Rob Brezny’s Astrology Oct. 31-Nov. 6

Free will astrology for the week of Oct. 31, 2018

ARIES (March 21-April 19): You have officially arrived at the heart of the most therapeutic phase of your cycle. Congratulations! It’s an excellent time to fix what’s wrong, hurt, or distorted. You will attract more help than you can imagine if you summon an aggressive approach toward finding antidotes and cures. A good way to set the tone for your aggressive determination to feel better is to heed this advice from poet Maya Angelou: “Take a day to heal from the lies you’ve told yourself and the ones that have been told to you.”

TAURUS (April 20-May 20): U2’s singer Bono, born under the sign of Taurus, says that all of us suffer from the sense that something’s missing from our lives. We imagine that we lack an essential quality or experience, and its absence makes us feel sad and insufficient. French philosopher Blaise Pascal referred to this emptiness as “a God-shaped hole.” Bono adds that “you can never completely fill that hole,” but you may find partial fixes through love and sex, creative expression, family, meaningful work, parenting, activism, and spiritual devotion. I bring this to your attention, Taurus, because I have a strong suspicion that in the coming weeks you will have more power to fill your God-shaped hole than you’ve had in a long time.

GEMINI (May 21-June 20): “Most of our desires are clichés, right? Ready to wear, one size fits all. I doubt if it’s even possible to have an original desire anymore.” So says a character in Gemini author Tobias Wolff’s short story “Sanity.” Your assignment in the coming weeks, Gemini, is to refute and rebel against this notion. The cosmic rhythms will work in your favor to the degree that you cultivate innovative yearnings and unique urges. I hope you’ll make it your goal to have the experiences necessary to stir up an outbreak of original desires.

CANCER (June 21-July 22): If you’re a typical member of the Cancerian tribe, you’re skilled at responding constructively when things go wrong. Your intelligence rises up hot and strong when you get sick or rejected or burned. But if you’re a classic Crab, you have less savvy in dealing with triumphs. You may sputter when faced with splashy joy, smart praise, or lucky breaks. But everything I just said is meant to be a challenge, not a curse. One of the best reasons to study astrology is to be aware of the potential shortcomings of your sign so you can outwit and overcome them. That’s why I think that eventually you’ll evolve to the point where you won’t be a bit flustered when blessings arrive. And the immediate future will bring you excellent opportunities to upgrade your response to good fortune.

LEO (July 23-Aug. 22): “Each of us needs something of an island in her life,” said poet John Keats. “If not an actual island, at least some place, or space in time, in which to be herself, free to cultivate her differences from others.” According to my reading of the astrological omens, Leo, you’ll be wise to spend extra time on your own island in the next two weeks. Solitude is unlikely to breed unpleasant loneliness, but will instead inspire creative power and evoke inner strength. If you don’t have an island yet, go in search! (P.S.: I translated Keats’ pronouns into the feminine gender.)

VIRGO (Aug. 23-Sept. 22): I’m rooting for you to engage in experimental intimacy, Virgo. I hope you’ll have an affinity for sweet blends and incandescent mixtures and arousing juxtapositions. To get in the right mood for this playful work, you could read love poetry and listen to uplifting songs that potentize your urge to merge. Here are a few lyrical passages to get you warmed up. 1. “Your flesh quivers against mine like moonlight on the sea.” —Julio Cortázar 2. “When she smiles like that she is as beautiful as all my secrets.” —Anne Carson 3. “My soul is alight with your infinitude of stars . . . The flowers of your garden blossom in my body.” —Rabindranath Tagore 4. “I can only find you by looking deeper, that’s how love leads us into the world.” —Anne Michaels

LIBRA (Sept. 23-Oct. 22): Of course I want you to have more money. I’d love for you to buy experiences that expand your mind, deepen your emotional intelligence, and foster your ability to create inspiring forms of togetherness. My soul would celebrate if you got access to new wealth that enabled you to go in quest of spiritual fun and educational adventures. On the other hand, I wouldn’t be thrilled about you spending extra cash on trivial desires or fancy junk you don’t really need. Here’s why I feel this way: to the extent that you seek more money to pursue your most righteous cravings, you’re likely to get more money.

SCORPIO (Oct. 23-Nov. 21): “Penetralia” is a word that means the innermost or most private parts, the most secret and mysterious places. It’s derived from the same Latin term that evolved into the word “penetrate.” You Scorpios are of course the zodiac’s masters of penetralia. More than any other sign, you’re likely to know where the penetralia are, as well as how to get to them and what to do when you get to them. I suspect that this tricky skill will come in extra handy during the coming weeks. I bet your intimate adeptness with penetralia will bring you power, fun, and knowledge.

SAGITTARIUS (Nov. 22-Dec. 21): Sagittarian poet Rainer Maria Rilke suggested that we cultivate an alertness for the ever-present possibility of germination and gestation. On a regular basis, he advised, we should send probes down into the darkness, into our unconscious minds, to explore for early signs of awakening. And when we discover the forces of renewal stirring there in the depths, we should be humble and reverent toward them, understanding that they are as-yet beyond the reach of our ability to understand. We shouldn’t seek to explain and define them at first, but simply devote ourselves to nurturing them. Everything I just said is your top assignment in the coming weeks.

CAPRICORN (Dec. 22-Jan. 19): You’re in a phase of your cycle when your influence is at a peak. People are more receptive than usual to your ideas and more likely to want the same things you do. Given these conditions, I think the best information I can offer you is the following meditation by Capricorn activist Martin Luther King Jr. “Power without love is reckless and abusive, and love without power is sentimental and anemic. Power at its best is love implementing the demands of justice, and justice at its best is power correcting everything that stands against love.”

AQUARIUS (Jan. 20-Feb. 18): Aquarian environmentalist Edward Abbey spent much of his life rambling around in the great outdoors. He was an emancipated spirit who regarded the natural world as the only church he needed. In an eruption of ecstatic appreciation, he once testified that “Life is a joyous dance through daffodils beneath cerulean blue skies and then, then what? I forget what happens next.” And yet the truth is, Abbey was more than a wild-hearted Dionysian explorer in the wilderness. He found the discipline and diligence to write 23 books! I mention this, Aquarius, because now is a perfect time for you to be like the disciplined and diligent and productive version of Abbey.

PISCES (Feb. 19-March 20): For renowned Piscean visual artist Anne Truitt (1921–2004), creating her work was high adventure. She testified that artists like her had “to catapult themselves wholly, without holding back one bit, into a course of action without having any idea where they will end up. They are like riders who gallop into the night, eagerly leaning on their horse’s neck, peering into a blinding rain.” Whether or not you’re an artist, Pisces, I suspect your life in the coming weeks may feel like the process she described. And that’s a good thing! A fun thing! Enjoy your ride.

Homework: What gifts and blessings do you want? Express your outrageous demands and humble requests. Freewillastrology.com.

Halloween, Dweller and Angel: Risa’s Star’s Oct. 31-Nov. 6

Here we are already at Halloween, All Saints’ Day and All Souls’ Day. We still have time to create altars to honor the dead. Altars filled with marigolds, chrysanthemums, pumpkins, sugar skeletons, copal (incense), pomegranates, persimmons, pineapple guavas, candy, corn and cookies in colors orange and black (so Saturn!).

For esotericists and astrologers, Saturn’s Dweller on the Threshold (one side) and Angel of the Presence (the other side) are interesting Halloween characters. The Dweller (his job description is the same as St. Peter at the Gates of Heaven) looks quite like a gargoyle protecting sacred sites.

The Dweller stands at the door (threshold) of the sacred mysteries (Scorpio), the Wisdom Temple and the inner sanctums of churches built by Masons—who, trained in sacred architecture, built spires (prayers, stupas) reaching to the heavens. The stern Dweller turns into the compassionate Angel of the Presence when we have passed all nine Mars/Scorpio tests.

The Nine Tests of the Personality are given in Scorpio to build strength, discernment, character and wisdom, the disciple’s virtues. The last day of October and the first days of November are also times for forgiveness, reconciliation and rapprochement.

Forgiveness liberates us. While in the Bardos (transition between Earth and Heaven), after we give Charon the boatman a copper penny to cross the River Styx, reviewing our life and recognizing when we lacked Right Relations (non-virtues)—and the consequences of these actions—frees us from karma (past action).

When we forgive now, we are later less encumbered with grief and sadness concerning our missed opportunities to love. These are the real and inner spiritual significances of Halloween, All Saints’ Day and All Souls’ Day. (Note: Voting is Nov. 6. One of our important freedoms is voting. It’s the task of a free people. Please vote.)

ARIES: Your task for the next several years is to always act with Right Relations and harmony with all of the kingdoms. All interactions will be vivified when you do so. You will transform self and then the world. Often you battle your way through changes, other times you are the change. Your perception of enemies changes. They present challenges that, through conflict, direct you toward harmony and the Pathway of Peace.

TAURUS: There’s more work ahead, more responsibilities and a definite focus on health. Tend daily to health, right foods, adequate sleep, pure water, vitamins, homeopaths and daily exercise. Pray for the removal of all obstacles. Soon you will move into a period of creativity. Hindrances in the environment, in relationships—anything incomplete from the past—is coming forth for healing. There is much to do. You can do it all.

GEMINI: Concerns and the focus are on your daily life as well as your health. You are to seek a new sense of self through what you can imagine. Saturn will enter your house of sharing realities, intimacy and resources. Saturn asks what you are longing for. What are you seeing in relationships? What do you want, not want, hope for, love, and, in return, what gifts do you offer? Love empowers you. Love is a daily choice. It’s pure reason. It’s not an emotion.

CANCER: Cancer is about family and nurturing what we love. Venus retro is asking you what do you most value about family and why? You seek closeness with loved ones, teaching them new ways of understanding the world. For Cancer professionals, be careful in the world. Seek to bring harmony to all interactions. Research your genealogy in order to establish a deeper sense of family history. Include research on the town, city, state and nation presently living in. We are needed wherever we are.

LEO: It’s good to reach out to siblings and family, to walk about daily in your neighborhood seeking new friends, interacting with those living nearby, creating relationships that are social, communicative, sharing and encouraging of others. Leo is to radiate the light of the Sun. You are magnetic, attractive, illuminating the hearts of others. Leo is the heart of the Sun radiating the Sun’s golden light in the world. Soon the light shifts, changes into a new tone and ray.

VIRGO: A time of deeper discrimination and understanding the value of self begins. Notice all possessions, resources and gifts given through the years. You will realize some possessions have become burdensome. Begin eliminating what is no longer useful. Seek harmony through the artful placements of objects in the home, office and gardens. For the next months, take special care with your money. You may undervalue or overvalue self, others, objects. Call forth discernment, Right Seeing and Right Action.

LIBRA: You may become stricter in your thinking, defining for yourself who you are and who you’ve become. You may feel strict at home, attempting to order and organize the home environment. You might feel you’ve become much too serious. This is Saturn, the Gatekeeper, providing new disciplines for you to ponder. A long passage of time has come to an end. Old beliefs and separations disappear. You learn the truth about love and forgiveness. You love more.

SCORPIO: A new self-identity has been approaching, forming itself in ways that allow you to think of yourself as good, as an initiator, as one who loves (silently, perhaps), as one who deeply communicates (internally), researches, strategizes, and as one who will go far in their field and be successful. It’s good to be very clear with communication, allowing the found object of your new self to come forth. There’s a fire inside transforming you. Remain poised with all these changes.

SAGITTARIUS: You are not socially isolated. You’re being given a season of retreat and contemplation when purpose and things religious and spiritual appear. Observe and write down by hand all ways you are different from last year, two, five, 10 years ago. Withdraw consciously each day into an inner contemplation. This gives you time for observing, evaluating and understanding the changes. You are now to serve yourself with compassion and kindness.

CAPRICORN: You’ll both detach from groups and seek them out. The detachment concerns previous groups that defined your previous self. In the coming year you’re magnetized to groups with a higher level of consciousness and sense of purpose. You seek new communities. A leader of a group you could definitely be. However, you seek to be a more integrated group player helping to synthesize group vision. Right cooperation will be what you teach.

AQUARIUS: Soon new endeavors and responsibilities will appear. It’s recognized you’re the best in terms of leadership, achievement, vision, creativity and productivity—all new Aquarian gifts. Ponder deeply on what is asked of you. Can you function to your fullest capacity, full expression, bringing your uniqueness into the world? All of this implies opportunity, action, imagination, ingenuity, some opposition (others want to be like you) and personal creative rewards. Carry on.

PISCES: You’re beginning to understand life’s rules, something Pisces has difficulty understanding. You’re learning how to be more skillful with others and there’s still much more to learn. Follow all rules, respect all laws. This is most important for the next year. Take long journeys, learn new things, fulfill obligations (or don’t make them) and enter into a philosophy that helps and serves others. Stay in touch with loved ones.

Bonny Doon Vineyard’s Le Cigare Volant Gets Dramatic Makeover

By the time you read this, you’ll be recovering from the annual sugar shock that accompanies all things Halloween. You’ll need to start thinking ahead, to a time where wine trumps candy. And I’ve got just the thing for you.

The annual and ridiculously enjoyable Downtown Santa Cruz Fall Wine Walk, which will fill Santa Cruz with lots of folks in high spirits on Sunday, Nov. 11. The idea is inviting, the concept is simple. You, the participant, stop by Soif Wine Bar & Restaurant on Walnut Avenue and register ($40).

You will then receive a pass, a glass and a map of the pouring locations. Then you set off for an afternoon visiting downtown merchants, where winery reps await to pour you a glass of their wine. Yes, it’s that easy. Soif’s co-founder and reigning proprietor Patrice Boyle explains the fine points. “Because our licensing does not allow us to participate the way other retailers can,” she told us, “we are the starting off, collect-your-glass-and-map place. Our retail shop will be open, but the restaurant is closed on Sunday.”

The Wine Walk will feature about a dozen wineries, set up in retail spots around downtown. Wineries include Muns Vineyard, Bargetto, Burrell School Winery, Bonny Doon Winery, Roudon-Smith, Wrights Station, Pelican Ranch, and Random Ridge, among others. Once participants have their glasses, they “head off on their own crawl around town.”

Let’s review: Nov. 11, 2-5 p.m. Registration opens at 1:30 p.m. on the day of the event, and closes at 3:30 p.m., $35 adv/$40 on-site. “This has become a very popular event,” Boyle notes. “It often sells out.” A word to the wise. downtownsantacruz.com.

Very New Wine

And while we’re at it: Purists will be thrilled to know that the gala party for Beaujolais Nouveau—first wine of the season—takes place once again at Soif, from 5-7 p.m. on the third Thursday of November. This is a major party. $15. soifwine.com.

New Cigare

Is there no end to this man’s marketing genius? I speak, of course, of Randall Grahm, uber winemaker and founder of Bonny Doon Vineyard, an establishment that made its name and empire based on the 1984 release of the infamous Le Cigare Volant—a memorable elixir of Grenache, Syrah, and Mourvedre (GSM).

Well, after 30 years of the Cigare, Grahm has announced a major change of style. This paradigm shift is being enacted in order to appeal to younger wine drinkers, those for whom the entire concept of letting a vintage age is unthinkable. In the Twitter era aging can amount to a matter of days. Even hours.

Ergo, the new 2018 incarnation of Le Cigare Volant, scheduled for release in June 2019, is composed of a whopping 75 percent of Cinsault and 25 percent Syrah. (No Grenache!) The original Cigare was built for longevity and usually had a price tag to match. The longer it takes to get a bottle of wine to market, the more costly the product. Which is why for a generation raised on social media, there’s beer. Eight days, versus five years. You can do that math.

The ever clever Grahm is thus reasoning that he can offer a more affordable wine by speeding up the drinkability. Makes sense to me. Now to the marketing genius. Since forever more the Cigare will be a non-GSM creature, it would be wonderful to have some of the original, yes? Bonny Doon Vineyard now offers a six-pack or 12-pack or six vintages of Le Cigare Volant (2012-2017) for half price. That’s six bottles of Rhone-style elegance for $125! I’ll see you up at the Davenport tasting room! bonnydoonvineyard.com.

Preview: Jakob Battick to Play Crepe Place

In 2015, experimental singer-songwriter Jakob Battick was driving across the country—from Portland, Maine to Berkeley—with his band Afraid. As he traveled through the Arizona desert, blaring Gene Clarke’s classic psych-country album No Other, Battick remembers being blown away. Not typically his favorite form of music, he was inspired by the way the lonely desert landscapes interacted with the surreal rootsy sounds of Clark.

It planted a seed that day that manifested into his debut solo album, To Be Born Again and Again.

“I wanted to make a cosmic American record and take it as far as one could take it,” he says. “I hated when my dad played Hank Williams. I was a little weirdo kid who was into Jesus Lizard and the Birthday Party.”

No one would mistake To Be Born Again and Again for Williams. It’s a few steps away from even anything in the alt-country or psych-country realms. But it’s certainly the closest thing the weirdo, noisy singer-songwriter has come to anything traditional.

The songs are rooted in Americana, but have a slow, dreamy quality. Battick’s baritone is part mystical chant, part exhausted gospel soul singer. The layers of instruments create a wall of numbed out somber washes, even as you make out the pedal steel and acoustic finger pickings.  

Battick recorded the album in early 2017, and for a while wasn’t sure he even wanted to release it.

“I came up in a freaky, DIY, noisy-strange kind of punk ethos world. I’ve put out a lot of different records under a lot of different names so far in my life. I never put one out that was this gentle,” Battick says. “I felt uncomfortable about that. I wasn’t sure if that was something I wanted to have attached to my name.”

These songs started to come out when he first moved to Berkeley, and the plan was for it to be released as the next Afraid record. But after recording it, he had a falling out with some of the band members, including one who was his partner. She sang on all the songs.

“Listening back to the songs, it started to strike me how the whole record was really about what had just happened with her. I didn’t know at the time. Sometimes the subconscious has more knowledge about what’s going on than the brain does,” Battick says.

It’s not a sad record though. In fact, it’s probably the most uplifting thing Battick has

ever recorded. The album is about rebirth.

“I’ve made sad music for a long time. To me, it feels joyous. I feel potential. There’s a mournful undercurrent, but I’m happy when I hear it, because it points more toward the future,” Battick says.

His original title at the time was going to be American Dreamer after the Dennis Hopper documentary. He laughs now, realizing what a poor title choice that was, and is happy he went with To Be Born Again and Again, which clearly points to its rebirth/reincarnation elements.

“What a shitty title. Especially under Trump. I wouldn’t want to have a record with ‘American’ on it. It’s such a weird, patriotic title,” Battick says.

The songs are full of potent religious imagery, despite the fact that he has never been religious. For him, there was something safe about using these powerful symbols to express his deeply personal emotions.

“I think the intensity of a lot of those kinds of images, I really gravitate toward those as a person,” Battick says. “I don’t think I’d been in a church until I was on vacation in New York City with my family when I was in my teens. Because of that, none of the dogma is there. So they’re really vivid and interesting and rich in symbolism to me.”

INFO: Jakob Battick performs at 9 p.m. on Saturday, Nov. 3 at the Crepe Place, 1134 Soquel Ave., Santa Cruz. $8. 429-6994.

Be Our Guest: Sammy Miller and The Congregation

Jazz can be complex, cerebral music for toe-tapping philosophy majors and high-falutin’ independent filmmakers.

Drummer Sammy Miller thinks it should be uplifting music for everyone, and it should fill your heart with joy. He and his band the Congregation take elements of traditional jazz, gospel, Dixieland and swing, and hammer so much happiness into it, you’ll swear you’ve been held hostage at Disneyland for weeks.

Make sure you check out the smiles on the band members’ faces. It’s not the drugs—music really makes them this happy. Now they’re trying to infect us all with this overwhelming exhilaration.

INFO: 7 p.m. Thursday, Nov. 8, Kuumbwa, 320-2 Cedar St., Santa Cruz. $28.35/adv, $33.60/door. Information: kuumbwajazz.org.

WANT TO GO?

Go to santacruz.com/giveaways before 11 a.m. on Thursday, Nov. 1 to find out how you could win a pair of tickets to the show.

Fourth Annual Plein Air Festival Returns to Capitola

Three things to remember when painting in plein air: don’t touch the canvas, don’t chase the light, and squinting is mandatory.

“Squint to see the shadows,” says local artist Scott Hamill, “or you’ll miss the shapes.” Hamill has been painting outside landscapes en plein air for eight years and living in Santa Cruz for much longer. He’s used to teaching and being distracted while painting and graciously allowed me to join him for a morning of painting along the coast.

“When you’re painting, you have to think of shapes and not things—it’s not a rock, it’s a shape, it’s a shadow,” he says. “When you get away from naming things, then you get away from painting them as rocks or trees and they become brush strokes.”

Hamill paints almost every day, and never runs out of subjects, thanks to the variety of landscapes around the Central Coast. He has a set of extra wide brushes to make sure he can’t get caught up in the details, even if he wants to. “Cover the canvas quick and don’t muddy the colors,” he says between wide brush strokes. I sip my coffee and wonder when the blobs will turn into something more than a shape.

An hour later, the patches of deep brown and strips of blue have turned into a landscape, with crashing foamy waves and a beautifully earthy cliffside. Toggling between the real landscape and his painting, I’m ashamed of my doubt.

Hamill is one of around 40 plein air painters participating in this weekend’s Capitola Plein Air Festival. He’s taken part every year since the event started four years ago and says since the plein air community is relatively tight knit, it’s an opportunity for the painters to say hello while focusing in on one subject matter—Capitola. Plein air artists will be stationed all around the city for three days while visitors come by and watch the paintings come to life.

“With plein air you can start to observe the world in a different way—in a beautiful way,” Hamill says, gesturing to the cliffside. “Look at all of these figures and the yellows and whites and blues that, sure, if you’re on acid you’ll see, but you otherwise wouldn’t. You can start to see those colors when painting and thinking about the world in the way of shapes and colors.”

An important part of plein air painting, Hamill says, is just trying things out, sampling colors and smudging here and there. There are no mistakes, only happy accidents—yes, Bob Ross did say that. Watching plein air painters is part of the joy, it’s not so much a tedious precise work, it’s a dance between light and dark, back and forth. With a flick of the wrist, Hamill hums along while mixing his colors—blues, reds, yellows and squidges of white. He says using a split primary color palette lends itself to more harmony in his work since he has to mix every color he uses.

“There’s no orange or purple or green here, so I have to make them from these colors and you get to the point that it all works. There’s no pop of pink or anything,” he says. “Realism painters on the other hand have like 30 colors and seven reds, and to me that’s engineering. Mixing on the fly is a bit more fun and spontaneous.”

Perfectionists and those with commitment issues need not apply. Or, do apply, but be prepared to loosen up a bit.

“Angles and matching is the opposite of what you want in painting,” he says. “Look at Rembrandt. You won’t see symmetry, because that doesn’t give us opportunity to give us imagination. People can make smudges into what they want, but if you spell it out for them, it doesn’t hold their interest.”

Back up and it’s a landscape, with waves crashing over an outcropping. But get closer and the painting dissolves, breaking apart into color blocks and lines of light and color. The light and conditions have changed considerably since Hamill began painting an hour and a half ago, but the changes don’t affect the final product.

It’s all very romantic until a pelican shits on my backpack. “Thank you, cliffs!” Hamill shouts as he packs up. “Isn’t it great being outside?”

Capitola Plein Air Festival 10 a.m.-2 p.m. peak hours. Nov. 1-4. Artists stationed around Depot Hill, Capitola Village and Beach, along the Esplanade, Wharf, and Riverfront. Competition and sale held 11 a.m.-4 p.m. Nov. 4. New Brighton Middle School Performing Arts Center, 250 Washburn Ave., Capitola. capitolapleinair.com. Free.

Film Review: ‘The Happy Prince’

The title is ironic. The Happy Prince, a story written for children by Oscar Wilde in 1888, is a gentle parable of love, heartbreak, sacrifice and redemption. And now, actor-turned-filmmaker Rupert Everett borrows the title for his melancholy, wistful, and yet utterly engrossing portrait of Wilde in his troubled final days. Everett wrote and directed the movie, in which he also stars as Wilde.

Once the toast of London, with three smash plays running simultaneously in the West End, and famous for his highly quotable wit, Wilde destroyed himself with an indiscreet affair with beautiful, feckless young Lord Alfred Douglas, whose powerful father had Wilde sent to prison for the crime of sodomy, and put to hard labor for two years. This past is prologue in Everett’s film, which finds the mostly impoverished Wilde in exile on the Continent trying to piece together life after prison. It’s a remarkable portrait of ruined nobility, disturbing in its intensity as it digs beneath both the surface glitz of Wilde’s fizzy celebrity as a dramatist, and his blackened reputation as an infamous sodomite, to explore the complex personality within.

Everett brackets the film with Wilde reading aloud his story of The Happy Prince, first to his own two sons at bedtime, and later to a pair of urchins he consorts with in the Paris garret where he spends his last days—salting in themes of love, beauty, and tragedy throughout the movie. Usually short on cash, Wilde is adept at trading cocaine or sheer bonhomie for what he desires; in one rollicking scene, he climbs to a tabletop and sings a ribald music hall ditty to settle a situation in a bar.

He’s abetted in his post-prison escapades by longtime cohort Reggie Turner (Colin Firth). (Ten points to Gryffindor if you remember Firth and Everett as the louche young Cambridge spies-to-be in Another Country, millennia ago.) Wilde’s loyal literary executor Robbie Ross (Edwin Thomas) joins them for a while, hoping to save his beloved Oscar from himself. And Lord Alfred “Bosie” Douglas himself (the always persuasive Colin Morgan) shows up to spirit Oscar off on an illicit sojourn to Naples—until Bosie’s mother and Oscar’s long-suffering wife (Emily Watson) cut off their respective allowances.

Everett has a lovely eye for atmosphere. His grimy French bistros look like Toulouse-Lautrec paintings come alive. A long shot of ladies and gentlemen in straw hats dining al fresco on a sunny patio in Naples could be a Renoir.

As an openly gay actor who was tired of being offered stereotypical parts (especially after he was such a scene-stealing hit in My Best Friend’s Wedding), Everett has said he wanted to honor Wilde as an icon of gay identity who had everything to lose, yet stayed true to himself. It’s not a portrait of bravery. Everett’s Wilde confesses himself addicted to “vice and pleasure,” and his fatal attraction to doom, yet is unable to regret any of it. In Everett’s view, Wilde’s own hubris also contributed to his fall, believing that his fame and wit and social connections would protect him.

Of course, the film also condemns bigotry and oppression in Wilde’s era. A fascinating footnote tells us that Wilde and hundreds of others convicted of “crimes” of sodomy were officially pardoned by the Crown—but not until 2017!

Everett’s towering performance as Wilde is mesmerizing. Often shot in extreme close-up, we see every millimeter of his dissipation, but also every glimmer of stubborn, ironic wit (“I’m dying beyond my means!”) and hopeful joy as he seizes any chance for momentary balm, after losing his family, his honor and his livelihood. Wilde may be downtrodden, but Everett’s close study of the author’s will to live even his marginalized and chaotic life on his own terms is deeply insightful.

THE HAPPY PRINCE

*** 1/2 (out of four)

With Rupert Everett, Colin Firth, Colin Morgan, and Emily Watson. Written and directed by Rupert Everett. A Sony Classics release. Rated R. 105 minutes.

Q&A: New RTC Director Guy Preston on Rail, Trail and the Future

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It’s too early to say exactly what the road ahead looks like for major transportation projects. But the Santa Cruz County Regional Transportation Commission (RTC) has decided who it wants in the driver’s seat.

The RTC announced this week that Seabright resident Guy Preston will be taking over as executive director in place of George Dondero, who’s retiring.

Preston has worked for more than 28 years on managing the construction of transportation projects.

For the past four, Preston worked for California High-Speed Rail Authority, where he oversaw Northern California high-speed rail work. He tells GT that he’s excited to begin his new job and start biking to the RTC’s office in downtown Santa Cruz.

Preston’s first day at the RTC will be Monday, Dec. 3, three days before the earliest date that the commission could vote on how to proceed with solutions outlined in the Unified Corridor Study (UCS). That study, released last month, lays out four transportation options—each of them a combination of ways to improve various transportation corridors, namely Highway 1, Soquel Drive, Freedom Drive and the rail corridor. The most contentious question in the community continues to be whether or not it’s worthwhile to run a commuter train alongside a bike path down the Santa Cruz Branch Rail Line. Many activists say yes. Others are calling for a bike trail with no train.

Preston has been reviewing the UCS. His background, he argues, will help him implement whatever visions the commission chooses.

What have you noticed in the tenor of the discussion around the rail and trail?

GUY PRESTON: I’ve heard both sides of it. I love the passion that Santa Cruz brings to the table. I wouldn’t want to live in a brain dead community, where people didn’t show that level of enthusiasm, and I look forward to working with all members of our community to make sure that they’re heard, and their opinions do matter.

What’s it like jumping into the RTC at this juncture? On the one hand, with a vote looming on this big study, it’s the perfect pivot moment for the commission to bring in a new leader. In another way, it sounds like a grueling first week of work.

I actually look at it as a wonderful time to come in because the commission is really transitioning from being more a planning organization to one that’s expected to deliver projects. I have a lot of project delivery experience, so I think it’s a wonderful opportunity to come in after the sales tax measure has passed, after the studies have been done, to focus myself on delivering the actual improvements.

Why did you take this job?

I do live locally in Santa Cruz. I’ve worked in transportation my entire life. I worked previously for a transportation authority, similar to RTC. This was an opportunity for me to apply my skillset to my local community and improve transportation in the region.

What’s some lower-hanging fruit that county leaders might be able to use to reduce travel times or congestion?

They’re already working on a lot of those solutions right now. What they hope to do on Highway 1, with respect to the auxiliary lanes, is a good idea to improve traffic flow on the highway itself. I’m really thrilled with what they’re doing with Monterey Bay Sanctuary Scenic Trail. It’s amazing to see how many people get on their bikes to get around, to get home. To continue moving in that direction and deliver the projects that are already underway is a great start.

How much have you followed topics at the RTC?

I’ve read some of your articles, I think. I’ve read some of Jondi’s articles. We’ve subscribed to the Sentinel. I see the lawn signs. I’m aware of it, but I haven’t been attending public meetings. I’ve been trying to stay out of the fray, so to speak. I’ve had a part-time job that’s been keeping me quite busy, but I’m aware of the issues and ready to come in and see how my skill set can best be used to deliver projects. I’m aware of them, but I don’t have an agenda. I come in pretty neutral and wanting to listen to listen to everybody.

You’re going to be a downtown employee. There’s a lot of talk about how parking can be improved and whether or not Santa Cruz needs a supplemental supply. Do you have any thoughts about that?

I’d like to see as many people get out of their cars as possible. There is a parking problem downtown for sure. I found myself not being able to find parking when there’s a Warrior game going or a concert at the Civic center. But there are additional options that people should consider, including transit. There’s a lot of bus service that goes into the transit center. I’m really impressed by how much utilization the bike share program has developed. I see those red bikes everywhere, and it’s great. It’s really up to the City Council to make decisions on parking for Santa Cruz proper, but I intend to fully support them and help them out wherever it is needed.

Do you see a roadmap for increasing ridership on Santa Cruz Metro buses, and does the RTC have a role in that?

Provide the service people need. Have the routes going to where the trips are going to be generated. Often people will say the best advertisement for mass transit is congestion, so the more frustrated people get, by getting stuck in traffic and not being able to find parking, is really the best advertisement for public transit. I plan on studying up on it and learning more about what works and what doesn’t.

Cosmo D’s David Brissenden on Gourmet Edibles and ‘Stiletto Stoners’

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Editor’s note: This story was first published in ‘Dilated Pupil,’ an annual magazine about student culture in Santa Cruz.

David Brissenden used to hate edibles. But the chef and owner of local cannabis food company Cosmo D’s Outrageous Edibles has come a long way from the stale weed brownies that first soured him on the experience. Today, he sells high-end weed-infused chocolate bars and rice krispies in dozens of stores throughout California.

Before he was making cannabis confections topped with goji berries, shredded coconut and other gourmet ingredients, the Sacramento native learned to cook at his family’s Byington Winery in the Santa Cruz Mountains. A knack for French and Italian cuisine paved the way to a career in catering.

It was in 2016, just as Prop 64 was reshaping the legal cannabis landscape, that Brissenden decided to switch gears and embrace a radical streak that has always included intense skepticism about the politics of weed. In an interview edited for length and clarity, he talked activism, adapting to a newly above-ground market, and how to set up an assembly line capable of cranking out 10,000 edibles a month.  

GT: I heard you used to live in a tree.

BRISSENDEN: Yeah. I went off to college, up to Humboldt, and got kicked out of the dorms for being a little rebel. So I moved out into the trees. I went out and there was a fallen tree, old growth. I burned it, cut it out. Kind of old school.

There was this book I read, My Side of the Mountain. It was one of my favorite books, about a little kid who went out and survived in the wilderness on his own, ran away from home. I just lived out in the forest. It was a little double decker, so I could sleep up in one spot and have my little kitchen area down on the bottom where the dirt was.

What were you studying in Humboldt?

Sociology was my major, and poli sci was my minor. I was heavy into politics. I started a zine called Instant Mind Orgasm, and it took off. It was cool. Political, against “The Man.” And against CAMP—the Campaign Against Marijuana Production. They always had helicopters flying around back then.

How did that time shape your perspective on cannabis?

I got out and was just angry. I wrote about CAMP and the policies of prohibition. It had nothing to do with people getting stoned. It had everything to do with paper products and cotton products and fiberglass and plastics. Ford had just discovered that you could make a car out of hemp, and he made one. My Hazy Hazelnut box has a quote about that.

So I came down here, worked with Ben Rice on Proposition 215. I campaigned for Ralph Nader. I was doing Save the Salmon, Save Our Shores, whatever I could get my hands on. Then I just got burned. Left or right, they won’t talk about the real issues going on out there, because it’s all bought and paid for. So I became a chef.

When did you actually learn how to cook?

When I came home from college on summer breaks I would cater. I started working with the chefs at the winery. When I was 23, I thought I knew everything, so I started my own company. It was called Creative Cuisine in Saratoga. And then I realized, “Wait, I don’t know everything,” so I sold it and became a dishwasher. Started all over.

 

So how did you go from there to edibles?

I’d been a chef, working my way up. I was at one spot, Catered Too, for 12 years. I was executive chef, cooking for 3,000 people a day. I was making good money, bought a house for my wife and two kids. Two weeks later, I lost my job. It was 2015—the best thing that ever happened to me. I couldn’t get ahold of my alcoholism. I was still pissed off that there were all these political issues that had never been resolved, plus the stress of trying to provide. I never went to culinary school, which was one of my biggest mental blockers. But you know, I did it. I went to meetings and quit drinking.

I was trying to get a job, dealing with unemployment, and one day, someone came over and was like, “Why don’t you try this butter?” He said, “It’s an edible,” and I was like, “No, don’t make me try it. It gives me anxiety.” He was like, “Try a little bit,” and I did. I was like, “Oh.” It calmed me down. I didn’t get stoned. So I started experimenting with it. I didn’t have money, so I was making my own and came up with these chocolate bars. It was 2016, Trump and Hillary were battling it out, and I was like, “Smokescreen! I’m gonna go start an edible company.”

How did you start experimenting with recipes?

I had this recipe, pan de chocolate. It’s a Spanish recipe, chocolate and butter. You melt the chocolate down and you add the butter, then you chill it, usually in a mold. You serve it with grilled bread, sea salt, fruits and nuts. I was like, “Why don’t I just use canna butter?” It was Thanksgiving 2016, so I used hazelnuts, pistachios, cranberries. Hazy Hazelnut. People were like, “Dude, this is so good.”

So you were starting up in legal limbo, basically?

Yeah. Prop 64 had passed, but the rules weren’t out yet. I had the chocolate in a bag. It was like a Reese’s peanut butter cup, so it was really hard to dose. People got sooo high. I really made a name for myself, like, “These Cosmo D’s are fucking fire.”Cosmo D

Where was your kitchen?

I had met a woman who owned a gluten-free kitchen called In The Breadbox, and she was talking about going to a cannabis kitchen. But for like six months, I cooked in my kitchen. My wife hated it. I had chocolate everywhere. I was in the garage cooking butter. The neighbors were like, “Dude, it reeks!” But most of that was for the feedback—“this is too strong,” “that looks ugly,” whatever.

Why were you interested in edibles? Had you had good ones before, or was the idea to do something different?

Like a lot of people, I’d had a horrible experience on edibles and promised to never eat them again.

What did you eat?

Some brownies that were left out. I had tasted some of the edibles out there that were just dry. The vegan ones? Oh, god. One bar was good, but I thought I could take this to the next level. You’ve got all these foodie bloggers. It’s California—people want good food. If cannabis is going to be a regulated market, why not? The key that I had was that I know how to scale, because all of these gourmet edibles are coming out that are $50. Ours is $20.

How many bars do you make a month?

Right now we’re at about 10,000. I used to feed 3,000 people a day. It’s all about scalability—assembly line. I can make 2,000 units a day. I want to move up to 4,000 a day. But you’re doing them one at a time. I do a sheet tray with four molds, which is 16 bars. You pour the chocolate in, shake it, let it sit. Another person levels it, so it’s an exact amount every time. Then another person tops it and that goes in the walk-in. It gets popped, wrapped, put in a box, taped and boom! Organized.

Every amount of medicine that goes in there is verified by two people. Before, it would just be like, “Oh, that looks right.” If you want to do a food item for the mass market, that’s how you have to do it. Nestle and Hershey’s aren’t, like, sitting in a garage.

What are the most popular flavors?

The Hazy Hazelnut, man, I have to get you one. I had four chocolates, then everyone was like, “You have to come out with rice krispies.” I wanted to do gourmet. But I did it, and it was like a bestseller. I called it snickerdoodle and added that flavor to it, but now it’s the hardest one to get past the test. Chocolates are in a mold, so every time, I know it’s the exact same amount.

How has your taste-testing evolved since the early days? Any big mistakes?

My extra-toasted coconut used to just be called toasted coconut. I make my own canna-caramel for it. The first time I made it, I got so high. My wife was like, “I told you not to get so high around the kids!” I was like, ‘“Babe, I’m so sorry.” I was trying to not spin, so I was doing this weird thing all over the floor. I was like, “I swear it’s an accident.” She said, “You always say it’s an accident.” So I changed the recipe. She said fine, but we’re changing the name to extra-toasted coconut.

What have been the biggest lessons from legalization?

The biggest lesson to me is to be patient, and to get help. So many people are used to the black market that they didn’t understand you need to go to the courthouse, you need to go to these policy meetings—normal business stuff. Being self-funded was another difficult thing. What saved me was knowing I had to market myself. People told me to get an Instagram account, so I did. Now, it’s not my only market. Do I want the stiletto stoners, or the 55-and-uppers? Or people who are on Instagram?

Will there be new flavors in the future?

I did a pumpkin gingersnap, which we’re about to bring back.

So more seasonal flavors?

Yeah, but we still have to go through the whole process, so it’s a huge ordeal. I have a CBD line coming out. I have hard candies. I have dog food. What I’m also hearing a lot is tourists are coming through town, and they want to buy multiple things. If I could make one of these that’s 30mg and sell it for way less, that’s another thing. It’s all based on feedback. Sugar-free? Okay. Small dose? Okay. If you listen to what the market wants, then you’ll thrive.

Opinion: October 24, 2018

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EDITOR’S NOTE

For this week’s cover story, I interviewed Lile O. Cruse’s wife Michele Rivard while she was driving to a family wedding. She had her GPS directions on, and every once in a while the voice of Google Maps would startle us both, suddenly filling my phone speaker.

“So what do you think Lile’s legacy should be?” I asked her at one point about her husband, who defined a generation of music and theater at Cabrillo College before passing away on Aug. 23.

“FINDING A NEW ROUTE,” came the loud, monotone answer.

“That wasn’t me,” said Rivard. “That was the car.”

“‘Finding a new route is a pretty good answer though,” I said, as we both chuckled.

“Yeah,” she said thoughtfully. “It actually is.”

Rivard’s real answer was much more moving, and you’ll find it in the story. But for some reason, I keep thinking about the wisdom of the GPS. Cruse certainly did forge a new path for Cabrillo College, both in music and theater. And the bottom line is that he changed many lives, launched many careers and just made people feel lucky that he was in their lives. That so many of those people have come together to produce and perform in the show celebrating his life this weekend is perhaps the ultimate testament to that. His legacy will live on.

STEVE PALOPOLI | EDITOR-IN-CHIEF


LETTERS TO THE EDITOR

Read the latest letters to the editor here.

Re: “Up in Smoke” (GT, Oct. 3):

I was just reading the e-cigarette article in the latest issue, and I had to come write immediately to ask how it’s possible that GT could publish such a biased piece? How could Hugh McCormick not even touch on the great numbers of teens who are addicted to e-cigs, and the egregious fruity-flavor marketing campaigns of the manufacturers? Well, he did touch on “scary stories about … grade schoolers getting hooked,” but in a brushing-off way. If Hugh wants to enlighten the public on their smoking cessation benefits, he needs to tell the whole story about e-cigs. Hugh just gave an endorsement of e-cigs, and now people can feel good about their vaping choices since they read about their safety and benefits in the Wellness section of the local free paper.

EHF
Santa Cruz

Bicycle-Friendly Vision

In last week’s Good Times, Greenway took issue with Bike Santa Cruz County’s vision statement: “Bicycling in Santa Cruz County is a safe, respected, convenient, and enjoyable form of transportation and recreation for people of all ages and abilities.”

Bike Santa Cruz County stands firmly behind that vision, working every day for the past 27 years toward that future through advocacy, education, and community-building. We do this because we strongly believe that our county can become a top-tier bicycling environment that is safe and comfortable for all.

We certainly don’t believe that we have achieved this vision, as Greenway seems to suggest. However, we do take great pride in what we have been able to accomplish as a community working toward a common goal. We are proud to have had a significant role in a long list of infrastructure improvements for cyclists: the Arana Gulch bicycle/pedestrian trail; the UCSC bicycle trail; bike racks on Metro buses; bike lanes and green lanes on Beach, High, Front and Bay Streets, as well as Soquel Avenue; green lanes at highway overcrossings; the Highway 1 bike and pedestrian bridge at High Street; the Pacific Avenue contraflow bike lane; and $86 million in Measure D funding for the Coastal Rail Trail.

We further recognize the need to invest in people and programs, not just in paint and asphalt. We take great pride in our programmatic work which includes our Earn-a-Bike program that delivers bikes to Watsonville, Live Oak, and Santa Cruz youth-in-need; Open Streets events in Watsonville and Santa Cruz; support for Vision Zero across Santa Cruz County; and more than 200 community events and bike rides in the past 10 years.

Building support for bike infrastructure is challenging. To build that support, we work closely with other organizations, bike advocates, pedestrians, motorists, and community leaders. To be effective, we find that we must listen to these stakeholders, respect their work and opinions, and find ways to support each other to achieve common goals. In that spirit, we remain open to working with Greenway in order to advance the vision of better cycling for everyone in Santa Cruz County.

Janneke Strause
Executive Director, Bike Santa Cruz County

Value Voiced

Congratulations to the real community servants who vocalized the value of the Second Story Respite House and financially gifted the continuity of its operation. The community spoke with one voice and acted at all levels to maintain this gem of behavioral health care. The community now should come forward with oversight support to polish and multiply this respite house gem. Do not let its fate fall back into the abyss of uninformed senior county and Encompass management decisions that occur in the darkness of secrecy.

John P. Dietz
Scotts Valley


PHOTO CONTEST WINNER

Submit to ph****@*******es.sc. Include information (location, etc.) and your name. Photos may be cropped. Preferably, photos should be 4 inches by 4 inches and minimum 250dpi.


GOOD IDEA

The Association of Environmental and Outdoor Education’s Northern California branch awarded Nick Bischoff of the Ramblin’ Adventure Club its 2018 Environmental Educator of the Year award this past weekend. Bischoff is a certified California naturalist and a three-year employee at Ramblin’. The after-school program and hiking club has its own unique curriculum, providing a safe learning experience throughout Santa Cruz County’s wide-ranging wilderness.


GOOD WORK

A state grant has allowed Santa Cruz County mental health workers to double down on prevention and diversion services with a program that includes additional staff, downtown outreach, pre-trial and in-custody programs, and mental health liaison workers. A recent third-party evaluation showed a 79 percent increase in contacts with program participants. That resulted in a 74 percent reduction in jail bookings and a 90 percent reduction in convictions. For the 160 participants, this represents a savings in excess of $2 million in jail costs alone.


QUOTE OF THE WEEK

“There’s a place for us, somewhere a place for us. Peace and quiet and open air wait for us.”

-Stephen Sondheim, ‘West Side Story’

Rob Brezny’s Astrology Oct. 31-Nov. 6

Astrology, Horoscope, Stars, Zodiac Signs
Free will astrology for the week of Oct. 31, 2018

Halloween, Dweller and Angel: Risa’s Star’s Oct. 31-Nov. 6

risa's stars
Esoteric Astrology as news for the week of Oct. 31, 2018

Bonny Doon Vineyard’s Le Cigare Volant Gets Dramatic Makeover

Le Cigare Volant
Plus Downtown Santa Cruz Fall Wine Walk on Nov. 11

Preview: Jakob Battick to Play Crepe Place

Jakob Battick
Jakob Battick plays the Crepe Place on Saturday, Nov. 3.

Be Our Guest: Sammy Miller and The Congregation

Sammy Miller and the Congregation
Win tickets to see Sammy Miller and The Congregation at Kuumbwa on Thursday, Nov. 8.

Fourth Annual Plein Air Festival Returns to Capitola

Plein Air
Four days of live landscape painting and plenty of squinting by 40 artists

Film Review: ‘The Happy Prince’

The Happy Prince
Engrossing, insightful portrait of an infamous author in ‘The Happy Prince’

Q&A: New RTC Director Guy Preston on Rail, Trail and the Future

RTC
Former California High-Speed Rail Authority employee loves Santa Cruz’s passion

Cosmo D’s David Brissenden on Gourmet Edibles and ‘Stiletto Stoners’

Cosmo D
Meet the chef behind local cannabis food company Cosmo D’s Outrageous Edibles.

Opinion: October 24, 2018

West Side Story
Plus letters to the editor
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