What a UCSC Lecturer Learns from Syrian Refugees

Through the swirling dust of a refugee camp in Eastern Lebanon, two girls wearing school uniforms catch Tony Hoffman’s eye. The child psychologist and UCSC lecturer approaches the high-school-age girls and begins asking about how they first arrived at the camp and what their lives were like before.

Having spent more than a year in the camp, both girls know the safest routes to school. They’ve become friends since fleeing Syria with their families. The older girl, who sports tennis shoes and Western-style bangles, was studying computer science before the Syrian Civil War broke out. The other girl—who’s wearing artfully done makeup, pretty universal in Syria and in the camps—was studying literature. Today, they are students in a school run by a non-governmental organization and funded by Malala Yousafzai, the youngest person ever to win the Nobel Peace Prize. This area, Bekaa Valley, contains the region’s highest density of vulnerable Syrian refugees, Hoffman says, and it’s six miles from the Syrian border.

The girls are from different parts of Syria, Aleppo and Damascus, but their stories are eerily—and heartbreakingly—similar. They are among the half of all Syrians who’ve been driven from their homes by bombs, siege, starvation, chemical attacks, and domicide, which is the widespread destruction of people’s homes, and are fueling the largest refugee crisis since World War II. Both girls just want to go home, but have no homes to return to.

“We have nowhere to go, and we cannot stay here. We cannot even call the dirt under our feet our own,” they tell Hoffman. An estimated 100 Syrians flee the country every hour, Hoffman says, and entire communities will have nothing but rubble to return to once the war is over.

Hoffman says war should, first and foremost, be seen as an attack on children.

“Children are more vulnerable to injury,” says Hoffman, who’s retiring from UCSC, having taught his final class at the university this past spring. “They are more vulnerable to disease and starvation. In war, children always lose.”

The conflict—which began seven years ago as the Arab Spring was well underway—has Syria in tatters. While watching the situation worsen on his trips to Lebanon, where one out of every four people is a Syrian refugee, Hoffman has felt powerless to stop it.

As a developmental psychologist, Hoffman is fascinated with how children survive extreme circumstances. Over the past five years, he has been leading a double life, splitting his time between professorial duties at UCSC and the American University in Beirut, where he is running AUB’s psychosocial services for refugee children. He teaches a course on war-affected children at each university.

EMERGENCY EXIT

A half a world away, Hoffman’s spacious office on the third floor of the UCSC Social Sciences 2 building feels cramped. Ornately carved wooden masks and dozens of framed pictures of himself with child refugees from brutal conflicts around the world cover every inch of the cream-colored walls.

According to a 2017 poll conducted by CNN/ORC, more than half of Americans favored allowing refugees from Syria to seek asylum in the United States, but only 25 percent were strongly in favor. Hoffman hopes to help shape the way his fellow Americans understand the situation.

“I’m reviving the concept of deep homelessness in my writing and lectures,” he says, “so people can understand the psychology of these refugees.”

Refugees are scattering in four directions—south to Jordan, east to Iraq, west to Lebanon, north into Turkey, and, of course, toward Europe, which is the route that’s gotten the most attention. But Hoffman explains that the refugee flow into Europe has largely stopped by now.

“Host countries don’t have the means to repatriate them and feed them and they want them to go home,” he says. “But these refugees have no home to go to.”

ORDER PATROL

Last year, an executive order signed by Donald Trump effectively closed the United States’ borders to any and all Syrian refugees. European governments and their citizens are fighting against the influx of refugees as well, with physical walls, laws and regulations. In many European countries, violence against migrants is common.

Hoffman says Syrian refugees are often seen as “freeloaders taking away local jobs, outsiders, cowards, and criminals. The negative stereotypes we hear in the United States about migrants are just as prevalent in other parts of the world.”

Westerners have focused on the refugee crisis in Europe, rather than on the 80 percent of refugees remaining in Turkey, Lebanon and Jordan, Hoffman says. “Our Islamophobia plays a role in not addressing the issue where it’s at its worst,” Hoffman explains.

In September of 2015, the Kurdi family of Syria paid smugglers $5,860 for four spaces on a small inflatable boat in the hopes of reaching “safety” in Europe. The five-meter-long boat carrying the Kurdis and eight others capsized just five minutes after pushing off Bodrum in Turkey. Their boat carried no life jackets and the entire Syrian family drowned, except for the father.

When the salt-caked body of 3-year-old Alan Kurdi—still wearing shoes and a red rocket ship T-shirt—washed ashore from the Mediterranean Sea, it made international headlines. In Syria, it was a cautionary tale.

“There’s a saying in Syria now,” Hoffman tells me. “‘The land isn’t safe and the sea isn’t safe. We have nowhere to go.’”

Over the past few years, much of the attention Syria has gotten has been directed at dictator Bashar al-Assad and his use of chemical weapons. Hoffman, who’s seen the effects firsthand, however, reports that the weapons are being used by most major groups in the region, not just Assad.

Outside of Syria, Hoffman says the situation in Lebanon is as complicated as it is anywhere, given the dramatic change in demographics.

“People are cordial and kind and are respectful,” he says, “because there is so much tension. They don’t want to step on anyone’s toes.”

More to Learn on Rail Trail’s Future

[This is the final piece in a five-part series on the future of the rail corridor. Read  Part 1 herePart 2 here, Part 3 here, and Part 4 here.]

There’s an old meme that comes to mind for me when I think about the local rail trail debate.

It traces its origins back to Donald Rumsfeld, the secretary of defense under President George W. Bush. Rumsfeld was taking questions from reporters at a 2002 press conference, in the early days of the Iraq War, when he said: “As we know, there are known knowns; there are things we know we know. We also know there are known unknowns; that is to say, we know there are some things we do not know.”

And that’s when things got deep, with Rumsfeld explaining, “There are also unknown unknowns—the ones we don’t know we don’t know.”

Rumsfeld was roundly derided at the time for spouting nonsense, but over the years, policy nerds have come around to quoting it regularly. That’s because it’s not as obvious as it sounds, since people often fail to ask the important question at its core: how can anyone make an accurate prediction when they don’t even know what questions they should be asking about the future in the first place?

The fact this somewhat profound sentiment came from someone evading a tough question about an unpopular war is irrelevant. Rumsfeld’s lesson was that sometimes we forget how little we truly comprehend about the future that we think we’re planning for. The notion seems especially relevant to local heated public meetings, where most everyone in the room already has their mind already made up about the best solution to any given problem.

Here in Santa Cruz County, the Regional Transportation Commission (RTC) has plans to build a bike and pedestrian path along the county’s coastal rail corridor. Staffers and consultants are currently studying the possibility of introducing passenger rail service on the tracks, along with other options. Citing concerns about cost, ridership and overall feasibility, activists from both Greenway and Trail Now have suggested the RTC instead remove the tracks and use the corridor for an extra-wide trail.

Going forward it’s, at this point, still relatively unclear how either plan will really look or would get funded, much less what shape California’s transportation future will take decades from now.

Moving Parts

The corridor’s future came into a little more focus on June 14, when the RTC tied the knot with Progressive Rail, voting 8-4 to ink a 10-year agreement with the freight operator in a hotly contested meeting. Reflecting on last week’s vote, Greenway Executive Director Gail McNulty, who opposed the draft agreement, says she’s “very worried” and believes the contract will tie up the county’s transportation options over the next decade. McNulty says her group needs to regroup before deciding on its next steps, although she says Greenway’s supporters are more motivated than ever.

Four commissioners voted against the agreement—including Capitola City Councilmember Jacques Bertrand and Scotts Valley City Councilmember Randy Johnson, along with Virginia Johnson and Patrick Mulhearn, alternates for county supervisors Bruce McPherson and Zach Friend, respectively.

Progressive Rail’s supporters—most of whom also support passenger service—have high hopes for the freight operator. With previous operator Iowa Pacific in violation of its contract, Watsonville-area shippers had been unable to send anything out on the local line, which is clogged with empty rail cars.

Supervisor Ryan Coonerty and county counsel both stressed that the RTC will get to make its decision on passenger service after the Unified Corridor Study (UCS) gets released, evaluating all options for the corridor.

Mulhearn, though, argued that the RTC’s path out of the agreement isn’t particularly clear.

“This contract is, in many ways, word for word, the Iowa Pacific contract,” Mulhearn said. “I realize now that the talking point is, ‘Well, we didn’t have a bad contract. We had a bad operator.’ Yeah, we had a bad operator, but we had no levers in our contract to remove that operator … I can’t support a contract that further disadvantages our decision makers.”

Mulhearn brought up other proposals to address the needs of the county’s major freight shippers in the coming months.

But before the RTC voted to approve the contract, those South County businesses asked for immediate relief and help getting their goods moving.

Bob Perlage, spokesperson for Big Creek Lumber, said that Big Creek bought property in Watsonville nearly 50 years ago on the rail line. His employer, he added, could lose half a million dollars a year if it had to ship all of its lumber by truck, which is less efficient than hauling by train, and therefore pricier.   

Executives from two local cold storage businesses—Del Mar Foods and Lineage Logistics, each based in Watsonville—both said they process about 100,000,000 pounds of fruits and vegetables a year, and they’re heading into the busy season. They said switching to truck shipments would hurt their bottom lines, because their rates would go up.

P.J. Mecozzi, Del Mar’s president, tells GT that without a new freight rail agreement, his customers might have decided to look elsewhere.

“The rail’s an important asset to us here, and it has been for a long time,” he says.

Shared Platform

When it comes to passenger service, the issues aren’t black and white for everyone.

The environmental nonprofit Ecology Action has generally supported RTC’s approach. However, Piet Canin, the group’s vice president of transportation, says Ecology Action isn’t necessarily married to the idea of a train, but rather that the organization has taken the position of not giving up on the idea of transit on the corridor.

“We’re agnostic as to what type of transit might be on the corridor,” Canin says, “but we think that preserving the tracks is important to fully investigate rail transit as an option.”

The most obvious non-rail transit option for the corridor would be bus rapid transit, alongside a bike/pedestrian path—something consultants have been looking at as part of the UCS. That could represent something of a middle ground, and it’s something Ron Goodman, former director of People Power (which is now called Bike Santa Cruz County), has been advocating for. Both Mark Mesiti-Miller, chair of Friends of the Rail and Trail, and some Greenway boardmembers have expressed tepid openness to me about that idea in recent months—even if it wouldn’t be their first choice.

Canin does note, however, that a train can accommodate far more bikes than a bus can.

There are other ideas floating around, too. Brett Garrett of the Campaign for Sustainable Transportation has been calling for personal rapid transit (PRT), an idea that has come up periodically in Santa Cruz for decades. Although PRT systems come in various forms, some resemble the Sky Glider bucket ride at the Santa Cruz Beach Boardwalk more than they do a traditional transportation network. Others look more like a monorail with miniature one-car trains.

Garrett says these pod cars and the rail corridor would be a perfect match for one another, though he realizes that many people have a hard time thinking about it with a straight face.

“But at the same time, in most cases, it means people haven’t taken a second look at it,” he says. “If you’ve never heard of the concept, you have to look at it and think about it. It’s forcing us to change the way we think about public transit. Thirty years ago, when people told us we’d all have little phones in our pockets, we’d think they were crazy, but here we are. We know all the basic components. Why not build it?”

Garrett, who’s been studying PRT for years, believes it would have lower carbon emissions and operating costs than other kinds of transit.

RTC Chair John Leopold is not yet ready to hitch a ride on the pod car dream.

“I haven’t studied it enough to say ‘no way,’” he says, “but I haven’t seen anything that would make me go toward wanting pod cars.”

In the meantime, the next few months make for something of a waiting game, while everyone awaits the UCS and the next step in the public process. There’s more than a small chance that the corridor study will have more than enough conflicting information for everyone to cherry pick their favorite parts to reinforce their own point of view.

I’m reminded of the city of Santa Cruz’s wide-ranging 2003 Master Transportation Study. Over the years, I’ve heard active transportation activists and city leaders from totally different parts of the political spectrum tell me the exact same thing about it: “It’s like the Bible. People read into it whatever they want to.”

Here’s hoping the UCS doesn’t end up the same way. Leopold says it matters less how the document is written, and more how the report gets read and interpreted—because if people want to cherry-pick data from a long-winded document, he says, they will.

“It falls into the ‘no-win’ category. The study’s going to use data and make some points,” says Leopold. “And there’s going to be recommendations from staff, but people will find the part of the report that most validates their point of view. The UCS isn’t going to be a magical document that gives all kinds of answers. It’s going to be open to interpretation. That’s pretty normal.”

The New ‘Spektrum’ Experience at lille æske

“I heard there’s a shaman,” a man says as I wait to get into the new “Spektrum” exhibit at lille æske. “I don’t think I’ll be able to not say anything the whole time.” Meanwhile, his friend sniffs and puts his ear to a wooden stump before plopping down on it, giggling. Things are getting weird in Boulder Creek, and the main event hasn’t even started.

I’m sitting with five others around a fire, waiting to be called to enter lille æske’s new “Spektrum” installation. Everyone receives a numbered card, indicating what order they will be called in, and enters individually. Illuminated by a reddish hue, the exhibit starts with a warm and welcoming beginning, but the rabbit hole behind the door is enough to make anyone curious—or in my case, slightly anxious.

Upon entry, I’m fairly sure I’m going to be murdered by a masked man wearing a white apron. I’m not supposed to talk, but out of awkwardness I mumble a hello to the silent masked man and sit down. Music that sounds like it’s out of the ’50s quietly plays amid a vibrant orange glow in the retro kitchen. Twine is spiderwebbed around the ceiling and there’s nowhere to go but to a rickety kitchen table. My masked friend and I sit silently together, and with clammy hands I open a letter sitting in front of me and try not to look him in the eyes.

It reads: “Light of the World, isn’t it funny the way some things seem to choose you as much as you choose them? For example, why are you here right now? Do you even know, yourself? (Do you even know yourself?) Light of the World. There are so many things I want to tell you and of course there is no time. There is never any time.”

The masked man stands up and walks over to the kitchen counter, and I know I am going to die. But instead I’m led to the next room—five of which have somehow been fit into the tiny venue, each based on a different hue in the color spectrum (hence the name). Only 12 people are allowed in each night, given the individuality and personalization of it all, and the artist changes every weekend. There are several interesting characters along the way, some real and some fictional, all of them unique. It’s a journey through color and light, but also a journey into consciousness and awareness.

Leading me from room to room are silent masked hosts, who give a ghostly gesture between the sheeted rooms. The uneasiness of it all turns to comfort by the third room, where Los Angeles-based artist Black Mare waits to put on a show just for me. It’s delightfully gothic and magical—who knew I’d find solace in a masked woman wearing a kimono? She taps a large horn on her staff, hums and gives me a red rose wrapped in parchment before sending me on my merry way. I’m so glad that I’m not on drugs.

A truly sensory experience, “Spektrum” isn’t for the faint of heart, but rest assured it’s worth every second for those who have an open and curious mind. The rooms build on each other, and just when it seems like things couldn’t get any stranger, the fog machine, violet lights and canopied four-poster bed appear. From the rooms to the performances and art pieces, everything is intentional in this small space, and it’s a true wonder in itself.

Spektrum challenges what art looks and feels like. It’s awkward, cohesive and transformative at the same time, a range of emotion and otherworldly experiences all tucked away in a little wooden box in the woods.


“Spektrum” runs Thursday-Sundays through June 30. lilleaeske.com. $32.

 

Film Review: ‘Hearts Beat Loud’

If your idea of parents and offspring playing music together begins and ends with The Partridge Family, you may change your tune when you see Hearts Beat Loud. In Brett Haley’s engaging, gently calibrated story, a middle-aged father and his teenage daughter bond over a shared love of songwriting and playing music together. It’s a simple scenario brought to life by nuanced performances and a light and easy directorial touch.

Haley is becoming renowned for his small, indie films (I’ll See You in My Dreams; The Hero) populated by life-sized characters who look and act like, you know, actual people. There’s nothing tricky about his presentation; his unassuming movies earn our affection with their humor and honesty. Hearts Beat Loud touches on serious themes—financial hardship, broken dreams, grief and loss—but the movie’s attitude is refreshingly buoyant.

In the Red Hook district of Brooklyn, Frank Fisher (Nick Offerman) runs an obscure little storefront shop selling the vinyl records he loves. (One of the movie’s pleasures is spotting vintage album covers hung up in plastic sleeves on the walls of Frank’s shop.) His few customers are curiosity-seeking young hipsters who are gentrifying the neighborhood.

An outwardly crusty, bearlike man, with something a little nutty going on behind his eyes that suggests he’s got some scheme or other in mind, Frank used to play guitar in a rock band on the fringes of the club scene. But he gave it up for the (relative) stability of a shopkeeper when his daughter was born.

Daughter, Sam (vibrant Kiersey Clemons, so noticeable in a small part last year in The Only Living Boy in New York), is off to college in the fall to study pre-med. Business has not been great at the shop—the rent is way past due—and she’s looking for financial security for the future. No big deal is made of the fact that Sam is mixed-race, but it’s gradually revealed that her late mother was black and sang with Frank’s band.

Sam has showbiz in her blood from both sides, and while she tries to be the grown-up in the household, she’s vulnerable to her dad’s wheedling when he wants her to take a break and play music with him. Her instrument is the electric keyboard, augmented by her own powerhouse voice. When Frank learns she’s been noodling around with some songs of her own, he buys an electronic musical keypad to augment their sound. The exasperated Sam insists, “We’re not a band!” which Frank adopts as their new band name.

During the course of the summer, they compose songs and record them in Frank’s makeshift home studio. (After he secretly emails one out as a demo, he has an exuberant epiphany at the local coffeeshop when he hears their song playing on Spotify.) Meanwhile, Sam starts to fall in love with Rose (Sasha Lane, from last year’s American Honey), a young woman from the neighborhood with artistic ambitions. Lane and Clemons are easy and likable together, although the part of Rose is underwritten.

But the rest of the supporting cast has better luck. Toni Collette brings shading to the part of Frank’s sympathetic landlady who wants to give him every chance. Blythe Danner (Haley’s muse and star in I’ll See You in My Dreams) has a couple of droll scenes as Frank’s wayward mother. And it’s great to see Ted Danson behind a bar again as the proprietor of Frank’s favorite watering hole, a cheerful stoner who has never quite let go of the ’60s.

The story’s main conflict is set up between Frank’s rock ’n’ roll dream, so long delayed, and the nature of Sam’s future. But Haley’s understated approach suggests that no option is absolute, and enlightened compromise might be the best way forward in this thoughtful, entertaining film.


HEARTS BEAT LOUD

***(out of four)

With Nick Offerman, Kiersey Clemons and Ted Danson. Written by Brett Haley and Marc Basch. Directed by Brett Haley. A Gunpowder & Sky release. Rated PG-13. 97 minutes.

 

Preview: Amy Rigby to Play Michael’s on Main

0

Have you ever thought about what Philip Roth was thinking when Bob Dylan won the Nobel Peace Prize? Singer-songwriter Amy Rigby has. She even wrote a song about it, imagining the email that Roth would fire off to Dylan. (“When you’re standing in the spotlight where you’ve always been/I’ll be alone with the pen, alone with the pen.”)

“I kind of felt like probably a lot of us feel about Bob Dylan—not angry at him, but we will never be him, to have the depths of his talent,” Rigby says. “I felt like even Philip Roth would have to shake his head and say, ‘For all the hard work I’ve done, for all the body of work I’ve created, I just can’t touch that guy.’ He just looms so large.”

The song opens Rigby’s new album Old Guys, her first solo record in 13 years. It’s a welcome return for Rigby. The singer-songwriter was an indie darling in the ’90s, particularly with her solo debut in 1996, Diary of a Mod Housewife. She’s collaborated on several records with husband Wreckless Eric. The last record they did together was 2012’s A Working Museum.

Old Guys sees her confronting age, death and loss head on, particularly on the title track, which along with “Bob,” were two early songs she wrote and helped her establish the lens for the record.

“Over the last 10 years, I was starting to lose friends—not just musical heroes, but people that I worked with and were really important to my musical life,” Rigby says. “I didn’t want it to sound mopey and sad, but more of a gratitude sort of thing, like a celebration, and have a bit of sadness.”

This vibe carries through all of the record. Much of the lyrics have a strong sad bent, yet are performed behind a mostly upbeat fuzzy rock sound. She delivers the words with her weathered voice, which hides the depth of emotion to a certain extent.

The track “Playing Pittsburgh” is a seemingly sad song about her perpetual disappointment of playing in that city, which she grew up in and left at age 16. She always feels like homecomings are underwhelming, and the shows for whatever reason are not that great. Yet the music for this song is peppered with a pride in Pittsburgh you might not expect from someone expressing this level of sadness. (“I’m playing Pittsburgh tonight/I got the hometown blues.”)

“Something about the music made it feel like Pittsburgh in a positive way,” Rigby says. “I was looking for the sound of a crowd at Pittsburgh sporting event, people cheering, like you felt you’d gone to Pittsburgh Stadium to see a Pirates game or something.”

What it creates is an album that is highly reflective without being soaked in sentimentality, nostalgia or bitterness. Her earlier work was known more for its emotional rawness. Her new album is subtler. This is something Rigby attributes to working with her husband for so long, and also to living in France some years back and getting used to expressing herself to an audience that didn’t speak English.

“I was just starting to feel the expression that comes out of playing notes and volume and sound,” Rigby says. “I was falling in love with the guitar. In the past I saw it more as a tool I needed to write songs. It was liberating.”

It was this more impressionistic approach that moved the record into a new direction. On the surface, the record seems confessional, and it times that’s a major element, but Rigby approached the songs—even the ones intimately about herself—as an abstract project of projecting images into the words.

Even in that opening track, where Roth fires off at Dylan, there’s an odd ending where after Roth speaks his mind to Dylan, Rigby acknowledges the contradiction of Dylan both being an epic person that exists in a higher plane than the rest of us, and a symbol for all of us. She expresses this complex idea by repeating “Spartacus” as the song concludes.

“Spartacus is the slave that represents all the slaves. It wasn’t about him. He was doing it for everybody,” Rigby says. “That was just so perfect to me. The word sounded good, but what it meant was even more what I wanted it to mean.”


Amy Rigby plays at 2 p.m. on Sunday, June 24 at Michael’s on Main, 2591 Main St., Soquel. $15. 479-9777.

The Local Mount Eden Vineyards Wine That Was Served at Royal Wedding

A wine made in the Santa Cruz Mountains viticultural region was served at a special high profile wedding in London last month. An American actress was marrying a British prince, actually, and had ordered nine cases of one of her favorite Pinot Noirs for the reception. Yes, that royal wedding.

Blimey, I thought as soon as I found out about this, and quickly sent a Facebook message to the winemaker, hoping to find a bottle. Probably none left on the Santa Cruz side of the hill, he told me. But! I found a bottle at Shopper’s Corner a few days ago. And paid what turned out to be a bargain price of $35 for a serious bottle of Pinot. What a wonderful creation! Made from Dijon and California clones grown on the northernmost slope of the Santa Cruz Mountains appellation, the Domaine Eden Pinot Noir 2014 unfolded in layers of spice and red fruit, with firm tannins and a graceful cushion of raspberries in the center. The balance of fruit, tannins, and structure was outstanding (14 percent alcohol). A hint of licorice and bay leaves emerged after an hour of opening. Winemaker Jeffrey Patterson has made a lovely wine, completely at home with food—we enjoyed it with roast local halibut and asparagus. Congratulations to Patterson, his team and his vines. “The 2014 has a density and tannin that is bigger than previous Domaine bottlings,” Patterson says. “Cranberry, raspberry, pomegranate flavors are strong with a touch of bergamot, bay and mint adding to the mix.”

The winemaker himself was impressed by the unexpected news of Prince Harry’s new bride selecting this Santa Cruz Mountains Pinot Noir for the reception. “We are delighted and completely surprised that Meghan chose this wine. It is a personal favorite,” he says. Nice to know that the new Duchess of Sussex has such good taste. The other thing you need to know is that the 2014 is officially sold out. (I suggest you keep looking around such wine merchants as Shopper’s, Whole Foods, Deer Park, etc). But the good news is that there is a 2015 vintage of Patterson’s much-admired Pinot Noir already available. Fit for another royal wedding?


Appetizer of the Week

At Soif, a beautiful appetizer, large enough to share over crisp white wine ($18): This creation involved a thick wedge of Fogline Farms pork belly floating on a slab of polenta. Sprigs of infant mustard sprouts sprang from the top of the pork. Accompanying was a vivid emerald puree of mustard greens topped with Rainier cherries, and everything bathed in a rich cherry pork jus. Such a delicious collage of flavors and textures from the kitchen of Chef Marshall Bishop. Eye candy with flavor sparkle and depth.


Home Sweet Home

Consider checking out the July 22 Pork & Pint Party at HOME restaurant, where Chef Brad Briske and his adventurous team are always ahead of the culinary pack. For those of you who want to know more about the way that Briske works with Llano Seco Ranch’s environmentally conscious pork-raising practices, come on over to this special event where the rancher and chef will talk all things pig, plus a pig breakdown demo and an opportunity to make your own sausage. Yes, there will be plenty of beer involved from local Santa Cruz craft breweries. In the in-full-bloom back garden. Info at homesoquel.com.


Tidbits

Ocean2table has been offering magnificent porcinis and morels, harvested up in the Sierras and Mount Shasta region. If you’re a fan of these outstanding fungal specialties, definitely get involved with their program at: fi**@************le.com.

Caput, Dutra Headed for Run-Off in District 4

0

Jimmy Dutra looks to be headed for a run-off against County Supervisor Greg Caput in District 4 on November 6.

According to election results released on Friday, June 12, Dutra sits at 27 percent of the vote, not far behind Caput, who’s at 34 percent. Those results have held steady over the past week and a half. So Felipe Hernandez, who’s currently at 22 percent, may be outside of striking distance.

Most county voters cast their ballots by mail, according to the county’s election website.

In the race for judge, Syda Cogliati finished comfortably ahead of Zach Schwarzbach, by a margin of more than 10 percentage points.

Each of Santa Cruz’s three city measures, including the quarter-cent sales tax, passed in a landslide. All three local school measures passed handily as well.

In addition, according to the returns so far, more than half of Santa Cruz County voted for Democrat Lt. Gov. Gavin Newsom, while Antonio Villaraigosa finished behind Republican businessman John Cox. Cox trounced Villaraigosa statewide convincingly, after the Democratic former Los Angeles mayor slipped in the polls during the month before the June primary.

Those gubernatorial results are essentially just what Republicans had been hoping for, and presumably the reason that President Donald Trump endorsed Cox via Twitter in the lead-up to the primary. The mere fact that conservatives have a candidate for governor should drive Republican voters to the polls come November and increase their odds of holding onto control of Congress.

Beyond that, the conventional wisdom says that Cox doesn’t have a shot in hell at winning in November against Newsom, a popular Democrat.

Then again, the conventional wisdom also told us this was a two-man race between Newsom and Villaraigosa. Is it just me, or is it getting hot in here? JACOB PIERCE

Visitor Guide 2018

They say men don’t like to ask for directions, but I, for one, love it. My only concern is asking the right person for directions. For Visitor Guide, we pulled together a team of quintessential insiders to ask for tips about what to do in Santa Cruz.

Want to know the latest food trend to check out in Santa Cruz? No problem, we’ve got Christina Waters writing in this issue about the bowl craze that has officially swept the county. Want to know about an offbeat subculture to explore in downtown? No problem, DNA is here to tell you about Santa Cruz’s long tradition of great barbershops. Heck, he’ll even tell you where barbershops started 5,000 years ago. Interested in Santa Cruz’s reputation as a center of alternative medicine, and thinking you’d like to try something that’s truly on the cutting edge? Maria Grusauskas is going to clue you in to craniosacral therapy. Want to see this place from an entirely new perspective? Jacob Pierce will tell you what it’s like to hover over the Santa Cruz coastline in a helicopter—and how you can, too.

Not to mention, there’s a handy guide to hundreds of local businesses specializing in whatever you’re looking for. And you know what? You don’t even have to ask. Just sit right down and let us get you where you want to be.

STEVE PALOPOLI | EDITOR

 

5 Things to Do in Santa Cruz June 13-19

Event highlights for the week of June 13, 2018.

Green Fix

UCSC Arboretum Nature’s Prints Workshop

Join local artist and certified California Naturalist Sarah Ory in experiencing the beauty of the Arboretum’s botanical offerings through printmaking. Amid the beauty of the 135 acre “living museum,” attendees will create prints inspired by nature, by carving blocks and relief printing with flowers and leaves. Prints will be made on a variety of art paper that will be provided. Each participant will take home their prints and carved block for future printmaking. Class is limited to 15, so sign up soon.

INFO:10 a.m.-2 p.m. Saturday, June 16. UCSC Arboretum and Botanic Garden. 1156 High St., Santa Cruz. 502-2998. arboretum.ucsc.edu. $45 members, $60 non-members, plus $10 materials fee. Pre-registration required.

 

Art Seen

Santa Cruz Art League’s ‘Raíces y Alas’

Santa Cruz Art League’s newest show, Raíces y Alas, features work from generations of Latin artists that incorporates cultural inspiration. In Spanish, raíces means roots, and alas means wings. The exhibition is generational, and the elder artists are the raíces that make up the foundation. Their successors are the alas. The show will showcase artists that work in various mediums, including photography, painting and printmaking, to address social issues and cultural practices that are important in their lives, such as social activism, feminism and family.

INFO: Runs through July 1. Santa Cruz Art League. 526 Broadway, Santa Cruz. 426-5787. scal.org. Free.

Saturday 6/16

Papás of the Central Coast celebrate Father’s Day

Celebrate Father’s Day with free food, music, raffles, arts and crafts and a costume contest. This year’s theme is Fairy Tales and Fatherhood, so whether it’s a king and princess costume or an ogre and mini ogre, all people, fairies, dragons, and ambiguous mythical beings are welcome. The costume contest categories vary from fathers, father-child and whole family.

INFO: 11 a.m.-2 p.m. Ramsay Park Family Center. 1301 Main St., Watsonville. 763-3123. papassfi.org. Free.

 

Wednesday 6/13-Sunday 6/16

Brazilian Dance Classes and ‘Tracing Diasporas’ Performances

Local contemporary Brazilian dance company Agua Doce Dance will be leading public all-levels dance classes this week, culminating with a dance performance workshop with Brazilian dancer and choreographer Vera Passos. This week-long cultural immersion of dance classes from Bahia, Brazil includes traditional Afro-Brazilian dances, Samba de Roda, and the Silvestre Dance Technique. Classes will be held at a variety of studios throughout the week, check online for details.

INFO: Daily classes through June 16. “Tracing Diasporas” show Friday, June 15 and Saturday, June 16. Motion Pacific. 131 Front St. E, Santa Cruz. aguadocedance.com/workshops. $15-$25 classes and performances. Photo: Crystal Birns.

 

Friday 6/15- Friday 8/31

Bands and Movies on the Beach

Aside from rising temperatures, an increase in beach-goers and a preference for outdoor dining, the return of the Santa Cruz Beach Boardwalk’s free screenings and concerts is a welcome summer ritual. It’s one thing about Santa Cruz summers that has never really changed—think The Lost Boys’ Corey Feldman and his band of Angels in the late ’80s. Speaking of The Lost Boys, it’s also the screening that kicks off the summer movie series on Wednesday, June 20. Grab a blanket, cooler and chair and get there extra early for a good seat to an old tradition. Performances and movies in advance online.

INFO: Friday concert shows begin at 6:30 and 9:30 p.m. June 15 through Aug. 31. Wednesday night movies begin at 9 p.m. June 20 through Aug. 15. Santa Cruz Beach Boardwalk. 400 Beach St, Santa Cruz. 423-5590. beachboardwalk.com/events. Free.

 

Santa Cruz Poke is a Healthy Destination in Capitola Village

Santa Cruz Poke is a roll in a bowl—only better. Owner Brook Penquite and his family opened the Capitola store nine months ago. Penquite prepares each and every poke bowl himself six days a week, all in an 80-square-foot kitchen. They offer five different proteins (including a signature tofu), several base options, healthy sauces, and more toppings than you can count on two hands. Penquite also pickles his own ginger and makes his own furikake mix—a combination of toasted sesame seeds, seaweed and bonito fish flakes. Santa Cruz Poke bowls are a win-win for the mind and body, and a guaranteed summer go-to.

 

GT: What made you want to open this place?

 

BROOK PENQUITE: Capitola needed it. We’ve been coming down here for over a decade. We wanted something that was fresh and quick, we could go down to the beach or ride our bikes and eat good, healthy food. So we thought we’d create it ourselves. This location used to be a coffee shop, and we drove into the village and saw it was for lease and it all fell in line from there.

We also wanted to try and take it in a healthier direction, especially when you have so many places that have pizza, burgers, fish and chips, ice cream.

 

What makes your food unique?

 

Most poke places generally are owned and operated by Japanese owners, and there is a very traditional use of sides like white rice and a lot of similar tastes you’d find in sushi, which a lot of people love. But for me, I go more on the healthy and Hawaiian side. I have traditional Lomi Lomi which a lot of places don’t carry, and I have rice and quinoa, shirataki yam noodles, tofu and organic gluten-free toppings. I also make seasonal salads in-house. I think people are a bit more appreciative of how much work I put into creating a menu that is healthy and accessible for anyone, whether you’re a gluten-free, vegan or have food allergies.

 

Where do you source your fish from?

 

Royal Hawaiian Seafood in San Francisco—the only Northern California distributor that partners with the Monterey Bay Seafood Watch Program. Tuna is endangered, and in the restaurant industry it’s tough to go toward something you are negatively impacting. A lot of people just get into the business to make money. They will use thousands of pounds of fish per week. Here, this is a small footprint in so many different ways, we have a small business and it’s all environmentally and source-conscious, from the compostability of our materials to our grease traps, it’s all small footprint.

 

115 San Jose Ave., Capitola. 854-2888. santacruzpoke.com.

What a UCSC Lecturer Learns from Syrian Refugees

Tony Hoffman, UCSC
Tony Hoffman leads a double life, bouncing back and forth from Lebanon, where spends time in refugee camps

More to Learn on Rail Trail’s Future

Rail Trail, Greenway
Activists and politicians can’t wait to dissect the Unified Corridor Study, but will it just lead to more noise?

The New ‘Spektrum’ Experience at lille æske

lille aeske, spektrum
Walk-through light exhibit dissolves boundaries between viewer and artist

Film Review: ‘Hearts Beat Loud’

Hearts Beat Loud
Engaging music, characters, energize ‘Hearts Beat Loud’

Preview: Amy Rigby to Play Michael’s on Main

Amy Rigby, Michaels on Maine
Amy Rigby returns to form for ‘Old Guys,’ her first solo album in 13 years

The Local Mount Eden Vineyards Wine That Was Served at Royal Wedding

Mount Eden Vineyards, Domain Eden, Jeffrey Patterson
Plus a Pork & Pint party at Home restaurant, and foraged mushrooms from Ocean2Table

Caput, Dutra Headed for Run-Off in District 4

Jimmy Dutra looks to be headed for a run-off against County Supervisor Greg Caput in District 4 on November 6. According to election results released on Friday, June 12, Dutra sits at 27 percent of the vote, not far behind Caput, who’s at 34 percent. Those results have held steady over the past week and a half. So Felipe Hernandez,...

Visitor Guide 2018

visitor guide 2018
Find the best of Santa Cruz County, from breweries to beach dance parties

5 Things to Do in Santa Cruz June 13-19

Event highlights for the week of June 13, 2018. Green Fix UCSC Arboretum Nature’s Prints Workshop Join local artist and certified California Naturalist Sarah Ory in experiencing the beauty of the Arboretum’s botanical offerings through printmaking. Amid the beauty of the 135 acre “living museum,” attendees will create prints inspired by nature, by carving blocks and relief printing with flowers and leaves....

Santa Cruz Poke is a Healthy Destination in Capitola Village

Santa Cruz Poke
With Hawaiian leanings and a small eco footprint, Santa Cruz Poke is a must-try
17,623FansLike
8,845FollowersFollow