Santa Cruz Tech Beat’s Sara Isenberg Connects the Dots

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Five years ago, then-Santa Cruz mayor Hilary Bryant knew that there was a healthy tech start-up culture really starting to bloom in Santa Cruz, but she didn’t feel she knew as much about it as she should have.

As a part of the city’s business retention efforts, Bryant remembers visiting the offices of Looker, the data-analytics company that today is one of Santa Cruz’s most prominent homegrown businesses.

“It was probably six or seven people in the small office in the back of the Cruzio building,” she says “I kept thinking, ‘I know you guys are doing something cool, but I have no idea exactly what you’re doing.’”

At the time, the tech industry in Santa Cruz was growing largely outside of notice, so much so that the city’s mayor had to rely on rumor and scuttlebutt to figure out who was doing what.

The timing could not have been better for Sara Isenberg, and her idea to provide centralized coverage of Santa Cruz’s tech sector at a new website she called Santa Cruz Tech Beat. Isenberg showed up at the mayor’s office with exactly the solution to her problem.

“Sara and I had a great conversation,” says Bryant. “I told her that as an elected official, I wanted to be able to tell this story and to understand this story. But I didn’t know how to tap into that community without going to a whole lot of events. And I didn’t even have the understanding to know which events to attend. And when she showed up, I was like, ‘Yes, please, how can I help you do this?’”

Bryant became one of Tech Beat’s earliest subscribers.

This summer, Santa Cruz Tech Beat is celebrating its fifth anniversary of providing a window into the world of Santa Cruz’s busy tech sector. From the beginning, Isenberg has claimed no standing as a journalist. Instead, she comes from tech herself, having graduated from UCSC with a degree in computer science and working in the computer industry since the early 1980s, most notably at Santa Cruz Operations (SCO) throughout the 1990s.

“I’m a tech person who just happened to be here and happened to pick up something I thought would be fun when my son was headed off to college,” says.

Isenberg credits her friend and fellow techie Margaret Rosas—who later introduced her to the mayor—for inspiring Tech Beat in July 2013. “The conception at the time wasn’t a grand thing,” says Isenberg. “It was just a newsletter. The people at the city were too busy with other things to know what was going on in tech, and unless if you were spending all day at NextSpace, you didn’t know what was going on.”

An ecosystem emerges

Santa Cruz Tech Beat first began collecting press releases from the entrepreneurs in town and quickly expanded to include interviews, events and job listings. It was the job postings that really attracted eyeballs to the site, and after a couple of years, Isenberg moved from a tech consultant who publishes a newsletter on the side to a publisher who does consulting on the side.

“The news on the site is a selection of curated news that’s written elsewhere, press releases, guest articles,” she says.

Santa Cruz Tech Beat soon expanded its purview and began covering the tech sector not only throughout Santa Cruz County but in Monterey and San Benito counties as well. Since then, the site has brought into sharper focus the nature of tech around the Monterey Bay, chronicling the rise of several hubs of activity—genomics, stemming from the Genomics Institute at UCSC; adventure sports and gaming; and agricultural tech. With companies such as Plantronics and Fullpower Technologies, Santa Cruz has a stake in wearable tech. Overall, it’s a thriving community that ties together the biggest players in Santa Cruz’s tech economy, from UCSC to Cruzio to ProductOps and Looker to Santa Cruz New Tech Meet Up.

Doug Erickson of New Tech MeetUp says that Isenberg and Tech Beat provide a valuable bridge in the town’s tech ecosystem. He points to studies that list critical components like institutions of higher learning, municipal support, angel investors, mentor businesspeople and incubator businesses. “You have to have all those components for a tech ecosystem to thrive,” he says, “and Tech Beat connects all those components together.”

New Tech MeetUp began 10 years ago, long before Tech Beat. And the absence of a site like Tech Beat made Erickson’s job difficult. “It was very difficult,” he says, “to find out who would be interested, what’s the history, whether anyone has tried to do this before. It was really hard to find out any of that stuff. Now, with Tech Beat, we have a record of everything that’s been going on, and that’s a very valuable thing to have.”

The tech industry’s relationship with the public has always included a degree of hype, but Isenberg makes the point to say that she is not inclined to hyperbole. “I’m just not a hyperbolic person,” she says. “I’m not a salesperson. I’m really just an introverted, geeky kind of person. When I publish, the focus I want to give is not that these companies have sexy products necessarily. It’s more that they make these kinds of products, and they were started by so-and-so. And what I’ve learned is that even though you think that tech people would value Tech Beat, it’s really the people who are around tech but not in it that are more interested. City and county leaders, university people, attorneys, commercial real-estate people, all the people who have an interest in the infrastructure around tech.

Santa Cruz Tech Beat is largely supported by the institutions and companies that it covers, allowing Isenberg to generate some income and spend her time populating the site. “It generates an income,” she says. “Not a Silicon Valley high-tech income. It’s not like having a salary. But I’m my own boss, and I can do what I want.”

Tech Beat also keeps the breathless “Silicon Beach” rhetoric that the local tech industry has had problems living up to in check.

“We are what we are,” says Isenberg of Santa Cruz County’s tech community, downplaying any notion that Santa Cruz might become some Next Big Thing in tech. “It’s up to individuals to start companies. I don’t think all of a sudden something big is going to happen locally. We have an ecosystem here.”

No One Thought They Could Be Independent — Now, They’re Thriving

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Intellectual and developmental disabilities don’t have to hinder a happy and successful life, says Anya Hobley, co-director of Camphill Community in Santa Cruz. At Camphill, workers don’t get a salary, and care doesn’t come at a financial cost. Instead, the residents work to give back to their community in order to support themselves.

“The way that people feel engaged and have a sense of purpose in the community here is different from the run-of-the-mill care,” Hobley says. “People are able to cultivate independence and sometimes it’s a shock for the families who thought that they would be dependent on them for life.”

Some of these workers and residents spend their time weaving, others on papermaking or organic biodynamic gardening. The focus of Camphill is community life, the arts, and working the land. Nestled in the Soquel hills, the community houses more than 40 friends, as residents are called, of all ages and varying special needs and abilities. Camphill staff, known as co-workers, come from all over the world to support the residents and community. The driving force behind Camphill is the idea that everyone has unique abilities and talents and can be independent regardless of mental limitations.

“Working gives everyone a sense of purpose, they are contributing to a larger whole, regardless of their limitations,” Hobley says, while Daniel, a 43-year-old resident with Fragile X Syndrome, pushes a full wheelbarrow across the garden. “It gives their life meaning.”

As with most art, the beauty is in the details. The residents weave lavender satchels, pillowcases and blankets and make recycled paper with flower petals. They grow their organic biodynamic crops from seeds and harvest their grapes as a community. Because of the diverse backgrounds of the staff, Camphill is a mash-up of cultural influences from cottage pie (a British riff on shepherd’s pie) to stories from Germany.

Hobley has been part of the Camphill movement almost all of her life. Having lived in a Camphill community in Wales and then in Ireland, she says that she feels a responsibility and passion for the meaningful work that she does within the community.

“We have the capacity to accommodate many people regardless of ability,” Hobley says. “If I went to Norway or South Africa, I know I’d have a place to stay there. It’s amazing in that aspect.”

The houses, named House of Ishi, Linden, Siiwiini, Marimi, Aulinta, Sunrose, Chrysalis and Evergreen, are each part of the Camphill Communities assisted living network, a California subcategory of the large international Camphill movement founded by Austrian pediatrician and teacher Dr. Karl König. König was influenced by the teachings of Austrian philosopher Rudolf Steiner, the founder of Anthroposophy and the Waldorf education.

Camphill residents begin each morning with readings, often from the Bible (though the community itself has no religious affiliation), followed by a community breakfast consisting of homemade bread or granola, freshly picked fruit or veggie and egg scrambles. They enjoy three meals together daily, each one homemade from their fresh garden produce.

“To break bread or have a meal together is a bit of a foreign concept these days,” Hobley says. “Every meal we make, we cook together, we eat together, we talk together.”

While it may sound like a dreamy vacation for anyone, the residents don’t get to do exactly what they want all the time. They’re on a somewhat rigid set schedule as they give back to their little community.

Camphill also hosts festivals to celebrate holidays and the seasons. They include plays and singing, readings, dancing, and music. While it’s different for each community, the Santa Cruz Camphill relies on 80 percent state funding and the rest is donations-based. Families of those at Camphill do not have to pay for care, though many donate in some way, be it by volunteering their time or with financial support.

For the staff co-workers, working in Camphill comes with free room and board, meals, and chances to make new friends and experience new places. Many co-workers will make their way to other Camphill communities around the world, staying in one place for a year or two and then moving on. Through the Camphill Academy, co-workers in Camphill communities across North America can pursue full-time integrated studies that can culminate in a Certificate of Foundation Studies or a diploma in Curative Education or Social Therapy. Participation in the academy also makes them eligible for an extended visa so that they can continue their work within the communities beyond standard visa limits.

Despite the program’s worldwide reach, many in Santa Cruz don’t know about the community, even though it’s celebrating its 20th birthday this year. Hobley says she’s making a conscious effort to establish relationships and connections with the public locally. In particular, their upcoming farm-to-table event on Aug. 25 as well as their fairs and festivals are a way to celebrate nature connect Camphill to Santa Cruz.

“The farm-to-table dinner is really about creating community partnerships and friendships, and extending that to the local community,” Hobley says. “Unlike other farm-to-table events that are maybe a fundraiser or promote a specific farm, this is to showcase how we live and work in the community and how we can be part of the fabric of the local Santa Cruz community and beyond.”

They expect around 120 people, and while much of the food is grown on their land, they’re also getting outside help from local farms like Happy Boy and Live Earth. They are currently preparing for the dinner, and as the chickens run back and forth and residents tend to the crops, there is a certain late summer atmosphere around the garden.

”It’s about honoring each person’s abilities, rather than being a care provider or a friend,” Hobley says. “Sometimes when new co-workers come in, the friends know more about weaving than they do, and they can teach them. It’s a really amazing balance.”

For more information about Camphill Community in Santa Cruz or volunteer or purchase tickets to their events, visit camphillca.org.

Windy Oaks Opens New Carmel-by-the-Sea Tasting Room

The outstanding wines made by Jim Schultze of Windy Oaks are now easier than ever to access in metropolitan Carmel-by-the-Sea.

More opportunities to taste. More opportunities to go nuts for the long line of delightful Pinots. And here’s why: Windy Oaks has moved its Carmel tasting room location to Lincoln Street, between Ocean and 6th avenues in Carmel-by-the-Sea. How easy is that? Simply cruising through the charming village at the southern end of the Monterey Bay you will practically trip over the new tasting room, loaded with the estate Pinot Noirs, accessible Chardonnays, and tangy Syrahs. Plus lots more, including the popular sparkling Albariño. Open every day (except Wednesday), noon to 6 p.m.

Tapas? Maybe.

I was disappointed that, even though the sign in the door has been advertising them for two weeks, there were no tapas available when I went to Malabar for dinner a few nights ago. I’d come on a Tuesday night, when it was quiet in the beautiful dining room, anticipating the new menu items. They sounded great on the “Tapas” portion of the menu. I would love to have sampled the new small plates of roasted baby Indian eggplant, or the Vietnamese-Sri Lankan spring rolls, or the stuffed peppers with potato, tomato and garam masala. But none were available when we arrived, due to a computer glitch the day before which required the staff’s attention. When we asked about the housemade raviolis, we were informed that they also were not available that night. We did enjoy being able to partner our dishes of Singapore Hawk Noodles ($11) and Tempeh La La with Gado Gado ($11.75) with glasses of Orsianna Organic Chardonnay 2016 and excellent Line Shack 2015 Petite Sirah (both $8). It honors the fine food this kitchen can make to have wine and beer now available on the menu. I’ll be back to try out the new tapas.

Top Five Pastries

In no particular order, here are the Santa Cruz-baked pastries you don’t want to miss: The kouign-amann at Verve, made by the bakers at Manresa Bread. Buttery, sinful. The palmier at Companion Bakeshop, usually delicately tinted with intriguing spice and fruit flavors. Exceptional flakiness. The zucchini muffin at The Buttery, brilliant spice balance, a toothsome tweed of flavors and textures. The light yet decadent almond croissant at Iveta, just barely sweet so that it fulfills your needs for a treat, as well as a breakfast carb. Add butter. Live large. The apple pie from Beckmann’s, available in a mini-pie at New Leaf. Very much like the imaginary grandmother in your collective memory would have made. There. Some clues to start foraging for pastries in our vicinity.

Manresa Update

Another fire, the second in four years, has closed Los Gatos landmark Manresa for the next while. From Manresa’s Executive Chef, David Kinch: “There was a fire at Manresa on the evening of July 16. The restaurant was closed at the time of the fire, no one was in the restaurant and no one was harmed. The fire department responded swiftly to put the fire out. The cause of the fire is being investigated.” As a result, the restaurant is currently closed and we will provide updates as available.” Such a shame. Hope Kinch and company get to the bottom of this latest bit of trouble.

Preview: John Jorgenson to Play Kuumbwa

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While most of us didn’t take music lessons as seriously as our parents and teachers might have liked, John Jorgenson says he actually liked practicing as a kid.

“I understood that if I wanted to play something, I had to practice it,” he says. “I could see that if I did, I would get better. A lot of times, young kids who don’t practice don’t ever feel the satisfaction of getting better, which makes it not so horrible to practice.”

Apparently, the rest of us should have listened, because Jorgenson’s efforts appear to have paid off. He’s now a master multi-instrumentalist who plays mandolin, mandocello, Dobro, pedal steel, piano, upright bass, clarinet, bassoon, and saxophone. Oh yeah, and he’s a world-class guitarist, who travels the world performing with the likes of Elton John, Emmylou Harris, Bob Dylan and Bonnie Raitt.

Of course, Jorgenson had a bit of a head start—his mom was a piano teacher and his dad was a music teacher at the University of Redlands. He started playing piano at age 4, studied classical piano until he was 13, picked up the clarinet at 8 and the guitar at 12.

“The people I was around were much better and more advanced than I was,” he says. “I always strived to be up at that level. I’m still striving to be at a higher level than I am now.”

For Jorgenson, the goal of practicing is not to impress audiences with technical chops. He aims to put thoughts and feelings across musically, and doesn’t want lack of technique to get in the way.

“In order to have enough skill to translate what you hear in your mind instantly to the instrument, you have to be really proficient,” he says. “Anything you play is part of either a scale or arpeggio. If you can play all of those up and down, in your sleep, as fast as you want, when you get to the place where you’re trying to improvise, or play with feeling off the top of your head, you don’t get interrupted by technical problems.”

When artists are interrupted by lack of technique, audiences can feel it. As Jorgenson puts it, they “feel more of your insecurity or hesitation or frustration than the real feeling you want to convey through the musical phrase.”

At any given time, Jorgenson is working on numerous musical projects simultaneously, including his own gypsy jazz band, his electric band, his bluegrass band, side projects, studio work, touring and more.

On Aug. 19, Jorgenson performs at Kuumbwa with his bluegrass band. A longtime fan of the genre, Jorgenson is rooted firmly in traditional styles and techniques, which gives him the freedom to further contemporary bluegrass in interesting ways.

“If I’m going to play it, I want to be able to play it as true as possible to the original style—not so that I have to stay there,” he says, “but, if you don’t have the foundation of anything, how can you stand and move from it?”

Jorgenson’s latest bluegrass album, From the Crow’s Nest, is a collection of songs he hopes will “help people see different things.” He wrote the song “If You Could See” for two of his friends, who he describes as “accomplished and quite famous musicians,” who both took their own lives within a 10 day period—a time he describes as devastating.

“I didn’t even do the song for a while on-stage because I felt like it might be too heavy,” he says, “but we’ve started doing it and it’s actually been a pretty nice moment—a beautiful moment.”

Another tune, “Wandering Boy,” written by Rodney Crowell, is the story of twin brothers from Texas—one straight, one gay—who both have to face their own prejudices and judgements.

The album as a whole is a reflection of Jorgenson’s finely-honed musical ability and his curiosity about people and music, in general.

“I get entranced with a style and I want to learn all about it—I don’t want to just dabble in it,” he says. “I want to learn about the elements that drew me to the music and what the core of that style is.”

The John Jorgenson Bluegrass Band will perform at 7:30 p.m. on Sunday, Aug. 19 at Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $27-40. 427-2227.

Film Review: ‘BlacKkKlansman’

You don’t need a white critic to tell you that 2018 has been a phenomenal year for black-themed film. BlacKkKlansman, released on the anniversary of the shame of Charlottesville, continues the streak. Spike Lee’s Cannes winner is oddly merry, quite nostalgic, and an ultimately hopeful account of a black police detective’s investigation in Colorado during the late 1970s.

Few who saw Lee’s Malcolm X (1992) would forget the horror of the scene of the Klan riding out against a billboard-big full moon. His treatment of the KKK here is different: It reminds one of a caption R. Crumb affixed to a cartoon of evil cigar-smoking CEOs—“I just love drawing these guys.” It’s a thrill to have a skulking enemy out in the open. There they are, the real thing, no excuses about misspeaking or misunderstanding.

It’s the late 1970s. Rookie cop Ron Stallworth (John David Washington) is a laconic but can-do kid who is told he’s going to be the Jackie Robinson of the Colorado Springs police department. After he pushes for more challenging assignments, he’s ordered undercover at the local college’s Black Student Union. There he meets the student activist Patrice (Laura Harrier of Spider-Man: Homecoming).

Noting a classified ad seeking recruits to the KKK, Stallworth makes a spontaneous prank phone call in what Sorry to Bother You describes as “the white voice.” The gang is enthusiastic to meet Ron, but naturally, he can’t actually appear in person. Ron talks his partner Flip (Adam Driver) into impersonating him at the audition with the secret organization.

Ultimately, the surveillance goes all the way to the top—to the loathsome David Duke (played by Topher Grace). Together, Ron and Flip learn the rites and the secret handshake, and discover you’re not supposed to mention the “K” word around Klansmen eager to mainstream their organization.

Flip is secular Jewish. “For you, this is a crusade,” he tells Ron. “For me, this is a job.” However, through exposure to the KKK’s Jew-hatred, Flip comes to identify his common cause with Ron. Oddly, in the real-life case this is based on, the KKK plotters were considering bombing a pair of gay bars; common cause seems to only go so far here.

Elements of the fictionalization show, as do the standard moments seen in a police drama and the reveling in blaxploitation films. But it’s easy to get wrapped up in this story, thanks to Lee’s force and thoughtfulness. The KKK members are sometimes formidable, sometimes lonely; the only one-dimensional one is a cracker imbecile played by Paul Walter Hauser as the kind of dunce who scratches his forehead with the barrel of his pistol.

Lee shows a strange bit of sympathy for one couple, Felix (Jasper PääkkÖnnen) and his wife Connie (Ashlie Atkinson), who are seen cuddling up in bed. They’re sickening racists, and yet the salt of the earth.

It’s made with mellow color by Chayse Irvin, with just the right amount of violence and scenes of big ’70s cars swaying on their shock absorbers. Lee maintains a good deal of texture to go with the discursiveness, such as Ron and Patrice’s chat about who’s better, Shaft or Superfly.

Over the years, Lee has tended to address his audience as if they were a public meeting. And yet his gambits pay off, as in a lecture by Kwame Ture (born Stokely Carmichael, and played here by Corey Hawkins) on the self-loathing installed in black folk by white society.

Even more impressive is a visit from His Eminence, Harry Belafonte. The 90-year-old performer plays an instructor sitting in the style of rattan peacock chair that Huey Newton once immortalized, recounting the grisly details of a lynching. The point of this lecture is to mention that the vicious mob had been ginned up by a viewing of 1915’s racist sensation Birth of a Nation. One definition of double-consciousness: loving cinema while realizing it sometimes poisons people.

This is a big movie from Lee, warm and smart. It’s not essentially radical, unless the subject of self-defense is radical. For instance, it comes out in favor of supporting your local police, as long as they’re trying to hunt down the Klan. BlacKkKlansman has great spirit. Lee doesn’t wear a hood, but he’s certainly a wizard sometimes.

BlacKkKlansman

Directed by Spike Lee. Starring John David Washington, Adam Driver and Topher Grace. R; 135 mins.

Theater Review: Santa Cruz Shakespeare’s ‘Venus in Fur’

The final mainstage offering from Santa Cruz Shakespeare concludes the season with a bang—and a crash and a boom. Outstanding thunder and lightning effects punctuate the action in Venus in Fur, an often scorchingly funny contemporary drama written by David Ives. It’s a rousing closer to a season that has trained its sights on the politics of desire, gender, and power in many diverse, unruly forms.

Playwright Ives is familiar to SCS audiences as the author of The Liar, adapted from a 17th Century French farce. The SCS production of The Liar was one of the most uproarious in the company’s history. In addition to his own original plays, Ives’ specialty is adapting the work of comic authors of previous centuries, like Moliere and Mark Twain.

But with Venus in Fur, Ives’ source material is an 1870 novella by Austrian literary figure Leopold von Sacher-Masoch (the man who put the “M” in S&M). And instead of simply adapting Masoch’s story for the stage, Ives whips up (sorry), a clever bracketing device about a frazzled theatrical director and a ditzy actress late for an audition reading through a modern play based on the Masoch story—and confronting all the sex/control issues it raises. It’s a seductive chamber piece for two actors and four voices as the actress and director go in and out of character, the lines between reality and fantasy blur, and simmering, centuries-old tensions between the sexes bubble to the surface.

Directed with sharp-witted aplomb by Raelle Myrick-Hodges, the story begins as that ferocious storm is raging outside at the end of a long day of fruitless auditions for Thomas (Brian Ibsen). He’s planning to direct a production of his own new play, based on the Masoch story, but all depends on finding the right actress to play the female lead—an elegant countess-turned-dominatrix. As Thomas complains to his fiancée on his cell, all he’s seen are flighty “idiot actresses” who are unable to play “sexy, classy women.”

Enter Vanda (Maria Gabriela Rosado Gonzalez)—rain-soaked, and three hours late for her audition—who threatens to live up to every one of Thomas’ prejudices. She’s exuberantly profane, strewing F-bombs like rose petals in her wake, pushy, and given to raucous belly-laughs. And when he tries to send her packing, she cries. Too weary to resist, he agrees to read a scene with her.

But something transformative happens when Vanda steps into the role of the countess. Her ditziness disappears, and, along with her “continental” accent, she acquires a mysteriously seductive authority. And Thomas (also reading from the script) appears to respond with the same awe as his protagonist in the play, finally begging for her “delicious cruelty,” which he/they confuse with love.

And this is just the beginning, as the dynamic bounces back and forth between them: mistaking love for power, kinks for passion, and wondering who is auditioning whom (and for what). In the late innings leading up to the corker of a finale, canny Vanda gets Thomas to switch parts, reading each other’s lines, adding extra layers to Ives’ study on the nature of “male” vs. “female.”

The play asks a lot of its two actors, but, they are up to the task. Ibsen (so terrific as Berowne in this season’s Love’s Labour’s Lost) anchors the story as Thomas’ sober irritability morphs into something much more revealing. And Gonzalez is riotously entertaining as Vanda, especially in her quicksilver changes from patrician countess to gauche and giddy modern Millennial.

The onstage rack crammed with B. Modern’s vivid period-inspired pieces (frock coats, fluffy skirts) is a great touch to help the characters act out their fantasies. Lighting Designer Kent Dorsey and Sound Designer Rudy Ortega team up to produce precisely-applied storm effects that light up the grove in eerie splendor. It’s a charged evening of theater in every respect.

Now playing

The Santa Cruz Shakespeare production of ‘Venus In Fur’ plays in repertory through Sept. 2 at The Grove in Delaveaga Park. Call 460-6399 or visit santacruzshakespeare.org.

What Price is Freedom? Risa’s Stars Aug. 15-21

The recent news about censorship by the tech giants and now the news that banks are being asked to share everyone’s banking information has humanity at a place of danger and on the razor’s edge. These recent acts of intrusion have me asking … how did we get here? How did this happen? What does this portend? What are our responses? What shall we do? A controlling agenda being forced upon humanity keeps us in a rigid mindset. Without freedom of speech we have no access to different voices and perceptions. Internet technology can be used to help humanity or to control humanity. At present, it seems the latter has taken hold.

It is good to review these issues, asking what we can do to maintain our freedoms. Reviewing is a retrograde task. And so, in this potent retrograde season we can work with the planets that are retrograde. Reviewing and assessing: What is hurting (Chiron) us? What shall we do (Mars)? Are the social media (Mercury) platforms helping us? What structures (Saturn) need eliminating and/or adapting? What changes (Uranus) are needed? What is to be dissolved (Neptune, eclipses)? And how do we transform (Pluto)?

In this last week of Leo, under the blue-white star of Sirius (star of freedom) we are reminded that the United States was created as an experiment in freedom. Sirius, via Leo and Regulus (heart of Leo and the Law Giver), rules the United States. Thus the U.S remains the lodestone of freedom for the entire world. Especially in this time of the Kali Yuga (the darkness is seen) when freedoms are being challenged. These challenges are occurring so humanity awakens, takes a stand and makes a choice. Freedom is the Keynote of all Disciples. Freedom is the heart and soul of Aquarius.

ARIES: Things unconscious and habitual come to consciousness to be released. All things private will be reviewed, especially your feeling about religion, spirituality, helping others, being anonymous and behind the scenes or being front and center initiating world realities. Anything secret will be exposed to the light. Nothing’s private anymore and everything is being shaken up. Prepare for interesting experiences ahead.

TAURUS: Your circle of friends listen intently to your carefully researched information. They begin to study what you share. They know we must now begin to create all things new. However, a review beforehand is necessary so that the successes of the past can provide a foundation for the future. The new world is based upon the needs of humanity and envisioning a new way of living. These are the Aquarian era requirements. You are one of its teachers.

GEMINI: There’s a feeling of “been here, done that” and that “isn’t this over yet?” I guess not. There’s a review occurring with your life. You want to be free of the past and all hindrances. However the past hasn’t revealed all of its secrets yet. More of your talents, your approach to the world and dedication and serving need more self-discovery. You will need patience to get through the coming months. Prayers, too. From your pain and sacrifices, everyone’s liberated.

CANCER: Will you be traveling unexpectedly? Perhaps travel is already planned. Know something unexpected will occur providing you with a sense of freedom, liberation from difficult feelings, past beliefs, and that ongoing sense of limitation. Notice as you think differently, those that you meet are also different. Tradition is cast to the winds as you begin to cherish and welcome the unconventional. It’s time to resume a previous study.

LEO: It’s a good idea to tend to money and resources with extra care as something could occur that’s unexpected, especially with shared resources. Keep up with all legal matters—taxes, loans, debt. If not taken care of, pleasure and ease could be limited and expenditures multiply. Something unplanned, experimental and unusual will take place. For the good. Maintain balance each day through acts of Goodwill which create Right Relations.

VIRGO: When interactions or relationships seem confusing or difficult, choose to walk away and ponder upon the situation. Cooperation is needed to understand appropriate actions and how to respond when everything feels limiting. Explore ways that bring about wonder instead of boredom. Explore the impossible, impractical, the unattainable and the unachievable. The outcomes are unexpected.

LIBRA: The habitual, regular, normal, consistent, orderly and routine in daily life, work and relationships all of a sudden change. What’s confining will be liberated, including ideas and beliefs, separations and love that in blocked. You might feel restless. A new rhythm is seeking you. Consider alternative methods of healing—laser light, energetic medicine, homeopathy, acupuncture. Eventually only holistic healing methods will make sense.

SCORPIO: More and more you find yourself thinking unconventional thoughts, doing out-of-the-ordinary activities that actually begin to describe who you really are and provide you with freedom of expression. It would be good to tell close friends and family that you’re moving into an unusual, original, perhaps eccentric period of creative living. It’s also a time of seeking more amusement, fun, games, playfulness. Unusual attractions occur, too.

SAGITTARIUS: You’ll return to an earlier interest, work, theme concerning family and home seeing how your history and early life interface with and influence your present. Don’t be surprised if home life is somehow disrupted, if time speeds up and slows down (like the tides), if routines keep changing, if decisions are quickly called for while patience dwindles. Hold all these things within a spirit of understanding that there’s no more normal, anywhere. For everyone, especially you, this is preparation.

CAPRICORN: A return to a previous place with people previously known has, is or will be happening. You return to a neighborhood from long ago, or think about it to better understand that time in your life. You need new realities, ideas, fields of study, concepts that expose you to the future. Seeking new routines, you might dress, think, relate and express yourself differently. A new life-pattern comes forth. Read Christopher Alexander’s A Pattern Language.

AQUARIUS: You are awakening to the fact that you are of great value, something not realized before to any depth. As thoughts of self as valuable increase, all your values change. Without a sense of self-confidence firmly established there is less forward movement because the self doesn’t know what to choose or how to take action. This too will change. Reflect upon what you want your future to look like. Take special care of your health. This last choice is practical.

PISCES: In the next months and years there will be a greater break from all things (ideas, beliefs, memories, sadness, fears) that have hindered your freedom, self-identity, creativity and self-expression. You trusted others to have your interests at heart. However, you found this wasn’t possible. An awakening is occurring informing you to be strong and make decisions about and for yourself, and to change your image to that of successful and thriving. You can do this.

Rob Brezsny’s Astrology Aug 15-21

Free Will astrology for the week of Aug. 15, 2018.

ARIES (March 21-April 19): “The prettier the garden, the dirtier the hands of the gardener,” writes aphorist B. E. Barnes. That’ll be especially applicable to you in the coming weeks. You’ll have extra potential to create and foster beauty, and any beauty you produce will generate practical benefits for you and those you care about. But for best results, you’ll have to expend more effort than maybe you thought you should. It might feel more like work than play—even though it will ultimately enhance your ability to play.

TAURUS (April 20-May 20): Author and theologian Thomas Merton thought that the most debilitating human temptation is to settle for too little; to live a comfortable life rather than an interesting one. I wouldn’t say that’s always true about you, Taurus. But I do suspect that in the coming weeks, a tendency to settle for less could be the single most devitalizing temptation you’ll be susceptible to. That’s why I encourage you to resist the appeal to accept a smaller blessing or punier adventure than you deserve. Hold out for the best and brightest.

GEMINI (May 21-June 20): “I’ve learned quite a lot, over the years, by avoiding what I was supposed to be learning.” So says the wise and well-educated novelist Margaret Atwood. Judging by your current astrological omens, I think this is an excellent clue for you to contemplate right now. What do you think? Have you been half-avoiding any teaching that you or someone else thinks you’re “supposed” to be learning? If so, I suggest you avoid it even stronger. Avoid it with cheerful rebelliousness. Doing so may lead you to what you really need to learn about next.

CANCER (June 21-July 22): Sometimes you make it difficult for me to reach you. You act like you’re listening but you’re not really listening. You semi-consciously decide that you don’t want to be influenced by anyone except yourself. When you lock me out like that, I become a bit dumb. My advice isn’t as good or helpful. The magic between us languishes. Please don’t do that to me now. And don’t do it to anyone who cares about you. I realize that you may need to protect yourself from people who aren’t sufficiently careful with you. But your true allies have important influences to offer, and I think you’ll be wise to open yourself to them.

LEO (July 23-Aug. 22): “Whoever does not visit Paris regularly will never really be elegant,” wrote French author Honoré de Balzac. I think that’s an exaggeration, but it does trigger a worthwhile meditation. According to my analysis of the astrological omens, you’re in a phase of your cycle when you have maximum power to raise your appreciation of elegance, understand how it could beautify your soul, and add more of it to your repertoire. So here are your homework meditations: What does elegance mean to you? Why might it be valuable to cultivate elegance, not just to enhance your self-presentation, but also to upgrade your relationship with your deep self? (P.S.: Fashion designer Christian Dior said, “Elegance must be the right combination of distinction, naturalness, care, and simplicity.”)

VIRGO (Aug. 23-Sept. 22): Many of us imagine medieval Europe to have been drab and dreary. But historian Jacques Le Goff tells us that the people of that age adored luminous hues: “big jewels inserted into book-bindings, glowing gold objects, brightly painted sculpture, paintings covering the walls of churches, and the colored magic of stained glass.” Maybe you’ll be inspired by this revelation, Virgo. I hope so. According to my reading of the astrological omens, you can activate sleeping wisdom and awaken dormant energy by treating your eyes to lots of vivid reds, greens, yellows, blues, browns, oranges, purples, golds, blacks, coppers, and pinks.

LIBRA (Sept. 23-Oct. 22): An astrologer on Tumblr named Sebastian says this about your sign: “Libras can be boring people when they don’t trust you enough to fully reveal themselves. But they can be just as exciting as any fire sign and just as weird as any Aquarius and just as talkative as a Gemini and just as empathetic as a Pisces. Really, Librans are some of the most eccentric people you’ll ever meet, but you might not know it unless they trust you enough to take their masks off around you.” Spurred by Sebastian’s analysis, here’s my advice to you: I hope you’ll spend a lot of time with people you trust in the coming weeks, because for the sake of your mental and physical and spiritual health, you’ll need to express your full eccentricity. (Sebastian’s at http://venuspapi.tumblr.com.)

SCORPIO (Oct. 23-Nov. 21): A blogger who calls herself Wistful Giselle has named the phenomena that make her “believe in magic.” They include the following: “illuminated dust in the air; the moments when a seedling sprouts; the intelligence gazing back at me from a crow’s eyes; being awaken by the early morning sun; the energy of storms; old buildings overgrown with plants; the ever-changing grey green blue moods of the sea; the shimmering moon on a cool, clear night.” I invite you to compile your own list, Scorpio. You’re entering a time when you will be the beneficiary of magic in direct proportion to how much you believe in and are alert for magic. Why not go for the maximum?

SAGITTARIUS (Nov. 22-Dec. 21): Since 1969, eight-foot-two-inch-tall Big Bird has been the star of the kids’ TV show Sesame Street. He’s a yellow bird puppet who can talk, write poetry, dance, and roller skate. In the early years of the show, our hero had a good friend who no one else saw or believed in: Mr. Snuffleupagus. After 17 years, there came a happy day when everyone else in the Sesame Street neighborhood realized that Snuffy was indeed real, not just a figment of Big Bird’s imagination. I’m foreseeing a comparable event in your life sometime soon, Sagittarius. You’ll finally be able to share a secret truth or private pleasure or unappreciated asset.

CAPRICORN (Dec. 22-Jan. 19): Activist and author Simone de Beauvoir was one of those Capricorns whose lust for life was both lush and intricate. “I am awfully greedy,” she wrote. “I want to be a woman and to be a man, to have many friends and to have loneliness, to work much and write good books, to travel and enjoy myself, to be selfish and to be unselfish.” Even if your longings are not always as lavish and ravenous as hers, Capricorn, you now have license to explore the mysterious state she described. I dare you to find out how voracious you can be if you grant yourself permission.

AQUARIUS (Jan. 20-Feb. 18): According to my reading of the astrological omens, the coming weeks will be prime time to vividly express your appreciation for and understanding of the people you care about most. I urge you to show them why you love them. Reveal the depths of your insights about their true beauty. Make it clear how their presence in your life has had a beneficent or healing influence on you. And if you really want to get dramatic, you could take them to an inspiring outdoor spot and sing them a tender song or two.

PISCES (Feb. 19-March 20): In her book Yarn: Remembering the Way Home, Piscean knitter Kyoko Mori writes, “The folklore among knitters is that everything handmade should have at least one mistake so an evil spirit will not become trapped in the maze of perfect stitches.” The idea is that the mistake “is a crack left open to let in the light.” Mori goes on to testify about the evil spirit she wants to be free of. “It’s that little voice in my head that says, ‘I won’t even try this because it doesn’t come naturally to me and I won’t be very good at it.’” I’ve quoted Mori at length, Pisces, because I think her insights are the exact tonic you need right now.

Homework: Make a boast about how you’ll pull off a feat you’ve previously lacked the chutzpah to attempt. Testify at Freewillastrology.com.

Shipwreck Spills 200 Gallons of Diesel near Natural Bridges

A precarious environmental situation is proving difficult to resolve after a fishing boat ran aground on the rocks just north of Natural Bridges State Beach over the weekend.

Rough overnight surf on Sunday complicated efforts to minimize diesel leaks from the 56-foot commercial fishing boat.

The boat, named “Pacific Quest” and registered in San Diego, was filled with about 1,200 gallons of diesel when the wreck was reported around 2 a.m. Sunday morning, according to Coast Guard reports. While spill containment and salvage operations were ongoing Monday morning, it appears that about 200 gallons of diesel leaked into the waters near the Monterey Bay National Marine Sanctuary, Coast Guard spokesperson Sarah Wilson says.

“They’re still trying to pinpoint exactly how much,” Wilson says. A unified crew of government responders was able to seal the leak yesterday, containing the remaining 680 gallons on board. “We’re hoping, with conditions throughout the day, that stays sealed,” she adds.

A man and his dog were on the boat when it ran aground. The pair were uninjured and able to walk to shore during low tide, Wilson says.

The National Oceanic and Atmospheric Administration (NOAA) defines a small diesel spill as 500-5,000 gallons. Fuel from fishing boats, the agency’s website says, often disperses or evaporates quickly, avoiding the thicker pools of fuel that can result from oil spills.

The incident occurred near UCSC’s Seymour Marine Discovery Center, where a spokesperson said that researchers and staff are focused on supporting a large team of local, state and federal responders. They’re working alongside contractor Parker Diving and Salvage to remove the remaining fuel, batteries and other potential contaminants.

A video published on YouTube by user Santa Cruz Films shows footage reportedly taken after the mayday call was received on Sunday (fast forward to about 3:35 for images of the boat):

Response teams worked to contain the fuel on Sunday before the boat broke apart due to rough surf conditions overnight. Crews were expected to continue working at low tide on Monday evening to remove remaining fuel and batteries, including personnel from NOAA, Monterey Bay National Marine Sanctuary, California Department of Fish and Wildlife’s Office of Spill Prevention and Response (OSPR), Monterey County and the Santa Cruz Fire Department.

“Fortunately, it doesn’t happen often,” Wilson says. “We work together regularly and drill for these things.”

Four years ago, O’Neill Sea Odyssey Executive Director Dan Haifley recalls, another wreck occurred when a sailboat ran aground near Seabright Beach and had to be hauled back into the water.

More concerning, Haifley says, is a rise in incidents over the last several years involving so-called “panga” fishing boats common in developing countries. A March 2014 report by the Santa Cruz Sentinel tallied 70 panga boats seized in California in a six-month span alone, many thought to be transporting marijuana from Mexico, including three vessels in the Santa Cruz area.

“Those are boats operated by people with little experience, often moving drugs for the cartels,” Haifley said. “It’s become a major Coast Guard problem and expense.”

The boat that ran aground Sunday near Natural Bridges was previously affiliated with San Diego deep-sea sport fishing company Fisherman’s Landing, online records show. A staff member who answered the phone Monday at the fishing tour company said the vessel had not been operating with the business for several years.

Update: Aug. 13, 2018, 2:00 p.m. — This story has been updated to clarify the details of a previous boating incident at Seabright Beach. 

Scotts Valley Council Veteran on Change, Sexism and the LSD Years

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Scotts Valley City Councilmember Donna Lind is approaching a big half-century milestone.

The small-town politician will be celebrating 50 years with the city on Sunday, Aug. 12. She began working for Scotts Valley in 1968 as a recent high school graduate, when she took a job as a secretary and became City Hall’s fourth staffer.

The city had only been incorporated two years earlier. The offices were in a two-story house, she recalls. The police department was downstairs, and the City Hall was upstairs.

After about a year, Lind began working as a dispatcher for the police, where she rose through the ranks to sergeant during her 39-year career with the department. In 2008, she retired from the force and ran for the Scotts Valley City Council, where she’s served ever since.

She remembers Scotts Valley’s time as an especially quiet town with lots of fruit stands. There was a lumberyard where the Kmart is now. She remembers President George Bush landing at Sky Park, which she describes as more of a hassle than anything else.

When Lind began, she says Scotts Valley only had 4,400 residents. It now has about 12,000.

How has Scotts Valley changed in your time there?

DONNA LIND: In those early days, kids rode horses on Scotts Valley Drive. I had a horse and rode in the Scotts Valley Days Parade. When I first started working, there were no stoplights in Scotts Valley at all.

I remember when the first stoplight went in at Mt. Hermon Road and Scotts Valley Drive. We thought, “Wow, we’re a real city! We’ve got a stop light!” Pretty famous people, like Alfred Hitchcock, flew in and out of Sky Park. We would see him drive down.

I was gonna ask if you ever saw Hitchcock, who spent much of his time in Scotts Valley.

There would be police calls I went to at his house for trespassing. He wasn’t there, but his caregiver and other people were. Since then, I’ve gotten to know his family members. He was somewhat reclusive, but he would come down. He usually had someone driving him. It was such a cool community. And yet along the way a lot of high-tech companies, like Netflix, started in Scotts Valley.

But in the early days, Santa’s Village was here. We had the Barn, a theater, where the Grateful Dead, Janis Joplin, Jefferson Airplane, very famous rock bands, played. Back in the ’60s, there was a lot of LSD, many residents weren’t thrilled. They talked about beatniks hanging out there. Later, the Smothers Brothers had their vineyards up on Vine Hill. A police partner and I stopped Dickie Smothers on Highway 17 and Granite Creek Road and investigated him for a DUI and ended up following him home.

Was he over the limit?

No, he was not. We just said, ‘We’ll follow you to your exit.’ It was a mile away, and we made sure he got there OK. He was very friendly and cooperative. It was our way of saying, “Stay safe and be careful.”

What is it like being on the force?

I remember the first time I went to a call in uniform in a police car. The man, when I got there, said “I called for a police officer.”

When I tell the story, people ask, “Well, did you get mad?” I go, “No, I probably would’ve asked for the male cop, too.” I was small and young-looking, and you couldn’t get upset or take it personally. I just said, “Would you see if I could help you?” As it turned out, he ended up going around town bragging he was my first call.

You couldn’t have thin skin. No one was used to seeing a 5-foot-3, 110-pound female in uniform. I had to learn to do things differently. You learn to use verbal skills. And I was gymnast. I worked out hard.

It sounds like, as the city’s first woman police officer, you weren’t too troubled by the sexism you experienced at the time. Looking back now, does it seem unfair?

There were times—I hated this—when I would stop someone, and they would say, “Hey sweetie, what do you want?” That was demeaning. Officers would joke that they would roll around and back me up. They would tease. I would feel disrespected, but I came up at a time when I really learned to handle it. My first chief was like a father figure, and he made a clear message that he would not tolerate it within the department.

The big policy item in Scotts Valley over the past decade has been the Town Center project. The City Council picked a developer last year. Has the plan been hurt by the decline in retail across the United States, and what challenge does that pose going forward?

There’s been talk for over 20 years. I remember saying, “I’m never gonna see this,” and then, when I got elected in 2008, I said, “Wow, it’s really gonna happen! This is cool.” I thought about how cool it would be to be a part of the Town Center, and then the economy crashed. The developer walked away, and it fell through. Then several years ago, there was another offer that looked like it started to come together. Some of it has been the economy. Some of it has been the change in retail. Some of it has been because the city of Santa Cruz owns part of that land, and the developer has to negotiate with them and with us. There have also been some issues with soil contamination from decades in the past that had to be dealt with and cleaned up.

Now the proposal for a current Town Center is very different. Personally, I’m not sure if this is the right direction, but we’re in the early stages of the plan. We’re having community meetings and working with the developer. But if we’re not happy as a community and a council, we can continue to wait. We can walk away. It’s nice to see a developer that’s had some success locally, but again, with the change in retail, we’re gonna need to go slow and make sure we work out something. This is not a done deal.

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Scotts Valley Council Veteran on Change, Sexism and the LSD Years

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