Ocean Street Extension Lawsuit Enters Next Phase

Each side technically won something this month in the ongoing legal battle over a proposed housing project on Ocean Street Extension, but the court process may be far from over. 

Santa Cruz Superior Court Judge Paul Burdick issued a split ruling Jan. 10 on the case. Burdick denied assertions by the Ocean Street Extension Neighborhood Association that the proposed development of 32 housing units violates the California Environmental Quality Act (CEQA). But he also directed the parties involved in the lawsuit—including the city of Santa Cruz—to revisit the wording of approvals or revisit the site plans related to development on slopes at the property.  

The attorney for the neighborhood association is working on the wording of an order reflecting the judge’s ruling. The collaborative writing process includes input from the city, as well as from Craig Rowell and Rick Moe, who bought the land in April 2007 with a vision of building 40 housing units there. The resulting order will have to go back before the judge for approval.

The entanglement revolves around how the proposed development would dig into slopes in some areas of the 2.7-acre site at 1930 Ocean Street Extension. Plans for a development can allow for certain variations from city zoning code, and the plans for the Ocean Street Extension site allowed for some variations related to slope. 

“There’s a number of provisions in the city code that protect slopes, and the city in our view ignored those provisions,” says attorney Bill Parkin, a partner at the Wittwer Parkin LLP firm, which is representing Ocean Street Extension neighbors in their case. 

Even though the neighbors didn’t win on the CEQA issue in this round, the judge’s ruling on the slope aspect was a victory, Parkin tells Good Times. There is a “visual aspect” of developing on slopes, he says.  

“There are obviously aesthetic impacts associated with doing that,” he says. “So it’s part and parcel of what you want your community to look like. Do you want the buildings to go up the slopes and up these hills and cover them, or you can say you’re not going to be able to build on that slope?”

The next court date is currently set for mid-April, though the parties could come back to the judge sooner with a proposal for how to address the slope debate. It’s unclear whether the next steps will require another City Council action, which depends on what the parties agree to and the judge’s final determination. 

“We have no way of knowing when this is going to be resolved,” Rowell says. 

Rowell says he and Moe consider themselves home builders, not developers. The latest twist in their attempt to build housing at the Ocean Street Extension property feels like a “needless complication,” Rowell says. 

“The buildability of a building on any slope should be determined by a civil engineer or soils engineer, not by some arbitrary setback requirement,” he says. Since it is a sloping lot, any development there will require building into the slope “because it is a geographical reality of the property,” Rowell adds. 

Santa Cruz councilmembers approved the proposed housing in a September 2018 City Council meeting, voting 5-2 to advance the project at 32 units instead of the proposed 40. The 20% reduction appeared to be an acknowledgement of neighborhood concerns. At least five of the units would be affordable.  

The Ocean Street Extension Neighborhood Association then filed suit in October 2018 against Rowell and Moe, the city of Santa Cruz, and the City Council. The suit alleges—among other things—that the environmental impact report, a document required under CEQA for some projects, didn’t adequately analyze the cumulative impacts of the proposed development and failed to respond to many of the comments from neighbors in the report drafting process.

The judge found that the neighbors failed to establish those allegations, though.

Even if the remaining slope debate is resolved, the neighbors still have an opportunity to appeal the judge’s denial of the CEQA aspects of their case. No decision has been made yet on that, Parkin says.  

All of it has Rowell wondering, “Is this what it takes to provide housing in Santa Cruz?”

Nuz: Internet Expansion, Permaculture Bike Rides and a New Trail

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Internet service provider Cruzio has landed a state grant to bring gigabit-speed internet to several parts of the county. 

The Santa Cruz-based company will build out fiber to seven mobile home parks, including Rodeo Mobile Estates, Soquel Gardens, Alimur, Shangri-La Estates, Blue & Gold Star, Castle Mobile Estates, and Opal Cliffs. Cruzio already covers El Rio Mobile Home Park.

Cruzio expects to finish the buildout by February 2021, running mostly down 41st Avenue from Soquel Drive to Portola Drive. The finished project will bring crazy-fast, gigabit-speed internet to 773 homes, more than 260 of which currently don’t currently have internet access of at least 6 Mbps download and 1 Mbps upload, based on state data. Gigabit speeds will cost $75 per month, or people can access a lower-speed option for $15 per month. 

Cruzio had initially hoped to bring gigabit internet to six additional mobile home parks. Charter Communications, however, challenged Cruzio’s grant application with the state, leading those six parks to be removed from the final grant. Only in America would a “communications” company lead the charge against speedy government-funded internet.

PLANTING A TRIP

This past Monday, permaculture expert Ken Foster embarked on his annual commute from Santa Cruz to Monterey’s Asilomar Conference Grounds for the 40th annual EcoFarm Conference

And holy spokes! According to some new-fangled “maps” feature that Nuz found on the internet, that is 53 miles one-way. Foster, founder of Terra Nova Ecological Landscaping, is hosting a daylong permaculture workshop on Wednesday, Jan. 22 as part of the 40th annual EcoFarm Conference.

NOW TRAILING

The first real portion of the rail trail—meaning that’s longer than a couple hundred feet—is finally breaking ground this week. Out of the 20 planned segments, this is the easier part of what’s perhaps the easiest segment to construct. The good news is that this portion, on Santa Cruz’s Westside, should get lots of usage. The 1.2-mile segment will run from Bay and California to Natural Bridges Drive. Construction is expected to be completed in about eight months, before the fall of 2020.

Someone could have thrown a celebration, but let’s be honest: this is taking way longer than anyone hoped for. Did we mention that Ken Foster is biking to Monterey? Can’t we, like, give him a protected bike lane at least?

Is there a way back to a unified country?

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“Yes, but it will take a lot of work. You work at it, I work at it, and everything that makes you upset, hold your tongue and keep going.”

Lori Billups

Santa Cruz
Retired Caregiver

“The current state of bipartisanship in this country makes me think that a unified country in the near future is a naive hope at best.”

Matt Cohen

Santa Cruz
Waiter

“The way back will be education. Real education for the whole country, not just California.”

Vicky Gonzalez

Santa Cruz
Social Worker

“I think it will take a lot of work—the divisiveness is extreme with the white supremacists.”

Dora Gonzalez

Santa Cruz
Retired Teacher

“Yes, but it might take a massive solar flare that wipes out all computers and screens so that we go back to storytelling around the campfire.”

Bryan Bellemore

Santa Cruz
Painting Contractor

MAH Exhibit Highlights the Stories Behind Tattoos

No other art form asks more from those who embrace it than tattooing.

Tattoo love comes with three heavy price tags: pain, permanence and intimacy. It figures, then, that people who sport tattoos tend to have relationships with them, or at least stories about them.

For its current exhibit on tattooing, the Museum of Art and History in Santa Cruz could have easily focused on the stunning diversity and creativity of tattoos themselves. But instead, the MAH’s Santa Cruz Tattoo’d is about people, exploring the rich interplay between tattoos and identity.

The exhibit runs through Feb. 23 at the MAH’s third-floor Art Forum Gallery. It consists largely of testimonials from local people who share the unique stories of how they came to be inked.

“We knew we weren’t in a position to do a [comprehensive] history of tattooing,” says the MAH’s Whitney Ford-Terry, who curated the exhibit, “nor a Santa Cruz ‘style’ of tattooing, because there really isn’t one. So when we set out to do this exhibition, we found that the most powerful stories we were getting from people were the circumstances behind why they got a tattoo, or the relationship with whom they got tattooed. The core idea was that tattoos are chosen remembrances.”

On Jan. 30, the MAH will host a screening of the 2010 documentary Tattoo the World, an exploration of the life and art of legendary tattooist Ed Hardy. Heather Baldwin of Good Omen Tattoo in Santa Cruz will be offering live demos in the MAH’s atrium. The event is designed to draw people to the Tattoo’d exhibit. (According to the exhibit’s research, Hardy even showed up in Santa Cruz way back in 1984 for a similar film screening and live demonstration. At that time, the event was not at the local museum, but took place instead at the downtown alternative bookshop Anubis Warpus.)

Among the Santa Cruz tattoo true believers featured in the exhibit are veteran activist and founder of Barrios Unidos Nane Alejandrez, machinist Bobby Magnante, and entrepreneur Kelly McMurray.

Stacy Hernandez talks about the year she lost both her parents and how a tattoo helped her mourn, serving as an ever-present memorial to them. Bonnie Steward used tattoos to express gender identity. Jacquie Benetua-Rolens opted to memorialize an emotionally volatile year by rediscovering her ethnic identity, namely the Filipino tattoo tradition of batok.

Among the local tattoo shops that contributed artwork to the exhibit are Good Omen, Staircase Tattoo, Eights & Aces, Black Pearl, Good Luck Tattoo and several others.

Also featured is a historical component to the exhibit, tracing the controversial history of tattooing in Santa Cruz. Nane Alejandrez was a big part of that history, taking place in tattoo art shows and demonstrations in the early 1980s, when tattooing was technically still illegal in Santa Cruz County. The ban on tattooing was finally lifted in 1986.

The project was the end product of a deep dive into local tattoo culture. “I knew some folks who had done some earlier projects having to do with tattooing a couple of years ago,” says Ford-Terry. “We asked them about some of the local history, spoke with some of the folks at Staircase Tattoo for some recommendations. There were artists who knew artists, who knew artists. We wanted to choose stories that were very different from one another, so the reasoning behind how and why people got tattoos were unique to that person.”

One of the featured artists is Kelly McMurray, the owner/operator of Good Luck Tattoo. “If you’re a tattoo artist,” she says, “mainly, it’s your whole life, almost. Your life revolves around it. It’s hard to get away from. It kinda sucks you in.”

As a small child, McMurray was entranced by other people’s tattoos. She got her first tattoo as soon as it was legal for her to do so. “I made an appointment on my 18th birthday.” She got two small birds on her shoulder. “I cried the whole time,” she says. “I didn’t think it would be that painful.”

The art of tattooing, McMurray says, has turned a corner from a transgressive oddity that few people would purse a few decades ago to a common choice among a wide range of consumers now. “Nowadays, we see people from so many walks of life,” she says. “It’s like a grocery store, or a restaurant. People gotta eat. Well, I feel like nowadays, everybody feels the need to get at least one tattoo.”

“It’s become a lot more widely accepted,” says Whitney Ford-Terry. “The laws have changed. It has a lot to do with social media and the democratizing of images. More people are seeing more people with tattoos. It’s all become normalized.”

A screening of “Tattoo the World,” in support of the exhibit “Santa Cruz Tattoo’d,” will be held at 6pm on Thursday, Jan. 30, at the Museum of Art and History, 705 Front St., Santa Cruz. $10. santacruzmah.org.

Rob Brezsny’s Astrology Jan. 22-28

Free will astrology for the week of Jan. 22, 2020

ARIES (March 21-April 19): German writer Johann Wolfgang von Goethe (1749–1832) declared that English writer Lord Byron (1788–1824) was the greatest genius of the 19th century. Here’s an interesting coincidence: Byron regarded Goethe as the greatest genius of the 19th century. I bring this to your attention, Aries, in the hope that it will inspire you to create a similar dynamic in your own life during the coming months. As much as possible, surround yourself with people whom you think are wonderful and interesting and enlivening—and who think you are wonderful and interesting and enlivening.

TAURUS (April 20-May 20): Taurus-born Johannes Brahms (1833–1897) was a renowned German composer who lived most of his life in Germany and Austria. He became so famous and well-respected that England’s Cambridge University offered him an honorary degree if he would visit the campus. But Brahms was too timid to risk crossing the English Channel by boat. (There were no airplanes and Chunnel in those days.) He declined the award. I beg you not to do anything even remotely like that in the coming weeks, Taurus. Please summon the gumption necessary to claim and gather in all you deserve.

GEMINI (May 21-June 20): According to my analysis of the astrological omens, the coming weeks will be one of those rare times when you can safely engage with influences that might normally rattle you. You’ll be protected as you wander into the unknown and explore edgy mysteries. Your intuition will be highly reliable if you make bold attempts to solve dilemmas that have previously confounded and frustrated you. If you’ve been waiting for the perfect moment to get a bit wild and exploratory, this is it.

CANCER (June 21-July 22): J. M. W. Turner (1775–1851) is regarded as one of England’s greatest painters. He’s best known for his luminous and imaginative landscapes. His experimental use of light and color influenced the Impressionist painters who came after him. But the weird thing is that after his death, many of his works were lost for decades. In 1939, a famed art historian found over a hundred of them rolled up like tarpaulins in the basement of an art museum. Let’s apply this event as a metaphor for what’s ahead in your life, Cancerian. I suspect that buried or lost elements of your past will soon be rediscovered and restored. I bet it will be fun and illuminating!

LEO (July 23-Aug. 22): In my early adult life, I lived below the poverty line for many years. How did that impact me? Here’s one example: I didn’t own a mattress from ages 23 to 39, but rather slept on a two-inch thick foam pad that lay directly on the floor. I’m doing better now, thank you. But my early experiences ensured that I would forever have profound empathy for people who don’t have much money. I hope this will serve as inspiration for you, Leo. The next seven weeks will be the Empathy Building Season for you. The cosmos will reward you if you build your ability to appreciate and understand the pains and joys of other humans. Your compassion will be tonic for both your mental and physical health.

VIRGO (Aug. 23-Sept. 22): Ancient Greek author Theophrastus was a scientist before the concept of “scientist” existed. His writings on botany were influential for hundreds of years after his death. But some of his ideas would be considered unscientific today. For example, he believed that flute music could heal sciatica and epilepsy. No modern research suggests that the charms of the flute can literally cure physical ailments like those. But there is a great deal of evidence that music can help relieve pain, reduce anxiety, reduce the side effects of drugs, assist in physical therapy, and even make you smarter. And my reading of the current astrological omens suggests that the therapeutic effects of music will be especially dramatic for you during the next three weeks.

LIBRA (Sept. 23-Oct. 22): “Learning to love is difficult, and we pay dearly for it,” wrote the serious and somber author Fyodor Dostoevsky. “It takes hard work and a long apprenticeship,” he added. All that’s true, I think. To hone our ability to express tenderness and warmth, even when we’re not at our best, is the most demanding task on earth. It requires more courage than that of a soldier in the frenzy of battle, as much imagination as a poet, and diligence equal to that of an architect supervising the construction of a massive suspension bridge. And yet on the other hand—contrary to what Dostoevsky believed—sometimes love is mostly fun and inspiring and entertaining and educational. I suspect that the coming weeks will be one of those phases for you.

SCORPIO (Oct. 23-Nov. 21): How well do you nurture yourself, dear Scorpio? How diligent are you in providing yourself with the sustenance that ensures your body, mind, and soul will thrive? Are you imaginative in the ways that you keep yourself excited about life? Do you take strong measures to avoid getting attached to mediocre pleasures, even as you consistently hone your focus on the desires that lead you to joy and deep satisfaction? The coming weeks will be an excellent time for you to meditate on these questions.

SAGITTARIUS (Nov. 22-Dec. 21): Seven books of the Bible’s Old Testament refer to a magical place called Ophir. It was a source of exotic finery and soulful treasures like gold, peacocks, jewels, frankincense, and precious sandalwood. One problem: No one, not even a Biblical scholar, has ever figured out where it was. Zimbabwe? India? Tunisia? Its location is still unknown. I am bringing this to your attention because I suspect that in 2020 there’ll be a good chance you’ll discover and gain access to your own metaphorical Ophir: a fount of interesting, evocative resources. For best results, be primed and eager to offer your own skills and riches in exchange for what this fount can provide to you.

CAPRICORN (Dec. 22-Jan. 19): Capricorn filmmaker Steven Soderbergh says it’s crucial for us to have a well-developed story about who we are and what we’re doing with our lives. It’s so important, he feels, that it should be the trigger that flings us out of bed every morning. We’ve got to make our story so vivid and interesting that it continually motivates us in every little thing we do. Soderbergh’s counsel is always good to keep in mind, of course, but it will be even more so for you in the coming months. Why? Because your story will be expanding and deepening, and you’ll need to make the necessary adjustments in how you tell your story to yourself.

AQUARIUS (Jan. 20-Feb. 18): I’m a big fan of self-editing. For example, every horoscope I write evolves over the course of at least three drafts. For each book I’ve published, I have written—and then thrown away—hundreds of pages that I ultimately deemed weren’t good enough to be a part of the finished text. And yet now and then, I have created a poem or song in one rapid swoop. My artistic artifact is exactly right the first time it flows out of me, with no further tinkering needed. I suspect you’re now entering a phase like that, Aquarius. I’m reminded of poet Allen Ginsberg’s operative principle: “First thought, best thought.”

PISCES (Feb. 19-March 20): Who don’t you want to be, Pisces? Where don’t you want to go? What experiences are not necessary in your drive to become the person you were born to be? I encourage you to ask yourself questions like those in the coming weeks. You’re entering a phase when you can create long-term good fortune for yourself by knowing what you don’t like and don’t need. Explore the positive effects of refusal. Wield the power of saying no so as to liberate yourself from all that’s irrelevant, uninteresting, trivial, and unhealthy.

 

Homework: I’ve gathered all of the long-term, big-picture horoscopes I wrote for you in the past few weeks, and bundled them in one place: https://bit.ly/2020BigPicture.

Year of the Metal Rat: Risa’s Stars Jan. 22-28

Chinese New Year is early this year, beginning on Saturday, Jan. 25 (the day after the Aquarius new moon), and ending at the full moon Lantern Festival. Chinese New Year follows a lunar calendar. 2020 is the Year of the Metal Rat, a year of “new beginnings.” This is interesting, as some say 2020 is also the year of the “reset.” The rat is the very first of the animals in the Chinese Zodiac, quite like the sign Aries. It is written that it was the rat who first arrived at the Jade Emperor’s party.

Rat represents a new day; it is Yang (outward moving) and midnight hours. Rat’s virtues are kindness, diligence and generosity. Rats live a quiet, peaceful life, and they always know where food is. They are clever, financially secure, quick thinkers, optimistic, sensitive to the emotions of others, reliable and stable. They are also very hot-tempered and independent, with great creative imaginations. Rat people need to be careful of their health in 2020. Success for the Metal Rat this year will be with work and education. More care will be needed with relationships, communication and health. Best matches for Rat are Ox, Monkey and Dragon. The Metal Rat years are 1924, 1936, 1948, 1960, 1972, 1984, 1996, 2008 and 2020.

ARIES: Your work in the world will be guided and directed by promptings and impressions from above. You are to initiate new ideas—new possibilities creating new probabilities creating new outcomes, unreflective of the past. You will need to meet important people, then become one yourself. You will learn to act with humility while attaining great goals. Develop what is necessary to solidify these tasks. You’re the person for this job.

TAURUS: It’s important to contact people afar concerning their health, welfare, family life, plans and future agendas. Keep in touch with family. The outer aspects of these interactions hide a deep spiritual purpose. With strength and calmness speak the truth of your aims and purposes; listen carefully to the others. There’s a seed of enlightenment in their words. Be not afraid to ask for all that is needed. Read Matthew 7:7.

GEMINI: You hold within yourself secret talents. You may or may not know this. They need to be called forth now with intention. You can ask that you recognize them. Do not be secretive about resources. However, you must protect them. Pay all debts on all levels–physical, emotional, mental, spiritual. You and another may need to travel somewhere to discover information. Where would that be?

CANCER: There’s a spiritual task you’re being asked to provide from Jupiter, the planet central to the Aquarian Age distributing love and wisdom. Jupiter asks that you provide more love to your groups and communities you interact with. You are to be wise, distributing truth with love and wisdom to those around you. Not gossip, not opinion, not another’s point of view, not interpretation, but the truth within your heart. This safeguards you.

LEO: You are the most important communicator to co-workers and colleagues. Leo is the sign of love in the heart. Sometimes that love is obscured by hurts, sadness and imperfect interactions in relationships (all relationships are). Sometimes we turn away from people, bestowing our love on pets, gardens, crystals and climbing rocks. It might be good to think of all the people you’ve known. Lovingly say to them, “Hello, my friend, hello.”

VIRGO: It’s a special time for you to ponder upon what avocations you want to pursue; what talents, gifts and skills you already possess. It’s a good time to think back on how you’ve cared for loved ones and what you want to do for others in the future in terms of serving them. I see you in a garden, vines of honeysuckle and hops climbing a tall arbor. It’s good for your garden this year to obtain a biodynamic calendar.

LIBRA: You’re thinking about family relationships. Friends are sometimes Libra’s family. You’re attempting to have an intact sense of family and greater feeling of foundation. These times may bring up childhood memories, perhaps wounds. We cannot heal until wounds surface. You have the strength to face these shadows, the wisdom to understand them and the love, latent and in potential, to heal. In emotional crisis, take Ignatia Amara, the homeopath that soothes and settles grief.

SCORPIO: You need to enter into deeper relationships with intelligent and passionate people. You need real interchanges of ideas and beliefs so you can grow new values and experiment with unique plans for the future. A new foundation of thought seeks to meet the challenges of the new realities about to take place in our world. Stay focused, have purposeful intent, take up a new study. Mars asks what you are devoted to. What are your ideals?

SAGITTARIUS: Observe how your sense of identity has expanded. Have your values also changed? Compare today’s values with what you valued previously. You have deepened into a sense of greater responsibility and climbed to a level of success. Always you ask, “What’s next?” Every question we have reflects a developmental stage. Whatever is occurring, stand always in the light. A Sag’s journey is sometimes long and arduous. Sometimes you step into the unknown. Remain there.

CAPRICORN: You communicate these days with great depth of feeling. Don’t worry if people step back. Your life force is showing through, filled with the fire of intention and conviction. It’s as if God were speaking. Capricorn’s glyph is almost the signature of God. You’ll be asked to organize things, to show leadership and drive, to impress (give to) others with ideas that become ideals within them. You do this already, yes, but now more so. Avoid those who resist.

AQUARIUS: You’re going to enter into an internal state for a while, interacting and investigating things deep within; things confidential, religious, private and personal. Do not feel caught up in limitations or hindrances. They only mean you’re working toward overcoming them. Place yourself first in the coming days so that you can protect yourself and maintain vibrant health. A new identity of strength and courage is forming within you. Slowly, gently. A new you coming forth.

PISCES: Careful telling people about future hopes, wishes and dreams. They will not be understood. Careful with your time each day. Plan early what your actions will be. Outline a time schedule. Employ a quiet, firm discipline—the first step toward working under the Will of God. Speak softly yet vibrantly, and always with love (another discipline). You will be called to a far distant shore. You will consider what is best. Call the soul to stabilize and direct all endeavors.

Be Our Guest: ‘Wynonna & The Big Noise’

Wynonna Judd is one of country music’s biggest stars. In the ’80s and early ’90s, she racked up a string of singles with her mom Naomi in their group the Judds. Then in 1992, Wynonna kicked off a run of successful solo albums. Since the millennium, her output has been more sparse. But Wynonna fans know that when she puts out a record, it’ll be fantastic. Her latest, 2016’s Wynonna & The Big Noise, is a fierce collection of country music the way she’s always done it. A little bit rock and a lot of passion. She brings her band to the Catalyst, a rare treat.

8pm. Thursday, Jan. 30, Catalyst, 1011 Pacific Ave., Santa Cruz. $35. Information: catalystclub.com.
WANT TO GO?
Go to santacruz.com/giveaways before 11am on Thursday, Jan. 23 to find out how you could win a pair of tickets to the show. 

How Hardcore Rock Band Fury Found its Way

Jeremy Stith wasn’t sure if his hardcore band Fury had anything left to say. This wasn’t an unusual thought—every time the group released something, he and guitarist Madison Woodward talked about how they’d be fine if it was the band’s last. Their prior record Paramount was an intense and well-received album, but they didn’t know what—if anything—was next.

But then in 2016, inspiration struck unexpectedly. A friend emailed Stith a poem while Fury was on tour in Europe, and he read it on his phone over and over again.

“It was like a bomb went off in my head,” Stith says. “The poem was so simple and succinct. It brought up so many different parts of the human condition. I got my pad and pen. I couldn’t stop writing, like I was throwing up.”

Last year, Fury released Failed Entertainment to wide acclaim, even reaching beyond the limits of the hardcore crowd that so eagerly adored their previous record. Failed Entertainment manages to retain the screaming intensity of classic hardcore while infusing the nuance of mid-tempo ’90s alt-rock, the groove of Fugazi, and the guttural power of doom metal. As the group broadened its sound beyond hardcore music, it never veered from the genre’s energy.

“We all love hardcore. We are students of it. We’re also students of other things,” Stith says. “We don’t like doing the same thing twice. We’re going into it with the ideals of ‘let’s do something new.’”

It’s hard for Stith to say what was so impactful to him about that poem, other than it felt like the antithesis to the complacency he was feeling. Stith’s words are furious, confused and raw, and never explicit in their meaning. Yet, you can feel him try to make sense of the world around him. On “Goodtime,” he sings: “Sun comes up/What of it but another dying season/All for what/We see ourselves how the whole world sees us/All the same.”

The musicality of the record is mostly the work of Woodward. His dynamic songwriting includes more peaks and valleys than a traditional hardcore album, which gives Stith’s sense of searching greater emotional impact. It was a collaboration between them, but in a sense, they were on their own journeys that happened to align beautifully.

“It’s a testament to Maddie and I’s friendship,” Stith says. “It would blow me away every time he would show me a song because it was like he was speaking to me in the way that he could communicate. It was unbelievable.”

But Stith sworried that the record’s meaning was too transparent.

“I felt butt naked the day the record came out, because I felt it’s so obvious. I had to take a step back to realize that I really am hiding in plain sight,” Stith says. “I wanted it to be open to interpretation. This record is me at this time of my life. It’s the only way I could have been honest and genuine about what I was dealing with right then and there.”

The second to last song on the record, “New Year’s Eve,” is just a spoken track of the poem that created the record, with friends reading different lines. Like the album it inspired, it’s open for interpretation and elicits deep, unexplainable emotions.  

Stith still gets goosebumps from the poem. He imagines its author a kindred spirit.

“Sometimes you come across a human who’s really feeling what you’re feeling, and they’re able to communicate it in a way that sounds like it came right out of your head,” Stith says. “It’s so real. It really turned everything from black and white to color.”

Fury plays at 9 pm on Sunday, Jan. 26, at the Catalyst, 1011 Pacific Ave., Santa Cruz. $12. 423-1338. 

Music Picks: Jan. 22-28

WEDNESDAY 1/22

INDIE

FOG LAKE

Arena anthems are all well and good, but if your life was a soundtrack, how often would you hear “Eye of the Tiger?” Honestly, we all wish our lives were nothing but Rocky moments when really we’re more like a bunch of Daniel Johnstons, hanging out in our garage, yelling at our moms, and making moody jingles for every little thing that happens. Fog Lake is that somber, lo-fi band that’ll make up the bulk of your soundtrack and help you take meaning from it: lonely, melancholy, lyrical tunes accentuating the unbearable emotional acuity underneath all our average everyday happenings.

8pm Felton Music Hall, 6275 Hwy 9, Felton Music Hall. $10/adv, $12/door. 704-7113. 

 

THURSDAY 1/23

POST-ROCK

…AND YOU WILL KNOW US BY THE TRAIL OF DEAD

It was the early 2000s. Y2K had passed uneventfully, and Limp Bizkit was still one of the world’s largest bands. Clearly there was some pent up rage that needed releasing. Enter Source Tags and Codes, the third album by …And You Will Know Us By the Trail of Dead. Dark and angular, peppered with some unexpected moments of pop clarity, Source Tags was the sound of the coming maelstrom, the bubbling dread of the techno-dystopian millennium to come, and a major flashpoint for indie rock in general.

9pm Catalyst, 1011 Pacific Ave, Santa Cruz. $15/adv, $18/door. 429-4135.

 

COUNTRY

JESSE DANIEL 

Who’s ready for some hootin’ and a hollerin’? Ben Lomond native turned Austinite Jesse Daniel returns to Santa Cruz for a night of honkytonk, outlaw country, and lonesome, highway-soaked blues. Last year proved to be a major one for Daniel and his better half—co-writer, singer and tattoo artist Ms. Jodi Lyford—as he seemed to not only be touring endlessly, but also filmed a couple of music videos, moved to Texas and and managed to record his highly anticipated second album Rollin’ On. With the new year still fresh, Daniel and the gang has hit the road again in support of the new tunes, which are set to be released on March 27. MAT WEIR

7:30pm Michaels on Main, 2591 Main St., Soquel. $10/adv, $12/door. 479-9777.

 

FRIDAY 1/24

ACOUSTIC

COFFEE ZOMBIE COLLECTIVE

Local sort-of-bluegrass acoustic ensemble Coffee Zombie Collective know you like to pretend you’re a hipster with your sealed first edition of Neutral Milk Hotel’s On Avery Island hanging up on your wall. They also know that as soon as they fire up their goofy acoustic reggae-tinged rendition of Taylor Swift’s “Shake It Off,” or their old timey, foot-stomping interpretation of ’80s classic “Send Me An Angel,” you will gleefully sing every word. Don’t worry, they won’t totally demolish your street cred, giving you the opportunity to sing along to Fugazi’s “Waiting Room” and Neutral Milk Hotel’s “In The Aeroplane Over The Sea.” AARON CARNES

8:30pm Moe’s Alley, 1535 Commercial Way, Santa Cruz. $10/adv, $15/door. 479-1854. 

 

SATURDAY 1/25

COMEDY

PHIL JOHNSON

Do you like hilariously inappropriate songs? Or hilariously appropriate songs, like “I Wanna Rock (Socially Responsibly),” with such updated lyrics as “I wanna rock, but that means being inclusive” and “If you don’t wanna rock, that’s ok, this is a judgement free zone?” Look no further than Phil Johnson, who will be filming his latest comedy special, Burning Sensation, filled with jokes about race, sex, religion and…doughnuts? This uncensored comic says his underlying theme is “the intent behind words,” which makes us really curious about the doughnut part. MW

7 & 9:30pm. DNA’s Comedy Lab, 155 S. River St., Santa Cruz. $20/adv, $25/door. 900-5123. 

 

INDIE

KITE HANDS GLOWING

Nadia Lucia has one of the best local projects you don’t know about. Her one-person band Kite Hands Glowing play quiet songs—almost lullabies—that evoke huge emotions and tell stories that span time and space. She wrote her last album, Lucia, for her grandmother, her mother and her great-grandmother. How is she connected to their story? What is the deep truth buried within the gentle fog that rolls into the California coast. The record searches for identity while basking in the simplest and most spiritual moments of life and letting it all blow away, like the wind. AC

9pm. Crepe Place, 1134 Soquel Ave., Santa Cruz. $7. 429-6994. 

 

SUNDAY 1/26

FOLK

THE PAPERBOYS

Extra, extra, read all about it! Canadian troupe the Paperboys combine Celtic jigs with Mexican folk, Cajun dance music, and island ska! Audiences worldwide held in thrall for quarter-century! “Audio alchemy, or musical magic?” ask baffled scientists. “Neither!” insists frontman Tom Landa—but what is he hiding? “Moving mountain melodies a-plenty,” say reviewers—but what are they hiding? “Can’t capture power of live show in review,” audiences say—but what are they hiding? Truths promised to be revealed at Michaels on Main! MH

1pm. Michael’s On Main, 2591 Main St., Soquel. $17 adv/$20 door. 479-9777.

 

ACOUSTIC

SCROGGINS AND ROSE

Instead of dueling banjos, Scroggins and Rose duke it out with mandolin and violin, creating an expressive, lively back and forth that masterfully spins tradition on its head with a good dose of bluegrass and whimsy. Often Scroggin’s mandolin starts the conversation, friendly and familiar plucks on the string, before Rose’s fat violin tones interject and they’re off, until both instruments come together with newfound harmony. No matter how far they fall down the spiral of stringed discordance, they always find their way back together, like they know the secret to world peace. AB

8pm. Lille Aeske, 13160 Hwy 9, Boulder Creek. $25. 703-4183. 

 

MONDAY 1/27

JASON MORAN & MARVIN SEWELL

Pianist Jason Moran was a highly regarded young jazz progressive in the mid-1990s when he started playing with guitarist Marvin Sewell in Cassandra Wilson’s band. He credits their friendship with providing deep insight into the blues, that at its best embodies an African-American aesthetic that’s an existential response to life’s tribulations and pleasures. They played their first duo concert last year at the Smithsonian and make their West Coast debut at Kuumbwa, Sewell’s first Bay Area performance since a run of gigs with African-American/ Native American soul singer Martha Redbone’s Roots Project. ANDREW GILBERT

7pm. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $36.75/adv, $42/door. 427-2227.

Bidding Adieu to a Bonny Doon Staple

Channel your inner David Bowie and chant along to “Changes” as you consider that after 35 years, there will not be a Randall Grahm as owner and president for life of Bonny Doon Vineyard. The brand was just bought by WarRoom Ventures LLC, a San Luis Obispo-based wine company that will handle management and marketing of a select group of Bonny Doon Vineyard wines. 

Meanwhile, Nicole Walsh, who just opened an Aptos tasting room for her own brand Ser, will continue to oversee winemaking. Grahm might step back into Bonny Doon Vineyard’s cellar from time to time as a consultant, but we’ll see. It is the perfect time for something new for the Rhône Ranger after so many years of tinkering, finessing, creating, schlepping, selling, pouring, and all that involves—and it is a bittersweet end to one of the colorful sagas in Santa Cruz oenological mythology. 

bonnydoonvineyard.com. 

Winding Down? 

Meanwhile, according to Silicon Valley Bank’s annual State of the Wine Industry report, overall wine sales by volume in the U.S. are down for the first time in 25 years. Millennials aren’t drinking as much expensive wine, and boomers are getting messages about health concerns and wine consumption. So I checked in with some of the people in our local wine world to see what their tea leaves indicate

Alexia Moore wine rep Robert Marsh: “Boomers, who carried the ball for decades, are consuming less for health reasons and/or retiring with less money to spend on premium wine,” Marsh says. “Three decades ago, you could drink wine from the great producers of France and California at reasonable prices. Being able to buy those types of wines at reasonable prices vis-a-vis your income was not a choice between homelessness and a bottle of wine. It is now.” Marsh believes wine “is a casualty of the current high cost of living.” Also, there are now many craft beer and cider producers that did not exist for boomers, along with “vast amounts of bourbon, rum and vodka.” Plus, there’s legal weed to appeal to younger consumers. “But declining California wine consumption could change for domestic producers if the Trump wine tariffs come into play,” Marsh says. 

Alex Krause of Birichino: Krause acknowledges that we’re in “a fiercely competitive marketplace. In order to succeed, one has to have the right wine for a given market, and the ability to present it in a way that stands out and resonates with buyers and ultimately consumers.” Birichino is small and “very lean, with just John [Locke] and myself and one part-time employee, so it’s possible for us to be very efficient with our production costs,” Krause says, adding that Birichino’s sales are growing. “We just had our best year ever, and have a strong millennial consumer following.”

Jordan Iverson of Vinocruz“Craft brewing of both beer and wine has shot up significantly over the past decade,” Iverson says. “Locally, we have seen both the beer and wine industry thriving yet facing increases in pricing due to costs [of items] such as hops and barrels shooting up. California property costs are making it very difficult for new wineries to even get into the game. Additionally, the alcohol percentage of beer has increased significantly, so when you look at bang for the buck in terms of getting a buzz, I feel like the economics sometimes comes into play for a younger audience, which may account for a shift toward beer.”

Jim and Judy Schultze of Windy Oaks Estate: “Boomers are drinking less wine as they age. We’ve even noticed that in our own consumption,” the winemakers admit. “We don’t think it’s lack of finances, at least not with our wine club. We see very positive trends with millennials, and many of our new members are in this category. People tend to forget that the wine industry is cyclical, like our economy. Several strong years of production have resulted in an excess of bulk wine—we saw this a few years ago in Europe, particularly with vast pools of bulk wine in Bordeaux.” 

 

I’ll continue exploring this trend in future columns, but clearly marketing matters, as does knowing your target consumer. And, yes, libation choices have increased exponentially. 

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