Count on Sheep

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As vineyard manager at the 7,000-acre Paicines Ranch in San Benito County, Kelly Mulville has a rather significant task: he’s trying to practice organic, regenerative farming on 25 acres of vines while surrounded by hundreds of acres of vineyards being conventionally farmed.

“Our underlying philosophy is to allow, enable and support nature to flourish,” says Mulville, a longtime practitioner of holistic farming.

Adds Mulville, who came to Paicines Ranch in 2013, “We are trying to better understand our relationship with the natural world. It’s a constant balancing act.”

Conventional farming takes the approach of “how do we control the landscape to give us what we want?” While regenerative farming seeks to work with nature instead of at cross purposes, the end game is to do so in an economically viable manner.

That’s the challenge.

Working at Paicines Ranch, which has 300 acres of row crops and 7,000 acres of rangeland which support cattle, turkeys, pigs and sheep, is the fulfilment of a dream he’s long pursued—a dream that involves growing both grapes and produce.

Mulville has more than 25 years of viticulture experience in Arizona, California, New Zealand, Spain and Australia, and for a time farmed produce on the high plains of Colorado. His life trajectory changed when he met Sallie Calhoun, owner and manager of Paicines Ranch, who was looking for someone to help restore the ecosystem there.

As founder of the NoRegrets Initiative, Calhoun, who spent her early career in high tech as an engineer and co-founder of Globetrotter Software, her focus is on restoring soil health while sequestering carbon to mitigate climate change.

Calhoun and Matt Christiano acquired Paicines Ranch in 2001, when a proposed housing development for the former cattle ranch fell through. A longtime fan of native perennial grasses, Calhoun began reintroducing these grasses and developing a sustainable grazing program. She quickly recognized in Mulville the perfect person to install an organic vineyard as part of her vision for the ranch.

Most vineyards are farmed as a monoculture, devoid of vegetation save for vines. In contrast, the vineyard at Paicines Ranch is a polyculture that sports a partial overhead trellis system that allows sheep to graze among the vines throughout the year.

Most vineyards in the U.S. only allow sheep to graze on cover crops in the early spring before the vines bud out, as the tender shoots are too tempting for them to ignore. But Mulville wanted these wooly weed eaters to be able to graze in the vines all summer long, adding their fertilizer to the soil while aerating it with their hooves.

Mulville says the high fruit zone trellising also provides more shade from the canopy.

“It’s better for frost protection and mitigating heat, and it’s less expensive to install than conventional systems. If you go to Europe, particularly in Italy and Spain, many of the older vineyards are using higher trellising systems. It wasn’t just about a monoculture. They probably had chickens, pigs, goats and sheep way back then,” he said.

The benefits are many: having sheep doing the work eliminates the need for tillage and mowing between rows; as well as herbicides, suckering and hand weeding beneath the vines. Even more importantly, it improves soil health and encourages a diversity of plants, insects and birds. The results are measurable.

“We had an entomologist from UC Santa Cruz study our soils compared to neighboring conventional vineyards, and he says we are on the right path in a significant way,” Mulville said. “We are leading to the outcome we want and so are they. While theirs is financial, our goals are broader. We have observed a huge increase in insects and birds. We are part of a UC Davis study on regenerative vineyard farming versus conventional.”

For Calhoun and Mulville, soil health is the underlying tenet of this grand experiment. When Mulville surveyed the land before installing the first vineyard, they had 11 species of plants on the site.

“We are at well over 100 species now,” Mulville said. “Some we introduced and some came in on their own. Before we planted the vineyard, we used cover crops to add nutrients, and now we don’t even need it. The ecosystem put itself in a good position to support the vineyard, and all the birds brought in seeds and helped establish the current plant community.”

All those birds have, in turn, attracted birders, who flock to the ranch to observe, learn and become part of the larger ecosystem themselves. That’s the whole goal of the Ranch: to restore, renew and educate.

The ranch has regularly scheduled yoga classes and offers retreats with lodging and meal plans. Lunch, open to the public, is served most Thursdays from 11:30am-1:30pm at The Overlook, and tickets must be purchased by noon the day before. Paicines Ranch also offers an online store for purchasing pasture-raised lamb, beef, pork and turkey, along with heat-and-serve meals and merchandise.

As for the vineyard, the organically grown 17 varieties of grapes, including Assyrtiko, Fiano and Grenache Gris, have attracted a cadre of pioneering winemakers, including many women who are making Paicines Ranch Vineyard designated wines.

Mulville says he is currently working with nine vintners, including Margins, Terah Wines, Miguel Lepe Cellars, James Jelks, Stirm and Camins 2 Dream—the latter being the only label in California made by a Native American (Chumash) female winemaker.

“We interview all the people who make wine from here,” Mulville says. “We have to be on the same page. We want them to tell the story of what we are doing here.”

A winemaker dinner is planned for Dec. 6. Mulville muses that they could feature five different versions of Grenache. Now that’s diversity you can taste and appreciate.

Paicines Ranch, 13388 Airline Hwy., Paicines. Learn more at paicinesranch.com.

On the Line

Fresh seafood—grilled, baked, or sautéed with lemon and herbs, Gordon Ramsay-style. What could be more simple, healthy and delicious?

The answer depends on where you buy your fish—because in today’s seafood market, there’s a good chance you’re not getting what you think. Mislabeled species, questionable origins and misleading freshness claims are surprisingly common. So that perfect piece of “wild-caught” seabass? It might not be wild, or even seabass.

Ocean2Table, founded in 2014 by UCSC Environmental Studies graduates Ian Cole and Charlie Lambert, is a Santa Cruz–based Community Supported Fishery dedicated to delivering ultra-fresh, traceable food straight from the ocean and earth to your plate—no airplane required. Originally focused on sustainable seafood, Ocean2Table now offers a range of high-quality choices, all sourced with integrity and transparency with an emphasis on local.

Cole and Lambert launched Ocean2Table after working in fishery management, where they witnessed firsthand the alarming extent of seafood fraud. From rampant mislabeling to misleading catch data, they saw a system that left consumers in the dark. Their solution: build a direct connection between local fishermen and community members that is grounded in transparency and trust.

Today, Ocean2Table works with dozens of fishermen, offloading catch from fleets they’ve known for years or catching fish themselves via hook and line. They avoid species or methods linked to bycatch, habitat destruction or poor stock status. Their Fish Alert emails update customers on what’s available based on when the boats come in—there’s no fixed schedule, but there is a promise: delivery within a day of the catch being unloaded.

Over time, Cole and Lambert have continued to expand their offerings beyond seafood. They now manage a small orchard in Santa Cruz’s Ocean Street Extension, supplying avocados, peaches, plums, citrus, apples and pears, and locally grown or foraged mushrooms, plus poultry, dairy and pantry items—all traceable to the source.

The result is high-quality, responsibly harvested items from growers pushing the boundaries of sustainability. Their website even lists the name of the grower, harvester or producer to caption the image of each offering. The focus is on building a better food system for future generations: sustainability 2.0.

With multiple pickup sites, including a newly opened location on Swift Street (around the corner at the end of the building) combined with pickup and home delivery throughout Santa Cruz, Santa Clara and San Mateo counties, Ocean2Table is reimagining local food systems. The mission: to shorten the supply chain, reduce waste and help people reconnect with the origin of their food—one catch, crop and connection at a time.

Ocean2Table, 427 Swift St., Suite C, Santa Cruz. 831-295-8403. getocean2table.com

Summer Buzzin’

Summer’s here and the drinking is easy—or at least it should be. To help out folks who are looking for a new day-drinkin’ BFF, our taste testers sacrificed themselves in the name of scientific research. We set out to responsibly taste test the trendiest new crop of canned, boxed, balled and otherwise contained cocktails. These are the results of our experiences. Cheers!

SELTZER WATER WITH BENEFITS Local brand West Peak got positive reviews from Good Times’ tasters. Photo: Contributed

Best Starter Booze: Beat Box

Overview: From the leak-free, totally resealable, eco-friendly “juice box” design with bright hues to the swirly line drawings and animations straight out of a coloring book, everything about this brand screams out for the youthful drinker. This is “100% baby’s first juice-booze box,” snarked one taster. And while it is pitched as “the world’s tastiest party punch,” our tasters did not always agree.

One of the main issues (as with BuzzBallz, see below) is the use of an ingredient called “premium other than standard orange wine.” While we have no idea what that even means (apart from the obvious), this tends to create a sticky-sweet-aspartame taste with a nasty-gross aftertaste that lingers. For a while. We found the flavors Orange Blast and Fruit Punch to be completely undrinkable, with one taster saying “this is the flavor of the last thing I drank before I puked.”

That said, the Green Apple flavor tastes almost exactly like the Jolly Rancher hard candy and the color is so green it could easily be The Hulk’s signature cocktail. Hard Tea was a favorite among tea drinkers (duh), but not so much among our non-tea folks. But with 11% alcohol, only 100 calories and just 4 grams of carbs, Beat Box offers the highest “buzz-per-calorie” rating in our overall test. Just be forewarned about that funky orange wine.

The Deets: 11.1% alcohol; 100 calories; 4 grams carbs

Fave Flavors: Green Apple, Hard Tea

Didn’t Love: Exclusive Shaq Flavor Blueberry Lemonade, Pink Lemonade

Absolutely Hated: Orange Blast, Fruit Punch

Best All Around: VMC

Overview: We enjoyed absolutely everything about this line of canned cocktails made with blue agave tequila. We also got a lot of thumbs up and heart emojis from our friends on social media, where VMC is getting a lot of (forgive us) buzz lately. From a marketing standpoint, if Beat Box is for your young, maybe-still-pimply VR-gamin’ cousin who just came of drinking age, VMC is for your beautiful, sophisticated niece who dresses impeccably, likes gold and wants a drink that doubles as an accessory (when she finishes her Matcha). This is the quintessential drink for posing poolside. Our tasters also felt the flavors were fresh, light and tasty and “you could easily chug” these drinks if the situation called for that, as it sometimes does. We taste. We don’t judge. We were disappointed that the Tamarind flavor was not in the sampler we purchased, because that sounds delicious.

The Deets: 5.5% alcohol; 130-150 calories; 10-14 grams of sugar

Fave Flavors: Jamaica Hibiscus Cocktail and Margarita

Didn’t Love: Paloma smelled like Fresca, which was nice, but had a too-sweet, almost powdery consistency

Best Frozen Solid: Cut Water Spirit Pops

“The ice is nice and crunchy,” our taster said. “This would be great for those who like to munch on ice.” Cut Water spirit pops are like “Otter Pops with benefits” according to another taster. And that is an apt description because they are exactly like an Otter Pop, with that same packaging, easy grab and go convenience and no cup or glass needed. Plus, they come with great flavor and a nice little kick of alcohol. Our tasters liked the crunchy first bite, but also enjoyed the pop once it reached more of a slushy consistency. It’s unclear if they would remain fully frozen in a cooler at the campsite, picnic or the beach, but frozen solid straight out of a freezer, they were refreshing, icy-cold and satisfying. Following the recommendation of friends, we tried freezing a few of the Beat Box flavors, which didn’t work because, well, the box froze and then we couldn’t get any of the liquid out. But with the Cut Water pops, you simply cut the plastic top off and push the frozen part up. We’ll say it again: Otter Pop with a kick, anyone? Count us in!

The Deets: 5.9-7% alcohol; 80 calories; gluten free

Fave Flavors: Rum Mojito, Rum Mai Tai

Didn’t Love: Chocolate Banana…which probably doesn’t need an explanation

Best After Alligator Wrestling: Cayman Jack

“This is something I can drink around my guy friends without apologizing that it’s not a beer,” said one of our male tasters. “It’s very manly.” While the gals in the group were not exactly sure why that mattered, it did definitely seem like the more testosterone you had, the more you liked this brand. Stunned that the standard Cayman Jack margaritas have 33-38 grams of sugar per can, we decided to try the “zero sugar” Margarita sampler pack. While they were not as pleasing as the VMC margaritas, they were fine enough. While sort of “meh” and nothing to write home about, for the manly-men out there looking for a highly masculine non-beer alternative on the next fishing, cross bow or hunting trip, we raise a glass!

The Deets: 4.8% alcohol; 100 calories

Fave Flavors: Mango, Strawberry Margarita

Didn’t Love: Passion Fruit Margarita, Margarita

The Best Balls: BuzzBallz

Of all the pre-made cocktails generating buzz out there today, few are doing it better than BuzzBallz. Whether it’s the little ballz (6 oz.) or the “Biggie” ballz (1.75 liters), they seem to be bouncing around everywhere. As deeply committed researchers, we gave our all to this exercise and tried no fewer than 12 BuzzBallz flavors. We had some very low scores with flavors such as Berry Cherry Limeade, which sounds like it’s having a massive identity crisis, and Horchata, which all of us WANTED so much to love, but just couldn’t. It was awful. The only flavor we liked LESS than Horchata was the Hazelnut Latte, which has the sad distinction of being the only flavor in this entire project that got a ZERO rating from everyone who tasted it.

We discovered that the trouble with BuzzBallz is similar to the issue with Beat Box, but in the case of BuzzBallz it’s peach (not orange) wine. What’s the problem? “It tastes like ass,” our most emphatic taster offered up.

But never to be called out for our lack of commitment—remember, we tried 12 flavors—we had the most heart for the Chili Mango flavor (which surprised us all) and the Tequila Rita (which surprised no one). The Cran Blaster flavor also pleased some of our tasters.

But overall we sort of struggled to see what all the buzz about BuzzBallz is about. We questioned if we weren’t young, hip or cool enough—even though we are all of those things! We ultimately arrived at a few flavors we would willingly drink…and not just because it’s the last thing in the cooler at the end of the party. But it took a lot of work and the vile aftertaste of that peach wine almost wasn’t worth it.

What’s funny about BuzzBallz is despite being a so-called pre-made cocktail, they still seem like they are missing something. Many times our tasters found themselves saying, “if you just put some more coffee in it” or “it needs lime, salt and cilantro” or “if you added a little Irish Cream or Kahlua”…which sort of defeats the whole notion of a pre-made cocktail. That said, these little ballz could also play nicely as a mixer in a blended drink where additional zhuzh can help mask the nastiness of that peach wine.

The Deets: 15% alcohol; 197 to 297 calories

Fave Flavors: Chili Mango, Tequila Rita

Just OK: Choc Tease, Espresso Martini, Forbidden Apple, Cran Blaster, Peach Ballz, Strawberry Rita

Didn’t Love: Berry Cherry Limeade, Lotta Colada, Horchata

Absolutely Hated: Hazelnut Latte

The Best of the OG Cans: High Noon

Yesterday…today…tomorrow. Like true love, we are forever here for the High Noon. It’s the OG of OGs in the canned seltzer category, alongside White Claw and Truly, which all of our testers agreed are all still quite good, if a little played out. But there’s just something about High Noon that stands apart. We got the sampler that included Grapefruit, Pineapple, Watermelon and Black Cherry—and every flavor rated at least an 8 on our 1-10 scale. Our tasters had previously experienced Mango and that was also considered a favorite. In 2023, High Noon was the top-selling “RTD” (Ready To Drink) brand and by all accounts they are still going strong.

The Deets: 4.5% alcohol; 100 calories; 2.6 to 3.0 grams sugar

Fave Flavors: Grapefruit, Pineapple, Watermelon and Black Cherry

Didn’t Love: We’ve never met a High Noon we don’t like!

Best Regional Bevvie: West Peak

One of the newest entrants to the canned cocktail game is Santa Cruz’s own West Peak. True to its local roots, West Peak’s marketing claims it is “not just creating a new product, we’re igniting a rebellion against the mundane.” They seek to achieve this by offering the refreshment of a seltzer with the complexity of a cocktail. Our tasters especially liked the Sparking Tequila Paloma which the label says contains a hint of ruby red grapefruit and sea salt, both of which rang deliciously true on our taste buds. The sea salt in particular was a nice addition—fresh and unexpected in terms of the taste, but also charming in a nod to the ocean environment from which the West Peak brand originates. The Sparkling White Rum Cooler claims a hint of Yuzu lemon and Ume plum, neither of which we were familiar with, but make for a clean, light, refreshing thirst quencher. “I could see these being a huge hit with the La Croix, Spindrift crowd when they want an added kick,” said one taster, referencing two popular brands of canned sparkling waters. “Seltzer water with benefits, perhaps?” asked another taster. “Exactly!”

The Deets: 6% alcohol; 140 calories; 2 grams sugar; gluten free

Fave Flavors: Sparkling Tequila Paloma, Sparkling White Rum Cooler

Didn’t Love: Sparkling Vodka Punch

MORE FOOD AND DRINK FEATURES

Sheep Among the Vines

On the Line

Benefit Brews

Primus Plays Their Debut at UC Santa Cruz’s Quarry

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After seeing them half a dozen times over the past decade or so, I can safely say there’s nothing like a Primus concert. They’re one of the only bands around today that can bring kids, parents and grandparents along with rockers, hippies, trippers, metalheads and punks all together in one area happily dancing, smoking and getting along with one another.

Last Sunday night, Aug. 2, at the UC Santa Cruz Quarry Amphitheatre was a perfect example of that.

First off, for those who have never been to the Quarry Amphitheatre, do yourself a favor and find a concert you want to see there and buy the ticket. The 2,600 standing capacity, 2,300 sitting capacity, open air venue is nestled between the redwoods under the stars and has an air of magic about it. The sound in the natural amphitheatre is immaculate and the lights cast an enchanting glow. This was my first experience—despite having written about it when it reopened—and it definitely won’t be my last.

Unlike most of the fans there, I was working the show as a volunteer. The tickets were divided into several different tiers with VIP holders getting an intimate Q&A with the band prior to the show. The group I was assigned to wrangled the “Lucky Bastards,” as they were called, into the college classroom for the event. After everyone filed in, the band was brought out into director chairs in front of a backdrop featuring the “Onward & Upward” tour poster art. 

Unfortunately, I was only able to stay for part of the Q&A and neither photos, audio recording or video recording was allowed. Fans were asking questions for the band’s new drummer, John Hoffman, about touring; questions for bassist Les Claypool and guitarist Larry LaLonde about recording with the late, great Ozzy Osbourne; and if Primus was a pizza, what would the toppings be.

“Cheese,” LaLonde laughed.

One of the more interesting questions was directed toward Claypool and LaLonde about if—and how—Hoffman has changed the dynamic of the band.

After explaining the band wasn’t expecting to be on tour at the moment, Claypool gave Hoffman credit for “blowing some exciting wind into the Primus sails.” He added they’re currently talking about going into the studio following the debut of their newest track, “Little Lord Fentanyl,” released this past May despite having no intention pre-Hoffman earlier this year.

One thing I took away from the Q&A was that Primus loves a good shirt. For the first several questions, either the band or the fans—or both—exchanged mutual respect and love for the various shirts each was wearing. It was quirky and fun to observe the pleasantries and something that felt so very Primus for some reason. Especially when Claypool said one fan’s shirt looks like the formica sinks at his Claypool Cellars winery in Sebastopol.

SETTING THE STAGE Nestled between the redwoods under the stars, the Quarry Amphitheatre has an air of magic about it. PHOTO: Mat Weir

Despite being toward the end of the tour—which finalizes Aug. 8 in Sacramento—the band was in great form. While indie rock act Rooney was billed as openers, Primus went on without them around 8:20pm. Their first set was a mix of deep cuts and mellow jams like “Groundhog’s Day,” “Restin’ Bones” and “Bob’s Partytime Lounge.”

In a surprise twist, they ended the first set with “Thela Hun Ginjeet” by prog rock legends King Crimson. It was reminiscent of shortly after the Covid lockdowns were lifted in 2021, when Primus went on tour performing Rush’s A Farewell to Kings album in its entirety. Does the inclusion of King Crimson’s track hint at a future cover tour? We shall see.

After a brief intermission, Primus hit the stage for a second set that was packed with energetic bangers and fan favorites. They opened with “The Heckler,” off 1999’s Antipop, then went straight into “Little Lord Fentanyl.” From there they unleashed an arsenal of strange goodness like “American Life,” “Welcome to This World,” “My Name is Mud” and into the aquatically atmospheric “The Ol’ Diamondback Sturgeon (Fisherman’s Chronicles Pt. 3).” 

Like I said, Primus brings all types of music fans together and I’ve seen some of the strangest—and nicest in demeanor—mosh pits at their shows. Surprisingly, not a single pit broke out until “Jerry Was a Racecar Driver,” the third to last song of the night. The set ended with a hearty version of “Follow the Fool” then came back out for a very extended (10- to 15-minute) encore of “Harold on the Rocks” where LaLonde went off on a jam that sounded like it had hints of Led Zeppelin’s “Dazed and Confused” mixed in.

Maybe it was the outdoor venue under the stars. Maybe it was the three hours of sleep I got the night before working multiple jobs all day. But this was one of the more interesting Primus shows I’ve been to in terms of energy and songs played.

That’s not to say it was bad—not in the slightest. At this point in their career LaLonde and Claypool are finely skilled musical warriors, especially with the addition of new blood behind the kit.

From a longtime fan’s point of view, the inclusion of Hoffman signals a golden era for the band that promises plenty of new chapters. But first they have to see just what they can do with this version—growing without the pains—and this tour seems like it’s the starting point for an upcoming marathon of frizzle frying, rhinoplasty and those damn blue-collared tweakers.

One thing’s for sure, Primus sucks and we love them for it.

Rebuilding After CZU

The morning sun beams between the charred trunks of redwood trees towering over a work site on Rambling Road, deep in the Riverside Grove neighborhood of Boulder Creek. Hammers pound and saws slice as volunteers begin erecting wood framing over the recently poured concrete foundation for what will be Tonia Weakland’s new home.

Almost five years ago, the cabin that had been in her family for decades burned to the ground in the CZU Lightning Complex Fire that tore through the area in late August 2020. Her neighborhood had been one of the first to be evacuated, and the home was gone within the first days of the inferno’s monthlong siege.

Since then, the single mother of two has been renting an apartment in Santa Cruz—all the while holding out hope that someday she would rebuild. Now, that “someday” has finally arrived. The project broke ground just a few weeks ago with the help of volunteers from the Santa Cruz County Long-Term Recovery Group and Habitat for Humanity Monterey Bay.

“The last five years have been so damn hard,” Weakland says. “I’m so grateful to get the help with the rebuild.”

These and other organizations are helping residents like Weakland rebuild as part of the community-led recovery and rebuilding efforts. They are working alongside county officials and partner organizations to bolster both the immediate response and lasting recovery efforts after disasters.

The CZU Lightning Complex Fire blazed from Aug. 16 to Sept. 22, 2020. It was among the 650 wildfires that scorched over 2 million acres in Northern California due to dry lightning strikes. It displaced over 60,000 residents, burned more than 86,500 acres and razed almost 1,500 structures, including 911 homes.

Tonje Switzer’s home in Bonny Doon was lost in the flames. At the time, she was the operations manager for the Family Resource Collective, run by county nonprofit Community Bridges.

“We were personally impacted. Our house burned down in Bonny Doon, so that was my entry point, really, into that work,” Switzer says.

Switzer is now the executive director of the Long-Term Recovery Group. Formed in late 2020, it was created as a collaboration of agencies and organizations to provide coordination of recovery services to CZU Fire victims. In 2023, the organization obtained nonprofit status to formalize their efforts. They work with the county’s Office of Response, Recovery and Resilience, which was also formed in the wake of CZU. Partner organizations include Community Foundation Santa Cruz County, Catholic Charities Monterey Bay, Community Bridges, Habitat for Humanity, and Valley Churches United. Representatives of these organizations form part of the Long-Term Recovery Group’s Unmet Needs Committee, which identifies residents still needing assistance with recovery.

Two people posing at a construction site on a lot in the forest
RECOVERY MODE Tonje Switzer (right), executive director of the Long-Term Recovery Group, lost her Bonny Doon home in the CZU fires. PHOTO: Josué Monroy

To this day, CZU victims are still grappling with permitting and other issues stopping them from rebuilding, and the Long-Term Recovery Group is continuing to show up.

“It’s my community; talking to my neighbors, being aware of the people that live here that still haven’t been able to recover, and why, has allowed me to also be an advocate in the community. And sort of bridge that gap between the community and the county,” Switzer says.

The county’s permitting process has been a major roadblock and despite years of promises to “streamline” processes, residents continue to have issues. But county officials—including a recently elected supervisor—have been pushing to fix the problems, working to get residents back in their homes and better prepare for the next disaster.

Changing the Culture

Santa Cruz County Fifth District Supervisor Monica Martinez had to evacuate her Felton home during the fire. Luckily, her home was spared, but many of her neighbors lost theirs.

Martinez, who at the time was the CEO of healthcare nonprofit Encompass Community Services, saw the difficulties they faced as they embarked a rebuilding process mired by red tape, and decided to run for the fifth district seat, winning in November 2024.

“To rebuild in the Santa Cruz Mountains is incredibly difficult, and our county didn’t have the process or the infrastructure or the support it needed to expedite the rebuilding process at the time. There were really outdated systems and protocols in our planning department that became barriers,” Martinez says.

The county began tracking the pace of recovery in February 2022 with the CZU Fire Recovery Permit Center Dashboard. As of this writing, the dashboard shows 155 single-family homes rebuilt in the CZU fire area, with outstanding permits for another 142 dwellings. Less than a third of the total lost homes have been rebuilt five years on.

David Reid, director of the Office of Response, Recovery and Resilience, acknowledges residents’ frustration and says the county has been working to streamline processes where it can, but that rebuild timelines are unique to each case, and certain regulatory requirements like geological surveys and septic system designs can’t be skirted.

“All of these things…can make recovery harder, and yet, there’s not a lot the county can do to streamline those things or make them go away,” Reid says.

Despite these efforts by the county, Tonia Weakland is still skeptical.

“I think there needs a more consolidated effort to make rebuilding more affordable.”

Many residents were underinsured for fire damage, with payouts not being enough to cover rebuilds. Weakland says she had a $250,000 policy on her home, less than the estimated $400,00 cost to rebuild. The federal response was also a challenge for residents, as the Federal Emergency Management Agency. Weakland says that she, like many, was denied FEMA assistance because she already had some form of fire protection insurance.

In response, disaster recovery is being supported by a community-built safety net.

Local Safety Net

Erin Shiroda is a disaster case manager for Catholic Charities Monterey. She’s seen her clients go through the “grueling” permitting process to rebuild. But despite that, she sees a community coming together.

“We’ve seen the strength of our community up in the SLV area. It’s been really amazing to see people come together to recover—the neighbors help each other—and all the different partner organizations that are involved,” Shiroda says.

They are working to fill the gap in funding needed for clients to rebuild. These efforts are primarily supported by Community Foundation Santa Cruz County’s Fire Fund. The fund has provided over $7 million in assistance.

Community Foundation CEO Susan True says that the relationships her organization built with other nonprofits during the COVID-19 pandemic response helped lay the ground for the local response to CZU.

“Our neighbors rely on us both for the early and for the enduring response. After the TV cameras leave, it’s us that’s left, and that’s just the way it is. This community has continued to give to help their neighbors recover and we are responsible for making sure those dollars go to help people rebuild their lives,” True says.

HANDS ON Long-Term Recovery Group project manager Dylan Childs leads the all-volunteer work crew helping out on Tonia Weakland’s rebuild. PHOTO: Josué Monroy

County officials recognize the importance of partnering with other organizations.

“What the Long-Term Recovery Group and the philanthropy support through the Community Foundation has been able to do is to support closing that gap for community members and getting more people in through their new front door. And I think the importance of that work cannot be understated,” Reid says. “I think one of the greatest learnings and successes, I would say, of the aftermath of the CZU.”

Back at Tonia Weakland’s rebuild site, Long-Term Recovery Group project manager Dylan Childs is leading the all-volunteer work crew, which is saving her the high cost of labor.

“The struggle is to be underinsured and to be able to afford to rebuild with the new regulations…out here it’s most of everybody’s budget. On projects like this, we’re able to save close to $200,000,” Childs says.

Lydia Morgan is volunteering with the Santa Cruz County Long-Term Recovery Group through AmeriCorps.

“It’s beautiful to see the reaction from our clients, like when they see that we’re breaking ground. … I think it’s a very emotional thing for them. It’s been almost five years, and I think for them to finally see progress is just very validating and very important, and to be a part of that is super fulfilling,” she says.

Weakland is feeling the love.

“If there’s any silver lining around it, certainly I’m much more connected to my community and my neighbors now than I was before.”

Josue Monroy is communications coordinator for Community Foundation Santa Cruz County. For more about the foundation, visit cfscc.org.

Watsonville Farmers Market Chilled by ICE Presence

On a normal Friday afternoon, the farmers market in downtown Watsonville is a bustling, joyous event, with gaggles of children playing in a bounce house and families happily in long lines to purchase fresh produce and freshly made food.

But since President Donald Trump took office in January—and the Republican-led government began enforcing his hardline immigration policies—the definition of ‘normal’ has shifted significantly.

Now, with fears that immigration officials could be patrolling communities on the lookout for undocumented residents, many people are opting to stay away from events that normally encourage large gatherings.

Ivan’s Baked Potatoes, which has been a mainstay at the Watsonville market for more than 20 years, usually boasts a line of dozens of people. 

Vanessa Cosio, whose family owns the stand, said that the crowds at the Hollister farmers market have also been lower, and were significantly down at the recent Salinas Rodeo.

“Seeing that impact is sad, because it impacts not just us, but all of the local businesses,” she said. “We’ve definitely had a hit, but hopefully we get better days.”

“We want to support the community any way we can,” Cosio added. “They supported us for many years, and this affects us not just business-wise, but seeing our community in pain and scared, that definitely is sad.”

Alvaro Acosta, whose business MJ Bees Honey began selling last year, said he has seen a 30% decline in his walk-up business at both the Watsonville and the Salinas markets. 

“Everyone is afraid,” he said. “They don’t feel free walking around.”

The same is true at the Tu Universo farms produce stand, said that some customers are now having their food delivered, rather than risk going to the market in person.

Citlalli Nunez, 23, who has been working at the Watsonville farmers market for 14 years, said she has seen a huge decline in business at local markets.

“Ever since we got the notice that ice was in town, people are scared,” she said. “But I try to encourage people to come out and get what they need, because everyone has to eat.”

Farmers Market Manager Jesus Madrigal said the problem is the same across the U.S.

“I think there are a lot of people who are afraid of being out,” he said. 

One vendor stopped coming, saying they said they didn’t want to put their employees at risk.

“You get the feeling it’s not very festive,” he said. “It feels more quiet.”

CHILLING EFFECT The Watsonville Certified Farmers Market has experienced thinner crowds recently following President Trump’s crackdown on immigration. PHOTO: Tarmo Hannula

Madrigal says he has not yet seen any immigration enforcement at the market.

A big part of the problem, he said, is that many people are spreading rumors that Immigration and Customs Enforcement (ICE) agents are in town—and even at the market—without first checking on the truth of the claims.

In Santa Cruz County, that can be done through Your Allied Rapid Response (YARR) and in Monterey County at the Solidarity Network Monterey County Response.

Spreading rumors without checking their veracity, Madrigal said, can unnecessarily scare residents and harm businesses.

Still, there have been confirmed actions by ICE in both Watsonville and Santa Cruz.

According to the city of Watsonville, ICE contacted Watsonville eight times between March 1 and June 19 to say they were conducting various operations, and each time called to report when they were finished. The federal agency did not, however, request assistance from WPD.

“There are a lot of people that are afraid, for very good reasons, and we see that throughout the country,” Madrigal said. “There is a fear that if you are legally here and you happen to look a certain way, they will take you.”

The foot traffic now, he said, is far lower than the 3,000-plus people he usually sees on a typical Friday.

“I’d like to say don’t be afraid, but I can’t say that because it is happening throughout California and throughout the country. The fear is real,” he said.

He suggests people have a plan wherever they go, and to refer to the “red card” listing everyone’s rights and responses when contacted by immigration officials.

“Everybody has rights, even if they are illegally here,” Madrigal said.

H.R. 4696 Would Provide Path to Citizenship

Martin Rubalcava came to the U.S. in 1979 from Mexico, and before he earned his citizenship, he constantly worried about getting rounded up by immigration officials.

“With the papers, I could begin to feel safe,” he said through a translator. “I could invest, help my kids get ahead, and feel free. Nobody could kick me out anymore.”

Rubalcava told his story July 25 in Watsonville, during a press conference, as Rep. Zoe Lofgren introduced H.R. 4696, a bill that updates parts of the Immigration and Nationality Act (INA), better known as the registry.

Rubalcava’s fellow field workers are now facing the same fears as President Donald Trump and his administration enforce their hardline stance against undocumented residents.

“I feel bad watching my community be afraid,” he said. “The workers today deserve the same thing I received: the opportunity to become American citizens and get ahead.”

H.R. 4696 would allow immigrants who have lived in the U.S. for seven years or more and have a clean criminal record to apply for permanent residency.

Watsonville Mayor Maria Orozco called the bill “a proposal that could change lives.”

It would, she said, provide a pathway to legal residency to immigrants “who have built their lives here, raised families here, and contributed to cities like Watsonville for decades.”

Santa Cruz County Supervisor Felipe Hernandez agreed. 

“In Santa Cruz County, immigrants aren’t just a part of our community, they are the heart of it,” he said.

Lofgren’s bill, he said, is “about giving people who have proved their commitment to this country the opportunity to step out of the shadows and into the light.”

But while the bill is likely to strike a chord with many residents, not everyone is on board with it.

Santa Cruz County Central Republicans Central Committee Chairman Mike Lelieur said that the proposed legislation effectively functions as an amnesty program for undocumented individuals.

“While proponents argue that this update modernizes an outdated system and provides stability for long-term residents who contribute to society, we view it as undermining the legal immigration process,” Lelieur wrote in an email. “By prioritizing those who entered or remained in the U.S. unlawfully, H.R. 4696 risks creating an unfair advantage over immigrants who have diligently followed legal pathways, waiting years for visas or green cards.”

That could “disincentivize lawful immigration and reward illegal entry, contrary to the principles of fairness and the rule of law,” he said.

Lelieur added that the Immigration Reform and Control Act of 1986 legalized approximately 2.7 million people, but failed to curb illegal immigration in the long term.

“We argue that such policies may encourage further illegal immigration by signaling that long-term unlawful presence will eventually be rewarded,” he said.

Lofgren said that most people agree with President Donald Trump’s campaign promise to deport violent criminals.

But many people, such as day laborers, busboys and farm workers—even those without criminal records—are being rounded up by immigration officials, she said.

“I think that’s outrageous, and it deserves condemnation,” she said.

Lofgren said that the local agriculture industry generates some $1.5 billion annually.

“Clearly farmworkers are invaluable in Santa Cruz County,” Lofgren said. “In fact, Americans around the country have food on their tables day in and day out because of the backbreaking labor in the fields by farmworkers. Providing stability to our communities versus terrorizing them will make our country stronger.”

The bill is almost certain to get pushback from the Republican-controlled U.S. government, but how much is unclear.

Because the hardline stance on immigration issues is affecting law-abiding residents, many Republican lawmakers are receiving backlash from their constituents, Lofgren said.

“This is a bill that gives them a way out,” she said. “It’s in keeping with American values, and I hope that they come to their senses.”

Lofgren authored the bill along with Representatives Norma Torres, Lou Correa, Grace Meng, Adriano Espaillat and Rep. Jesús “Chuy” García.

The registry provision was first enacted on March 2, 1929.

It allows certain immigrants who have been continuously present in the U.S. to apply for permanent residency if they have a clean record.

The press conference coincided with U.S. Senator Alex Padilla’s reintroduction of the Senate companion legislation at an event in Los Angeles.

Click here for the full text of H.R. 4696. Click here for a one-pager about H.R. 4696.

Work Begins on Tiny Village in Watsonville

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Monterey County officials have finally broken ground on a “tiny village” project that was delayed for months after neighbors raised concerns and twice appealed to the city of Watsonville.

The 34 small dwellings were intended to give homeless residents living along the Pajaro River a place to live while construction crews rebuild the levee.

But as they prepare for construction to start soon—with a target completion date of late November—officials in Santa Cruz and Monterey counties and several nonprofits are scrambling to find places to move the more than 100 people living in unsanctioned encampments along the levee.

“We’ve got to clean up the river sometime later this summer, and it’s likely to be before the tiny homes are fully ready, and that’s unfortunate,” said Mark Strudley, director of the Pajaro River Flood Management Agency, which is responsible for the levee operation and maintenance. “It’s not the way we wanted it to happen.”

Plans to do a wintertime preemptive cleanup in January fell through when bids for the work came back between $600,000 and $2.2 million, Strudley said.

The agency’s annual maintenance budget, he added, is $2.5 million.

“Even at the lower end we just can’t spend that much money out of our budget to deal with encampments,” he said. “Our budget is really meant to address levee maintenance and channel maintenance.”

The main issue, Strudley said, is that the task of cleaning up from unsanctioned encampments is beyond the purview of a flood management agency’s expertise and experience.

“It’s not something a flood control should or could deal with alone, and that’s going to require that acknowledgement and partnership with both counties and the city, and quite honestly the nonprofit community as well, to help move people out of the river on a permanent basis and to deal with the cleanup itself,” he said.

This includes repairing damage created when people dug shelters into the levee walls, he said. 

“It’s actually a risk to the community itself,” he said. “That’s a major structural deficiency to the levee system that protects the community. That’s something we can’t have.”

The project was funded by an $8 million Encampment Resolution Funding grant in 2023 from the State of California.

Management of the 34-unit facility is intended to be a collaboration between Monterey County’s Homelessness Services Program, Santa Cruz County’s Human Services Department and the City of Watsonville.

The project, planned for the parking lot of Westview Presbyterian Church on First Street in Watsonville, has been controversial since it was proposed last year, with neighbors separated from the lot only by a chainlink fence expressing concern how it will affect their quality of life.

It received the final green light in March after a second appeal was denied.

Monterey County Homeless Services Director Roxanne Wilson said that both counties are dedicated to ensuring the project is going to be a benefit to the community.

“We are very excited to see movement after more than a year of going through the process of getting a building permit, and we still have a long way to go,” Wilson said.

But with the Encampment Resolution Funding grant expected to last only two years, and with the Trump administration threatening to slash Medicaid—which in part would help fund the village—officials are grappling with funding concerns, Wilson said.

The units will start being delivered next week, Wilson added. Once they are placed, work crews will begin hooking up the electricity.

They will be fully powered with air-conditioning and heating, and a separate bathroom and laundry facility will be available.

Once ready, the village will be run by Community Action Board of Santa Cruz County.

The village, once completed, will host a ribbon-cutting ceremony for the public, Wilson said. 

Currently, more than 100 people live along the levee, and several nonprofit organizations are working to find shelter for them.

This includes San Luis Obispo-based Access Support Network and Community Action Board, along with housing organizations and the County of Santa Cruz.

So far, 50 people have asked for help, Wilson said. 

“We’re not going to get to 100,” she said. “There’s not enough resources on either side of the levee. But clearly that there are individuals that need help now; that can’t wait, and they can’t be displaced. As long as we have people who say they want help and don’t want to be homeless, we’re going to do everything we can to help them.”

Cabrillo Festival Brings It

Time again for the mighty Cabrillo Festival of Contemporary Music to fill the Santa Cruz Civic Auditorium and its surrounding landscape with unexpected, unpredictable and unrepeatable sights and sounds. And in honor of the 50th anniversary of Santa Cruz Pride, this season spotlights musical LGBTQ luminaries from Lou Harrison to Jennifer Higdon.

Lots of new energy in this year’s summer festival, starting with guest conductor Daniela Candillari, who will open up the first week, and ending with the return of Music Director Cristian Măcelaru for the final two concerts.

Honoring 50 years of Santa Cruz Pride celebrations, the season’s composers in residence include Jake Heggie—whose operatic setting of Dead Man Walking receives its 25th anniversary revival at San Francisco Opera this fall—Pulitzer Prize winner Higdon and festival veteran John Corigliano.

Joining the opening evening is the dazzling Missy Mazzoli with the West Coast premiere of her violin concerto for violinist Jennifer Koh. A returning guest to the festival, Mazzoli has been commissioned to create an opera of Lincoln in the Bardo for New York’s Metropolitan Opera. (more on Mazzoli )

There will be some huge concerts, filled with a half-dozen choice new works by current and up-and-coming masters of an evolving genre. Expect some life-changing sonic moments. At the least some very intriguing encounters.

In a departure from past seasons, this festival finds a new opening conductor at the helm. Candillari is currently in her fourth season as principal conductor at Opera Theatre of Saint Louis. A rising star in the opera world, the conductor grew up in Serbia and Slovenia and holds a doctorate in music from the Universität für Musik in Vienna.

A frequent guest conductor at top orchestras throughout the country, Candillari is also a sought-after composer. She has worked with several of the festival’s featured musicians in the past, and her presence at the podium should broaden the instrumental interpretations of new music with “confidence and inexhaustible verve” (per The New York Times).

Started in the 1960s, and dedicated to performing new and contemporary works, mostly by living composers, the festival continues to earn its worldwide reputation. Five major concerts are programmed for the two-week musical array. It all starts with “Lumina” on Aug. 1, with works by Corigliano and Mazzoli, as well as a new piece by Nina Shekhar. On Aug. 2, “Chasing Light” spotlights women composers, including Stacy Garrop’s Frederick and Susan B, sourced from letters between Civil War–era correspondents Frederick Douglass and Susan B. Anthony.

The “Grand Finale” on Aug. 10 concludes with a new song cycle by Heggie co-commissioned by the Cabrillo Festival. Heggie’s Good Morning, Beauty features mezzo-soprano Gabrielle Beteag with poetry by Taylor Mac.

Excitement at the Edges

The festival is also famous for more intimate offerings, the ones that fill the margins of its two-week run with surprises and interactive workshops, many of them free events. And it’s a chance to hear from the composers themselves about this strange and wonderful thing they do for a living: compose music that will stretch our ears and imaginations.

Open rehearsals are a prime chance to watch and hear the development of the programs. These rehearsals are held on July 29–31 and Aug. 6–8. Each day in the afternoon the Civic will be filled with the sounds of musical passages rehearsed, refined and rehearsed again until the musicians and conductor are satisfied. This is a great way to learn the variations of one’s favorite instrument in an orchestral context. Rehearsals are free and open to the public. (As long as the public is quiet.) Check the program for times.

Arguably my favorite event of the entire festival, Meet the Composers takes place this year on August 2, 1:30–2:30pm, in the Civic—and it’s free. The in-depth discussion among visiting composers will be moderated by maestra Candillari and include Corigliano, Mazzoli, Garrop, Rene Orth and Aleksandra Vrebalo.

The Family Concert—also free—unfolds Aug. 3 and, in addition to works by Karen LeFrak and Frank Duarte, continues its Tour of the Orchestra tradition, an invitation for those interested to visit the various orchestra sections and learn more about how each segment of the whole company adds to the overall texture. New this year, in a partnership with Santa Cruz/Pajaro Valley, selected honor students will perform side-by-side during the Family Concert and will enjoy mentorship and coaching by orchestra musicians.

The second weekend, which begins with “Becoming” on Aug. 9, finds maestro Măcelaru back on the podium with Creative Lab’s colorful world premiere by Darian Donovan Thomas. Following is a powerful exploration of environmental impact by Anna Thorvaldsdottir, a West Coast premiere. And no celebration of pride would be complete without something from innovator and festival co-founder Lou Harrison: Concerto for Violin with Percussion Orchestra, with festival concertmaster and dazzling violinist Justin Bruns.

Concluding on Aug. 10, the program “Rising” offers the excitement of Jennifer Higdon’s Cold Mountain Suite and the new composing voice of Tyson Gholston Davis, winner of the Cabrillo Emerging Black Composers Prize. A song cycle newly composed by celebrated Jake Heggie (creator of the opera Moby Dick) brings the festival to a close, embroidered with original poems from Taylor Mac and voiced by guest mezzo-soprano Nikola Printz.

Lineup of Luminaries

The season features 20 composers (many in residence) and seven guest artists, plus three world premieres and four festival commissions. Works commissioned especially for this festival include an orchestral song cycle by Garrop, a second Creative Lab filled with surprises from Darian Donovan Thomas, and a new co-commission by Heggie.

In addition to pieces by the composers in residence—Heggie, Corigliano, Garrop, Mazzoli, Higdon, Davis, Orth, Vrebalov and Thomas—works by Lou Harrison, Anna Thorvaldsdottir, Adolphus Hailstork, Julia Wolfe, Karen LeFrak, Nina Shekar and Frank Duarte are also on the program. This year’s guest artists include violinists Koh and Justin Bruns, Tim McAllister on saxophone, soprano Michelle Areyzaga, mezzo-soprano Nikola Printz and baritone Sidney Outlaw.

The Cabrillo Festival of Contemporary Music fills our downtown with the sounds of new and exciting music every year. Join friends and fellow lovers of adventurous music for an always-surprising two weeks.

Details and tickets at cabrillomusic.org.

Read next: Ode To Joy — Missy Mazzoli’s new concerto weaves
healing spells, by Christina Waters

Ode to Joy

A blazing-hot composer of radical multi-genre music, Missy Mazzoli brings her Violin Concerto (Procession) to this season’s Cabrillo Festival of Contemporary Music. The piece was written for violinist Jennifer Koh, who will perform it at the opening concert on Aug. 1.

A prodigy approaching her hyper-productive mid-forties, Mazzoli can boast of being one of the first two women to receive a commission from New York’s Metropolitan Opera House, and she’s also the founder and keyboardist for Victoire, an electro-acoustic band. A go-to creator of musical storytelling, her operatic works include SALT (a mini-opera about Lot’s wife) and the Met-commissioned Lincoln in the Bardo, from the book by George Saunders with libretto by Pulitzer Prize winner Royal Vavrek (premiering in 2026).

And she’s writing the music for The Galloping Cure, an opera about the opioid crisis (another 2026 premiere). The opera’s developer, John Berry—the former artistic director of the English National Opera—calls Mazzoli “one of the world’s most exciting opera composers.”

Collaborators for 16 years, Mazzoli and Koh have grown into a simpatico creative collaboration, one that inflects and flavors their musical relationship. In Violin Concerto (Procession) the soloist is soothsayer, sorcerer and healer, leading the orchestra through five interconnected healing spells, from medieval processions to cast out evil spirits, through hymns to cure broken limbs and ancient charms to prevent plague. In the final movement, “Ascending,” the piece circles back to its beginning and leads the orchestra upward in a burst of sheer joy.

In a recent interview, Mazzoli talked about her work for the festival’s opening concert.

On her collaboration with violinist Jennifer Koh: “She’s just this incredibly deep person who investigates everything, feels everything very deeply. Her interests range from film to philosophy to literature, and everything in between. The first piece I wrote for her was in 2009 and was called Dissolve, O my Heart. It was a solo piece commissioned by the LA Philharmonic. That was actually the first time I met her. And then I wrote three other solo works for her throughout the years, and have performed with her, toured around the country and Canada. A couple years ago she said, ‘You know, I really think that we need to work on a concerto together.’ I feel a lot of her wide-ranging intellect made its way into the concerto.”

On sheer willpower: “I was really struck when we started performing together at how much Jen rehearses. She’s a rehearsing machine, always working. And I really relate to that. I think that my success as a musician, so much of it is just sheer willpower and hours put in. I don’t think there’s necessarily anything mysterious going on in our brain chemistry or our wiring. It’s just that we worked so hard we put in the hours. It’s just a joy to be around her.”

A favorite passage of the concerto: “There’s a bit at the end of the concerto where it just kind of becomes a joyous ascension. So the final movement of five movements is called ‘Procession Ascending,’ and it sort of takes all the material from the first movement and reorders it so that it’s going from low to high. The end is just like pure release and pure joy. So I really, I love that.”

Composing this piece in Ingmar Bergman’s house on the Baltic Sea: My friends Mika Karlsson and Royce Vavrek were working on a residency on an island in the Baltic Sea, where Bergman had his house and foundation, and they invited me to join them. It was in 2021 and it was very much inspired by the circumstances of the pandemic. We were exploring every day in Bergman’s world. It was a magical two months, watching his films in his own theater. We’d go to this beach where they filmed Persona, for example. We were just kind of in that world. And so a lot of the themes that he was obsessed with—you know, life and death, the afterlife, human relationships in times of great struggle—they were really floating around in my mind as I made this music.”

Read our cover story: Cabrillo Festival Brings It: Colorful and courageous season celebrates transformative music, by Christina Waters

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Watsonville Farmers Market Chilled by ICE Presence

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H.R. 4696 Would Provide Path to Citizenship

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Martin Rubalcava came to the U.S. in 1979 from Mexico, and before he earned his citizenship, he constantly worried about getting rounded up by immigration officials. “With the papers, I could begin to feel safe,” he said through a translator. “I could invest, help my kids get ahead, and feel free. Nobody could kick me out anymore.” Rubalcava told his story...

Work Begins on Tiny Village in Watsonville

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Cabrillo Festival Brings It

collage of Featured performers at the Cabrillo Festival of Contemporary Music
Time again for the mighty Cabrillo Festival of Contemporary Music to fill the Santa Cruz Civic Auditorium and its surrounding landscape with unexpected, unpredictable and unrepeatable sights and sounds.

Ode to Joy

Good Times cover story Missy Mazzoli photo
A blazing-hot composer of radical multi-genre music, Missy Mazzoli brings her Violin Concerto (Procession) to this season’s Cabrillo Festival of Contemporary Music.
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