Density: How Much is Too Much?

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A small group of cyclists pedal past pedestrians who are chatting at the outdoor seating area of a Soquel Avenue café on a Friday evening. The bikers whiz past traffic toward a bustling corner of Seabright Avenue, where a small grocery store takes up the ground floor of a new four-story apartment complex, with a community garden in the back and a car sharing station in the basement, filled with an eclectic mix of Santa Cruz locals and twenty-somethings.
The year is, let’s say, 2040, and in this scenario, the Santa Cruz Transit Corridor Zoning Update has been in place for a couple of decades, incentivizing what planners call sustainable or “smart growth” up and down the city’s thoroughfares. The image is a rough sketch of what many city leaders hope to accomplish with a new corridor update for streets like Soquel Avenue. Along the way, cyclists are parking their bikes to stop in at boutiques and cafes that line the street.
“It’s so good for small business,” says Peter Kennedy, a Santa Cruz planning commissioner, of the corridor plan. “This whole parking lot mentality is old news, but you go down Soquel [today], and that’s what you see: the Ford dealership, the Nissan dealership. It’s still very much built on that auto row mentality.”
The basic idea behind the corridor plan is simple: Encourage taller, denser buildings, retail, and housing development along the city’s four biggest streets—Mission Street, Water Street, Ocean Street and Soquel Avenue.
Kennedy says the city is bound to grow no matter what, and the corridor plan offers the city a way to grow with a smaller carbon footprint. It encourages apartments in pedestrian-friendly areas with access to transit routes, and it should have less impact on quaint residential neighborhoods. As people of all ages get priced out of Santa Cruz, he feels, the plan is the best way to meet the city’s housing demand.
“We need more businesses for economic growth, and more housing, so that younger people can afford to live in this town,” says Kennedy, who also serves on the Corridor Advisory Committee. “Simultaneously, we all face horrible traffic. That’s the trick with that. Yep, we’re going to continue to have bad traffic, and we still need to make small apartments, so that those kids who come out of UCSC with a great idea can actually stay here, do their startup and bring the money home to Santa Cruz. It’s so hard for people to get in here housing-wise.”
 

Growth Spurt

Candace Lynn Brown stands behind a camcorder on a tripod at a recent Corridor Advisory Committee meeting, swiveling the camera from the Power Point presentation to the commission to the audience.
Brown, a resident of Santa Cruz’s East Morrissey neighborhood, has been sharing the videos to get the word out about the plan. She worries about what it will do to parking and traffic around Soquel Avenue, a few blocks from her home.
The pros and cons of the issue are complex, Brown admits—for instance, her property values could climb if intersections on the Eastside and in Midtown became hubs of activity.
“But then you look at the density implications, wondering what’s that going to do to the neighborhoods, because they’re very well established,” she says. “Are people going to stay in these neighborhoods? Some of these units are 700 or 400 square feet. They’re very, very small. You might live in it for a few years, or you might even try to rent it, but it’s not going to have the established feeling of the neighborhood that is there now. It’s going to have a big impact. And I’m not just talking density, I’m talking just in terms of community.”

The basic idea behind the corridor plan is simple: Encourage taller, denser buildings, retail, and housing development along the city’s four biggest streets—Mission Street, Water Street, Ocean Street and Soquel Avenue.

Then, Brown says, there are the traffic woes. Already, cars inch along during rush hour in her neighborhood. On Friday afternoons, the traffic along Soquel Avenue grinds to a gridlock-like crawl, just as the traffic on Ocean Street does every weekend from Memorial Day through Labor Day.
Brown notes that three of the four planned corridors are east of downtown, and worries that the Eastside would bear the brunt of new development under the corridor plan, which is slated to go to the city’s planning commission next, and then the Santa Cruz City Council. She would rather see more new housing be on the Westside, close to UCSC—a notion that others are quick to bring up at public meetings.
“I want to bring up the concept of fairness,” Deborah Marks, who lives near Ocean and Water streets, tells the Corridor Advisory Committee. “If you have a neighborhood, like mine—single family homes—and we get surrounded because we’re near two corridors, it’s really going to be hell. And all the parking permits in the world aren’t going to help.”
If city leaders do decide to incentivize building vibrant Eastside corridors, Brown would like to see them also put in ample parking structures, as planners did in Old Town Pasadena in Los Angeles County. No matter what, she’s worried about growing in a community that already teems with tourists for more than a quarter of the year.
“We’re like a balloon. We double in the summer. We have to have a little bit of room to breathe,” Brown says of Santa Cruz, packing up her tripod as people filter out of the meeting. “What’s going to happen if it’s full all the time? And then the tourists come in.”
 

Size Matters

Santa Cruz city planner Michelle King takes the microphone to open up the fifth Corridor Advisory Committee meeting. It’s late March, and afternoon light floods the Louden Nelson Center Room, almost making silhouettes of the 12-person committee.
“This is a start point, not an end point,” says King. “But we wanted to start somewhere and hear people’s thoughts.”

To build one parking spot costs more than $15,000-$35,000, once you factor in construction, labor and land, according to planning experts like John Swift, a Santa Cruz developer who serves on the committee.

During the meeting, Sophie Martin, an urban planning consultant, explains the differences between the four main land-use designations that are scattered across the city’s four corridors. The committee discusses how large the buildings should be, and how big they should appear to neighbors and people on the street. The plan is to bring newly constructed buildings 4 feet farther from the curb, allowing more space for pedestrians on the sidewalk. Upper stories will start even farther back from the curb to allow for a greater sense of space.
During the presentation, audience members, many of them Eastside neighbors, raise their hands with questions, and Martin, who works with a San Francisco-based firm, pauses to answer each, one by one. King chimes in occasionally, offering to chat with neighbors about how a certain provision might affect their area.
At times, the meeting is tense and at other times, heated. At one point, when several committee members take turns talking about the importance of affordable housing, one woman storms out of the room, calling the discussion “bullshit.”
The plan—which was borne out of the 2030 general plan passed by the City Council four years ago—will call for consolidated development on certain “nodes,” major intersections stretching from the Westside Safeway to Soquel and Seabright avenues. Another 1.5 miles farther east, where Soquel Avenue crosses Highway 1, turning into Soquel Drive, the corridor enters unincorporated Santa Cruz County, where county planners have a similar, albeit less ambitious corridor plan called Sustainable Santa Cruz County.
King says that with new construction buildings along the corridor, the changes could require developers to get creative.
“If you’re near a bus line, could you build an affordable unit with less parking? But then you also have to think: What kind of impact does that have on the neighborhood?” King tells GT. “That incentive might have a negative impact on the neighborhood. So, you have to balance those things out.”
To build one parking spot costs more than $15,000-$35,000, once you factor in construction, labor and land, according to planning experts like John Swift, a Santa Cruz developer who serves on the committee.
Several committee members and King have said that permit parking would be the best way to protect neighborhoods from an onslaught of new cars, but neighbors balk at having to buy permits, which typically cost $25 annually per car. The committee will revisit parking discussions at its next meeting on Monday, April 18.
Swift stresses that the general plan has already outlined Santa Cruz’s shift toward more density—a component of goals to lower greenhouse gas emissions—and says that density creates more interesting communities.
“Do people go on vacation to Stockton or to Modesto? Some people do. I’m not trying to bash those places,” he says. “But do they go to Paris? Do they go to New York? I’m not saying we’re going to make a big city, but we have that vibrancy downtown, a mix of uses. Those kinds of place are more exciting to live in, as well as visit.”
Swift says it has always been difficult to get good housing built in Santa Cruz due to a combination of red tape and neighborhood uproar. He’s “hopeful” but skeptical that the plan will change anything. He says that building small units for people who can live without a car is the best way to build affordable housing without any government subsidies.
Part of the appeal of the corridor plan for some supporters is the opportunity for a vital corridor filled with new bike infrastructure for all residents to enjoy. But at the same time, Kennedy wants to be realistic about what kind of shift is really possible.
“There’s great enthusiasm about people biking everywhere. Eh … I’m a car guy,” says Kennedy, who drives a Nissan electric LEAF. “What are you gonna get?—16 percent of people [riding], maybe 20 at the most? That’s great, let’s do that. But certain people are still gonna need a car. It’s not like this is going to solve all that. I think it will make it better. It’ll give developers much more flexibility in how they provide parking.”
Kennedy is sitting down with GT for a latte at Fins Coffee on Ocean Street. He notes that the corridor’s model housing isn’t hard to find, as he spins around in his chair and looks out the window and across the avenue at 1111 Ocean St.
It’s a small housing complex with a Southwestern feel, green balconies and planter boxes sitting on top of offices and retail on the ground floor. “Right there. Multi-story residential above commercial store fronts,” says Kennedy, who’s wearing a Stone Brewing T-shirt from a trip to San Diego last year. (The corridor plan, when finished, should allow for a project that is a couple of stories taller.)

Swift stresses that the general plan has already outlined Santa Cruz’s shift toward more density—a component of goals to lower greenhouse gas emissions—and says that density creates more interesting communities.

Kennedy works as a project manager for Bright Green Strategies, a company based just off Ocean Street that helps buildings earn environmental certifications. Building something in a walkable neighborhood, he says, is a big plus.
Engineers, Kennedy explains, like to talk about “the triple bottom line”—people, profit, planet—referring to something that’s for the world, good for business and good for community, health or a variety of other reasons.
Some details have yet to be ironed out, of course. King has been talking to affordable housing advocates about the best ways to incentivize affordable housing. Many neighbors are also nervous about what the street design might look like along the corridors, another item that the committee is still discussing.
“People who are building are going to make a profit,” Marks, one of the neighbors, said at the March corridor meeting. “They’re going to make a lot of money. I think they have a responsibility to make something that coexists with the feeling of the community.”
Kennedy says that many developers may help to pay for neighborhood improvements, in order to get the community on their side, just as Safeway did in the side streets off Mission Street when the grocery chain remodeled its Westside location. He says neighbors should come forward and say what they want, so that city leaders can work it into the plan. For instance, traffic circles, speed bumps and permit parking on side streets, he says, could all lessen the corridor plan’s impact on local neighborhoods.
Kennedy, whose late father Scott Kennedy twice served as mayor, in the 1990s and 2000s, learned about the art of compromise from having a little politics in the family.
“What did dad used to say? ‘Think of the person you agree with the least and think of just one thing they would want that you could fit into the solution,’” Kennedy says. “That’s such a nice way to look at it, because you’re never going to make everybody happy.”


The sixth Corridor Advisory Committee meeting will be at 5:30 p.m. Monday, April 18 at the Louden Nelson Community Center. The meeting will cover topics like zoning changes, parking and open space and landscaping.
 
 

Rob Brezsny’s Astrology Arpil 13—April 19

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ARIES (March 21-April 19): “When I discover who I am, I’ll be free,” said novelist Ralph Ellison. Would you consider making that a paramount theme in the coming weeks? Will you keep it in the forefront of your mind, and be vigilant for juicy clues that might show up in the experiences headed your way? In suggesting that you do, I’m not guaranteeing that you will gather numerous extravagant insights about your true identity and thereby achieve a blissful eruption of total liberation. But I suspect that at the very least you will understand previously hidden mysteries about your primal nature. And as they come into focus, you will indeed be led in the direction of cathartic emancipation.
TAURUS (April 20-May 20): “We never know the wine we are becoming while we are being crushed like grapes,” said author Henri Nouwen. I don’t think that’s true in your case, Taurus. Any minute now, you could get a clear intuition about what wine you will ultimately turn into once the grape-crushing stage ends. So my advice is to expect that clear intuition. Once you’re in possession of it, I bet the crushing will begin to feel more like a massage—maybe even a series of strong but tender caresses.
GEMINI (May 21-June 20): Your sustaining mantra for the coming weeks comes from Swedish poet Tomas Tranströmer: “I am not empty; I am open.” Say that aloud whenever you’re inclined to feel lonely or lost. “I am not empty; I am open.” Whisper it to yourself as you wonder about the things that used to be important but no longer are. “I am not empty; I am open.” Allow it to loop through your imagination like a catchy song lyric whenever you’re tempted to feel melancholy about vanished certainties or unavailable stabilizers or missing fillers. “I am not empty; I am open.”
CANCER (June 21-July 22): According to my analysis of the astrological omens, you are close to tapping into hidden powers, dormant talents, and future knowledge. Truths that have been off-limits are on the verge of catching your attention and revealing themselves. Secrets you have been concealing from yourself are ready to be plucked and transformed. And now I will tell you a trick you can use that will enable you to fully cash in on these pregnant possibilities: Don’t adopt a passive wait-and-see attitude. Don’t expect everything to happen on its own. Instead, be a willful magician who aggressively collects and activates the potential gifts.
LEO (July 23-Aug. 22): This would be a perfect moment to give yourself a new nickname like “Sugar Pepper” or “Honey Chili” or “Itchy Sweet.” It’s also a favorable time to explore the joys of running in slow motion or getting a tattoo of a fierce howling bunny or having gentle sex standing up. This phase of your cycle is most likely to unfold with maximum effectiveness if you play along with its complicated, sometimes paradoxical twists and turns. The more willing you are to celebrate life’s riddles as blessings in disguise, the more likely you’ll be to use the riddles to your advantage.
VIRGO (Aug. 23-Sept. 22): Right about now you might be feeling a bit extreme, maybe even zealous or melodramatic. I wouldn’t be surprised if you were tempted to make outlandish expostulations similar to those that the poet Arthur Rimbaud articulated in one of his histrionic poems: “What beast must I worship? What sacred images should I destroy? What hearts shall I break? What lies am I supposed to believe?” I encourage you to articulate salty sentiments like these in the coming days—with the understanding that by venting your intensity you won’t need to actually act it all out in real life. In other words, allow your fantasy life and creative artistry to be boisterous outlets for emotions that shouldn’t necessarily get translated into literal behavior.
LIBRA (Sept. 23-Oct. 22): Adyashanti is my favorite mind-scrambling philosopher. One of his doses of crazy wisdom is just what you need to hear right now. “Whatever you resist you become,” he says. “If you resist anger, you are always angry. If you resist sadness, you are always sad. If you resist suffering, you are always suffering. If you resist confusion, you are always confused. We think that we resist certain states because they are there, but actually they are there because we resist them.” Can you wrap your imagination around Adyashanti’s counsel, Libra? I hope so, because the key to dissipating at least some of the dicey stuff that has been tweaking you lately is to STOP RESISTING IT!
SCORPIO (Oct. 23-Nov. 21): During every election season, media pundits exult in criticizing candidates who have altered their opinions about important issues. This puzzles me. In my understanding, an intelligent human is always learning new information about how the world works, and is therefore constantly evolving his or her beliefs and ideas. I don’t trust people who stubbornly cling to all of their musty dogmas. I bring this to your attention, Scorpio, because the coming weeks will be an especially ripe time for you to change your mind about a few things, some of them rather important. Be alert for the cues and clues that will activate dormant aspects of your wisdom. Be eager to see further and deeper.
SAGITTARIUS (Nov. 22-Dec. 21): Friedrich Nietzsche published his first book, The Birth of Tragedy, in 1872, when he was 28 years old. In 1886, he put out a revised edition that included a preface entitled “An Attempt at Self-Criticism.” In this unprecedented essay, he said that he now found his text “clumsy and embarrassing, its images frenzied and confused, sentimental, uneven in pace, so sure of its convictions that it is above any need for proof.” And yet he also glorified The Birth of Tragedy, praising it for its powerful impact on the world, for its “strange knack of seeking out its fellow-revelers and enticing them on to new secret paths and dancing-places.” In accordance with the astrological omens, Sagittarius, I invite you to engage in an equally brave and celebratory re-evaluation of some of your earlier life and work.
CAPRICORN (Dec. 22-Jan. 19): “Go back to where you started and learn to love it more.” So advised Thaddeus Golas in his book The Lazy Man’s Guide to Enlightenment. I think that’s exactly what you should do right now, Capricorn. To undertake such a quest would reap long-lasting benefits. Here’s what I propose: First, identify three dreams that are important for your future. Next, brainstorm about how you could return to the roots of your relationships with them. Finally, reinvigorate your love for those dreams. Supercharge your excitement about them.
AQUARIUS (Jan. 20-Feb. 18): “What am I doing here in mid-air?” asks Ted Hughes in his poem “Wodwo.” Right about now you might have an urge to wonder that yourself. The challenging part of your situation is that you’re unanchored, unable to find a firm footing. The fun part is that you have an unusual amount of leeway to improvise and experiment. Here’s a suggestion: Why not focus on the fun part for now? You just may find that doing so will minimize the unsettled feelings. I suspect that as a result you will also be able to accomplish some interesting and unexpected work.
PISCES (Feb. 19-March 20): How many fireflies would you have to gather together in order to create a light as bright as the sun? Entomologist Cole Gilbert estimates the number to be 14,286,000,000. That’s probably beyond your ability to accomplish, Pisces, so I don’t recommend you attempt it. But I bet you could pull off a more modest feat with a similar theme: accumulating a lot of small influences that add up to a big effect. Now is an excellent time to capitalize on the power of gradual, incremental progress.


Homework: Let’s meet in dreams sometime soon. Describe to me the adventures you’d like us to have together. FreeWillAstrology.com
 

Risa’s Stars: Mars Retrograde and Preparing for Wesak

Sunday, April 17, Mars, the red planet that propels us forward, turns stationary retrograde at 17 degrees Sagittarius, sign of journeys, justice and goals.
Mars retrograde shifts our usual outward trajectory inward into places that haven’t been touched since last Mars retrograde (Libra, 2014). Mars (red, hot, intense activity, desire), when retrograde, creates life-altering transformations experienced internally rather than externally. Health wise, our vitality lessens, Mars can be inflammation, and Sagittarius rules the thighs. Therefore, we are cautioned to be careful of inflammatory foods and activities. Mars retrogrades every 26 months or so (not like Mercury every 3-4 months). Mars is retrograde for 2.5 months at a time (73 days).
The same rules for Mercury retro apply to Mars retro.
Retrograde planets are close to the Earth. Earth, with Mars retro, will also experience an intensification of events, or inflammatory situations, an uprising of things red, hot, conflictual and martial. Individuals experience Mars retro internally. However, collectively, the world experiences Mars retro as explosive. Mars is also courage, the ability to protect and defend, to “battle for the Lord.” Ruler of Aries and Scorpio, Mars signifies the warrior’s highest aspirations.
Mars creates the “burning ground,” the pathway, an alchemical fire that purifies. Mars retro allows us to align with and realign deep desires, aspirations and life purpose. All around us will be dramatic (at times, torrid) transformations, endings, re-orientations, journeys, regenerations, and significant encounters.
This week we prepare for the Wesak Festival (next Thursday and Friday, full moon time), the Buddha’s yearly visit from Shambhala to Earth (Wesak Valley in the Himalayas), distributing the Will of God to humanity. Read more daily on my Facebook page as we prepare for the Wesak Festival together.


 
ARIES: A sense of being in alignment occurs this month for everyone, but especially you. As this occurs many unusual ideas appear in your mind. They are important, providing direction, stabilizing your actions and self-identity in the coming challenging times. Careful with groups. Stand tall and courageous and remember that anxiety is a state seeking more detailed information.
TAURUS: You’re serving others, which often disrupts your own personal schedule. Or perhaps you’re in retreat and behind the scenes which allows you to ponder, think and study the world events undistracted. Or, you’re far away from home tending to a life-and-death situation or a medical emergency. Whatever the present journey, love underlies all your actions and choices.
GEMINI: Hurry and do all that’s needed to prepare for the Mars retrograde. Always you’re being prepared for something important. Perhaps it’s to dispel the illusions of others concerning what’s occurring on our planet now. As you slowly move back into a reflective state, something is happening to your sense of intimacy and relationships. Steady yourself, poised at the center of what matters.
CANCER: There’s a different communication occurring between you and the groups you interact with and/or belong to. Perhaps you will be recognized more or called to lead or a wish is fulfilled. New people enter your circle, perhaps through a community interaction, a market, a class or meet-up. Maintain your ethics and ideals as you adapt and compromise and plan for the future.
LEO: Work continues to be a deep stabilizing influence and new ideas occur that develop new ways of relating to everyone professionally. It’s important to be especially in touch with your creativity. You are more than you think you are, more than most see and recognize. Careful with authority. Create a balance between discipline, structure, willingness and kindness. It equals right human relations.
VIRGO: Things religious and spiritual, questions concerning justice, and journeys all come into your mind. You are greatly organized, tending well to plans and agendas that affect daily life. Careful at home, with sharp knives, steps, tools, and where you walk. Be aware of each moment lest you fall and hurt yourself. When we learn new things, stumbling about is always our first step.
LIBRA: Your heart fills up with love for another. When we love more sometimes wounds appear. Wounds have a purifying affect, bringing us attention to what hurts most. What underground streams of thought are you having? Mars is uncovering wounds from long ago. Bring everything into the light of day for discussion. An old wound surfaces. It has to do with miscommunication. Forgive.
SCORPIO: In your daily life it’s good at this time to listen carefully and agree with others, participating in their ideas, plans and agendas. This creates a magnetic emotional balance within you and all around you. You will be seen as wise, intelligent and caring. Cooperate, share, provide others with praise and attention. In the secret moments of your life, tend carefully to money and resources.
SAGITTARIUS: Something important now is you creating new methods and trainings at work, maintaining an ethical and just work environment and being the mentor everyone seeks. Also, tend to physical, emotional and psychic health. Be sure to have sound financial advice. In odd moments remember to play a lot. Notice that what was previously a pleasure changes dramatically.
CAPRICORN: It’s good every now and then to turn to our partner(s) (intimate, business, etc.) and renew commitments, intentions and vows. Bonds then deepen—trust, too. A deep spiritual presence may appear in your mind, heart, dreams or visions. People may wonder what’s different about you, what is that light they see around you? It’s the light of goodwill emanating from you creating peace and goodness to all.
AQUARIUS: You will find yourself returning to friends and groups you’ve interacted with before. They have missed you. You’ll be out and about, doing what’s needed firmly and without distraction. A new base of operations is attempting to form but there are changes you must bring about first. List all things needed in your life. Then, take one step. Then the next. Each step lets you know you’re in control of your life.
PISCES: You will ask yourself questions regarding direction in life, work and in the world. The retrograde allows us to assess, reassess and re-evaluate our direction, aspirations and goals. Do not push the river in any way during the next three months. Tend to elders, parents, co-workers, mentors. Know there is no failure. There is only experiencing and learning. Know also that you are always a success.
 

Be Our Guest: Lucius

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An immensely creative quintet that’s as fun to watch as it is to listen to, Lucius crafts luscious pop songs full of Abba-esque melodies reworked for the 21st century, paired with irresistible percussion grooves. Led by cofounders and lead vocalists Jess Wolfe and Holly Laessig, who sing layered vocals in unison, the Brooklyn-based band was described by NPR as fabulous and infectious. On May 7, Lucius performs at the Catalyst in support of its new album, Good Grief. Also on the bill: New York-based singer-songwriter Margaret Glaspy.


INFO: 9 p.m. Saturday, May 7. Catalyst, 1011 Pacific Ave., Santa Cruz. $16/adv, $18/door. 423-1338. WANT TO GO? Go to santacruz.com/giveaways before 11 a.m. on Friday, April 15 to find out how you could win a pair of tickets to the show.

Love Your Local Band: Ella and Henry

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Husband and wife Ella and Henry Warde have been playing bluegrass together for a number of years. They played in the group Windy Hill, and also play with Larry Gillis and the Hard Driving Swampgrass Band.
But they wanted to try something new, or rather old—namely, country music from the ’50s and ’60s, what they refer to as the genre’s “golden era.” They put together Ella & Henry and Their Fine Country Band to perform covers from this period, as well as some originals written in the same vein.
“We’ve always reached back to the older music and just felt a connection to it. We try to carry on that tradition because we don’t want it to be lost or forgotten,” Henry says. “We just enjoy that, the simplicity of that older style, of not getting too far out, because people tend to go really far out and forgetting the roots. And we always love that roots music.”
Henry plays the acoustic guitar, Ella plays the fiddle, and both sing and harmonize. Their Fine Country Band includes Meghan Leslie on the upright bass, Curtis Leslie on the electric guitar, Dave Magram on the pedal steel, and James “Wheat Chex” Van Kol on drums.
They’re big fans of the Bakersfield sound that, at the time, was rebelling against the high-production gloss of the Nashville machine.
“We try to pay tribute to those artists,” Ella says. “You’d go to the honkytonk and you hear this music and it’s like, ‘Woah, let’s start dancing. This is dancing music.’” 


INFO: 9 p.m. Wednesday, April 20. Crepe Place, 1134 Soquel Ave., Santa Cruz. $8. 429-6994.

Trial Act

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Last year, 94-year-old Oscar Groening was sentenced to four years in prison for Nazi war crimes at Auschwitz. Just last week, the Guardian reported that the Associated Press cooperated with Hitler in the 1930s, including forwarding Nazi propaganda to U.S. newspapers. The question of how genocide and war should be judged—and who will do the judging—is as relevant as ever, and forms the basis of Judgment at Nuremberg, a play presented by the Cabrillo College Theatre Arts Department at the intimate Black Box Theatre in Aptos from April 15 to May 1.
Judgment at Nuremberg was written in 1957 by Abby Mann about the fictional 1948 trial of four German judges for complicity in Nazi atrocities. GT spoke with the play’s director Sarah Albertson and Peter Gelblum, an actor, attorney and chair of the Santa Cruz chapter of the American Civil Liberties Union, who plays the role of Judge Haywood.
Why are you producing this play now?
SARAH ALBERTSON: A year ago I was watching the 1961 film version of Judgment at Nuremberg, and I was struck by how timely it was. The play focuses on Ernst Janning, a judge during the Nazi-era in Germany who is faced with a military tribunal for war crimes against humanity. When I decided to do the play, we were watching on television the many refugees fleeing violence and heading to Germany and Europe. It struck me that that is so much in the atmosphere of the play—the exclusion of people due to ethnicity or religion. Watching the refugees from the Middle East brought me to this play, in a sense.
The play raises questions about responsibility, retribution and which law and authority to follow.
PETER GELBLUM: There’s a lot of dialogue about all of those points in the play. We’ve added some lines to update the play. One of the four Nazi judges on trial says, “I was doing what I thought judges are supposed to do, which is to follow the laws and not to make up my own mind about what is the right and wrong law.” But I have some lines in the play like, “They’re not so different than us.” A black American soldier in the play says, “I wouldn’t be shocked if it happened here in the U.S.—I know these people. They’re in my hometown.”  
The first time I went to Europe and spoke with Germans about the Nazi period many of them said, “Who are you to judge? Germans are at least grappling with our history. People from America have yet to do so.” The history of the U.S. includes genocide, slavery and continual warfare.
GELBLUM: There’s a line in the play by the defense attorney saying to an American guard, “I could show you pictures of Hiroshima and Nagasaki.” Later, the general says, “Are we going to put Truman on trial for that?” and someone says, “Maybe we should.”
ALBERTSON: When Abby Mann was writing this play in 1957 he said, “It was a breach of good manners to bring up the subject of German guilt for events during the Third Reich. There was a new crisis with the Russians and Germany was suddenly our new ally.” There was an effort by [President] Eisenhower to not have this play done. Initially it was a Playhouse 90 Production on live TV directed by George Roy Hill. There was this effort to wipe out this history even on our side.
GELBLUM: One of the sponsors of Playhouse 90 was a gas company. They tried to get all references to the Nazi gas ovens deleted from the script. They didn’t want their product associated with the Holocaust. The director and producer refused to take it out. It was performed live on TV and they bleeped out the words “gas ovens.”
Information continues to be revealed about Americans who cooperated with Hitler and profited from the Nazi war. The book IBM and the Holocaust explains how they sold their business machines to Hitler during the Holocaust.
GELBLUM: I didn’t know about IBM, but there is a reference in the script about American industrialists supporting Hitler. This production has quite a few Cabrillo College students in it and helping backstage, and I asked one of them what they’d learned about the Holocaust and they said, “We spend about five minutes on it.” They get statistics on the number of people killed, and that’s it.
In January 2016, a trial began for 95-year-old Hubert Zafke, who was charged with war crimes as a medical attendant at Auschwitz. What do you think about this method of reconciling the past?
GELBLUM: I think it’s a good thing. These people escaped responsibility for all this time. I’m sure a lot of people say, “Come on! They’re 90 years old, let it be.” Everybody needs to take responsibility for their actions. There’s a lot of discussion about that in the play. I urge people to bring their open minds to the play. We’re hoping to have some discussions after some performances.


‘Judgement at Nuremberg’ opens April 15 and runs through May 1. For tickets and showtimes, visit cabrillovapa.com or call 479-6154.  
 

News Briefs for the week of April 13

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News Briefs for the week of April 13

Oink System

It was the end of an era for local radio when legendary bluegrass lover Cousin Al signed off of a farewell broadcast show on KPIG 107.5 FM for what may have been the last time on Sunday, April 10. The show was a special edition of the weekly morning show “Please Stand By.
For a unique bluegrass-y installment, host “Sleepy” John Sandidge welcomed in old friends, including his former co-host Dave Bob Nielsen, and Al, whose real name is apparently Al Knoth.
Al got plenty of love, with Nielsen reading letters from all across the nation, including one from songwriter “Dr.” Elmo Shropshire, who penned the hit Christmas song “Grandma Got Run Over By a Reindeer.”
When Nielsen asked Al on air if he was ready to say goodbye, he responded saying, “Well, no, but I just want to say, ‘I had a good time.’”
In the past year, Al had stopped doing “Cousin Al’s Bluegrass Show” on KPIG every Sunday night, as well as his Monday Night bluegrass show on KKUP in Cupertino due to health issues. According to his Facebook fan page, he had triple bypass surgery in December 2014.
Al had given the area more than four decades of broadcast fun, starting with KFAT in 1970, dishing out laughs and good tunes every step of the way.


Holy Story

Talk about practicing what you preach.
Twin Lakes Church in Aptos has opened up a new community center that’s on the cutting edge of both water sustainability and generosity.
The three-story community center, which features low-water landscaping and low-flow toilets, aims to serve both elementary and middle schoolers.
The building has 22 classrooms, including a music room, art room, computer lab, and science lab. Two office suites and a two-story outdoor amphitheater are part of the project as well. The construction is part of the church’s “2020 Vision” initiative, which extends all the way to Chennai, India, where Twin Lakes Church is building a medical clinic.
The church has a tradition of building a facility in the developing world every time it expands, Pastor Rene Schlaepfer says.
 

Good Times Launches New Website

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Welcome to GoodTimes.SC, the new website of Santa Cruz County’s premier weekly, Good Times. Website relaunches always remind me of grocery store remodels, when suddenly the quinoa isn’t in aisle two, and the coconut milk isn’t in aisle five. It can be disorienting at first, but we get used to the new layout.
Our hope is that you’ll look around, find your favorite columns and writers, and appreciate the improvements. Additions and upgrades will continue to be made in the coming days and weeks, as the high volume of past articles can only be archived and organized gradually. Let us know what you think by sending an email to Le*****@*******es.SC.
Enjoy,
Jeanne Howard
Publisher

Wrecking Crew

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The way we process grief—or not—is the foundation on which Demolition is built. This oddball little film from Canadian director Jean-Marc Vallée (The Dallas Buyers Club; Wild) views the aftermath of tragedy through the distorted lens of both drama and comedy, then takes a sledgehammer to shatter what we think we know about sadness and loss.
Not to belabor the construction/deconstruction metaphor, but that’s what you get from Demolition. Its protagonist, investment banker Davis (Jake Gyllenhaal), loses his wife suddenly in a car crash, then realizes he can’t begin to build a new life for himself until he tears down the old one. This is the movie’s central theme, but scriptwriter Bryan Sipe hammers it home constantly in both dialogue and action, as if afraid we won’t get it—a wrecking-ball approach that threatens to topple quieter scenes that provide more effective moments.
Davis is a Wall Street suit, married to the daughter of his boss at the firm, Phil (Chris Cooper). After Davis survives the crash that kills his wife (she’s driving), he’s bombarded with expressions of grief and commiseration from his in-laws, parents and colleagues. He sleepwalks through all the rituals of death—hospital vigil, funeral, wake—and stuns his co-workers (especially Phil) by coming right back to work.
His only means of opening up turns out to be in a letter of complaint he writes to the manufacturer of a candy-vending machine that stiffed him 25 cents in the hospital. In the course of two or three letters, he expands on the hospital incident to include his views on his job, his life, and whether or not he really loved his wife.
It’s a little odd right away that he would continue to send these letters without being prompted by any response, but we’re meant to believe this is his therapy. Then he does get a response—not in a business letter, but in a late-night phone call from a woman named Karen (Naomi Watts), who’s the entire Customer Service department at the locally owned vending machine company. It’s a little creepy that they start stalking each other at diners and on the subway, but in typical movie fashion, they tell each other intimate truths about themselves simply because they are strangers.
Back at work, Phil tells Davis, “If you want to fix something, you have to take everything apart,” which Davis and the movie take all too literally. Soon, he’s smashing everything to smithereens—his leaky refrigerator, a cappuccino maker, a stall in the bathroom at work, and all of his office equipment. He even pays a neighborhood construction crew to let him help demolish a house. Which leads to the main event, Davis taking Karen’s sullen 15-year-old son Chris (Judah Lewis) on a mission to destroy his own house. (He tells Chris, “We’re taking apart my marriage.”)
The movie is mostly about Davis bonding with Chris. Which is OK, since theirs are probably the most effective scenes. (Karen sort of disappears as an entity; she’s onscreen, but she has less impact on the story.) There’s a nice moment when Davis deconstructs the F-word, explaining to the teen how to wield it more effectively. That said, it’s odd that Chris would start a conversation with Davis about an extremely private and delicate subject while the two of them are out in a public place. (A tool department, natch.)
Continuity can also be a problem. In one weird scene, button-down Davis proves to be handy with a pistol (and just happens to have a flak jacket in the trunk of his car). One baffling encounter turns out to be a dream sequence, which works well enough. But later in the movie, Davis is shown going about his daily routine in the same house he literally bulldozed earlier, as if nothing had happened. It’s kind of disorienting that this doesn’t turn out to be a dream too. Unfortunately, since we’re tipped off to the metaphor right off the (baseball) bat, all the wanton destruction just gets tiresome. This script should have been taken apart more carefully before it reduced the movie to rubble.


DEMOLITION
**1/2 (out of four)
With Jake Gyllenhaal, Naomi Watts, Chris Cooper, and Judah Lewis. Written by Bryan Sipe. Directed by Jean-Marc Vallée. A Fox Searchlight release. Rated R. 100 minutes.
 

Artbar

The Artbar at the Tannery Arts Center has been a cult favorite on the café scene for several years, but owner Ian McRae is hoping to make it much more than that.
He closed it last year for several months, reopening it earlier this year with a whole new menu and a new mission to be a community gathering spot. McRae enlisted chef Antonette Wood from Swing Time Catering to make all of the Artbar’s food. He’s also revamped the alcohol selection, with more craft beers, more local wines and signature cocktails. McRae talked to us about his new menu and artist-themed drinks.
What is your vision for the Artbar?
IAN MCRAE: My overall vision is to make it a community pub for not only the Tannery residents, but the greater Harvey West area. I’ve been doing a lot of outreach with the greater Harvey West area. I’ve knocked on every single door, whether it be residential or business, and given them $5 coupons and menus. Reopening it, we’re really focusing on the food and the drinks and the service. Getting more foot traffic not only benefits my café, but everything else that’s going on here—the theater, the Tannery cultural center, the glass blowers, glass designers and ceramicists. They say sitting is the new smoking. Part of our outreach is you can take a stroll and visit us, get some exercise, get away from your work environment, then walk back.
What about the new menu?
Antonette makes all the food. She makes everything from scratch in her kitchen in Watsonville. She brings food in two to three times a week. All of the pastries, all the soups, all the paninis, all her lemon bars and brownies—they’re all made from scratch. The soups rotate seasonally. Right now we have a butternut apple and goat cheese soup with celery, carrots, apple juice and garlic. It’s served with bread and butter. We also have a chicken noodle soup with fresh spinach, chicken, carrots, onion and pappardelle noodles. We have a great incredible veggie panini with eggplant, red pepper, zucchini, carrot and asparagus, spinach, goat cheese, and vinaigrette on ciabatta bread. We have a three-cheese fromage, which is sharp cheddar, mozzarella, brie, spinach, tomato, pepperoncini, and mustard.
What kind of cocktails are you serving?  
My general manager, Matthew Barron, he’s what I like to refer to as a master mixologist. He makes these amazing cocktails. All of our cocktails are made with fermented wine spirits. They’re not distilled spirits. You could have a couple and not feel overindulged. They are all named after different artists. One of them is Van Gogh’s ear. That’s rum, gin, Cappelletti, and blood orange garnished with wormwood and a soaked apple. The apple slice is shaped like Van Gogh’s ear. Woolf’s Moon is very popular. It’s got vodka, fresh raspberry, nigori, and lemon.  


1060 River Street Unit 112, Santa Cruz; 234-5356.
 

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Rob Brezsny’s Astrology Arpil 13—April 19

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Win tickets to Lucius at the Catalyst on Apr. 15

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Local husband and wife bluegrass duo harken back to a "golden era"

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nextspace santa cruz coworking
Cousin Al's farewell KPIG broadcast, and a sustainable local church.

Good Times Launches New Website

Welcome to GoodTimes.SC

Wrecking Crew

Tragedy, comedy, destruction odd mix in ‘Demolition’

Artbar

Tannery spot gets a makeover
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