Food Porn

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I meet Elizabeth Birnbaum at Hidden Peaks Teahouse, and over a two-hour pot of pu’erh we fill the zen air between us with talk of hedonism, guilty pleasure and the history of aphrodisiacs. Birnbaum launched the Curated Feast last June, and is in the middle of preparing her research for Sexy-Self Love, a women’s event presented by Santa Cruz Socialites at Pure Pleasure next week. While the event is designed around the truth that you can’t love someone else if you don’t love yourself, Birnbaum’s participation promises a rich cultural exploration of love and sex.
“Apparently gladiator sweat was an aphrodisiac to Roman women, because the gladiators were sex symbols. And so the women would use their sweat in cosmetics,” says Birnbaum, her eyes wide. She says that while most of her research starts on the Internet, it ends in the library or with a phone call to a UCSC professor. Then, through Curated Feast, she collaborates with local chefs like LionFish SupperClub to orchestrate a dinner experience that brings to life, say, Ancient Greece or the Silk Road.
There won’t, unfortunately, be any gladiator sweat at Sexy-Self Love, but Birnbaum is working with chocolate maker Becky Potter of Pure Heart Chocolate, and chef Hedy Nochimson to create four small aphrodisiac dishes. Each love bite will introduce a different speaker, including Bez Maxwell on the female orgasm, Amy Baldwin on self-pleasure with tingly toys and Denise Elizabeth Byron on discovering your inner sensuality.
“From 1000 B.C, they found coriander seeds in Egyptian tombs, and coriander seeds were linked to being an aphrodisiac,” says Birnbaum. “And so it’s a way of saying ‘OK, well, we hope that love continues.’ It’s beautiful. So there are all of these poetic, amazing stories about aphrodisiacs.”
But underneath the myth and lore, Birnbaum says, is the fact that foods’ psychoactive chemicals affect our mood and physiology. “If you’re eating foods that trigger physiological reactions, that get your heart pumping, your blood vessels opened up, that make you breathe deeper and sweat a little, all of these effects kind of feel like love might feel,” says Birnbaum, speaking about the capsaicin in hot peppers in particular.
The Aztec emperor Montezuma is said to have consumed chocolate in vast quantities to satisfy his many wives. Among its chemical constituents, chocolate contains tryptophan, which helps produce the serotonin needed for elevated mood and sexual arousal. It also contains phenylethylamine, a stimulant released in the brain when we fall in love.
“Aphrodisiacs have to be put in cultural context to be understood,” says Birnbaum. “Peacock tongues and black pepper were eaten by the Ancient Roman elite. They were both considered aphrodisiacs, and were brought out at special feasts. It almost makes sense that these foods, which would have been a part of a lavish display of wealth, were also getting people excited in other ways.”
Indeed, most foods that are purported to be aphrodisiac (and there are a lot) are expensive or risky to acquire, or are steeped in the power of suggestion. For instance, science still hasn’t figured out whether it’s the high zinc level in oysters (low levels of zinc are linked to low libido) or their faint resemblance to female genitalia that is responsible for their passion-inducing reputation.
“Food is inherently sensual,” says Birnbaum—and we both agree that we wouldn’t want to share a meal with an ex we felt tender about, because it’s also so intimate to eat with someone. To be present in the moment—without phones—and sharing the ecstasy of each bite is not only an experience that parallels the sexual act itself, it’s also a maxim of the slow food movement, in which Birnbaum has been active for many years now. “I think that with Instagram, and ‘food porn’ … it’s funny because if you’re watching real porn, you can interact with it in your own way, ostensibly. But with food porn, what’s your interaction? It’s like, here’s this thing I’m eating, isn’t it sexy and beautiful? But you can’t even smell it, you can’t taste it,” says Birnbaum.
It’s exactly this disconnect that Birnbaum loves to reconstruct, in a multi-dimensional way—by teaching not only where one’s food came from, but also what it has meant to people and events over the eons.


Sexy Self Love event is 7-9 p.m., Feb. 18 at Pure Pleasure. Tickets are $28.42 on eventbrite.com. For info on Curated Feast see thecuratedfeast.org.

Auma Matters

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Before watching The Education of Auma Obama, the 2011 documentary about President Barack Obama’s Kenyan-born half-sister, it’s hard to understand the meaning of the title. After watching it, it’s hard to pinpoint just one. Does it refer to the first half of the movie, which traces Auma Obama’s life growing up in Kenya, and her years studying in Berlin? Or to the end of the film, which shows how Auma has become an educator herself? Or to something else entirely?
But after talking to the film’s director, Branwen Okpako, who will participate in a Q&A at the film’s screening at the Nickelodeon on Wednesday, Feb. 10, it’s clear which of the many possible meanings she intended for the title: all of them.
“There was this constant theme of education,” says the 46-year-old Nigerian-born director. For one thing, she first met Auma Obama in film school in Berlin. Then, besides Auma’s formal education and personal discoveries documented in the film, the title reflects the cross-cultural education that Auma gets about Germany and America, and that her brother Barack gets about his Kenyan roots.
Okpako even had the 1983 Michael Caine film Educating Rita in mind—and in fact considered calling the documentary that, since Auma changed her name from Rita.
“And of course,” says Okpako, “Lauryn Hill and the idea of miseducation.”
That’s the kind of filmmaker Okpako is: a post-modernist modernist, open to all interpretations and themes, while crafting a solid narrative that never gets lost in any of them.
That narrative is particularly interesting in the way it does not begin, as many documentaries desperate to establish their subject’s worthiness would have, with news clips of the president or something else to cement Auma Obama’s ties to him in the minds of the audience. Though we do hear about the upcoming election (Okpako was in Kenya shooting for the 10 days leading up to the 2008 presidential vote), we don’t even see an image of President Obama into an hour in. Instead, the Barack Hussein Obama we learn about is the president’s father—The Education of Auma Obama starts at his grave, a site that will become incredibly important later in the film. When the family returns there after the election results are in, they dance around his grave and sing “Daddy, we are going to the White House.” It is the most powerful scene in the movie—and was the most powerful scene to shoot, as well.
“Our cameraman was so overwhelmed he could hardly hold the camera,” says Okpako.
But the most important thing is that we always learn about these characters in relation to Auma herself—Okpako never lets her story be eclipsed by the fact that her brother is the most powerful leader in the world. It’s possible that was made easier by the fact that she met Auma in the ’90s, before he was.
Some filmmakers, a Michael Moore or Werner Herzog, would probably have put themselves in the role of the onscreen personality who revisits many of the important spots in this story, interviewing people who were involved, but Okpako lets Auma herself drive the action, while the director remains offscreen.
“Once I convinced her to do it, she was open,” says Okpako. “She’s a filmmaker. She understood what I needed in terms of freedom.”
Okpako saw her own role in the narrative much differently. “I try to represent the people watching,” she says. “I am there to be the audience and ask the questions they would have.”


‘The Education of Auma Obama’ will be shown at the Nickelodeon at 7:30 p.m. on Wednesday, Feb. 10. There will be a Q&A with director Branwen Okpako. Tickets are $10.50. Okpako will also give a ‘Living Writers Talk’ at 6 p.m. on Thursday, Feb. 11 at the Humanities Lecture Hall at UCSC, which is free and open to the public.

From The Editor

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ednote stevePlus Letters To the Editor

How would you stop people from littering?

lt-julietTeach them from the time that they’re small that it’s not an appropriate behavior.

Juliet Jones, Santa Cruz, Claims Adjuster

Be Our Guest: BANFF MOUNTAIN FILM FESTIVAL

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BOGWin tickets to the BANFF MOUNTAIN FILM FESTIVAL at The Rio Theatre on SantaCruz.com

Love Your Local Band: Mark London & The SuperGreens

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Mark London and the Supergreens are all about community involvement. When the masterminds behind Santa Cruz’s Hibernation Fest aren’t tracking down locals to join them onstage at the Crepe Place, they’re operating DIY record label Invertebrate Records, in addition to running a blog, “Two-Track Tuesdays,” where they feature music from local artists every week.
Their own musical influences range in scope from Explosions in the Sky to Al Green, which explains their eclectic style and sound. The band has been playing together since 2013, but they prefer to remain, for the most part, underground. They have next to no music available online, but that hasn’t kept them from gaining popularity, or from landing the weekly Monday night slot at the Crepe Place.
Mark London & the Supergreens secured the Mixtape Monday gig through a local band that they originally met at Hibernation Fest. Hibernation is a winter music festival usually hosted at private houses, and often features not only musicians, but also other Santa Cruz artists and local home-brewers. Out of respect for their hosts, Mark London & the Supergreens try to keep the festival “low profile,” opting to reveal the location to a handful of people a few days before the event. Invitations are largely by word of mouth.
“Hibernation has played a huge role in defining our sound, our goals, our mission,” explains bassist Tauvin Pursley. “There are so many pockets of different artists and musicians in Santa Cruz, and we’re trying to bring them all together. That’s what we’re doing with Hibernation, and what we’re trying to do with Mixtape Mondays.”
Sharing the spotlight is the weekly approach, with each Monday featuring a different genre. This furthers the Supergreen mission of building up the musical community while simultaneously expanding their network and ensuring that they play before a different crowd each week.
“We want to encourage other musicians and artists to contact us and try to be a part of Hibernation, of Mixtape Mondays,” says guitarist Matt Barnett. “We need other people to get in on this to actually create something for Santa Cruz. That’s the goal.”


INFO: 9 p.m. Mondays. Crepe Place, 1134 Soquel Ave., Santa Cruz. $3. 429-6994.

Senior Moments

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A charming memoir of a smelly, prickly old lady, The Lady in the Van is based on material that was first performed on stage, then as a radio play. Surprisingly, as a movie it hasn’t lost any keenness.
Its writer and subject is Alan Bennett (played by Alex Jennings), a playwright whose breakthrough was being part of the Beyond the Fringe quartet that paved the way for Monty Python. In 1973, when Bennett moved to Gloucester Crescent in London’s Camden Town, it was a changing district—awaiting the gentry who inhabit it today. Priding themselves on their liberality, the neighbors put up with one Miss Shepherd (played by Dame Maggie Smith in the film adaptation) a transient old lady living in her van on the street. When the parking police tried to run her off, Bennett allowed her to park in his driveway. She would be encamped there for 15 years.
Bennett once commented that he thought he’d go into the clergy just because he looked like a clergyman. Jennings’ Bennett does look like a vicar: tall, self-effacing, awkward, limp-haired. In his never-to-be-forgot Beyond the Fringe sketch, “Take a Pew,” Bennett played a minister trying to explain, with multiple inanities and chummy, hopeless faux-contemporary allusions, the importance of a scripture verse from II Kings 14. The quote was actually from Genesis: “But my brother Esau is a hairy man, but I am a smooth man.”
The funny thing is that Bennett ended up a bit of a non-denominational minister, after all. As opposed to the more overt (and boring) St. Francis imagery in The Soloist—the Jamie Foxx-starring movie on a similar subject to this—The Lady in the Van is a sweet, subdued piece of natural Christianity.
During the course of his friendly but never informal relationship with Miss Shepherd, Bennett often has a good talk to himself. The play depicts Bennett split in half on the grounds that a writer is actually two people in conversation with himself. And while watching this strange woman, and learning her own sad history, he has some guilt about using her for material.
Director Nicholas Hytner is primarily a theater director and an occasional filmmaker. He has made three movies this century. Bennett’s direct address to the camera doesn’t look stagey, and the movie is opened up to take in the hilliest, most endearing part of London as it was 40 years ago. The role is so right for Smith that it might be easy to underrate her very tough and touching work here. (Think of the twinkling a less rigorous actor would have brought to this. Smith’s derelict Miss Shepherd is no pixie.)
Smith has long been a deep-focus underplayer, from her helpless Desdemona in Olivier’s Othello, to 1987’s Lonely Passion of Judith Hearne—the soul is so strong in her that we never really think of this 80-year-old performer’s fragility until the end of the film, when her health fails. Before then, her Miss Shepherd has push. She is willing to be a pain; snarling at anyone who dares to play music around her, or talking grandly of her memoirs, to be titled either The Lady Behind the Curtain or A Woman of Britain.
The fragrance of Miss Shepherd is described as that of “a bad dish cloth”; out of folk wisdom, she eats raw onions to ward off colds. Bennett, not an enormous fan of the physical world, admires the way the ambulance people or the social workers can handle this exasperating woman without minding her moods or her smell. He himself downplays his own ability to stand her bad habits, including her regularly soiling his driveway. “Caring is shit,” Bennett decides. Indeed, cleaning up shit, and putting up with it, is essential to dealing with human beings, instead of being a wry outsider who avoids them.
It’s bemusing to imagine the army of people in their vans, trucks and campers today, displaced by the obscene rents of the Bay Area, being looked after with the care and dignity demonstrated by the characters in this story. The Lady in the Van wells up with compassion; it never drills for it.


THE LADY IN THE VAN
Maggie Smith, Alex Jennings, and Jim Broadbent. Written by Alan Bennett. Directed by Nicholas Hytner. A BBC Films release. Rated PG-13. 104 Mins.

Dancing Creek Winery

In the early stages of their vino venture, winemaker and owner Jim Boyle, along with his wife Robin, were making so much wine that they had to give much of it away. Finally, Jim decided it was time to get serious, open a tasting room and actually start selling the fruits of their labors. Dancing Creek Winery was born, its name inspired by the Santa Cruz landscape: “We live in a crazy yellow house in a Happy Valley on a dancing creek,” the Boyles explain.
Wine lovers in the area now head to the Boyles’ tasting room to snap up their Pinot Noir, Chardonnay, Syrah, and Merlot. Add to that list their new 2009 Zinfandel Port, made with grapes harvested from Zayante Vineyard. It’s $18 for a 12-ounce bottle and is only available in their tasting room. But this ruby beauty with its dark fruit and peppery spice is worth a trip to Dancing Creek.
Growing up in England, I well remember how much my mother loved a drop of port after dinner, and this sweet wine is still very much associated with Brits. The Boyles have captured rich and sensuous flavor and sealed it in a bottle with an elegant red wax seal. Pair it with cheese, especially a tart Roquefort or a nice bit of English Stilton—and we all know how well port goes with chocolate.
Dancing Creek Winery, 4363 Branciforte Drive, Santa Cruz. 408-497-7753. dancingcreekwinery.com. The Boyles’ tasting room is very close to the famous Mystery Spot, and open every third Saturday of the month from noon to 5 p.m., so the next time will be Feb. 20.

Fat Tuesday at Michael’s on Main

Fat Tuesday (aka Shrove Tuesday) on Feb. 9 at Michael’s on Main in Soquel promises to be a tasty time for all. Guest chef Madlyn Norman-Terrance will be cooking up her famous gumbo, Kip Allert will perform—and it’s all paired with local wines by Bargetto Winery. Wine-pairing dinner is from 6:30-8 p.m. and cost is $25 per person. Visit michaelsonmain.net for more info. 

Wine and Chocolate

“I plan to focus on Bordeaux varietals in the future,” says proactive winemaker Andre Beauregard. “I really enjoy tasting them and seeing the wine evolve over time in the glass.” Let me second that. Having enjoyed Beauregard’s 2013 releases, including an endlessly likable Syrah ($21) and a notable Cabernet Franc ($24), I have become a very interested fan of the young, forward-looking West Cliff Wines with the appealing red and yellow lighthouse on the label. Made in what the winemaker calls a “very Old World” style, the 92-percent-Cab-Franc, 8-percent-Merlot blend developed its nuance thanks to 21 months in the barrel. Native yeast fermentation and the winemaker’s devotion to “the minimal manipulation philosophy of winemaking,” have done the rest. Made from Santa Clara Valley grapes, the result is a lilting creation, with a central core of bay, cedar, and raspberry, and a gorgeous nose of rose, violets and some mysterious spice. The 14.1 percent alcohol carries the well-balanced tannins and fruit.
Beauregard’s new releases represent a collaboration with vintner colleagues, winemaker Olivia Teutschel and Bobby Graviano of Bargetto Winery. “They are young winemakers like myself,” Beauregard tells me, “very knowledgeable and passionate. They were nice enough to do some blend trials with me to see what we all felt was a good amount of Merlot to blend into the Cab Franc, to brighten it up and add some fruit.”
“We had fun with these wines,” he says. The winemaker also admits that during the winemaking process he’s had to learn patience. “I’ve learned to take time, and to let the wines have the time they need to develop the complexity and elegance that I appreciate,” he says.
Longtime wine buyer at Shopper’s Corner, Beauregard has tuned his palate by sampling broadly from the world’s most prestigious winegrowing areas. He’s also grown up surrounded by every phase of winemaking, thanks to his grandfather and father whose vineyards fuel many of the top Santa Cruz Mountains labels, and to a brother with his own thriving Beauregard Vineyards label. If the 2013 Cabernet Franc from West Cliff Wines is any indication, I’d say that Bordeaux-style wines would be a terrific focus for his evolving ideas and skills.

Chocolate Fix

Any minute now, a new chocolate café from award-winning chocolatier Jennifer Ashby will open in the cozy nook at 1001 Center St., next to the Food Lounge and formerly occupied by Mutari. The in-progress Ashby’s Chocolate Cafe was just being detailed by designer/painter Scott Riddle when I stuck my head in last week. Riddle, who created the cacao tree mural for the cafe’s new front counter, confesses that he’s “a chocolate snob,” who believes that Ashby’s chocolate drinks compare favorably with anything he’s had in Paris and Tokyo. That got my attention. Ashby says that she plans to cut back opening hours at her Scotts Valley location of Ashby Confections retail store while she gets the new shop fine tuned.
“We’ll have espresso drinks, and many different mochas. More European-style hot chocolates as well as traditional South American drinks,” she says. And, she says she’ll also be serving organic CaCoCo products, “and of course a smattering of our truffles and salted caramels,” she adds. The new Center Street location is more of a cafe than a shop. “A small cafe and a retail outlet for our line of chocolates,” she explains. For now, Ashby’s Chocolate Cafe will tempt patrons with its colorful new cafe at the very front of the Art Center building. “Our patrons can sit in the Food Lounge when there are no other events,” Ashby says. “And eventually we’ll have outdoor seating in front and also on the side patio.” The cafe should be open by the time you read this.

Food Porn

Aphrodisiacs and the food-sex connection

Auma Matters

Branwen Okpako brings her ambitious documentary ‘The Education of Auma Obama’ to Santa Cruz

From The Editor

Plus Letters To the Editor When I first heard about the supposedly recent phenomenon of “ghosting,” when someone ends a relationship by abruptly cutting off communication with someone else, I thought: oh right, we had this before, except we used to call it “when someone ends a relationship by abruptly cutting off communication with someone else.”...

Film, Times & Events: Week of February 5

Films this WeekCheck out the movies playing locallyReviews Movie Times Santa Cruz area movie theaters > New This Week THE CHOICE OK, we love camp, and we even love the utter absurdity of zombies in classic literature (see below). But we draw a big fat line at handsome shirtless men with...

How would you stop people from littering?

Teach them from the time that they’re small that it’s not an appropriate behavior. Juliet Jones, Santa Cruz, Claims Adjuster         Give them the stink eye, which is what they do in Switzerland, and they don’t have any litter. Anne Greenwood, Santa Cruz, Engineer           An invisible fist in...

Be Our Guest: BANFF MOUNTAIN FILM FESTIVAL

Win tickets to the BANFF MOUNTAIN FILM FESTIVAL at The Rio Theatre on SantaCruz.com Celebrating its 40th anniversary this year, the Banff Mountain Film Festival takes film lovers on incredible journeys from the tops of mountain peaks down to raging rivers and everything in between. The Banff Mountain Film Festival tour, which runs Feb. 19-21, brings...

Love Your Local Band: Mark London & The SuperGreens

Mark London and the Supergreens are all about community involvement. When the masterminds behind Santa Cruz’s Hibernation Fest aren’t tracking down locals to join them onstage at the Crepe Place, they’re operating DIY record label Invertebrate Records, in addition to running a blog, “Two-Track Tuesdays,” where they feature music from local artists every week. Their own musical influences range in...

Senior Moments

The Lady in the Van gives viewers a lesson in compassion and charity

Dancing Creek Winery

New Zinfandel Port is a ruby beauty

Wine and Chocolate

West Cliff Wines gets its game on, plus a brand new chocolate cafe on Center Street
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