Film Review: ‘RBG’

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Forget The Avengers Infinity War. Here’s a movie that’s really worth cheering about, entering the marketplace with the same quiet, unassuming, yet determined demeanor as its subject—legendary Supreme Court Justice Ruth Bader Ginsburg. As cunning as Loki, as grounded as Black Panther, she wields her opinion with the impact and precision of Thor’s hammer, and achieves actual change, fighting for gender equality under the law as she has for five decades of groundbaking decisions. And nary a special effect in sight—unless you count her incredible stamina to keep fighting the good fight at age 84.

According to Gloria Steinem, Ginsburg is “the closest thing to a superhero I know.” An opinion shared by many in this smart, sly and heartfelt documentary, RBG, by directors Julie Cohen and Betsy West. The title references the recent biographical book, Notorious RBG (inspired by the moniker of the late rapper Notorious B.I.G.), a nod to the younger generations of fans who have discovered RBG on social media and weren’t even alive when she was fighting for things like equal pay and equal social security benefits in the workplace.

“Whenever she writes a dissent,” notes one of the younger observers in the film, “the internet explodes!” It’s sad that in these troubled political times, the actions that have recently made RBG such an unexpected social media icon are the clear and vigorous dissenting opinions she’s written in opposition to recent Supreme Court rulings. The Court has been shifting gradually to the right since RBG (nominated by Bill Clinton) was confirmed in 1993. In the current so-called administration, RBG is one of the few voices of sanity left on the bench.

But what a lot of people don’t know about RBG (particularly her younger fans) is the hard work and determination with which she chose a legal career, and how the obstacles she faced shaped her views on society and the law. This is the story told most persuasively by filmmakers Cohen and West. Studying law at Cornell University in 1957, RBG was one of nine women in a class of 500 men. (At a tea for those women, the dean asked “what they were doing taking a seat that should belong to a man.”)

Unable to get hired by a law firm, she got a teaching job at Rutgers, offering a course on women and the law, just as the Women’s Rights movement was becoming a thing. At this time, the early ’70s, she became a litigator, arguing gender-equality cases before the Supreme Court (winning five out of the six cases she brought). Selective in her choices, as one colleague notes, RBG “took cases that would make good laws.” Her mantra formed over this period was the conviction that “Gender-biased discrimination hurts everybody.”

The movie is also the appealing love story of Ruth and her husband of 57 years, Marty Ginsburg. “Marty was the first boy I ever knew who cared I had a brain,” Ruth recalls fondly. Big, bluff, and garrulous, always cracking jokes, while Ruth was small and quiet-spoken, Marty also became a practicing lawyer (they met in law school). But, wholly supportive of Ruth’s abilities, he took over much of the child-rearing and housekeeping so his wife could stay up until 4 a.m. working on her cases. (And still be in court by 9 a.m.) As their son and daughter laughingly recall, “Daddy did the cooking, and Mom did the thinking.”

The fruits of that thinking are also sprinkled throughout the movie, much of it in tasty footage from her 1993 confirmation hearing. Her hopes for the future of the High Court? “More women and different complexions.” Asked what the “ideal number of female judges on the Supreme Court” should be, she deadpans, “Nine.”

And while she says, as a litigator, she felt like a kindergarten teacher educating the white, male Justices on gender politics, her message as explained in this movie is extremely clear and simple: “Equal protection for every person under the law.” Period.

 

RBG

***1/2 (out of four)

With Ruth Bader Ginsburg. Directed by Julie Cohen and Betsy West. A Magnolia release. Rated PG. 98 minutes.

New Ocean Nonprofit Thinks It’s Found a Niche

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Just in case anyone thought Santa Cruz didn’t already have enough ocean love to go around, a new environmental group has come to town, and it’s looking to carve out its own niche in the Monterey Bay.

“We don’t want to come in as a new nonprofit that will take away from anyone else, but we feel there are some gaps,” says Laura Kasa, who’s consulting for the newly created Monterey Bay National Marine Sanctuary Foundation (MBNMSF).

As an example, the new foundation could create an ocean festival, Kasa says, that supports other ocean-oriented groups—Save Our Shores, Save the Waves, Surfrider Foundation, O’Neill Sea Odyssey, and even Patagonia’s volunteer network.

“This chapter could help raise all boats,” says Kasa, a former director of Save Our Shores.

The new Monterey Bay group is a local chapter of the National Marine Sanctuary Foundation, and the Central Coast represents something of a test market for the national group, which has set its sights on opening similar chapters in other coastal communities around the country. The local group has secured a matching grant of $100,000. Fundraising is already well underway, but leaders will look to raise at least $48,000 over the next couple of months.

Announced this past fall, the MBNMSF has also signed on heavyweights with deep political and oceanic ties, enlisting boardmembers like former Defense Secretary Leon Panetta, former Congressmember Sam Farr, former Santa Cruz Mayor Hilary Bryant, former state Assemblymember Fred Keeley, and the O’Neill Sea Odyssey’s Dan Haifley.

Among the group’s goals, Kasa says, is to boost visitorship at the Sanctuary Exploration Center. Kasa says she hopes to raise awareness about elements of ocean stewardship in the federally protected sanctuary, like not hassling local sea life. Elkhorn Slough had 313 wildlife disturbances—including humans taking “selfies” with animals—last year, 226 of which were of otters.

Another issue the foundation will be highlighting is a troubling trend of whales getting entangled in fishing equipment. Of about 50 whale entanglements reported each year, nearly half are in the Monterey Bay.

Kasa says Panetta, who served in President Barack Obama’s administration, has suggestions on how to engineer Dungeness crab traps in ways that could be safer for whales. The solutions may not be easy, she says, but the ocean ecosystem depends on it.

“Getting Osama Bin Laden was difficult, but Leon did it,” Kasa says. “What could be more difficult than that?”

To learn more about the Monterey Bay National Marine Sanctuary Foundation, visit montereybayfoundation.org or email lk*****@***il.com.


Update 5/21/2018: A previous version of this story featured incomplete information about the Monterey Bay National Marine Sanctuary Foundation’s funding situation and goals. The article has been updated with the correct information.

5 Things to Do in Santa Cruz May 16-22

Event highlights for the week of May 16, 2018.

 

Green Fix

‘Tales from the Brink’

popouts1820-on-the-brinkYou may have heard in the news recently that Hawaii is trying to ban some types of sunscreen containing chemicals known to harm the fragile reefs. Or maybe you saw the viral video of the starving polar bear that National Geographic published last year. As more natural habitats dwindle and more species are threatened, or even endangered, it’s time to start thinking about the future of the animals we know today. The Southern sea otter, California condor and Central Coast coho salmon are just a few of the endangered species in our backyard worth talking about. Join California’s Secretary of Natural Resources John Laird in conversation about the importance of preserving these species, and what we can do to help. Presented by the Santa Cruz Museum of Natural History.

INFO: 7 p.m. Thursday, May 17. Rio Theatre, 1205 Soquel Ave., Santa Cruz. 420-6115. santacruzmuseum.org. $15/$30. Photo: Sebastian Kennerknecht.

 

Art Seen

‘The Realistic Joneses’

popouts1820-therealisticjonesesEveryone has had weird neighbors at some point. Chances are you probably came up with some odd conspiracy narrative about what their lives are like behind closed doors. But what if your neighbors were really a reflection of you? In the spirit of neighborly love, Actors’ Theatre kicks off its season with Broadway’s hit comedy The Realistic Joneses, featuring lots of local talent, laughs and a nightmarish situation in which a couple shares more than just a coincidental last name with their neighbors.

INFO: Friday, May 18-Sunday, June 3. Fridays and Saturdays 8 p.m., Sundays 3 p.m. Center Stage Theater. 1001 Center St., Santa Cruz. sccat.org. $26 general, $23 students and seniors. jeweltheatre.net.

 

Saturday 5/19

29th Annual Davenport May Festival/Festivo De Mayo

popouts1820-davenportTake a trip up the coast to celebrate traditional Mexican food and artists. Highlights include baile folklórico, Zumba, and Tahitian dancers, and all proceeds go to benefit the Davenport Resource Service Center’s programs for low-income residents of the North Coast of Santa Cruz County. There will also be a silent auction of artwork, spa treatments and trips.

INFO: 11 a.m.-3 p.m. Davenport Resource Service Center, 150 Church St., Davenport. 425-8115. cabinc.org. Free.

 

Sunday 5/20

13th Annual Vive Oaxaca Guelaguetza

Celebrate and learn more about the rich cultural traditions of Oaxaca. There will be music and dancing, crafts, and lots of delicious authentic food and drink specialities like mole, tlayudas, and tejate. The local nonprofit music and dance school Senderos is hosting a 20-student band from Zoogocho, Oaxaca. The band will be performing along with local musicians and dancers.  

Don’t forget chairs and a blanket to lounge, and get there early. Last year there were nearly 4,000 people!

INFO: 9 a.m.-5 p.m. San Lorenzo Park. 137 Dakota Ave., Santa Cruz. 854-7750. scsenderos.org. $10 general admission, children 5 and under free.

 

Saturday 5/19 and Sunday 5/20

Capitola Library Closing Sale

With the upcoming construction at Capitola Library, now is your chance to support your local library and take home a memento. They will be selling books, media and furniture (including, unsurprisingly, shelves). Don’t fret too much about this closing—the library is relocating to a brand new facility. Library staff will be relocated to other branches, and although the new library won’t be complete for some time, construction is set to begin soon. Phew!

INFO: Saturday 10 a.m.-4 p.m. Sunday 10 a.m.-2 p.m. Capitola Branch Library. 2005 Wharf Road, Capitola. santacruzpl.org. Free entry, $5 bags.

 

Music Picks May 16-22

Live music highlights for the week of May 16, 2018.

 

WEDNESDAY 5/16

GOTH-ROCK

POPTONE

Have you ever found yourself complaining that no one starts any good goth bands anymore? Well, then, my friend, you haven’t yet heard of Poptone, a band formed last year by Daniel Ash and Kevin Haskins, who hail from Love and Rockets, Bauhaus, the Bubblemen and Tones on Tail. Much of the starter material is pulled from Ash and Haskins’ catalog, but updated for 2018. The band releases its debut record this June, and based off its samples, it’s literally everything goths ever wanted in their life but were too shy to ask for. AARON CARNES

INFO: 9 p.m. Catalyst, 1011 Pacific Ave., Santa Cruz. $24.50/adv, $30/door. 429-4135.

WEDNESDAY 5/16

FOLK-ROCK

ANIMAL YEARS

Fist-pumping folk-rock is a well-established genre by now, and Brooklyn trio Animal Years has mastered the sound. There is an urgency and energy to their Lumineers-esque folk arena rock that will immediately get under your skin and make you run toward the nearest mountain. The band members think of their band name as a challenge: “Live your life in animal years,” they wrote in their bio—that is, live as though you have a short life span. They’ve turned these words into action by making quick strides in their career and playing folk as though it was the closing song in the credits of a Michael Bay action film. AC

INFO: 9 p.m. Crepe Place, 1134 Soquel Ave., Santa Cruz. $10/adv, $12/door. 429-6994.

THURSDAY 5/17

ROOTS

CROOKED JADES

Described by the Boston Herald as the “finest string band in America,” the Crooked Jades have been a favorite of underground roots fans for years. Now, much to the delight of longtime followers, the band has released Empathy Moves the Water, its first album of original material in over a decade. Led by one-time Santa Cruzan Jeff Kazor, the Jades blend high lonesome styles, pre-war gospel leanings, haunting instrumentation, and soulful vocals. CAT JOHNSON

INFO: 7:30 p.m. Michael’s on Main, 2591 Main St., Soquel. $15. 479-9777.

FRIDAY 5/18

HAWAIIAN

TAIMANE

Virtuoso ukulele player and composer Taimane first picked up the uke at the age of 5. Later honing her chops performing on the streets of Waikiki, she caught the attention of legendary Hawaiian vocalist Don Ho, and was invited to be on his show. These days, Taimane—whose name means “diamond” in Samoan—is a bonafide shredder whose range stretches from Led Zeppelin and Bach to island favorites and awe-inspiring original compositions that balance the delicate beauty and fiery power of the South Pacific. CJ

INFO: 8 p.m. Rio Theatre, 1205 Soquel Ave., Santa Cruz. $25/gen, $38/gold. 423-8209.

FRIDAY 5/18

PUNK

AGAINST ME

For two decades, Against Me has been at the forefront of punk. Not only with their mix of folk punk and electrified rock, but also with singer Laura Jane Grace’s 2012 coming out as a transgender woman, giving an icon to a new generation of punks who feel misplaced. Never ones to stagnate, their latest album, 2016’s Shape Shift With Me, features a change in Against Me’s style, particularly with Grace’s singing style having a more spoken-word/slam poetry rhyme. MAT WEIR

INFO: 8 p.m. Catalyst Club, 1011 Pacific Ave., Santa Cruz. $20/adv, $25/door. 429-4135.

FRIDAY 5/18

COUNTRY/ROCK

LACY J. DALTON

North American Country Music Association International Hall of Famer Lacy J. Dalton got her musical start in the Santa Cruz Mountains. The singer-songwriter went on to become a chart-topping, Grammy-nominated artist who helped define Bay Area folk and country in the ’70s and ’80s. This Friday, Dalton and her musical partner Dale Poune team up with local honky tonk jamband Edge of the West, which boasts several alumni of Dalton’s touring band, the Dalton Gang, for what promises to be a rocking, story-filled night. CJ

INFO: 8 p.m. Flynn’s Cabaret, 6275 Hwy. 9, Felton. $20/adv, $25/door. 335-2800.

SATURDAY 5/19

WESTERN SWING

ASLEEP AT THE WHEEL

Asleep at the Wheel was formed in 1970 and has more than 20 albums, 20 singles on the Billboard chart, and 10 Grammy awards. Now some 48 years into the band’s career, listening to their songs is like taking a trip in a time machine to the ’70s when Southern roots was melding with the folk and singer-songwriter movement. There are a lot of classic country songs here that will resonate with modern audience—you’ve probably heard a lot of young bands trying to emulate this sound, because it’s just so damn good. AC

INFO: 7:30 p.m. Rio Theatre, 1205 Soquel Ave., Santa Cruz. $35/gen, $50/gold. 423-8209.

MONDAY 5/21

JAZZ

SCOTT AMENDOLA & PASCAL LeBOEUF DOUBLE BILL

A definitive force on the Bay Area jazz scene for two decades, Berkeley drummer Scott Amendola turns his mano-a-mano duo with Hammond B-3 expert Wil Blades into an all-out fracas, adding the unpredictable guitarist Jeff Parker and infinitely resourceful Brazilian percussionist Cyro Baptista into the fray. In an embarrassment of riches, the program also features the West Coast premiere of Santa Cruz-raised pianist/composer Pascal Le Boeuf’s Chamber Music America-commissioned “Ritual Being.” A nine-piece suite melding of jazz and European classical music, the extended work features San Francisco’s Friction String Quartet and LeBoeuf’s quintet with his twin brother Remy Le Boeuf on alto saxophone, tenor saxophonist Greg Johnson, bassist Giulio Xavier Cetto, and drummer Malachi Whitson. It’s a one-two punch of pugilistic creativity. ANDREW GILBERT

INFO: 7 and 9 p.m. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $28.35/adv, $33.60/door. 427-2227.


IN THE QUEUE

LITTLE WINGS

Indie folk outfit. Wednesday at Michael’s on Main

COFFIS BROTHERS

Local roots/rock favorites. Friday at Moe’s Alley

LOUDON WAINWRIGHT III

Singer, songwriter, humorist pays tribute to his father. Friday at Kuumbwa

ARIEL PINK

Lo-fi singer-songwriter, instrumentalist. Saturday at Catalyst

RICHIE & ROSIE

Old time duo plays a house concert. Monday. Info: celticsociety.org

 

Giveaway: Redwood Mountain Faire

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The Redwood Mountain Faire has a reputation for rounding up some of the finest musical talent in the area and mixing it with top-tier international acts guaranteed to get the party hopping. Always a high point of spring in Santa Cruz, the Faire has another stellar lineup scheduled for this year, including Tommy Castro, Orgone (above), Con Brio, the Coffis Brothers, Chuck Prophet, the Hackensaw Boys, and much more. Get your festival hat out, set some dollars aside for local arts and crafts, put on your best dancing flip-flops and get ready to kick off festival season in Santa Cruz style. 

INFO: 11 a.m. Saturday and Sunday, June 2 and 3. Roaring Camp, 5401 Graham Hill Road, Felton. $20-$45. redwoodmountainfaire.com. WANT TO GO? Go to santacruz.com/giveaways before 11 a.m. on Friday, May 25, to find out how you could win a pair of tickets to the festival.

Love Your Local Band: Sound Reasoning

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It was a special time for local Cali-reggae band Sound Reasoning as they prepared their debut album Have You Heard earlier this year. The core members have been playing together in some form or another since the ’90s, and officially played their first show in 2005. The group took a hiatus some years back, and reformed in 2013 specifically with the intention of releasing a record—which they finally did this month.

“We had done recording and we have done some EPs, but we hadn’t done a full-length album. It just seemed like it was time to finally get around to it. We definitely felt a need to do an album,” says trumpet player Tonya Silvestri.

The three core members—Silvestri, Todd George and Sol-I NewTree—started playing together in 1996 when Silvestri and NewTree moved to Santa Cruz and met George during an open mic at Java Bob’s in Ben Lomond. After meeting at the open mic, NewTree and George started jamming together, both on guitar, and then George switched to bass as they arranged NewTree’s songs to be performed by a full band, with Silvestri contributing horn parts.

The songs tend to sound like folk songs at first, Silvestri says, until George contributes his bass parts and the drummer starts playing. Then the California reggae and R&B elements really come into play.

For the album, they had to narrow down songs from their vast catalogue.

“We’re planning for our second one,” says Silvestri. “We still have another batch of songs in the bag ready to go,”. 

INFO: 8 p.m. Friday, May 18. Michael’s on Main, South Main St., Soquel. $10/adv, $12/door. 479-9777.

How Neighborhood Policing Works

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From the top-floor briefing room of the Santa Cruz Police Department (SCPD), windows look out over rooftops throughout downtown. It’s one of five regions that city cops have staked out for the new neighborhood policing strategy announced by Chief Andy Mills a few months ago.

“We’re not going to sit back and wait for crime to come to us. We’re going to go to it,” Mills says.

Mills is standing in front of a large map that has Santa Cruz split into color-coded areas—the Upper Westside, Lower Westside, Downtown, Upper Eastside and Lower Eastside. In some ways, the operation sounds more like a department store staffing than a police operation, with Mills describing his lieutenants as “mid-level managers.” Each lieutenant gets assigned a number of police and community service officers. In a department with 94 cops total, 26 community service officers, lieutenants and sergeants have been reassigned without an increase in spending, Mills says. The SCPD is also still relying on its predictive policing algorithm to target higher-crime areas before new crimes happen.

“The theory behind neighborhood policing is to work with the neighbors to deal with long-term problems and reduce them,” Mills says, “because the problems in one area are different than in others.”

By focusing on specific sections of the city, lieutenants and their small teams of police and community service officers get to know the neighborhoods and community members better. The idea is that the groups can prioritize, respond to and prevent crime in their sections.

Although it was only implemented in February, it’s a plan Mills has worked on since becoming chief in July of last year. Over that time, the police department has held 10 community meetings to gather information and listen to residents’ concerns about what they think are ongoing problems in their areas.

The policy has two goals. The first is to prioritize each area’s crime so that officers can more efficiently respond if a top level threat occurs. “When you call 911, what do you expect?” Mills asks rhetorically. “Someone to respond immediately.”

That’s an approach often known as “no call too small.” However, according to a study by the Center for Public Safety Management—a nonprofit that assists local governments on how to better serve their citizens—that philosophy comes at a great cost.

The SCPD dispatches officers on roughly 68,000 of the estimated 100,000 yearly calls. But according to the study, 22,000 of the cases responded to could be handled by someone other than a police officer. The 911 emergency line is intended for a crime in progress, to save a life or stop imminent violence, but unintentional abuse of the hotline has dispatchers busy with barking dogs, loud music complaints and other activities that are not crimes, no matter how bothersome.

“About 77 percent are bottom-priority calls,” Mills says. He encourages residents to make such calls to the department’s non-emergency number, 471-1131.

The second goal is to keep arrests low by preventing common crimes in specific areas. Mills says he wants officers to make any necessary arrests, but also believes many problems in the community can’t be fixed through enforcement alone.

He gives the analogy of a hypothetical intersection with a high collision rate. Officers can zero in on that intersection, ticketing anyone who runs a red light. And the city can install traffic signs with violation fees and program a forced delay between light changes to clear the area. In the case of neighborhood policing, preventative and informative measures can be as simple as educating communities with high-volume break-ins to lock their windows when they’re not home.

Still, Mills says there are other methods “to fix these problems in the long haul” and that the department has many tools at its disposal. “SCPD is not here to make excuses for why crime exists,” Mills says. “We’re trying to figure out how to proactively control it.”

The department has integrated this neighborhood-oriented strategy into predictive policing, a tool the department has been using for more than six years. Local company PredPol helped lead something of policing revolution when it launched in 2012, helping departments like Santa Cruz target higher-crime areas at higher-crime times. PredPol is now in more than 50 departments, according to co-founder Dr. Jeff Brantingham, who is also an anthropology professor at UCLA.

These days, neighborhood lieutenants receive a report every morning to see which areas on their beat should be more heavily patrolled, based on previously reported crimes. It also serves as a gauge that will show whether or not previously problematic spots are becoming safer through officers’ efforts. The managers then give Mills a weekly report of the locations and types of crime they’re working on, how they are doing it and their results.

Former SCPD crime analyst and current county supervisor Zach Friend says he’s seen predictive policing have a positive impact over the years.

“It was meant to complement the strong history and philosophy of community-oriented policing within the department,” says Friend,  “and allow for the most effective allocation of very limited resources.”

 

Former Santa Cruz Private Investigator Reveals Secrets of the Trade

Kelly Luker needed to learn how to smoke crystal meth. As a criminal defense private investigator in Santa Cruz in the mid-2000s, she had been asked to learn—and be able to demonstrate to a jury—the technique of smoking crystal meth and scraping down particles formed along the inside of a glass pipe. The client was definitely a drug addict, but she had to help prove he wasn’t a drug dealer, too—and that meant proving that he wouldn’t have been able to profit off the amount of “substandard” drug residue inside his pipe—which he was accused of selling.

Luker had never smoked meth, and didn’t intend to start now. She needed a teacher, a propane torch, vitamins and liquid air freshener—not all of which were particularly easy to find.

More than 10 stores and a couple of phone calls later, she got the goods and proceeded to visit her instructor—who, though long clean, demonstrated how to use the torch to melt air freshener tubes and theoretically smoke the more cost-effective meth substitute she had supplied: vitamin B12 pills.

The case was dismissed. Looking back now, Luker says it was this kind of retrospectively funny and sometimes cringe-worthy moment that made the job unlike any other. She amassed a collection of used clothes for clients who looked a bit worse for wear to appear in court in, and her car became her working office of briefcases, tennis shoes, latex gloves and a camera.

It was her job to work with defense attorneys to find the cracks, holes and loose ends in the prosecution’s cases, and try to establish a fragment of reasonable doubt—no matter how repugnant she might have found the defendant. Her work was based on the belief that everyone deserves a fair trial and a chance to prove their case. Even when the evidence was insurmountable, the defense would attempt to prove the possibility of innocence, or at least lessen a client’s sentence in a plea bargain.

For Luker, it made sense that someone had to defend the bad guys, but deep down she struggled with the moral issues around her job.

“It was a challenge, [but] I worked really hard for all of it, and that’s where I had to compartmentalize,” Luker says. “The hardest part was accepting that I would never make the job and my feelings about it congruent.”

Luker writes about the six years she spent as a P.I. in her new book, Private Eye for the Bad Guy. After working as a staff reporter at Metro Santa Cruz and Metro Silicon Valley for around six years, it was natural for her to write about her experiences.

“I had to do something to express my feelings about it, because it was really hard for me,” she says. “If you are a writer, then it’s all material.”

After she was laid off from Metro in 2001 during the economic downturn, it was a scramble to find something to pay the bills. She had a friend working as a P.I. and she thought the job might be fun and a good transition from journalism. After all, she loves asking questions and telling stories. An expert person-finder and record locator, Luker’s number one job was initiating difficult conversations and navigating tense social encounters.

But separating her job from her personal life was difficult. When she started writing the book, it helped her cope with her own past history of drug abuse and sexual violence, and though she was careful to use different names and change specific details of each case, the stories in the book are all completely true and accurate, she says.

Private Eye for the Bad Guy book cover by Kelly Luker private investigator
BEHIND THE SCENES Writing ‘Private Eye for the Bad Guy’ helped Kelly Luker grapple with conflicted emotions during her years as a criminal defense investigator.

“When it came out, I thought the attorneys wouldn’t like what I said and they would come sue me, and then the ex-cons would come butcher me,” she says. “Then I realized that was getting in my own mind. I’m not a New York Times bestseller. It was just something I felt like I had to write.”

Luker delves into some of the most common, memorable and atrocious cases she worked on. From juvenile cases to capital punishment, she says each chapter was meant to illustrate how diverse they were. When asked about defense investigators who love their jobs, she can only name two people, which explains why she needed some catharsis.

“It was really helpful [to write the book],” she says. “It helped me clarify a lot about what my beliefs and feelings were. It was a good escape route from it all.”

She wrote Private Eye for the Bad Guy during the last few years of working as a P.I., which is why she was able to document such meticulous details and descriptions of her various clients and interviewees. When she told people about her work, Luker says their initial reaction was one of awe—they’d think, “Ooh, a private investigator.” Until they actually understood what the job entails, that is.

“I didn’t have anyone to talk to about it, and that was difficult,” she says. “Most people weren’t thrilled with what I did, they didn’t want to hear about it and they couldn’t relate to it.”

There were parts of the work she says she really enjoyed, like taking her dog with her on jobs, and just talking to people around town. It certainly didn’t get boring, she says, especially since there “was never the same thing twice.”

What Luker wants people to know, more or less, is that real-world criminal justice is not like it is portrayed on television. The vast majority of the time, she says, criminals are found guilty or reach a plea bargain. And while Luker’s book isn’t looking for sympathy, it does humanize everyone involved in criminal defense.

“We have awesome defense attorneys here, that’s one thing I took away and I really hope people get,” she says. “I mean, we have really, really good defense attorneys here. These people work their ass off for their clients.”

Sure, they didn’t always win—and much of the time, they probably shouldn’t have—but what Luker’s book so eloquently emphasizes is that despite the odds against them, the defense attorneys and investigators never gave up.

Work in the private investigator business tapered off, and she used the extra time to start her own business. Though she never officially retired from being a P.I., she has no plans to return and spends her time running a small dog boarding service, which she is very proud to say is kennel- and cage-free. The dogs run around the yard, and even sleep in the house, in a sort of ultimate canine vacation.

“I just talk to the dogs now,” she says, laughing. “The conversations are great, and they listen so well.”

 


 

Stan By Me

In this excerpt from ‘Private Eye for the Bad Guy,’ author Kelly Luker finds herself grappling with a bizarre work environment

 

I’d taken to coming into the Cave after 5:00 p.m. The airless, windowless office annexed a former medical building, and its walls still faintly belched ether and antiseptic. My boss, Stephen, ran his private investigation business out of it and paid rent to the law firm that occupied the rest of the building. The lawyers, in turn, relied on Stephen for their investigative needs. They handled mostly county-appointed criminal cases, those the public defender’s office couldn’t.

For a small California beach town, Santa Cruz had a bountiful surplus of crime that kept the public defender and other defense attorneys—and therefore, Stephen—busy. There was too much work for him, but not quite enough for another full-time investigator. Over the years, I would watch him hire other part-time investigators, brimming with optimism as he created multi-tiered inboxes. Within months, or weeks, the inboxes gathered dust as the new blood discovered they could not survive on what amounted to only ten or twenty hours of work some weeks. I managed because I had to. Jobs for anyone, much less women with my resume, were scarce. I’d never quite managed to put together a career, only a string of disparate jobs during those decades in the workforce.

I thought I understood most folks who ended up in trouble. Their crimes were often stupid and ill-conceived, followed by contrails of alcohol and drugs. It was the attorneys that confounded me.

With a private entrance from the parking lot and its own bathroom, our office provided a refuge from the rest of the attorneys and their support staff who fed upon the upper section of the law building’s intestinal tract. But I still needed to invade their territory to use the copy machine or pick up files, and I hated running into the zealously territorial bookkeepers and secretaries who had assigned themselves to patrol it. My after-hours arrival time neatly eliminated those encounters.

I was filling in my timesheet that night when one of the attorneys wandered in to visit. Jeremy liked to chat. His soliloquies could run to the half-hour mark, reveling in complex intricacies of a case or sometimes, when it was a particularly heinous crime, graphic details. But I didn’t get paid for pretending to be social. I sneaked glances at my paperwork while he talked, furtively scribbling tabulations and notes. Jeremy settled his tall figure on the sofa and leaned back, scuffed Adidas stretched out in front of him. Like all attorneys, he kept a collection of business suits, dress shirts, and ties on hand for any courthouse visits. But his everyday outfit of an old T-shirt and baggy sweatpants brought a whole new meaning to “office casual.”

“You going to be here all by yourself a couple of weeks?” Jeremy asked, hearing that Stephen had planned a family vacation. “Yup,” I smiled, as stomach acid bubbled at the thought. “Just me.”

I knew how to write, research, and interview, which turned out to be 80 percent of my tasks. But six months in this line of work had proved not nearly long enough to understand what I was doing. I don’t mean the job itself—that was to make money to hopefully pay bills—but the elusive logic of these tasks that now made up my working day. From what I could tell, we investigators were encouraged to sidestep a problematic truth, and instead, find evidence to support even the most wild-eyed stories our clients and their attorneys cooked up for a defense. Rationally, I understood that everyone deserved a fighting chance, especially against an entity as powerful and well equipped as the People of the State of California. But I sometimes felt like a bat flying without radar. The intuition I’d learned to listen to, which warned me when someone was dishing out B.S., served no purpose in this job. I would eventually learn that truth was a malleable object with prosecutors, law enforcement, our clients, and us. But for now, I was still feeling my way through each week, and the prospect of going it alone without my boss’s guidance unnerved me.

Jeremy abruptly switched the topic to an indicted pedophile whose high-profile case was finally coming to trial. As Jeremy knew, I was headed over to the county jail later that evening to prep his client for a new wardrobe. Perhaps with the right clothes, the jury wouldn’t think Stan was the type of guy who coerced 12-year-olds to do the kind of things news articles always refused to describe. In the first of times too numerous to count, I asked myself how I ended up here. Why was I working to help someone I would have strangled without a moment’s hesitation had he come near my child? I had no answer yet—at least, no honest answer.

“Stan’s going to ask you about continuances, legal documents,” Jeremy went on. “Just tell him you know nothing.”

When it came to crimes like Stan’s, ignorance used to be bliss. But my job now depended on dissecting graphic details. Eventually, I would need to ask victims to explain what, exactly, was entailed in “oral copulation,” “sodomy with a foreign object,” and other legal definitions that threatened to put my clients behind bars. Did he use one finger or two? Did he hold you down by the shoulders or by the throat? That night was still early in my new career, and since I was only putting together a wardrobe for Stan, I had barely skimmed his file. Unfortunately, I hadn’t figured on any evening chats with Jeremy.

“You know what else he did to those girls, right?” Jeremy was dying to unload Stan’s dark deeds on someone.

With no end in sight to Jeremy’s monologue, I tried a new tactic. Pushing the calculator aside, I turned and gave him my full attention. Ever since the case had been assigned to me, I had wanted to pose one simple question to the accused pedophile’s lawyer. Now seemed as good a time as any.

“So let me ask you,” I said. “How do you justify this? You know he molested those girls. You know he’ll do it again if he gets back on the street. Do you have any moral or ethical qualms?”

Jeremy was already shaking his head before I finished.

“Not a one. Never. What these people do after the case is over, that’s not my concern.”

“The letter of the law? That’s what you care about, right?”

“The letter, the spirit, the inference, the implication, the meaning—all of it,” Jeremy replied. “I don’t pay attention to the people involved. I keep a box around me, and all I care about is what’s inside that box—the law.”

I thought I understood most folks who ended up in trouble. Their crimes were often stupid and ill-conceived, followed by contrails of alcohol and drugs. It was the attorneys that confounded me. Jeremy was brilliant and his grasp of legal intricacies awesome. He could have worked on the federal level or made many times his present income from corporate clients in Silicon Valley. Instead, he seemed to enjoy handling a perennial caseload of miscreants who managed to repulse even other criminals. Who was this guy? Perhaps if I could unscramble Jeremy’s logic and moral code, it would help me make sense of what I now did for a living. But it was like pondering hieroglyphics, where only periodically could a familiar symbol be plucked out of the tangled jumble of designs.

I would struggle with these questions for the next several years, but that night I shoved the half-finished time sheets aside and told Jeremy it was time to visit Stan.

 

Private Eye for the Bad Guy is available at Bookshop Santa Cruz and online at bookshopsantacruz.com.

Rent Control Turns in More Than 10,000 Signatures

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There was cause for celebration when rent control supporters approached 10,000 signatures for their proposed November ballot initiative.

They gathered on Sunday, May 6 at the Resource Center for Nonviolence—the same place they had announced their campaign four months earlier—to rejoice over a potluck-style buffet of quinoa, potato salad, chicken, and treats from Beckmann’s Bakery.

“It’s amazing. So many people have stepped up to support this and make it grow,” said Josh Brahinsky, a leader of Movement for Housing Justice, which started the campaign. “It’s like a snowball. We’re gathering more signatures this week than last week. Every week, it gets faster and faster. More people get involved.”

They had reached their goal of 8,000 signatures one week earlier, pushing them to set a new goal of 9,000 signatures, which they had more than exceeded on the day of their party. By the time they turned them in on Wednesday, May 9, they had accumulated more than 10,700 signatures.

Meanwhile, however, organizers were hearing from nervous landlords who said they were sympathetic to renters, but concerned about portions of the measure’s more extreme language. That made Brahinsky and his fellow organizers contemplate a possible last-minute compromise on issues around relocation fees, subletting and the rent board’s pay.

“We’re not worried about it passing,” Brahinsky explained to GT at the celebration, “but we would love to do this in a way that didn’t divide the community so intensely.”

Brahinsky said organizers made a proposal to the Santa Cruz City Council suggesting they revisit the measure’s wording, and Brahinsky expressed interest in looking at either reducing relocation fees or eliminating them for landlords who own fewer properties—“things that for us are not the big story,” Brahinsky said, “but things that are creating a great deal of anxiety among people. We’d be happy to do those changes if they would help us do it.”

In order to get changes like those, though, the Santa Cruz City Council would have needed to put a plan in motion two days later, on Tuesday, May 8, for placing a different version of the rent control measure on the November ballot. Brahinsky said he was telling organizers they should call the city the following day, pushing for a compromise.

But no compromise ever happened. “My understanding is the movement for housing was having second thoughts about their own initiative and they made a last-minute bid to rewrite it, but it wasn’t possible,” says Mayor David Terrazas, who dislikes rent control, in part because it has been shown to decrease the supply of rental housing.

Brahinsky says the group was dialoguing with a couple of landlords, but that once discussions got a little more serious, many of them backed away and confessed they didn’t like rent control much anyway.

 

Pushback and Predictions

The push for rent control faces intense opposition, and not just from landlords with a financial interest. At a more academic level, rent-control measures have consistently faced nothing but disdain from economists—even liberal ones like the New York Times’ Paul Krugman, who famously dismantled the concept in 2000, arguing that rent control’s disastrous effect on the supply and quality of housing was “among the best-understood issues in all of economics.”

Locals got a look at the high-level opposition to rent control up close on May 3 at the Monterey Bay Economic Partnership’s Regional Economic Summit, where featured speaker Dr. Chris Thornberg—a founding partner of the L.A.-based Beacon Economics LLC who was touted by MBEP as “one of the nation’s leading economists”—tore into it mercilessly.

Thornberg was there to speak on the state of the economy in the Monterey Bay, which he declared to be robust overall thanks to nearly record low unemployment, rising wages and continuing job growth. However, he pointed to two areas that he predicted will increasingly affect the economies of Santa Cruz and Monterey counties: an escalating labor shortage and a lack of housing. On the latter issue, Thornberg singled out rent control as a misguided solution that is destined to backfire.

“Because labor markets are tight, wages are getting better. Wages are growing faster in California than anywhere in the country right now because of this labor shortage we have. And the result of that is that the share of rent-burdened households [households paying 30 percent or more of their income in rent] has been falling, not rising, in California. It’s actually getting better out there, because wages are rising faster than rents … which brings me of course to the broader question of rent control,” said Thornberg. “You’ve got to understand, there’s a big downside to rent control. And that is that it’s horrible for the people you’re trying to help.”

Thornberg said that rent control fails to create affordability for the low-income families that it should be protecting. “That’s the dirty little secret,” he said. “Go to places that have very ferocious rent control, and what you find is that rent control benefits largely middle-income families who maybe could buy a house or live in a nicer apartment, but ‘why would I when I have this great rent?’ You see this time after time. We went and looked at Berkeley. Berkeley put in very rigid controls on rental prices in their city. And what happened is low-income people were forced to move out, and now you have a bunch of middle-income families enjoying this wonderful protection of rent control in Berkeley, and you’ve hurt the poor people you’re trying to help. In the end, it doesn’t work. It’s as simple as that.”

Two assistant professors of economics at Stanford came to the same conclusion last September when they released a report titled “The Effects of Rent Control Expansion on Tenants, Landlords and Inequality: Evidence from San Francisco.” It found that San Francisco’s 1994 rent control initiative contributed to a 20 percent reduction in housing normally made available by tenants who move from one rental to another, and a 15 percent reduction in available housing offered by landlords, asserting that “this led to a citywide rent increase of 7 percent and caused $5 billion of welfare losses to all renters.” Weighing this against the money they estimated to be saved by tenants under rent control (a staggering $3,100 to $5,900 per person per year), they concluded that “substantial welfare losses due to decreased housing supply could be mitigated if insurance against large rent increases was provided as a form of government social insurance, instead of a regulated mandate on landlords.”

 

Legal Loopholes

However, rent control supporters criticized the study’s findings. Veteran journalist Tim Redmond of 48hills.org wrote that most of the problems the study found actually come not from rent control itself but from loopholes landlords found in San Francisco’s 1994 initiative law. The only way to keep the strides in affordability that the study documented, while eliminating the losses to renters, he argued, is to target the loopholes while continuing to support rent control itself.

Closing such loopholes means more than passing minor tweaks and modifications. Those rules are what lets any given landlord move into one of his or her units or to change the setup into an owner-occupied condominium.

Meanwhile, there has also been an effort to close a much bigger loophole, the Costa-Hawkins Rental Housing Act, which prevents rent control from limiting rates of California apartments built after 1995. The idea met resistance in the state legislature, but grassroots organizers say they have enough signatures for a ballot measure. And if the local and statewide measures both pass, rent control would place rent restrictions locally on all types of housing, potentially causing ripple effects through the area’s economy. Affordable housing advocate Sibley Simon, who’s against the local measure, says the changes would lead to a steep drop in the amount of new housing construction and that the initiative’s wording would create serious trouble for tenants. In all, Simon tells GT, via email, that the measure would be “a disaster for housing affordability in the future of Santa Cruz.”

But Brahinsky, from Movement for Housing Justice, sees a broad support for the Santa Cruz measure. He’s amazed by how much momentum the campaign has picked up toward the end of the petitioning window. That was in spite of organizers’ rate slowing down from 14 signatures per hour to six—partly because so many people had already signed.

“The number of canvassers just increased so much in comparison,” he says. “The first week, we got about 600 signatures. The last week, we got about 1,600. We just kept speeding up. If I could convey that to the world, it would be that people just keep saying this matters so much.”

Theater Review: Jewel Theatre’s ‘Odd Couple’

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Anyone alive in the latter part of the 20th century knows something about Neil Simon’s Tony-Award-winning hit comedy The Odd Couple. Premiering in 1965, the play was adapted into a film in 1968 and then splashed into television history during the 1970s. Three comic geniuses—Art Carney, Jack Lemmon, and Tony Randall—played the fastidious, neurotic half of the couple, Felix Unger, while Walter Matthau and Jack Klugman provided the slovenly, cigar-smoking foil Oscar Madison. Media icons, every one. So it’s inevitable that Santa Cruz audiences will bring their own preconceptions to the Jewel Theatre’s smart version of the Simon comedy classic.

Directed with sitcom style by Stephen Muterspaugh, the production moves fast and looks terrific. A vintage gem, the play pulls us back into the era where Mancini and Sinatra poured from record players. Oscar, a sportswriter, composes his newspaper articles on a typewriter, and as the play opens we see a quartet of men sitting around a poker table. The cigars, late-night poker games and rotary telephones aren’t the only indications that we’ve been plunged into a whole other zeitgeist. Felix Unger (played with cringeworthy fussiness by Shaun Carroll) has just been kicked out by his wife. When he arrives at Oscar’s apartment late for the card game, he’s an emotional mess. Well, nobody wants to play cards anymore, so the others leave and Oscar invites his friend to move in with him.

The opening act of Odd Couple is a comic delight, loaded with slick dialogue glistening with men-in-groups repartee and the growing tension between a slob and an OCD perfectionist. In the second act, we meet two young women Oscar has invited to dinner, a pair of English sisters who live in an upstairs apartment. Felix has knocked himself out cooking, setting an impeccable table, but things start to go wrong. He breaks down and begins to relive the pain of his failed marriage. Without revealing too much, let’s just say that the women are sympathetic. Oscar explodes and kicks Felix out. Of course, things are resolved in the end, but not before Oscar (played with Ralph Kramden ferocity by David Ledingham) has chewed and swallowed most of the scenery out of his love/hate frustration with the irritating Felix.

A special shout-out to the poker players—Jesse Caldwell as the no-nonsense Roy, a tightly wound Scott Coopwood as Speed, Andrew Davis as Vinnie, and Geoff Fiorito as Murray the cop—a close knit ensemble of professionals showcasing just how good live theater can be. The heavy lifting in this production falls to Ledingham, whose looks channel James Garner more than shaggy Walter Matthau. His zest and timing move everything along with sparkle.

The English gals are priceless as sketched by April Green and Erika Schindele—their ditzy blonde giggling and leggy antics (great shoes by B. Modern) are straight out of Goldie Hawn’s glory days. But that’s part of where the Simon play exposes its mid-20th-century roots—New York, urban, pre-psychedelics and sexual revolution, a time before enormous change in social customs, gender roles and cultural acceptance. Period pieces can flourish in dramatic form, but comedy lives and dies on its interrogation of the immediate context; the here-and-now world. Simon’s work reflects a culmination of values on the verge of being (largely) overthrown.

How men act in a domestic setting without a female housewife is the linchpin of this comedy, and it is one that doesn’t travel into the 21st century without considerable faultlines. The male stereotypes Simon explored have been mashed, if not swallowed. Ditto for females. We can admire the cast’s abilities, but find it harder to gain traction with women as airheads who live to care for men, and men whose immediate goals involve beer, poker, and the aforementioned airheads. Felix, as written by Simon, isn’t gay, he’s simply an insufferable perfectionist. It’s a hard character to play today with complete conviction.

Pro tip: if the contemporary dramatic sitcom by Kate Hawley hadn’t just been seen on the same stage, it might have been easier to surrender to the Neil Simon scenario. Hawley’s Coming of Age was fresh, surprising and relevant. The Simon play has some enormous laughs, and some wise sparkling lines. But its moral assumptions make it a stretch for today’s audience. Still, anyone who did see Coming of Age will definitely want to see Odd Couple. The juxtaposition of the two plays will provide ample fuel for discussion—which is exactly what vibrant theater should do.

The Odd Couple by Neil Simon will be performed at the Tannery Arts Center’s Colligan Theater through May 27. A matinee show has been added on May 19. jeweltheatre.net.

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