How do you define success?

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“Cultivating happiness and spreading it in your community.”

Glen Miller

Santa Cruz
Plumber

“Living life to the fullest.”

Kasey Kipping

Felton
Marketeer

“When you feel like you can manage your life and you’re not struggling.”

Betsy Clark

Santa Cruz
Retired Social Worker

“If you’re happy and you have your needs met.”

Ariel Churchill

Santa Cruz
Teacher

“When people ask how you’re doing, and you’re excited to tell them the answer.”

Carrie Browde

Santa Cruz
Professional Fairy

After San Lorenzo Park Clean-up, Questions Over What’s Next

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Within 24 hours of GT’s cover story last week on the new San Lorenzo Park encampment (“Tent Situation,” 11/8), the camp was being cleared out.

Parks and Recreation Director Mauro Garcia, who declined to answer questions for our previous story and referred us instead to city manager Martín Bernal, later outlined a more tightly managed vision for the tent city in an interview with the Santa Cruz Sentinel. He announced there would be new guidelines, including individual 15-by-15-foot demarcated camping spaces after the temporary 24-hour evacuation was lifted on Friday, Nov. 9.

Even though it was only temporary, the sweep highlighted the need for a closer look at the coordination between various decision makers responsible for creating a long-term plan on homeless issues—for example, at the city and county level. What steps the city will take next were not clear to county spokesperson Jason Hoppin, as he discussed in our cover story.

“They’re still not,” Hoppin says this week.

But both Bernal and SCPD Chief Andy Mills bristle at the suggestion that the city hasn’t articulated detailed plans to county officials, noting that city and county leaders have been meeting and working together on homelessness issues. County health workers, meanwhile, are trying to halt the spread of Hepatitis A, which began working its way through the homeless population earlier this year.

Although the camp has bright spots, Vice Mayor David Terrazas tells GT via email that “no one believes that the current camping on the San Lorenzo benchlands is a viable permanent solution.”

“While not ideal,” he continues, “the current situation at the benchlands has allowed staff from the county’s Homeless Persons Health Project to coordinate services in a central place and provide vaccinations to protect and reduce further Hepatitis A cases.”

Garcia, the parks director, tells GT that there’s another clean-up planned the week of Nov. 27, and that both police and rangers are continuing to patrol the area. The Salvation Army winter shelter will be opening Wednesday, Nov. 15. Bernal suggested to the Sentinel that the camp should dissolve by mid-December. But with people on the street far exceeding the number of beds available, it isn’t yet clear where they will go.

The encampment has shone a light on the plight of the homeless, both their hardships and their impacts.

It’s too early to say, though, how the county and city will mitigate these issues—or even which government agency is willing to take the lead on which initiatives. No one, though, is saying things can go on like this forever.

Greg Pepping, executive director of the Coastal Watershed Council, has been leading habitat restoration efforts along the San Lorenzo River, just downhill from the park. Pepping, who also serves on the city’s Planning Commission, questions the decision to allow an encampment in the public park.

“The city has done so much work, with so many different partners, to activate the riverwalk. This is just so out of step with that,” says Pepping, who says he witnessed a homeless person relieving themselves on the river levee just this past Monday. “If you could imagine trying to pick up people’s feces, their needles, trash—is that easier in the wet sand or on a harder surface? Maybe this encampment is the right idea, but it’s in the wrong place.”

Chief Mills, who announced last month that he would soften camping ban enforcement, says he’s doing the best that he knows how—and that Bernal and the parks staff are doing the same.

“The city is doing everything humanly possible to limit the impacts, including providing places for them to go to the bathroom and to wash their hands for Hep A prevention. We’re cleaning up the area and picking up discarded syringes,” Mills says. “I don’t know what the Coastal Watershed Council wants us to do. We’re certainly open to any suggestions.”

Garcia says, in their clean-up, Santa Cruz parks rangers picked up 108 syringes, and that those monitoring the encampment will encourage people to use the county’s sharps depository located on Water Street or turn them over to park rangers, all of whom carry sharps containers.

Bernal says he’s not surprised by how many needles rangers say they found. “We’ve been pushing people to different places, and they are still going to use drugs. They need help with recovery,” he says, pointing out that there are no drug rehabs or mental health facilities homeless people can go to in the city.

Bernal says the face of homelessness has changed drastically in the last 20 years, and that the homeless of previous generations were mostly smoking pot. Cannabis didn’t make people aggressive, he says, whereas now, with increased methamphetamines and heroin use around the country, people’s behavior is more unpredictable, bizarre, and sometimes dangerous. “People want the city to fix it,” Bernal says, “but what we have at our disposal is police, fire, and public works. This is not something the city is going to solve. We are the first responders, but we need the state, the county, the nation.”

City and county officials agree on the framework for longterm goals and solutions: essentially, create storage facilities for homeless people, establish a day-use center for services and provide housing or shelter to get the homeless off the streets.

The multi-million dollar question: how do we get there?

Mills stresses that the county has an important role in providing funding and solutions. “The primary responsibility for dealing with some of the difficulties is solely the county’s,” Mills says. “The Health and Human Services budget is $280 million. Mental health, drug addiction, some housing—that’s in the county purview, and so we all would agree that it’s vital to have the county at the table as we look for short-term, intermediate and long-term solutions.”

Frustrated by the suggestion that the city needs to show the way, with a more detailed timeline, Mills says the county can lead on this issue as well. “They’re the ones with the legislative mandate in the budget,” Mills says. “Why aren’t they coming up with the plan?”

Hoppin is skeptical of the notion that the homeless encampment will dissolve on its own, as Bernal has suggested, once the rain starts—an approach Hoppin calls “the alka-seltzer solution.” He says the county will continue supporting the idea for day services benefiting the homeless community.

“There seems to be an agreement for those services. What we don’t know is where and what the funding is,” he says. “We don’t know where it goes from here. [City leaders] don’t seem to know that either, other than there’s an agreement on the need for day services, but when that will happen, we don’t know.”

 

Additional reporting by Jacob Pierce.

 

Wallace Baine Leaving Sentinel After 26 Years

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When Santa Cruz Sentinel arts editor Wallace Baine typed a heartfelt Facebook post announcing that he would be leaving the county’s daily paper after 26 years, he did not anticipate the response he would receive. 544 likes. More than 300 comments. And that’s not counting the people who reached out in person.

“It’s just been a huge and overwhelming reaction that I’ve gotten. It’s been very gratifying, very scary,” says Baine, as he imagines his next chapter and also reflects on all that support. “I’m knocked back on my heels a bit by it. I’ve heard from people that I hadn’t heard from in years. I’ve heard nice things from people I didn’t think liked me too much. It’s been wonderful.”

Baine, who’s leaving at the end of the month, says he can’t offer any details about terms of his departure—beyond that he’s receiving a severance package. “The writing was on the wall for me,” he says. “There’s just no other way around it. And it is maybe time for me to move on personally.”

The Sentinel is owned by hedge fund Alden Global Capital, whose primary involvement in the newspaper business these days seems to be squeezing the remaining loose change out of its newsrooms. Insofar as the Sentinel has had an identity, a distinctive voice and a personality in recent years, that personality has been inextricably linked to Baine, known for his support of the arts community—not to mention his moving prose. (In 2010, GT contributor Geoffrey Dunn praised Baine for a “humor that is dark, wry, piercing and sardonic—shades of Mark Twain mixed with David Sedaris.”) Baine doesn’t expect the paper to do as much local arts coverage in his absence.

Baine has written four books and embedded himself in the arts scene—leading Q&As, hosting local radio shows and emceeing the annual Gail Rich Awards. He realized early in his career, he says, that if he had wanted to leapfrog from one metropolitan paper to another, working his way up the journalism ladder, he could. But he decided Santa Cruz was the kind of town he wanted to live in with his wife Tina, raising their two kids.

He isn’t sure what kind of project he’d like to do next, as writing books can be a thankless gig. He might try podcasting.

“There’s so much right here in Santa Cruz County,” he says. “There are all kinds of people doing amazing things.”

 

Music Picks November 15-21

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Live music highlights for the week of November 15, 2017.

WEDNESDAY 11/15

AMERICANA

BABY GRAMPS

There aren’t many musicians as unique or downright odd as Seattle-based artist Baby Gramps. Known as “the Salvador Dali of Folk Music,” Baby Gramps has delighted audiences with his witty palindromes, steel guitar, grizzled throat singing and humorous lyrics. From Late Night with David Letterman to street busking, Baby Gramps has lived a life as tall as his tales, like his claim that he built the log cabin he was born in. His live show is personable, often inviting his audience to participate, and as intimate in a large venue as it would be in a living room. MAT WEIR

INFO: 7:30 p.m. Don Quixote’s, 6275 Hwy. 9, Felton. $10. 335-2800.

THURSDAY 11/16

JAZZ

MARTIN TAYLOR & ALISON BURNS

People refer to Martin Taylor as Mr. Jazzy Fingers. Ok, technically, I’m the only one who calls him that. But it’s a fitting name. For five decades, Taylor has been a force to be reckoned with in the acoustic jazz world. Have you heard his bouncy finger-picking style? It’s the kind of thing that might lead someone to give him a cool nickname—like, say, Mr. Jazzy Fingers! He’ll be teaming up with legendary Scottish jazz vocalist Alison Burns, who has a tender deepness to her voice à la Ella Fitzgerald. Speaking of, Taylor and Burns will be commemorating the work that Fitzgerald did with guitarist Joe Pass in the ’60s. AC

INFO: 7:30 p.m. Michael’s On Main, 2591 S. Main St., Soquel. $27/adv, $30/door. 479-9777

THURSDAY 11/16

INDIE ROCK

KELLEY STOLTZ

Bay Area singer-songwriter Kelley Stoltz recently had what he calls the “thrill of a lifetime” playing guitar on tour with his heroes Echo and the Bunnymen. With his spooky, psychedelia-infused brand of indie rock, Stoltz is a perfect fit for the ’80s new wave group. The experience sparked a creative burst, and Stoltz emerged from the tour with several albums worth of new music, including Strat: Live at the Whammy Bar, a “proper new album” titled Que Aura, and Natural Causes, slated for release next year. CJ

INFO: 9 p.m. Crepe Place, 1134 Soquel Ave., Santa Cruz. $12/adv, $15/door. 429-6994.

THURSDAY 11/16

LATIN

ILE

Puerto Rico’s Calle 13 were beasts in the world of Latin hip-hop. For a decade, they spat rapid-fire Spanish verses over high-energy Latin dance beats. In other words, they kept one foot in the traditional music realm and the other very far away from it. Ileana Mercedes Cabra Joglar, a singer in the group, changed her name to iLe when Calle went on hiatus in 2015. A solo record soon followed, and it was light years from Calle 13. She’s positioned herself as an interpreter of the classic music of Latin America. She’s got the guttural, romantic voice to pull it off, too. AC

INFO: 9 p.m. Catalyst, 1011 Pacific Ave., Santa Cruz. $35/adv, $40/door. 429-4135.

FRIDAY 11/17

JAZZ

BILL FRISELL’S BEAUTIFUL DREAMERS

Describing Bill Frisell as one of the most influential and revered guitarists in jazz is true—as far as it goes. At any given performance, the Seattle-based aural adventurer might tap into one or more of some two-dozen distinct but interrelated bodies of music, each inextricably linked to specific players. For this tour, Frisell is revisiting music from 2010’s Beautiful Dreamers, a body of concise, melodically engaging tunes informed by early American popular and roots music (the artists covered include Blind Willie Johnson, Benny Goodman, and Stephen Foster). As on the album, he’s joined by violist Eyvind Kang and Rudy Royston, one of this era’s definitive drummers. ANDREW GILBERT

INFO: 7 & 9 p.m. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $30/adv, $35/door. 427-2227.

SUNDAY 11/19

ROCK

OUR LADY PEACE

Do you remember when grunge bands were rebranded as alternative rock? Our Lady Peace does. Since 1992, the Canadian group has sold millions of albums and toured the world with their erratic brand of rock. While their signature 1997 album, Clumsy—the  20th anniversary of which they’re celebrating on this tour—saw singles “Superman’s Dead” and the title track solidify the band’s spot in the Canadian rock scene, us Yanks remember them most for their 1996 single “Starseed,” featured on the Armageddon soundtrack. MW

INFO: 9 p.m. Catalyst, 1011 Pacific Ave., Santa Cruz. $25. 429-4135.

SUNDAY 11/19

NEW ORLEANS FUNK

REBIRTH BRASS BAND

If you need to shake the cobwebs off your soul and get your booty moving, then buckle up, because the Rebirth Brass Band is coming to town. A New Orleans institution, this horn-driven band covers audiences in funk so deep and grooves so wide that you’ll find yourself wondering which end is up—and that’s just the first song. Rebirth has been around since the early ’80s, it’s won a Grammy, and it’s been a force in reintroducing brass band tradition—a defining feature of New Orleans music and culture—to younger generations. CJ

INFO: 8:30 p.m. Moe’s Alley, 1535 Commercial Way, Santa Cruz. $25/adv, $30/door. 479-1854.

MONDAY 11/20

JAZZ

REGINA CARTER

Last year, jazz violin virtuoso Regina Carter wowed a Kuumbwa audience with tunes from her haunting and personal record Southern Comfort. Carter did what she does best that night, setting ego aside and surrendering to the muse. Since then, she’s returned to the studio and emerged with Ella: Accentuate the Positive, a tribute to the music of the legendary Ella Fitzgerald. The record gives new life to some of Fitzgerald’s lesser known tunes, such as “I’ll Never be Free,” “Reach for Tomorrow,” and “I’ll Chase the Blues Away.” CJ

INFO: 7 & 9 p.m. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $30/adv, $35/door. 427-2227.

TUESDAY 11/21

AMERICANA

MARK OLSON & INGUNN RINGVOLD

If you dig music that exists on that fine line between country and rock ’n’ roll, there’s a good chance that your favorite band was influenced in some way by the Jayhawks. They weren’t huge sellers, but they have an amazing catalog. Acoustic guitarist/singer Mark Olson quit the band in 1995, and these days, he tours and records with his wife Ingunn Ringvold. Their music is eclectic and lush, with exactly the kind of harmonies you’d expect from Olson. AC

INFO: 8 p.m. Don Quixote’s, 6275 Hwy. 9, Felton. $20. 335-2800.


IN THE QUEUE

BAYLOR PROJECT

Husband-and-wife jazz/soul/gospel collaboration. Thursday at Kuumbwa

KEZNAMDI

Emerging star of the Jamaican reggae scene. Saturday at Moe’s Alley

ANONYMOUS THAT DUDE

Bay Area-based rapper. Saturday at Catalyst

DIRTY CELLO

Cello-driven blues and bluegrass out of San Francisco. Saturday at Kuumbwa

TISH HINOJOSA

Acclaimed singer/songwriter. Sunday at Don Quixote’s

Giveaway: Jeremy Pelt Quintet

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Trumpeter Jeremy Pelt picked up the trumpet early, and by high school he had a keen interest in jazz. The Berklee College of Music grad went on to play with the Mingus Big Band after college, and has since worked with an impressive roster of artists, including Nancy Wilson, the Skatalites and Bobby Blue Bland. Named a Downbeat “rising star” five consecutive years, Pelt has been described as a “technical marvel” who “never lacks for flair or sensitivity.” His latest release, this year’s Make Noise!, blends the classic jazz foundation he laid in his early years with a contemporary approach to harmony and collaboration. 

INFO: 7 p.m. Monday, Nov. 27. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $30/adv, $35/door. 427-2227. WANT TO GO? Go to santacruz.com/giveaways before 11 a.m. on Tuesday, Nov. 21 to find out how you could win a pair of tickets to the show.

Love Your Local Band: The Fighting Murrays

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“Umbrella Man, there he go-go. Take his little walk downtown real slow.

So goes the down-and-dirty rock ’n’ roll song “Santa Cruz Umbrella Man” by local trio the Fighting Murrays. You likely won’t see the Umbrella Man aka Pink Umbrella Man these days on Pacific Avenue (he has been spotted more recently on West Cliff Drive), but not long ago, he was famous for traversing downtown blocks at a snail’s pace.

Apparently, someone thought that the Fighting Murrays’ singer/guitarist David Murray looked just like the Umbrella Man when he was getting a drink downtown, and would not believe Murray when he said he wasn’t the Umbrella Man.

After listening to his friends make fun of him enough times, he decided to own it and wrote the song.

“The song kind of shut everybody up,” Murray says. “The more pissed you get about something like that, the more people pick on you.”

The song is one of the group’s many fun, stripped-to-the-bone rock songs with heavy riffage and catchy hooks. Despite being together for almost five years, the group just released their debut LP earlier this year. They started out playing exclusively originals, but these days, they mix in an even split of covers and originals, and have a particular fondness for songs originally sung by female singers.

“I like to sing female-sung songs an octave lower. It kind of works for us. Sing some Joan Jett. We do “You’re So Vain” by Carly Simon. Anything from Lulu to L7,” says Murray. “We have a whole set—we call it ‘The Fighting Murrays Tackle the Women of Rock ’n’ Roll.’ 

INFO: 9 p.m. Saturday, Nov. 18. Crepe Place, 1134 Soquel Ave., Santa Cruz. $8. 429-6994.

Film Review: ‘Wonderstruck’

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Filmmaker Todd Haynes is a visual stylist. Just look at his swoony period aesthetic in Far from Heaven, or Carol. He has plenty to visualize and to style in his new movie, Wonderstruck, with its parallel storylines set in the 1920s and the 1970s. With its child protagonists and kids-eye-view of the world, this rare PG-rated experiment from Haynes may be less filling, plotwise, than his grown-up movies, but it still looks great.

Wonderstruck is adapted from the novel by Brian Selznick, whose very first book was made into the rapturous movie Hugo a few years back. Selznick’s books are a genre unto themselves, combining a certain amount of prose storytelling with extravagantly detailed pencil illustrations that sprawl across the pages. Presenting his stories in visual terms must come naturally to the author, related through his grandfather to Hollywood Golden Age producer David O. Selznick.

So it’s no wonder that Selznick’s stories so often reference movie history. The life and exuberantly eccentric work of silent movie pioneer Georges Melies was the inspiration for the book that became Hugo. The silent movie era also figures in the plot of Wonderstruck: the industry facing the advent of sound film provides a counterpoint to the story of two deaf children on separate quests trying to function in a hearing world.

The story begins in Gunflint, Minnesota, in 1977, where Ben (Oakes Fegley), coping with the recent death of his beloved mother, is searching for clues to the identity of the father he never knew. A freak lightning accident destroys his hearing; nevertheless, when he finds a note on the back of a bookmark from a bookstore in New York City, he runs away from his aunt’s house and boards a bus for the city to search for his father.

The parallel story in 1927 concerns a lonely deaf girl living in New Jersey with her strict father. Young Rose (the wonderful Millicent Simmonds, who is deaf in real life) is always sneaking off to the picture show, enraptured by silent film star Lillian Mayhew (Julianne Moore), to whom she has dedicated a scrapbook full of magazine clippings. When her father brings an equally stodgy male tutor into the household to keep her in line, Rose bobs her hair and runs away, taking the ferry to New York City, where her idol is appearing in a Broadway show.

These separate stories of two kids searching for love and family take some interesting twists before they intersect in the last act. The Museum of Natural History figures prominently in both stories, along with its frightening display of snarling wolves, and a meticulously crafted miniature diorama of New York City. But the most potentially interesting set, a 19th Century Cabinet of Curiosities preserved at the museum, is underused. It’s gorgeously rendered in an old book that Ben finds (an illustration straight out of Selznick’s novel), but the big reveal of how it relates to the modern story lacks, well, a sense of wonder—and then we never see it again.

Ben’s misadventures in the city occasionally border on tedium, but Haynes has visual fun with the hip, urban vibe in the African-American community that’s sprung up around the bookstore. And he rocks the scenes set in 1927, shooting in black-and-white, without dialogue, as Rose perceives it all, like a silent movie. Haynes’ film, however, is far from silent, percolating along with a marvelously inventive, often percussive score by Carter Burwell that informs and reflects the action in every frame.

Haynes also mutes the soundtrack to a distant, aural blur in scenes from Ben’s viewpoint, replicating his sense of isolation. But scenes of Ben racketing around with his new friend, Jamie (Jaden Michael), told from Jamie’s viewpoint, feature standard sound, showing Jamie’s frustration with, but determination to break into Ben’s cloistered world.

In honor of the non-hearing community that inspires it, Wonderstruck features open-caption subtitles throughout. It’s a thoughtful touch for a lovely movie whose message of family, friendship, and tolerance strikes a particular chord these days.

 

WONDERSTRUCK

(***)

With Millicent Simmonds, Oakes Fegley, and Julianne Moore. Written by Brian Selznick, from his novel. Directed by Todd Haynes. A Roadside Attraction release. Rated PG. 116 minutes.

 

Taqueria Tecoman is a Watsonville Gem

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Taqueria Tecoman’s cheery, butter-yellow exterior sits at a busy intersection just off Main Street in downtown Watsonville. It may seem unremarkable, but don’t be fooled. Like many great Mexican restaurants, its outward appearance belies the wonders within.

Inside, the restaurant feels more like a classic diner than a taqueria. A gold-flecked formica bar and a dozen well-worn swiveling wooden bar stools divide the kitchen from the rest of the dining room, which consists of just four small tables against one wall. Conversations in Spanish and the sharp sizzle of kitchen chemistry reverberate between marigold yellow and bright orange walls.

But the first thing I notice when I step through the door is the thick, enticing aroma of freshly made tortillas. Although I haven’t eaten my way through their entire menu, I’m confident I will enjoy anything they place before me, for two reasons: one, this has been true so far, and two, everything comes with a pile of warm, handmade corn tortillas. Tender and fragrant with masa, I know they’re there to ferry camarones a la diabla to my face, but it’s everything I can do to resist spreading them with butter and sugar. They’re so delicious it feels totally normal to eat them by themselves.

Because of this, the tacos are unmissable. I’ll even order them as a side to another entrée—at $1.50 each, they’re worth the splurge. Each pair arrives scattered with chopped onion, cilantro, homemade salsa and a wedge of lime. The asada is delicious, but the cabeza is even better, super tender and packed with flavor.

Between the relaxed atmosphere, always-friendly service, colorful mismatched plates and nostalgic diner coffee mugs, it’s easy to be charmed by this South County gem. Their well-executed, uncluttered and intensely flavorful approach to Mexican dishes, accompanied by those unforgettable tortillas, truly sets them apart.

106 E. Lake Ave., Watsonville. 768.1443.

 

Benefit Suds

There are two craft beer events fundraising for great causes this Wednesday, Nov. 15. At New Bohemia Brewing Co., the B-Positive fundraiser, featuring the release of a pale ale of the same name, is raising money for young Pleasure Point resident Charlie Moore, who is suffering from an inoperable brain tumor. Meanwhile, Beer Thirty in Soquel will fill their 30 taps with beers from Sonoma County breweries, and will donate 100 percent of the night’s proceeds to those affected by the recent devastating wildfires.

Freedom Wineworks’ Varietals and Hard Apple Cider

One of the newest, and smallest, wineries to open locally is Freedom Wineworks. An artisan winery established in 2016, it’s located in the unincorporated area of Freedom.

What began as a hobby for winery owners Randal West and his wife LaRae (they are also the owners of Printshop Santa Cruz) has blossomed into a bonded business—and they now produce Chardonnay, Pinot Noir, Syrah, Zinfandel, and a hard apple cider, including one that contains five varieties of apples.

Starting out making fruit wines from any fruit they could get their hands on—apricot, olallieberry, strawberry, plum, persimmon—under a label with the catchy name of How Swine—they then gravitated toward Chardonnay and other varietals. The 2016 Chardonnay, which sells for about $25 at Deer Park Wine & Spirits and on Freedom’s website, is crisp and fruit-forward with a subtle whiff of vanilla.

Although the Wests don’t have a tasting room, you can visit them by appointment. Visit howswine.com for more info or call Randal West directly at 408-998-PINT.

 

Passport Day

The next Passport Day is Saturday, Nov. 18. Purchase a Passport for $65 (valid for two years) and go wine tasting all over the Santa Cruz Mountains. Many participating wineries are not open to the public, so it’s an opportunity to enjoy these artisan winemakers. You can also visit participating wineries all year once you have a Passport. Visit the Santa Cruz Mountains Winegrowers Association’s website, scmwa.com, for more info.

 

Santa Cruz Dinner Club

When local artist and muralist Rhonda Mills (who hails from South Africa) is not busy doing custom artwork and teaching art classes, you will find her in the kitchen preparing delicious food. Mills is membership chair of the Santa Cruz Dinner Club—and if some of your goals are to partake of interesting food and wine, then maybe you’ll enjoy being a member of the SCDC. This group of around 40 people holds monthly dinners of three or four couples in a different private home each time. Fun dinner themes include Night in Morocco and Evening in Spain.

Contact Mills at 684-0568 or at in**@sa*****************.com for more information.

Go Green Cab’s Uncertain Future

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Brian Lister hands me two black-and-white bumper stickers that read “Don’t Be a Guber” for a new project he’s starting. But this isn’t a band or an artistic undertaking. The URL at the bottom reads ubersaregubers.com.

Lister is the founder, owner and a driver for Go Green Cab Co., a local, environmentally friendly taxi company. Locals and tourists alike recognize their iconic fleet of white 1980s Mercedes—“I never realized that rhymed,” Lister says with a laugh—that run exclusively on biodiesel made from vegetable oil.

Although it once sounded like the perfect fit for Santa Cruz, the taxi company’s business strategy has encountered potholes since Lister launched more than a decade ago—most recently, the rise of ride-sharing apps like Uber, which have hurt the bottom lines of taxi companies around the globe. For Go Green Cab in particular, the road ahead isn’t getting any smoother as the Green Station, Santa Cruz’s only biodiesel supplier, is shutting down. The station, which rents out U-Haul trucks, has stopped serving biodiesel, and will be closing for good by the end of the year.

The fueling stop on the corner of Ocean Street and Soquel has provided an alternative to petroleum for nine years, but the property owner, Previn Patel, is currently looking for a new tenant in hopes of maybe adding yet another hotel to the tourism-focused Ocean Street strip.

“I don’t know what’s going to happen,” admits Lister, who’s been trying to get in touch with fuel companies directly to buy from them. “I’ve gone around to the gas stations, and nobody really knows who owns what, it seems.”

Lister started Go Green Cab in 2006, after he had already accrued 12 years of taxi-driving experience. Although he loved being a cabby, he felt burdened by the environmental impact of the gas guzzlers, and he came up with the idea for a different business model.

“At that time, Priuses were still new,” he remembers. “However, the Mercedes were a global standard for taxis. They were designed to run for miles and miles.”

He originally planned to produce his own fuel, envisioning a self-sufficient service flowing from production to the customer. Looking back, he says he didn’t consider just how dirty of a process producing biodiesel is. It involves heating and filtering used vegetable oil—often from restaurants—to remove any particles that could potentially damage an engine. Production sites must be big enough to store huge vats and equipment.

“Right when I was figuring it all out, I saw a sign at the gas station on the corner of 7th and Soquel saying ‘Now serving biodiesel,’” remembers Lister. “So I decided to pay them for fuel instead.”

Slowly, Go Green Cab grew to six drivers, and business was still strong in 2009, when he sold the company to one of his employees and decided to finish college in South Carolina, where he remained until returning to Santa Cruz two years ago. To help fund the repurchase of the company and upgrades, he launched a GoFundMe campaign which raised $778, well short of its $15,000 goal.

“Friday and Saturday nights used to be the best for fares, by far,” he says. “Now it’s not even worth it.”

Since bursting on the scene in 2009, Uber has wrecked the taxi industry with its phone app, allowing customers to call for a ride with the push of a button. It helped that the tech company’s prices were much lower. Lister says ride-sharing companies have an additional—and unfair—advantage in that they classify themselves as “transportation network” companies, rather than cab companies which allows them to operate basically without regulation. Taxis, on the other hand, get routinely inspected, and their drivers must be fingerprinted and drug tested regularly.

“We also have to carry 10 times the insurance their drivers do,” he adds.

Meanwhile, the marketplace has grown distorted in ways that probably aren’t sustainable.

While coasting off investor money, Uber is operating at a massive loss. Earlier this year, the company announced losing $708 million in the first quarter, putting it well on its way to matching the 2016 total loss of $2.8 billion, as it competes with app company Lyft, which is also losing money. Although tech companies often operate at a loss before earning billions when they go public, $2.8 billion is a massive number compared, for instance, to Amazon’s $214 million deficit in 2014, its last year of profit loss.

The closure of the Green Station, which hasn’t pumped biodiesel in weeks, poses an additional threat to Go Green Cab. Lister has been getting fuel from out of the county, and sometimes he’s even been filling up with regular diesel when needed.

Even when the Green Station did have biodiesel, customers were paying $3.79 a gallon for biofuel, a full dollar more than regular diesel. Ray Newkirk argues that if it weren’t for government subsidies to traditional diesel and petroleum companies, biofuels wouldn’t look so disproportionately pricey.

“We pay for gas in a lot more ways than just at the pump,” he argues. “If you look at the price of gas in most of the world, they pay a lot more for it, because they are not subsidizing it.”

For the last 18 years, Newkirk, who owns a construction company on the side, has been trying to grease the way for a local biofuel boom. He made his first batch in 1999—“as a renegade,” he says—and opened his first biodiesel business, Pacific Biofuel, in 2003. Three years later, he was already filing for bankruptcy.

“We had bigger appetites than our wallet could supply,” he chuckles.

After a hefty investment in 2008 from customer-turned-business-partner Ed Grace, Newkirk moved the business to its current location, reopening as the Green Station. Along with biodiesel, and renting U-Hauls, the station briefly sold Zenn Cars—electric vehicles that could go about 25 miles on a single charge and sold for relatively affordable prices—to help supplement the business.

Despite patching it together, the Green Station has been running on fumes, and their landlord Patel told them earlier this fall they would need to move.

“I’ve had the property on the market a couple of times, but there have been no buyers in the past,” says Patel. “It’s sad that biodiesel has faded away, but it’s time to try something different.”

Patel, a 30-year Santa Cruz resident, says he has been giving the station the cheapest rent possible because he believes in their service, but he feels the location is too lucrative for him to continue that. Lister believes Patel has been looking for a hotel company to move in—continuing the row of lodging Ocean Street is known for—but Patel says that isn’t necessarily how things will play out.

“I had plans years ago for a hotel to be developed there because it’s zoned for one,” he says “However, Hertz Rental Car is also interested in leasing the property, so we’ll see what happens.”

Since Lister’s “renegade” biofuel days, one energy source has taken off more than anyone could have imagined: electricity. Although biodiesel significantly cuts back emissions compared to gasoline, it isn’t perfect, as it contains higher levels of nitrous oxide, a potent greenhouse gas. Lister says he would be interested in adding electric vehicles into his fleet, but doesn’t believe the current technology fits with his business model. He warns that while it’s advertised as a clean energy source, electricity comes at a cost too.  

“Electric vehicles still need to plug into the grid,” says Lister. “Depending where you’re at, that could be nuclear or coal power.”

Newkirk is holding out hope for a biodiesel co-op, much like the BioFuel Oasis in Berkeley, where the responsibilities of running a shop are spread among workers who all have a hand in the business.

“I’ve put my life into it for 18 years now, and I can’t do it anymore,” Newkirk says. “Unfortunately, nobody has stepped up to the plate.”


Update 11/15/17 3:27 p.m.: This story originally gave credit to the wrong author. The byline has been corrected.

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