Hill Farms cultivates as much as anything: knowledge. That takes many forms. 

Whiskey Hill Farms holds regular farmer workshops, some underwritten by a grant from U.C. Davis’ Sustainable Ag Program. NASA staff have swung by for a learning day and organic lunch. Rep. Jimmy Panetta (D—Carmel Valley) took home turmeric root as part of his tutorial. Open Farm Tours and visits from EcoFarm Conference attendees—and forthcoming farm stand sales on property in 2023—will further enlighten Central Coast residents and visitors. 

Meanwhile, WHF and Blume Industries have received multiple grants from the U.S. Department of Agriculture’s sustainable division to teach underserved area growers closed-loop and regenerative ag. That helped inspire the USDA to recently dedicate funds to developing a regenerative curriculum—in Spanish—that can be exported around the country. 

As this goes to print, a Calabasas Elementary School Victory Garden program is starting to sprout things at Whiskey Hill like radishes, bok choy, tomatillos and turnips. 

Blume is willing to walk anyone interested through his closed-loop techniques. He’s happy to detail ways to adapt gas-powered vehicles to run on alcohol, or how electric and solar energy present costs and challenges alcohol doesn’t, though he advocates hybrid designs using ethanol and electricity. 

Santa Cruz City Manager Matt Huffaker received a starter course in how alcohol can help a municipality while at the same post in Watsonville. He collaborated with WHF and school district officials on a pilot to run two school buses on farm-grown fuel, a project currently on hold while awaiting additional support.

“Whiskey Hills’ process reminds me of the scenes from Back to the Future, when Doc Brown was stuffing banana peels and garbage into his DeLorean for fuel,” Huffaker says. “The future is now, and we’re fortunate to have this disruptive technology in Santa Cruz.”

Obeying his default setting, Blume is aiming to go bigger than local government. On his website, he has published a “14-Point Plan for U.S. Energy Independence.” He has given it to several Congressional representatives while encouraging citizens to share it with their reps and friends. Among its key provisions are taxing oil companies fairly to create a Fueling Democracy Fund that supports local production of alcohol, increased alcohol use and the stockpiling of alcohol reserves to prevent energy crises; reducing crop certification time so surplus and/or high-energy plants like recently approved sugar beets don’t take forever to become a fuel source; and providing food-waste-to-fuel production credits.

Rep. Zoe Lofgren (D—San Jose) ranks as the second most senior member of the House Science, Space and Technology Committee, and is among those who have received the plan and visited Whiskey Hill. While acknowledging obstacles, she sounds optimistic Whiskey Hill lessons can serve as a starting point.

“Any time you make a change, somebody is upset—people who are wedded to the status quo don’t want the status quo to change—so how do you overcome the institutional barriers to get something done?” she asks. “You have to prepare to act when opportunities exist. Some of this may be holding hearings, so the concept is not unknown, [and] introducing bills for pilot projects. Nothing changes without people pushing for change.” 

She admits the solutions to complex problems don’t frequently come from within the government or in a sweeping fashion, and that replicable models are vital while the public is primed to receive them.

“If you can prove a concept, you can scale,” she says. “Sometimes, you have to have incremental progress before you make everything happen. Given the state of climate emergency, voters are aware we have a very serious problem: Our children and grandchildren are going to face climate extremes we’ve never had.” 

When asked if the plan can seem overly optimistic—particularly given the power Big Oil deploys with what Blume calls “bare-knuckle capitalist fighting”—she pushes back.

“If you don’t have aspirations, then you never get anywhere,” she says. “Maybe we couldn’t do all 14 points, but [we] can do proof-of-concept stuff. It’s important.” 

When Blume hears these thoughts—and fields questions as to whether he feels dismayed that little has changed since the late 70s energy crisis—he provides pushback of his own. 

He notes alcohol fuel production was a big fat zero back then, compared to over 15 billion gallons of alcohol produced annually. He reminds anyone who will listen that 50 countries worldwide are engaged in converting to ethanol on some level—and Brazil has converted completely. 

“It’s not fair to say we haven’t made progress,” Blume says. “It’s normal for struggle to occur early in the implementation of a new idea. Then, all of a sudden, everyone knows you have the right answer, and it happens overnight. And it seems like magic.” 

PERMACULTURE PARADISE

Palatial palapa suites. Curving white sand beaches. Sweeping views of flamingos flying over turquoise seas. 

Necker Island looks like what you’d imagine Sir Richard Branson might develop with a private 74-acre paradise.

Addis Ababa, on the other hand, represents a different reality. Ethiopia’s sprawling capital brings on urban intensity, inspiring architecture and vibrant culture, with a heavy overlay of smoke from locals burning wood—indoors—to cook or stay warm, on the outskirts, at its center, everywhere and often all at once.  

That sets off cascading problems that feel like the opposite of Blume’s looping benefits. Disease-causing smoke and carbon monoxide inhalation are common. Complications result before and after birth. Wood demand drives deforestation. In fact, as half of the world cooks and heats with wood, the burn has become the third largest source of carbon dioxide emissions on Earth while taking out the trees that would absorb them.

But it turns out that Branson’s remote hideaway in the British Virgin Islands and population-3.7 million Addis Ababa have more in common than most would think.

In both places, alcohol provides a novel solution. 

Blume visited BVI recently as part of a group presenting eco-investors with ways to fund technology-driven innovation that benefits the environment. Branson directed his staff to learn more about Blume’s systems, and now they’re in preliminary talks to try converting the island’s watercraft to ethanol engines. Meanwhile, Blume hopes a Necker’s Nectar flavored vodka, made with passionfruit from the island, might sell at its on-site bars. 

“We could sell it all over the island,’” he remembers Branson saying. 

Blume’s tech has implications for less luxurious islands everywhere—they typically depend on big diesel generators that spew greenhouse gasses at costly rates. Less shipping, soot and stink is within reach. 

In Ethiopia, meanwhile, the presence of a Blume-designed micro-distillery has a macro impact. 

Working in concert with Project Gaia—whose mission is to prevent energy poverty with safe and efficient alcohol fuels—a local women’s association feeds the distillery molasses from local sugar cane and makes clean-burning ethanol and a potent fertilizer. The fuel then goes into special Cleancook stoves that burn the equivalent of 17 pounds of wood with 1 liter of ethanol, without the lung poison.

“This is the way of the future: All of the resources available can be used and reused,” says Gaia Executive Director Harry Stokes, who has worked with Blume for 15 years. “Africans key into this immediately. It’s not ‘bigger is better’ like in the U.S. If they had better access to capital, David’s plants would be all over the continent.”

Together, Necker Island and Addis Ababa indicate how widely alcohol can apply across geographic and socio-economic boundaries. 

A lot falls between those extremes. Farms here and abroad can turn bigger profits by raising energy crops over traditional crops, earning tax credits and creating their own fuel and high-grade fertilizer. Consumers can use alcohol blends in existing vehicles and limit payout and emissions. Preppers can grow their own fuel. Permaculture fans can create their own closed-loop systems. Cities can transform food waste—now mandated by California law to be kept out of the landfill, ramping up need—into alcohol to run municipal vehicles. 

“People assume when we talk about gas replacements, we mean cars,” Blume says. “It goes far beyond that.”

He believes alcohol can affect not just farm, transportation and energy policy but international policy. (Blume and company prefer “alcohol” over “ethanol” because the latter comes with preconceived views after decades of oil industry messaging, though they’re the same thing.) He imagines a scenario where the U.S. and European countries stockpile easy-to-make and renewable alcohol, so they feel less dependent on, say, Russia. 

To that end: The war in Ukraine triggered more than a reckoning on oil dependency, including a fertilizer shortage—and a corresponding spike in prices. Alcohol’s got you there too, Blume adds, pointing to the super juice fertilizer he makes with outflow from his alcohol still. 

“The bottom line: If God ever wanted to create a clean fuel for humans, it would’ve been ethanol,” Stokes says. “We better get busy and use it.” 

FUEL FACTOR

Last fall, Blume set sail for the 26th United Nations Climate Change Conference (aka COP26) in Glasgow, Scotland.

He was invited to COP26 by an eco-tech nonprofit, Innovation 4.4, partner to the organizing United Nations Framework Convention on Climate Change, as part of a pavilion featuring advanced regenerative technologies.

He and long-time collaborator Chris Patton described how evolving their combined systems—including a solar-powered thermal reactor that can transform plastic and even nitrogen in the air around us into fuel—is not far off. 

Like many of Blume’s undertakings, plastic-to-alcohol sounds outlandish. It is, and it’s also true—which Blume says had government ministers swarming their pavilion for more info on what they can do.

“We had so many people coming to our booth saying, ‘Everyone else is talking about measuring and legislating our problems; you’re the only guys in the conference who have solutions,” he says. “As a farmer, I don’t talk; I get out there and build it. The world needs to stop talking and do it.”

More information on David Blume’s work is available at whiskeyhillfarms.com,​​ alcoholcanbeagas.com and projectgaia.com

Venus Pie Trap Brings ‘New Haven-style’ Pizza to Aptos

Sean Venus’ new pie, coffee and pizza joint opens next to his beachfront Venus Spirits Cocktails and Kitchen in Rio del Mar

Lynn Guenther’s Passion for Teaching Inspired ‘Light of the Bay’

New book explores history through the eyes of local legend Laura Hecox

The 8 Tens @ 8 Short Play Festival Returns

The ‘longest running short play festival in the world’ is back and better than ever

Things to Do in Santa Cruz: Sept. 21-27

Local H, Capitola Beach Festival, Shame with the Viagra Boys and More

Pianist John Orlando Performs First Solo Concert in Decades

The acclaimed Aptos musician’s ‘Love and Loss’ honors locals who lost their lives to Covid

Randall Munroe Talks About the Crazy Science of ‘What If 2’

The ‘New York Times’ bestselling author is known for answering silly questions using serious research

Letter to the Editor: Protect the Soil

A letter to the editor of Good Times

Letter to the Editor: Tragically Naive

A letter to the editor of Good Times

Opinion: The Untold Stories of Local Ag

Understanding the industry that built this area

Whiskey Hill Farms’ Clean-Fuel Revolution

The Watsonville operation’s mastermind David Blume’s big picture also involves preventing food waste and hunger on a global level
17,623FansLike
8,845FollowersFollow