Film Review: โ€˜The Mustangโ€™

Matthias Schoenaerts has a great face for the movies.

With his long, crooked nose and hooded-yet-piercing eyes, he can seem completely impassive, almost catatonic. And yet a cascade of tightly controlled responses flicker across his face at the tiniest compression of his mouth or flattening of his eyebrows. Itโ€™s a face worth watching, and the Belgian actor who first came to prominence opposite Marion Cotillard in Rust and Bone is the best reason to see The Mustang.

With Robert Redford in the saddle as executive producer, The Mustang was workshopped through the Sundance Institute as the feature film debut for director Laure de Clermont-Tonnerre. Working from her original story idea, actress-turned-filmmaker Clermont-Tonnerre (who wrote the script with Mona Fastvold and Brock Norman Brock) spins a tale of wild horses, regret and redemption set in a high-security prison complex out in the middle of the Nevada desert. The analogy between wild-spirited mustangs and incarcerated men who have lost their freedom is pretty standard stuff, yet the nuances of character, story and subtle, yet profoundly felt emotion keep viewers involved.

Schoenaerts stars as Roman, a wary, tight-lipped prison inmate so taciturn he makes Clint Eastwood look like a chatterbox. After 12 years in the system, heโ€™s recently been transferred to a new facility en route to being gradually reintegrated into society. (The movie was shot in and around the former Nevada State Prison in Carson City.)

It takes a while to find out what Roman is in for. Heโ€™s not exactly the type to chum up to his fellow inmates and share his life storyโ€”especially not with his jittery roommate (Josh Stewart). Nor does he cozy up to the prison therapist (Connie Britton), who tries to break through his protective psychological armor; we also see her conducting a session on โ€œrestorative justice,โ€ the new buzz phrase for what used to be called โ€œanger management.โ€ Beneath his stoic demeanor, Roman radiates a potential for volatility that no one wants to push too far.

His story plays out against the larger backdrop of a wild horse round-up out in the surrounding desert, where mustangs are herded by helicopter into a holding corral adjacent to the prison. There, select inmates are assigned to break and gentle the animals for auction as part of their rehabilitation process under the watchful eye of program director Myles (Bruce Dern), a crusty, cantankerous old horse trainer.

Initially assigned to shovel manure around the compound, Roman is drawn to a particularly obstreperous animal so fierce heโ€™s shut up in a pen by himself, away from the other horses. Apparently, the feeling is mutual; Roman doesnโ€™t know any better than to enter the pen, and when the two of them size each other up, curiosityโ€”not bloodshedโ€”ensues. Myles decrees that Roman should enter the program, and with the help of gregarious fellow inmate and trick-rider Henry (an appealing Jason Mitchell), Roman and his mustang slowly establish the fraught, prickly bond of kindred spirits.

There are no particular surprises in the story; the tenderness with which Roman bonds with his horse begins to seepโ€”very graduallyโ€”into his fractured relationship with his angry, abandoned grown daughter (Gideon Adlon), who occasionally visits him in prison with papers for him to sign. But Clermont-Tonnerreโ€™s storytelling is thoughtful and stirring with lovely moments, like the first time the horse unexpectedly nuzzles the frustrated, frazzled Roman.

And then thereโ€™s Schoenaerts, whose haunted eyes take in everything, revealing the merest glimpses of feeling buried beneath his posture of menace. Schoenaerts has had a long, varied career in European film, from the steroid-pumped protagonist in Bullhead to romantic leads in Far From the Madding Crowd and A Little Chaos (he also played a slinky art dealer in The Danish Girl), and itโ€™s always interesting to see what heโ€™ll do next.

The other compelling aspect of the movie is its loving tribute to iconic wild mustangs from producer Redford, the horse whisperer himself. Itโ€™s these spirited animals whose freedom he (and we) care about most.

THE MUSTANG

*** (out of four)

With Matthias Schoenaerts, Bruce Dern, Jason Mitchell, and Connie Britton. Directed by Laure de Clermont-Tonnerre. Written by Laure de Clermont-Tonnerre, Mona Fastvold and Brock Norman Brock. A Focus Features release. Rated R. 96 minutes.

Birichino’s 2018 Pรฉtulant Naturel Cinsaut

John Locke recently invited me to his Birichino tasting room in downtown Santa Cruz to try a new release. And what a wine!

I was bowled over with his 2018 Pรฉtulant Naturel Cinsaut. But then, Locke likes the challenge of making something different, and this outstanding wine meets all the criteria.

Grapes are harvested from the Bechthold Vineyard nestled in the Mokelumne River area of Lodi. Planted in 1886, this vineyard is dry-farmed and the oldest Cinsaut on Earth. We should give thanks to Birichino owners Locke and Alex Krause for always tracking down the very best grapes.

Locke and Krause founded Birichino in 2008 with the aim of attaining the perfect balance of โ€œperfume, poise and puckishness.โ€ Their playful way with words is echoed on their wine labels, too, but theyโ€™re serious when it comes to making a fine product.

โ€œForecast: cloudy with a chance of amazeballs,โ€ they say of the Cinsaut, adding that itโ€™s supposed to be cloudy since the wine is unfiltered as it finishes fermentation. โ€œPรฉtulant Naturel is Birichinoโ€™s querulous answer as to how to produce a complex and delicious lightly โ€˜pรฉtulantโ€™ wine using traditional lo-fi methods that donโ€™t require luxury-group-funded production equipment, nor marketing fluff.โ€

In other words, this talented duo are making a โ€œvividly refreshing and fragrant wineโ€”with a special savory richnessโ€ and selling it for a mere $25.

When you enter the portals of Birichinoโ€™s fascinating tasting room, note the live carnivorous plants decorating the space. If you have never seen a Venus flytrap, then nowโ€™s your chance!

Birichino, 204 Church St., Santa Cruz. 425-4811, birichino.com.

High Time for Tea

The Aptos Chamber of Commerce is presenting a High Tea, Fashion & Shopping event to benefit Carolineโ€™s, a nonprofit thrift shop in Aptos.

Fashions will be provided by Cinnamon Bay Clothing, Fleet Feet Sports, Hopscotch, Kickback, Oโ€™Neill Surf Shop, Pacific Wave, Sockshop & Shoe Company, Xandra Swimwear, and more. A buffet spread will include sandwiches, scones and chocolate-dipped strawberriesโ€”with bottomless mimosas for $25. Tickets $60.

11 a.m.-2 p.m. Sunday, April 14. Seascape Beach Resort, Aptos. aptoschamber.com.

Ambrosia India Bistro Grows on Central Coast

Sam Khanal and his two business partners opened the first Ambrosia India Bistro in Monterey 12 years ago.

Now the restaurant has four locations, including one in Aptos and another in Scotts Valley, which opened in 2016. Khanal, whose favorite dish is the rack of lamb, lives in San Jose and drives 100 miles a day on average. He enjoys offering slightly different menu items at Ambrosiaโ€™s various locations.

To hear Khanal tell it, cooking Indian food requires some grit. Ambrosia has one lentil dish, for example, called dal makhani, that must be soaked overnight before seven hours of cook time. โ€œSmall flame. Thatโ€™s the beauty,โ€ he says. โ€œYou need to have a lot of patience when you cook.โ€

Which is your favorite location?

SAM KHANAL: All of them.

You can tell me.

All of them, but Iโ€™m trying to spend more time here in this restaurant [in Scotts Valley]. This is more like my baby, like how a newborn needs more attention. With specific customers, you need to treat them wellโ€”that kind of thing. Iโ€™ve been in business since 2007, so my Monterey restaurant already took off. I donโ€™t need to be there 24/7, whereas this oneโ€™s about 2-and-a-half years old.

Whatโ€™s it like sharing ownership with two partners?

If you have understanding partners, itโ€™s a very good idea, because obviously you canโ€™t go around to all four locations and be present there all the time. They come here once a week. I go there once a week. They have different eyes to look at things, and so do I.

Whatโ€™s your favorite alcohol and food pairing?

Our food goes well with the dry Riesling. Itโ€™s not too sweet, and it kills the spice. It goes well with vindaloo. For the red drinker, we have a Petite Sirah.

713-5594, ambrosiaib.com.

5 Things To Do in Santa Cruz: April 3-9

A weekly guide to what’s happening

Green Fix

6th Annual UC Santa Cruz Climate Conference

For the first time, the annual UC Santa Cruz Climate Conference will bring together prominent ocean scientists and leading social-justice advocates to discuss the environmental and equity dimensions of the crisis. The conference will focus on local, state and national efforts to pursue climate justice; the panel discussion will be followed by an interactive opportunity to learn about UCSC research and opportunities for local action. Panelists include UCSC professor Gary Griggs, sustainability and climate action manager for the City of Santa Cruz Climate Action Program Tiffany Wise-West and more.

INFO: 6:30 p.m. Thursday, April 11. Rio Theatre. 1205 Soquel Ave., Santa Cruz. climateconference.ucsc.edu. Free, online registration required.

Art Seen

The Tammi Brown Band

Local hero Tammi Brown was raised in the gospel and jazz traditionsโ€”roots that blossomed when she discovered the grace and power of great women in soul, R&B and pop. Brown has continued to spread her musical wings with Grammy-nominated vocal ensemble Linda Tillery and the Cultural Heritage Choir, SoVoSoฬ, and in opening for Dr. Maya Angelou and Joan Baez, as well as co-producing her single โ€œThatโ€™s How it Goesโ€ with 13-time Grammy nominated jazz fusion artist Tom Schuman of Spyro Gyra. Brown will be performing with her band as part of Tandy Beal and Companyโ€™s ArtSmart Arts Education Program.

INFO: 11 a.m. Saturday, April 6. Veterans Memorial Building, 846 Front St., Santa Cruz. tandybeal.com. $15 adult/$10 child.

Friday 4/5

Felix Kulpa โ€˜Pro-Community Visions and Voicesโ€™

With work from 10 member artists, the Felix Kulpa gallery will be transformed into a thought-provoking space for visitors to look, listen and be heard. Just in time for First Friday, the exhibit centers around pressing issues like affordable housing, definitions of personhood, and the health of our ecosystems. In April and May, the collective will host a number of events, workshops and conversations in the exhibition space, exploring the powerful intersection of creative collaboration and civic engagement through drawing, painting, fiber sculpture, and video installation. Areperia 831 will be there slinging delicious vegan Arepas and other Venezuelan food.

INFO: 5-8 p.m. Felix Kulpa Gallery and Sculpture Garden, 107 Elm St., Santa Cruz. 421-9107, felixkulpa.com. Free.

Friday 4/5-Sunday 9/22

โ€˜Weโ€™re Still Here: Stories of Seniors and Social Isolationโ€™

Loneliness and social isolation affect 1 in 3 seniors in Santa Cruz County. Many seniors contact just one person a week; some said they see a visitor less than once a month. The new exhibit, curated entirely by Santa Cruz senior citizens, sheds light on this local crisis and gives visitors the tools to help. It also shares solutions to loneliness from different cultures and families around the world. Itโ€™s not your typical exhibition; over 180 seniors, advocates and organizations created this show themselves in partnership with the MAH.

INFO: Museum of Art and History, 705 Front St., Santa Cruz. 429-1964. santacruzmah.org. $10 general admission/free on First Fridays. Photo: Gina Orlando.

Wednesday 4/3-Sunday 5/26

โ€˜Vote! Your Vote is Your Voice / ยกVote! Su Voto es Su Voz!โ€™

Pajaro Valley Artsโ€™ latest exhibit is inspired by images and stories from Monterey Bay artists and activists who worked in the Civil Rights movement of the 1960s, and on Latino voting rights issues in Watsonville in the 1970 and 1980s. Contemporary art, historical images, artifacts, educational events, and films illustrate ordinary people taking courageous stands for democratic values. The exhibit features selections from the Stanford Libraryโ€™s Bob Fitch Photo Archives and Maria Gitinโ€™s civil rights archives, showcasing their experiences as young voting rights workers in the South.

INFO: Show runs through Sunday, May 26. Opening reception 2-4 p.m. Sunday, April 7. Pajaro Valley Arts Council, 37 Sudden St., Watsonville. Free.

Opinion: April 3, 2019

EDITOR’S NOTE

Working at a community newspaper that focuses as much as possible on local news, itโ€™s always interesting when a story in Santa Cruz County offers a new or different perspective on an issue thatโ€™s being talked about at a national or even international level.

Sometimes a local story reveals an issue that should be discussed at a national or international level, but isnโ€™tโ€”and thatโ€™s the case this week.

It all started when a reader called the office to tell Georgia Johnson that the man sheโ€™d just bought cigars from in Midtown had an interesting life story that GT might be interested in writing about. That tipster was rightโ€”a former translator for the U.S. Special Forces in Afghanistan, Sayed Nadim Hashimi does indeed have a remarkable storyโ€”but I doubt she could have suspected that her call would lead to this eye-opening exploration of the issues that translators face after theyโ€™re done with their service.

Itโ€™s a prime example of why we love tips from readers; they are the starting point for some of our most important stories. I hope you enjoy this one.


LETTERS TO THE EDITOR

Read the latest letters to the editor here.

SHAKE UP THE PROCESS

Thanks to Jacob Pierce and the Good Times for covering the recent Santa Cruz City Council conflicts between progressives and moderates over agenda-setting and issues (GT, 3/13). I also thank all council members for their largely thankless, sparsely paid toil on our many urgent city issues.

Without repeating the details of the situation, I have suggestions to improve it.

Rather than focusing on accused wrongdoing and political labels, Iโ€™d like the council to cooperate, and to resolve their differences and address those issues that affect us all so deeply.

A major part of the controversy is the currently established (but not legally required) process of agenda setting by only the mayor and city staffโ€”an undemocratic and inefficient way of dealing with the enormous job of setting a city governmentโ€™s priorities. One solution would be to replace that protocol with a rotating three-member city council group, changing composition each meeting, determined by lot and not by rank such as mayor or vice mayor. That group would meet with staff to compose an agenda with all items requested by council members, possibly rationing times for each and all items so as to include all of the city business we have elected them to deal with. Other democratic solutions could be proposed as well as this one.

In order to put contention behind and effectively conduct business, all council members, including mayor and vice mayor, need to learn how to work together, as does any group with tasks. I suggest they set time apart from council business meetings to consult with expert facilitators in both group and meeting process and in how to reach out to each other to reconcile their personal and political differences. Most call this a retreat; if a full-scale retreat is not immediately possible, reconciliation may be done on a smaller scale. For example, the council members can meet with each other in pairs, or in groups less than four (in order not to violate the Brown Act prohibition on elected government bodies meeting in secret in quorums).

For our collective and individual sake, I think most of us, and the council members themselves, prefer that they solve these problems rather than continue them. I invite the public to support our council in finding creative solutions to an apparent but unnecessary showdown.

Carol Long
Santa Cruz

For the Birds

A recent story in Good Times (2/26) suggested that โ€œthere has been sort of a sea change in recent years with offshore-wind farms, as the graver existential issue of global climate catastrophe has trumped concerns about pelicans flying into windmill blades.โ€ Are we really no longer concerned about pelicans?

Prominent environmental groups want wind energy development off the shores of California to happen โ€œthe right way.โ€ But, what is the right way?

At American Bird Conservancy (ABC), we advocate for โ€œBird-Smart Wind Energy,โ€ which means finding locations for turbines away from high-bird-collision-risk areas; conducting independent, transparent pre-and-post-construction monitoring; executing effective mitigation by wind energy facilities to minimize bird mortality; and providing compensation for the loss of protected birds. ABC recommended this strategy in our comments to the task force for California offshore wind.

We can combat climate change through responsible renewable energy development off the coast of California, while protecting pelicans and other marine birds and wildlife from potential harm. ABC is partnering with other environmental organizations and developers to ensure that offshore wind facilities and healthy marine bird populations can co-exist.

The future for Californiaโ€™s birds depends on responsible energy developers and regulators following Bird-Smart principles. Developers have already acknowledged that the benefits of wind energy need to outweigh its costs. They set a precedent by offering funds to offset impacts to the Morro Bay commercial fishing community. Nowโ€™s the time to think about something similar for birds.

HANNAH NEVINS & HOLLY GOYERT | AMERICAN BIRD CONSERVANCY

Corrections

Corrections from our Best of Santa Cruz 2019 issue: Alderwoodโ€™s daily happy hour is 4-5:30 p.m., with late-night happy hour available Friday and Saturday nights only. Regarding Alderwoodโ€™s corkage policy, the first two bottles are complimentary; after that, the corkage fee is $25 per bottle. Also, Oswald no longer serves abalone. Finally, the correct address of Connoisseur is 111#D Dubois St., Santa Cruz. We regret the errors.


PHOTO CONTEST WINNER

Submit to ph****@*******es.sc. Include information (location, etc.) and your name. Photos may be cropped. Preferably, photos should be 4 inches by 4 inches and minimum 250dpi.


GOOD IDEA

The recent โ€œSaving Democracyโ€ forum has been released on the podcast โ€œDastardly Cleverness in the Service of Good.โ€ Dan Schnurr, a politics professor at USC and UC Berkeley, implored audience members to remember that โ€œthereโ€™s a difference between being evil and being merely incorrectโ€”and realizing that the person weโ€™re disagreeing with isnโ€™t stupid or evil.โ€ He said we should remember that our opponents are concerned about the same issues we are.


GOOD WORK

The Santa Cruz Museum of Natural History has been hanging its Art of Nature exhibit, with its full unveiling set for First Friday on April 5. The show, now in its 30th year, features work from more than 30 Bay Area artists. There will be live artist demonstrations and free admission both this Friday and Friday, May 3, from 5-7 p.m. The show features everything from watercolors of fungi and herbs to highly detailed depictions of insects and colorful crustaceans.


QUOTE OF THE WEEK

โ€œThe term โ€˜jumbo shrimpโ€™ has always amazed me. What is a jumbo shrimp? I mean, itโ€™s like โ€˜military intelligenceโ€™โ€“the words donโ€™t go together, man.โ€

-George Carlin

Music Picks: April 3-9

Santa Cruz live music highlights for the week of April 3.

WEDNESDAY 4/3

INDIE-POP

SWEET SPIRIT

Founded and fronted by A Giant Dog frontwoman Sabrina Ellis, Sweet Spirit finds the Austin musician exploring the more unabashedly pop side of indie rock. Big, swaggering and just a little bit country, Sweet Spirit go for something along the lines of the New Pornographers-meets-Spoon. Appropriately, Spoonโ€™s Britt Daniel (a fellow Austinite) was an early supporter of the band, inviting Sweet Spirit to open their They Want My Soul album release show. With each release, Sweet Spirit has upped the pop stakes, leading all the way to the recently released Southern, New Wave-y, ultra-catchy โ€œLos Lonely Girls.โ€ MIKE HUGUENOR

INFO: 9 p.m. Crepe Place, 1134 Soquel Ave., Santa Cruz. $8 adv/$10 door. 429-6994.

FOLK

JAMES MCMURTRY

With three decades of recording and touring under his belt, James McMurtry is one of the most recognizable names in folk rock today. His last album Complicated Game was hailed as an โ€œAmericana masterpieceโ€ by Rolling Stone, and McMurtry dropped the online-only track โ€œState of The Unionโ€ last year, in which he bemoaned how politics have divided the nation. MAT WEIR

INFO: 8 p.m. Rio Theatre, 1205 Soquel Ave., Santa Cruz. $30. 423-8209.

 

THURSDAY 4/4

INDIE-FOLK

CASS MCCOMBS

Cass McCombs has a lot to say, having released over 14 albums since 2002. No matter which genre he chooses to express himselfโ€”from quirky folk ballads to road trip psychedelic rock or even jaunty emo popโ€”it all ends up sounding like the bits and pieces of a strange personโ€™s fever dream. Nothing is ever quite straightforward with McCombsโ€™ decidedly folk-rock flair; even when it seems like youโ€™re listening to a mere classic rock tripping-acid rip-off, the off-kilter prose will throw you for a loop, causing you to question whether you have been properly appreciating the possibility that Cass McCombs is a musical mastermind. AMY BEE

INFO: 9 p.m. Moeโ€™s Alley, 1535 Commercial Way, Santa Cruz. $18 adv/$22 door. 479-1854.

ELECTRONIC

SPACE JESUS

Space Jesus has brought the โ€œTemple of Noomโ€ tour to our neighborhood with a friendly request for anyone within earshot to kindly jump up and bow down to our lords and lady of low frequencies. Thank you, Space Jesusโ€”may he ever keep our ears bleeding and our hearts jammed in our guts. Naysayers are invited to enter the Temple of Noom to quiver and quake at the awesome power and never-ending progression of dubstep, techno, electronic, and any other far-flung genre our lords and lady choose to bring to the decks. True, believers, we welcome you. AB

INFO: 9 p.m. Catalyst, 1011 Pacific Ave., Santa Cruz. $20. 423-1338.

 

FRIDAY 4/5

ELECTRO-POP

DELHI 2 DUBLIN

Over a decade ago, when Canadians Tarun Nayar, Sanjay Seran and Ravi Binning formed Delhi 2 Dublin, they were really interested in taking traditional Indian instruments like the tabla and dhol and mixing them with the electronic rave music they loved. The mixture was hypnotic. As the group evolved, they really sharpened their pop game, writing some epic, amphitheater-level electro-pop jams. The music has gotten more accessible, but theyโ€™ve really been able to use these elements to talk about issues that matter to them, like what itโ€™s like growing up as children of immigrants in Canada. AARON CARNES

INFO: 9 p.m. Catalyst, 1011 Pacific Ave., Santa Cruz. $15 adv/$20 door. 423-1338.

 

SATURDAY 4/6

JAM

MAGIC IN THE OTHER

The idea of finding โ€œmagic in the otherโ€ is a throughline that connects all jam bands, from titans of the genre like Phish and the Dead to fringe jam artists like My Morning Jacket and Bela Fleck and the Flecktones. Made up of members of Phil Lesh & Friends, Nicki Bluhm & the Gramblers, and Jolie Hollandโ€™s band, Magic in the Other conjures a cosmic jam, each musician bringing their own bit of magic to the jammy table. MH

INFO: 9 p.m. Crepe Place, 1134 Soquel Ave., Santa Cruz. $10. 429-6994.

 

SUNDAY 4/7

AMERICANA

TIM BLUHM

Tim Bluhm is back on the road and even releasing a new album. Some might consider that a miracle. Back in 2015, he shattered his pelvis and nearly lost one of his feet in a speed-flying accident. Recovery has been slow, with numerous surgeries. How has he processed all this life-changing, traumatic pain? If you want the full picture, his new album Sorta Surviving is a hefty one. AC

INFO: 8 p.m. Flynnโ€™s Cabaret & Steakhouse, 6275 Hwy. 9, Felton. $18 adv/$20 door. 335-2800.

 

TUESDAY 4/9

FOLK

VASEN

The acoustic trio Vรคsen has earned an avid following among musical adventurers over the past three decades. Featuring Olov Johansson on the keyed fiddle nyckelharpa, Roger Tallroth on 12-string guitar, and Mikael Marin on viola, the group has influenced and inspired progressive American string players with an intricately textured blend of traditional terpsichorean melodies and beautifully wrought original compositions. Vรคsen has become an international creative force moving far beyond folk music circuits. The trio is touring in advance of a new album, Brewed. ANDREW GILBERT

INFO: 7:30 p.m. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $22 adv/$25 door. 464-9778.

SOUL

DASH

When thinking about great cities to spawn party-rock bands, Bozeman, Montana probably doesnโ€™t come to mind. After listening to Dash, that might change. Barely a year old, this fledgling band has already recorded their first album, Super, and won several awards around their hometown, including Best New Local Band. Blending rock, funk, country and a little soulโ€”mixed with a, ahem, dash of reggaeโ€”itโ€™s hard to peg this quartet with just one label. MW

INFO: 9 p.m. Blue Lagoon, 923 Pacific Ave., Santa Cruz. $5. 423-7117.

Love Your Local Band: Gerard Egan

0

Two years ago, Gerard Egan and Carolyn Sillsโ€”both from the Carolyn Sills Comboโ€”were hired to be DJs on KPIG. ย 

At first they dutifully followed the station rules and only played music from the stationโ€™s song database. But at a certain point, they figured why not sneak in some of the obscure โ€™40s and โ€™50s country, western, surf, blues, and rockabilly music they had stashed away in their collection, telling stories of these once-huge, now-forgotten songs of yesteryear.

But then the station manager caught on. She liked it so much she gave them their own show, The House Of Twang, which lands on one random Sunday per month. ย 

โ€œAt first, I thought she was busting me for breaking the rules. But she said, โ€˜No, itโ€™s great! These are really cool songs that you donโ€™t really hear on the radio,โ€™โ€ Egan says. โ€œShe basically cut us loose to play whatever we wanted.โ€

People really responded to these old songs, particularly the old country songs, which donโ€™t really sound exactly how most people recognize country music. They have a bit more dance-y, jazzy feel to them.

When Egan decided six months ago to start playing the occasional solo show, he thought it would be cool to bring these songs to the stage. Not just playing the old songs, but also talking about them for live audiences and giving them some context.

He mostly covers artists from the โ€™40s, like Merle Travis, Bob Wills, Al Dexter, Skeets McDonald, and The Maddox Brothers & Rose, as well as a couple originals that he and Carolyn have written. Travisโ€™ distinct style of picking, where it sounds like two guitars at once, is the foundation for what he does. ย 

โ€œItโ€™s like a one-man hillbilly orchestra kind of thing,โ€ he says. โ€œThe music doesnโ€™t take itself too seriously. Itโ€™s just fun. Itโ€™s kind of like jazz with a cowboy hat in one sense. Itโ€™s stuff that I feel is timeless. I feel like Iโ€™m doing a small part in keeping that history music alive and breathing some new life into it if I can.โ€ย 

INFO: 8 p.m. Friday, April 5. Michaelโ€™s On Main, 2591 Main St., Soquel. $12. 479-9777.

Lines of Duty: An Afghan Translator’s Path to Santa Cruz

When Sayed Nadim Hashimi first joined the U.S. special forces as an Afghan translator, he was replacing a longtime translator who had been killed on a mission. Hashimi knew the man, and volunteered to bring his clothes and belongings back to his family in Kabul. He remembers going to the home, where the manโ€™s 5-year-old daughter asked him when her father was returning.

Eight years later, Hashimi, now 27, has moved to the U.S. and lives in Santa Cruz. He works at a local tobacco shop, and although he rarely gets days off, heโ€™s thrilled to be finally living in America with his wife and new baby.

Hashmi went on over 100 missions throughout Afghanistan during his three years as a translator in the Mission Essential Personnel (MEP) program with U.S. special forces. For his service, he was promised a shot at a Special Immigrant Visa (SIV)โ€”a chance to move to America. Sometimes the missions lasted for days without food or much rest, Hashimi remembers. They worked seven days a week for 12 hours a day and were required to be on call 24/7.

โ€œThere were many times like that where we were facing an ambush and arrested Taliban spies,โ€ Hashimi says. โ€œI was on a mission where the Taliban shot an RPG at a helicopter, there was a soldier trying to jump out, but he and 11 other soldiers ended up dying.โ€

He wore a bulletproof vest and helmet and carried an AK-47, despite the fact that heโ€™d never held a gun before. He says it wasnโ€™t the policy of his company to carry weapons, and they only get a week or two of training on military organizationโ€”not on operating in battlegrounds. Regardless, soldiers often gave them guns anyway because of dangerous conditions and the fact that translators were often considered traitors by the Talibanโ€”and thus targets.

โ€œOn my first mission, my captain at the time in the special forces, he got shot in an ambush,โ€ Hashimi says. โ€œTwo other interpreters got shot, too. It was my first mission, one of my first days, and still someone got shot. It could have been me. It could have been anyone.โ€

The New York-based nonprofit International Refugee Assistance Project estimated that in 2014, an Afghan interpreter was killed every 36 hours. Having moved to the U.S. just last year, Hashimi says he wants people to remember his Afghan co-workers who have died serving the U.S., and also their families, who often do not receive any government support beyond a few thousand dollarsโ€”a modest amount compared to the $100,000 that U.S. military service members families are eligible for as part of a death gratuity program and other allowance programs.

โ€œI saw thousands of young Afghan soldiers die or get seriously injured, losing their hands and feet,โ€ Hashimi says. โ€œFacing that all, that sacrifice, was hard. But you have to lose some things to get some things. I live here now and am trying to not be a part of those days anymore. Now, I want to help the families whose sons died on the missions.โ€

Hashimi was born in Kabul, Afghanistan. His family fled to Pakistan to escape the Taliban in 1992. As one of nine children, he helped his family operate a grocery store in Pakistan before they returned to Kabul five years later. He was in fifth grade when they returned, and eventually took a Youth Exchange Study exam in hopes of traveling to the U.S. as an exchange student. After failing the exam, he says his only other option was to join the special forces and hope that they would eventually grant him an American visa.

Hashimi signed up for MEP at 19-years-old in June 2011. He waited one year to apply for his visa, eventually leaving his position as a translator in December 2014, once he was granted the special visa. He was one of over 7,000 Afghan natives granted an SIV in 2014, over 2,300 of whom immigrated to California.

Hashimi found his way to Santa Cruz after a stint in Fremont, where he has extended family, and took up a job at a local tobacco store. Even getting here seemed like a huge risk, but one worth taking.

Sayed Nadim Hashimi
ESCAPE ROUTE At 19 years old, Sayed Nadim Hashimi signed up to work as a translator in the Afghan war with the idea of one day earning a special visa to start over in the U.S. PHOTO: JULES HOLDSWORTH

โ€œI saw that I could fight for the country, and if I stayed alive, then I could go to the United States,โ€ he says. โ€œSo the day after I finished school, I went with three other classmates and joined MEP.โ€

MEP, now known as Mission Essential, is a government contractor serving intelligence and military clients. As one of the primary companies providing translation services for the U.S. government, MEP has been responsible for recruiting and screening thousands of interpreters headed for the battlefield. Hashimiโ€™s translator number was in the 14 thousands, and he says he now knows translators with numbers as high as 22,000. โ€œIt goes for a long time,โ€ he says. โ€œIf they need somebody, they will hire them and they get a number.โ€

MEP pays interpreters a maximum of $900 a month to accompany front-line troops into action. Hashimi says for the times that he wasnโ€™t on active, hazardous missions, he got paid a salary equivalent to about half that amount, $450 a month. In the past, MEP has been accused by former employees of abandoning wounded employees and sending physically unfit interpreters to the front lines. MEPโ€™s press spokesperson did not return multiple requests for comment in the weeks leading up to the publication of this story.

โ€œThose classmates that I had signed up with, a week or two after they saw the battlefield and soldier injuries, they quit. It was just me left between us four friends,โ€ Hashimi says. โ€œI stayed because I wanted to help my family, fight for my country and eventually come to America.โ€

After passing his interview in the U.S. Embassy in Afghanistan in 2014, he says he waited for three more years to get his visaโ€”though according to U.S. law, the process shouldnโ€™t take longer than nine months. Getting a visa requires 14 lengthy steps, including that applicants prove they are in danger based on their service with the U.S.

โ€œA lot of people get denied visas, and I know a lot of people still that are waiting to apply for a visa,โ€ Hashimi says. All the while, many of the people waiting for SIVs are in life-threatening danger.

Afghans are increasingly the top recipients of SIVs. According to the Refugee Processing Center, more than 97 percent of the 3,234 people who immigrated to the U.S. under the SIV program since Oct. 2018 are Afghan nationals. The highest number of Afghan SIVs awarded in a year, more than 16,800 visas, was in 2017. The 2019 U.S. federal budget authorized 4,000 additional SIVs for Afghan applicants. That would be good news for those applying for a visa, but the problem for hopeful immigrants is that the U.S. State Department may not be able to accommodate the extra visas because of a backlog in the long vetting process.

โ€œIt is important to note that the issuance numbers in FY 2017 were more than any other year in the programโ€™s history,โ€ a U.S. Department of State spokesperson told GT in an email, which โ€œresulted from a Department surge to keep up with past demand. We do not expect to issue as many Afghan SIVs in FY 2019 as we did in FY 2017.โ€

But these numbers only tell part of the story. Many of the people who thought they would be able to move and begin a new life in the U.S. because of their service will be severely delayed or unable to.

โ€œAll immigrant visa applicants, including SIV applicants, are thoroughly vetted to ensure they do not pose a threat to the security of the United States,โ€ the U.S. Department of State official said. โ€œOur goal is to issue every SIV as quickly as possible, while maintaining national security as our highest priority. Depending on the facts of a case, we sometimes need additional time to thoroughly evaluate the application.โ€

Increasing scrutinyโ€”and at times intense cynicismโ€”of immigrant and refugee motives has become a hallmark of the Trump Administration, which has impacted visa applicants from Syria to Venezuela. Yet there is little data to back up claims that recent immigrants pose any increased threat to homeland security.

โ€œTo my knowledge, since the SIV program started in 2008, and with coming up on 75,000 SIVs and their family members resettled, not one has ever been charged with any terrorist-related charge,โ€ says Kirt Lewis, chief operating officer of No One Left Behind, a national nonprofit aimed at helping wartime allies who are displaced and in need of assistance. โ€œI don’t know how much better of a public safety track record we can reasonably ask for.โ€

Hashimi says he knew of many translators who were stopped or killed by the Taliban for working with the U.S. He remembers one instance in particular, where a suicide bomber actively sought out a translator to kill.

BATTLE HARDENEDHashimi was born in Kabul, Afghanistan. Before he returned home and began work with U.S. special forces, his family fled to Pakistan to escape the Taliban in 1992.
BATTLE HARDENEDย Hashimi was born in Kabul, Afghanistan. Before he returned home and began work with U.S. special forces, his family fled to Pakistan to escape the Taliban in 1992.

โ€œMany of these people, especially those who served as interpreters, are hunted and killed, tortured, or both,โ€ says Jason Gorey, executive director of No One Left Behind. โ€œTo my knowledge, no accurate data exists regarding how many Afghan and Iraqi wartime allies have been killed for working with U.S. forces after they stopped their work. Based on anecdotal information, especially due to ISIS in Iraq, I believe we can safely say it is in the tens of thousandsโ€”with hundreds killed after applying for and while waiting for their Special Immigrant Visa.โ€

Hashimi says he doesnโ€™t often try to get in contact with impacted families in Afghanistan, since he doesnโ€™t feel like there is much he can do. He says it makes him sad because many of those caught up in the danger and visa delays are young, stay-at-home mothers who have lost their husbands.

โ€œI try not to talk about it. It makes me hurt. It makes me cry when I think about those young women,โ€ he says. โ€œThere was a man I knew who asked for vacation to see his babies. He died for the U.S. government in a car with other U.S. soldiers. Those soldiers are taken care of, but the man who died, he has a family alsoโ€”and his family will not be supported.โ€

Although they are often eligible for much more, Afghan and Iranian families typically receive a one-time payment between $2,000-$5,000 from the employer for a killed servicemember, Hashimi and Michael Silverman, associate at Military Justice Attorneys, said. But under the U.S. Department of Labor Defense Base Act, Afghan translators working for contractors like MEP are insured and eligible for more workersโ€™ compensation if injured or killed.

โ€œIn a nutshell, anytime an employee is injured or suffers a psychological injury, these insurance companies are responsible for it, and that is also the case for the death of an employee,โ€ Silverman says. โ€œWhat we have found is that many times the employer will pay a small stipend for an interpreter who is killed and not inform the family that there is insurance that will cover it.โ€

Silverman, who works closely with No One Left Behind, says his firm represents many clients from Afghanistan and Iraq who have severe, debilitating psychological trauma from working as translators many years ago. Some have already moved to the U.S. and are trying to start a new life here. Although these clients were eligible for compensation and psychological support under the Defense Base Act, they often never received it because they didnโ€™t know about it.

โ€œPeople understand that they have seen horrible things and that it will impact them, but what they donโ€™t know is that itโ€™s treatable, that they can get to a point that they can live with all of the things that they have seen,โ€ Silverman says. ย โ€œLiterally, we have clients who were on the verge of agoraphobia, who will only leave the house when they have to. I had a client in Afghanistan who hadnโ€™t left their house in years. And the majority of them moved here under SIV.โ€

According to the Office of Workersโ€™ Compensation Programs, there have been only around 60 death insurance claims filed for MEP LLC from 2001 to 2018. Hashimi himself says he and his coworkers know of โ€œprobably hundredsโ€ of translators who were killed or critically injured while working for MEP.

โ€œThe people that die, if they are not Americans, then the government forgets them,โ€ Hashimi says. โ€œThey shouldnโ€™t. Itโ€™s not easy to do that job. We know that we might die, but we do it to support family, fight for the country and move to the U.S. These families donโ€™t have anyone to support them, because for many people, their only financial support is gone and they donโ€™t get any help from the country that they fought for.โ€

Likewise, the families of those who die while serving often do not receive the visa benefits that translators do. In order for families to be eligible for American visas, they must apply and travel with the MEP worker, like in Hashimiโ€™s case.

โ€œThe say โ€˜no one left behindโ€™, but how can you say that when I know all of these people, families, who are stuck in Afghanistan without support. They get left behind,โ€ Hashimi says. โ€œI want to fight for those people. I feel that itโ€™s my job to not forget them.โ€

Arts Council Director Gets Priced Out of Santa Cruz

Walking past the Tanneryโ€™s housing complex, Michelle Williams reflects on something her financial advisor said to her four months ago. Williams, who has served as executive director of Arts Council Santa Cruz County for nine years, gets emotional just thinking about it.

The advisor told Williams and her husband Jonathan Vaden that if they cut $10,000 annually out of their already-meager budget, they could begin seriously saving for one of three things eight years from now: a house, their retirement or college tuition for their two children. They would have to pick one.

โ€œWeโ€™re going backwards, instead of forwards, in our financial lives,โ€ Williams remembers thinking. โ€œWe have no hope of ever buying a home here.โ€

With that reality setting in, Vaden started looking for work. Not long after, he was offered a lucrative marketing position in Tampa, Florida. Vaden accepted it, and now he, Williams and their two sons will be moving at the beginning of their upcoming summer vacation. Theyโ€™re already in escrow on a house.

โ€œOur financial lives will change overnight,โ€ Williams says, in near-disbelief.

Williams, who rents in Santa Cruzโ€™s Seabright neighborhood, has seen the townโ€™s housing crisis impact workers in every sector of the economy. She personally knows many artists who could not afford to live locally, were it not for the affordable units at the Tannery Arts Center, which is also home to the Arts Council offices. Away from the campus, Williams knows many other creatives who struggle to juggle various jobs while navigating stressful housing arrangements. She wonders how any service workers could ever survive here.

Educators are feeling the squeeze, too, Williams has noticed. The parents of one of her sonโ€™s friends are both teachersโ€”and like Williams, theyโ€™ll be moving away in June. Theyโ€™re headed to San Diego, where theyโ€™ve been able to find higher-paying jobs, as well as cheaper housing.

Williams stresses that, for all its flaws, she loves Santa Cruz as much as ever. The decision hasnโ€™t been easy.

โ€œItโ€™s been a combination of love and heartbreak,โ€ she explains. โ€œItโ€™s not like I was burned out. Itโ€™s not like I ran out of passion for this job. Itโ€™s math. It doesnโ€™t work, and it hasnโ€™t worked. Weโ€™ve got to make it work. We owe it to our kids and our futures.โ€

At the Arts Council, Williamsโ€™ announcement kickstarts the search for a new leader. The nonprofit oversees First Friday art walks, the Ebb and Flow Festival, grant programs for artists, and art education programs for 17,000 school kids.

BUILDER BEWARE

Itโ€™s one thing to recognize that Santa Cruz is one of the least affordable housing markets in the country. Doing something about it is another.

Over the past year, the city of Santa Cruz has taken actionโ€”adopting a relocation assistance ordinance for tenants who see large rent increases, streamlining accessory dwelling unit rules and approving 205 new units of market-rate housing on Pacific Avenue and Laurel Street. City leaders have expressed hopes of building an additional 100-percent affordable housing complex next door.

Matt Huerta works as the housing program manager for the Monterey Bay Economic Partnership, which will host a housing-related discussion with state Sen. Scott Weiner at Peace United Church on Friday night. He says Santa Cruzโ€™s leadership on housing has been mixed.

The city, he explains, needs to take action on more itemsโ€”like making changes to fee structures on new housing construction. โ€œThey makes steps in the right direction and have demonstrated an openness, but thereโ€™s a lack of progress,โ€ Huerta says. โ€œThereโ€™s a lack of strong enough political will to get the big things done.โ€

Last year, local activists filed a lawsuit against the approved downtown development, alleging that the complex skirts affordable housing requirements. Huerta views the challenge as a setback for the city because the project is badly needed, he says, even if affordable units wonโ€™t be built on site.

Williams isnโ€™t deeply familiar with all of Santa Cruzโ€™s policy workings, but in visiting Tampa, she says sheโ€™s been impressed by how committed the Florida city is to solving whatever problems seem to arise. She gives the example of an intersection where the city did a large overhaul. The first didnโ€™t improve traffic, so Tampa is breaking ground again, this time with a revised plan, she says.

โ€œTampa felt like a city thatโ€”through its infrastructure investments, its public transit investments, its cultural facility investmentsโ€”was working really hard to make it a place where everyone felt welcome, and to make it as easy as possible to live there,โ€ she says. โ€œThat was my experience as an outsider. I donโ€™t know how to solve the housing crisis, but it seems like for some, there is this dedication to keeping Santa Cruz as it is, from whatever moment in time people got here.โ€

HOME OF THE BRAVE

There were other aspects of life in Santa Cruz that tested the patience of Williams and her family.

Just over a year ago, Williamsโ€™ home was broken into, and the thief stole her purse, the familyโ€™s computers and their minivan. Her family probably left a door unlocked, Williams admits. The thief tossed pretty much everything from their van, including the middle seats. When cops found the vehicle, its interior was covered in blood and littered with syringesโ€”prompting six weeks and $13,000-worth of repairs, she says.

After the whole ordeal was over, Williams says her family looked at the thief with compassion. She adds that they still felt committed to Santa Cruz, even though her kids would sometimes wake up in the middle of the night and say, โ€œMommy, can you go make sure all the doors are locked?โ€

This year, though, she says, the family has decided that itโ€™s time to move on.

โ€œYou get to the point,โ€ she says, โ€œwhere youโ€™re like, โ€˜I canโ€™t live like this on so many different levels.โ€™โ€

Will Santa Cruz Get a New Human Rights Commission?

At the misty hour of 4 a.m. on Feb. 15, six explosions rocked the 500 block of Windsor Street in the Seabright neighborhood.

Outside, an armored vehicle and a dozen unmarked cars from U.S. Immigration and Customs Enforcement (ICE) surrounded a family home as scared and confused neighbors rushed to see what was happening. The experience brought back memories of the 2017 raids in the Beach Flats, where ICE officials arrested members of the notorious MS-13 gang, along with 11 other undocumented individuals (10 were released shortly after).

With incidents like these in mind, recently elected Santa Cruz City Councilmember Drew Glover has suggested launching a citywide human rights commission, similar to models in San Francisco and Santa Clara County.

The commission, Glover tells GT, would advocate for human and civil rights, as well as investigate and mediate discrimination complaints.

The idea has been on his mind for some time. Glover, a longtime local activist and one of two new African-American members of the council, says people of color experience bigotry more often than white people would expect, both on an individual level and systemically.

Glover believes that if a commission had already been in place, it would have helped quell some of the fear and confusion caused by events like the recent immigration raid. The council has agreed to discuss the raids in a community meeting. ย 

Glover is still working through many of the specifics for how the commission would address problems of bigotry.

Santa Cruz is no stranger to racism and stereotyping. Last November, anti-rent-control flyers circulated around the county with the caption, โ€œMeet Your Neighborsโ€ over a picture of what was implied to be MS-13 gang members. The photo was later revealed to be from a Salvadoran prison. Over the last two years, โ€œItโ€™s OK To Be Whiteโ€ flyers have popped up along the river levy, at bus stops, in the library, and on telephone polls. Glover says it would be โ€œfoolishโ€ to ignore that bigotry is becoming more apparent in the community.

He says heโ€™s hopeful that the council will vote as early as April 23 on whether to explore his proposal, and he has a loose archetype for the commission that heโ€™s ready to submit.

The group that heโ€™s proposing would be far more robust than the cityโ€™s existing committees. He says it would consist of seven members, each representing a subcommittee focusing on one of the following topics: citizenship issues, the environment, the homeless, people with disabilities, protection against race-based discrimination, and justice issues facing schools and students.

The commission could meet every two months, with the subcommittees meeting in between to report back with recommendations. Once chosen, subcommittee commissioners would go through โ€œcomprehensive equity training.โ€

โ€œAll of that can be fleshed out in the conversation on how we want to structure the commission,โ€ Glover says.

One consideration that may weigh on the council is that it isnโ€™t clear how much the commission would cost. Even without the addition of new programs, financial deficits are projected to reappear before long. Despite a successful quarter-cent sales tax approved by voters in June, Santa Cruz is one of many cities feeling the squeeze of growing pension costs. On the campaign trail, Glover invoked a quote often attributed to Martin Luther King Jr. that a budget is a โ€œmoral document,โ€ and he has criticized cuts in social services spending.

As to whether this new commission would assist those most in need or just create more bureaucracy, Glover insists that the body would lend needed assistance to marginalized groups.

He isnโ€™t ready to say where he might suggest saving money instead, but when he scans the city budget, he questions โ€œif it represents Santa Cruz values.โ€

Glover gives the example of the Grille at DeLa, a restaurant at the city-owned DeLaveaga Golf Course, where the city is spending $925,000 on maintenance and renovations that are running more than $600,000 over budget, as the council recently learned when approving a budget allocation. Leaky pipes, termites, dry rot, and a failed deck all contributed to the cost overrun. Public Works Director Mark Dettle says crews worked on the project over several years, and that for future projects, he would like to have his team report back to the council in six-month intervals.

Glover says the city needs to make allocations where it sees the highest need.

โ€œWhen looking at the needs of the city, I would prioritize human rights and supportive services over something that serves a small percentage of our community,โ€ he explains. โ€œThe money is there.โ€

So far, the City Council seems open to exploring the human rights idea. Glover initially proposed the new commission at the tail end of a discussion about the ICE raids. After the city attorney mentioned that it wasnโ€™t the appropriate time, Glover brought up the idea a few minutes later, during the councilโ€™s calendar review. Councilmembers Sandy Brown, Justin Cummings, Donna Meyers, and Cynthia Matthews all spoke positively about the concept, though some council members expressed concern over the budget and wondered if the principles could be worked into existing commissions.

โ€œEstablishing a whole new commission, as newer councilmembers will learn, is a big commitment,โ€ Matthews said at the meeting. โ€œIt would be worth sitting down and thinking how to incorporate these into already existing commissions and programs.โ€

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