Things to do in Santa Cruz

THURSDAY 6/11

COUNTRY

THE TURKEY BUZZARDS Launched in Morro Bay, The Turkey Buzzards are guitarist North Carolina native Dylan Nicholson and Lodi’s Eric Patterson on bass. Together, Nicholson and Patterson weave musical tales that draw from their rural and small-town foundations, imbuing the song craft with vocals that balance grit and harmony. There’s an authenticity to the Turkey Buzzards’ folky Americana that connects with listeners. Following their self-titled 2017 debut, Swing Bridge from 2019 and 2021’s Driveway Vacation, the duo’s latest album, Dog in the Sun is available on vinyl. From Bonny Doon, California, the Joe Kaplow Band opens. BILL KOPP

INFO: 8pm, Crepe Place, 1134 Soquel Ave., Santa Cruz. $15. 429-6994.

FRIDAY 6/12

ROCK

THE SMITHEREENS Leave it to a group of guys from New Jersey, who look just like guys from Jersey, to launch a band in 1980 that caught the MTV wave in 1986. The Smithereens had already established themselves by that time with catchy songs and schlubby everyman looks. Their music video “Blood and Roses” began in mild rotation in 1986. In 1987, on MTV’s Live from the Ritz, which featured entire shows from bands like Run DMC and Guns N’ Roses, The Smithereens made a deep impression and became an MTV favorite. A 1990s appearance on MTV Unplugged solidified their place in the empire of rock and roll. Solid dudes in a solid band. DNA

INFO: 8pm, Moe’s Alley, 1535 Commercial Drive, Santa Cruz. $48. 479.1854.

OPERA

LA BOHÈME A passionate romance doomed by poverty and illness, Puccini’s La Bohème is one of opera’s most enduring love stories. The tragic opera spotlights struggling artists and a devastating heartbreak set in a cold Parisian winter. The Santa Cruz Opera Project brings it roaring into the present with an updated English adaptation transplanted to modern-day Santa Cruz, where poet Rodolfo falls headlong in love with the fragile, luminous Mimì, and the stormy passion between painter Marcello and the vivacious Musetta pulls at every heartstring. Directed by Andrea Hart with music direction by Mickey McGushin, this production strips away the grandeur of an opera house in favor of something more intimate. Goes until June 14. SHELLY NOVO

INFO: 7pm, Woodhouse Blending and Brewing, 119 Madrone St., Santa Cruz. $50. 313-9461.

PUNK

HUNX AND HIS PUNX For those street punks not in the know, the story of Hunx and His Punx is a sordid one full of twists and turns from the Bay to L.A., all with immaculate makeup, stylish clothes and the chicest haircuts. Founded by Seth Bogart, the band has gone through several line-up changes but currently consists of Bogart, Shannon Shaw (also known as the frontwoman and namesake for Shannon & the Clams) and Erin Emslie (of The Time Flys). If a John Waters movie turned into a band, it might just be Hunx and His Punx. Their music is catchy, steeped in 1960s garage nostalgia with a punk twist and unabashedly kitschy. MAT WEIR

INFO: 8pm, Catalyst, 1011 Pacific Ave., Santa Cruz. $31. 713-5492.

SATURDAY 6/13

CELTIC

ÉILÍS KENNEDY AND WILLIAM COULTER Ancient songs of West Kerry meet the fingerstyle mastery of classical guitar to create something quietly extraordinary. Éilís Kennedy grew up on Ireland’s Dingle Peninsula, raised by parents who wove Gaelic language and traditional song into daily life. Her voice, soft and lilting, carries decades of Irish musical tradition with an effortless grace. Alongside her is William Coulter, a Santa Cruz-based guitarist whose fingerstyle technique made him a Grammy-winner. His steel-string arrangements bring a warm classical elegance that deepens and frames Kennedy’s vocals without overpowering them. Together, the two blend folk, traditional Irish music, and classical influences into something as evergreen as the Irish hills. SN

INFO: 7pm, Ugly Mug Cafe, 4640 Soquel Drive, Soquel, $30/adv., $35/door, 477-1341.

CLASSICAL

SANTA CRUZ SYMPHONY MOVIE NIGHT The Santa Cruz Civic is hosting a street party where attendees and looky-loos can enjoy live music, food trucks, and dress up like their favorite movie characters. Then inside, the Santa Cruz Symphony will be playing selections from Titanic, Lord of the Rings, The Avengers, Pirates of the Caribbean and other classics. Dress like Jack, Rose or Thanos and you’ll fit right in. Stirring symphonic movie themes rouse the soul, and this is a rare chance to bring the kids to something everyone will enjoy. This Spring Pops Concert is to benefit the Symphony, so go early and stay late. DNA

INFO: 5pm, Santa Cruz Civic, 307 Church Street, Santa Cruz. $15-$130. 420-5030.

SUNDAY 6/14

BLUES

MISSISSIPPI MASALA Aki Kumar was born and raised in Mumbai, nearly 9,000 miles from the Mississippi River Delta. But his love for (and understanding of) the blues is heartfelt and genuine. His brand of the blues is informed by greats like Little Walter, but it’s also indelibly suffused with the character of his native India. Alabama Mike is nominally a blues singer/songwriter, but his music is steeped in a symphonic soul aesthetic that at times recalls Sly Stone. Paired onstage as Mississippi Masala, these two Bay Area bluesmen deliver music that plants one foot in tradition, the other in adventurousness. BK

INFO: 4pm, Moe’s Alley, 1535 Commercial Way, Santa Cruz. $25. 479-1854.

MONDAY 6/15

WORLD CUP

FIFA WORLD CUP SCREENING: SPAIN VS CABO VERDE Local soccer fans of all ages are invited to watch the Spain versus Cabo Verde game on a big screen at the MAH! This free event hopes to bring together the local soccer community to enjoy the international event. All attendees are welcome to have some complimentary popcorn to snack on or to throw at the screen if the need arises. Along with popcorn, the MAH will also put out an art activity for folks to work on during the game. Regardless of who you root for, enjoy watching the match with fellow soccer fans. ISABELLA MARIE SANGALINE

INFO: 9am, The MAH, 705 Front St, Santa Cruz. Free. 429-1964.

WEDNESDAY 6/17

JAZZ

BARBARA HIGBIE & TERESA TRULL This must be the week for reunion tours because the amazing Barbara Higbie and Teresa Trull are back! They gained critical acclaim and a devoted fanbase when they first hit the scene in 1983 with their Unexpected album. Fifteen years later, they did it again with 1998’s Playtime and have been called “The most exciting musicians we have heard” and “absolutely magnificent” by the San Francisco Chronicle. They’ve been Grammy-nominated and have worked with a who’s-who of artists like Carlos Santana, Bonnie Raitt, Huey Lewis and even Whoopi Goldberg. Now, Teresa Trull leaves her home in New Zealand to once again travel the country with multi-instrumentalist Barbara Higbie in support of their Greatest Hits album. MW

INFO: 7pm, Kuumbwa Jazz Center, 320-2 Center St., Santa Cruz. $19-$37. 427-2227.

Guitar Power

When Santa Cruz Guitar Company owner Richard Hoover started playing guitar, his only motivations were to impress a girl and later write a song that would change the world.

“I was scheduled to be the next Bob Dylan,” jokes Hoover. “But God has a sense of humor and I became a guitar maker.” Hoover may not have written that song or become a great troubadour, but his boutique, acoustic guitar shop, which this year is celebrating 50 years, did change the world.

Hoover has operated the SCGC for five decades, training luthiers and crafting custom-made, steel-string guitars – 20,000 to date – that have landed in the hands of some legendary musicians and have become famous beyond his hometown. Hoover is organizing a series of concerts and events to mark this milestone, which is also the inspiration for Santa Cruz Museum of Art & History’s new exhibit, Santa Cruz Guitar Company: The First 50 Years, opening June 18.

“Santa Cruz Guitar Company is a small business with a loud impact,” says museum deputy director Marla Novo. “For half a century, these luthiers have been artists and they’ve crafted these beautiful, sustainable guitars. Music and playing music transports us, heals us and awes us. And we wanna celebrate this innovation and craft that is created here in Santa Cruz.”

Hoover says he was exposed to music “in utero.” Born in Hanford, his father was a woodworker and commercial artist. Hoover learned to make toys and take things apart and put them back together, before repairing his first guitar at age 14. His mother was a teacher, reference librarian and pianist who wanted Hoover to play the piano. But listening to music like The Ventures’ “Walk, Don’t Run” on his Philco record player got him hooked on the guitar instead.

“The fact that you had this portable instrument that could accompany you and inspired your creativity was just a perfect fit,” says Hoover.

Influenced by Jack Kerouac’s and John Steinbeck’s writings, Hoover traveled the country, later settling in Santa Cruz in 1972. He worked various jobs, including woodworking, running a paper route and managing a gas station.

“Santa Cruz has been a haven for the quirky, and I don’t mean that dismissively,” says Hoover. “It’s for people who are more creative, sensitive and aware. It’s been a place where people would be more accepted than they would be in other places. We’ve got a special vortex here, not just in natural beauty, but in tolerance and love.”

NECKING Darren Webb cuts trim on a guitar neck. PHOTO: Tarmo Hannula

It was around this time that Hoover’s Martin D-28 guitar was stolen off a porch, a bit of bad luck that actually turned out to be the first step in his guitar-making career. Hoover wanted to buy another guitar at Union Grove Music, but it cost $400 and he needed help with financing. So Hoover met Bruce McGuire, a loan officer and luthier. He was also introduced to Jim Patterson, another local guitar builder. The two became Hoover’s mentors and taught him to build his first guitar. In lieu of payment, they simply asked that he pass on his knowledge to future luthiers, or guitar makers, a motto Hoover has held on to to this day.

“Making other people happy is really the best source of my own happiness,” says Hoover.

In 1976, Hoover opened Santa Cruz Guitar Company with two co-workers from Union Grove Music, Bruce Ross and William Davis. Hoover did not intend to become a big-name manufacturer. Instead, he wanted to build custom guitars using the tradition of violin makers and use mostly reclaimed and responsibly harvested wood. The company produces some 400 guitars a year, and Hoover regularly conducts tours of his 10,000-square-foot factory.

“There’s no need to cut a tree to make our guitars,” explains Hoover. “It’s much better to use old wood that’s really well seasoned. We’re gonna get much better sound, better cosmetics and a story when we use reclaimed wood.”

The company’s first guitar was a D model dreadnought. But it was a few years later, in 1978, when Hoover made a name for himself collaborating with Tony Rice. The bluegrass legend wanted a more contemporary version of his Martin D-28. So Hoover and his crew built a new guitar, which became the Tony Rice model, the shop’s first signature line. That same year, the company released an FTC flat-top guitar. When Eric Clapton saw it in a magazine ad, he wrote Hoover a letter in 1980 requesting the instrument.

“That was a huge breakthrough for us,” says Hoover. “It promoted not only the F model, but it gave us credibility as builders. We attracted the attention of some nice names and some of them went on to become signature models.”

Hoover has designed guitars for celebrity clients, namely Robert Plant, John Fogerty, David Crosby, Janis Ian, Brad Paisley, Colombian singer Juanes and Men at Work frontman Colin Hay, who took part in SCGC’s 40th anniversary concert at the Rio Theatre back in 2016.

The FTC is among the company’s lineup of five, limited edition 50th anniversary guitars. Hoover is displaying 12 guitars in the exhibit, dating back to SCGC’s original dreadnought, in addition to an H13 model guitar made entirely out of native woods that will be gifted to the city of Santa Cruz. Other highlights in the museum’s collection are archival photographs, historical records, tools, wood samples, a recreated luthier work space and an interactive area where visitors can play a Santa Cruz guitar. The museum is also staging a live performance and appearance by Hoover at the Kuumbwa Jazz Center on June 22.

NO FRETTING Tara Mini sands the frets on a guitar neck. PHOTO: Tarmo Hannula

“The practice that they have of using reclaimed wood and responsibly sourced materials is something that resonates with the community,” says exhibitions manager Shanti Nagwani. “People are gonna be interested to see how they employ that into the creation of their pieces. So it’s a look at the finished product, as well as all the tools that go into making it. We’re kind of exalting these tools as art and artifacts of their own.”

Over the years, Hoover has worked with many luthiers who’ve gone on to make their own mark, including Michael Hornick, Roy McAlister, Jeff Traugott, Marc Maingard and Orange County-based Kevin Ryan, who, this year, issued an Abbey Grand Parlor guitar as a tribute to Hoover.

“Guitar making is a very cool thing to do,” says Hoover. “It’s a dream job. But it’s only a vehicle for what our real purpose is. Our real purpose is to make where we live, the culture, the people and the environs better by doing the right thing. When I started the company in my early 20s, everybody thought it was cute that our values included being open-sourced, being charitable, being honest. At 75, I never strayed from that business model and those values. We’re living testament that it works to treat each other right, treat the environment right and do ethical business. We’re all in this to make a better guitar.”

Santa Cruz Guitar Company: The First 50 Years runs June 18-Oct. 6 at MAH, 705 Front St., Santa Cruz. Hours: Monday-Sunday; admission: $8-10.

G

GOALLLLL

Santa Cruz has big plans for the World Cup

Even if your sports loyalties lean more toward surfing and skateboarding than soccer, FIFA World Cup 2026 will soon be nearly impossible to miss in Santa Cruz.

In the coming weeks, World Cup fever will spread throughout Santa Cruz County, with watch parties, themed events and soccer activations popping up from Scotts Valley to downtown Santa Cruz and Watsonville.

Lúpulo Craft Beer House will show every tournament match live, while Woodstock’s Pizza is opening its doors at 9 a.m. for early games and broadcasting matches on every television in the restaurant, including its massive “Mondo Matrix” screen. Pono Hawaiian Grill is positioning itself as an “island-style fan zone,” complete with big-screen watch parties, food and drink specials and gatherings built around the tournament atmosphere.

Meanwhile, youth clinics and free events for all ages are taking place around the county.

Santa Cruz County Parks and Scotts Valley Parks & Recreation will host a free “Skills & Drills” soccer clinic Sat., June 13 at Anna Jean Cummings County Park, and on Sun., June 14 there’s a multi-generational “Wacky Soccer Tournament” at Skypark in Scotts Valley, complete with giant soccer balls, costumes, swim goggles and playful mini-games — with booths and activities from organizations including Monterey Bay FC, Cabrillo Soccer and local youth clubs. A pair of World Cup tickets will be raffled off at the Wacky Tournament.

And then… the big spectacle.

On Thurs., June 25 at 7:00 p.m., Main Beach will transform into a huge seaside World Cup watch party, with thousands expected to gather beneath the Giant Dipper to watch the U.S. vs. Turkey match projected on big screens beside the ocean, while kids kick soccer balls on the sand and crowds spill between the beach and the Boardwalk. Our very own “FIFA by the Sea,” it should be a distinctly Santa Cruz version of the largest sporting event on the planet.

Santa Cruz community leaders and organizers pose with a giant World Cup soccer ball outside a downtown restaurant.
KICKING IT  Locals are trying to bring out fans to celebrate the World Cup on the beach. Justin Cummings, County Supervisor, Sonja Brunner, Santa Cruz City Council, Taylor Reinhold, Artist, Corey Aldridge, Santa Cruz METRO. PHOTO: Virginia Sajan Photography

Boardwalk Managing Director of Marketing, Sales & Hospitality Karley Pope called the event “very unique and historic,” describing the combination of Team USA, Main Beach and the iconic Boardwalk backdrop as “an incredible moment” for Santa Cruz. Pope also said the watch party is “unprecedented,” adding that organizers see it as “creating new history” for the Boardwalk.

Taken together, the range of events demonstrates that Santa Cruz County is embracing the World Cup as more than a tourism campaign or economic development opportunity. These events also reveal a side of the region that often flies under the radar even locally: a deeply rooted love of soccer that spans generations, neighborhoods, cultures and communities from Scotts Valley to Watsonville and beyond.

In case you’re new to World Cup mania, some context may be helpful. Recognized as the largest sporting event on the planet and a global party unlike anything else in sports, the tournament runs June 11 through July 19, with several matches scheduled at nearby Levi’s Stadium in Santa Clara.

Matches will also take place in other U.S. cities, Canada and Mexico. FIFA compares the tournament’s cumulative scale to “104 Super Bowls” unfolding over more than five weeks. The 2022 World Cup Final alone drew an estimated global audience of 1.5 billion viewers, with even larger numbers expected for 2026.

“But this is about more than soccer,” Santa Cruz County Supervisor Justin Cummings said.

For Cummings, the tournament represents a rare opportunity to bring people together across cultures, generations and communities, while introducing visitors to a side of Santa Cruz County that extends beyond its stereotypical beach-surf-redwoods identity.

“Santa Cruz, yes, we’re a surf and skate town,” Cummings said. “But we also are a soccer town.”

Karley Pope of the Boardwalk agrees, noting that Santa Cruz has become a hub for beach soccer, with several U.S. Beach Soccer National Team players living locally and the annual Main Beach tournament routinely drawing hundreds of teams.

Cummings traces part of his own enthusiasm back to the 2006 World Cup, when he traveled through Europe and found himself swept up in the atmosphere surrounding the tournament.

“There were these huge watch parties in public spaces,” he said. “You’d have giant screens in the plaza and people just out there watching the games together. I’d never experienced something like it before.”

That same spirit of public gathering is now beginning to shape Santa Cruz County’s own World Cup activities — not as a single event, but as a sprawling countywide celebration.

The Main Beach watch party is just one piece within a five-day “World Soccer Celebration” unfolding at the Boardwalk during the tournament. Alongside beachside screenings and fan events on the sand, Coasters Bar & Grill will host additional watch parties as the Boardwalk builds an immersive World Cup experience overlooking Monterey Bay.

The lineup includes mariachi performances, DJ dance parties, food and drink specials, Footvolley exhibitions, beach soccer showcases and youth skills sessions designed to transform the Boardwalk into a kind of oceanside fan zone. Footvolley is a beach sport combining soccer and volleyball played without hands.

One event will feature Leah Morales — currently ranked the top female Footvolley player in the United States — competing on Main Beach in front of the Boardwalk. Another brings members of the U.S. Beach Soccer National Team to Santa Cruz for exhibition matches and youth clinics.

In Watsonville – where many expect World Cup fervor to be at its most intense — organizers will host a PlayStation 5 EA Sports FC tournament, with PlayStation 5 consoles offered as prizes for the winning teams. Watch parties, youth-centered programming and community events are also on deck in South County.

Meanwhile, the Santa Cruz Museum of Art & History has transformed its iconic red ball sculpture into a giant soccer ball and will host public watch parties during the tournament, including the July 19 World Cup Final.

The scale and diversity of the events reflect what local leaders describe as a uniquely Santa Cruz interpretation of the World Cup — one that blends beaches, hospitality, recreation, youth culture, art, creativity and community gathering into something distinctly local.

For Visit Santa Cruz County CEO Terence Concannon, the larger opportunity extends beyond tourism metrics or visitor counts.

“One of the things Santa Cruz County has to export is the way we care about people — our inclusivity, how we embrace diversity and accessibility,” Concannon said. “You’re going to be seen, recognized, celebrated and welcomed here.”

Concannon said his organization views the World Cup not simply as a tourism moment, but as a way to create experiences residents themselves feel excited about participating in.

Concannon says that Visit Santa Cruz County believes its “number one customer is not the visitors. Our number one customer is the residents.” Expanding on that point, he added, “if we can make this a better place to live, it will organically become a better place to visit.”

That philosophy may help explain why Santa Cruz County’s World Cup efforts feel like both a traditional marketing campaign designed to generate awareness and economic growth and a broad, passionate celebration of soccer from beaches and parks to restaurants, bars and public gathering spaces throughout the county.

Read on: For a fan’s-eye case for why the World Cup matters—even if you’re not already a soccer convert—read Thomas Brew’s sidebar, “Don’t Sleep on This: Why Should We Care About the World Cup?”

Don’t Sleep on This

The World Cup is mere days away, and I fear much of Santa Cruz County is not ready. We’re here to fix that.

Why should you care? Because if you’re not paying attention, you’ll miss out on a once-in-a-lifetime chance to witness global superstars playing on US soil. Stars like Lionel Messi, the Argentine GOAT, Portuguese icon Cristiano Ronaldo and the Norse viking Erling Haaland.

We’ve got 48 teams and 104 matches across the US, Mexico and Canada. The first match is June 11; the final, July 19.

A prediction: it’s going to be overwhelming.

And, wait, did I mention Christian Pulisic? Remember that name. He’s the great hope of the US team, a forward from Hershey, Penn., who now plays for AC Milan, a European giant. If he does well and drags the US deep into the knockout round, you’ll want to go along on the ride. It’ll be the talk of the summer.

Pulisic’s size is as good a place as any to explain the beauty of soccer.

He’s listed at 5’8,” more or less average. Messi, the Argentine magician widely considered the game’s greatest player, is 5’7” and 148 pounds. Soccer rewards skill, speed, teamwork and intelligence. It’s a game for everyone.

Now look at the NBA finals this week. The players are well north of 6 feet and Victor Wembanyama, the star center of the San Antonio Spurs, is listed at 7’4.” (There’s speculation he’s actually taller!)  Jalen Brunson, the Knicks talisman, is an aberration at a mere 6’2”. Extraordinary and unusual height is a basic requirement to play professional basketball.

Then there’s football. The overall average height and weight of an NFL player is 6’2” and 245 pounds. It varies by position, of course, and offensive linemen are routinely above 300 pounds.

Football and basketball reward extreme height and extreme size. Soccer is for everyone else.

If you’ve idle time before the first match next week (that would be Mexico vs South Africa in Mexico City) search for Messi YouTube highlights. His gifts are astonishing, dribbling through hapless defenders and firing shots past panicking goalkeepers. His play seems akin to magic, something that looks borrowed from a video game.

Pulisic’s highlights, too, are dazzling, though of course a notch below Messi’s. Yet, again, you’re watching an average-size man at play. That could be you!

Another reason to adopt soccer, at least for this summer, is that it’s the world’s game. We’re a bit parochial here with our sports diet. The month-long tournament draws an estimated 5 billion viewers, basically the planet, with the France-Argentina final alone, in 2022, drawing an estimated 1.4 billion viewers for at least a portion of the match, per Statista. The last Super Bowl drew 123 million in the US and another 62 million internationally. It’s small potatoes.

Soccer (“football” to the rest of the world) is popular in large part because it’s played everywhere. The requirements are minimal – a field and a round ball. Most of the world’s most iconic players – Pele, Maradona, Messi, Ronaldo, come from exceedingly modest backgrounds. Messi’s father worked in a steel factory and his mother in a magnet-manufacturing workshop. Pele, the late Brazilian great, practiced in the streets by kicking socks stuffed with newspaper or grapefruits.

So, yes, soccer is democratic, accepting players of any size and, yes, it’s played in countries rich and poor.  It’s a common language across every continent.

But the game’s greatest attribute is its beauty and the enthusiasm it generates. My conversion occurred decades ago, watching an England match in a London pub. I’d never encountered such manic zeal. Later, I organized European trips around the World Cup and Euro championships, watching matches in crowded pubs. I attended matches in England, Germany and dozens in Seattle, one of the first US markets to have caught the fever.

If soccer had a slogan, it would be “O Jogo Bonito,” Portuguese for “the beautiful game,” a phrase popularized by Pele.

Soccer is a global sport and the World Cup is its signature event. And this time, we’re hosting, along with our neighbors. The final, on July 19, will be in MetLife Stadium.

The world will be watching. Get on board now. Time is short.

Free Will Astrology

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ARIES March 21-April 19

Many of you have a fraught relationship with discipline. You recognize you need it if you want a life rich with epic adventures. Yet you sometimes resist planning ahead or organizing your resources, fearing it might dampen your immediate pleasures. The problem is that when you skip the planning and organizing, the short-term fun you default to may turn out to be unsatisfying. That’s the challenging news. The encouraging news is that you’re now in a cycle when you can transform how you relate to discipline. I bet you can render some of those old patterns obsolete.

TAURUS April 20-May 20

Gemologists evaluate opals less for flawless uniformity than for their mesmerizing play‑of‑color. They study how light interacts with a stone’s microscopic internal structure to produce vivid, shifting hues. The most prized opals aren’t necessarily the most perfect in shape, but the ones whose internal pattern and rainbow-like displays are most vibrant, varied, and alive. This is a marvelous metaphor for you in the coming weeks. I hope you don’t obsess on consistency or smooth away your complications. Let the world see your play-of-color.

GEMINI May 21-June 20

“Dear Oracle: Why do we always have to start at the beginning? I’d much prefer just jumping into the middle of things. Right now, I would love to bypass all the tedious baby steps I’m being forced to take as I try to get some momentum going. Please slip me a few clues about how to fast-forward directly to the fun stuff. —Bored with the Groundwork.” Dear Bored: Your timing is perfect. The planetary omens say you are now authorized to vault over the preludes and prologues and dive right into the heart of the action.

CANCER June 21-July 22

Restoration ecologists work to revive damaged prairies. They’ve discovered that seeds of many native plants can lie dormant in the soil for years, waiting for the right conditions to germinate. If they remove invasive species and restore the land’s natural cycle of controlled fire, wildflowers long absent from the landscape spring back to life. With this metaphor in mind, Cancerian, consider what dormant possibilities may lie buried in your own psyche. What seeds did you plant long ago and then forget? What dreams or talents are waiting for you to clear away the choking overgrowth and create space for them to emerge? Old potentials may be patient, not dead.

LEO July 23-Aug. 22

Better than any other sign, you understand that ego and generosity can be collaborators rather than enemies. Your charismatic radiance is often a public service. When you express your interesting beauty, you give others permission to tap into their own luminosity. The world always craves your unique flavor of audacious joy, and especially now. The rest of us need your intense insistence that flair and flamboyance are forms of resistance against the forces that would diminish life’s splendor.

VIRGO Aug. 23-Sept. 22

Many people struggle with what could be called “imagined ugliness,” a condition clinicians refer to as body dysmorphic disorder. It usually involves fixating on a supposed physical defect, or even on a flaw that exists only in one’s mind. I suspect that almost everyone carries a trace of this tendency, including you and me. The good news, though, is that the current astrological climate is ideal for you to at least partially shatter its spell. You are poised to transform your self-image so vigorously that you begin to regard yourself as a flawless exemplar of quirky, one-of-a-kind beauty.​

LIBRA Sept. 23-Oct. 22

The Golden Gate Bridge, which is a few miles from my home, is painted continuously. Painters start at one end, work their way across, and by the time they reach the other side, it’s time to start over. The job is never finished; maintenance is the permanent condition. Some people find this depressing, but I find it oddly liberating. It means the bridge doesn’t have to achieve some final, perfect state. It just has to be tended. Similarly, you don’t have to fix everything once and for all, Libra. The relationships, projects, and internal states you’re concerned about aren’t meant to reach completion. You shouldn’t worry about trying to finish what’s meant to be an ongoing practice. Just keep starting the cycle again.

SCORPIO Oct. 23-Nov. 21

Innovative theater director Viola Spolin was a Scorpio. She taught that the best scenes emerge when the actors avoid trying to control outcomes. Instead, they fully commit to the reality they’re creating together. Spontaneous responses are their gold standard. Let’s make this a keynote for you in the coming weeks. Your assignment is to give yourself heartily to improvisation. The most interesting magic will happen as you relax into the collaborative process, trusting it to guide you toward beauty and meanings none of you could have scripted alone.

SAGITTARIUS Nov. 22-Dec. 21

Musicologists distinguish between “perfect pitch” and “relative pitch.” A person with perfect pitch can sing or identify a specific note without hearing any other music beforehand. Relative pitch is the ability to recognize musical notes in relation to other notes. In the coming weeks, Sagittarius, relative pitch will be a more useful metaphor for you than perfect pitch. Don’t insist on perfect clarity about what’s right and wrong, beautiful and ugly, worthy and unworthy. Instead of obsessing on fixed standards, practice relational discernment.  How does this choice feel compared to that one? How does a person behave in this context versus another? For you right now, truth lives in the intervals and connections.

CAPRICORN Dec. 22-Jan. 19

The best way to eliminate a bad habit is to replace it with a good one. Now is an excellent time to acquire more expertise in this art. Start by choosing a specific habit that drains your energy, time, or self-respect. Then identify what that habit is secretly trying to give you, like comfort, distraction, or a sense of control. Your mission is to find a healthier behavior that offers a similar payoff without the damage. For example, maybe you go online and binge-scroll through bad news because you imagine it soothes your anxiety. Instead of that, read an uplifting book or listen to serene music for a while. Be concrete: When the itchy habit hits, what exactly will you do as an alternative?

AQUARIUS Jan. 20-Feb. 18

In 1905, 26-year-old Albert Einstein worked full-time as a clerk in a Swiss patent office. During his off-hours, he wrote four audacious papers that fundamentally changed how physics understood space, time, light, and matter. He accomplished his revolution without the sponsorship of a renowned university or laboratory. His example suggests that we can perhaps re-imagine and recreate the world even if we’re not supported by glamorous circumstances. I suspect this principle applies to you these days. Breakthrough insights and earth-shaking realizations may arrive while you’re doing ordinary tasks. Be alert for the flashes that arise in seemingly routine and modest situations.

PISCES Feb. 19-March 20

For linguists, “untranslatable” words are concepts that exist in one language but have no equivalent in others. One example is mono no aware, which in Japanese refers to the tender poignance and appreciation you feel in the presence of fleeting beauty, like cherry blossoms falling. I bring this to your attention, Pisces, because I suspect that you, too, are untranslatable right now. My advice is to forget about trying to get others to grasp what’s going on with you. Here’s a suggestion that might help: Find soulful artists and emotionally intelligent creatives who speak the language of your mystery.

Homework: What gifts do you have that you have never yet given with fullness? tinyurl.com/33ss33ss

Street Talk

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What countries have you visited, and where was your favorite place?

ELLE

England, Scotland, Iceland and Mexico. My favorite place is the Blue Lagoon in Iceland, a geothermal spa with milky blue, hot seawater from underground in a black lava field that looks like the moon, surrounded by green hills. There’s fine silica at the bottom to put on your face like a spa treatment and there’s a floating bar.

Elle de Lyons, 53, Switch Bakery on Cedar

JOSHUA

China, Hong Kong, Taiwan and Japan. Taipei is my favorite. It’s vibrant like Tokyo but with a Chinese mindset, with Confucian temples and Zen Buddhism. You get on a bullet train, and you go into a tunnel, and when you come out it looks like Shangri-La, with a temple up on a hill surrounded by green. 

Joshua Bradley, 52, Owner, Switch Bakery on Cedar

YOSHIDEM

The United States and Mexico. My favorite place is Mazatlán, it’s like Santa Cruz, but a little bigger.

Yoshdem Hernandez, 29, Buzz Sushi on Cedar

LUCIO

Canada, Mexico, France, Netherlands, Belgium. My favorite place was the Netherlands, the cities especially, the architecture of it all and how chill everyone was, everyone’s super nice.

Lucio Kim-Murakami, 26, Penny Ice Creamery on Cedar

GAKMUN

Malasia, Singapore, Thailand, South Korea, Japan. I was lucky to see the Frida Kahlo exhibit in Moscow when I visited Russia. My favorite place was an ashram in Northern India. On my last day there, Ghandhi’s great-grandson visited and told us stories about his life with his grandfather.

Gakmun Cho Jones, 38, author of To Be Human and Long Ago When Tigers Used to Smoke

TOMMY

Canada, Singapore, China, Malaysia, South Korea. The most memorable place is Singapore. It is like one big shopping mall, but the entire world ends up there — a gigantic city on a small island where everybody gathers.

Tommy Tran, 41, Professor and Historian of East Asian History

Raise the Roof for Corralitos Art and Music

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Why does the Corralitos Cultural Center (CCC) feel like a creative vortex? Could be it is what happens when musicians, artists, builders and scientists keep running into one another – Corralitos is literally a wide spot in the road. Could be it’s the back-to-the-land ethos where collaboration is the common coin. Regardless, the Corralitos Cultural Center has become one of those rare local institutions that has grown beyond being a venue into an expanding community experiment that thrives on imagination. 

They invite us to gather with them Saturday, June 6 from 5:00 pm to 8:00 pm in their jewel of an outdoor theater, The Backyard, behind the CCC at 127 Hames Road, in Watsonville. Called Raise the Roof!, it’s a benefit to replace the roof; with a wide-ranging silent auction, free Corralitos Market and Sausage Company sausage with admission, and musical performances by Formerly Alien, Fox & Kail and Ripatti Rose. The silent auction offerings will range from guitars to four hours of log-splitting labor donated by CCC board vice president Tom Tatum. 

Tatum says, “It was a Baptist church built around 1959. It needs repair. Lots of things need to be done, but the primary thing that needs to be done is the roof needs to be fixed.” The fundraiser is very Corralitos: save the gathering place, save the music, save the roof.

Over the last ten years, the center has evolved from a beloved, modest open-mic venue into something much broader: part music hall, part community commons, part creative incubator. The stunning Backyard now hosts a weekly Farm & Garden Market, live music, drum circles, clothing swaps, art classes, youth camps, songwriter gatherings, and guitar classes for every kind of player, from beginning to accomplished. Tatum describes the transformation as a kind of cultural second act. “We survived Covid, but we were in the doldrums. Now, we’ve shifted into a different gear.” 

Part of that shift came from younger artists and organizers bringing in new energy. Among them are musicians Andy Barr and Amy, with Formerly Alien. Tatum credits Barr with modernizing the CCC’s online presence while helping expand its vision beyond the “friendly old guy with guitar” era that once defined the center’s open mic scene. 

Tatum says Andy and Amy will perform as Formerly Alien, who blend shimmering space-folk, Americana warmth, and dreamy cosmic storytelling. They’ll be joined by Scott Kail and JoJo Fox, Fox & Kail, who perform with powerful energy, exquisite lyrics, and delicate harmonies. The show will also include local favorite Ripatti Rose, that delivers a warm, road-worn blend of Americana, folk-rock, and roots music. 

Barr, speaking by phone while preparing for a performance in Pennsylvania with the band America, describes the CCC as a hidden cultural anomaly. “There’s some unexpected genius in the musicianship in Corralitos and in Santa Cruz in general,” Barr says. “We just fell in love with the CCC, particularly how welcoming it was and what a generous and loving atmosphere it is.” Barr says he and Amy first encountered the center through the Sunday farmers market and the Friday night open mic.

“The audience support is incredible,” he says. “It has a special, open quality to it.” That openness has become central to the center’s identity. Artists are invited not just to perform there, but to experiment there. Barr says that after meeting local musician Scott Kail, Formerly Alien was invited to collaborate, rehearse and eventually produce its own shows at the venue. 

The spirit of collaboration extends beyond music. Barr says Amy’s increasingly popular Clothing Swap operates on a simple philosophy: “Bring what you have, take what you need.” That may excite one’s Marxist inclinations, and Amy’s Clothing Swap proves it works. Andy says, “I brought three shirts that I don’t wear anymore, and I took a shirt that I wear three times a week. We got involved because we love the place and we want more people to have a chance to experience it.” 

The June 6 fundraiser aims to preserve exactly that kind of improbable community chemistry. Tatum’s silent auction contribution may unintentionally capture the CCC better than any mission statement ever could. Amid the guitars and specialty items, he’s offering four hours of personal log-splitting labor. “I’ll show up and split your logs.”  

The Raise the Roof! benefit concert takes place Saturday, June 6, from 5–8 p.m. at the Corralitos Cultural Center. 127 Hames Road. Suggested donation is $20–$50 and includes Corralitos Market sausage barbecue and a beverage.

Stocker Shock: The Amazing Gifts of Gabrielle Stocker   

Almost a year after her death on June 23, 2025, the estate of Santa Cruz musician, singer, and teacher Gabrielle Stocker released her Allaria Trust bequests.

You need to sit down for this.

Turns out the well-loved music aficionado dedicated over $1 million each to New Music Works, Cabrillo Festival of Contemporary Music, and the Santa Cruz Chamber Players. [$1,038,468 each from the Allaria Trust] The bequest also gave more than $500,000 to Ensemble Monterey Chamber Orchestra. Among them, these groups employ the expert abilities of most of the area’s elite musicians.

“Gabrielle Stocker was a longtime Festival subscriber and donor, a consistent, warm, and kind presence for many decades,” says Riley Nicholson, Executive Director of Cabrillo Festival of Contemporary Music. “Her love of music was palpable, both in her enduring support of our music and in her own musicality as a recorder, crumhorn, and viola da gamba player. As a Renaissance, Baroque, and contemporary music enthusiast, her musical palate was broad. Not only was she an annual donor, but also was a commissioner––in 2012, she helped co-commission Hidden World of Girls: Stories for Orchestra, dedicating her gift in honor of her daughter Carol and granddaughters Erin, Ananda, and Adinda.

Nicholson notes that, “Gabrielle’s gift via the Allaria Trust comes at a time when institutional funding is volatile, Federal support has effectively ended, so, the timing of this gift makes it especially and robustly meaningful. Through this incredible gift and her lifetime of giving, Gabrielle Stocker’s legacy is now intertwined with the legacy of the Cabrillo Festival. The gift is not only meaningful today, but for decades to come. 

We are also thrilled to be part of a cohort of like-minded organizations that Gabrielle’s legacy is impacting, including New Music Works and Santa Cruz Chamber Players. We are in awe of Gabrielle’s generosity and impact, both during her life and for many decades to come.”

Philip Collins, founder and Artistic Director of New Music Works worked with Gabrielle since her days in the 1970s with the Antiquarian Funks Consort. “It was in an early concert that Gabrielle played recorder in the premiere of Lou Harrison’s “Binary Variations on ‘Oh Sinner Man'” for 13 renaissance instruments. Then in 1979, she played crumhorn in NewMusicWorks’ first concert, “Music after Lunch,” for which she premiered my trio, “Invasion of the Krumhorns” and other trios. One couldn’t help but sense the goodness and kindness of Gabrielle. Even on first impression, her loving and joyful essence was embracing. And she had a keen and elastic sense of humor.” Collins calls this life-changing gift “nothing short of astounding. “That our angelic friend, would dedicate such a large part of her estate to the ongoing growth of local chamber and orchestral ensembles. 

A gifted amateur on multiple instruments and a cherished singer of numerous choral groups, most recently the Santa Cruz Chorale, Gabrielle embraced the practice and idea of community music as a means to the very existence of our species. This is the biggest turning point that NMW has experienced,” he acknowledged.


The Santa Cruz Chamber Players have the honor and humble distinction of receiving an extraordinary act of generosity from Gabrielle Stocker,” admits SCCP Board President Penny Hanna.  Gabrielle has left an indelible mark on our music community. As a former member of our board and supporter of our mission to bring live chamber music into our local community, she has entrusted us with a musical legacy built over her many years of playing, teaching, friendship, and shared music-making. On behalf of the Chamber Players, we want to express our heartfelt gratitude to Gabrielle for this remarkable gift, and acknowledge her memory and love of music as part of that legacy which continues to bring joy to us all.”

Erica Horn, Music Director of Ensemble Monterey Chamber Orchestra is ecstatic about the Stocker gift. “I’m so happy for our fellow music organizations, and the others who benefited from Ms. Stocker’s tremendous generosity. What a legacy she leaves an entire region! We plan to start using it to begin an endowment campaign. We will use a little bit off the top to help the coming year’s budgeting, and the rest will go into a long-term earning vehicle that will generate enough annual income to cover some staff. We are one community after all!

It’s no exaggeration to say that the four music organizations who’ve just found out about this gift are still in shock. With institutional funding for the arts evaporating, Gabrielle Stocker’s generosity enables the directors and their cadre of professional musicians to dream big. Our composers, musicians, and audiences of the future are in her debt. I was lucky enough to know her and sing with her. She put her money where her heart was.

P.S. The far-sighted benefactor’s Allaria Trust also granted over $1 million to the Land Trust of Santa Cruz County, and over $500,000 to UCSC’s Osher Lifelong Learning Institute. Thanks Gabrielle!

Under the Stars

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In a redwood grove, under the stars with beautiful natural acoustics—that’s what Carmina Burana is all about. So says Maestro Daniel Henriks, who will guide I Cantori di Carmel through Carl Orff’s powerful ode to “the awakening of nature, and how it affects us as humans,” Henriks enthuses. The UCSC Quarry and the celebrated music are what Henriks believes is “a perfect match, where a venue and a piece are so fabulous together. Really, it’s a piece for the free-spirited people of Santa Cruz.”

The German-born Juilliard graduate Henriks has an agenda: to expand the audience for his historically Carmel-based elite musical ensemble into Santa Cruz. The June 5 event marks an exciting new alliance for José Olivas and his team at the Quarry. It also marks the debut of I Cantorini, I Cantori di Carmel’s new youth chorus for singers aged 9-14. These will be the skilled musicians of the future, and have already gone through much training in classical vocal technique. So we better get ready for a huge sound filling the redwood forests this coming Friday.

Carl Orff’s mighty masterpiece, Carmina Burana, composed in 1936, explores a collection of medieval poems about love, romance, nature, as well as the pleasures and sorrows of life. The various sections of the musical setting celebrate springtime, courtship, tavern revelry, and, of course, that infamous hymn to Venus, concluding with “O Fortuna.” Primal energy, fueled by emphatic rhythm and a major percussion section, make this piece wildly popular with the entire planet.

Given the fact that sections of the Carmina have been sampled, copied, parodied, and distributed through everything from movie soundtracks to YouTube commercials, I asked Henriks how a music director can deal with music that has been so abused by popular culture.

“That’s a good question,” he admitted,” but fortunately it’s mostly the “O Fortuna” chorus that is so well known, you know, from deodorant advertising to wrestling matches. But people will be pleasantly surprised to find that much of Orff’s music is not bombastic. There are so many moments of tenderness, and extremely intricate and interesting orchestration. The chorus has to sing from very floating pianissimo to a thundering forte. There’s so much range there, and besides, if the popularity of “O Fortuna’’ gets people curious and brings them to the concert, then they will be surprised how much more there is in this wonderful piece. And that’s a good thing.”

Most fun for this conductor?

“The incredibly thrilling rhythms in Carmina Burana, and when the whole apparatus, the whole ensemble, 140 people with youth chorus, the big chorus, soloists, and the big orchestra, when all these forces lock together really tight, and perform these amazing rhythms together, you know. That’s an incredible energy.”

Henriks isn’t afraid of diving deep into thrilling performance. “Music is the perfect conveyor of emotions and connects us with our own internal landscape, it can connect us with our community, with other people.”

And he agrees that, inspired by the book Orff discovered in a monastery in Bavaria, this piece of music gives us insight into what was on normal people’s minds in medieval times. “Most of what we know about the Middle Ages is based upon sacred texts or political writings. But in this unusual work, people are contemplating their fate, their good or bad fortune. Wondering how to handle courtship, romance and other rowdy events. And these issues are familiar to us in our own day.”

“So the biggest takeaway, the touching and timeless part of it is how all this relates to us humans. Human nature hasn’t changed,” he chuckles.

See Carmina Burana, along with selections from Edvard Grieg’s mischievous Peer Gynt, at the Quarry Amphitheater, UC Santa Cruz, 1156 High St., SC Friday, June 5 at 7:30. Tickets at www.icantori.org. General Admission,$57; under 30, students, military, and teachers with valid I.D., $21; Children under 12, $10; UCSC Students with valid I.D., $10

Beyond the 4th Wall

I grew up putting on shows in my bedroom.

At breakfast, I’d announce, “There’s a show tonight,” sell tickets to my parents, position a lamp as a spotlight, hang curtains from my bunk bed, and perform for upwards of an hour in a cape, singing and playing bongos for my captive family audience. My parents were very patient people.

The obsession started even earlier when my family would attend musicals. At three, Les Misérables in San Francisco: voices resonated in my chest, stage lights radiated actual heat, the overwhelming sense that I wasn’t watching something so much as living inside it. At four, Cats affected me so profoundly that when nature called with some urgency, I refused to leave my seat and soiled my pants.

Then came Cirque du Soleil, where performers moved through the audience and the world of the show surrounded me, and I finally had a name for what I’d been chasing: immersion. Entertainment you don’t watch – you enter.

I’ve spent most of my adult life working to recreate and design that immersive feeling professionally through stage productions, live events, music videos, and the many other overcomplicated ideas on the pages of my notebook that are yet to come to life. So when Santa Cruz Pride asked me to help produce Queerlantis, I said yes before I finished reading the email.

My vision is that, for one night on June 6, the Santa Cruz Veterans Memorial Building stops being a building. Over seven hours, it turns into something between a Pride celebration, an art party, a concert, a drag show, and a unique little temporary village – a place where everyone belongs.

The theme of this fourth Queerlantis is “The Walls Crumble, But We Grow Stronger,” reminding all of us of the importance of resilience together. We will create this micro-festival bringing together drag, music, visual art, a vendor fair, drinks, networking and fun. 

This is Santa Cruz’s drag event of the year, headlined by Irene the Alien from RuPaul’s Drag Race All Stars, featuring local drag performers, and hosted by the legendary Fou Fou Ha. There will also be live music from my own band, “Robbie Fitzsimmons”,  including many of my original compositions, and the band Plasty, as well as DJ sets from Ayumi Please.

An outdoor acoustic patio will be a place where people can disappear for a minute when they need air or conversation or a break from the beautiful chaos inside. The Neighbor’s Pub will be running the bar, which feels correct considering many in Santa Cruz have probably cried, flirted, danced, or had a minor identity revelation there at some point.

The night begins with a panel discussion called “Breaking Down the Binary Barriers,” featuring Irene the Alien out of drag, alongside local members of the trans and nonbinary community. This exists alongside the spectacle because glitter and vulnerability deserve equal billing. And, of course, a meet and greet with Irene the Alien.

What excites me most isn’t any individual performance. It’s the possibility of collision. The kind that only happens in physical spaces. A multi-generational conversation between a college student and someone 20 years older than them on the patio. Someone attending their first queer event, standing next to someone who’s spent decades fighting for queer visibility. A person arriving nervous and leaving with three new friends and a slightly expanded idea of humanity.

There’s something hopeful about that image right now. Not hopeful in the shallow motivational-poster sense. Hopeful because nature doesn’t ask permission to grow. People don’t either.

Santa Cruz has always had this strange, unique and beautiful undercurrent to it. For all its contradictions, it’s still a place where artists, outsiders, students, aging punks, theater kids, theater goers, drag performers, musicians, politicians, the status quo of all ages, and wonderfully undefinable people keep finding each other. Sometimes awkwardly. Sometimes accidentally.

But they do.

I think this is what Queerlantis really is underneath the lights and music and costumes. A reminder that we’re less alone than we think we are.

As a kid sitting in those theaters, what moved me most wasn’t just the spectacle. It was the feeling that, for a few hours, everyone in the room agreed to believe in something together.

Queerlantis happens June 6 at the Santa Cruz Veterans Memorial Building. The event is 18+, and proceeds benefit a scholarship fund for queer youth through Santa Cruz Pride.

More info and tickets can be found at SantaCruzPride.org and via Instagram at @queerlantis.

Things to do in Santa Cruz

Barbara Higbie and Teresa Trull laugh together in a promotional photo for their Greatest Hits concert.
Barbara Higbie and Teresa Trull reunite at Kuumbwa Jazz Center in support of their Greatest Hits album, bringing decades of acclaimed musicianship, Grammy-nominated history and collaborations with Carlos Santana, Bonnie Raitt, Huey Lewis and Whoopi Goldberg back to Santa Cruz. Wednesday, 6/17

Guitar Power

Santa Cruz Guitar Company celebrates 50 years of custom acoustic guitars, sustainable craftsmanship and global influence with a new MAH exhibit honoring founder Richard Hoover and the luthiers behind the legendary local shop.

GOALLLLL

Santa Cruz leaders stand behind a giant FIFA World Cup 2026 soccer ball sculpture outside the Museum of Art & History.
Santa Cruz County is getting ready for the 2026 World Cup with beachside watch parties, youth soccer clinics, restaurant fan zones, MAH events, Watsonville tournaments and a massive Main Beach celebration beneath the Giant Dipper.

Don’t Sleep on This

Close-up of a giant painted FIFA World Cup 2026 soccer ball featuring the Made Fresh Crew logo in downtown Santa Cruz.
With the 2026 World Cup arriving in North America, Thomas Brew argues that soccer’s beauty, global reach and democratic spirit make it worth watching—even for Santa Cruz fans who haven’t caught the fever yet.

Free Will Astrology

Astrology, Horoscope, Stars, Zodiac Signs
Rob Brezsny’s Free Will Astrology this week explores discipline, beauty, renewal, improvisation and self-trust, urging each sign to embrace process over perfection and rediscover the gifts waiting to be expressed.

Street Talk

row of silhouettes of different people
What countries have you visited, and where was your favorite place?

Raise the Roof for Corralitos Art and Music

Corralitos Cultural Center’s Raise the Roof! benefit brings live music, a silent auction, sausage barbecue and community spirit to The Backyard on June 6.

Stocker Shock: The Amazing Gifts of Gabrielle Stocker   

The estate of Santa Cruz musician, singer and teacher Gabrielle Stocker has left transformative gifts to the local music community.

Under the Stars

Choir and orchestra perform outdoors at the UCSC Quarry Amphitheater.
I Cantori di Carmel performs Carmina Burana at the UCSC Quarry Amphitheater, where redwoods, stars and natural acoustics meet Orff’s thunderous music.

Beyond the 4th Wall

Robbie Fitzsimmons poses against a bright orange background ahead of the Queerlantis Pride event.
Robbie Fitzsimmons takes readers behind the scenes of Queerlantis, an immersive Santa Cruz Pride celebration of drag, music, art and queer resilience.
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