Venture Out

In 2020, Hillary Talbot was living in Santa Cruz, spending her off-hours surfing, sailing, and snow skiing when she could get away and her on-hours working as an advisor to startups and small businesses. She ran a company she founded, Sail Community Capital, that helped entrepreneurs grow their businesses by raising capital from their community.

โ€œMany company founders have great ideas and passion for their work, but reach a point when they have the potential to grow, need to grow to sustain operations, but donโ€™t know how to raise money and scale,โ€ said Talbot. โ€œThey donโ€™t know how to approach investors, maintain presentable books, and are generally maxed out in time and energy.โ€

The energetic Talbot could help with all of these things.

Also in 2020, Jenny Kuan was teaching entrepreneurship at Cal State University Monterey Bay (CSUMB) and thinking about her research from her days as a doctoral student at UC Berkeley, where she studied networks and how networks form, which led her to the early venture capitalists. Venture capital (VC) is a highly networked industry and Kuan discovered that collaboration was vital in the formative years of VC in Silicon Valley.

Kuan learned something else. Female founders receive only two percent of VC funds in the US, minority founders are largely overlooked, too, and few founders outside of Silicon Valley, especially those who did not attend Stanford or Harvard, are funded by VC.

Jenny Kuan, venture capitalist and educator
ALL PRO Jenny Kuan was raised in Michigan and moved to California to attend Stanford, where she received a masterโ€™s degree in industrial engineering. In her spare time, when most of us would have been napping, she also became a professional violinist. PHOTO: Contributed

At CSUMB, Kuan had an idea sparked by a female colleague who had been an executive in a large tech firm that was acquiring other companies, selling off divisions, and making big financial moves. The colleague felt she had been left out of conversations her male colleagues were having, even though she was just as senior.

 โ€œI realized that if we could educate experienced women on venture capital, we might support more female founders,โ€ Kuan recalled. โ€œI talked to my colleague about starting a class and what I should teach. She loved the idea.โ€

Kuan went to work, developed a courseโ€”Venture Capital for Women 101โ€”and to make it accessible,  she planned to teach it during lunch and free of charge.

At this time, Kuan and Talbot crossed paths.

Hillary Talbot, co-founder of รชtre Venture Capital
GROWING BUSINESS  Hillary Talbot ran a company she founded, Sail Community Capital, that helped entrepreneurs grow their businesses by raising capital from their community. PHOTO: Madelon Martin

 โ€œI met Jenny when I was invited to be a guest speaker at the monthly meeting of CSUMB’s Institute for Innovation and Economic Development (IED),โ€ said Talbot. โ€œJenny was involved with IED and she was interested in my work.โ€ (Kuan is now the executive director of IED.)

โ€œHillary was doing really cool projects and operating all on her own, which I thought was incredible,โ€ Kuan said.

A little backstory: Talbot grew up in Vermont and moved to Lake Tahoe so she could Alpine ski race while receiving a BA in international studies with a minor in entrepreneurship from Sierra Nevada University. She began supporting small businesses at an incubator in the North Lake Tahoe region and by the time she was in her thirties became an early-stage investor, a consultant with California Manufacturing and Technology Consulting (CMTC), and a four-time business founder. She moved to Santa Cruz in 2017 to live with her then-boyfriend and made it the home base of Sail Community Capital.

Jenny Kuan was raised in Michigan and moved to California to attend Stanford, where she received a masterโ€™s degree in industrial engineering. In her spare time, when most of us would have been napping, she also became a professional violinist. Kuan began applying to orchestras in the Bay Area and wondered why they were all nonprofits. At this point, she had a baby at home and decided that life as a student made more sense in the early years of motherhood and that she might learn more about nonprofits by studying business at UC Berkeley.

Back to 2020, when Kuan was ready to teach her class, she knew that an important part of the education for women should include the way that early VCs collaborated by meeting informally over lunch to talk about the companies they funded, help one another with the problems they were having, and co-invest.

Kuan invited Talbot to take her course. Talbot did, and it wasnโ€™t long before the super-active skier, surfer, sailor, and now runner was itching to start a fund. Typically, VCs create a fund and select approximately 10 โ€œportfolio companiesโ€ to support per fund. 

Talbot asked Kuan to partner with her to start her first fund.

โ€œI donโ€™t do things,โ€ Kuan told Talbot. โ€œI hope my students go off and do things. Iโ€™m a professor. I research. I teach.โ€

โ€œWell, Iโ€™m not doing this without you,โ€ said Talbot.

Kuan thought about it and decided she could justify a side hustle in venture capital as a field experiment. She asked herself, โ€œIf we had this fund, what would we invest in? Could we even find any good companies to put a theory to the test? What could we learn?โ€

This was during the pandemic when the stock market rallied unexpectedly. โ€œMany people who own stocks found themselves with a windfall and wanted to use it to help others,โ€ said Kuan. โ€œSome people refer to venture capital as โ€˜vulture capital,โ€™ but that is a misunderstanding of what venture capital has historically been; it can be impact-driven.โ€

Soon รชtre Venture Capital was bornโ€”a VC company by, for and about women and underserved founders, which isnโ€™t the only big idea that separates รชtre from most VC firms. Big ideas is another. รชtre is mission-driven and funds technologies that solve large, societal challenges, primarily in health care, the environment, and economic empowerment.

Talbotโ€™s father is French and she chose the name รชtre, which means โ€œto beโ€ or โ€œto come into being.โ€

โ€œThe things we are doing we really, really believe in,โ€ said Kuan.

Talbot and Kuan interviewed potential clients through Talbotโ€™s relationship with CMTC, but none worked out. That year, 2021, Kuan was a visiting professor at Tulane University in New Orleans where she met Trivia Frazier of Obatala Sciences, a biotechnology company that was promising but undercapitalized. Obatala became รชtreโ€™s first portfolio company.

โ€œWhen we invested in Obatala, organ-on-a-chip was in its nacsency,โ€ said Talbot. โ€œWe knew it could be used for rapid drug discovery and were starting to hear about the FDA wanting to get away from mouse modeling. Obatala was able to speed up the time it takes to bring drugs to market and also reduce animal testing by using discarded human tissue for drug testing.โ€

โ€œNew Orleans doesnโ€™t have a VC industry and Trivia, a Black woman, was in the process of raising capital,โ€ Talbot said. โ€œIt’s difficult for all founders to find a lead investor, and itโ€™s difficult for female and minority founders to find investors of any kind.โ€ รชtre believed in Frazier and her work and stepped up to lead.

In VC, a lead investor not only provides capital but prices a companyโ€”the correct term is โ€œvaluation,โ€ structures the deal terms, provides support and guidance, and takes fiduciary control of the company by taking a seat on the board.

Kuan said they have been surprised at how few VCs lead. โ€œStartups need a lead investor to determine the price of the shares, which organizes other investors.โ€

Talbot had been a presenter at the Water, Energy and Technology Center at Cal State Fresno, where she met Wendy Owens, the founder of a firm that became รชtreโ€™s next portfolio company. Owens founded Hexas Biomass, a producer of plant-based raw material that is carbon negative and can either replace wood to build materials, textiles and more or can be used as fuel. She needed a lead investor.

A bit more on how VC works: When a VC begins by creating a fund, the VC raises a predetermined amount from investors that the VC will invest in a number of portfolio companiesโ€”funds the VC will have for about 10 years. The typical number of portfolio companies the fund managers select is about 10.

Success is measured in two primary ways in VC, which is well-known to be high risk, high reward. VCs choose companies they believe will return 10 times on the initial investment and that will have an โ€œexit,โ€ which means the firm will be acquired or have an initial public offering (IPO).

In รชtreโ€™s first fund, Hexas was the first to be acquired, which took four years and happened in December, 2025.

โ€œHexas is going to have a big environmental impact and we got to be a part of that,โ€ said Kuan. โ€œThe founder is happy with the deal, and thatโ€™s also important. Somebody else is going to take the baton, and it’s just huge.โ€

Obatala is another of รชtreโ€™s successes though it has not yet been acquired. With รชtreโ€™s support, Obatala has attracted significant new customers (pharmaceutical companies), is cash-flow positive, and growing.

Another of รชtreโ€™s portfolio companies, hampr, on the surface, doesnโ€™t sound like a big idea solving a big problem. The online platform matches people who need their laundry washed with people who live near them who will wash their laundry. But similar to what Uber did for those who need part- or full-time work with flexible hours and independenceโ€”and no bossโ€”hampr provides a new kind of earning power: income for stay-at-home parents, caregivers, the elderly and anyone who wants to work flexibly from home.

โ€œJenny and I love the trash-to-treasure space,โ€ said Talbot. โ€œThatโ€™s where garbage is upcycled before it hits the landfill. Eorte in Los Angeles has captured our interest.โ€ The hotel industry adds 12 million tons of linen waste to the landfill annuallyโ€”white cotton sheets and towelsโ€”and Eorte is diverting it to create uniforms for medical and hospitality staff. โ€œThe founder worked for iconic fashion brands like Guess, bebe and LaCoste, and he has a flair for design,โ€ Talbot said.

So, how does one become a venture capitalist? You have to be rich, right?

โ€œI drive a Subaru Forester,โ€ said Talbot. โ€œIโ€™m not wealthy. Anyone can start a fund and attract capital from high-net-worth individuals as well as institutions such as foundations, college endowments, and pension funds. It’s all about convincing them that you have skills.โ€

So thereโ€™s that. Conversations with Talbot and Kuan are peppered with jargon such as fractional talent, seed and pre-seed funding, LP (limited partner), C-Suite, and more. Some services they perform are: develop startup teams, lead funding rounds, engineer successful exits, and much more. The breadth and depth of their knowledge certainly sounds convincing, and Kuanโ€™s academic and professional background gives enormous cred to the pair.

โ€œWe’re so complementary, Iโ€™m 100 percent certain I would not be doing this without Hillary,โ€ said Kuan. โ€œSheโ€™s strategic and so detailed. She has really good instincts and sees opportunities. She also creates community and is an incredible networker.โ€

Talbot spoke about her partner, โ€œJenny has an ability to see the big picture and consistently guides our company toward solutions with remarkable patience. Sheโ€™s an excellent teacher, too, which is how weโ€™re able to help so many learn to do what weโ€™re doing. And weโ€™re just beginning.โ€

To find companies, Talbot likes to โ€œhunt.โ€ She looks online at accelerators and searches relevant topics that pique her curiosity. รชtre also receives referrals from their network, and more recently, they receive cold outreach from new online platforms that promote fundraising services to founders, which is unwanted VC junk mail because few companies meet what รชtre is looking for.

When evaluating a potential client, the dynamic duo considers whether the idea behind a companyโ€™s product or service is big enough to IPโ€“go publicโ€“and whether it fits their mission. Then they look at whether the business has acquisition companies in mind, if there are current customers as well as diverse types of potential customers, and sufficient support to get to market and test the businessโ€™s hypotheses.

Kuan and Talbot have now designed four courses that are taught at no charge: Breaking Into Venture Capital: A Starter Class for Women; Venture Capital for Women 101; Venture Capital Investing for Women; and Lead Investor Training.

โ€œTeaching is a superpower,โ€ said Kuan. โ€œI had been in academic places that emphasized research, where teaching is treated like a burden and class sizes are large. At CSUMB, the focus is on teaching. I love it!โ€

In the past five years, more than 400 women and a few men have graduated from รชtreโ€™s VC classes, and the courses are only the first phase of a larger vision to shift the paradigm. Kuan and Talbot are building a more inclusive VC ecosystem by introducing the women graduates to the partnersโ€™ existing network and to each other for support and to form partnerships.

โ€œMore venture capitalists are needed, especially women who can lead companies,โ€ said Kuan when asked about the future of รชtre.

By definition, venture capitalists support the companies they fund with managerial guidance, but รชtre believes the high level of support they provide to their portfolio companies distinguishes them from other VC firms. In fact, itโ€™s their business model.

โ€œWe want to be their first call on their best day and on their worst day,โ€ said Talbot. โ€œWe’re here to help fix whatever issue they’re experiencing.โ€

โ€œMany VCs do what is called โ€˜spray and pray.โ€™ They spread cash around,โ€ Kuan said.  โ€œThatโ€™s not how it works. I teach in the class that success comes from hard work. รชtre is doing the work.โ€

โ€œThere are universities producing great intellectual property, like UC Santa Cruz, but 99 percent have trouble commercializing the technology. The government, the Department of Defense, all these guys have trouble getting stuff commercialized,โ€ said Kuan. โ€œMost of the time, they overlook the hard business side, the business problems that need to be solved, the hands-on good management. This role has been undervalued. Who was the third guy at Apple? Mike Markkula.โ€

Markkula, a trained engineer and already wealthy through tech success, was the third person at Apple at age 33. He has been called โ€œthe real power at Appleโ€ and the โ€œadult in the roomโ€ as he provided founders Steve Jobs and Steve Wozniak with startup and managerial guidance.

There are tech startup support groups and individual investors in Santa Cruz County currently, and some that have waxed and waned: incubators, accelerators, angel investors, and the like. Many communities with strong university research experience a โ€œbrain drain,โ€ a loss of students after they graduate due to a lack of high-level jobs to retain them. When asked about UC Santa Cruz as a source of startups, Talbot said UC Santa Cruz lacks a business school to support technologies that are developed.

โ€œUCSC is great at research but is missing the commercialization piece to harness the talent. This is why investor education is so important,โ€ said Talbot.

Kuan and Talbot have begun conversations with UCSCโ€™s tech transfer office to start a program to train investors. โ€œWe think there’s a potential synergy here with all of the great intellectual property coming out of UC Santa Cruz, along with the business school at CSUMB and the women in venture capital we train, some of whom are sidelined before their time or retiring too early,โ€ said Kuan.

โ€œThere has been some good work done in our community, but I feel that we’re passing a torch between the previous generation of investors and the new,โ€ Talbot added. โ€œMany people coming out of tech earn $300,000 or half a million or more who could write $15,000 or $25,000 checks for startups, but they’re not encouraged to do so.โ€

Talbotโ€™s favorite part of being a venture capitalist goes back to Kuan’s research, where early VCs met to talk about the problems facing them and their portfolio companies. 

โ€œWeโ€™re honest about the knowledge gaps we have,โ€ said Talbot. โ€œWe tap our colleagues and co-investors for industry knowledge or technical expertise that we donโ€™t have.โ€

Kuan said that her research also shows that it was a remarkably small number of people the early VCs started with. โ€œIf we could recreate that here with a small number of women with the right spirit, it could become something really, really big. Very few people can make a huge impact,โ€ Kuan said, sounding like Margaret Mead, the famed cultural anthropologist.

โ€œWe’re having the time of our lives,โ€ Kuan said.

โ€œItโ€™s the most fun Iโ€™ve ever had,โ€ Talbot added.

Herbal Quackery?

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Step into any health food store and youโ€™ll find shelves lined with capsules, powders and tinctures promising everything from sharper focus to better sleep and a stronger immune system. Itโ€™s an easy sell. Who wouldnโ€™t spend an extra $20 for a shortcut to feeling better? As one marketing specialist told me, โ€œthese days people are opting for an aspirin over a treatment plan.โ€

Which explains why Americans spend tens of billions each year on supplements. But hereโ€™s the catch: for many of the trendiest products, the science hasnโ€™t quite caught up with the marketing.

That doesnโ€™t mean these ingredients are useless. Many come from long-standing herbal traditions and may offer subtle benefits. But subtle is the key. The bold claims on the label often greatly outpace what research can reliably prove. And in many cases, the same compounds exist, more naturally and affordably in foods you can find in the produce aisle.

Here are seven popular supplements that may not be worth the splurge.

Medicinal Mushrooms

From reishi lattes to lionโ€™s mane capsules, โ€œfunctional mushroomsโ€ are having a moment. Theyโ€™re marketed for everything from immune support to brain health.

But while early research is intriguing, thereโ€™s little evidence that powdered or encapsulated mushrooms deliver noticeable results. As one biochemist I spoke with put it, if you enjoy mushrooms in a stir-fry or soup, great, theyโ€™re nutritious. But the pricey powders may not live up to the hype.

Turmeric Capsules

Turmeric has earned its reputation as a powerful anti-inflammatory spice. The problem? Its active compound, curcumin, is notoriously hard for the body to absorb.

Supplement companies attempt to solve this by adding black pepper extract or other enhancers, but results are inconsistent. For most people, incorporating turmeric into cooking may be just as beneficial as taking a concentrated formula.

CBD (Cannabidiol)

CBD exploded onto the wellness scene almost overnight, promising relief for anxiety, pain and sleep issues. While there is some evidence supporting its use for specific medical conditions, the research behind many everyday wellness claims remains limited.

Thereโ€™s also the issue of quality control. Studies have found that some CBD products contain inaccurate amounts of the compound. Until regulation catches up, itโ€™s a buyer-beware category.

Ginkgo Biloba

Once hailed as a natural memory booster, ginkgo has been studied extensively for its potential to improve circulation and protect against cognitive decline.

Large studies havenโ€™t found consistent evidence that it significantly improves memory or prevents dementia. While some users report feeling sharper, the overall scientific consensus is underwhelming.

Echinacea

Many people take it at the first sign of a sniffle, hoping to shorten the duration of illness.

But research is inconsistent. Some studies show a modest benefit, while others show no difference compared to a placebo. Itโ€™s not necessarily harmful, but it may not be the immune miracle itโ€™s made out to be.

Green Tea Extract

Green tea itself is a wellness staple, rich in antioxidants and linked to a range of health benefits. But concentrated green tea extract, often marketed for weight loss, is another story.

The evidence for fat-burning effects is weak, and high doses have even been linked to liver issues in some cases. A simple cup of green tea may be the safer, more enjoyable choice.

Homeopathic Remedies

Perhaps the most controversial category, homeopathic remedies are based on the idea that extremely diluted substances can trigger healing.

The dilutions are so extreme that many products contain little to no measurable active ingredient. Large scientific reviews have found no convincing evidence that these remedies work beyond a placebo effec.

The Bigger Picture

Itโ€™s easy to get swept up in the promise of a quick fix, especially when it comes in a neatly packaged bottle. But the truth is, most of the heavy hitters for long-term health donโ€™t come from a supplement aisle, or the medicine cabinet for that matter.

They come from daily habits.

A Mediterranean-style way of eating, rich in vegetables, healthy fats and whole foods. Regular movement, whether thatโ€™s a coastal walk, a yoga class or a weekend hike in Wilder Ranch. Consistent sleep. Time outdoors. Connection with others.

These arenโ€™t flashy. They donโ€™t promise an overnight transformation. But theyโ€™re backed by decades of research, and they work. And that kind of wellness doesnโ€™t come with a label.

Elizabeth Borelli is a local wellness advocate and workshop teacher. To learn more about the Mediterranean Diet, benefits and recipes, visit ElizabethBorelli.com

Fresh and Inviting

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How about wine from Sicily? The Fina Kebrilla Grillo Sicilia DOC 2024 is only $15 a bottle โ€“ money well spent on this interesting white wine made from Sicilian grillo grapes. It is fresh and inviting โ€“ with balanced acidity.

Knives Out

Itโ€™s rare to meet a professional knife-maker, but True Tourtillott is just that. He is the owner of Alma Knife Co. and makes every single knife by hand. Check out Tourtillottโ€™s website at AlmaKnifeCo.com

Dreamy Tea

The company Dream Tea NYC has come up with a smooth black tea called the Brooklyn Blend. Itโ€™s fruity peach and smoky, floral lavender, inspired by the creative energy of Brooklyn. And if you have walked the Brooklyn Bridge, youโ€™ll know what I mean! Great for the holidays is their Gingerbread Blend โ€“ or the delicious Chai Blend with hand-ground masala chai spices. Dreamteanyc.comย 

Winery Name Change

Clos La Chance Winery in San Martin has a new name! It is now called CordeValle Winery. The new owners say โ€œSame stunning vineyard. same warm hospitality โ€ฆ just a fresh identity to reflect all of the new ownership changes.โ€ Cordevallewinery.com

Healthy Foods to Try

Instead of the usual potato chips, try Cactus Crunch chips. Theyโ€™re crunchy chips made with natural ingredients such as nopal flour, corn, spinach, and flax seed. Theyโ€™re also gluten-free and vegan-friendly, and come in different flavors. Cactus-foods.com

 SHARE fermented foods are produced in Switzerland as a gut-healthy source of ??? HASSY Avocado Oil

Pacific Coast Vineway

Heading home after a wine-tasting trip to Paso Robles, we drove back north on the recently opened Hwy 1โ€“taking in breathtaking coastal scenery. Ensemble Hotels has launched a seven-day itinerary with a three-hotel stay during this coastal journey, including La Bahia Hotel & Spa in Santa Cruz, Bernardus Lodge & Spa in Carmel Valley, and Vinarosa Resort & Spa in Sonoma County. This luxury package is available February to December, 2026. Contact Ella Henry at Murphy Oโ€™Brien Public Relations at eh****@**********en.com for more info.

Fun Fusion

In addition to authentic Chinese dishes, Fusion Fare features what chef/owner Hongmin Mo calls โ€œhaving funโ€ when he uses his creativity to combine cross-cultural cuisines.

Born in Szechuan, China, he learned to cook from a young age with his parents, then went to culinary school before immigrating to America and ultimately landing in Santa Cruz. Cooking professionally here and further perfecting his skills, he also wanted to learn English and American culture, so he looked for and found an opportunity at Google, where he opened an authentic Chinese cafรฉ.

This experience taught him not only about managing and operations, but also about the magic of collaborating with other chefs and styles of cuisine. Inspired, Mo says he wanted to do โ€œsomething funโ€ and Fusion Fare is that, opened a little over a year ago in downtown Santa Cruz.

Served amidst what Mo describes as a modern Chinese ambiance, highlighted appetizers are the pork-filled Red Oil Wontons and the Golden Pockets with lamb, beef, onion and bell pepper stuffed inside a flour tortilla. Entrรฉe favorites include the authentically Chinese Lotus Root Stir Fry with firm tofu and a slightly spicy/numbing herb chili sauce, a masa flour yellow curry dish with chicken thigh, potato and coconut cream, and the fried Chongqing Spicy Chicken dressed and wok-toasted to marry the savory and spicy flavors.

An herb-braised duck is also on the menu, and desserts include a sesame ball filled with red bean paste and a coconut cream bowl inside a crunchy shell.

Where did your love for fusion originate?

HONGMIN MO: When I worked at Google, I got to know many other chefs during our monthly chef meetings. We would talk about other menus and I would try all the other cuisines. I became really intrigued by those new flavors and dishes, gained a new passion for other cultureโ€™s food and was inspired to integrate them into my own cooking.

How did the first year of business go?

Very well, people here in Santa Cruz have been very supportive. Business has been good, especially given that we donโ€™t advertise, so much of it is based on word of mouth. We have developed a loyal clientele of regulars and continue to have new guests try us out as well. We have gotten great feedback and people really love the food.

1003 Cedar Street, Santa Cruz, 831-266-5834; fusionfarerestaurant.com

Style Points

The risk you run when carefully guarding a big reveal is that anticipation can gin up expectations, so to speak, and even a good debut canโ€™t match the promise.

So the fact that Alley Oop! delivers big after three years of waiting represents an accomplishment in itself.

The suggested attitude posted next to the red carpet entranceโ€”โ€œDress sharp, speak easy,โ€ โ€œLeave the headlines at the door,โ€ โ€œNo phone calls, no flash photographyโ€โ€”finds satisfying realization inside.

The fashion-forward clientele, leopard print on the barstool backs, the shiny bar surfaces, fluted bank seating, and the Bukowski quote by the exit all harmonize, even without a player on the vintage piano, which I imagine takes this Oop up that much higher.

That effect is aided by sleek drinks done with precision and served with ease, like the textbook Sazerac I felt obliged to try, given owner Max Turigliattoโ€™s stated New Orleans-style inspiration for the place, and a very specific gin martini request my comrade made.

While we went classic, the opposite side of the slate does house creations ($14-$16). That includes the likes of the Green Room (with cucumber-infused eau de vie, Antica Torino Genepi, aloe liqueur, lime, celery bitters, soda water) or the Baritone Sax (Hine Rare cognac, Cocchi Barolo chinato, sirop de canne, angostura, absinthe spritz), a tidy reflection of Alley Oopsโ€™ emphasis on the premium French cognac and brandy beverages, and a nod to Turigliattoโ€™s musical background.

The food menu hits with a compact and crave-worthy lineup with treats like the Alley-Oop burger ($20), grilled lamb chops ($22), prawns vol-au-vent ($18) and 3-gram mounds of Ostera Royal caviar ($10). 

In short, this is just an outstanding addition [like the new bar-lounge-restaurant I spotlighted last week, The Hotel (200 Locast St., Santa Cruz), heaven-sent for a pre- or post-show pairing with neighboring Kuumbawa Jazz Center.

jazzalleylounge.com

POT COMMITTED

The spring brings a sea change to the Monterey Bay fishery and its two most lucrative catches, historically speaking, crab and salmon. The California Department of Fish and Wildlife (CDFW) has flagged Friday, March 27, as the conclusion of conventional trapping in the zones that our coast, to prevent migrating whales and turtles from becoming entangled with the gearโ€™s ropes. But so-called pop-up traps retrieved by remote signal, without vertical lines, are now permitted through the spring, meaning sustaining income for crabbers and local crustaceans for us. Check out the deep dive I did for the Monterey Bay Fisheries Trust, โ€œCrab Season’s New New Reality Isn’t What You Expect,โ€ at montereybayfisheriestrust.org. Recreational ocean salmon fishing in California, meanwhile, will return this spring after three years of closure, beginning April 11 south of Pigeon Point, wildlife.ca.gov/Fishing/Ocean/Regulations/Salmon.

FLAVOR OF FREEDOM

Some 50+ vintners of the Santa Cruz Mountains assemble for the 2026 Grand Wine Tasting ($85) at the storybook Mountain Winery in Saratoga on Sunday, March 29, winesofthesantacruzmountains.com/events/gt2026โ€ฆThe Santa Cruz Vegan Chef Challenge continues to add participating restaurants for an explosion of animal-free offerings next month, including recent additions Areperia 831, Pharaohโ€™s Plate, Circle & Square Bistro, Chaminade Resort, Davenport Roadhouse, and Girasol Pizza, veganchefchallenge.org/santacruzโ€ฆThe Homeless Garden Project hosts an โ€œEvening of Hopeโ€ at the Del Mar Theatre on April 15, featuring a screening of Jane Goodall: The Hope along with a panel discussion with community leaders and voices such as author Jonathan Franzen ($18 donation), homelessgardenproject.orgโ€ฆDr. Jane Goodall: โ€œWhat you have to do is to get into the heart. And how do you get into the heart? With stories.โ€

Wolf Jett returns

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The Santa Cruz mountain good folk, Wolf Jett, are having a release party for their third studio album, titledย Letting Go, on March 28th, at the Felton Music Hall.ย 

The eponymous single โ€œLetting Goโ€, is a transcendent gem. The wizards of Wolf Jett, take the listener on a sonic expedition full of beatific harmonies. 

The extended Wolf Jett family, includes the extraordinarily talented Jason Crosby (Phil Lesh & Friends, Jackson Brown). โ€œLetting Goโ€ continues Wolf Jettโ€™s ability to manifest that sweet spot in sound that you want when blasting while youโ€™re driving in a hot car, on a Sunday afternoon. 

Produced and recorded in Oakland by Jonathan Kirchner (Con Brio), Letting Go, is a the culmination of a four-year collaboration with Kirchner. Whatever alchemical magic occurred within the soundproof walls of the recording studio, Wolf Jett has emerged like a prehistoric direwolf. One hundred percent adaptive and able to survive all environments. 

2024โ€™s release Time Will Finally Come, was a powerful collection of songs, establishing the bands versatile dexterity, the craftsman-quality built songs, and a unique, but familiar, sound that is rough, sweet, and cosmic. 

On that album, Wolf Jett was already fully into the mystic. For example, โ€œDonโ€™t Give On Me Nowโ€ is a down and dirty song about seeking redemption, but itโ€™s uplifting and wouldnโ€™t be out of place in a hip church. Donโ€™t miss the crunchy organ solos at the conclusion; this makes for an ultra fine listening experience that youโ€™ll want on repeat.

Letting Go, is the bands calling card to the world. 

Letโ€™s wax hyperbolic. Wolf Jett is a fully formed dynamic band whose music reminisces of 1960โ€™s congregates like Delaney and Bonnie, who also enlisted the widest circle of talented friends to bring their songs to life. Wolf Jett isnโ€™t fucking around. Theyโ€™re ready. 

Considering the arduous journey of the band, Letting Go is a beyond the pale achievement of endurance and talent.  From his home in Boulder Creek, singer-songwriter Jon Payne talks about some of the more recent changes in Wolf Jettโ€™s line-up. 

โ€œWe had a couple of member shifts this year,โ€ Payne begins. โ€œWe welcomed Allyson (Makuch, on vocals) and Rory (Cloud, on guitar). They’re also a couple and they do their own music together. And they joined our band kind of in lieu of Laura (T. Lewis on vocals) and Will (Fourt on guitar). Laura just had her second baby. So she’s deep in motherhood and just couldn’t commit to touring right now because she wants to raise her child. And Will and his wife adopted a child. And so parenthood kind of took two of our longer term members and we’ve evolved and shifted with some new folks. And we actually added a keyboardist and a percussionist, Alex Benjamin. And so now we’re like a six piece band and we’re all in,โ€ says Payne. 

Chris Jones (singer/songwriter) and Payne put together Wolf Jett in early 2020. Just before the release of their debut album Wolf Jett, the world wide pandemic shut down the dream of being a traveling band.

To make it even more biblical, that August, the CZU Lightning fire consumed Big Basin State Park and much of the Santa Cruz mountains. Payne and his family, and his band, lost their home and studio to a stupendously wide-reaching tragic event. 

Besides being an authentically fresh frontman, Jones brings a Southern aesthetic that is elemental in the successful dynamic that drives Wolf Jett. In a country that is polarized, Jones genuinely hopes that Wolf Jett can bring people together. 

โ€œWe’ve kind of gone for a more international sound,โ€ says Jones from the road. โ€œI am from the South. I’ve lived in New York. A lot of bands are very regional, but we built this band to be a traveling band. We go to Colorado and Oregon and back to the South again. We are able to hit people all over the country. Right now what we need more than ever, and I know this is a cliche, but Iโ€™m putting my money where my mouth is in saying that, we need to be moving out of our regions and exploring other people’s cultures. And immersing ourselves in other people’s cultures so that we can have more empathy of what other people are thinking. People on both sides of this divide in America have way more in common than what they’re focusing on, on the internet. In the deep south, it’s a completely different political environment. But music can always transcend those boundaries. That’s like the overarching theme of our band,โ€ says Jones. 

Wolf Jett will be at the Felton Music Hall, 6275 Hwy 9, Felton, on Saturday, March 28th, at 8pm. Tickets are $29 and more information can be found at feltonmusichall.com

Krewe’s World Music Returns

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Toubab Krewe launched in 2005 with a unique synthesis of African and Western musical textures. Drawing on tradition infused with a contemporary approach, the group debuted on record that same year with a self-titled album. Right out of the gate, Toubab Krewe connected with both lovers of so-called โ€œworldโ€ music โ€“ the sort of listeners who thrilled to the music of Ali Farka Tourรฉ โ€“ as well as with aficionados of the jam band scene. Twenty -plus years later, theyโ€™re still expanding on that foundation. Toubab Krewe comes to Moeโ€™s Alley on March 20.

Two more albums followed: 2008โ€™s Live at the Orange Peel captured the group onstage in a hometown show in Asheville, N.C., and TK2 in 2010 found the band broadening its already wide-encompassing musical vision to incorporate surf and indie rock styles without losing the qualities that made the group special.

After nearly a decade of relentless touring, the band took a hiatus. The individual members remained as busy as ever; each would continue to be involved in multiple projects outside the framework of Toubab Krewe. But the break was never intended to be permanent, and by 2017 Toubab Krewe was back together for recording and live performances. 

And even with Toubab Kreweโ€™s busy schedule, each of the musicians finds time for myriad other musical pursuits. At the time of this interview, percussionist Luke Quaranta was at JFK for a layover on his way to play dates in London, Madrid and Paris with Weedie Braimah and The Hands of Time. โ€œDrew [Heller, guitarist and keyboardist] plays with Floating Action,โ€ he says. โ€œOur drummer, Terrence Houston has also been playing with George Porter Jr. for a decade and a half.โ€ Bassist Justin Kimmel is a veteran of Sharon Jones & the Dap-Kings; heโ€™s also a member of Brooklyn-based Afrobeat ensemble Antibalas. Multi-instrumentalist Justin Perkins plays with other groups as well.

But none of those outside activities prevent Toubab Krewe from focusing on their core musical mission of bridging African musical styles with rock. Even if one of the members canโ€™t make a gig, the groupโ€™s unique character endures. โ€œThis lineup has been together since January 2014,โ€ Quaranta says. โ€œOnce in a while we do shows as a quartet. And weโ€™ve gotten comfortable as a four-piece; the continuity remains intact.โ€ That will be the case for some of the West Coast dates (including Santa Cruz), as Houston will be on the road with Porterโ€™s band. 

In between their other commitments, the five musicians of Toubab Krewe are gearing up to begin work on a new studio album, their first since 2018โ€™s Stylo. โ€œWeโ€™ve got a hard drive full of 30-plus ideas, seeds of songs,โ€ Quaranta says. โ€œThe next step is to get the five of us together for a couple day of arranging, and then a studio session.โ€ In his view, Toubab Krewe has even more source material to work with than they had for Stylo or TK2

But first, thereโ€™s the bandโ€™s spring and summer touring schedule. Toubab Krewe launched its 20th anniversary tour in mid 2025, and it continues through a good portion of this year. A run of dates across the U.S. will keep the band busy into April; those are followed by a succession of festival engagements leading into early fall, including some additional bookings not yet announced at press time.

Keen listeners may spot some new, as-yet-unrecorded material in Toubab Kreweโ€™s sets this year, but the group is also fond of reaching back into its catalog. โ€œWeโ€™re looking to go a little deeper,โ€ Quaranta says, โ€œbringing in other stuff that hasnโ€™t been in the touring repertoire.โ€ And when they revisit those tunes, theyโ€™ll bring a fresh approach. โ€œMaybe those tunes that we havenโ€™t been playing in awhile will be re-arranged,โ€ he says. โ€œThatโ€™s fun, too.โ€ 

As a seasoned group of adventurous musicians, Toubab Krewe is always up for a challenge. Quaranta recalls a recent two-night engagement at the Green Parrot in Key West. Each night featured three 90-minute sets. โ€œSo we played nine hours of music inside of 30 hours,โ€ he recalls with a laugh. And the band played each nightโ€™s set without repeating any songs. 

Not only were those gigs a success, they helped prepare Toubab Krewe for this tour. โ€œBefore that gig,โ€ Quaranta says, โ€œthere were some songs we hadn’t played in a long time, where we felt, โ€˜Oh, these arenโ€™t ready for the stage.โ€™โ€ Now they are. โ€œWe felt super-tight coming out of there. But even more importantly, we stretched out on the tunes.โ€ He says that in some songs, โ€œlittle things happenedโ€ that he predicts may find their way into the bandโ€™s future. 

Quaranta says that the Santa Cruz date will be special among the West coast engagements. โ€œSanta Cruz is always such a great time, and this time Lespecial is joining us.โ€ The prog-tronic power trio from Connecticut makes music thatโ€™s dark and heavy, a contrast that actually pairs well with Toubab Kreweโ€™s style. โ€œTheyโ€™re technically supporting us,โ€ Quaranta says, โ€œbut itโ€™s more like a double bill.โ€ 

Toubab Krewe with Lespecial
Moeโ€™s Alley
Friday, March 20, 9pm
Tickets $25

Master Blaster

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Guitarist Dave Alvin, who brings his newest band, The Third Mind, to Moeโ€™s Alley this week, says he doesnโ€™t know whatโ€™s going to happen 83% of the time on stage with his  โ€˜โ€˜psychedelic-folk-jam-band.โ€

Yes, this is the same singer/songwriter who played with the LA roots-rock band, The Blasters, as well as the alternative band, X and the country-rock band, The Knitters. Heโ€™s written hits including  “Marie Marie” (recorded by Shakinโ€™ Stevens and Buckwheat Zydeco) and  “Long White Cadillac”(recorded by Dwight Yoacham) and released albums and toured with The Guilty Women and Jimmie Dale Gilmore, with whom he still tours.

But his new efforts, inspired partly by jazz great Miles Davis,  are a welcome relief for psychedelic music fans.

โ€œYou canโ€™t go on autopilot, you know,โ€ he says from his Southern California home. โ€˜In The Third Mind you have five people up there and you donโ€™t know where they are going to take you. That keeps the band from going, โ€˜Oh, God, I donโ€™t want to play this song again.โ€

The band is a throwback to the 1960s good old days of jamming and improvisation that stretches songs while stretching minds. If you miss the days of the early Grateful Deadโ€“which, based on the number of Dead cover bands playing around town, many doโ€“The Third Mind is a beautiful blast from the past soaring into a wild future.

Its last two appearances at Moeโ€™s were this reviewer’s favorite shows of the year, like finding a lost treasure I never thought Iโ€™d see again. The songs, many covers from the 1960s, such as โ€œMorning Dewโ€, were long, swirling trips played by rock musicians who improvise like jazz masters, uptempo, fun and freaky. Absolutely mind-blowing.

Alvin says he and bassist Victor Krummenacher talked for years about making an album outside of their comfort zone using the free-form techniques pioneered by Miles Davis on albums like โ€˜Bitches Brewโ€ and โ€˜Jack Johnsonโ€ with no rehearsals and no written out parts,โ€just agree on the key, turn on the tape machine and see what happens.โ€

Compared to so many contemporary rock bands that program their shows around lights and staging, their live sets take you on an adventure, reminding audiences what itโ€™s like not to know whatโ€™s coming next and hang on for the thrilling ride.

The band, which formed in 2020, includes bassist Krummenacher from Camper Van Beethoven, Monks of Doom, and Eyelids; singer Jesse Sykes from her Seattle-based group, Jesse Sykes and The Sweeter Hereafter; drummer Michael Jerome who has played with Richard Thompson, Better Than Ezra and John Cale; and touring guitarist Mark Karan, who has toured with Bob Weir and Phil Lesh and is beloved by Deadheads.

Guitarist David Immerglรผck from Counting Crows, Monks of Doom,  Camper Van Beethoven and John Hiatt plays on the bandโ€™s studio recordings.

โ€œVictor and I started discussing this idea around the year 2000,โ€ says Alvin. โ€œBut it really kind of boils down to finding people who were into the idea of no rehearsal and going in without any

idea of what you’re going to play.  A lot of guys aren’t into that. And so you’d ask people, and they would say, โ€˜No, that’s okay, manโ€™. You know, or โ€˜Good luck,โ€™ you know?โ€™โ€™

But he rounded up a crew of musicians ready to take chances on the tightrope.

โ€œThen as far as the vocalist, I had known Jesse since the late 90s. I was a big fan of her approach to singing because it was so unique. Each word gets highlighted. Like each word’s under a microscope when she sings. If we would have had a more, let’s say, traditional kind of vocalist, it would have been a more traditional kind of band.โ€

And, he says, unlike so many singers, she doesnโ€™t mind stepping back during long guitar solos.

Whereโ€™d the name come from?

โ€œWell, it’s based on the William Burroughs thing of, when you have two separate minds, you have two different people with two separate minds and two different sets of experiences and they come together, and they create something that creates the third mind.โ€

Alvin says he was more of a fan of Quicksilver growing up,over the Dead. But he loved Dead jams like โ€˜Dark Starโ€.

โ€œJerry Garcia made mistakes happily,โ€ he says. โ€œYou know, same thing with Neil Young, or early Mike Bloomfield. Mistakes to me are just the breeding ground of ideas. And they’re not things to be avoided.โ€

His strangest gig was opening for Queen in arenas during their heyday, when the Blasters didnโ€™t really know Queenโ€™s music. He got to see Jimi Hendrix when he was 13, which set a bar for wanting surprises during concerts.

โ€œIt’s something that’s been stamped out of pop and rock and roll music, the element of surprise and the element of discovery. You know, and it’s just like everything’s just a gig. It’s just the job. Punch your time clock stand in this spot. Play your eight-bar solo and if it’s honed right, it can work. It can be effective, but it bores me, you know. I donโ€™t like acts where I know whatโ€™s going to happen.โ€

And thatโ€™s what makes The Third Mind a must-see.

The Third Mind performs at Moeโ€™s Alley on Thursday March, 19.
Doors: 7pm / Show: 8pm
Tickets are $42.10 at moesalley.com and at the door
Ages 21+
1535 Commercial Way, Santa Cruz
831.479.1854


The Voice

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On Sunday, March 22, the historic Coconut Grove Ballroom at the Santa Cruz Beach Boardwalk will fill with music, memory and gratitude as the Santa Cruz community gathers to celebrate the life and legacy of beloved vocalist Tammi Brown. The event, โ€œHonoring Tammi Brown,โ€will benefit the American Cancer Society, and will bring together world-class musicians, longtime collaborators and friends for an afternoon of songs and stories dedicated to one of the most powerful and generous voices ever to grace Santa Cruz stages.

Doors open at 12:45 p.m., with the program running from 2 – 5 p.m. The afternoon will feature performances from musicians who shared stages with Brown over the years, along with video tributes and personal recollections that capture the depth of her impact on the local music community and far beyond.

I worked with Tammi dozens of times and no matter what kind of show it was, comedy, political, spiritual, or whoever was on it, youโ€™d wait for her to sing. Youโ€™d know something special was happening before she took the microphone. Maybe the smile that invited you to smile. Maybe the eyes dancing with joy. Then sheโ€™d throw her head back and bring the house down. Every time. She was given a big, beautiful voice-box that enthralled us with its resonance, and when she would use those vocal chords to laugh, her open spirit would fill every corner of the room, the most joyful sound Iโ€™ve ever heard.

Yes, she was gifted with a powerful instrument, but her ascension to a higher level came from her immersion in the musical traditions of the Black church, where gospel music is a communal act of spirit. I once asked her where her deep musical training came from and she said, โ€œOh, it all comes from the church. I got a gig playing organ for my church when I was five years old.โ€

Over the decades, that spiritual intensity fused with jazz sophistication to create a voice unlike any other. Tammi Brown moved from church-shaking gospel to smoky jazz phrasing without losing the slightest emotional power. She sang with the warmth of gospel devotion and the improvisational boldness of jazz.

Her career took her far beyond Santa Cruz. Brown collaborated with legendary artists including Quincy Jones, Bobby McFerrin and Joan Baez. She performed at the Apollo Theater in Harlem, at the Monterey Jazz Festival and on stages throughout Europe and the United States. Her recording career included work with jazz guitarist Stanley Jordan, who will be performing at the celebration, and blues artist Eric Bibb, as well as original projects co-produced with Tom Schuman of Spyro Gyra. Her vocals also appeared on the award-winning Lost American Jazz Book, which received Best Jazz with Vocals Album at the 18th Independent Music Awards.

For all those achievements, Brown remained deeply rooted in the Santa Cruz community. She founded the Santa Cruz Gospel Choir, mentored young singers and taught voice locally, helping nurture a generation of musicians.

In 2024, the Santa Cruz County Arts Commission honored Brown as Santa Cruz County Artist of the Year, not only for her artistic achievements but the generosity that defined her career.

The showโ€™s musical direction will be handled by master bassist Dan Robbins, known for his expressive style and wide musical range. Robbins worked closely with Brown and says her power as a performer came from something deeper than technical skill. โ€œI think people were moved by the clarity and tenderness and conviction in her delivery,โ€ Robbins says. โ€œEveryone knew that what came out of her mouth felt like absolute cosmic truth. Her instrument was beautiful, her actual voice, but it was also the energy that came through it.โ€

He recalls how Brown could silence even the most chaotic room. โ€œYou could be playing in a noisy bar where nobody is paying attention.โ€ Dan pauses here; I could tell he was choking up. He takes a moment and speaks. โ€œThen Tammi starts singing and suddenly the whole place gets quiet. She could captivate a room. And she never did it from a place of โ€˜Look at me,โ€™โ€ Robbins says. โ€œIt was always humble, and always powerful.โ€

Even when learning a song moments before performing it, Brown delivered standing-ovation performances. That extraordinary presence left a lasting imprint on the Santa Cruz music scene. Brown could sit in with virtually any band, jazz, gospel, blues, folk, and elevate the entire room with what Dan Robbins calls her โ€œquiet power.โ€ Her authenticity, he says, is what people remember most. โ€œSheโ€™d say, โ€˜Oh dear, I donโ€™t know what Iโ€™m doing,โ€™โ€ Robbins laughs. โ€œMeanwhile sheโ€™s playing in keys like D-flat with five flats. She was a complete, and natural musician.โ€

Celebration producer Jay Saber, who has organized many benefit concerts, says Brown never hesitated when he asked to perform for a cause. โ€œEvery single show that I asked her to play, knowing that it was a benefit for something, she always said โ€˜Yes.โ€™ It was never about the money for Tammi. It was about how she could help bring people in to support the nonprofit.โ€

Sundayโ€™s event will reflect that spirit. All proceeds over production costs will go to the American Cancer Society. Saber promises an afternoon that blends music, storytelling and visual tributes. โ€œWeโ€™re going to create a reverent and graceful afternoon,โ€ he says. โ€œWeโ€™ll have some wonderful videos and performances by amazing musicians who played with her over the years.โ€ Among those expected to perform are internationally known jazz guitarist Stanley Jordan, keyboardist Melvin Seals, known for his work with the Jerry Garcia Band, as well as local favorites including Dylan Rose, Matt Hartle and others from the Santa Cruz music scene.

Brownโ€™s musical instincts border on the supernatural. Saber remembers calling her for benefit shows, sometimes asking her to sing songs she barely knew. โ€œSheโ€™d say, โ€˜It doesnโ€™t matter what you want me to sing, Iโ€™ll be there,โ€™โ€ he recalls. โ€œSometimes sheโ€™d walk in, ask what the song was, pull it up on her iPad, and then knock it out of the park.โ€

On March 22, that natural brilliance will echo through the voices and instruments of the musicians she inspired. For this event, attendees will receive a commemorative color poster, and food and drinks will be available throughout the afternoon. Parking is available across the street with validation for a discount.

For those who never had the chance to hear Tammi Brown sing, the March 22 tribute may be the closest thing to experiencing it: a room full of musicians and friends carrying forward the spirit of a singer who lifted us all with Amazing Grace. On Sunday afternoon we will do what Tammi Brown spent decades doing for us. We will gather. We will sing.

Musicians Gather at the Coconut Grove to Honor the Life and Music of Tammi Brown
Benefit for the American Cancer Society โ€“ March 22 at the Santa Cruz Beach Boardwalk. Tickets at
eventbrite.com

Into the Redwoods

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If you could dream into being your ideal world, what would it look like? Who would live thereโ€”and who would not? How would they work things out when they went awry?

In A Circle Outside, a novel just published by Eye Books, Linda Rosewood brings to life one such dream, one with deep roots in Santa Cruz County. Rosewood evokes an effort to create a lesbian feminist utopia in the redwoods. Set in the 1980s, Rosewoodโ€™s world will be ruefully familiar to anyone who remembers those dreams, those days, but her writing is so immersive that a reader does not need to be anchored in memory.

Rosewood’s book is in the tradition of feminist utopias that go back to Charlotte Perkins Gilmanโ€™s 1915 book, Herlandโ€”books that, as Rosewood explains, allow readers to imagine โ€œa different way of living, where the sexes are equal, where the planet is revered, and where women donโ€™t need to be afraid to walk out the front door.โ€ But in A Circle Outside, she wanted to explore not just what that world could be but how women could resolve the conflicts that arise within the community, the conflicts women bring with them.

She explains that โ€œwhere the conflict in another utopia might be the men arriving in a big battle or something, I put a conflict resolution ritual.โ€ The characters in conflict โ€œare able to talk to each other about what happened and why, what theyโ€™ve learned, and eventually get to a moment of grace.โ€

Speaking from Ireland, where she now lives, Rosewood explains that she did not reread feminist utopias while she was writing. Nor, despite her 30 years in Santa Cruz, did she intend the book to be memoir or celebratory nostalgia?

 โ€œI intentionally wanted to leave all that in my deep memory,โ€ she explains. Instead, she says, โ€œI wanted to show women right now: Hereโ€™s some stuff you can try tomorrow. This is how they have meetings. This is how they do magic. This is a conflict resolution ritual. Hereโ€™s how we live.โ€

Inspired by Starhawk as well as Z Budapestโ€”who now lives in Santa Cruzโ€”Rosewoodโ€™s characters call themselves witches. โ€œI like that word,โ€ she says, โ€œbecause it is a little transgressive. And it has a lot of meaningsโ€”my favorite meaning is โ€˜to bend.โ€™โ€ As witches, they invent detailed, compelling rituals and practices not just to resolve conflict but to create a life pervaded with meaning.

Through ritual, they come to understand that โ€œthe thing you hate about yourself is actually the source of your strength.โ€ In the book, Rosewood says, and in many spiritual traditions, โ€œthis is called โ€˜the shadow.โ€™โ€ Wren, one of the main characters whose point of view shapes the book, has an overbearing mother who undermines her art and predicts the kind of women Wren is attracted to. Ritual allows her to free herself from her real and internalized mother and become present with her work and her people in a new way.

These references to ritual make the book sound solemn, but it is often quite funny. โ€œFeminism has a reputation for being dour,โ€ Rosewood says, and she wanted to undermine that perception. With the fractured wisdom of the present, it would have been tempting to parody the โ€™80s, but Rosewoodโ€™s satirical moments are loving rather than dismissive. She says she stripped the sarcasm from an early draft of the book and at the same time tried โ€œto leave a little bit on every page that was delightful.โ€

Among the delightful moments are the descriptionsโ€”not only of the rituals but of the redwoods, of women learning to build structures, Wrenโ€™s art, the erotic birthday massages, really their whole invented lives. Rosewoodโ€™s training as a science writer shines through at these moments, in the precision and significance of the detail.

It is impossible to engage with these lives without wondering who they will become, what they will carry into their future. Fortunately, Rosewood is working on a second and third book: โ€œThe next book is about the responsibilities of mothers, both mothers who give birth and who donโ€™t give birth. And then the last one will be about the legacy of crones, focusing on what they want to leave behind.”

Linda Rosewood will read from A Circle Outside at โ€œWonder and Awe in the Redwoods,โ€ย  2โ€“4pm March 22 at 239 High St., Santa Cruz.
Rosewood will also appear 3โ€“4:30pm March 28 at Felton Public Library, 6121 Gushee St., Felton.

lindarosewood.com


Venture Out

Hillary Talbot and Jenny Kuan at Cartier Womenโ€™s Initiative event
With women receiving just two percent of venture capital funding, two local founders are building a new model to change who gets fundedโ€”and who succeeds.

Herbal Quackery?

Various herbal supplements and capsules with green leaves on table
Billions are spent on supplements each yearโ€”but many may offer more promise than proof. Hereโ€™s what to question before you buy.

Fresh and Inviting

Bottles of Bernardus Chardonnay from Monterey County
Great wine doesnโ€™t have to break the bankโ€”this weekโ€™s picks highlight affordable bottles and flavorful discoveries worth savoring.

Fun Fusion

Chef Hongmin Mo cooking with flames in Fusion Fare kitchen
From authentic Szechuan roots to creative fusion dishes, Chef Hongmin Mo is cooking up something truly unique in Santa Cruz.

Style Points

Cocktail glass on table inside Alley Oop bar in Santa Cruz
With sleek cocktails, sharp style and a speakeasy vibe, Alley Oop delivers on its long-awaited debut in Santa Cruz.

Wolf Jett returns

Santa Cruzโ€™s own Wolf Jett return to Felton Music Hall with a powerful new albumโ€”and a sound built for connection and redemption.

Krewe’s World Music Returns

Toubab Krewe posing with instruments
Toubab Krewe connects with lovers of โ€œworldโ€ music and with aficionados of the jam band scene. Performing at Moeโ€™s Alley tonight, Friday March 20, 9pm

Master Blaster

The Third Mind band members posing together including Dave Alvin and Jesse Sykes in a group portrait
Dave Alvin returns with The Third Mind, a fearless psychedelic jam band channeling the spirit of the โ€™60s into something wild, loose and completely unpredictable. Thursday at Moeโ€™s Alley, 8pm.

The Voice

Tammi Brown singing on stage holding microphone and smiling during live performance
A community gathers to celebrate the life, voice and spirit of beloved Santa Cruz singer Tammi Brown at a special tribute concert on March 22, 2026

Into the Redwoods

Author Linda Rosewood smiling beside cover of her novel A Circle Outside
Linda Rosewood imagines a feminist utopia rooted in Santa Cruz history in her new novel A Circle Outside, blending ritual, humor and community.
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