Win tickets to the BANFF MOUNTAIN FILM FESTIVAL at The Rio Theatre on SantaCruz.com
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Win tickets to the BANFF MOUNTAIN FILM FESTIVAL at The Rio Theatre on SantaCruz.com
Mark London and the Supergreens are all about community involvement. When the masterminds behind Santa Cruz’s Hibernation Fest aren’t tracking down locals to join them onstage at the Crepe Place, they’re operating DIY record label Invertebrate Records, in addition to running a blog, “Two-Track Tuesdays,” where they feature music from local artists every week.
Their own musical influences range in scope from Explosions in the Sky to Al Green, which explains their eclectic style and sound. The band has been playing together since 2013, but they prefer to remain, for the most part, underground. They have next to no music available online, but that hasn’t kept them from gaining popularity, or from landing the weekly Monday night slot at the Crepe Place.
Mark London & the Supergreens secured the Mixtape Monday gig through a local band that they originally met at Hibernation Fest. Hibernation is a winter music festival usually hosted at private houses, and often features not only musicians, but also other Santa Cruz artists and local home-brewers. Out of respect for their hosts, Mark London & the Supergreens try to keep the festival “low profile,” opting to reveal the location to a handful of people a few days before the event. Invitations are largely by word of mouth.
“Hibernation has played a huge role in defining our sound, our goals, our mission,” explains bassist Tauvin Pursley. “There are so many pockets of different artists and musicians in Santa Cruz, and we’re trying to bring them all together. That’s what we’re doing with Hibernation, and what we’re trying to do with Mixtape Mondays.”
Sharing the spotlight is the weekly approach, with each Monday featuring a different genre. This furthers the Supergreen mission of building up the musical community while simultaneously expanding their network and ensuring that they play before a different crowd each week.
“We want to encourage other musicians and artists to contact us and try to be a part of Hibernation, of Mixtape Mondays,” says guitarist Matt Barnett. “We need other people to get in on this to actually create something for Santa Cruz. That’s the goal.”
INFO: 9 p.m. Mondays. Crepe Place, 1134 Soquel Ave., Santa Cruz. $3. 429-6994.
A charming memoir of a smelly, prickly old lady, The Lady in the Van is based on material that was first performed on stage, then as a radio play. Surprisingly, as a movie it hasn’t lost any keenness.
Its writer and subject is Alan Bennett (played by Alex Jennings), a playwright whose breakthrough was being part of the Beyond the Fringe quartet that paved the way for Monty Python. In 1973, when Bennett moved to Gloucester Crescent in London’s Camden Town, it was a changing district—awaiting the gentry who inhabit it today. Priding themselves on their liberality, the neighbors put up with one Miss Shepherd (played by Dame Maggie Smith in the film adaptation) a transient old lady living in her van on the street. When the parking police tried to run her off, Bennett allowed her to park in his driveway. She would be encamped there for 15 years.
Bennett once commented that he thought he’d go into the clergy just because he looked like a clergyman. Jennings’ Bennett does look like a vicar: tall, self-effacing, awkward, limp-haired. In his never-to-be-forgot Beyond the Fringe sketch, “Take a Pew,” Bennett played a minister trying to explain, with multiple inanities and chummy, hopeless faux-contemporary allusions, the importance of a scripture verse from II Kings 14. The quote was actually from Genesis: “But my brother Esau is a hairy man, but I am a smooth man.”
The funny thing is that Bennett ended up a bit of a non-denominational minister, after all. As opposed to the more overt (and boring) St. Francis imagery in The Soloist—the Jamie Foxx-starring movie on a similar subject to this—The Lady in the Van is a sweet, subdued piece of natural Christianity.
During the course of his friendly but never informal relationship with Miss Shepherd, Bennett often has a good talk to himself. The play depicts Bennett split in half on the grounds that a writer is actually two people in conversation with himself. And while watching this strange woman, and learning her own sad history, he has some guilt about using her for material.
Director Nicholas Hytner is primarily a theater director and an occasional filmmaker. He has made three movies this century. Bennett’s direct address to the camera doesn’t look stagey, and the movie is opened up to take in the hilliest, most endearing part of London as it was 40 years ago. The role is so right for Smith that it might be easy to underrate her very tough and touching work here. (Think of the twinkling a less rigorous actor would have brought to this. Smith’s derelict Miss Shepherd is no pixie.)
Smith has long been a deep-focus underplayer, from her helpless Desdemona in Olivier’s Othello, to 1987’s Lonely Passion of Judith Hearne—the soul is so strong in her that we never really think of this 80-year-old performer’s fragility until the end of the film, when her health fails. Before then, her Miss Shepherd has push. She is willing to be a pain; snarling at anyone who dares to play music around her, or talking grandly of her memoirs, to be titled either The Lady Behind the Curtain or A Woman of Britain.
The fragrance of Miss Shepherd is described as that of “a bad dish cloth”; out of folk wisdom, she eats raw onions to ward off colds. Bennett, not an enormous fan of the physical world, admires the way the ambulance people or the social workers can handle this exasperating woman without minding her moods or her smell. He himself downplays his own ability to stand her bad habits, including her regularly soiling his driveway. “Caring is shit,” Bennett decides. Indeed, cleaning up shit, and putting up with it, is essential to dealing with human beings, instead of being a wry outsider who avoids them.
It’s bemusing to imagine the army of people in their vans, trucks and campers today, displaced by the obscene rents of the Bay Area, being looked after with the care and dignity demonstrated by the characters in this story. The Lady in the Van wells up with compassion; it never drills for it.
THE LADY IN THE VAN
Maggie Smith, Alex Jennings, and Jim Broadbent. Written by Alan Bennett. Directed by Nicholas Hytner. A BBC Films release. Rated PG-13. 104 Mins.
In the early stages of their vino venture, winemaker and owner Jim Boyle, along with his wife Robin, were making so much wine that they had to give much of it away. Finally, Jim decided it was time to get serious, open a tasting room and actually start selling the fruits of their labors. Dancing Creek Winery was born, its name inspired by the Santa Cruz landscape: “We live in a crazy yellow house in a Happy Valley on a dancing creek,” the Boyles explain.
Wine lovers in the area now head to the Boyles’ tasting room to snap up their Pinot Noir, Chardonnay, Syrah, and Merlot. Add to that list their new 2009 Zinfandel Port, made with grapes harvested from Zayante Vineyard. It’s $18 for a 12-ounce bottle and is only available in their tasting room. But this ruby beauty with its dark fruit and peppery spice is worth a trip to Dancing Creek.
Growing up in England, I well remember how much my mother loved a drop of port after dinner, and this sweet wine is still very much associated with Brits. The Boyles have captured rich and sensuous flavor and sealed it in a bottle with an elegant red wax seal. Pair it with cheese, especially a tart Roquefort or a nice bit of English Stilton—and we all know how well port goes with chocolate.
Dancing Creek Winery, 4363 Branciforte Drive, Santa Cruz. 408-497-7753. dancingcreekwinery.com. The Boyles’ tasting room is very close to the famous Mystery Spot, and open every third Saturday of the month from noon to 5 p.m., so the next time will be Feb. 20.
Fat Tuesday (aka Shrove Tuesday) on Feb. 9 at Michael’s on Main in Soquel promises to be a tasty time for all. Guest chef Madlyn Norman-Terrance will be cooking up her famous gumbo, Kip Allert will perform—and it’s all paired with local wines by Bargetto Winery. Wine-pairing dinner is from 6:30-8 p.m. and cost is $25 per person. Visit michaelsonmain.net for more info.
The Santa Cruz County Sheriff’s Department is slated to be the first agency in California to implement all 79 of President Obama’s 21st Century Policing recommendations. Working with a community task force, the sheriff plans to identify the best way to provide an effective partnership between the community and law enforcement. It boils down to wanting to increase trust.
“In my 27 years in law enforcement I have never seen this level of public concern about police integrity,” said Sheriff Jim Hart during a community meeting the sheriff’s department hosted on Jan. 21.
Hart says these concerns have caused people to question police tactics, judgment and motives. “I believe that by reviewing our policy model and making some modifications, shifting our thinking, and being open to positive change, we will be a model as an exemplary law enforcement agency,” he said.
In response to ongoing nationwide concerns about policing, Obama signed an executive order forming a task force to pinpoint areas of improvement for law enforcement agencies in December 2014. The ensuing report, released in May, has spurred some law enforcement agencies, like the local sheriff’s department, to begin thinking about a shift.
Hart assigned a task force of 20 deputies and 20 community members to examine and discuss the recommendations.
At the event, which Congressmember Anna Eshoo attended, deputies announced plans to purchase body cameras, another move Obama has pushed for, although some activists have mixed feelings, based on privacy concerns.
Rico Baker, a member of the Veterans for Peace Santa Cruz Chapter, tells GT he’s inspired that Hart is on board with the new task force, calling it groundbreaking.
The community team, which includes Baker, is focusing on topics ranging from the best way to reintegrate convicted juveniles to the most effective way to involve the community in developing and evaluating procedures.
The sheriff’s department is poised to finish this project in July. County Supervisor John Leopold said the board of supervisors will be reviewing what the sheriff’s department develops.
Colorful streamers weave in and out of the metal fence to the Beach Flats Community Garden, framing a large sign proclaiming “Save the Garden” and creating a vivid display for cars whizzing by on Third Street in Santa Cruz.
Garden supporters created the artwork to bring continued attention to the community garden after a recent decision by the Santa Cruz City Council asking gardeners to vacate the garden in order to reconfigure it.
The notice to vacate was an unexpected addendum to a resolution passed on Oct. 27, when the City Council voted unanimously to “negotiate with the goal of acquisition of the current Beach Flats Garden property to allow it to continue permanently as a community garden operated by the city.”
This sounded like a win for gardeners and community supporters, who have been in limbo since March of last year, when the city issued a notice that the Seaside Company, which owns the land, would be reclaiming most of the parcel for its own landscaping purposes. “After the resolution, the gardeners put lots of trust in the city,” garden supporter Senka Pavisic says.
Then in January, the council issued new terms to the gardeners. City officials said that they would only negotiate with the Seaside Company to buy the land if the gardeners were to vacate the premises on Jan. 20, something the gardeners have yet to do. They are also calling on gardeners to sign a letter wherein they agree to surrender 40 percent of the land to the Seaside Company, which owns the land and the Santa Cruz Beach Boardwalk. The city plans to reconfigure the remaining parcel.
“I have garlic that is this high,” he says, using his fingers to indicate about 6 inches. “What am I supposed to do? Tear it up? It is just a little baby.”
“We’ve been trying to work with the gardeners because that is what we have a lease for,” city manager Martín Bernal says, stressing that the original date to leave was November and that originally the remaining garden would be much smaller.
City officials point out that there are two projects in play. The first is reconfiguring a smaller, interim garden on the 60 percent of the land the Seaside Company has agreed to lease to the city for the next three years. The second is making a plan for a long-term community garden in the city.
Bernal says that before they can move forward in negotiations with the Seaside Company, they first need to return the 40 percent of the land that the city does not have a lease for. “It is hard to negotiate with someone when you haven’t even complied with the first thing you said you would do,” he says.
The notice to leave part of the land was still disheartening to the gardeners and their supporters. “I thought they were going to help us, but now it seems like they are not,” says Don Emilio Martinez Castañeda, a founder of the garden and 25-year resident. His plot is on the 40 percent slated for removal. For him, moving his plot would mean losing his decades-old nopales cactus and over two decades of investment in the soil. “I have garlic that is this high,” he says, using his fingers to indicate about 6 inches. “What am I supposed to do? Tear it up? It is just a little baby.”
Castañeda helped write and submit a letter to city council on Jan. 25, which was signed by 17 gardeners. The letter states that the gardeners “are confident that the city will do everything it can to purchase the land” and calls for “a more favorable solution for all.” The letter ends by stating that the undersigned gardeners intend to continue gardening the entire plot.
Only one signed the letter that the city sent them. The group launched a fundraising campaign on Monday, Feb. 1, to try and help the city purchase the space.
“Many of the gardeners are focused on the entire garden,” says Director of Parks and Recreation Dannettee Shoemaker. She has been trying to work with gardeners to redesign the smaller interim garden, but has had trouble finding willing participants.
Their cause has gotten some high-profile attention. United Farmworkers co-founder Dolores Huerta toured the garden on Nov. 13, offering words of encouragement. “There’s people out there that are manipulating the food supply, so we have to counter that with things like a community garden,” Huerta said. A few days later, rock icon Patti Smith, who was in town with her new book, endorsed the fight on stage, saying “Let’s save our gardens! We don’t need any more fucking buildings!”
The gardeners and supporters hope that the community response, as well as the vitality of the garden to the community, can turn their situation around. “This garden is essential for the community. It is food security,” says Pavisic. “There are plenty of places that the Seaside Company can put their landscaping business. If we lose the garden, who gets hurt in that situation? Seaside doesn’t, the city doesn’t, the community does.”
Amidst the back and forth, the future of the garden remains uncertain, even to city officials. “How it will turn out?” says Shoemaker. “Honestly, I’m not sure.”

Back at my first newspaper job at the Watsonville Register-Pajaronian, I wrote a story about how the long-term projections for the California salmon population were alarming. Two decades later, those numbers didn’t turn out to be accurate. In fact, the reality is far worse than what scientists and fishermen were able to imagine then.
Maria Grusauskas’ cover story this week explains why. From rising ocean temperatures to how an unforeseen crop trend in the Central Valley is killing off salmon before they even reach the Monterey Bay, her story puts together the pieces to create a clear picture of how we got here.
Just as importantly, it explains why it matters. Salmon play a remarkable role in shaping our ecosystem that very few of us understand—but after reading this story, you will.
Lastly, a quick update, also on the topic of conservation and our link to the natural world: last year, I wrote about Santa Cruz’s internationally renowned nature photographer Frans Lanting, and mentioned he would be doing a show locally in 2016 featuring his photos from the Monterey Bay. That event, “Fran’s Lanting’s Bay of Life,” is coming to the Rio this Saturday, Feb. 6. Lanting will share images and stories at two shows, at 3 p.m. and 7 p.m. For ticket information, go to lanting.com.
STEVE PALOPOLI | EDITOR-IN-CHIEF
Read the latest letters to the editor here.
Bottled Up
Re: “Bubbling Up” (GT, 1/27): I applaud Mr. Ow’s forward thinking (as always) and the realization of his dreams with the Westside project. He has created less expensive space for inventors and artists, which is sorely needed in Santa Cruz’s ever-more-costly rental market.
One thing only, regarding LifeAID/FitAID, athletes have more than their share of healthy beverages shelf space. The cost to the already plastic-polluted environment and of additional water usage are a definite downside, and I think leasing/rental agents should reconsider signing with bottled-drink entrepreneurs.
Kathy Cheer
Santa Cruz
Bad Strategy
Re: “Fury Road” (GT, 12/23): Freeway protests are bad strategy. They frighten and endanger and alienate people who are not responsible for the problem being protested against. They lose support. Social change only happens when there is widespread support for the change. Blocking freeways and airports attracts attention, but gains no support, no solidarity.
History shows us many truly effective ways to change a societal problem, ways that do not just end up looking like a tantrum. Blockading corporate offices, arms factories, polluting businesses, etc. also get attention but make sense and deal directly with those responsible. Organized actions that do not cause problems for passers-by show consideration for the public, so the public is more inclined to pay attention to the idea and to support it. Lining overpasses and sides of freeways with signs and banners for miles, without harassment of bystanders, without blocking traffic, would make drivers feel communicated with, not hassled and endangered and unfairly blamed. Successful protests are those that gain more and more support for the cause. Successful protests involve real strategy.
Kathleen Miller
Aptos
Online Comments
Re: ‘Catching Fiber’
This partnership is one of the best things the City of Santa Cruz has ever undertaken. As an IT professional, I can’t find anything bad about this project. The benefits are numerous and widespread. The risks are extremely minimal. Everyone wins, except maybe Comcast and AT&T. Personally, it can’t get here fast enough for me.
— John Rickard
Re: ‘Bubbling Up’
Hi Kara Guzman. So well-written. Thank you for putting such good and thorough energy into this story. I know the story well and am very impressed by your research and understanding of the building and businesses.
— George Ow, Jr.
There are other great businesses in the building, too. Tao San Fitness & Martial Arts was one of the first few business to rent space in the building. When we first moved in, there was only drywall and concrete floors. Now we have a beautiful, 3,000-plus square-foot studio space with 18 hanging heavy bags for our Fit-Boxing classes, as well as a separate room for Personal Training, Self-Defense and Martial Arts classes.
— Salvetoria Larter
Re: Rail of a Trail
We do not need a train at astronomical prices running through our town. Pull up the tracks and put in a trail, it will get way more use and is more ecological. I could go on and on, but just ask who profits by a rail to be subsidized at $12 million a year.
— Tom Haid
Thanks for the article. I do not understand why anyone would be against this. A bargain at twice the price. Once people start to see what this can be, they are going to be so thankful that so many worked hard to make this happen for our county. Although [it’s true that] the Capitola/Santa Cruz leg is needed the most, it seems to me that the first legs that are being completed are easier to accomplish. It’s important for people to see how great this is going to be so that they will support the entire thing.
— Linda Rosewood

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RIDE ON
The Box Bike Collective, a new Santa Cruz-based business, has started building innovative, easy-to-ride cargo bicycles and launched a Kickstarter campaign to fund them. The bikes have a box behind the front wheel, making it easier to carry kids, groceries and surfboards, and a battery to help with the pedaling, says founder Alex Yasbek. He says he always loved bike commuting and decided he didn’t want to give it up when he had a kid.
CURTAIN CALL
We’d like to take a second to honor the service of Dennis Popper, also known as TuPop Sha-Corn, the hardest-working—or at least funniest-named—popcorn maker in the business. The popcorn maker is now gone, and its former home, Aptos Cinemas, has been gutted. The 45-year-old institution closed Jan. 26, after Landmark Theatres announced its lease at the Rancho Del Mar Shopping Center had not been renewed. Thanks for the memories, Mr. Popper. You always left us feeling buttered up.
“Someone may offer you a freshly caught whole large fish, like a salmon or striped bass. Don’t panic. Take it!â€
-Julia Child
As he points out items in his 41st Avenue shop, Jarrad Pecoraro, the director of Herbal Cruz, sounds more like Willy Wonka than a marijuana expert.
“Over here we have everything from ice cream and frozen popsicles to blueberries covered in chocolate, espresso beans covered in chocolate and candy bars of every flavor,” he says.
Along with more than 100 strains of cannabis flowers—the buds and blossoms that most people think of when they imagine cannabis—Herbal Cruz’s shelves boast iced teas, bubble gum, medicinal balms and ointments, saltwater taffy, cupcakes and cookies. Unlike what’s available on the black market, everything at Herbal Cruz has been properly weighed and lab tested to ensure patients know what they are getting.
Scores of cities and a half a dozen counties have approved bans [on cannabis]. “The term in the industry is ‘Banapalooza.’’’
But not everything is sweet for the medical marijuana industry, with growers and patients trying to navigate an ever-changing landscape of marijuana laws and enforcement policies. Cultivation laws have been the blazing question at the center of the cannabis issue both in Santa Cruz County and across the nation.
Locally, a 13-member advisory panel called the Cannabis Cultivation Choices Committee—or C4, for short—was chosen last year by the Santa Cruz County Board of Supervisors to tackle that question. Five of the C4’s members were chosen to represent county supervisors and their constituents; five more were picked to represent the cannabis industry; and three members were added for their “knowledge of land use, neighborhood issues, environmental protection or the medicinal value of cannabis.”
But while the C4 was poring over details last October, Gov. Jerry Brown signed the Medicinal Marijuana Regulation and Safety Act (MMRSA). The bill not only formed the Bureau of Medicinal Marijuana Regulation, but also set a controversial March 1 deadline for all cities and counties to present regulatory and licensing programs—a provision lawmakers say slipped in by accident. A bill is currently awaiting a vote in the assembly to undo the “mistake.”
In the meantime, many communities have responded by completely banning cannabis altogether. So far, scores of cities and a half a dozen counties have approved bans.
“The term in the industry is ‘Banapalooza,’’’ says Patrick Malo, co-founder of Santa Cruz’s Cannabis Advocates Alliance (CAA), and a C4 member.
Instead of giving in, the C4 is working to sort out the complex issues that swirl around a booming industry.
There are currently 18 states that allow medicinal use, and in the last four years, five states have legalized recreational cannabis use. ArcView Market Research, based in Oakland, estimates the value of California’s legal cannabis industry was a whopping $1.3 billion in 2015.
Business is blossoming locally, as well. Between November 2014 and October 2015, Santa Cruz County marijuana tax revenues of $1.95 million exceeded officials’ estimates. Patients pay the standard 8.25 percent sales tax as they would for any product at any other store. On top of that, the 14 regional brick-and-mortar dispensaries also pay an additional 7 percent tax, exclusive to their industry.
“We don’t pass that on to our patients,” Pecoraro says.
Despite the rise in recreational and medicinal cannabis use throughout the country, the cultivation of commercial cannabis has a sticky history, thanks to rapidly changing laws—and it’s been no different in Santa Cruz County. In 2014, the Board of Supervisors ratified County Code 7.126, which legalized cultivation for commercial medicinal use, limiting farmers to 99 plants. Many advocates in the cannabis community believed this was problematic due to the difference in size between outdoor and indoor yields. It also raised concern because it called for all farmers in the county to be tied to a local dispensary, while most cultivators elsewhere service several dispensaries throughout the state.
A year later, everything went up in smoke.
In March of 2015, citing environmental concerns along with neighborhood complaints of light and noise pollution, the board repealed 7.126, ratifying a new ordinance that banned commercial cultivation and limited each grow to a 100-square-foot space for personal use only. The new language also removed much of the limited protection given to farmers.
Anxiety ignited soon after, with reform-minded grower groups like the CAA forming in direct response to that proposed ban. “Santa Cruz has a long history of progressive politics, and has always been a leader on the cannabis front,” explains Malo.
Two months later, advocates filed a ballot referendum to repeal the changes, gaining 11,210 signatures, well over the 7,248 signatures needed to qualify. Afraid of losing at the ballot, the board repealed its ban, reverted back to the previous rules and created the C4 committee to craft some innovative reforms.
The committee was designed to draw up specific recommendations for the legal, commercial cultivation of cannabis within the county while taking into consideration the concerns of patients and neighborhoods. It also aims to provide a framework for the county to cope with pot legalization, which many expect California voters to approve this year.
So far, the C4 has gone on field trips to dispensaries, farms and areas damaged by mismanaged farms. And with stakeholders that have wildly different views, the process has been anything but speedy. But it has helped create the framework for a new licensing program that County Counsel Dana McRae introduced in December.
The Medical Cannabis Cultivation Licensing Program appoints an officer to distribute one of two licenses for cultivation—a “Cottage Garden” license for 200 square feet of covered space or a large-scale cultivator license for 500 square feet. The program also calls for several suggestions discussed by the C4, including lifting the “county only” sale regulations to allow farmers to supply dispensaries throughout the state. (Pecoraro estimates 70 percent of Herbal Cruz’s items come from within Santa Cruz County.) The program set a March 1 deadline for the C4 to work out the details.
In its Jan. 21 meeting, the C4 took a vote on the details of how the state’s latest rules will now affect growers in the coming years. Most of the meeting was spent balancing the best way to protect the sanctity and safety of county neighborhoods with the livelihoods of farmers and the health of patients.
“The problems the neighborhoods faced that caused the county to put the reactive ban in the first place are real problems associated with an unregulated market,” Malo says. “We’re trying to form a regulated market to bring in the people who have been doing their very best to follow the law.”