Nude Awakening: The Origins of UCSC’s First Rain Run

The story goes that one of UCSC’s most infamous traditions all began with a game of Simon Says.

It was 30 years ago, in the fall of 1989, not long after the devastating Loma Prieta Earthquake. And at UCSC’s Porter Dining Hall, a student playing the role of “Simon” told everyone to take off their shirts, according to an interview that Wayne Hendrickson, a former university community service officer (CSO), gave to the podcast Snap Judgment in 2010. Then, Simon got daring, instructing participants to take their pants off—prompting the manager to kick all players out of the dining hall. 

The partially nude students wandered outside and walked around the campus, where police told them to watch out for poison oak, in Hendrickson’s telling. Finding that the strip tease provided for a nice stress relief, some students remarked that they wanted to do it all again someday. Overhearing their conversation, Hendrickson mentioned that some schools had naked runs following the first snowfall of every year. He even suggested that students could start their own tradition, and run during the year’s first Pacific storm. “We were kind of brainstorming,” he told producer Stephanie Foo. Hendrickson said he forgot about it, but the students didn’t. And the next year, the tradition was on.

Websites like ucscfirstrain.com confirm many of the threads in Hedrickson’s story. And in the years since that fateful fall game, scores of mostly naked—some scantily clothed—UCSC students have come together in the Porter College quad to celebrate the first major rain event of the school year and go running. The annual event came to be known as First Rain, or simply the Naked Run.

At some point over the last decade, student organizers drafted First Rain rules to prevent false starts and second guessing about the right weather conditions for the event. The official rules dictate that it can only occur on a school night, and it has to be raining nonstop from 6-10pm. The run begins at the Porter Quad at 10pm. It can end in one of two places. The first is at—or sometimes in—the swimming pool at the school’s east gym, or with a drum circle at Porter College, by the metal “Squiggle” art sculpture, near where it all began. 

Marine biology major and veteran first-rainer Timothy Ernst admits that he thought the Naked Run was “total bullshit” at first—something the seniors told the freshman to mess with them. But when he saw the long line of naked bodies start to streak through Cowell College, he stepped out of his dorm room, naked, to join the festivities. Ernst says he’d never before done anything like it.

“I hadn’t gone to any parties and didn’t have many friends,” says Ernst. “It took a little bit to get comfortable and lose my inhibitions, but I fell in line and then started running. … This was the first time I was ever naked with strangers.”

Early in the run, he didn’t know if he would be able to relax. But he says that running with more than 1,000 classmates eventually helped him feel comfortable in his own skin, and at peace in his new home in Santa Cruz. “I was like, ‘I can do this. Anyone can do this. Being naked doesn’t matter,’” Ernst says. The experience also motivated him to hit the gym.

Ernst says that before organizers passed their official rules, overly excited students regularly jumped the gun, sprinting through campus naked at the sight of the first afternoon drizzle. That still happens sometimes. He calls it “the freshman fuck-up.” 

“Frosh always get the rules wrong,” he says. “The rules are strict.”

UCSC spokesperson Scott Hernandez-Jason calls First Rain “an unsanctioned event” that happens each year, not unlike the school’s annual 4/20 celebration. “It’s one of those events we—CSOs, law enforcement and the university—prefer would not happen, but it will happen anyways,” he says. “We are here to ensure students stay safe throughout First Rain.”

The focus of the administration isn’t on nudity, but rather on public safety, Hernandez-Jason says. It’s the part about students running in the pouring rain at night that makes officials uneasy, he explains. “We just worry that students students running on the wet ground will get injured,” he says. “All in all though, the runs have generally been fine. It’s something meaningful to the students and alumni, and there’s a certain fondness that has grown for the runs.”

Naked runs and streaking have been part of American college life for decades. Students at UC Berkeley take nude laps through the stacks of Doe and Moffitt libraries each semester during the week leading up to final exams. Ivy Leaguers at Harvard participate in an event known as “Primal Scream”—a proud crowd of naked Ivy Leaguers running through Harvard Yard on the often snowy night before the start of their finals. 

Today, most UCSC students are well-prepared for First Rain. When the skies open up, websites and message boards like the UCSC subreddit and the UCSC Facebook Group light up with messages, memes and various “It’s on tonight” proclamations. 

Veterans of the race have a few pointers. They say that runners should wear shoes and stress that it’s wrong for onlookers to take pictures.

Psychology major Anastasia Baboulevitch remembers her freshman year First Rain fondly. It started with commotion and screaming in the Porter Quad. “And there was this big gaggle of people gathering, totally naked,” the Porter College student says, smiling. “When I saw them, I was like ‘Shit! These are my friends! I’m not going to be the only clothed person here!’”

Before she came to UCSC, Baboulevitch swore to herself that she would spend her time as a Banana Slug experimenting and trying new things. First Rain seemed like the ultimate experiment. 

“I wasn’t especially secure with my body,” she says, “but I felt immediately comfortable being naked with the Porter people. Baring it all was an incredible high. The ultimate adrenaline rush. Music was blasting. People were painting each other’s bodies. There was supposedly an orgy in the showers. I was like, ‘You’re really in college now!’” 

NUZ: The MAH Will Be OK; Santa Cruz Mayoral Musical Chairs

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As recently as September, highfalutin’ art lovers were wondering just how poor the financials were at the Museum of Art and History (MAH).

It’s true that the MAH was not as transparent as it could have been. So there was really just one burning question on donors’ minds: Is the museum’s cash flow abysmal … or just really bad?

Well, here’s a pleasant surprise: it turns out the numbers are actually pretty good!

MAH Interim Executive Director Antonia Franco has released its new State of the MAH report for Fiscal Year 2017-18, as well as eight years of financial audits and IRS filings. The museum reported $2.7 million in income and $2.1 million in expenses in the most recent cycle. The nonprofit has $9.8 million in assets. Not too shabby.

Over the summer, acrimony was on full display in the power vacuum left by the MAH’s former director and visionary Nina Simon. Critics painted a troubling portrait of the museum, which they argue lost its way under Simon. Longtime supporters also accused museum leaders of taking donor names off the walls.

Of course, under Simon’s guidance, the MAH did also earn international renown as a more diverse, inclusive and exciting space. Simon has since founded the nonprofit Of/By/For All, which aims to take her approach and spread it worldwide. And she’s now been awarded the prestigious Ashoka Fellows Social Innovators Award for her work, which was announced last month.

Going forward, the next step should be for the MAH to re-hang the donor names that apparently came down. Other than that, all these developments are good news for people who legitimately love the museum and want to see it thrive.

MAYOR MAY NOT

Last year, Santa Cruz City Councilmember Chris Krohn, with a new majority behind him, nominated recently elected Councilmember Justin Cummings to be vice mayor

It didn’t just jumpstart the political career of one of his political allies. It also allowed Krohn to pass over Councilmember Cynthia Mathews, who would have been next in line, per tradition—as she was the second-highest vote getter in the 2016 election.

The problem is that it isn’t clear who the council should nominate to be the next vice mayor, when the opportunity comes up, once Cummings presumably gets appointed to be the new mayor in December. Krohn and allied Councilmember Drew Glover both have baggage, and could be facing a possible recall soon, so either would seem to be a surprising choice for the spot.

It also wouldn’t make much sense to nominate Mayor Martine Watkins, who frankly deserves a break. And Krohn and his supporters express dissatisfaction with her, anyway. 

Councilmember Donna Meyers was the second-highest vote getter behind Cummings last year, so she would normally be next in line after him, but she’s in the same wing of the council as Mathews and Watkins. Since Krohn and Glover often paint politics as an ideological battle, showing reluctance to cede any ground, her chances are low.

That would leave Councilmember Sandy Brown, who could make sense as a pick if she’s interested—and if she wants to run for re-election next year, potentially giving her a chance to be mayor in 2021.

That, however, raises a number of other potential issues, starting with this one: Who the heck would wanna run for re-election right now?

Crisis, Polarization, Then Sweep: Risa’s Stars Nov. 6-12

The sign influencing humanity after Libra (choice) is Scorpio (discipleship).

Scorpio distributes the dandelion yellow light of Ray 4, from a star in the Big Dipper. Ray 4 is Harmony emerging from deep conflict, crisis and chaos. Humanity learns through conflict and crisis. Conflict is always between two things—a duality that is part of living on planet Earth.

When we see opposites, we can choose to stand on one side or the other, or lift up to a place that integrates the two. Duality is purposeful. It creates tension. And tension is needed so that we can “sweep” forward (or back). On our planet, the equation of change and choice is “crisis, polarization, then sweep” (upward or downward). In this Mercury retrograde in Scorpio, these issues arise again.

Scorpio calls humanity to be the world disciple, the warrior, courageous enough to fight for liberty, justice and humanity’s freedoms—most of all, freedom from the thralldom of materiality. The forces of materiality have captured many; Scorpio warrior steps forward, sword in hand, and cuts the bonds of materialism. 

Being a Scorpio is very hard work. It’s the most misunderstood of the signs (along with Pisces). Scorpios are aware of others on invisible levels, aware of attitudes and behaviors that most don’t understand. Scorpio often experiences betrayal. Scorpio conceals from everyone (except trusted intimates) their innermost secrets, lest more betrayal occur.

If you’re trustworthy, Scorpio can be your friend. Tend to them with quiet understanding, kindness and care. They’re often weary from constant inner and outer battles, the nine spiritual tests of Mars and the concept of death and regeneration always surrounding them. Scorpio is the phoenix.

 ARIES: It’s important to be scrupulous when handling other people’s money and possessions. It’s most important if one holds another’s heart. Total confidence is involved here, and you cannot betray and/or fall out of anyone’s trust. If investing, research all angles. Investing in precious metals is most important now.

TAURUS: It’s time to be with those you love—perhaps your one and only, or perhaps your closest friend, partner or business associate. Someone who tugs at your heart, someone you would enjoy being with for a long time, someone you’re relaxed with, who knows your secrets and doesn’t care, or perhaps knows no secrets about you and likes you anyway. You all need to be together for a while. Don’t worry about tension or disharmony. Harmony’s your middle name.

GEMINI: There’s a tremendous amount of work to be completed, and it seems like forever, and then new work appears. Sometimes there are misunderstandings at home about work, especially now with Scorpio influences. It could be with a partner, so be careful with communication, and don’t leave anyone behind or think everyone or anyone understands you. Talk, communicate, listen, then talk some more ‘til understanding appears.

CANCER: You need to go out and about, you need friends to be with, you need to have fun. Think about choosing pleasure over worry. You need to consider what creative sorts of events would relax you and make you laugh out loud. You need less restriction, less discipline, less anxiety and fretfulness. The world is the same whether we worry or not. Now what would be fun for you? Who would you share fun with?

LEO: The home seems to be the focus once again during these Scorpio days. It’s a time for clearing out, cleaning, eliminating, storing, redecorating, or at least moving a few furniture pieces around to make your home feel different, more comfortable, attractive, or clear. Do you need to remove dark drapes, rugs or objects? What does your home need? Also, are you bringing work home, and do you have time for friends? There’s still a secret there, somewhere. What is it?

VIRGO: Are you agitated, edgy, a bit impatient and restless? Always you need to serve. What in your town, village, community, neighborhood can you connect with or assist, serve and be available for? You are the right person, especially this month, to work in a secret garden. It’s time to meet new people you’ve never seen before and to bring forth all secret aspects of self you’ve kept under wraps for protection. Try and let that fall away.

LIBRA: Tend carefully to money, resources, bills, insurance, savings, investments. Shift your portfolio to a place of safety. I write this because Scorpio, the planet of resources, is in your house of money. Is there a need to change how and where your money is spent? Do you need a budget? Do you feel free yet from the past?

SCORPIO: All the planets have tumbled into your sign, and sometimes that’s a relief. Sometimes it’s too much scrutiny and too many feelings to cope with. Usually you follow strict routines to soothe the reality that life is one moment death, the next life and regeneration. You’re the phoenix always emerging from the flames. Revelations occur, releasing you from restrictions, presenting new possibilities. A different sense of self emerges. Still mysterious, still deep, but … different.

SAGITTARIUS: You turn inward a bit more. There’s less striding about, chest out, seeking the social activities that provide you with insight. As you turn inward, spiritual realizations appear that could not have come forward before. Jupiter, your very own planet of expansiveness and sometimes of just too much of everything, is guiding you toward understanding others more. The result of this is compassion, the religion of the Dalai Lama. Underneath all your bravado, you have deep wells of compassion.

CAPRICORN: Friends, and those who want to be your friend, will show up or call or invite you over or think about you as a leader who shows compassion and kindness, and as someone they would want to follow, have a conversation with and receive guidance from. It’s also possible that you realize you need freedom or you need a group to belong to so all your gifts can emerge. Should you begin that group yourself? Are you waiting for a phone call?

AQUARIUS: Self-recognition concerning your talents, gifts and abilities come forth easily now. You realize your originality and uniqueness, and they are applauded in the world along with your consistency, an unusual talent for Aquarius ruled by the revolutionary planet, Uranus. Your roots are stable, traditions are important, and you create new traditions as you go. You are preparing for the future in the ways you live your daily life. This is unusual, too.

PISCES: It is good to create a healing journey. You don’t need to travel anywhere. It can be done wherever you are, this healing journey—in real time, dreamtime or future time. Focusing on health for the next six months is important. Something new is initiated. Something’s given. Something from the past ends. Be observant of these. Create a deeper intimacy with those around you. Have the intentions for Goodwill in all interactions. You are assisted by specific and special angels. Eat well. Have fun. Be happy. Life is good.

Rob Brezsny’s Astrology Nov. 6-12

Free will astrology for the week of Nov. 6

ARIES (March 21-April 19): Aries psychologist James Hillman said we keep “our images and fantasies at arm’s length because they are so full of love.” They’re also quite flammable, he added. They are always on the verge of catching fire, metaphorically speaking. That’s why many people wrap their love-filled images and fantasies in metaphorical asbestos: to prevent them from igniting a blaze in their psyches. In my astrological opinion, you Aries folks always have a mandate to use less asbestos than all the other signs—even none at all. That’s even truer than usual right now. Keep your images and fantasies extra close and raw and wild.

TAURUS (April 20-May 20): Poet James Merrill was ecstatic when he learned the Greek language. According to his biographer, he felt he could articulate his needs “with more force and clarity, with greater simplicity and less self-consciousness, than he ever could in his own language.” He concluded, “Freedom to be oneself is all very well; the greater freedom is not to be oneself.” Personally, I think that’s an exaggeration. I believe the freedom to be yourself is very, very important. But for you in the coming weeks, Taurus, the freedom to not be yourself could indeed be quite liberating. What might you do to stretch your capacities beyond what you’ve assumed is true about you? Are you willing to rebel against and transcend your previous self-conceptions?

GEMINI (May 21-June 20): Musician Brian Eno made a deck of oracular cards called Oblique Strategies. Each card has a suggestion designed to trigger creative thinking about a project or process you’re working on. You Geminis might find it useful to call on Oblique Strategies right now, since you’re navigating your way through a phase of adjustment and rearrangement. The card I drew for you is “Honor thy error as hidden intention.” Here’s how I interpret it: An apparent lapse or misstep will actually be the result of your deeper mind guiding you to take a fruitful detour.

CANCER (June 21-July 22): We devote a lot of energy to wishing and hoping about the meaningful joys we’d love to bring into our lives. And yet few of us have been trained in the best strategies for manifesting our wishes and hopes. That’s the bad news. The good news is that now is a favorable time for you to upgrade your skills at getting what you want. With that in mind, I present you with the simple but potent wisdom of author Maya Angelou: “Ask for what you want and be prepared to get it.” To flesh that out, I’ll add: Formulate a precise statement describing your heart’s yearning, and then work hard to make yourself ready for its fulfillment.

LEO (July 23-Aug. 22): What are the key parts of your life, the sources and influences that enable you to be your most soulful self? I urge you to nourish them intensely during the next three weeks. Next question: What are the marginally important parts of your life, the activities and proclivities that aren’t essential for your long-term success and happiness? I urge you to corral all the energy you give to those marginally important things, and instead pour it into what’s most important. Now is a crucial time in the evolution of your relationship with your primal fuels, your indispensable resources, your sustaining foundations.

VIRGO (Aug. 23-Sept. 22): “When she spoke of beauty, he spoke of the fatty tissue supporting the epidermis,” wrote short-story author Robert Musil. He was describing a conversation between a man and woman who were on different wavelengths. “When she mentioned love,” Musil continued, “he responded with the statistical curve that indicates the rise and fall in the annual birth rate.” Many of you Virgos have the flexibility to express yourself well on both of those wavelengths. But in the coming months, I hope you’ll emphasize the beauty and love wavelength, rather than the fatty tissue and statistical curve wavelength. It’ll be an excellent strategy for getting the healing you need.

LIBRA (Sept. 23-Oct. 22): Libran blogger Ana-Sofia Cardelle was asked, “What is your signature perfume?” She said she hadn’t found one. But then she described how she would like to smell: “somewhere between fresh and Earthy: cinnamon and honey, a rose garden, saltwater baked in the sun.” The coming days will be an excellent time to indulge in your own fantasies about the special fragrance you’d like to emanate. Moreover, I bet you’ll be energized by pinpointing a host of qualities you would like to serve as cornerstones of your identity: traits that embody and express your uniqueness. 

SCORPIO (Oct. 23-Nov. 21): Studies suggest that on average each of us has a social network of about 250 people, of whom 120 we regard as a closer group of friendly acquaintances. But most of us have no more than 20 folks we trust, and only two or three whom we regard as confidants. I suspect that these numbers will be in flux for you during the next 12 months, Scorpio. I bet you’ll make more new friends than usual, and will also expand your inner circle. On the other hand, I expect that some people who are now in your sphere will depart. Net result: stronger alliances and more collaboration.

SAGITTARIUS (Nov. 22-Dec. 21): I blame and thank the Sagittarian part of me when I get brave and brazen enough to follow my strongest emotions where they want to lead me. I also blame and thank the Sagittarian part of me when I strip off my defense mechanisms and invite the world to regard my vulnerabilities as interesting and beautiful. I furthermore blame and thank the Sagittarian side of me on those occasions when I run 3 miles down the beach at dawn, hoping to thereby jolt loose the secrets I’ve been concealing from myself. I suspect the coming weeks will be a favorable time to blame and thank the Sagittarian part of you for similar experiences.

CAPRICORN (Dec. 22-Jan. 19): Persian polymath Avicenna (980–1037) wrote 450 books on many topics, including medicine, philosophy, astronomy, geography, mathematics, theology, and poetry. While young, he tried to study the Metaphysics of Aristotle but had difficulty grasping it. Forty times he read the text, even committing it to memory. But he made little progress toward fathoming it. Years later, he was browsing at an outdoor market and found a brief, cheap book about the Metaphysics by an author named al-Farabi. He read it quickly, and for the first time understood Aristotle’s great work. He was so delighted he went out to the streets and gave away gifts to poor people. I foresee a comparable milestone for you, Capricorn: something that has eluded your comprehension will become clear, at least in part due to a lucky accident.

AQUARIUS (Jan. 20-Feb. 18): In addition to being a key figure in Renaissance art, 15th-century Italian painter Filippo Lippi had a colorful life. According to legend, he was once held prisoner by Barbary pirates but gained his freedom by drawing a riveting portrait of their leader. Inspired by the astrological factors affecting you right now, I’m fantasizing about the possibility of a liberating event arriving in your life. Maybe you’ll call on one of your skills in a dramatic way, thereby enhancing your leeway or generating a breakthrough or unleashing an opportunity. (Please also reread your horoscope from last week.)

PISCES (Feb. 19-March 20): “Stand high long enough and your lightning will come,” writes Piscean novelist William Gibson. He isn’t suggesting that we literally stand on top of a treeless hill in a thunderstorm and invite the lightning to shoot down through us. More realistically, I think he means that we should devotedly cultivate and discipline our highest forms of expression, so that when inspiration finds us, we’ll be primed to receive and use its full power. That’s an excellent oracle for you.

Homework. You don’t have to believe in ideas that make you sad or tormented. Drop them. freewillastrology.com.

Music Picks: Nov. 6-12

Santa Cruz County live entertainment picks for the week of Nov. 6

WEDNESDAY 11/6

FOLK

VETIVER

Fifteen years after their acclaimed debut, indie-folks Vetiver release their seventh album this month, and from the sound of lead single “To Who Knows Where,” these San Franciscans still know their way around the “WWWs.” That’s right, they’re as warm, weird and woodsy as ever. They may not be as freaky as when they were collaborating with Devandra Banhart back in the aughts, but they still gently rock, and dish out songs crackling with the insular warmth of a moonlit campfire. MIKE HUGUENOR

8:30pm. Moe’s Alley, 1535 Commercial Way, Santa Cruz. $18 adv/$22 door. 479-1854.

 

THURSDAY 11/7

INDIE ROCK

LOOSE WING

Long before it was the home of the Company That Will Kill Us All, Seattle was the birthplace of grunge. Washingtonian rockers Loose Wing remember those be-flanneled halcyon days, taking the best bits of ’90s coffee shop rock (its direct and folk-like simplicity) and adding the chorus-pedal-and-crash-cymbal aesthetics of northwest grunge. Were it released in ’93, mid-album track “Wear Me Out” could have topped alt rock charts alongside 4 Non Blondes and R.E.M., its dolorous chorus bursting forth like a beam of sunlight, singular and alone in a sky heavy with clouds. MH

9pm. Crepe Place, 1134 Soquel Ave., Santa Cruz. $5. 429-6994.

 

FRIDAY 11/8

SOUL

THE MIDNIGHT HOUR

Ali Shaheed Muhammad, who cut his teeth DJing and producing for A Tribe Called Quest and Adrian Younge, is a brilliant composer who scored the music for Black Dynamite. The two first worked together on the Souls Of Mischief album There Is Only Now in 2013. This led to a proper album collab and some of the best soundtrack music in the past decade with the Luke Cage score, featuring that old-school jazzy, sweeping orchestral soul music of the classic Harlem era. The duo just released the sultry “Harmony” featuring Loren Oden, and have a sophomore album set to release in 2020. AC

8pm. Felton Music Hall, 6275 Hwy. 9, Felton. $20 adv/$24 door. 704-7113. 

 

COMEDY

CHRIS RIGGINS

Berkeley native Chris Riggins’ first stand up was opening for Dave Chappelle in 2009. What does that do to a fella? It might be too much ego-building too fast. Or it might be a wake-up call to keep your day job. But Riggins survived, rocking comedy sets all over the U.S. and hosting the hell out of fun Bay Area comedy events. He’s got a laid-back style and a talent for pinpointing what’s funny in all our daily hurts and struggles. In fact, his bio even says Riggins will “make you laugh until it feels good.” A prediction earned from opening for Dave Chappelle, perhaps? AMY BEE

7 & 9:30pm. DNA’s Comedy Lab, 155 S. River St., Santa Cruz. $20 adv/$25 door. 900-5123. 

 

ROCK

GO FEVER

If you’ve got a fever and the only prescription is more 80’s synth-pop, then the cure is Go Fever. This New-Wave-in-2019 group from Austin descends upon our beach town in an all-out assault on silence. With their 2017 debut LP and sophomore EP released earlier this year, Go Fever is part Cage the Elephant and part Bangles, while still tipping a heavy, bedazzled nod to the decade that brought us big hair, big earrings and big issues. MAT WEIR

9pm. Blue Lagoon, 923 Pacific Ave., Santa Cruz. $5. 423-7117.

 

SATURDAY 11/9

AMERICANA

JOSHUA LOWE & PATTI MAXINE

Lap steel guitarist Patti Maxine is a local treasure. Over the years, she’s sat in with more Santa Cruz musicians than she can count, usually choosing to step out of the spotlight, despite her incredible talent, and help whoever she’s playing with sound their best. Joshua Lowe is an incredible local roots musician that convinced her to form a proper duo. They bring the best of both of their worlds to stages all over Santa Cruz county. The duo released Family earlier this year. It’s all that’s great about Santa Cruz’s Americana scene wrapped up into 8 wonderful songs. AC

8pm. Lille Aeske, 13160 Hwy. 9, Boulder Creek. $15 adv/$20 door. 703-4183. 

 

HIP-HOP

SKI MASK THE SLUMP GOD

After the early ’90s wave of gangsta rap broke over the nation, hip-hop rose to the top of charts and never looked back. Like punk, once it reached the top, it became safe. Rap became the music of millionaires, business execs and anyone trying to sell a lifestyle most of us won’t attain. But somewhere the last part of this decade, a hip-hop renaissance broke over the internet with acts like XXXTenacion, Lil Peep and yes, Ski Mask The Slump God. At 23 years old, this rap star has been in the limelight, keeping hip-hop dangerous, wild and real with music influenced by Wu Tang and Busta Rhymes. MW

9pm. Catalyst, 1011 Pacific Ave., Santa Cruz. $35. 423-1338.

 

SUNDAY 11/10

JAZZ

MOTOSHI KOSAKO & MICHAEL MANRING

Motoshi Kasako has taken the angelic sounds of the harp and infused a jazz sensibility into the instrument. Fretless bassist Michael Manring has spent the past several decades making his instrument sing like a singer’s voice in the context of jazz and new age. The two instrumentalists have joined forces to create a kind of experimental music that is overflowing with so much beauty, you’ll swear you’re approaching the pearly gates, and that the music is much better than you ever expected. AC

2pm. Michael’s On Main, 2591 Main St., Soquel. $15. 479-9777. 

 

MONDAY 11/11

JOSHUA REDMAN QUARTET

Rather than maintaining a steady band, Berkeley saxophone star Joshua Redman draws on a small but deep pool of players. Featuring pianist Aaron Goldberg, and the insuperable rhythm section tandem of bassist Reuben Rogers and drummer Gregory Hutchinson, the quartet he brings to Kuumbwa has been touring and recording intermittently for two decades. The ensemble debuted on 2000’s Beyond and 2001’s Passage of Time, an ambitious pair of albums on which Redman stretched his wings as a composer/arranger. He didn’t document the group again until the March release of his latest album Come What May. An impressive session featuring seven original Redman compositions. ANDREW GILBERT

7 and 9pm. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $31.50 adv/$36.75 door. 427-2227.

Sean Brock Brings New Southern Food to Santa Cruz

Alongside Ken Burns’s glorious recent multi-part documentary Country Music, the publication of Sean Brock’s new cookbook, simply titled South, marks a mini-moment, even a kind of re-evaluation, for the region of the country known as the South.

Southern culture has always hidden in plain sight in the larger American mainstream, and the rest of the country has never been able to escape its gravitational pull. But red state/blue state divisions tend to oversimplify regional differences. And the South is particularly prone to cartoonish portrayals.

Brock is nobody’s idea of a cartoon. A superstar of the American kitchen—he’s won the prestigious James Beard Foundation Award, and has starred in The Mind of a Chef on PBS and Neflix’s Chef’s Table—Brock is also an amateur anthropologist and evangelist for Southern cuisine. He comes to UCSC on Nov. 11 in an event co-sponsored by the university’s Center for Agroecology and Sustainable Food Systems and Bookshop Santa Cruz. He will be interviewed on stage by Oakland chef Tonya Holland.

Brock’s new book is his second, a follow-up to 2014 New York Times bestseller Heritage. One of the overarching themes of South is Brock’s insistence that the South is not one monolithic thing, especially when it comes to cuisine. The book, in fact, features side-by-side maps of the South and continental Europe, emphasizing their comparable sizes, but making a point about similar diversities in culture.

Brock grew up in a small town called Pound in southwestern Virginia, which is Appalachian mountain country, much closer to Kentucky and West Virginia coal country than Washington, D.C. But he made his name as an executive chef in Charleston, South Carolina, the South’s most elegant and historically resonant coastal city.

“In my opinion, they could be different countries,” he says of the difference between his native home and Charleston. He arrived in Charleston as a teen, a food prodigy eager to show what he can do in the South’s cuisine capital. But he found the culture shock severe.

“That was the first moment when I was just knocked back—‘Holy Cow, I don’t know what any of this food is. And nobody here knows what any of my food is.’”

If many of the recipes are exotic outside the South, Brock says his food can seem that way within the South as well. Case in point is the pawpaw, which is, says Brock, “a bizarre hillbilly tropical fruit.” It resembles an avocado, but with yellow flesh that tastes somewhere on the continuum between a mango and a banana. The pawpaw was an essential part of Brock’s Appalachian upbringing, but when he arrived in Charleston, no one had ever heard of it.

“That was one of those things that blew people’s minds, that people still talk about,” Brock says of the fruit, which became kind of a sensation in Charleston. “People started buying trees and planting them so they could have pawpaws.”

Another case of an Appalachian delicacy that never traveled outside the hill country was “sour corn,” a fermented dish that Brock says was a “mash-up between Native Americans and the Germans. It’s the sauerkraut of corn. I grew up with it my entire life.”

Brock got into the habit of serving the dish to friends unfamiliar with it, but not warning them of its sourness.

“You hand someone some sour corn and they put it in their mouth. Nine times out of 10, they just spit it out on the plate,” he says with a laugh. “You associate corn with sweetness. And when your brain is expecting sweetness and you get sour, it detects a threat, so you spit it out.”

The new cookbook is a meditation and examination of many staples of the Southern diet—it may, in fact, be the definitive text on cornbread—and takes a neo-primitive view of the purity of ingredients (the man makes his own bologna). Brock is an advocate for looking at food through the interplay between four basic themes: natives, immigrants, geography, and ingredients.

South explores the basics of Southern cooking, many of which have been weighed down by decades of stereotypes. Okra, for instance, is a Southern staple that has had problems translating outside the South, thanks mostly to a high slime factor in its preparation. Brock’s new book contains a recipe that reduces the slime—hint: grilling. “We have to convert all these okra haters into okra believers,” he says. The book also goes deep into greens, grits, fried chicken, catfish, and cured country ham. Because of religious restrictions, Brock never tasted pork growing up. Now, he’s a pig completist. In the book, he admits that fried pig ears are one of the dishes he’s most known for.

Brock is also quick to expand his purview from strictly food to the currents of class, race, immigration, and history that influenced the cuisine. Charleston’s food is unique in the world, he says, because of its status as a cultural crossroads. “The original rice planters were Venetians, and the original slaves, very briefly, were Native Americans,” he says. “Then, English, French and West African influences started coming in, which meant not only different flavors, but different ingredients, plant varietals, animal breeds, and traditions.”

Brock opened a high-end Southern-style restaurant called Husk that grew into a mini-chain of four, first in Charleston, then in Savannah, Nashville, and Greenville, South Carolina. In 2020, Brock plans to open a new restaurant near his home in Nashville. It will be called Audrey, an homage to his Virginia grandmother, the inspiration for his cuisine.

In his own way, Brock is not only a historian, but a futurist. The emphasis on convenience in the industrial food system has had a devastating effect on American food, and Southern food in particular, he says. That age of convenience over flavor and nutrition may be coming to an end.

“Now, we’re getting to a much better place where those ingredients are coming back,” he says. “I see a completely different South in five years, in 10 years. I see something totally different. We are such a young country. We have traditions that haven’t even started yet, that one day will become historical traditions of the South. You draw a timeline from 1650 to 2080, say. We’re just a blip on that timeline. We still have so much to explore, so much to discover, and so much to create.” 

Sean Brock, author of ‘South: Essential Recipes and New Explorations,’ will be in conversation with Tonya Holland on Monday, Nov. 11, at 7pm at UCSC’s Cowell Ranch Hay Barn. Tickets $45 each and include one copy of the new cookbook. bookshopsantacruz.com.

Love Your Local Band: Damien Gibson

In Damien Gibson’s video for his hip-hop infused electro-pop song “18 Piñatas,” he literally stands in a room with 18 piñatas, and then destroys them. When he showed the video to his friends, a lot of them reacted like he was just being weird, but the concept is actually highly personal. 

As a kid, he always wanted a piñata for his birthday. Instead, he barely scraped by, watched his mom O.D. when he was 3, and later had to live in group homes after his dad went to prison. In the song, he says you can’t fix the past, but you can give yourself what you lacked. 

“Just because you weren’t given opportunities, you get that for yourself,” Gibson says. “Whatever your parents threw you into as far as life goes, it doesn’t matter.” 

His relationship with music started in prison. At 19, he crashed a stolen car into a cop car in Sacramento, injuring himself and the officer, earning three years in jail. In 2013, a year after he got out, he started working with producers, and in 2014, he released his debut record and played 50 dates on the Warped Tour doing solo acoustic hip-hop. Since then, he’s self-released several experimental alt-pop records. 

Last month, he released Domenika on Monolog Records—his 12th album, but his first on a label. He’s even taken down much of his older music for a fresh start. The new record, like “18 Piñatas,” is well-produced and mixes hip-hop, R&B and EDM elements. It’s experimental, but not nearly as scatterbrain as his old stuff.

“It’s a higher-level production,” Gibson says. “Everything before was basically me working on my laptop with no formal training, just winging it.”

instagram.com/dmngbsn

Radkey Redefines the Family Rock Band

Earlier this year, Missouri rock trio Radkey released the No Strange Cats EP. It’s the group’s most diverse record, with each song sounding like it belongs on its own album—there’s hardcore (“Spiders”), classic rock (“Junes”) and emo-pop (“St. Elwood”).

“Every song is its own big thing, with a lot of sections,” says bassist Isaiah J. Radke III. “That was something new we hadn’t done before. We ended up hitting the studio so we could keep on the road.”

The group has focused on touring the past few years after aggressively pushing their second album, 2016’s Delicious Rock Noise, which was a re-issue of their 2015 debut album Dark Black Makeup. The release of Dark Black Makeup was supposed to follow up two successful EPs and help them jump to the next level, but their label didn’t do much for them.

“They didn’t care,” Radke says. “We had to spend a good amount of time on the re-release just so it wasn’t wasted. It cost a lot to make. We can’t just put it out and not have it do anything.” 

Their new label, Another Century Records, did care, and helped the group push it hard. They got songs on the radio, and the album charted on Billboard rock charts for 20 weeks, peaking at No. 23.

You can understand why they wanted to make sure it had a chance to find an audience. They went into the release of their first LP already a buzz band. The group of brothers, who grew up listening to their dad’s vast rock album collection—he now manages them—were inspired by the film School Of Rock. It took awhile, but eventually that seed manifested into the rock trio they are now. At their first show in 2011, they opened for Fishbone. Shortly after, their explosive set at SXSW piqued record-label interest, but they ended up self-releasing their first two EPs on their own Little Man Records.

It was a filmed studio performance of mid-tempo acid rock song “Cat and Mouse” that caught the attention of a larger audience online.

“That really helped us get far, because people could get a visual and a sound and not be confused about what was going on,” Radke says.  

The group often gets mistaken for a punk band, because they have some of those elements. But they are very clear that they are a rock band. It’s not just that they don’t want to be pigeonholed; they want to have the freedom to go in as many directions as possible.

“We don’t want to just be one thing. We want to appeal to a lot of different kinds of people,” Radke says. “We just say that we’re a rock band that does pretty much whatever we want. All it really has to do is rock. It could be anything as long as it’s got that element.”

The group is getting ready to release their long-awaited full-length follow-up to Delicious Rock Noise. Everything is recorded; they’re just shopping around for a label. This won’t be the hodgepodge collection of songs that No Strange Cats was. The vision is to create a very cohesive rock album that has a clear flow and makes you want to listen to it front to back.

“We were going for one of those old, really long rock records. We were going for something crazy cohesive,” Radke says. “We wanted to give people the feeling that once you put this record on, you go on this ride. It’s designed for that kind of experience.”

Radkey performs at 9pm on Wednesday, Nov. 13, at the Blue Lagoon, 923 Pacific Ave., Santa Cruz. $7. 423-7117.

Relive NFL History with Jerry Rice

Nine years after being inducted into the NFL Hall of Fame, it’s safe to say that retired wide receiver and bestselling author Jerry Rice has a different perspective on the game of football than what the average sports writer might offer.

In 2015, Rice released his first historical book, co-written with author Randy O. Williams. That New York Times bestseller, titled 50 Years, 50 Moments, laid out a chronology of the Super Bowl, which was celebrating its 50th birthday. Out of those many championship matches, Rice played in four of them, with his San Francisco 49ers winning three. Rice even took home the big game’s MVP in 1989. So he knows something about the Super Bowl.

Williams and Rice’s new book, America’s Game: The NFL at 100, covers a century’s worth of history of the league, and Rice played one-fifth of those years. But Williams never thought of the book in quite that way, nor did Rice himself.

“I approached it as a fan of the game,” Rice tells me, via email, looking back on the project ahead of a Bookshop Santa Cruz signing on Nov. 7.

Rice, who collaborated with Williams by going over all the material over the phone, loved diving into the research. The legendary wide receiver read up on the evolution of the passing offense, as well as the careers of game-changing greats like Don Hutson, a Green Bay Packers split apparently end known as the “Alabama Antelope.” The process additionally served to strengthen Rice’s passion for NFL rivalries.

Of his 20 seasons, Rice spent 19 of them playing in the Bay Area, most prominently with the Niners, and later in Oakland, where he spent more than three years as a Raider. In his prime during the 1980s and ’90s, the Niners’ dynasty repeatedly clashed with that of the Dallas Cowboys, creating a rivalry for the ages with on-field battles that Rice relished. He says his team played some of their best games against the Cowboys. “I loved the challenge,” Rice says.

Williams says Rice’s viewpoint was invaluable to the books, as both include some first-person narratives woven in.

“But even more so, it’s knowing what the players went through, because he lived it. That’s the greatest thing that Jerry brought to the project was knowing what to ask and what insights to look for,” says Williams, a Fremont native who grew up as a Chargers fan, “right under the nose of the Raiders,” as he puts it. (Williams confesses, by the way, that he has fond teenage  memories of ditching high school to go to the Santa Cruz Beach Boardwalk.)

For the new book, Williams dug into the backstory of unforgettable moments and big games, like the Ice Bowl game, and also David Tyree’s late-game “helmet catch” from quarterback Eli Manning in the New York Giants’ historic Super Bowl XLII against the New England Patriots.

Another one of Williams’ favorites was the 1968 “Heidi Game” between the New York Jets and the Oakland Raiders, a riveting, high-scoring game that got cut off as the network switched to the television movie Heidi, about a girl living in the Swiss Alps. The abrupt change infuriated New York audiences, Williams says, forever changing how games are broadcast. It also almost led to some NBC executives losing their jobs.

The sport of football is in a different place than 16 years ago, when Rice retired. And with the NFL looking back on 100 years of history, Williams isn’t worried about the future of a league that’s facing increased scrutiny for its injury risk, as well as for the long-term dangers posed by repeated head trauma.

“The NFL’s taken the lead on all concussions,” Williams says. “I’m confident the public’s gonna decide. Just look at the TV ratings and the billions that are still demanded for the rights to it. It’s still a huge part of our pop culture. And I’m sure the NFL will figure it out.”

Jerry Rice will be at Bookshop Santa Cruz for a signing of his new book on Thursday, Nov. 7, at 6pm. Each $32 ticket comes with one hardcover copy of ‘America’s Game’ and admits a group of up to four people. Due to time constraints, there will be no posed photographs or signatures of memorabilia. For more information, visit bookshopsantacruz.com.


Update 11/06/19 12:09pm: A previous version of this story misreported the time of the event.

Film Review: ‘JoJo Rabbit’

Some people are going to hate Taika Waititi’s Jojo Rabbit like they haven’t hated anything since Life is Beautiful, and understandably some will argue Nazis are never funny under any circumstances, no matter what ridiculous figures they cut with their rites, their idiot prejudices, and their too-cool Hugo Boss uniforms.

But Mel Brooks, who was shot at by them at the Battle of the Bulge, was always certain Nazis were comedy gold. Even in these nervous times, can’t we accept Brooks’ judgment?

Jojo Rabbit is the diary of a Nazi wimpy kid, trying to fit in with the usual social absurdities—it’s just that the absurdities were heightened in the Reich. In a small village in 1944, young Jojo (Roman Griffin Davis) is trying to be a good little Hitler Youth member. But he’s a thorough reject, drawing a portion of the scorn doled out by the Jugend’s scoutmaster, an invalided-out Captain Klenzendorf (Sam Rockwell, great.) Jojo tents out at Jugend camp with his equal beta-male pal (Archie Yates), laying awake telling scary stories about Jews: “I hear they smell like brussel sprouts.” Recreations include a campfire of burning books—Jojo shows a little hint of reluctance, before he tosses in a volume and joins in with the fun.

Then comes a test of manhood: kill a bunny rabbit with his bare hands in front of his fellow Jugenders. He fails. Dejected, he gets a visit from his imaginary pal Der Fuhrer (Waititi in contact lenses and shaky mustache), who gives him fatherly advice. The boy has a speculative idea of Hitler, imagining him as a smoker, which he wasn’t, and a meat eater who dines on yummy stuffed roast unicorn heads. Adolph’s bucking-up advice to Jojo is to tell him to be the rabbit—faster than anyone. He races forth to be the vanguard in a race, snatches a potato-masher hand grenade from a bigger boy, and tosses it. It bounces off a tree and blows up in his face. 

Now that his face is stitched up with scars, he’s an even bigger reject to all but his mom Rosie (a very relaxed and appealing Scarlett Johansson, with a buttery Marlene Dietrich accent). The convalescing Jojo learns is that there’s another woman on the premise. Mom is secretly Anne-Franking a friend of the family in the attic.

Young Elsa corners  the boy with the Hitler Youth knife he wasn’t supposed to lose, but soon they become pals. For laughs, she schools simple Jojo on the Jews: do they hang upside like bats when they sleep? Can they read each others’ minds? As Elsa, Tomasin MacKenzie (Leave No Trace) is consistently unsentimental in the part. 

Both Elsa and Rosie’s amused solicitude with this backward, fatherless kid is charming. 

Moreover, they set up a border between the realm of the preposterous, macho Nazis and the far more mysterious and interesting world of women. As in John Boorman’s Hope and Glory, all the comfort and intelligence is on one side and all the pain and stupidity is on the other.

To add some yang to this yin, there is a female Nazi, Frauline Rahmi; Rebel Wilson plays this platinum blonde Brunhilda working with Klenzendorf. She birthed more than a dozen babies for the Reich (the bastards used to give out Mutterkreuz medals for that). Wilson suggests with her posture that she can’t sit comfortably after all that parturition.  

This uproariously satirical version of a quite serious novel might be modeled on Carol Reed’s The Fallen Idol (1948) in the looming staircases, and the expressionism of the boy’s world collapsing around him. Like Waititi’s Hunt for the Wilderpeople, it’s certainly something you could take a smart older child to see.

Aspects are like Kurt Vonnegut, both Slaughterhouse-5 and Mother Night. Jojo Rabbit’s elegantly turned if sometimes episodic comedy is as Blaise Pascal described life: the last act is bloody, no matter how pleasant the play has been. There’s no comfortable way out of the tale—the rocky last 15 minutes will give Jojo Rabbit’s haters ammo. Still, maybe nothing was as funny about the Nazis as their scurrying, ignominious end.  

JOJO RABBIT

Directed by Taika Waititi. Starring Roman Griffin Davis and Scarlett Johansson. PG-13. 108 minutes.

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