Soda Consumption the Lowest in 30 Years

Soda has been interwoven into American culture since it first became popular in the 19th century. A cheeseburger and fries just arenโ€™t the same without a fizzy beverage to wash them down. Half the fun of a pizza parlor is the beckoning call of the unlimited soda fountain, and how is one supposed to enjoy salty, buttered movie theater popcorn without a cool, sweet, refreshing soft drink to reset the palate? And donโ€™t forget about mixed alcoholic beverages: liquors like rum, whiskey, vodka, and gin are often mixed with various forms of sweetened carbonated beverages like Coke and tonic water.
But while weโ€™ve known for many years about sodaโ€™s sordid reputation for all things unhealthy, new research shows that Americans are collectively beginning to turn that tough behavioral corner and consume less of it.
According to a new report published in Beverage Digest, overall U.S. sales of carbonated soft drinks dropped 1.2 percent in 2015. Not only is this the 11th consecutive year that sales have fallen, the report also states that per capita soft-drink consumption in the U.S. is at its lowest level in 30 years. The three โ€œsultans of sodaโ€ (PepsiCo., Coke, and Dr. Pepper Snapple) all reported falling demand in 2015 as well, with the steepest drop being PepsiCo.โ€™s 3.1 percent decline.
That nationwide soft drink consumption has been consistently in decline over the last decade, even though Coke and Pepsi alone spent more than a combined $5 billion per year in advertising from 2012-2014, is encouraging for multiple reasons. For one, drinking less soda, or even quitting the habit entirely, can be extremely challenging. The cocktail of chemicals in sodaโ€”high sugar often paired with stimulating caffeineโ€”lights up the pleasure and reward centers of the brain in a similar way to drugs like cocaine and alcohol, creating very real positive emotions that carry with them the potential for a biochemical addiction.
Given how difficult foregoing the fizz can be, itโ€™s a valid effort to make, as many studies have linked soft drink consumption directly to poor health. The recent explosion of diabetes in the U.S., particularly the lifestyle-induced Type 2 variety, has long been at least partially blamed by doctors and researchers on too much soda consumption. Studies have also found links between the sugary substance and cardiovascular disease and cancer, as well as less serious conditions like tooth decay and heartburn.
Perhaps most interestingly of all is the obvious alternative that many are staying away from: diet soda. Once thought of as a viable, healthier and sugar-free alternative to standard soft drinks, diet soda consumption is declining even more rapidly than non-diet. In the Beverage Digest report, data showed that demand for the once ubiquitous Diet Coke and Diet Pepsi had each fallen almost 6 percent in 2015, about twice as much as regular Pepsi and six times as much as regular Coke.
This dwindling diet demand is in part spurred by consumersโ€™ lack of trust in the safety of commonly used artificial sweeteners like aspartame (aka NutraSweet/Equal) and sucralose (aka Splenda). Results from studies on the health effects of these substances can vary, and conclusions are often muddled due to a wide range of unrealistic doses and that many studies are conducted on rats or mice, and not humans. But, as of now, the FDA does consider both to be safe alternatives to sugar, although public sentiment does not necessarily agree and the entire topic is quite controversial. But even if they are safe, diet soda has another nasty trick up its sleeve. This is because when a person drinks a diet soda, the tongue tastes sweetness which makes the body think sugar is on the way. In response, the pancreas releases insulin, but because diet sodas donโ€™t contain any real sugar, all this insulin does is further lower blood sugar levels, setting up an even greater appetite and desire for sugar, and possibly contributing to overeating.
So now that many Americans have taken a hard stance against soft drinks and curbed their consumption, where do they turn? Some opt for fruit juice, and many are choosing vitamin waters or waters flavored with exotic ingredients like coconut instead. And although these choices can contain sugar too, they often contain less of it and provide more nutrients than traditional sodas. Many people also just want the refreshing pop-on-your-tongue carbonation sensation and nothing more, a trend evidenced by more and more restaurants now offering complimentary sparkling water along with regular still.

Music Picks June 22 – 29

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WEDNESDAY 6/22

WORLD MUSIC

ATASH

They may be from Austin, but Atashโ€™s roots spread throughout the world. For six straight years, this eight-piece band has won Austinโ€™s Best World Music Band honors for their unique blend of Middle Eastern, Persian and African music with Western energy. Touring everywhere from China to Mexico, Atash has gained a cult following with their message of love, unity and peace. There arenโ€™t many other groups that give listeners tasty jams with stand-up bass, tablas, sitars and flamenco guitars all in one song. MAT WEIR
INFO: 8:30 pm. Moeโ€™s Alley, 1535 Commercial Way, Santa Cruz. $10/adv, $15/door. 479-1854.

AMERICANA/WORLD

DAYAN KAI

For years, Dayan Kai was one of Santa Cruzโ€™s most beloved musiciansโ€”a multi-instrumentalist who could play pretty much anything he got his hands on, and a kind-hearted human who cared deeply about making the world a better place. Several years ago, Kai left the area for the Hawaiian Islands, leaving his local fan base wanting more. On Wednesday, he brings his unique blend of Americana, world music, jazz and rock to Don Quixoteโ€™s for a rare homecoming show. CJ
INFO: 7:30 p.m. Don Quixoteโ€™s, 6275 Hwy. 9, Felton. $12/adv, $15/door. 335-2800.
 

THURSDAY 6/23

JAZZ VOCALS

DUCHESS

A vocal trio rooted in jazz, Duchess isnโ€™t restricted to one genre, preferring instead to explore a breadth of American music traditions, including folk, pop, country and rock.
Known to pull from the likes of Cole Porter, Leonard Cohen, Duke Ellington and Nellie McKay, the members of Duchessโ€”Amy Cervini, Hilary Gardner, and Melissa Stylianouโ€”choose songs that speak to their unique musical sensibilities. On its self-titled debut album, the New York-based trio pays tribute to legendary vocal group the Boswell Sisters, while putting a modern twist on the old favorites. CJ

INFO: 7 p.m. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $20/adv, $25/door. 427-2227.

HIP-HOP

BERNER

Any fan of hip-hop or marijuanaโ€”probably both at the same timeโ€”knows the name Berner. The Bay Area hip-hop artist has been freestyling since high school, and dropped his debut album, Dirty Sneakers โ€ฆ Plenty Ways to Get It, ย in 2007. To date, he has more than 20 albums on iTunes, collaborating with Bay Area heavyweights Messy Marv, San Quinn, and the late Jacka. Along with building his music empire, Berner has also been a major player in the medicinal marijuana industry, started the Cookies clothing brand, and Hemp2o vitamin water infused with hemp seed oil. On Thursday, expect to seeโ€”if you can, through all the smokeโ€”Kool John and Anonymous the Dude on Bernerโ€™s โ€œBest Thang Smokinโ€™โ€ tour. MW
INFO: 9 pm. Catalyst Club. 1011 Pacific Ave., Santa Cruz. $35. 429-4135.
 

FRIDAY 6/24

BLUES

BIG JON ATKINSON

Big Jon Atkinson was born in 1988, by which point the blues had long been considered old-timey music by the mainstream. Yet Atkinson may very well be one of the most talented blues players on the scene today. Heโ€™s not only gotten the stamp of approval from some of the genreโ€™s veterans, like Kim Wilson, theyโ€™re actually clamoring to work with him. Atkinson captures the soul of authentic blues music, but breathes new life into it in a way most young players are unable to do. AARON CARNES
INFO: 9 p.m. The Pocket, 3102 Portola Drive, Santa Cruz. $5. 475-9819.
 

SATURDAY 6/25

BLUES/ROOTS

DAVID BROMBERG

Dubbed the godfather of Americana, multi-instrumentalist singer-songwriter David Bromberg has a rรฉsumรฉ that leaves most singer-songwriters standing in awe. From Bob Dylan, Doc Watson, Emmylou Harris and the Reverend Gary Davis to the Beastie Boys, George Harrison and Willie Nelson, Bromberg has collaborated with many of the finest American artists of all time. A fixture in the Greenwich Village folk scene of the mid-โ€™60s, Bromberg continues to push American music forward with a lively blend of folk, the blues, Irish music, bluegrass, gospel and more. On Saturday, the legendary artist brings his quintet to Santa Cruz. CJ
INFO: 8 p.m. Rio Theatre, 1205 Soquel Ave., Santa Cruz. $28/gen, $40/gold. 423-8209.

GOTH-POP

CASKET GIRLS

Ryan Graveface, who runs small indie Graveface Records, fell in love with Casket Girls, and had to put their record out. Heโ€™d been working with sisters Phaedra and Elsa Greene for a little while, when one day he went to their house and found them singing weird songs under the tree in their Georgian yard. They were weeping, reciting poetry and just freaking out. When he heard the demo theyโ€™d made under these circumstances it blew his mind. It was incredibly emotive, eerie and catatonic indie-pop. He did his best to make them replicate the demo for the official album. Everyone involved slapped the โ€œgoth-popโ€ label on it, but really itโ€™s much weirder than that. AC
INFO: 9 p.m. Crepe Place, 1134 Soquel Ave., Santa Cruz. $10. 429-6994.
 

MONDAY 6/27

JAZZ

JOHN PATITUCCI ELECTRIC GUITAR QUARTET

John Patitucci has thrived for more than three decades as one of jazzโ€™s most commanding bassists. Equally jaw-dropping on the six-string electric and acoustic double bass, heโ€™s attained legendary status as a studio ace and astonishing improviser. He gained fame by simultaneously anchoring Chick Coreaโ€™s Akoustic and Elektric Bands, and for the past decade has provided a cohesive presence amid the churning maelstrom of Wayne Shorterโ€™s celebrated quartet. Heโ€™s also recorded a dozen albums focusing on his own compositions. Featured on his recent album Brooklyn (Three Faces Records), his Electric Guitar Quartet is a quietly volatile chamber jazz ensemble featuring guitarists Adam Rogers and Steve Cardenas and the remarkably attentive drummer Nate Smith (an essential force on acclaimed recordings by bassist Dave Holland and tenor saxophonist Chris Potter). ANDREW GILBERT
INFO: 7 p.m. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $30/adv, $35/door. 427-2227.
 

TUESDAY 6/28

CHAMBER

3 LEG TORSO

Though you might have not heard of Portland five-piece 3 Leg Torso, youโ€™ve likely heard their music in movies or on TVโ€”they have a very cinematic sound, and filmmakers know it. Originally a trio, they wanted to create modern chamber music with a violin, cello and an accordion. As a five-piece, the instrumentation expanded to xylophone, French horn, and other chamber instruments. While this music might appeal to classical music fans, the influences they draw from (Latin, Klezmer, tango) give them a much broader appeal, and fits in nicely at a venue like Don Quixoteโ€™s. AC
INFO: 7:30 p.m. Don Quixoteโ€™s, 6275 Hwy. 9, Felton. $12/adv, $15/door. 335-2800.


IN THE QUEUE

BLANK TAPES

West Coast surf/rock/psych. Thursday at Catalyst. Read the preview here.ย 

DAVE ALVIN & PHIL ALVIN

Americana sibling royalty. Thursday at Moeโ€™s Alley

PALMER SQUARES

Hip-hop out of Chicago. Friday at Blue Lagoon

BUCKETHEAD

Insanely prolific, rock guitar shredder. Sunday at Catalyst

JESSE DANIEL

Santa Cruz-based, roots singer-songwriter. Monday at Don Quixoteโ€™s

Be Our Guest: Jorge Santana

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The younger brother of legendary rock guitarist Carlos Santana, Jorge Santana is a multi-faceted artist in his own right. He credits Carlos with exposing him to a wide variety of styles and experiences, and laying the foundation for his own guitar style, which led to membership in the Latin rock group Malo, the Fania All-Stars, and work with numerous other artists. Born in Autlan, Jalisco, Mexico, and raised in San Franciscoโ€™s Mission District, Santana is another fantastic representative of the Santana musical legacy and the Bay Area classic rock scene.ย 


INFO: 9 p.m. Saturday, July 2. Catalyst, 1011 Pacific Ave., Santa Cruz. $15/adv, $20/door. 423-1338. WANT TO GO? Go to santacruz.com/giveaways before 11 a.m. on Wednesday, June 29 to find out how you could win a pair of tickets to the show.

Love Your Local Band: Jeff Blackburn & Friends

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Jeff Blackburn has been a stalwart of the Santa Cruz music scene since the late โ€™60s, when he hitchhiked to the area from Bakersfield. After a few months as a Cabrillo student, the 19-year-old Blackburn, aka โ€œBuck,โ€ took off.
โ€œI told my professors, โ€˜I just havenโ€™t done enough livinโ€™,โ€ Blackburn says. โ€œEvery weekend was spent going up to the city to hear music, following the scene wherever it was happening. Thatโ€™s about the time the Barn in Scotts Valley was getting started, Neal Cassady and the Pranksters were hanging around, the Avalon and the Fillmore were opening up, and a lot of friends that I had met on the road were in San Jose. Quicksilver Messenger Service, the Dead, the Doobie Brothers were all San Jose players, and they were all folk musicians, basically, before it evolved into the rock scene.โ€
Buckโ€™s long list of friends and stories of San Franciscoโ€™s golden age are extensive. โ€œJefferson Airplane, Country Joe & The Fish, Chet Helms โ€ฆ I could go on. Iโ€™ve got a lot of stories,โ€ he says. โ€œBut bottom line is, I took off and got a lot of experienceโ€”just like Iโ€™d planned.โ€
Buck would go on to tour with Moby Grape before spending the summer of โ€™77 in Santa Cruz, playing in the Ducks; a lineup that boasted Neil Young on guitar and โ€œthe best rhythm section in recorded history,โ€ as he calls themโ€”Bob Mosley on bass and Johnny Craviotto on drums. Buckโ€™s been faithful to folk ever since, performing his own carefully crafted Americana originals with a rotating cast of local musicians. After more than 50 years playing music, Buck says heโ€™s still learning, and is happy to call Santa Cruz home: โ€œThis place has a magical magnetism that always draws you back.โ€ย 


Info: 7:30 p.m., June 29, Crowโ€™s Nest, $3.

Is it time for a serious conversation about gun laws?

“Yes. As someone coming from outside the U.S., we watch all of this happen from afar and canรขโ‚ฌโ„ขt understand why nothing is done about it.”

Liz Baker

Sydney, Australia
Education

“Itรขโ‚ฌโ„ขs an important issue that needs to be talked about, and itรขโ‚ฌโ„ขs been ignored for too long. And we canรขโ‚ฌโ„ขt keep looking the other way.”

Kyle Teske

Santa Cruz
Engineer

“No. Itรขโ‚ฌโ„ขs a touchy subject.The government has its own agenda, so I donรขโ‚ฌโ„ขt know if itรขโ‚ฌโ„ขs going to do any good for anyone.”

Chuck Hamilton

San Jose
Student

“Yeah, itรขโ‚ฌโ„ขs definitely time. But itรขโ‚ฌโ„ขs been talked about for years and it was in front of the Senate today, and they once again voted it all down.”

Kirby Fosgate

Santa Cruz
Retired Park Ranger

“Itรขโ‚ฌโ„ขs always time, until we do something about it.”

Madeline Mains

Santa Cruz
Accounts Executive

Opinion June 22, 2016

EDITOR’S NOTE

Sometimes thereโ€™s a story we have to go back to in order to really do it justice, and this weekโ€™s cover story is a good example. A few months ago, Mat Weir wrote a couple hundred words about the Deathless for our Love Your Local Band column, and the minute I read that Santa Cruz is home to the worldโ€™s first Buddhist punk band, I thought, โ€œThere has got to be a bigger story here.โ€ Not just because combining Buddhism and punk sounds like the most Santa Cruz thing ever, but also because of the people involved.
The mid-to-late-โ€™90s music scene was my favorite ever in Santa Cruz (keep in mind I wasnโ€™t here in time for the Camper Van Beethoven/Spot 1019/Tao Chemical/Special Fun era, and this will probably make more sense). What I think of as the โ€œBad Monkey bandsโ€โ€”Slow Gherkin, the Huxtables (by association), the Muggs, Exploding Crustaceans, Soda Pop FU, Junk Sick Dawn, etc.โ€”created a smart and hugely entertaining scene that was always a kick to write about.
But if you had told me then that the leader of one of the best bands from that scene, Fury 66, would go on to form a Buddhist punk band, I would have told you it had to be some kind of prank. Itโ€™s most decidedly not a prank, and Weirโ€™s story explains exactly how Fury 66โ€™s Joe Clements and Dharma Punx author Noah Levine got from there to here. Kudos to Weir for revisiting this story to tell it in all its hardcore-zen glory.
STEVE PALOPOLI | EDITOR-IN-CHIEF


LETTERS TO THE EDITOR

Read the latest letters to the editor here.

Filling Gaps
Re: โ€œThe Story of Juneteenth” (GT, 6/8): This article was beautifully written and filled a large gap in my knowledge of local history. I learned to celebrate Juneteenth in Los Angeles with my black co-workers beginning in the late 1970s in my work on community agriculture, and continuing on through my youth development work for UC Cooperative Extension in L.A. County over the next 30 years. It felt really good to find out that this celebration has a long history in Santa Cruz. High praise to Good Times and to Geoffrey Dunn for sharing this history with us.
John Pusey | Bonny Doon

River Safety
Re: San Lorenzo River: In a letter recently sent to the city, we outlined photo-documented public safety concerns for the pilot paddling program. We state in our letter that these hazards warrant serious consideration by city staff, city managers, city attorneys, the city council, and the public prior to proceeding with the pilot paddling program now tentatively scheduled for later this year.
To this date there has been no response from city officials that these reported concerns for the welfare and safety of the public have been acknowledged nor investigated. Does this mean public safety doesnโ€™t matter?
The San Lorenzo River levee was designed for flood control, not with human boating safety in mind. The SLR levee is built with rebar, wood, wire, steel, concrete and rocks in the riverbed and along its banksโ€”designed to move water down the river channel.
As members of the San Lorenzo River Advisory Group, appointed by the city council, we helped outline a strategy to address the proposed pilot paddling program. The group gave considerable attention to the birds and wildlife issues. Unfortunately, one issue was entirely overlookedโ€”risks to human safety.
Hazards include:

ย Gabion wire baskets used to construct most of the length of the SLR levee bank system show significant wear and are rusted with sharp protrusions, blocking safe exit from the levee.
ย ย ย Concrete blocks and rocks used just below the surface along the levee banks are invisible during high water levels, and likely to cause human or boat damage.
ย ย Remains of old construction material from a previous bridge include rusted rebar stakes. Potential to impale paddlers.
ย ย Wooden log retaining walls line the banks with steel cable wires, rebar, and metal brackets, making any exit in this area dangerous.
ย ย More than six tree logs are just below the surface water, placed there for fish habitat management. These logs are invisible just inches under the water, which can easily cause paddlers to fall into water.
ย ย There will be unknown risks to paddlers from stepping on debris when getting on or off a boat. Debris includes broken glass, used syringe needles, ceramic pieces, metal and other trash in the SLR channel and on its banks.
ย ย A blue-green algae bloom was detected on the SLR in the fall of 2015. This cyanobacterium can produce some toxins harmful to humans, which may be present before testing can detect them.
ย ย The proposed pilot paddling program does not address protocols listed by the U.S. Coast Guard or U.S. Paddle Association, including monitoring of minimum age requirement for life jackets and safety protocol for children age 12 and under. ย The USCG also recommends proper and legal lifejackets, paddles, leashes, headgear, and registration of boats.

In addition to the listed hazards, if the need arises to get to shore for safety, a paddler will be faced with very limited options for finding a safe exit location.
The full version of our report, with photos, can be found at http://foslrw.weebly.com/dangers-of-paddling.html.
Lisa Sheridan and Jane Mio | Members of the San Lorenzo River Advisory Group


PHOTO CONTEST WINNER

Submit to ph****@*******es.sc. Include information (location, etc.) and your name. Photos may be cropped. Preferably, photos should be 4 inches by 4 inches and minimum 250dpi.


GOOD IDEA

AMERICAN SWIPER
The Santa Cruz County Planning Department is now accepting electronic payments for planning application fees, part of an effort to increase convenience. Know what this means? Government is now entering the 20th century! (Sit tight for it to enter the 21st. Have a cookie!) Starting last week, county officials are accepting such payments both in person and online. A 2.5 percent surcharge is added for credit and debit card payments, while electronic checks, which require an account number and routing number, are free.


GOOD WORK

RECOVERY MODE
Health and Healing Resources helps people open up and release pain caused by stress, trauma and abuse. Cofounder Natalia Roberti first started by embarking on her own journey of healing from abusive relationships, a car accident, and living with her son in a womenรขโ‚ฌโ„ขs shelter. The nonprofit will host an event called รขโ‚ฌล“From Emotional Turmoil to Emotional Stabilityรขโ‚ฌย at 3 p.m. on Sunday, June 26 at 343 Soquel Avenue #333, Santa Cruz. Visit healthandhealingresources.org for more information.


QUOTE OF THE WEEK

รขโ‚ฌล“To me, punk rock is the freedom to create, freedom to be successful, freedom to not be successful, freedom to be who you are. Itรขโ‚ฌโ„ขs freedom.รขโ‚ฌย

-Patti Smith

Capitola Goes European at Bouchees

There are a lot of exceptional sandwich spots around Santa Cruz, but everything is always so big.ย 
And donโ€™t get me started on desserts. Do you really have room for an 800-calorie slice of cake after a massive tuna melt? Fret not, Boucheesโ€™ menu features bite-sized versions of everything. Helmut John Fritz, who also owns Davenport Roadhouse, explains how he hopes to bring a healthy amount of Europe to Capitola by the Sea.
What does bouchรฉes mean?
HELMUT JOHN FRITZ: Bouchees is a French word for โ€œmouthful or bite.โ€ What we believe is that itโ€™s not the size or the quantity, itโ€™s the quality. I was born in Austria. I lived in France, England and Scandinavia. Itโ€™s all about the tastes. When you sit down in England for tea sandwiches, you get some scones and maybe some salmon or cucumber sandwiches. You can try different items so you donโ€™t have to commit to a huge sandwich or a huge apple pie when thereโ€™s a pecan tart, or thereโ€™s a fruit tart. We also have key lime tart. When you want to try all of that, you donโ€™t necessarily want to commit to a huge portion.
You say your cafรฉ is โ€˜European-inspired.โ€™ What does that mean? ย 
Capitola has the feel of a European beach town. We call it European-inspired. Weโ€™re not copying a French pastry. Itโ€™s European-inspired, so you have some English savories like a coronation chicken or a cucumber sandwich. Then we pick up pastries from all over Europe. For example, we have a pastry called Paris-Brest. Thatโ€™s two cities in France. Thereโ€™s a bicycle race between those two cities every year. The pastry chefs along the route came up with a pastry to commemorate that race. Itโ€™s a round pastry like a bicycle. Thereโ€™s an almond cream inside and thereโ€™s a butter cream inside. They represent the two different cities. The important thing is the quality. We have a vanilla bean custard. You can be assured there is real vanilla bean in it. The shop is small, but I want it to become a gathering place for locals, where they can have all those pastries, some savories, and solve world problemsโ€”who should be president, etc.
Do you sell anything besides bite-sized savories and sweets?
We also have to-go sandwiches, which are regular sized. This is more for tourists on the way to the beach who want to grab a pre-packed sandwich. Itโ€™s sandwiches that you donโ€™t really get in the area. For example, I introduced the coronation chicken sandwich. A coronation chicken sandwich was invented in the 1950s to commemorate Queen Elizabethโ€™s coronation. There are so many strong Indian influences in England, so in that chicken sandwich you have curry, mango, spices, and some sweetness.


110 Stockton Ave., Capitola, 515-7889.

โ€˜Aโ€™ for Alfaro

Easily recognizable by its striking yellow โ€œAโ€ label, Alfaro Wineryโ€™s Estate 2013 Chardonnay ($22) is also easy to single out with its intense flavors of pear, apple and white peach, followed by a โ€œhint of lemon and honeyed oak.โ€ Even if youโ€™re not that big a Chardonnay fan, this one may win you over with its refreshing taste and bright aromas.
Winemaker Richard Alfaro doesnโ€™t cut corners when making wineโ€”using good barrels (the Chardonnay was aged for eight months in 20-percent new French oak) and, in this case, fruit he has grown on his estate.
Seven of us were celebrating two friendsโ€™ birthdays at Bittersweet Bistro in Aptos, and this flexible Chardonnay paired well with an abundance of appetizers we ordered, including crispy Monterey Bay calamari, sweet potato fries and a couple of Bittersweetโ€™s delicious little pizzettasโ€”which come with an assortment of toppings.
Mark your calendars for the last of the farm-to-table dinners at Chaminade on Oct. 7, which will feature Alfaroโ€™s wines.
Alfaro Family Vineyards & Winery, 420 Hames Road, Corralitos, 728-5172. alfarowine.com.
 

Wine Program Graduates

Congratulations go out to new graduates of the Cabrillo College Wine Education Program: Cathy Bentley, Jory Berdan, Stephanie Smith-Berdan, Diane Muszynski, Beverly Starling, Amalia Laugesen, Jennifer Grey. Certification includes Wine and Wine Service Skills; Wine Tasting Room Management Skills; World Wine Skills. Cheers!
 

Local Lemon Curd

As a Brit, I grew up eating lemon curd, and Iโ€™m always in search of a good one. After sampling Malabar Trading Companyโ€™s tangy curd blend of fresh lemon juice, butter, sugar, and eggs (itโ€™s all good natural stuff) at the Saturday Aptos Farmers Market, I came home with some. Itโ€™s delicious on toast, scones, crumpets, and moreโ€”not to mention spooning a bit straight out of the jar. Malabar is where I stop at the farmers market for hot chai. My favorite is the Kashmiri Chai, but try the traditional Malabar Chai, too, a spicy blend of ginger and cardamom. Their new one is Spicy Chocolate Chai; a blend of cacao nibs, spices and rooibos that has proven ideal for a foggy Aptos morning. And, check out the companyโ€™s impressive assortment of teas. Malabar Trading Company, P.O. Box 622, Santa Cruz, malabartradingcompany.com

Film Review: โ€˜Dark Horseโ€™

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Who says fairy tales are just for princesses? If you want magic, see Dark Horse, an accomplished, crowd-pleasing documentary about the working-class denizens of a tiny Welsh mining community that chips in to breed a racehorse to compete against thoroughbreds in the Sport of Kings. But, more than magic, this story is about hard work, high spirits, determination, and sheer chutzpahโ€”on the part of the villagers, and especially the unorthodox horse they raise into a champion.
Yes, itโ€™s a Cinderella story about a plucky pony that could. But documentary filmmaker Louise Osmond has directed taut films about yacht racing (Deep Water), and mountain-climbing (The Beckoning Silence), and keeps us on edge. We never know what the outcome of each race will be, nor are we prepared for the many unexpected bumps along the road.
The tale begins in 2000, in a mining village in Wales. After the mining pits close down, and the locals are in transition, a barmaid named Jan Vokes gets a wild idea. One night, one of her customers, Howard Davies, a tax accountant, is regaling the house with the story of the time he helped a client set up a horse-racing syndicate. Right there, Jan decides sheโ€™s going to breed a racehorse.
Well, why not? Her father, we learn, bred โ€œshow budgiesโ€ (parakeets) when she was a child, and she won some prizes as a teen raising greyhounds. So Jan, a delightful storyteller with a twinkle in her eye, decides to move into the racehorse field by starting her own โ€œsyndicateโ€ of villagers and pub regulars. Anyone interested in joining in for 10 pounds a week is instructed to โ€œsee Jan at the bar.โ€
Some 30 locals sign on, and their initial investment goes toward the purchase of a brood mare. They get a deal (310 pounds) on the one they pick; she had never won a race and was considered so โ€œmentalโ€ that no jockey would ride her. Stud fees are pricier, but Jan and Howard maneuver to purchase the services of a stallion marked down to 3,000 pounds.
Soon enough, the mare is pregnant; we see her birth the foal in a charming black-and-white home movie sequence. Heโ€™s a tall, gawky creature with white socks on his spindly legs that Jan and her husband, Brian, keep in a ramshackle shed next to the chickens in their yard. When the syndicate gathers at the pub over their pints to name the animal, they all acknowledge that heโ€™s โ€œJanโ€™s dream,โ€ and in a moment of solidarity among the co-owners, they name their horse โ€œDream Alliance.โ€
Dream is packed off to board with a professional trainer (Jan likens it to sending a child off to boarding school), to see if he has any skill or inclination for racing. But, after a respectable showing in his first few outings, he wins his fourth meet, andโ€”against all oddsโ€”his professional career is underway. (โ€œSlumnag millionaire,โ€ screams one racing-form headline.)
โ€œPart of the attraction,โ€ recalls Howard, โ€œis, it couldnโ€™t be done,โ€ certainly not on their terms. And yet, Dream continues to runโ€”and winโ€”in ever more prestigious races, defying the oddsmakers, shocking the โ€œlanded gentry,โ€ for whom horseracing has always been an exclusive club, and winning the hearts of the public for this โ€œworking-class horseโ€ with the undistinguished pedigree. Of the traditional racing eliteโ€”men in three-piece suits, ladies in extreme hatsโ€”Jan smiles devilishly. โ€œThose sorts of people like to keep us commoners out, I think.โ€
There are plenty of dark moments in Dreamโ€™s career, rendered with nail-biting suspense by filmmaker Osmondโ€”particularly as the races get bigger and the courses more dangerous. But the movie never loses its humor, or its heart. (When Dream goes through a slump, Jan shrugs it off. โ€œHe was a Welsh boy … quirky.โ€)
Win or lose, we get a strong sense of the unbridled affection Jan, Brian, Howard, and all the villagers feel for Dream himselfโ€”fueling the choices they make on his behalf. In a milieu where horses are โ€œan industry,โ€ the locals consider Dream โ€œone of the family,โ€ making Dark Horse much more of a love story than a sports doc.


DARK HORSE
*** (out of four)
Written and directed by Louise Osmond. A Sony Classics release. Rated PG. 85 minutes.

RTC Approves Ballot Tax Measure

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The day after approving a sales tax measure, the Regional Transportation Commission (RTC) got word that its recent mailer definitely did not violate any state election rules.
A complaint filed this month by the stateโ€™s Fair and Political Practices Commission (FPPC), alleged that the RTC had improperly promoted an upcoming sales tax measure by letting county residents know about transportation woes, as GT reported last week. But the FPPC responded last week to the report, which was submitted by anti-highway activist Rick Longinotti, saying that the mailer was not campaign-related because it did not advocate for a ballot measureโ€”or even identify one.
The RTC Commission finally gave the much-discussed measure its blessing on a 9-2 vote on Thursday, June 16, with Randy Johnson and Greg Caputโ€”two of the more conservative commissionersโ€”dissenting. Johnson, a Scotts Valley city councilmember, complained about the railroad allocation of the measure, and Caput, a county supervisor, criticized cash slated for highway widening, and went into a lecture about taxes.
The $500-million tax measure would need two-thirds voter approval come November. Thirty percent of the 30-year tax would go to neighborhood improvements and local roads, and 25 percent to Highway 1 merge lanes from Santa Cruz to Park Avenue.
The commission has tinkered with some details of the measure, adding more dollars at the 11th hour for transportation for the elderly and disabled, as well as taking a few dollars away from rail corridor improvements. Commissioners promised 20 percent of the money for buses and Paratransit, 17 percent to the coastal rail trail and 8 percent to railroad maintenance and analysis.
Bike Santa Cruz Countyโ€™s steering committee voted that same day to support the measure and will work on a letter to address some membersโ€™ conflicted feelings about it, in light of the projected increase in greenhouse gas emissions from highway improvements.
The Campaign for Sensible Transportation, which has been generally critical of the plan, met on Monday night to draft long lists of possible reasons to support, oppose, or stay neutral on the measure. Perhaps, some activists suggested, it might be nice for a group of ardent environmentalists to support something for a change.ย 

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Transportation proposal clears hurdles and wins coveted endorsement
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