Back in the day, a feature cartoon adapted from R. Crumbโs randy comic Fritz the Cat bore the tagline: โHeโs X-ratedโand animated!โ The publicity is not quite so sensational for the new stop-motion animated feature. Anomalisa. The themes are just as adult in nature, and the storyline remarkably frank, but the handling of the material is more muted, and yet even more surreal.
And weโd expect no less from the latest experiment in cinematic arts and craft from the febrile imagination of scriptwriter-turned-director Charlie Kaufman (Eternal Sunshine of the Spotless Mind). Remember, in the Kaufman-scripted Being John Malkovich, when the hapless protagonist attempts to stage the tragedy of Abรฉlard and Heloise as a puppet show? In Anomalisa, Kaufman and co-director Duke Johnson grapple with the malaise of modern humanityโthe emptiness and alienation weโve all felt sometimesโusing stop-motion puppets. Itโs a brilliant idea, in concept, and the choices made by the filmmakers to spin their yarn are often wildly inventive. Still, for all its deeply human themes, the story never quite touches the heart.
Front and center is Michael Stone (voice of David Thewlis), a middle-aged self-help guru who canโt seem to help himself. As he flies to Cincinnati to deliver a speech at a conference for customer service workers, he reflects on how his life has gone stale. He feels disconnected from his wife and son and his work. Heโs haunted by visions of a vitriolic ex-girlfriend he walked out on for no apparent reason.
To express the boring sameness of Michaelโs everyday life, the filmmakers cleverly have one actor (the versatile Tom Noonan) providing voices for everyone else he encountersโmale or female, adult or child. (The character puppets all have pretty much the same faces too, although the women have longer hair.)
Until Michael meets Lisa, a conference attendee. Her voiceโwarm, funny, girlish at timesโis done by Jennifer Jason Leigh. Michael nicknames her โAnomalisaโ because her individuality is so unexpected. He canโt articulate why he finds mousy Lisa so special, but who can explain the mysteries of love and attraction? In the filmโs most persuasive scene, they go to bed, with all the awkwardness, humor, and tenderness of a real-life encounter.
That the bloom is destined to fade on their sweet romance becomes the core of the story. Gradually, we begin to see Michael not as the Everyman hero alienated by a mundane society, but as the architect of his own misery.
There are some truly marvelous moments. When Michael turns on the TV, the filmmakers lovingly recreate a scene from the classic โ30s screwball comedy, My Man Godfreyโin black-and-whiteโwith Noonan (of course) supplying voices for both William Powell and Carole Lombard. A dream sequence is done with plenty of wicked panache. And itโs distressing when Lisa starts to lose her specialness in Michaelโs eyes; itโs not that sheโs doing anything differently, but that heโs incapable of maintaining interest in anyone long enough to break through his own funk.
Other sections donโt come off as well. Things begin slowlyโMichael on the plane, in the airport, riding to the hotel with a chatty cabbie, wandering around his roomโa suite of scenes no less tedious for being staged with puppets. Thereโs also an odd thread involving a mechanical Japanese sex toy. Itโs weird that Michael would buy this item for his little boy, although it does convey how out of step he is with the world and his own loved ones.
With all of the accolades this movie has received (check out the poster on the way in, where words like โmasterpiece,โ โtranscendentโ and โperfectโ are flung about), I was expecting to be blown away by the film as a technical marvel, but also to experience something emotionally profound. That didnโt quite happen for me, and so I was disappointed. (Which is exactly why you should never read reviews before you see a movie, folks.) As admirable as Anomalisa is in so many ways, by the end, I wanted to be more moved.
ANOMALISA
**1/2 (out of four)
With the voices of Jennifer Jason Leigh, Tom Noonan and David Thewlis. Written and directed by Charlie Kaufman and Duke Johnson. A Paramount release. Rated R. 90 minutes.
Made by expert winemaker Barry Jackson, the Bartolo Merlot 2010โsblend of 79 percent Merlot and 21 percent Petit Verdot is produced from fruit grown in Gilroyโs Mann Vineyard, where sun-seeking vines get a good daily dose of ripening rays. The wine is then aged for 20 months in two-year-old American oak, which allows its wonderful aromas and flavors to mature.
โIt has bright plummy aromatics, with dense richly textured tannins framed by intense blackberry and cassis notes,โ says Jackson, who produced 360 cases of this very drinkable wine. Itโs also bursting with flavors of plum and chocolate, making this quality Merlot ($32) a mouthful of exceptional nectar.
Other wines made under the Bartolo label include Cabernet Franc, Syrah, Seta Rosso, Petit Verdot, Fiano, and Cioppino Rosso. Jackson always has a good laugh about the Cioppino Rosso because itโs a blend of different winesโhe says he โthrows all the leftovers in a potโโjust like the famous cioppino fish stew. His 2009 Cioppino Rosso ($20) is a blend of Merlot, Syrah and a bit of Chardonnayโall of which makes for a very tasty โfish stew.โ
Along with his Bartolo label, Jackson also produces Equinox fine sparkling wines made in the mรฉthode champenoise style, for which he has garnered accolades far and wide.
Jackson and his wife Jennifer Jackson recently moved their tasting room from Swift Street to a more central location on Ingalls Street in the Surf City Vintners complex, where they now get much more foot traffic and exposure, which they certainly deserve. People are much more familiar with Jacksonโs marvelous Equinox wines, but next time youโre in the tasting room, try the Bartolo wines as well. Equinox/Bartolo, 334 Ingalls St., Unit C, Santa Cruz, 471-8608. equinoxwine.com.
Bridal Expo
Whether youโre bride-to-be, a mother of the bride, or youโre just interested in the latest wedding trends, the annual Bridal Expo is a fun event to experience. Joyce Anderson is an ace at putting on the fashion showโalways one of the highlights of the Expoโand has been one of the main organizers of the event for years. Booths galore are set up for you to taste vendorsโ goodies and check out local wines, too. The Expo is from 11 a.m. to 4 p.m. at the Cocoanut Grove on Sunday, Jan. 31. For more info visit beachboardwalk.com/bridal-expo.
The first thing one notices when speaking with Lisa Taylor is her authenticity. She speaks just as she writes: straight from the heart.
โMost of my inspiration is real life,โ she says. โAnd Iโm a huge romantic.โ
Accompanied by her band SoulCityโSam Nilsson on guitar, Dave Roda on drums, Eric Rowe on keys and her husband, Nat Shuirman, on bassโTaylorโs mix of neo-soul is a rich blend of baby-making smooth jams and booty-shaking R&B.
Born in California, the preschool-teacher-by-day spent most of her life living in Hawaii as one of five adopted children in a household filled with every type of music from jazz to Joplin to Chopin. At the age of 10 she began performing in pageants and at the mallโโlike any good โ80s kid,โ she says.
โIโm really grateful to have a family that was always supportive and never tried to encourage me to do anything else,โ Taylor says. โThey wanted me to follow my passion and do what I love.โ
As she grew older she launched a career performing around Hawaii along with regularly performing in Japan, Korea and Singapore. In 2005, Taylor decided it was time to take a chance and break out of her comfort zone, and took her career to the mainland with a move to Santa Cruz. Since then she has embarked on a new journey, teaming up with producer Rocking Chair Frank to write her own material. In 2010, she released her debut, LT, followed by Let Love Shine in 2013. Both albums flow through the emotional rollercoaster of life while taking time for reflection on oneโs blessings. Last year, she released, โIntuition,โ the title track from her forthcoming EP, to be released later this year.
Along with her soul music, Taylor has also been hard at work on several side projects including two deep house singles with Japanese producer Hideo Kobayashi; a single with South African producer Kaygee Pitsong; and another single with London-based DJ Niceness.
โIโm trying to dive into more storytelling,โ says Taylor. โNothing preachy, just deeper.โ
INFO: 9 p.m. Friday, Jan. 29. Blue Lagoon, 923 Pacific Ave., Santa Cruz. $5. 423-7117.
A lot of Chinese restaurants play it safe with dishes that Americans are familiar with it. But Benji Mo, owner of Bettyโs Noodle House, a popular spot located inside of the downtown Metro station, has found a place on his menu for some lesser-known Chinese dishes. We caught up with Mo to ask him why.
Who is Betty?
Benji Mo: Betty is my girlfriendโs name. I had no idea what to name the restaurant. I just thought of her and thatโs itโbecause of the power of love. Do you serve strictly Chinese cuisine?
Itโs mostly Chinese food, but thereโs some Korean, some Vietnamese, some Thai dishes. Weโre good at making Chinese food, so we decided to put more Chinese dishes on the menu. Itโs very traditional style. How did your menu get so huge?
We started with five items in the beginning when we opened, and itโs just expanded a lot. We kept adding and adding. Right now we stopped it. For some people our menu is too big. People cannot decide what they want. Whatโs something unique youโd recommend?
There are a lot of items on our menu that you canโt find in the whole Santa Cruz area, except some popular traditional dishes like pho or Pad Thai. Sesame Noodle Soup is the most popular noodle dish in our restaurant. You canโt even find it over the hill in San Jose or San Francisco. People over here just love sesame. So we decided to create something with that flavor. Even the Chinese customers, they come here for the sesame soup. It has a real sesame taste. How did you end up at a bus stop?
At the time, we just looked for a place we could open a restaurant, so we decided to open a restaurant here. Itโs a good location. Thereโs a lot of traffic. Thereโs a lot of people, lots of tourists.
920 Pacific Ave., Santa Cruz. 426-2328.ย
Before Michael Goldman was a massage therapist, he was a night janitor at Wrigleyโs gum factory on Santa Cruzโs Westside. That was before the Wrigley company left the building in 1997, and a developer took over and built the University Business Park, todayโs bustling commercial center. Goldman recalls the buildingโs cavernous rooms and the conveyer belts carrying long, hot sheets of gum. Back then, sugar dust was everywhere, Goldman says. His crew had just four hours to clean the floors and machinery before the morning shift came. โYou have a brand-new, clean room that you just finished and here come the guys,โ Goldman says. โThereโs already tire tracks all over with the sugar dust, and youโre constantly covered with the sugar dust every day.โ Upstairs, the factory had spearmint, peppermint, and winterfresh โflavor vaults,โ and the scent reached for miles, he says. โYouโd be going down the street and you could tell what they were making,โ says Goldman, now 63, who began working at Wrigley in 1989. Before that, Goldman found a bit of fame as the worldโs fastest downhill skateboarder. In 1977, wearing a red and green leather suit with a Santa Cruz logo, he hurtled down a Los Angeles hill at 50 miles per hour, breaking the skateboard speed record. In an interesting twist, his son, Jamie Goldman, has inherited his daredevil talent. For years, the younger Goldman was a sponsored mountain bike rider for Santa Cruz Bicycles, one of several successful companies now headquartered in the former gum factory. Today the Wrigley Building houses around 45 businesses, ranging from tech startups to art workspaces and fitness studios. At 385,000 square feetโthe area of nearly seven football fieldsโit is Santa Cruz Countyโs largest commercial space. The building has also become a well-known Westside cultural landmark, drawing locals to its First Friday art events and Saturday farmers markets.
ATTRACTING TALENT
HELL BENT Jeanette Bent of Aerial Arts of Santa Cruz, which offers classes in pole and acrobatic dance at the Wrigley. PHOTO: KEANA PARKER. When commercial real estate developer William Ow and his family purchased the majority share of the Wrigley Building in 2004, he considered several plans for the space, such as student housing and large retail space for a home improvement store. Market forces directed him elsewhere. Over the next few years, the building became an incubator for tech startups and artists. โI think weโre quite a bit more advanced than an incubator now,โ says Ow. โThose businesses that are here are established, and theyโve reached a maturity where they need a bigger physical space.โ His tenants include LifeAID, a four-year-old beverage company with 20 employees that ships 750,000 cans each month to 18 countries. The company sells three beverages, including FitAID, its most popular drink, targeted at CrossFit athletes. Its largest retailer is the Vitamin Shoppe, but its drinks will soon come to GNC and Whole Foods Market. LifeAIDโs revenue doubled in 2015, and the company is expanding its footprint in the Wrigley Building, exchanging its old 1,200-square-foot office for a 4,500-square-foot one with ocean views. The company also rents a warehouse in the building. Ow rents his space for around $1.10 per square foot, which is not only more affordable than office space in Silicon Valley, but also closer to the beach and bike trails, attracting lifestyle-oriented clients, he says. Westside resident Kyle Doerksen, CEO and founder of the electronic skateboard startup OneWheel, rides his invention to work. Itโs a two-mile trail ride from home to his companyโs Wrigley Building headquarters. โI just put my headphones on and it feels exactly like snowboarding,โ Doerksen says. The Stanford graduate grew up snowboarding in Canada, and said heโs engineered a board that replicates the feeling of carving through fresh powderโunlike anything else on the market. The board, which sells for $1,499 with a six-week lead time, can hit 16 mph and run for eight miles on one charge. With a single fat go-kart wheel, it handles off-road hilly terrain. For five years, Doerksen tinkered with prototypes in his garage, while working as a project manager at IDEO in Palo Alto. When he finally launched a Kickstarter campaign in 2014, he raised $630,000โmore than six times his goalโand left his dream job at IDEO to further develop the skateboard. OneWheel was founded in Mountain View, but in late 2014 Doerksen moved to the Wrigley Building, in part for its proximity to trails. The team frequently tests the board on the dirt and sand at Natural Bridges State Beach, a block away from its current headquarters. โWeโre really creating a new action sport, so Santa Cruz is really the perfect place,โ Doerksen says. In the past year, the company has posted quick growth: revenues are up by 300 percent and 10 new employees have joined. OneWheel is also expanding its offices to include a research and development lab in the Wrigley Building. ย
WESTSIDE TRANSFORMATION
The Westside was once the cityโs industrial center, home to not only the gum factory but also to Texas Instruments and Lipton Tea factoriesโrepresenting around 1,500 jobs altogether. The latter two companies left Santa Cruz shortly after Wrigleyโs did, Texas Instruments in 2001 and Lipton in 2002. Light industrial manufacturing still exists on the Westside, but the balance has shifted toward retail and services, says Bonnie Lipscomb, Santa Cruzโs economic development director. Itโs not just Owโs Wrigley Building thatโs booming; itโs the neighborhood, she says. Swift Street Courtyardโs restaurants, the Delaware Additionโs live-work space and the emergence of breweries and wineries have created a new feel to the community. A Fairfield Inn & Suites is being built catty-corner to the Wrigley Building, and a block away, UC Santa Cruz is constructing a $54 million biology building, the first step in its long-range development plan for the area. โI think the Wrigley Building is an amazing story of successful adaptive reuse,โ says Lipscomb. โItโs been transformative in that area. What William has done is really remarkable. Heโs a creative visionary leader and I think that the Wrigley Buildingโhow large it is, and how eclectic and funkyโyou go in there and itโs its own little world.โ This month, nearly 2,000 solar panels were installed on its roof, and soon more will be added to its parking lot, making the Wrigley Building one of the largest solar projects in the city, says Ow. Owโs next plan is to create an incubator lab for spin-off businesses from UCSCโs Genomics Institute, which in 2000 was the first to sequence the human genome and publicly release it on the Web. So far, six companies have been born out of the instituteโs research, including DoveTail Genomics, which was originally housed in the Wrigley Building. Ow said heโs been in โdeep discussionsโ with the instituteโs director for about a year, and a deal is close. He already has a 5,000-plus square-foot space earmarked for the lab.
THE FACE OF SANTA CRUZ BICYCLES
TRAILBLAZER Westside resident Kyle Doerksen, CEO and founder of the electronic skateboard startup OneWheel, is one of the recent success stories to come out of the Wrigley. PHOTO: KEANA PARKER. The story of the Wrigleyโs transformation into an economic hub is really the story of the people who have transformed it, and Rob Roskopp, CEO of Santa Cruz Bicycles, is one of them. The metallic sign and floor-to-ceiling glass of his companyโs storefront is the most conspicuous section of the Wrigley Buildingโs exterior, which is mostly beige and grey concrete expanses. Since 2012, the building has housed not only the companyโs retail space and worldwide headquarters but also its factory, where workers custom-build each bike by hand. Previously, the company was in Santa Cruzโs old Seabright Cannery, but business grew so fast that the parking lot doubled as a warehouse. Wearing a black long-sleeve shirt and an intense stare, Roskopp, 52, resembles a bald and athletic version of Steve Jobs. He sits on a black leather couch at the back of the companyโs showroom, behind rows of colorful high-end mountain bikes. Last year, Roskopp sold the company to the multibillion-dollar Dutch conglomerate Pon Holdings. The dealโs details are not public, but Roskopp says he sold so he could expand distribution to Europe and Asia. His role as CEO remains unchanged. โItโs my baby and I want to see it grow to its ultimate fruition,โ Roskopp says of the company. Before Roskopp co-founded Santa Cruz Bicycles at age 29, he was a professional skateboarder. At age 19, with $600 in his pocket, he took a Greyhound bus from his fatherโs home in Cincinnati to San Jose, to begin his career. Within one month he met Rich Novak, co-founder of NHS, the iconic Santa Cruz skateboard company, who gave him a job and a sponsorship. โHe brought me up through the ranks. I did everything: tradeshows, sales, product management, R and D. I got business training with Novak as my mentor,โ Roskopp says. Roskopp was part of the hardcore punk skateboarding scene of the 1980s. He skated in half-pipe contests and movies and had his own NHS skateboard line, vintage decks which today sell on eBay for up to $350. Toward the end of his skateboarding career, Roskopp began cyclocross bike racing. Novak approached him with the idea for Santa Cruz Bicycles, when full-suspension mountain bikes were still in their infancy. Roskopp thought the market was ripe and jumped onboard. In 1993, the duo co-founded the company with engineer Mike Marquez. โOur first bike sold in February โ94, and by โ96 we were doing a few million [dollars] in sales with 10 employees,โ Roskopp says. Today, the company employs 120 people in Santa Cruz, 350 in China, five in Taiwan and is still growing. Since 2010, the company has posted double-digit sales growth every year, Roskopp says. Roskopp now lives in Saratoga, raising three teenage children with his wife. He commutes to Santa Cruz three days a week. โI donโt skateboard anymore. I did with my son a bit when he was younger, but all my kids are in club soccer, which is a job in itself,โ Roskopp says.
NEW BEGINNING
Painter Michele Giulvezan-Tanner works in her Wrigley Building studio four days a week. If sheโs looking for inspiration, she sits with her enormous paintings of abstract figures or browses her piles of art books. She jumps and paints furiously for a few minutes, then sits down again, waiting for her muse, like a game of hide-and-seek. โThereโs a trick you do. You come in, you donโt look at your painting. You maybe sweep the floor and you have 15 seconds to look at the painting with a fresh eye, and then itโs gone,โ Giulvezan-Tanner says. She moved to the studio in 2012, from a space near the Tannery. She says she gets better space for her money at the Wrigley Building, and more exposure. More than a dozen people visit her studio each week, including one time when 30 people from the yoga studio down the hall wandered in, admiring her work. Giulvezan-Tannerโs paintings are priced between $1,000 and $8,000, and her sales and commissions are up since relocating to the Westside, she says. She paints people and faces, hidden behind thick blotches of color. โI started experimenting with how much of the figure I could take away and how much I could leave there. Itโs a constant battle,โ she says. In high school, an art teacher told her that she didnโt have talent, and she gave up painting for 20 years until returning to college in her 30s. Ever since, sheโs been playing with the line between realism and illusion. โIโm trying to push that abstraction further. Itโs like Iโm trying to annihilate the figure completely, which I think has a lot to do with aging,โ says Giulvezan-Tanner, now 63. Besides the nay-saying art teacher, Giulvezan-Tanner lists her mother as one of her biggest early influencers on her career. โMy mother was constantly working on the house, and I was fascinated by what she could do given the confines of wallpaper and paint. I love architecture and I love looking at rooms. It translates into more than just painting,โ she says. โWhen I walk into a room, I see the possibilities.โ
SENSE OF MOVEMENT
One of Owโs projects when he took over the building was adding interior walls to divide the factoryโs immense spaces into attractive suites and offices for tenants. Though signs with arrows direct customers through the industrial labyrinth, it still takes a few visits to grasp the serpentine layout. Massive amounts of white walls means more room for art, says Ow. โWe said hey, weโll make wall space available [for local artists] and weโll rotate it about every two months, and weโll do it for free,โ Ow says. โWe get the benefit of hanging beautiful art, and theyโre getting some exposure.โ As Ow walks through the building, telling the stories of not only the companies, but also of the artwork he passes, he pauses in the second-floor lobby. Near the ceiling, dozens of brilliant ceramic fish have been hung by artist Andrew Ward. The fish circle the walls of the second-floor lobby and head down a long hallway toward Aerial Arts Santa Cruz, a studio teaching pole classes and acrobatic dance. โYou know that room at the Monterey Bay Aquarium with all the fish swimming in a circle overhead?โ Ow asks. โIf you hang it in a direction, you create a sense of movement.โ The Wrigley also features an exhibit of a dozen Italian vintage motorcyclesโsome from Owโs personal collectionโinspired by the Guggenheim show โThe Art of the Motorcycle.โ โWhy are these things stored away where people can never see them?โ says Ow. โTo me, itโs a shame. Itโs just like good art. It doesnโt do anyone in the greater community any good if theyโre hidden away.โ An offbeat, artistic community has arisen in the building, and includes the popular R. Blitzer Gallery headed by the renowned painter and sculptor Robert Blitzer. Some of Owโs tenants have traded technology careers for artistic businesses, such as Brian Kaufman, who worked at Amazon in Seattle for five years before founding Dog Days, a vintage guitar-strap company based in the Wrigley Building. All the straps are handmade by Kaufman and his parents, who also work at the company. Dog Days is also developing an electronic costume tail that moves to the beat of music. Another techie-turned-art-entrepreneur is John Fleskes, a former Sun Microsystems system administrator who now runs Flesk Publications, an art book publishing company, in the Wrigley Building. Fleskes and his team design the books online, which are printed overseas then delivered to a distributor in Tennessee. A small subset of the copies, meant for direct customers, end up in Fleskesโ Wrigley Building warehouse. Most of Fleskesโ publications are graphic novels and fantasy, and book-jacket posters of stylized dragons, elves and mythical creatures hide the stacks of boxed copies that nearly touch the 17-foot-high ceiling. Ow also rents to tech geeks wanting a โhobby/passionโ space, such as two brothers, both Silicon Valley programmers, who run a silkscreening company and luthier business in their free time. โThis is almost like their man cave,โ Ow says, passing a bare anteroom with a curtain hiding the workspace behind it. โUnfortunately, theyโre almost never here.โ A rock band called the Ghost Collective, comprised mostly of tech professionals, rents a studio. โThey all have lives and families. Theyโve been a band since the โ80s, and they jam on Tuesdays,โ Ow says. Ow says that in the past decade, heโs seen an economic boost on the Westside. At first, he had difficulty attracting tenants, but now he has a waitlist for his few remaining spaces. โInitially, this was the end of the Earth for people in Santa Cruz,โ Ow says. โSince this has happened, weโre part of that big transition that has made the Westside the place to be.โ
When climatologist Jeffrey Kiehl was giving a lecture 15 years ago about global warming, he tried something many scientists would see as revolutionary. He looked into the eyes of audience members, many of them skeptics, and stopped to ask them a question: โHow are you feeling?โ People who might otherwise dismiss climate change as a joke or a phony political ploy started opening up about how all this information was scary and difficult to absorb. Kiehl, who will be speaking as part of a panel on climate change next month, started using this approach in discussions every chance he got. โI often hear โIโm overwhelmed. This is helpless. This canโt be happening.โ All of these responses are natural for people,โ says Kiehl, who studied Jungian psychology. โWhen youโre presented with extremely disturbing information, either personally or globally, a natural human reaction is to feel overwhelmed, feel sadness, feel itโs hopeless. I like to get people to talk about that, because one of the important things is to get people to open up to the fact that this is a problem that has a lot of emotion attached to it.โ Last year, Kiehl moved from Boulder, Colorado to Santa Cruz, where he serves as adjunct professor at UCSC. On Feb. 5 and 6, he will be taking part in an event called Climate Change: The Moral Dimension at Peace United Church on High Street in Santa Cruz. Kiehl was an expert focused on climate change predictions for the National Center for Atmospheric Research for more than 10 years before he began wondering why so many people were ignoring the mounting scientific consensus that global warming is real, and that it could alter the fate of our planet for centuries. โI decided there had to be psychological reasons to just march on toward the cliff and deny that this was going on,โ he says. Thatโs when Kiehl decided to go back to school for a masterโs program in clinical psychology, which he finished in 2000. He now understands the psychological phenomenon of deniers as little more than cognitive dissonanceโa discrepancy between facts and perception. It can be a confusing phenomenon, though, for someone in the throes of it. The emotions that deniers usually feelโshock, denial and re-directing of blameโmatch the signs of a trauma, all of which makes perfect sense, Kiehl says, because the findings sound earth-shattering, especially at first. But as Kiehl starts getting people to talk about their emotions, encouraging them to ask him questions, something interesting happens. โIt allows another way for people to hear the information about climate change and actually psychologically take it in at a rate or [in] a way they can assimilate it, rather than it being absolutely overwhelming,โ he explains.
โI often hear โIโm overwhelmed. This is helpless. This canโt be happening.โ All of these responses are natural for people.โ
โThis makes it participatory,โ he adds. โItโs no longer me talking to people. I get to hear what they think or feel about this issue. Itโs a far more integrative way of involving people on this issue.โ Kiehl says, when talking to deniers, it is best to invoke what he calls โThe Five Basic Facts of Climate Changeโโfour scientific observations and one law of physics. The first is that carbon dioxide is increasing in the atmosphereโa figure experts have been tracking since the 1960s. To go back before that, scientists refer to ice records in the Arctic, where deep in the ice core are bubbles filled with air that froze long ago. Kiehl says that some people then ask how we know that growing carbon emissions are manmade and that they arenโt coming from natural sources, like volcanoes. He explains that the carbon in the air is a different and lighter kind than whatโs found beneath the earthโs surface. The third fact is that carbon dioxide is a greenhouse gas, which traps heatโas Irish scientist John Tyndall first discovered and laid out in 1860. And, as a result, the earthโs greenhouse effect is increasing along with carbon in the atmosphere, Kiehlโs fourth point. That increase is trapping more and more radiation inside the planetโs atmosphere. The fifth and final fact is that physics shows us that energy cannot be destroyed. That means this radiation has to show up somewhere, and it will therefore show up as an increase in temperature. After he has laid out these scientific findings and started a little discussion, he likes to end his lectures on a positive note, because climatologists, Kiehl says, often donโt talk about solutions. Kiehl explains that there are ways of creating energy that donโt burn fossil fuels, and that many countries have started moving in that direction. He calls California the โgold standard for what you can do in the United States and what you can do to reduce fossil fuels.โ Not long ago, he notes, many people felt strongly that we needed oil and coal to sustain economic growth. Studies have since shown no correlation, however, between switching to renewable energy and economic struggles. More significantly, Kiehl says itโs now possible that the country might actually grow more stable if Americans decrease their dependence on fossil fuels, based on the current financial scare thatโs being blamed on the declining price of oil. โThis is a tremendous opportunity to leave people with a better world. Really, thatโs where I leave people,โ he says. โIf thereโs one message that I can get across to people, itโs, โYes, itโs a problem. Itโs a very, very serious problem. But it is also a tremendous opportunity to transform society and create a world that will be so much better.โโ
โClimate Change: The Moral Dimensionโ will be held at 6:30 p.m. on Friday, Feb. 5, and 9 a.m. on Saturday, Feb. 6 at the Peace United Church, 900 High St., Santa Cruz. There will be art and performances. Kiehl will speak on Saturday. The event is free and open to the public.
When I was working on a story back in 2013 about why Randall Grahmโs Le Cigare Volant restaurant failed in Santa Cruz, several people I talked to told me that they never went there โbecause it was on the Westside.โ They said it like the Westside was an entirely different place than Santa Cruz proper, and they couldnโt imagine a reason to make the five-minute drive it would take to get there.
What a difference a couple of years makes. The Westside is hopping, and one of the most interesting stories there right now is the transformation of the Wrigley Building. Some locals have caught a glimpse of whatโs going on there at First Fridays, others may have simply heard about it.
In this issue, Kara Guzman digs into the story of how the Wrigley became a thriving reuse project, and some of the personalities that are driving its successful rebirth. Personally, I like getting some insight into the history of Santa Cruzโs most iconic buildings, and, after reading this, I will never forget the sugar dust.
Also, donโt forget that voting for this yearโs Best of Santa Cruz County Awards ends on Feb. 3. Thatโs just a week away! So if you havenโt yet, be sure to go to santacruz.com and vote for all of your local favorites. See you on the Westside!
STEVE PALOPOLI | EDITOR-IN-CHIEF
Donโt Fenceย Us In
I was disappointed to see the letter in the Good Times (12/30/15 ) by Don Honda attacking Councilmember and former mayor Don Lane for his efforts to deal with the homeless problem in Santa Cruz. While I donโt always agree with Don on every issue, one should respect his good intentions and large number of hours that Don has spent working to help improve this situation over many years.
I doubt Mr. Hondaโs statement that half of the homeless people here come from other areas; I remember the figure as being less than one third. Is that a fact that is relevant? People come here, rich and poor, for many reasons and their situations change for many reasons. Additionally, his statement that warming centers are not needed because โwe donโt have much freezing weather hereโ has been thoroughly refuted by the past weeksโ weather, and winter has only just begun!
This โrun them all out of townโ attitude reminds me of a statement a friend once made to the City Council: โMany people that are fairly newly arrived in our town would like to live in a gated community for elites and they are trying to build walls around Santa Cruz.โ Luckily, that is not the type of town we have here and I certainly hope it doesnโt become one!
Iโm sure the majority of people in our community still believe โthere but for fortune go Iโ and have hearts big enough to want to help those in need.
Susan Martinez
Santa Cruz
Whoโs Who?
I read the recent GT piece on the local Congressional race (GT 12/15), and was left a bit confused by the candidatesโ positions. The (party-anointed) Democrat [Jimmy] Panetta made statements about achieving common ground, even if it means crossing the aisle, and facilitating desal plants by securing more federal funding. Casey Lucius, the only Republicanโat least for nowโstates โmy husband and I are vegetarians, animal advocates and environmentalists,โ and appreciates the need for affordable housing to help people achieve the American Dream. Additionally, the Republican appears to have experienced a much less privileged upbringing than the Democrat.
Do these two candidates need to switch parties? Or perhaps the voters should! As for me, I donโt have this dilemmaโIโve been a Green Party member for decades! This situation is a good example of how the Democratic Party no longer represents the interests of the common people in our country. Third parties are entering into positions of power in many countries in Europe recently. Hopefully, the time will arrive here soon!
Fred J. Geiger
Santa Cruz
Online Comments Re: Word Quest
Thank you, Christina [Waters], for this excellent profile! I know Thad Nodine and Touch and Go is still one of my favorite books read recently. I mostly appreciate that you asked Thad about his writing process and routines. Itโs great to get these insights and rare in a news weekly. Thad is also very honest and such a reflective person, the perfect writer to interview.
โ ย Kate Rix
I remember his first book and thinking, this is pretty good. I hope this new book is pretty good. Congratulations to local Thad Nodine for finishing a second novel.
โ ย Joe Reel Re: Hot Seat
Why are Monterey Republicans like Jeff Davi endorsing [Jimmy] Panetta, a Democrat?
โ ย Sam Adams
PHOTO CONTEST WINNER
Submit to ph****@*******es.sc. Include information (location, etc.) and your name. Photos may be cropped. Preferably, photos should be 4 inches by 4 inches and minimum 250dpi.
GOOD IDEA
THATรขโฌโขS SUPER
Santa Cruz topped TripAdvisorรขโฌโขs recent list naming the best places for tourists to stay during this yearรขโฌโขs Super Bowl in Santa Clara on Feb. 7. The ranking, which put Oakland at No. 2, weighed citiesรขโฌโข hotel rates, as well as their proximity to the big game.
GOOD WORK
HOUSE WORK
Retired special-ed preschool teacher Brian Iles says Scotts Valley Toadal Fitnessรขโฌโข child program is a leap better than anything heรขโฌโขs ever seen. รขโฌลThe kids are really happy,รขโฌย says Iles, who also used to give preschool programs formal evaluations. Iles, whose grandchildren are in the program, was moved to build a birdhouse for them, which he presented to the staff last week.
QUOTE OF THE WEEK
รขโฌลGood buildings come from good people.รขโฌย
On the 23rd of each month, prison reform activists on Pacific Avenue in Santa Cruz hold up signs and banners reading โEnd Solitary Confinement.โ The date signifies the number of hours many prison inmates spend in solitary confinement each day, in a windowless concrete cell barely larger than a king-sized bed. Dolores Canales, co-founder of California Families Against Solitary Confinement, says the monthly protests in Santa Cruz and around the state are part of a movement that has made a big impact since inmates in Pelican Bay State Prison in Crescent City staged a hunger strike that spread through state prisons in 2011. Her son John Martinez was in solitary for 15 years in Pelican Bay. โThere were lawsuits and hunger strikes in the past, but they died down and went away. It has only gotten bigger since the 2011 hunger strikes,โ says Canales. On Monday, President Obama announced a series of executive actions that will ban the use of solitary confinement as punishment for โlow-level infractionsโ by adult prisoners, and prohibit its use entirely for juvenile prisoners in federal prisons. In June, Supreme Court Justice Anthony Kennedy, one of the courtโs more conservative judges, denounced the widespread use of solitary confinement, a modern-day restating of the Supreme Courtโs ruling 125 years ago that solitary confinement bears a โterror and peculiar mark of infamyโโalthough the court never abolished it. Prisons have defended their use of these isolating units, saying the prisoners in them would otherwise pose a threat to staff and other inmates. CFASC is part of Prisoner Hunger Strike Solidarity Coalition (PHSS), which organizes the community actions on the 23rd of each month statewide. Both groups formed in the aftermath of the 2011 hunger strike at the Pelican Bay State Prison, which led to more than 6,000 prisoners protesting solitary confinement conditions. There were three hunger strikes from 2011 to 2013, resulting in two deaths. While demands for better conditions were ultimately denied, the strikes brought attention to the issue. So did a lawsuit that prisoners in solitary at Pelican Bay filed in 2012, challenging Californiaโs use of solitary units. The plaintiffs settled in September of last year, but their case, Ashker v. Brown, secured significant reforms. For instance, the state agreed to limit prolonged solitary confinement and end the process of indeterminate detention. During the trial, UCSC psychology professor Craig Haney testified that after interviews with numerous prisoners, he found that the negative effects of solitary confinement are comparable to those found in torture and trauma victims.
Word Games
But there is one surprising complication to the growing fight against solitary: The California Department of Corrections and Rehabilitation (CDCR) says it doesnโt use solitary confinement and that it never has. โItโs not solitary confinement, it never has been, and it certainly isnโt now,โ Terry Thornton, a spokesperson for CDCR, tells GT.
โI came to realize the SHU was designed to break you physically, spiritually and psychologically. It wasnโt designed to rehabilitate yourself or make you a better person,โ he says.
The department, instead, uses terms like โsecurity housing unitโ (SHU) or โadministrative housing unitโ (AHU) to describe cells where inmates spend a minimum of 22 hours a day. Prisons and jails across the state use acronyms for what essentially amounts to solitary confinement, according to legal experts. Carol Strickman, an attorney and founding member of PHSS, takes issue with Thorntonโs description, saying the CDCR is just trying to avoid negative buzz words. โSolitary is a dirty word, everyoneโs going to deny it,โ Strickman says. โItโs a semantic game to avoid admitting that theyโre doing something that is disapproved of by a lot of people.โ The U.S. Department of Justice defined solitary confinement in 2013 as being confined to a cell for about 22 hours per day or more, alone or with other prisoners, in a way โthat limits contact with othersโโnot necessarily eliminating it altogether. Thornton says inmates in SHU units have meaningful human contactโthat, for instance, they can talk to each other through the walls. Strickman disagrees, saying that yelling between cells or being forced to have a bunkmate doesnโt qualify. Sometimes the CDCR houses two people in one SHU, but both are crammed into a unit the same size as those that hold one personโ8 by 10 feet. Thornton calls this another form of โhuman contact,โ but Haney, the UCSC psychologist, has indicated otherwise. He testified in March that double-celled prisoners โhave the worst of both worlds.โ They are โdenied opportunities for any semblance of โnormalโ social interaction,โ explained Haney. Haney testified that inmates in these units, which he refers to as being solitary confinement, are โat grave risk of psychological harm.โ He added that the term solitary confinement โis generally used to refer to conditions of extreme but not total isolation from others.โ Danny Murillo, who served seven years in an SHU, five of them at Pelican Bay State Prison, describes his experience as torture. โI came to realize the SHU was designed to break you physically, spiritually and psychologically. It wasnโt designed to rehabilitate yourself or make you a better person,โ he says. Murillo, who graduated UC Berkeley in 2015 with a bachelorโs degree in ethnic studies, says he knows of people who have committed suicide while in the SHU, and others who โlost it,โ or showed signs of mental instability. Strickman, one of several attorneys who prosecuted the Ashker v. Brown case, says the recent settlement ensures that fewer people will be in solitary and that theyโll be there for shorter periods of time. โThatโs progress,โ she adds. There are roughly 1,500 prisoners in solitary units throughout the state, she says, and they are going to have their cases re-evaluated as a result of the Ashker lawsuit. She adds that more than 1,000 will join the general prison population. Strickmanโs team of attorneys and groups like CFASC are keeping a close eye to ensure that prisons abide by the new stipulations, which put an end to the prolonged solitary and the practice of holding someone indefinitely. Prior to Septemberโs court settlement, prisons were placing inmates in solitary based merely on alleged associations with prison gangs. โWeโre monitoring and pressuring them to do what theyโre supposed to do,โ Strickman says. The United Nations defines solitary confinement as the confinement of prisoners for 22 hours or more a day without meaningful human contact, which is essentially the same as the Department of Justiceโs definition. In May 2015, the U.N. adopted a revised text of the โMandela Rules,โ which prohibits solitary for more than 15 days at a time, as well as for persons with mental or physical disabilities. The CDCR hasnโt indicated whether or not they will adhere to the new policy, which is not legally binding. Strickman says prisons across the nation are locking inmates, including those with mental and physical disabilities, in solitary under the guise of innocuous-sounding acronyms for long periods, while fervently denying their use of solitary confinement.
Solitary in Santa Cruz?
The Santa Cruz Main Jail doesnโt practice solitary confinement, Chief Sheriff Deputy Craig Wilson says. Instead, it uses a similar system called Restricted to Cell (RTC), where inmates are locked in their cell for 23 hours a day. โThereโs a big difference between solitary. Solitary means you donโt have contact. Thatโs not what happens in a jail. Correctional settings are different than prison settings,โ Wilson says.
โIt doesnโt make sense to have a system where someone is so restricted and isolated that one day theyโre in their cell almost all the time, and the next theyโre walking down the street.โ
Wilson says the key difference is that inmates in RTC are able to communicate through their cells with other inmates in their housing unit, which general-population prisoners are free to roam. (The county jail is split into 16 units.) Three times a week, Wilson adds, the mental health, medical personnel, corrections team, and chaplain visit and communicate with each inmate. Three and a half percent of the jail population is in RTC status, down from 10 percent earlier this year. Wilson says the jail has adopted a more active management style where theyโre willing to take more risks with the population, knowing there could be incidents. โItโs always our goal to get people out of RTC, with a few exceptions. We have some people in the building who are assaultive toward other inmates and staff,โ Wilson says. Wilson has been working with Pam Rogers-Wyman, Adult Services Program Chief for Santa Cruz County Mental Health, to help inmates in RTC transition out. With help from a federal grant, the county jail has outlined several steps to actively push people out of RTC and into therapeutic supportive environments. There is a modified RTC schedule, where inmates are let out for three hours to demonstrate that they can get along with others, and a half-RTC status where inmates are let out for half the day. โWe actually want people to be out and communicating with others, and problem solving, because almost everyone in county jail is going back into the community,โ Wilson says. โIt doesnโt make sense to have a system where someone is so restricted and isolated that one day theyโre in their cell almost all the time, and the next theyโre walking down the street.โ Two thirds of inmates in RTC status are self-requested. Wilson says these inmates are either afraid of potential enemies in jail, detoxing from drugs and want to be isolated, or have a mental illness and feel safer alone. โA couple of the individuals who have serious paranoid schizophrenia who requested to be in a cell [RTC], for them theyโre feeling so much better knowing that theyโre safe,โ Rogers-Wyman says. On a recent visit to the jail, one prisoner, who recently transitioned out, told GT he faced a severe depression and โdeveloped suicidal thoughts,โ while in RTC. Rogers-Wyman acknowledges that in some cases, being locked in isolation can cause mental illnesses, โbut when you get down to the individuals,โ she adds, โthereโs specific reasons that people are RTC.โ She says it is traumatizing for someone to be trapped in an open housing setting if they donโt feel safe there. โItโs a balance between looking at the needs of the whole group,โ she says. โIf someone is aggressively violent, do we really want them fully integrated with other people who can be harmed and victimized?โ Some decry the jailโs RTC system as being inhumane and mirroring solitary confinement. โChanging the name to โrestricted to cellโ doesnโt change the reality,โ says Willow Katz, an organizer for PHSS. Strickman says prisons and jails throughout the state deny the use of solitary confinement and rename it because of how stigmatized the word has become. โThey donโt want to admit it because people who have thought about it or studied it know that solitary confinement is inhumane and is akin to torture,โ Strickman says. Wilson adamantly denies the use of solitary in the Santa Cruz County Jail, and says they are โahead of the curveโ in terms of restricted housing practices compared to other jails. Activists like Katz say theyโd like to see the RTC system replaced with a process of healing. โPeople who have mental health issues or are violent need therapy,โ Katz says. Wilson agrees, saying it would be โwonderfulโ if the county could build a psychiatric unit and place inmates who are RTC in a psychiatric hospital. โYou wonโt find anyone who says thatโs a bad idea, youโll only find people who say thatโs great, but how can we afford that?โ Wilson says. โWhat are we going to invest inโprisons, schools, roads? Thatโs one of the actual criticisms in society right now, that weโve overinvested in incarceration.โ
Win tickets to see SHAWN MULLINS at The Rio Theatre on SantaCruz.com In 2010, singer-songwriter Shawn Mullins released Light You Up, an Americana album that showcases the artistโs easy style and Southern roots. Then last year, after a five-year hiatus, Mullins dropped My Stupid Heart, a deeply personal record exploring the Atlanta-based artistโs love of his...
The first thing one notices when speaking with Lisa Taylor is her authenticity. She speaks just as she writes: straight from the heart.
โMost of my inspiration is real life,โ she says. โAnd Iโm a huge romantic.โ
Accompanied by her band SoulCityโSam Nilsson on guitar, Dave Roda on drums, Eric Rowe on keys and her husband, Nat Shuirman, on bassโTaylorโs mix...
Solar storms and solar flares that could wipe out all electronic devices. Tina Bay, Santa Cruz, Actor There is a nuclear power plant in Japan thatโs still leaking into the Pacific Ocean, but we forget about it because itโs on the other side of the world. Joff Jones, Santa Cruz, Artist ...