Capricorn—‘I Have Been to the Mountaintop’: Risa’s Stars Jan. 16-22

We are in our last days of Capricorn Sun. On Sunday, the sun enters Aquarius, and nine hours later we have the Aquarius solar festival full-moon lunar eclipse. Something in form and matter, having completed its work, falls away. It’s no longer useful to us. Something new and vital takes its place. Monday is Martin Luther King, Jr. Day. He was a Capricorn with the famous Capricorn words, “I have been to the mountaintop!”

Capricorn, enigmatic and mysterious, is the sign of the mountaintop experience, where the crocodile becomes the goat becomes the unicorn “lost in the Light Supernal.” Capricorn marks the gradual transformation from the “dark time” to the “light time of the year.” Capricorn’s new rays of the sun represent the “rising of the Spirit” for humanity. At dawn, special rays bestow their light upon Earth’s kingdoms. If we could see the dawn’s light etherically, we would see celestial beings (Devas) flowing into the Earth, ministering to humanity and the kingdoms. The same occurs at sunset. These beings help us build clear, focused, intelligent minds. When we communicate with them, veils that have settled all around us, obscuring our essential divine selves, loosen and fall away.

Ancient teachers suggest that at dawn and dusk we visualize within our hearts an orange, five-pointed star surrounded by deep indigo blue. It is the soul star, the star of Bethlehem that guided the three kings. We learn of these things in the sign of Capricorn. Capricorn’s symbol represents the face of the ibex and body of the crocodile (Makara in Sanskrit). Capricorn’s symbol is also (almost) the signature of God.

ARIES: You’re exploring profoundly what your right work in the world may be, what you are to do that will serve the upliftment of civilization and bring you to the recognition and support needed so that others follow. Keep the internal inquiry going. There are no answers yet, not for months. They depend upon your ability to focus on the questions.

TAURUS: New ideas, concepts, school, study, traveling, the art of archery, horseback riding or horse husbandry, publishing, and studying ancient philosophies may catch your attention. Someone, somewhere recognizes your qualities, calls you to leadership. Listening is your best way of being attentive. Giving high spiritual philosophical answers will not be heard.

GEMINI: There is a focus on money and investments, and in this critical time of change and monetary reorientation, I want to suggest how you can keep abreast of the financial times and learn the truth of financial matters.

CANCER: Relationships this month will be on your mind–all types, levels of closeness, friendships and intimacies. It’s good to review how you are in relationships, if you are attentive, caring and sharing. Or are you focused upon yourself primarily? Adding forgiveness (of self and others) to your list of daily tasks would liberate your heart for further love encounters.

LEO: We continue to focus on your work in the world and the environments you find yourself in. Something shifts in your profession, some discipline or rule or structure or timing causing a period of fine-tuning to occur. During this time, strengthen your support for others, align with them. This will insure your success should you suddenly be in charge of everything and everyone. Blend your Ray 1 (will) with Ray 2 (love/wisdom). You educate people.

VIRGO: You must begin to rest, relax and lounge about a bit more, think of ways to create a bit of a respite, pleasure, fun and perhaps a bit of romance (there are many kinds). Plan each week to attend musical or film events, stroll downtown with friends, have lunches and small dinners, little parties, tête-à-têtes, perhaps a small salon. Art is most important. Name your favorite (artist).

LIBRA: These are times of reconciliation, reunions, understanding leading to rapprochement—of kindness, consideration, and thoughtful and perceptive realization that each of us (including you) is a character playing their part. Everyone’s doing their very best and everyone’s on their path toward a more enlightened way of being. Is there some sort of suffering or sadness in your life at this time? We will pray with you.

SCORPIO: You’re edgy, agitated, restive, restless with somewhat anxious feelings, including wanting to go anywhere that is not here. However, there’s nowhere to go. The planets are creating a stellium (gathering) of impatience and over-sensitivity. All you can do is make mental visits to the past—to people, events, ideas, work. Forgive everything. Who from the past needs to be contacted? Who needs forgiveness?

SAGITTARIUS: I suggest a financial investor and information on finances because most of the planets are influencing your money, finances and resources, seeking to transform how you’ve handled yourself in these areas. Are you generous or challenged to be generous? Do you maintain a budget and balance monetary ins and outs? What are your worries regarding money?

CAPRICORN: Every once in a while, others truly notice us, offering compliments, recognition, praise for jobs well done, for our help, presence and nurturing. They notice the care we take with how we appear in the world. You may be asked to lead a function that magnetizes people to a group or endeavor you’re a part of. You’re the best for this position. Radiate goodwill to everyone and help others recognize they have courage.

AQUARIUS: Aquarians, after they’ve built their personality (self-development, self-focus, a needed developmental stage for everyone) eventually begin to look outward, to humanity and its needs, and they see humanity is suffering. Aquarians then begin to to serve. Is it that time for you—to help others, seeing their needs, offering support and resources, time and money, care and attention? You too become one who receives.

PISCES: It’s important to be part of a group and not to be isolated. You need a balance of being in retreat and being social. Being social is sometimes difficult. You sense a depth of spirituality and the soul within others. You recognize how everyone is always in service and how love underlies the happenings of the times and all events. Love happens to be the nature of Pisces. A group calls to you to serve, to lead, to teach, to illumine. What will you do?

Gardens & Villa’s Dance-Pop Gets Deep

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The latest music video from L.A. indie dance-pop group Gardens & Villa is a delightfully fun montage of a man with bad vampire teeth meeting a woman and falling in love. The song, “Underneath the Moon”—the first new song by the group in three years—is a surprisingly breezy synth-pop jam. Lyrically, it’s bittersweet in celebrating new love, but from the perspective of a person who deeply believed they would never find love again.

The making of the video matched the carefree tone of the music. It was a spontaneous, almost silly affair arranged by guitarist/singer/flute player Chris Lynch and his girlfriend.

“I had these vampire teeth and we had these elk ears. We just kind of improvised it,” Lynch says. “We filmed it all with just the two of us, and we were just having fun. It was one of the best nights of our summer.”

The song is also a sneak peak of the group’s upcoming album. Lynch is extremely excited about it, and says that “Underneath the Moon” isn’t a good indicator of what the rest of the album will sound like. Like the band’s previous records, it’ll be all over the place, blending indie, synth-pop and post-punk.

“It’s the most I’ve ever put into a record before,” Lynch says. “It has a lot of passion. A lot of love. A lot of beers.”

The last album the group released was Music For Dogs back in 2015. They broke up shortly after due to internal conflict and the generally poor response the album got from fans. The members have since reconciled, and have been working on this record for the past year and a half.

“This album is the most true I’ve felt musically probably since our first album. It just feels honest and real. I think we had to die a little bit,” Lynch says. “When you’re in a band with people, you tour for months and then you literally can’t stand them. Then when you’re away—I miss making love in our music together.”  

In addition to dealing with the breakup of the band, the past couple of years haven’t been easy for Lynch. In 2017, he dealt with the death of his best friend. Then last year, his musical mentor and Gardens & Villa producer Richard Swift passed away. Swift was supposed to help mix the new album in 2017, but he fell ill around that time.

“Basically, we wouldn’t even be a band without him,” Lynch says. “He gave us our sound, our aesthetic. He was so instrumental to everything. It was a huge loss for us.”

One appeal of Gardens & Villa has always been their deep, philosophical, conflicted records that tug back and forth on heady topics. This record has a story to it—one that Lynch doesn’t want to explicitly state—but it came out of the ups and downs of his life over the past few years. In addition to loss, there’s been new love, which inspired “Underneath the Moon.”

“The whole theme of the record, I would say, is death and life,” Lynch says. “There’s a good quote that I really was moved by: ‘Love is like death, it changes everything.’ It’s a heavy quote.”

Putting the vampire teeth in the video wasn’t just meant for a laugh; it represents the despair he had fallen into during the dark period of his life. His soon-to-be-girlfriend shook him out of that.

“I wasn’t going outside. I was crying all the time. Sleeping all day. She helped me emerge from my cave—helped me survive through the darkness,” Lynch says. “We fell in love. That’s the rough gist of the story. Reemerging. But also feeling these waves of meaninglessness, like we’re all going to die. I’m still wrestling with that. But also trying to embrace life and enjoy and love.”  

Gardens & Villa perform at 9 p.m. on Saturday, Jan. 26, at the Crepe Place, 1134 Soquel Ave., Santa Cruz. $15. 429-6994.

Rob Brezny’s Astrology Jan. 16-22

Free will astrology for the week of Jan. 16, 2019

ARIES (March 21-April 19): In 1917, leaders of the Christian sect Jehovah’s Witnesses prophesied that all earthly governments would soon disappear and Christianity would perish. In 1924, they predicted that the ancient Hebrew prophet Moses would be resurrected and speak to people everywhere over the radio. In 1938, they advised their followers not to get married or have children, because the end of civilization was nigh. In 1974, they said there was only a “short time remaining before the wicked world’s end.” I bring these failed predictions to your attention, Aries, so as to get you in the mood for my prediction, which is: all prophecies that have been made about your life up until now are as wrong as the Jehovah Witnesses’ visions. In 2019, your life will be bracingly free of old ideas about who you are and who you’re supposed to be. You will have unprecedented opportunities to prove that your future is wide open.

TAURUS (April 20-May 20): Movie critic Roger Ebert defined the term “idiot plot” as “any film plot containing problems that would be solved instantly if all of the characters were not idiots.” I bring this to your attention because I suspect there has been a storyline affecting you that in some ways fits that description. Fortunately, any temptation you might have had to go along with the delusions of other people will soon fade. I expect that as a result, you will catalyze a surge of creative problem-solving. The idiot plot will transform into a much smarter plot.

GEMINI (May 21-June 20): In 1865, Prussia’s political leader, Otto von Bismarck, got angry when an adversary, Rudolf Virchow, suggested cuts to the proposed military budget. Bismarck challenged Virchow to a duel. Virchow didn’t want to fight, so he came up with a clever plan. As the challenged party, he was authorized to choose the weapons to be used in the duel. He decided upon two sausages. His sausage would be cooked; Bismarck’s sausage would be crammed with parasitic roundworms. It was a brilliant stratagem. The proposition spooked Bismarck, who backed down from the duel. Keep this story in mind if you’re challenged to an argument, dispute or conflict in the coming days. It’s best to figure out a tricky or amusing way to avoid it altogether.

CANCER (June 21-July 22): An imaginative 27-year-old man with the pseudonym Thewildandcrazyoli decided he was getting too old to keep his imaginary friend in his life. So he took out an ad on Ebay, offering to sell that long-time invisible ally, whose name was John Malipieman. Soon his old buddy was dispatched to the highest bidder for $3,000. Please don’t attempt anything like that in the coming weeks, Cancerian. You need more friends, not fewer—both of the imaginary and non-imaginary variety. Now is a ripe time to expand your network of compatriots.

LEO (July 23-Aug. 22): In December 1981, novice Leo filmmaker James Cameron got sick, fell asleep and had a disturbing dream. He saw a truncated robot armed with kitchen knives crawling away from an explosion. This nightmare ultimately turned out to be a godsend for Cameron. It inspired him to write the script for the 1984 film The Terminator, a successful creation that launched him on the road to fame and fortune. I’m expecting a comparable development in your near future, Leo. An initially weird or difficult event will actually be a stroke of luck.

VIRGO (Aug. 23-Sept. 22): Psychologists define the “spotlight effect” as our tendency to imagine that other people are acutely attuned to every little nuance of our behavior and appearance. The truth is that they’re not, of course. Most everyone is primarily occupied with the welter of thoughts buzzing around inside his or her own head. The good news, Virgo, is that you are well set up to capitalize on this phenomenon in the coming weeks. I’m betting you will achieve a dramatic new liberation: you’ll be freer than ever before from the power of people’s opinions to inhibit your behavior or make you self-conscious.

LIBRA (Sept. 23-Oct. 22): What North America community is farthest north? It’s an Alaskan city that used to be called Barrow, named after a British admiral. But in 2016, local residents voted to reinstate the name that the indigenous Iñupiat people had once used for the place: Utqiaġvik. In accordance with astrological omens, I propose that in the coming weeks, you take inspiration from their decision, Libra. Return to your roots. Pay homage to your sources. Restore and revive the spirit of your original influences.

SCORPIO (Oct. 23-Nov. 21): The Alaskan town of Talkeetna has a population of 900, so it doesn’t require a complicated political structure to manage its needs. Still, it made a bold statement by electing a cat as its mayor for 15 years. Stubbs, a part-manx, won his first campaign as a write-in candidate, and his policies were so benign—no new taxes, no repressive laws—that he kept getting re-elected. What might be the equivalent of having a cat as your supreme leader for a while, Scorpio? From an astrological perspective, now would be a favorable time to implement that arrangement. This phase of your cycle calls for relaxed fun and amused mellowness and laissez-faire jauntiness.

SAGITTARIUS (Nov. 22-Dec. 21): Trees need to be buffeted by the wind. It makes them strong. As they respond to the pressure of breezes and gusts, they generate a hardier kind of wood called “reaction wood.” Without the assistance of the wind’s stress, trees’ internal structure would be weak and they might topple over as they grew larger. I’m pleased to report that you’re due to receive the benefits of a phenomenon that’s metaphorically equivalent to a brisk wind. Exult in this brisk-but-low-stress opportunity to toughen yourself up!

CAPRICORN (Dec. 22-Jan. 19): Writing at The Pudding, pop culture commentator Colin Morris reveals the conclusions he drew after analyzing 15,000 pop songs. First, the lyrics of today’s tunes have significantly more repetition than the lyrics of songs in the 1960s. Second, the most popular songs, both then and now, have more repetitive lyrics than the average song. Why? Morris speculates that repetitive songs are catchier. But in accordance with current astrological omens, I encourage you Capricorns to be as un-repetitive as possible in the songs you sing, the messages you communicate, the moves you make, and the ideas you articulate. In the coming weeks, put a premium on originality, unpredictability, complexity, and novelty.

AQUARIUS (Jan. 20-Feb. 18): In May 1927, Aquarian aviator Charles Lindbergh made a pioneering flight in his one-engine plane from New York to Paris. He became instantly famous. Years later, Lindbergh testified that part-way through his epic journey he was visited by a host of odd, vaporous beings who suddenly appeared in his small cabin. They spoke with him, demonstrating a sophisticated understanding of navigation and airplane technology. Lindbergh’s spirits were buoyed. His concentration, which had been flagging, revived. He was grateful for their unexpected support. I foresee a comparable kind of assistance becoming available to you sometime soon, Aquarius. Don’t waste any time being skeptical about it; just welcome it.

PISCES (Feb. 19-March 20): More than four centuries ago, a Piscean samurai named Honda Tadakatsu became a leading general in the Japanese army. In the course of his military career, he fought in more than a hundred battles. Yet he never endured a major wound and was never beaten by another samurai. I propose we make him your inspirational role model for the coming weeks. As you navigate your way through interesting challenges, I believe that like him, you’ll lead a charmed life. No wounds. No traumas. Just a whole lot of educational adventures.

Write a one-page essay entitled “2019 Is the Year I Figure Out What I Really Want.” Share if you like: FreeWillAstrology.com

Film Review: ‘If Beale Street Could Talk’

It makes sense to think of If Beale Street Could Talk as a Romeo and Juliet story in which white repression is the force keeping true lovers apart.

The 22-year-old Fonny, short for Alfonso (Stephan James) is a young man with little money and the desire to be a sculptor. His lover, 19-year-old Tish (Kiki Layne) has just discovered she’s pregnant. It all begins with Fonny in jail, wrongly accused of a violent rape. There’s little or no money for the defense, the victim has fled to Puerto Rico, and the New York politicians want the case prosecuted no matter how fishy it is.

When director and adapter Barry Jenkins (Moonlight) gets the lovers together, everything works. He seeks old-fashioned romantic movie intensity as they make love for the first time during a rainstorm and Fonny tries to make a warm, clean spot for her in the basement where he lives. Looking at each other in the grimy, graffiti-scrawled subways—very evocative photography by James Laxton throughout—Fonny has a sensual gaze as he studies Tish’s slenderness and slightness. They’d known each other since they were children, neighbor kids bathing in the same bathtub: “There had never been any occasion of shame,” Tish recalls, as if the relationship had been hallowed since the beginning.

Which is thick, I know. But when the lovers are silent and just look at each other, it quiets the narration. Tish is underwritten, just as she is in James Baldwin’s 1974 source novel. The teenage girl mask didn’t fit snugly on a sophisticated essayist like Baldwin. The book has a young adult quality, despite the explicit sex scene and the language that would evict it from nine out of 10 high schools. Heroines in YA are always right, and they’re always omniscient, too. Describing events to which she wouldn’t have been privy, Tish says, “They don’t tell me this, but I know it.” That makes any suspicious reader ask, “How?”

You could almost get an entire good movie—it might be something like 1978’s Killer of Sheep—about Tish’s parents. The longshoreman Joe (Colman Domingo, who is great) hasn’t let hard work beat the life out of him. He shows a lopsided smile with some disbelief in it when he hears the news that his unmarried daughter is pregnant. His formidable wife Sharon (Regina King) takes over and orders him to toast his daughter’s unborn child with a bottle of cognac they have stashed away. Joe goes along with it, but his bemusement is visible. The strife comes when Fonny’s parents show up to join the party. Fonny’s mom (Aunjanue Ellis) is a venomous church-lady with two conceited daughters. Calling on her Jesus, she precipitates a bad fight between the families.

It’s tough inside, and it’s tough outside, between jail and the threat of jail. In flashback, Fonny talks of his struggles with his just-out-of-prison friend, Daniel (Brian Tyree Henry). Having just got out of two years in the lion’s den, Daniel answers with one powerful monologue about the terrors he faced being in prison.

Through Daniel’s lines we get, indirectly, what Fonny is going through as he languishes behind bars. Fonny doesn’t ever scare Tish with the details, even when he talks to her through the heavy jailhouse glass with the marks of a fight on his face.

Indirect scenes are what Jenkins does best, as when Sharon gears up to go meet Fonny’s accuser in Puerto Rico, studying herself in the hotel mirror, getting her look just right for this delicate mission.

If the emotional force of If Beale Street Could Talk is blunted by the flashbacks, the scenes between the young lovers always work. Scene by scene, Jenkins’ very considerable skills as a romanticist bear you away. James and Layne emote the kind of pure, ethereal love that was there at the beginning of the movies and will be there at the end of them.

If Beale Street Could Talk

R; 119 Mins.

Cat & Cloud Fuels Downtown Laptop Crowd

Every writer sooner or later needs that perfect spot to plant a laptop and get to work. One of my new favorite spots is the Cat & Cloud at Abbott Square.

Yes, there are plenty of other folks here, and there’s food prep, coffee prep and life prep happening at all the various stations as the day gears up. But if you’ve got a project, then all of that—music, conversation, kitchen sounds—dissolves into white noise. It becomes easy to focus on the job at hand—in my case, finishing up a novel.

First things first: coffee. Cat & Cloud coffee doesn’t mess around, if you know what I mean. Right now, I’m rockin’ a huge mug of the Holiday Blend on tap, a dark roast with a caramel center and bittersweet finish.

With it, one needs—naturally—a pastry. For that, there’s an all-star lineup from Companion Bakeshop (the café, Cat Cloud Companion, is technically a joint venture between the bakery and the coffee roaster). My new favorite seasonal scone is dark wheat, studded with pumpkin seeds and cranberries. Heaven with a topnote of brown sugar. I also love the toasts with cheese and pepper jam, or avocado. Hearty stuff. The kind of stuff that writers need to fuel their genius and remove obstacles (ie: occasional writer’s block).

Long counters offer plenty of laptop space and outlets for charging devices. Clean, spacious restrooms are always a plus.

The long community table are great for actual groups, or simply individuals who like to face each other while eating, flirting or brainstorming. The vibe at the indoor marketplace is quite eclectic, and that also adds to the sense of privacy and cocooning. Couples, yes, but mostly groups, work colleagues or school classmates. Fascinating conversations, if one wants to eavesdrop. But I don’t.

Family groups with kids also stop by for a light nosh. Shoppers about to head off to the stores. I like the 9-to-11 slot, when the energy feels freshest and the pastry choices are most, well, choice.

My writing went well.

Award-winning Brand

Congratulations, Ian Brand. You’ll want to run out and grab a bottle of Brand’s Le Petit Paysan Jacks Hill Chardonnay, Monterey County 2017 ($22) after reading a recent article by Esther Mobley in the San Francisco Chronicle. A winemaker’s winemaker, Brand was named the newspaper’s 2018 Winemaker of the Year.  

He’s a local who has worked at Bonny Doon Vineyard and Santa Cruz Mountain Vineyard. When you’re next in Carmel Valley, stop by Brand’s tasting room and be blown away by the wines he creates from historic vineyards throughout the region.

Open Wed-Sun, noon-6 p.m. I. Brand & Family Winery, 9 East Carmel Valley Rd., Carmel Valley. ibrandwinery.com

Pace-setting La Posta

It might just be the greatest pasta this side of Bologna. The dishes Katherine Stern turns out at

Seabright’s La Posta are always a treat. The other night, mine was a tangle of tagliatelle tossed with roast pork, radicchio and aged balsamic. Every element perfect, especially with a glass of Dolcetto d’Alba.

My companion loved his house-made lamb sausage, which arrived on a bed of black caviar lentils and rainbow chard, drizzled with chili yogurt. An exceptional winter dish.

We started with a salad of various chicories adorned with pomegranate, roasted kabocha squash and pumpkin seeds. And of course we indulged in the addictive house bread. We had not saved room for dessert of prickly pear semifreddo (doesn’t that sound unbelievably sexy?) So we’ve resolved to return for our birthdays—only a few days apart—and share a salad, a cheese platter (with red wine!), and then head straight for dessert.

New in Town

Tabby Cat Cafe, where the former Cafe Bene used to be (God I loved that place in the old

days).

Open 7 a.m.-4 p.m. weekdays, 9 a.m.-6 p.m. Sat-Sun. 1101 Cedar St., Santa Cruz.

Robert Hall Winery’s 2015 Zinfandel

On our way to Big Basin Redwoods State Park to stay the weekend in a rustic tent cabin, we stopped at Ben Lomond Market for take-away food and some wine.

A bottle of Robert Hall Winery 2015 Zinfandel for $18.99 turned out to be a good choice.

Meeting up with friends to share our spoils, we gathered ‘round a campfire to enjoy this full-bodied wine, its dense core of fresh raspberry and cranberry fruit intertwined with peppery spice.

With soft tannins and moderate acidity, this Zin was a winner paired with hearty sandwiches from the market and an assortment of chips and dips. The winery suggests that you can also pair it with “decadent chocolate desserts.”

Not surprisingly, this robust Paso Robles Zin won a double gold in the 2018 San Francisco Chronicle Wine Competition.

Robert Hall Winery in Paso Robles is a big operation. Hall Ranch totals 300 acres—all farmed with sustainable practices—and home to 12 different grape varietals.

While Paso Robles has long been a hot destination for wine tasting, new and exciting hotels such as the splendid Allegretto Vineyard Resort are only adding to an abundance of superb wineries to visit.

Robert Hall Winery, 3443 Mill Rd., Paso Robles. 805-239-1616, roberthallwinery.com

Hakouya Miso Dressing

At a recent Aptos Natural Foods open house, I sampled locally produced Hakouya Miso Dressing made by two ladies from Japan, Eriko Yokoyama and business partner Masumi Diaz.

Miso is a traditional Japanese fermented seasoning high in protein and probiotics, and also packed with vitamins and minerals. The savory flavor has for centuries been a culinary staple in Japan.

Today, a sprinkle of miso served with avocado on rice crackers is a tasty, nourishing and healthy snack—and it’s handy to keep some in the fridge to add a splash of flavor to various dishes. Hakouya Miso produces homemade miso (soybeans, koji and sea salt) with olive oil, rice vinegar, honey, sesame oil, ginger, and garlic. The ingredients are mostly organic, all natural, gluten free, dairy free, and good for your gut! Classes on probiotic food are also taught locally.

Visit hakouya.com for more info.

Netflix Bows to Saudi Censors, Pulls ‘Patriot Act’ Episode

One Silicon Valley giant came under fire this month when it bowed to an autocratic government’s order to silence a critic.

According to a Jan. 1 Financial Times report, the Los Gatos-based streaming service Netflix yanked an episode in Saudi Arabia of The Patriot Act over host Hasan Minhaj’s condemnation of the kingdom’s murderous monarchy.

In the show’s second installment, which first aired Oct. 28, the California-bred, Muslim-American comedian rebuked Crown Prince Mohammed bin Salman over the slaying of renowned columnist Jamal Khashoggi and the U.S.-backed, Saudi-led war in Yemen.

“It blows my mind that it took the killing of a Washington Post journalist for everyone to go, ‘Oh, I guess he’s not really a reformer,” Minhaj observed of 33-year-old bin Salman, who’s accused by the U.S. Senate and the CIA of orchestrating the gruesome killing.

Minhaj also slammed Silicon Valley for choosing money over morals. The crown prince has cozied up to a long list tech industry elites with oil-fueled Saudi making big investments in U.S companies like Uber, Twitter, Tesla, DoorDash, and Slack.

Samah Hadid, the Middle East director of Human rights group Amnesty International, called Saudi Arabia’s censorship further proof of a relentless crackdown on dissent and an assault on international norms. “Netflix is in danger of facilitating the kingdom’s zero-tolerance policy on freedom of expression and assisting the authorities in denying people’s right to freely access information,” he said in a statement to reporters.

Netflix, which is run by Santa Cruz’s Reed Hastings, downplayed its decision as banal and benign, with the company insisting that it supports “artistic freedom.”

In a tweet, Minhaj scoffed at the futility of the attempt to silence him, considering that Saudis can still find the offending episode free of charge on another popular platform.

“Clearly,” he wrote, “the best way to stop people from watching something is to ban it, make it a trend online and then leave it up on YouTube.”

Music Preview: Man Man at Catalyst

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Ryan Kattner isn’t sure if anyone will come to see his band Man Man.

It’s been four years since the band has toured, and even longer since their last record, On Oni Pond. Now they hit Santa Cruz on Jan. 11 as part of a short string of West Coast dates, their first shows since 2015. They’ll be road-testing some new material for what will be a new Man Man record, which has no official release date yet. They’re also just getting a sense of who they even are as a band.

“I’m trying to tap into why I’m even doing this anymore. Music is weird right now. Especially if you’re making—are we rock music?” Kattner asks himself mid-sentence. “Hopefully there’s still an audience. Who knows anymore?”

He has reason to be nervous. His group carved out a loyal cult audience in the early 2000s with its oddball, punky, avante-pop sound. But Kattner’s last record, 2016’s Use Your Delusion, which was released as a solo record under his stage moniker Honus Honus, didn’t do as well.

“I feel like the majority of Man Man appreciators out there in the universe have no idea it even existed. They definitely didn’t come to shows. That’s okay, it’s only my life,” Kattner says. “It was just a reaffirmation of that fact that you never go solo.”

The smaller crowds on the Honus Honus tour were documented in a recently released film, also titled Use Your Delusion.

“It wavers between tragedy and comedy, my life,” Kattner says. “It turned into a feature documentary of a sad tour.”

He’s eager to tour under the name Man Man again, though he’s a little vague as to why he took a break from the band, which had toured pretty much constantly for 15 years up until its hiatus.

“Man Man was being an unruly brat, so I had to put it in the corner for a timeout. But we all know you can’t put baby in the corner,” he says.

The material on Use Your Delusion is spiritually very much in the same demented world as any other Man Man record, though in some ways it’s a bit more bonkers, which Kattner says was a result of it not being attached to the Man Man name. He dabbles heavily with synthesizers and tinkers with some unexpected genres like reggae and New Wave, creating an almost uncomfortably happy sound at times. He refers to it as an “apocalyptic L.A. pop” album.

“I wanted to go for a vibe of Leonard Cohen’s The Future, even though it’s nothing like that. But in my head that was the synths, and we had fun with it,” Kattner says.

It’s not like Man Man have ever not been weird or completely out of place. Originally formed in Philadelphia, the band’s first record, The Man in a Blue Turban with a Face, is a swath of primitive Beefheartian prog-pop, charged with youthful hysteria and a trunk of instruments that could please the hearts of a traveling medieval minstrel troupe.

By their second album Six Demon Bag, the band’s songwriting and live energy jumped a couple of notches. With each record, Man Man got just a hair more accessible.

“When I first started, I was making music to not go insane,” Kattner says. “It was supposed to be, ‘Let’s make that one super earnest, possibly unlistenable record at 23.’ Pull it off the shelf some years later and say, ‘Look what I made, kids.’ And they’ll be like, ‘You’re not my dad.’”

Whatever nervousness Kattner has about Man Man reemerging in 2019, he’s also soothed by the fact that Man Man has never been a part of a trend.

“I think the sound of two coconuts banging together is way cooler than a drenched-out reverb guitar solo,” Kattner says. “Everybody is always trying to cop a style. We just sound like us, for better or worse. It kind of Robinson Crusoes you. Then you learn to adapt.”

The world is a totally different place since Man Man last played together. It’s hard to predict how crowds will respond to the band now.

“I’ve been trying to write the perfect pop song since day one. I just don’t know how, or the audience hasn’t learned that it’s wonderful yet. My music will make sense on a melted jukebox after the fallout,” Kattner says. “Good thing our apocalyptic jams haven’t gone out of style. If anything, they’re more timely. Who would’ve thought the world could go so haywire in such quick fashion?”

Man Man plays at 9 p.m. on Friday, Jan. 11 at the Catalyst, 1011 Pacific Ave., Santa Cruz. $15. 423-1338.

No Dull Moments For Santa Cruz’s Go-To Sharpener

It’s Dec. 21, the winter solstice, and one Terry Beech’s favorite holidays. While sharpening cutlery on his solar-powered machine in the New Leaf parking lot, Beech is wearing a jester-like cap that he calls his “Santa’s helper hat” and blasting holiday music out of his van.

Beech, who sharpens knives at local markets, is the brains and brawn behind his one-man business, Sharp-Quick. He keeps track of how many knives he sharpens each day by piling up a rainbow assortment of Popsicle sticks, each representing a certain number of specific kinds of knives. He calls his method “stick books”—a play on QuickBooks’ accounting software.

A physicist by training, Beech also calculates the angle at which each knife should be sharpened, leaving every blade as sharp as possible while still ensuring that the new edge will last. A former high-tech consultant, he’s taught his sharpening technique to 26 trainees, six of them in the last year, including one apprentice from Austria. “In 2007, I decided this is way too much fun to keep to myself,” he says.

Is this machine something I could pick up at the flea market?

TERRY BEECH: No. This, brand new, is about 800 bucks. Which isn’t outrageous, but it’s not cheap, either. It’s quiet. It’s dust-free. There’s no dirt. There’s no sparks. It’s preserving the steel on your knife. It’s treating the knife steel as best it can be treated.

My girlfriend tells me that sharp knives are safer than dull knives. To what extent is that true? Because, unless I’m missing something, sharp knives are also sharper than dull ones.

The problem with dull knives is you end up pushing too hard to get something accomplished. And invariably, something slips—boom—and you ding yourself. If you have a sharp knife, everything goes nice and easy. Of course, the first time you use it, you’re so surprised how quickly it cuts through things that sometimes people will ding themselves. They’re just not used to it. People come back to me all the time with a Band-Aid on their finger: “See what I did! You sharpened my knives last week.” And they have a big smile on their face.

How much of this is a job, and how much is a hobby?

It started out as a hobby, but I made 60 grand last year. If that isn’t a job, I don’t know what is.

sharpquick.com, 345-4380.

Review: ‘8 Tens @ 8’

One of the most popular events in the Santa Cruz theater season returns as Actors’ Theatre presents its spanking new 2019 edition of the 8 Tens @ 8 festival. This annual crowd-pleasing event, now in its 24th year, features a program of eight 10-minute plays submitted by playwrights from around the country and performed and directed by members of the local theatrical community.

Festival organizers have again added a second program featuring eight more plays, with both sets—identified as Night A and Night B—playing in repertory through Feb. 3. If Night B (not yet seen by press time) is as enjoyable as Night A, audiences can look forward to lots of laughter, punctuated with moments of wistful reflection.

If I had to pick a discernible theme among the plays bundled together for Night A, it would be “time flies”—for the bereaved, missing departed spouses, for parents coping with the departure of adult children, and for young people on the brink of a new, possibly scary future. In fact, the first play of the show—and one of the best—is called Tempus Fugit. Written by Greg Atkins and directed with plenty of bounce by Cathy Warner, it’s a very funny time-travel comedy in which a sweet nerdy guy (Nat Robinson), about to propose to his girlfriend, is visited by her future self (both incarnations played with panache by Alie Mac) trying to talk him out of it.

Mafia widows straight out of Real Housewives of New Jersey convene at a funeral to take charge of a future without their variously iced and offed menfolk in Steven Capasso’s Gossip Queens, directed by Bonnie Ronzio and performed with sitcom energy. In The Dating Game, by Rod McFadden, a very different widow wisecracks her way through the pitfalls of online dating while grieving for her beloved husband. Helene Simkin Jara, heartfelt in the central role, also has a sly way with a one-liner.

A widow also figures in John Chandler’s Jello Salad, attending a family reunion with her restless daughter (Solange Marcotte), just home from her first year at college. With everybody warning her against her rascally, black-sheep uncle (Gino Danna), of course, the two of them bond, but the range of the story doesn’t quite fit the short format, and the final epiphany — while poignant — doesn’t quite feel earned.

Another mom (a droll Nicolette Nasr) insists on a ceremony when her college-bound son (Tristan Ahn) is about to flush his deceased goldfish down the loo in Elizabeth Flanagan’s Frodo Lives —an event that becomes both a wistful metaphor for leaving childhood behind, and a pep-talk for embracing future possibilities. In Morning In America, a grown daughter (Mac again) discusses media overload in the Information Age with her disgruntled dad (well-played by Marcus Cato), who starts each day with the question, “Is he still president?”

Richard Lyons Conlon’s Jackson is a middling story about corporate cubicle-mates given a brisk, funny production from director Miguel Reyna and performers Nat Robinson and Jocelyn McMahon.

And Night A concludes on a high note with The Birthday Gift, by Elizabeth Douglas, in which a daughter (McMahon) learns her freedom-relishing parents have remodeled the family home—without extra bedrooms—now that she, their youngest, has flown the coop for college. (“We’re closing down Hotel Mom and Dad!”)

So, welcome back 8 Tens @ 8, and prepare to be entertained.

The Santa Cruz County Actors Theater production of ‘8 Tens @ 8’ plays through Feb. 3 at Center Stage Theater, 1001 Center St., Santa Cruz. Call 800 838-3006, or visit sccat.org.

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