Opinion

EDITOR’S NOTE

Every week in these pages, we report on how Santa Cruz is struggling to deal with issues like affordable housing and traffic and environmental conservation and water, and it can be easy to lose sight of the bigger picture. It’s remarkable how often the questions around these issues boil down to one question, which is: How will we grow?
Jacob Pierce’s cover story this week tackles that question head on, and this is a critical time for answering it. The current shift in philosophy toward denser growth is something Santa Cruz has been slow to embrace—while it took off in other cities.
As we set the development agenda for the next two decades, some people are not going to be happy with what amounts to the admission that we are an urban center, and one that’s only going to get bigger. Others will say we’re just coming out of denial, letting go of the cozy beach town fantasy we hold on to even as we grapple with more and more big-city problems.
One thing’s for sure: if you want a say in how Santa Cruz is going to look in 2030, the time to act is now.
STEVE PALOPOLI | EDITOR-IN-CHIEF


LETTERS TO THE EDITOR

Read the latest letters to the editor here.

Affordable For Whom?
Re: “New Foundation”: Wow, 1,300 new housing units, 40 percent to be affordable. Affordable for whom? I have neighbors who were born and raised here who cannot afford to live here and are still sharing their parents’ homes. There should be a list established for affordable housing. These kids (now adults) and those who have lived here the longest should go to the top of the list.  
Mr. Dwire mentions the 10 new homes in the Aptos Village Project that will be (classified as) affordable, but fails to say that these units will be rented at market prices for at least the first seven years. Zach Friend must have failed to tell him that. Is this part of Mr. Friend’s “shared sacrifice” idea? We residents of Aptos ought to incorporate so that we would have more to say about what goes on in our community.
Perhaps the most important factor in this issue, however, appears in the article only once. WATER. The water district has been in a critical overdraft situation for nearly two years. 1,300 new homes will mean 4,000-5,000 more residents running water down the drain waiting for the hot water to appear or otherwise wasting it. No mention of where the water will come from. And there will be 2,000-3,000 more cars coming and going at all hours. Please don’t insult me by saying that the new developments will result in people choosing to walk to and fro, or take the bus.
Thomas Stumbaugh
Aptos

Online Comments
Re: ‘Bust a Movement’
I just wanted to let you know that the article says Gary was a breaker, and that is not necessarily the facts. Gary was a hip-hop king who incorporated all styles of dance as an art piece to music! He was the music! I love you Gee and I’ll miss you till my end and then some!
— Dacoventramel
Re: Love Your Local Band
Thanks for writing about one of my local heroes. Steve Palazzo is a wonderful musician and a great human being. I look forward to his new album.
— Marina Finch
Re: Cuts Loom for Metro
What happened to all the talk about getting the public onto public transportation and off the roads?
Metro is indeed a lifeline for many folks. Those who do not own cars, those who are unable to drive for whatever reasons. Those who prefer to go “green” and stay off the roads and not waste resources.
—  Karen Dixon
Re: ‘Joyful Noises’
This is a wonderful, thoughtful piece and expresses exactly what I hear when Quarteto AfroCubano! Omar Sosa and his musicians are truly ambassadors of world peace and love. Thank you for this.
— Sue Taylor


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GOOD IDEA

RIDE ALONG
A new trolley-operating company was approved by the Santa Cruz Regional Transportation Commission in February, and has been operating test runs. Unlike the bus trolley that shuttles people from the beach to downtown and back, this is an actual train trolley named “Daisy” that travels from Santa Cruz all the way up to Bonny Doon Beach. Daisy is green with brown trim. She is small and cute for a trolley, and needless to say, she likes long strolls on the beach.


GOOD WORK

LAWN TIME
Government officials are getting together to recognize a local effort to remove and replace 15,000 square feet of grass turf at the Watsonville Health Center on Monday, April 18 at 1 p.m. The drought-tolerant effort will save an estimated 350,000 gallons of water annually. A crew of California Conservation Corps members will be on hand. For information on saving water, visit watersavingtips.org or santacruz.watersavingplants.com.


QUOTE OF THE WEEK

“I see my buildings as pieces of cities, and in my designs I try to make them into responsible and contributing citizens.”

-Cesar Pelli

If you didn’t live in Santa Cruz, where would you live?

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“Portland, Oregon. Voodoo Donuts. We need to get one right here!”

Cait Chock

Santa Cruz
Writer/Artist

Music Calendar Apr 13—Apr 19

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WEDNESDAY 4/13

JAZZ

THE MATTSON 2

Identical twins that pull off Jedi mind tricks, wear cool retro suits and play surf music? Sounds like a formula to a really weird B-movie, but it’s actually a description of the Mattson 2—twins who share the last name Mattson, and seemingly read each other’s mind (at least when they jam). The brothers, one on drums, one on a sweet electric guitar/bass combo axe, play not just surf, but also spaced-out jazz—somehow all at once. It’s truly amazing to watch their genre-hopscotching and ninja-level chops. Aaron Carnes
INFO: 8:30 p.m. Moe’s Alley, 1535 Commercial Way, Santa Cruz. $10/adv, $12/door. 479-1854.

THURSDAY 4/14

FOLK

ELLIS PAUL

Ellis Paul gets pigeonholed as a folk singer, but perhaps a more apt description would be “storyteller.” The sweet-voiced singer-songwriter has a knack for blending his own experiences with larger issues we face as humans, finding the heart of the story within. Through tales of his own life, he paints pictures of a fast-moving world, the people in it, the challenges we face, and the connections we make. A veteran musician, Paul uses music to bridge divides between us and draw attention to our shared love and humanity. CAT JOHNSON
INFO: 7:30 p.m. Don Quixote’s, 6275 Hwy. 9, Felton. $15. 335-2800.

JAZZ

BOOM TIC BOOM

After establishing herself as one of jazz’s badass drummers in the late 1990s, Allison Miller started to earn respect as a smart and resourceful bandleader with her 2005 debut album 5am Stroll (Foxhaven Records). Her compositional voice took a left turn last year following the birth of her daughter, and her gorgeous new album Otis Was a Polar Bear (Royal Potato Family) supplies her remarkable band Boom Tic Boom with a program of playful, captivating and strikingly lyrical tunes. Featuring powerhouse pianist Myra Melford, supremely versatile fiddler Jenny Scheinman, cornet poet Kirk Knuffke, clarinet hero Ben Goldberg, and bass maestro Todd Sickafoose, her sextet delivers more creative boom for the buck than just about any band in the business. ANDREW GILBERT
INFO: 7 p.m. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $25/adv, $30/door. 427-2227.

ALT-COUNTRY

CHUCK PROPHET

Psych-pop, alternative-country singer-songwriter Chuck Prophet comes through town frequently, but he mixes it up a bit every time. This time he’s backed by his band the Mission Express, but more importantly he’s bringing cult icon Garland Jeffreys with him. (Jeffreys was Lou Reed’s college roommate, and he wrote “Wild in the Streets,” a ’70s rock tune that later became a skate-punk anthem.) Prophet will be playing a fun set of catchy roots-laced, experimental pop tunes. He and his band will also be backing Jeffreys, which should be incredible to see. AC
INFO: 9 p.m. Crepe Place, 1134 Soquel Ave., Santa Cruz. $15. 429-6994.

FRIDAY 4/15

ROCK

PETE YORN

Even the people who haven’t heard the name Pete Yorn definitely know his music. The New Jersey-native-turned-Angeleno began his career with a bang, getting a job to score the film Me, Myself & Irene in 2000 before releasing his first solo album, musicforthemorningafter, in 2001. In the subsequent years, Yorn has evolved his singer-songwriter path, writing introspective, heartfelt songs with an alt-pop sound. Yorn is known to play most of the instruments on his recordings, but expect an all-out backing band live. MAT WEIR
INFO: 7:30 p.m. Rio Theatre, 1205 Soquel Ave., Santa Cruz. $27.50. 423-8209.

SOUTHERN ROCK

BLACKBERRY SMOKE

Southern rock is alive and well, and Blackberry Smoke is here to tell us about it. Based in Atlanta, but more likely to be on the road than settled down at home, Blackberry Smoke is a hard-rocking grassroots musical sensation. Mixing blues, rock, R&B, gospel and country, as many good Southern rock acts do, the quintet is led by the weathered and twangy vocals of singer-guitarist-songwriter Charlie Starr, and driven home by Paul Jackson’s shredding guitar licks, Brandon Still’s soulful keyboard work, and the percussive one-two punch of siblings Richard and Brit Turner. If you miss the good ol’ days of kickass rock ’n’ roll, get your butt downtown to see these guys. You won’t be sorry. CJ
INFO: 9 p.m. Catalyst, 1011 Pacific Ave., Santa Cruz. $25/adv, $30/door. 423-1338.

SATURDAY 4/16

WESTERN SWING

DON BURNHAM & THE BOLOS

Leader of the California Western Swing band Lost Weekend, Don Burnham has four decades of singing, songwriting and performing under his belt. The one-time park ranger in Yosemite is the real-deal when it comes to the singing-cowboy-under-the-stars classic style, with sweet and lonesome lyrics and melodies to ride your horse to. His smaller ensemble, the Bolos, comprises Charlie Wallace on steel guitar, Mark Holzinger on lead guitar, Karen Horner, stand-up bass and vocals, and, as a special treat for this performance, veteran pianist Scott Lawrence on keys. Word is that Santa Cruz’s own Carolyn Sills and Gerard Egan may sit in for a song or two. CJ
INFO: 7:30 p.m. Ugly Mug, 4640 Soquel Drive, Soquel, $15. 477-1341.

BLUES-ROCK

PATRICK SWEANY

Like the Black Keys, Patrick Sweany is one of those rare musicians who can bring the raw intensity of the blues to his music, but also a strong infectious pop accessibility. His songs are catchy, but not in that irritating Justin Bieber/Taylor Swift earworm kind of way. Indeed, getting a Sweany song stuck in your head is a pleasant experience. His secret is a diverse influence pool: folk, soul, bluegrass, rock ’n’ roll, and just being a great songwriter. But at the heart of it all are lots of blues licks and pop hooks. AC
INFO: 8:30 p.m. Moe’s Alley, 1535 Commercial Way, Santa Cruz. $9/adv, $12/door. 479-1854.

MONDAY 4/18

ROCK

LAST SHADOW PUPPETS

It’s been eight years since the world heard from this English super-group consisting of members of the Arctic Monkeys, Simian and Mini Mansions. The boys have been busy, apparently, but last December finally announced the follow-up to their 2008 debut, The Age of the Understandment. Bad Habits just dropped this month, and it’s everything modern rock connoisseurs could ask for—infectious beats and layers of horns and strings, all mixed with poignant lyrics one can’t help but sing along to. MW
INFO: 8 p.m. Catalyst Club, 1011 Pacific Ave., Santa Cruz. $30. 429-4135.


 

IN THE QUEUE

CELSO PIÑA

Mexico’s Cumbia King. Thursday at Moe’s Alley

DRI

Classic hardcore/punk/thrash. Friday at Catalyst

ANTSY MCCLAIN & THE TRAILER PARK TROUBADOURS

Fun-loving Americana veterans out of Nashville. Friday at Don Quixote’s

JANE MONHEIT

Celebrated jazz vocalist pays tribute to Ella Fitzgerald. Monday at Kuumbwa

ROGER CLYNE & THE PEACEMAKERS

Southwestern roots rock out of Arizona. Tuesday at Moe’s Alley

Produce Standoff

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Tatanka Bricca knew Cesar Chavez and Dolores Huerta through United Farm Workers (UFW) more than four decades ago, and helped coordinate a lettuce boycott throughout Northern California. Today, he’s walking across the parking lot for Driscoll’s corporate headquarters in Watsonville at 11:40 a.m. with a cardboard sign that reads “STOP Inhumane Production Standards.”
It’s Thursday, March 31, and Bricca, a 71-year-old Ben Lomond resident, learned about the day’s protest from local organizers and says he felt drawn to it because of the conditions that workers face in the field everyday. Even in 2016, Bricca notes, the average life expectancy of a field worker is 49 years, 24 years shorter than the average American, according to the UFW.
“It’s a living wage. It’s pesticides. It’s all the basic human rights,” says Bricca.
In the distance, chants of “Boycott Driscoll’s!” filter in and grow louder as a group of activists rounds the corner of Westridge Avenue, off Harkins Slough Road.
“Stop the exploitation! We want union contracts!” organizer Ramon Torres shouts at the company’s brown, one-story corporate buildings in front of him a few minutes later. Torres is yelling via translator Andrew Eckels, both of them gripping megaphones.  
The rally is for Familias Unidas por la Justicia, an independent farmworker union based in Northern Washington that is calling for a boycott of the nation’s biggest berry supplier. Torres is the union’s leader, and Eckels is one of many volunteers.

The average life expectancy of a field worker is 49 years, 24 years shorter than the average American, according to the United Farm Workers.

Torres tells the crowd that pickers at his former employer Sakuma Brothers Farm, a supplier of Driscoll’s, routinely make less than minimum wage, which  is $9.47 in the state of Washington.
Representatives from both Driscoll’s and Sakuma deny those claims, saying that workers are actually paid above market rates for their work. Sakuma spokesperson Roger Van Oosten says the company’s farmworkers make an average hourly wage of $17.50, and the top pickers often reach $40 an hour at the peak of the harvest.
“You have to pay them well, or they won’t come,” Van Oosten says, noting that there has been a shortage of farmworkers nationwide in the past year. “Why would they bother, unless compensation is high?”
Farmworkers in Washington only have a limited right to organize, Sakuma’s owners don’t have to recognize Familias Unidas, and, for the most part, they don’t. Recognized or not, there is a lot of history between Torres and his old bosses.
Torres was arrested following a domestic violence dispute with his wife in August 2013, while he was living at Sakuma’s farmworker housing. Van Oosten says the company fired him because of the incident, based on both company policy and neighbor complaints. He says Torres’ decision to take his boycott on the road is simply an act of retaliation.
Torres contends that he was really fired for pressuring Sakuma to improve its conditions and that the boycott is solely about what farmworkers go through.
Van Oosten says that Torres’ West Coast tour, which went through Oregon, the Bay Area, the Central Valley, and Los Angeles, does not speak for farmworkers, who he says are happy at Sakuma.
In addition to Torres, the group of protesters includes one current Sakuma farmworker and a handful of supporters. Along their journey, they have opened up not just about their struggles, but about their successes, too. Sakuma farmworkers won an $850,000 settlement in 2014 against their employer for unpaid time, and living conditions were also poor at the time. Soren Bjorn, an executive vice president at Driscoll’s, says that Sakuma’s farmworker housing was also substandard, but stresses that Sakuma has since made big improvements after working with Driscoll’s.
Driscoll’s has a rigorous auditing process, Bjorn explains, for food quality and safety, as well as for worker welfare. “The pay is very, very competitive,” he adds. “It is probably among the very best.”
Bjorn suggests the protests happening now stem mostly from leftover resentment at the conditions in 2013, and Torres would not argue with that.
“Yes, exactly,” Torres says of the fight for better conditions. “And the only way that we can make sure this continues is that we have it under a union contract.”
In Sakuma’s farmworker housing, Torres says that only a few years ago, tenants’ beds were nothing more than torn mattresses sitting on the ground, with cockroaches and rats crawling in and out. When it rained, he explains, all of the cabins would leak.
Without a union contract, Torres fears that bosses will soon start making the same violations they were getting away with before.
He also feels that Driscoll’s is taking credit for the hard work of organizers who brought Sakuma’s violations to light. If Driscoll’s’ audits are so complete, he wonders, how did Sakuma get away with providing poor housing and docking pay for so long?
Torres, who raises money for Familias Unidas through fundraising and selling T-shirts, says he wants to secure health care and retirement plans for the people in the field to give them a better life before it’s too late.
“If we continue this way, you’re only going to live up to 49 years old, because you spend so much energy,” Torres tells GT via an interpreter. “That’s something, with a union, we want to change.”
 

Wrights Station

My first experience of Wrights Station Vineyard & Winery a few weeks ago was wonderful. What awaited was a beautiful tasting room, warm hospitality and, best of all, splendid wines. Owner and winemaker Dan Lokteff took me and my husband on a tour of his property—a bucolic spot in the Santa Cruz Mountains that is perfect for events of all kinds, including a simple picnic during a wine-tasting visit.
Lokteff, who purchased the property a few years ago when he and his wife Molly were looking around for a good piece of land to start a winery, says that as they were driving away from Wrights Station, Molly said she had a good feeling about the place and he should buy it. With its incredible views of vineyards and mountains, the idyllic setting is a little piece of paradise. Lokteff has since put his heart and soul into making superior wines and serving them in this gorgeous setting, and none of this came about without a huge amount of work and planning.
Wrights Station was once a bustling stop for the South Pacific Coast Railroad that ran from Alameda to Santa Cruz, “though all that remains today is a haunting tunnel opening,” Lokteff declares on his label.
Open for about 18 months now, Wrights Station is a fun place to visit—and all of their handcrafted wines are well-made and flavorful. I particularly enjoyed the 2012 Chardonnay Backwards Block, Santa Cruz Mountains ($30). This estate-grown Chard is aged primarily in neutral oak barrels and delivers “huge flavors of ripe golden apples and bruleed pears.”
Wrights Station, 24250 Loma Prieta Ave., Los Gatos, 408-560-9343. wrightsstation.com. Open 11 a.m. to 5 p.m. Friday-Sunday.

Winemaker’s Dinner

An opportunity to sample Wrights Station wines, paired with the delicious food of Ristorante Casa Nostra in Ben Lomond, will be a winemaker’s dinner 6-9 pm. Tuesday, April 26. Visit ristorantecasanostra.com for info and reservations.

Winetasting on the SSS Steeves

Take a three-hour cruise on the Monterey Bay and sample wines as you go. This is a fundraiser for a clean-water project in a Uganda village—organized by the Santa Cruz Sunrise Rotary. The event is 11 a.m. to 2 p.m. April 17 and for tickets and info visit kasesewater.eventbrite.com
 

‘Freedom’ at Last

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The farther Lizz Wright gets from her gospel roots, the more sustenance she seems to draw from the rich red soil of her native Georgia. Her new album Freedom & Surrender is the latest step on a journey that has taken the self-described “country jazz” vocalist with the molasses-steeped sound from her home in Atlanta to Brooklyn’s polyglot scene, where she’s absorbed a myriad of influences.
Produced by Larry Klein, who’s responsible for memorable albums by artists such as Joni Mitchell, Tracy Chapman, Madeleine Peyroux, Herbie Hancock, Shawn Colvin, and Melody Gardot, Freedom & Surrender features an array of sensuous songs that promiscuously mingle soul, jazz and pop (including a haunting version of Nick Drake’s “River Man” and a midnight-sultry take on the Bee Gees’ “To Love Somebody”).
Part of what makes Wright such a powerful singer, aside from the sheer jaw-dropping beauty of her voice, is her gift for infusing even the earthiest material with a glint of the sublime. “Gospel music is, thankfully, an inescapable root that informs my approach to most everything,” says Wright, 36, who performs Saturday at Kuumbwa (a concert previously scheduled for the Rio Theatre). “Even more than a heaven-facing kind of blues, it’s about an earnestness that speaks of the tender resilience of the human spirit.”
Since the release of her 2003 debut album Salt, Wright has forged creative alliances with a loose confederation of similarly soulful artists, from singer/songwriter Toshi Reagon and bassist/composer Meshell Ndegeocello to violinist Regina Carter and vocalist Gregory Porter (who joins her on Freedom & Surrender on her amorously animated “Right Where You Are”).

Part of what makes Wright such a powerful singer, aside from the sheer jaw-dropping beauty of her voice, is her gift for infusing even the earthiest material with a glint of the sublime.

She’s worked with smart producers before. Drummer Brian Blade and keyboardist Jon Cowherd co-helmed her debut album, and the visionary Craig Street added gorgeous acoustic textures to her 2005 follow-up Dreaming Wide Awake and her sumptuous 2008 masterpiece The Orchard. For her new record, producer Larry Klein revealed a different facet of Wright’s sensibility, a sound sanctified and otherworldly.
“As an artist, you feel throughout the process that Larry’s offerings are at your service,” Wright says. “It’s possible to come out of a project with him feeling that you’re more of yourself than you were at the start.”
Klein is most effective at framing her original songs, which predominate on the album. In many ways, composing is as foundational to her art as the church.
Performing in choirs throughout grade school, she wrote her first song for her high-school graduation, where she was the ceremony’s featured performer.
Jazz first caught her ear on the radio, particularly Marian McPartland’s award-winning NPR show Piano Jazz. “The thing that got me about jazz is that I heard a lot of the sounds and ideas I’d heard in church,” she says. “The soulfulness and the interpretation, just little riffs and ideas, it all sounded kind of familiar to me. But people were singing about other things, about secular life, and it really interested me.”
Wright spent a year at Georgia State University in Atlanta majoring in music performance, but she wasn’t interested in studying classical music and the school didn’t have a jazz program. After a brief move to Macon, she came back to Atlanta and joined the jazz combo In the Spirit, a band of musicians who played in church on Sunday and worked on the jazz scene during the week.
She first gained widespread notice in the summer of 2002 through her appearances at a series of Billie Holiday tribute concerts, making a lasting impression at Chicago’s Orchestra Hall with her soul-inflected versions of Lady Day’s masochistic classic “Don’t Explain” and the tormented standard “I Cover the Waterfront.” A week later, she wowed the Hollywood Bowl.
Still a work in progress, Wright continues to extend and deepen her sound via encounters with veteran masters, like a fateful backstage encounter with folk legend Odetta at a Carnegie Hall tribute to Nina Simone.  
“I’m a very independent spirit,” Wright says. “But I’m beginning to respect and understand the power of lineage.”


INFO: 8 p.m. Saturday, April 16. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $35. 427-2227.
 

Straight Story

Two notebooks, brimming with secrets, sat for years in a drawer under gift wrap and ribbons. Beside them, a manila envelope stuffed with phone records, hotel bills and receipts.
“I didn’t know what it was, but I knew it was for me,” says Alison, who asked to withhold her surname for privacy’s sake. “It seemed like God lined up a sequence of events that led me to my mom’s diaries at that moment. I wouldn’t have been able to handle them any sooner.”
A few years ago, she continues telling her support group, mid-life soul-searching led her spouse, who was adopted as a baby, to reconnect with his birth parents. Tragedy followed. His mom died; then Alison’s. A year-and-a-half later, while discussing how one of their sons might be gay, her husband of two decades came out of the closet.

As growing acceptance and landmark victories—such as last year’s Supreme Court ruling legalizing same-sex unions—embolden more people to claim their true identities, that sometimes means leaving a straight partner behind.

“Several things in a short span of time really rocked my foundation,” Alison tells the six people gathered for a recent Straight Spouse Network meeting in Sunnyvale. “We tried everything.” They went to couples therapy and opened the marriage to other partners. That, too, fell apart. They now take turns staying at the home they once shared to spend time with their three school-age children.
That the journals turned up just a week ago seems, to Alison, divinely timed. When her dad asked for help moving steel cabinets from one room to another, she dismantled them drawer-by-drawer to shoulder the weight. One tray held her mother’s handwritten notes and a dossier on her husband—Alison’s father—that marked his comings, goings and phone calls. The diaries echoed Alison’s journey these past few years. Her mom, she realized, had battled the same suspicions, heartbreak and grief a generation before her.
In hindsight, the clues stand in sharp relief: the emotional distance between her parents, the inseparability of her dad’s male friends. “When my husband came out, he told me he sensed that my father is gay, too,” she says. “Now I know my mom knew.”
As a retired nurse and grief counselor, Joyce Miller knows about loss, though she has never gone through the kind that brings people to the Straight Spouse Network. For 19 years, she has guided jilted spouses through this singular kind of heartbreak.
When one of her sons came out in the 1980s, Miller embraced him but wondered how something so inextricably linked to his identity escaped her notice. In his honor, she became a devoted ally to the LGBT community. She marched in a parade with a sign that read, “I love my gay son.” She began volunteering for the nonprofit Parents, Families and Friends of Lesbians and Gays (PFLAG).
“That was the beginning of parents sticking up for their gay kids,” says Miller, who is slight and meticulously kempt, her white hair cropped close in a pixie. “But while some people were celebrating the fact that they had gay kids, I began hearing about these straight spouses who weren’t seeing a reason to celebrate.”
Social, religious and family pressures have forced men and women into the closet from time immemorial. As growing acceptance and landmark victories—such as last year’s Supreme Court ruling legalizing same-sex unions—embolden more people to claim their true identities, that sometimes means leaving a straight partner behind.

Santa Cruz Support

For spouses in Santa Cruz, PFLAG’s local chapter provides a network of family members, friends, and anyone who has had similar experiences, says PFLAG Santa Cruz County president, Neal Savage. “It creates a normality around the situation because most of us grew up in a heteronormative society, and when you realize it’s not that homogeneous, you can deal with differences,” says Savage.
There are a variety of groups for locals, he says, like LMFT Deb Abbott’s TransLove Support Group Santa Cruz, and Edie Frederic’s Rainbow Speakers and Friends in Carmel.
On the cultural front, these relationships between straights, gays, lesbians, and transgender men and women have figured into Netflix shows Frankie and Grace and Orange is the New Black and Caitlin Jenner’s real-life coming-out.
Amity Pierce Buxton founded the Straight Spouse Network 30 years ago in Oakland after the father of her two children and husband of 25 years came out as gay. For a time, Miller had PFLAG direct the straight spouse hotline to her personal phone and would send people to Buxton’s support groups. She eventually realized that Silicon Valley needed its own chapter and began hosting meetings in her Sunnyvale home.
By Buxton’s count, about 2 million American couples find themselves in Alison’s quandary, though stigma and denial make it tough to get an exact number. People marry mismatched partners for complex reasons that may include discrimination but also real affection, wishful thinking and the shape-shifting ambiguities of sexual attraction. Still, the split can send the abandoned spouse into a crisis of identity and faith in their own judgment.
“Before every rainbow, there is a storm,” Miller often says.
When Alison reveals her family secret, her support group peers—who asked to use pseudonyms to protect their families from gossip—widen their eyes.

Amity Pierce Buxton founded the Straight Spouse Network 30 years ago in Oakland after the father of her two children and husband of 25 years came out as gay.

“They say children are drawn to men who are similar to their father,” says David, who sits just left of Alison at Miller’s dining room table. “Maybe there was something there that made you feel comfortable with your husband.” Alison nods. “I mean, when I look at a woman now, I’m cautious,” continues David, who lost his pastor wife to another woman in the church choir. “I think, ‘Is she gay or is she straight?’”
“Me, too,” says Mary, a British ex-pat whose Orthodox Jewish ex-husband lived a double life, dating similarly closeted husbands for decades before their split. “I mean, what if there’s something about me that’s attracted to gay men?”
Evelyn, who warns the group that she can only talk about this with a heavy dose of expletives, shakes her head.
“But we had sex all the time,” she says in exasperation, adding that she enjoyed 20-some-odd years of relative bliss before her ex’s jarring pronouncement right before her 50th birthday. “That was never a problem. How do you fake that? I don’t know. I really don’t. When I married my husband I was dating three guys and I picked the fucking asshole.”
That may be the most difficult part to understand, Mary says. She often wondered whether her husband willed his erections by thinking of other men. Another attendee—Eric, whose wife left him for her best friend after he uncovered their affair—remarks on the irony of some of their gay spouses being so homophobic.
“I think it comes from fear,” Mary says. “Even if they’re living a homosexual life, it’s been suppressed for so long that it sort of deranges the psyche. There’s a lot of anger there. But for the straight spouse, too. Because you gave your life to this person, but didn’t realize that you signed separate contracts.”
Eric says he was never angry with his wife. Well, maybe about the deception. “All I know is I can’t watch lesbian porn now,” he says, eliciting laughter from the group.
Alison says her focus has shifted from obsessing about her ex to finding her own happiness. “I do believe my mom came to this group,” she says. “That would have been around 2000.”
Miller tells Alison to bring a photo of her mom next time. Maybe it will jog her memory.


Additional reporting by Anne-Marie Harrison
Resources: TransLove Support Group Santa Cruz, de************@***il.com; Rainbow Speakers and Friends, ed*****@*******al.net; Diversity Center Santa Cruz CountyParents, Families and Friends of Lesbians and Gays.

Climate Change

We can sense when change is in the air.  It makes us catch our breath and look around. Excitement blends with fear as we cross over into something new. Who will we be on the other side?
That was the mood in New York City in 1980, when artists and writers were squatting in seedy lofts and gentrification was only hinting at its ravenous appetite for real estate. Here you could bump into emerging artists like Keith Haring tagging a subway wall, or Jean-Michel Basquiat morphing from hip-hop and graffiti to shows at the Whitney Museum.
In Molly Prentiss’ debut novel, Tuesday Nights in 1980, New York City unfolds in all its gritty glory as we follow the pivotal moments that redefined art itself, along with three main characters: an art critic with synesthesia, an emerging painter escaped from Argentina’s dirty war, and their muse Lucy, a small-town beauty hungry for experience. As their lives connect and collide, we’re struck by the tangled ties between people and places, intellect and commerce, art and life.
“The central question in the book is: how do you go on after the thing that defines you has been taken away?” says Prentiss. “I was interested in following the trajectory of what happens when things you’ve learned to rely on to define you personally, artistically and culturally, change.”
When Prentiss comes to Bookshop Santa Cruz Thursday, it will be her dream come true—not just to have her debut novel published to glowing reviews or head out on a book tour, but to come to this bookstore, in this town.

In Molly Prentiss’ debut novel, Tuesday Nights in 1980, New York City unfolds in all its gritty glory as we follow the pivotal moments that redefined art itself, along with three main characters: an art critic with synesthesia, an emerging painter escaped from Argentina’s dirty war, and their muse Lucy, a small-town beauty hungry for experience.

That’s because Prentiss is from La Selva Beach, and though she now lives in Brooklyn, New York, she will always consider Santa Cruz her true home. She grew up in a communal living situation where six adults and six kids shared a plot of land. Each family had an individual home, but they shared meals. “It was a very arts-focused and creative environment,” she says.  “I think that that’s what made me interested in the lives of artists and the varied lifestyles that artists create. It influenced my book in that I think my book is about community. It’s about people finding new ways of living.”
She remembers first moving to New York in 2006 and living in a big artists’ loft that was cheap and funky. “It reminded me of the artists’ squats I talk about in the book,” she says. “It wasn’t as violent or intense a time as New York in the ’70s and ’80s, but there was that feeling of possibility and electricity. Artists were still able to live cheaply without working at day jobs the whole time. It’s changed since then.” She talks about the push and pull involved with trying to be an artist or creative type in the big city. “It’s hard, but also interesting. I think that was one of the reasons I was attracted to that moment when things were shifting.”
Shift inevitably involves loss, and her characters are forced to wrestle with who they are in the wake of it. “I think an essential part of making art is getting to some core you believe in, touching something inside yourself,” she says. “That varies for everyone, but it’s a driving force, and what makes art successful. If you want it to be that close to you, a part of you, there’s a risk. Where does this thing you made start and where do you begin? Can you find the same sense of yourself or the world without it? It can be tricky.”
When Prentiss leaves Santa Cruz, she’ll bring a plastic bag of succulents back to Brooklyn with her and plant them all over her apartment. She’ll have big group dinners with friends and commune around food, which reminds her of home. “I always thought I was growing up in an alternative kind of place where people were doing things differently, in cool and makeshift ways,” she says.
She knows her life will change as her book is launched into the world, but she’s game to recreate it, because that’s what artists do.


Molly Prentiss will read from and discuss her new book at 7 p.m. Thursday, April 14, at Bookshop Santa Cruz, 1520 Pacific Ave., Santa Cruz. Free.
 

Westside Buzz

It’s happened again. Another Verve Coffee Roasters—that outlet of enlightened espressos and pastries—has opened on the Westside of Santa Cruz.
The location of the tiny chain’s fourth shop is one of the best around—across the street from New Leaf Market and right next door to Bantam. Also, if we can believe a recent article in Sprudge (a website devoted to trends in new-wave coffee), Verve Coffee Roasters will place another one of its stores this month in the world’s busiest train station—in Tokyo! I’d call that thinking big. According to the interview with Verve founder Colby Barr, this will not be a franchise situation, either. More like an embassy, a genuine outpost of Santa Cruz Verve style, only in the largest city in the world. Extremely chill.
But let’s get back to our own neck of the woods.
The new Westside Verve is, as you would expect, hip to the max. Sleek pale woodwork flatters the long, low front counter of poured and polished concrete. The high ceiling offers ample back wall space upon which perch tiny botanical islands of epiphytes and their friends. Even the industrial hardware here adds visual design appeal. The bank of Nuova Simonelli espresso machines gleams with film noir style. Stacks of logo cups, caps and T-shirts snag the eye from three different angles. And of course, for me, one of the primary draws is that jewel-box case loaded with extravagant pastries, cakes, scones, and wickedness from the folks at Manresa Bread. Here’s the combo to consider: A small Americano—enough octane for three-four hours—plus one of those buttery hazelnut cakes with a rosette of the purest, darkest chocolate ganache in the center. With that $7-duo you can glide through mid-terms, tax forms, or the latest Jonathan Franzen tome with ease. For your seating pleasure, the glass-walled main room offers wrap-around high counters, and a central corridor of long refectory-style tables and chairs just waiting for you, your macchiato and your laptop. Out front, at the edge of the property facing New Leaf Market, there’s a crafty enclosed patio with a wraparound bench for enjoying al fresco coffee klatches and checking of iPhones. Sweet. The latest installment of Verve sits at 1010 Fair Ave., Santa Cruz. Open daily, 6 a.m.-8 p.m. Welcome to the neighborhood!

Personal Pour Taproom

Something new and dramatically different in the way of craft beer tasting will open in May on Pacific Avenue in downtown Santa Cruz, right down the street from O’Neill.  Patrons can open a tasting “account” with a credit card and then taste at will. Imagine being able to graze at will over a wall of beer taps, choosing whatever catches your eye and pouring yourself a sample. Pour Taproom is the brainchild of Felton native Chris Reno, who has described this high-tech new venture as a “free-range tasting room.” Stay thirsty, my friends.

Appetizer of the Week

The splendidly unctuous roast asparagus wrapped in prosciutto I enjoyed last Tuesday at Gabriella while listening to sage raconteur Peter Kenez charm a full house of admirers.

Wine of the Week

The amusingly labeled Proper Claret 2013 ($11.99 at Shopper’s Corner) from the feverish mind of wine innovator Randall Grahm proved an able companion for a wide range of foods, from cheeses to grilled trout. An appealing, non-concept-driven blend of Cab, Merlot, Tannat, and Petit Verdot, with a smidge each of Syrah and Petite Sirah, this friendly red wine can romance even leftover pizza with more than a touch of flair. Nice value for the money, and that’s saying a lot.

Opinion

EDITOR’S NOTE

I came to love the Jabbawockeez after getting to know the guys in the Bangerz, which is the South Bay production crew that composes the beats for the world-famous hip-hop dance team. The Bangerz are a grounded, happy-go-lucky bunch of guys, but, the Jabbawockeez, with their trademark masks and emphasis on anonymity as a way to eliminate individual ego and elevate collective movement, are an enigma. I certainly didn’t know that one of the central figures in the creation of the group, Gary Kendell, was from Santa Cruz. That’s just one of the things I learned reading Anne-Marie Harrison’s cover story this week, and understanding how the style and philosophy of Kendell and his fellow Jabbawockeez changed hip-hop culture forever is key to unlocking this almost secret history of dance culture in Santa Cruz. Harrison lays out the history, and explains how the En Route Urban Dance Showcase this weekend is a continuation of what Kendell started.
I’m also thinking this week about a conversation I had a year ago with Matthew Swinnerton, who organizes Event Santa Cruz and the NEXTies awards. (You may have seen Swinnerton in these pages last week, when he was named “Best Santa Cruz Cheerleader” in an Editor’s Pick.) At that time, Swinnerton told me that his three-year plan for the NEXTies awards would come to full fruition in 2016: “Next year is my full vision,” he said then. Well, that time has come, as the celebration of Santa Cruz’s entrepreneurial spirit returns April 8 with an awards extravaganza at the Rio Theatre. Check out page 36 for the details.
STEVE PALOPOLI | EDITOR-IN-CHIEF


LETTERS TO THE EDITOR

Read the latest letters to the editor here.

Route of the Problem
I am writing in response to your article “Way To Go” (3/30/2016). Business owners have valid issues and a significant stake in how customers access our stores. While I have a fairly new downtown store, I have lived here a long time because I like the “feel” of the town and the people immensely. I was quoted out of context in the article, so want to be very clear.
When issues arise there are meetings, studies, and sometimes consultants are hired. Recommendations or proposals are made, followed by more discussions, meetings, etc., and decisions are made. It is how the process “works.” That some ideas which are not even feasible are proposed, discussed, or studied, and some proposals are made with personal, political or business agendas, are the aspects of the process I find immature and counterproductive.
At the same time, chronic problems are not addressed. Changing the direction of the traffic flow on Pacific Avenue is not worth it unless the discussion includes other relevant and pending issues: sidewalk vending, parking, bike lanes, and loitering, among others. We need to address these issues forthrightly. I am sure they can be solved creatively, making downtown even more vibrant, positive and successful.
The future is not anywhere we are going, it is something we are building.
Jeremy Carlson
A Brighter World Tie Dye Co.

Best of the Best
Re: “Best of Santa Cruz County”: Congratulations on such a beautiful issue. Each page is a feast for the eyes! I’m still looking through it—all 172 pages! Keep up the great work—Wednesday is not Wednesday without getting my copy of GT, such a fitting tribute to an incredible place to live for the past 40 years!
Sandra Cohen
Santa Cruz

Best Of Santa Cruz Corrections
With thousands of details on hundreds of listings in our Best of Santa Cruz County issue, each year brings a list of corrections to the issue after. Here are this year’s fixes; we regret the errors.

Greenspace was omitted from the runners-up list in Green Business category.
The following addresses were incomplete or incorrect:

Best Carpet Cleaners: Connoisseur Carpet, 1521 Seabright Ave., Santa Cruz
Best Doctor (MD): Rachel Carlton Abrams, MD, 740 Front St., Suite 130, Santa Cruz
Best Donuts: Ferrell’s Donuts, 1761 17th Ave., Santa Cruz; 5520 Scotts Valley Drive, Scotts Valley; 7765 Soquel Drive, Aptos; 2227 Mission St., Santa Cruz; 1403 Ocean St., Santa Cruz.


PHOTO CONTEST WINNER

Submit to ph****@*******es.sc. Include information (location, etc.) and your name. Photos may be cropped. Preferably, photos should be 4 inches by 4 inches and minimum 250dpi.


GOOD IDEA

TV SET
James Durbin’s 2011 elimination from American Idol was the biggest upset in reality TV show history. Not just because it was a surprise—it was really upsetting! The Santa Cruz native came in fourth in season 10. He has both Asperger’s and Tourette syndrome and was one of the greatest people ever to grace Idol’s stage. You can see Durbin perform with other contestants on the show’s finale at 8 p.m. on Thursday, April 7 on Fox.


GOOD WORK

RADIO SAGA
Jim Hightower, a longtime opinion contributor to KPIG radio, said in a recent dispatch that he has been “radioactive” for 25 years. The insightful political commentator—who sounds off brilliantly on corrupt politicians, selfish corporations and lobbyists alike—appears on about 200 stations. He announced on Monday, April 4 that the “Jim Hightower Report” will be reduced to just two days a week. It wasn’t our all-time favorite report from him, but we salute all his hard work.


QUOTE OF THE WEEK

“Hip-hop is supposed to help you elevate.”

-Common

Opinion

April 13, 2016

If you didn’t live in Santa Cruz, where would you live?

Local Talk for the week of April 13, 2016

Music Calendar Apr 13—Apr 19

Local music for the week of April 13, 2016

Produce Standoff

One man’s farmworker crusade is making noise, even as critics question his motives

Wrights Station

An idyllic piece of paradise in the Santa Cruz Mountains

‘Freedom’ at Last

Lizz Wright’s soulful sound matures on her latest record

Straight Story

Support network helps spouses heal after partners come out

Climate Change

In her debut novel, La Selva Beach native Molly Prentiss maps a shifting art movement

Westside Buzz

Verve Coffee Roasters opens on the Westside, plus a new craft beer taproom coming to Pacific Avenue

Opinion

April 6, 2016
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