Community Foundation Paves Way for New Sports Field

The new Live Oak Soccer Complex at Shoreline Middle School won’t officially open for at least another month, after the lights and picnic tables are put in. But the soccer field itself is likely to be completed next week, and Bill Simpkins doesn’t want the neighborhood kids he created it for to have to wait one day longer than necessary to start playing on its artificial turf.

“I’m saying, ‘Get the kids on it now,’” says Simpkins.

The Live Oak philanthropist—who has been funding projects in the area for years, including the Simpkins Family Swim Center in the 1990s—first envisioned the complex as an inclusive, family-friendly way to support the local passion for soccer back in 2018, and pledged $1 million to get it going.

As his impatience with the opening of the field suggests, Simpkins doesn’t like bureaucratic red tape—or suffer fools. He had a good relationship with the Live Oak School District, but he knew he’d also have to partner with a philanthropic organization to get the multi-year, multi-million dollar project finished. Based on prior experiences, he was not looking forward to it.

But then he started talking to Susan True, CEO of Community Foundation Santa Cruz County. And his attitude toward the word “collaboration” started to change.

“It makes me ill to hear that word,” says Simpkins. “It usually just means more meetings and more B.S. But with her, it’s not. So I don’t like the word, but now I have to use it. You see, there’s two ways these foundations work. One way is they say how big their endowment is. The other way is to really help their customers. That’s what she does.”

Indeed, True oversaw a huge landmark for the Community Foundation at the end of 2019: $100 million in total funds distributed to local nonprofit groups and projects since the organization was founded.  

For True, whose primary job is to match philanthropists of all types with the local groups that best represent the causes they care about, that staggering sum represents something fairly simple.

“That $100 million is really a collection of dreams for our whole county. It’s our collective dream,” says True. “People have contributed over our 38-year-old history to things they dream about Santa Cruz being able to do, or be, or become.”

Flood of Donations

The Community Foundation was founded after the infamous floods of 1982 had devastated Santa Cruz County. With infrastructure crumbling and locals evacuating in rowboats, federal relief funds couldn’t come fast enough to help the people who were hit the hardest.

“So the Community Foundation was really formed because of 25 inches of rain flooding down on us,” True says. “People said, ‘We can’t just wait for the feds. We need a local response to help our neighbors faster. That’s how we started.”

The organization’s stated mission is to “bring together people, ideas and resources to inspire philanthropy and accomplish great things.” As it has grown and evolved, the Community Foundation has become a place that on the one hand can champion a huge project like Heart and Home, which will include 57 units of affordable housing, as well as a Dientes oral health clinic and a Santa Cruz Community Health Center primary care clinic on former Redevelopment Agency land at Capitola Road and 15th Avenue.

“We need about $5 million to close that entire project. I mean, just the health clinics in that project is almost $30 million. We’re going to get that done. We’re going to break ground in 2020,” says True. “To serve that many people, from family planning to geriatrics, housing and integrated services for the whole community—I love that project.”

On the other hand, the Community Foundation also provides funding to longtime local community groups like Second Harvest Food Bank, Hospice of Santa Cruz County, Salud Para La Gente, Teen Kitchen Project, Watsonville Law Center and many others.

For instance, in 2019, the Community Foundation assisted Pajaro Valley Prevention and Student Assistance by hosting a capital campaign fund for them, making a $275,000 bride loan for the group, giving it a $20,000 Borina Special Places capital improvement grant, connecting it with a donor who contributed a $45,000 grant for a healing garden on its new expanded campus, and more. 

“I love that at Community Foundation, we get to do both. We get to help community members who are doing something new and amazing, and we also get to work hand in hand with these stalwart community members who are trying to make sure that nobody goes hungry or that women are safe when there’s a domestic violence incident, or that children have access to child care that is safe,” says True.

“They act as a hub for a lot of different groups. They’re involved in everything,” says Lyndsey Marks, development director for Court Appointed Special Advocates of Santa Cruz County (CASA). “They’re one of the easiest funders to work with, for a lot of reasons. They’re open to innovation, and they simplify their process. Sometimes writing grants can be an ordeal.”

Last year, the Community Foundation gave $40,000 to CASA, the most it has ever contributed to the group. “What I love is that I feel like they value what CASA is doing,” says Marks. “They are really trying to make a good match for their donors. Their goal is to keep it simple, so organizations can do the good work that they do.”

Simpkins is particularly impressed by True’s enthusiasm, which he says helps when the process of trying to get these projects done starts to seem overwhelming.

“It’s infectious,” he says of her energy. “If I get down a little bit, I give her a call, and I’m back up again.”

True says that energy is fueled by her genuine excitement for the community projects the Community Foundation gets to support. “I take the process of vetting projects seriously. We don’t get behind everything,” she says “But when there’s a really good idea that has clear impact, clear sustainability, and is doable, then it doesn’t help to be sort of supportive of it. It only helps to be fully supportive. Once you know it’s a good idea, then be all in.”

Nuz: Splash Goes Out with a Ripple

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If you call the restaurant Splash right now, no one answers.

But when the machine comes on, a man’s recorded voice explains, “Thank you for calling Splash in Santa Cruz, California. Unfortunately, we are permanently closed and will re-opening this spring with a new brand and new ownership.”

Huh.

First of all, Mr. Recorded-Voice-Man clearly doesn’t understand the meaning of the word “permanently.” Finally—after Nuz rang Splash’s number a few times, trying to get the voicemail quote right—a man (who may or may not have been put off by our repeated ringing) informed us the restaurant is currently remodeling.

ORGANIZED EFFORT

Last week, AFSCME reached an agreement with University of California administrators for its 8,000 service workers in what became one of UC’s longest-running labor disputes. The deal, which must be approved by a vote of the union’s membership, includes wage increases, benefits and enforceable limits on UC’s ability to outsource service jobs to private contractors. 

A wildcat strike, meanwhile, led by some UCSC grad students demanding a raise before they turn in last quarter’s grades is still ongoing. Students from UC Santa Barbara are signing on to the effort.

PRED POLLING

Santa Cruz Police Chief Andy Mills took a break from posting Twitter pictures of confiscated guns and alleged bad guys to throw up a poll on Sunday, Jan. 26.

The topic? The pending impeachment trial of President Donald J. Trump. Honestly, this is an odd topic for Mills to be broaching with his Twitter followers, but nonetheless, if you’re going to tweet a crazy-unscientific poll about non-local politics, go all in and make the question interesting!

Mills asked his followers how objective people planned to be during the proceedings. One fifth said they would be objective. Just over half said they had already made up their minds, and 28% checked the box for “Don’t care — I’m over it.”

Why, though?

Theater Review: ‘The Other Place’

Here’s a challenge: go see the Jewel Theatre Company’s The Other Place, playing through Feb. 16, and try not to confront your own worst fears. Written eight years ago by Sharr White, the play is briskly dispatched by a quartet of actors in a series of interlocking vignettes totaling a mere 90 minutes, no intermission.

Dedicated research scientist Julianna Smithton (Julie James) has developed a life-changing drug, and as the play opens we meet her giving a presentation to a conference of colleagues. Poised, articulate, and acid-tongued, Smithton is aided by big-screen scientific illustrations as she explains how the exciting discovery will work. And in various asides and vignettes, she also reveals that she’s in the midst of a divorce, hasn’t seen her daughter in many years, and has just experienced an “episode.”

The play’s unfolding structure keeps us always slightly off-balance as the scenes cut from Smithton’s presentation to her meeting with a medical therapist to her wildly histrionic encounters with her husband Ian. We also learn about the family’s Cape Cod summer home—the “other place”—and events that may or may not have transpired there to rupture the family’s equilibrium. It’s apparent that something is coming unglued as The Other Place drills through domestic upheaval, the trust between longtime partners, delusion, denial, and one woman’s indomitable quest for a scientific breakthrough to justify her career.

As the scenes swiftly change, we begin to realize what may or may not be going on, and the various points of view that each demand plausibility. But we, too, start coming unglued—we don’t know who or what to believe. For my money, that’s exactly what theater should deliver: conflicting points of view that shake us out of our comfort zones.

The disturbing puzzles that fill the minimalist sets of this production only let up at the very end. And yes, I am being purposely obscure; no way am I going to compromise your experience by spelling out specifics. First-weekend audiences were squirming—kudos to director Susan Myer Silton. However mordantly funny, the drama plunges into disturbing territory. The script’s pungent (very adult) language is disarming. Like old age, it’s not for sissies. Think Edward Albee, whose George and Martha occasionally haunt this script.

Everything in The Other Place depends upon the strength of the central actress to bring Julianna Smithton to life. We must be captivated from the very beginning—only with our commitment to this character, her words and actions, will the play be able to work its magic and fling us into emotional disarray.

And in James, this play has a deft embodiment of the mercurial, richly confused central figure.

She commands the stage from the very moment she strides to the conference podium in tailored trousers and purple high heels. Part Annette Bening, part Klute-era Jane Fonda, James has bravura to burn. The play works because we are completely hers, we believe her judgments, her outrages, her doubts, and ultimately her distress. Some of the transitions required to move us into darker dramatic straits come too suddenly. But when the emotional color of the script changes, or at least begins to flicker, we are thrown against the wall.

This isn’t warm and fuzzy theater. There’s plenty of humor and sarcasm, but the play provides something a whole lot tastier: food for thought. In it, we find our own fears displayed for dissection. James has able support in this endeavor from Audrey Rumsby, playing multiple roles with timing and precision. As Ian, Julianna’s distraught and irritated husband, Shaun Carroll makes a stalwart foil.

The Other Place is intense, unsettling, and short. Julie James is masterful. I dare you to go see it.

 

Jewel Theater Company’s “The Other Place” runs through Feb. 16 at the Colligan Theater. jeweltheatre.net.

How are you going to make a difference this year?

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“I bought an e-bike in January, and I’m going to try and replace as many car errands with my bike as I can.”

Kathy Elder

Santa Cruz
Freelance Video Producer

“By volunteering with Women Lawyers of Santa Cruz County and addressing concerns of women in our society, and also advocating for women in the legal profession.”

Gina Borasi

Felton
Attorney

“I’m going to work for the census—go to houses and collect census data and participate in the largest non-wartime mobilization in the U.S.”

Keegan Burns

Santa Cruz
Unemployed

“Eat less meat. I’I’m going to eat more vegetables. I’m going to try and buy more food at the farmers market and get a CSA. ”

Stefan Christie

Santa Cruz
Geologist

“I am going to stop using plastic completely. No more plastic bottles, reduce plastic waste. We have a serious problem.”

Bradley Tinder

Santa Cruz
Manager of IT

Rob Brezsny’s Astrology Jan. 29 – Feb. 4

Free will astrology for the week of Jan. 29, 2020

ARIES (March 21-April 19): My favorite ancient Greek philosopher was the rascal Diogenes. As a joke, he carried around a lantern during the daytime, proclaiming, “I am just looking for an honest man.” When Alexander the Great, the most powerful man in the world, came to meet Diogenes while he was relaxing outside and asked him if he needed any favors done, he replied, “Yeah, stop blocking my sunlight.” As for Plato, Diogenes complained that the famous philosopher talked too damn much and misinterpreted the teachings of Socrates. I encourage you to borrow some of Diogenes’ attitude in the coming weeks. According to my analysis of the astrological omens, it’ll be healing for you to experiment with being brassy, saucy, and sassy. Emphasize what makes you most unique, independent, and self-expressive.

TAURUS (April 20-May 20): Taurus author Anthony Trollope (1815–1882) published his first novel at age 30. During the next 37 years, he completed 48 additional novels and 18 works of nonfiction. Critics liked his work well enough, but were suspicious of his prodigious productivity. When they discovered that one of Trollope’s motivations for writing was to make money, they disapproved. Then they found out that Trollope kept a watch nearby as he worked, determined to generate 250 words every 15 minutes. The critics hated that even worse. Creative artists are supposed to court inspiration, not adhere to a schedule—at least according to the critics. But I approve of and recommend Trollope-like behavior for you in the coming weeks, Taurus. Cosmic forces will be on your side if you do.

GEMINI (May 21-June 20): In accordance with the astrological indicators, I invite you to rise and soar and glide during the coming weeks. I encourage you to expand and enlarge and amplify. Don’t wait around hoping to be asked to explore and experiment and improvise—just do those things. It’s high time for you to enjoy stirring quests and research projects and missions dedicated to discovery. Be a fun-loving pioneer. Sample the joys of being a maverick and outlier.

CANCER (June 21-July 22): I love living in the material world. Its crazy-making demands and exhilarating rewards are endlessly entertaining. Despite having been born as a fantasy-prone, overly sensitive Cancerian, I’ve become fairly earthy and well-grounded. I have a good job, a nice house, a smart wife, and an interesting daughter. On the other hand, I also love living in the soul’s realm. I have remembered and recorded an average of three dreams per night for many years. Although I don’t take drugs, I cultivate alternate states of consciousness through meditation, prayer, and ritual. I’ve long been a student of depth psychology, which has trained me to be as focused on my soul as my ego. In accordance with current astrological omens, my fellow Cancerian, I urge you to hang out more than usual in the soul’s realm during the coming weeks. 

LEO (July 23-Aug. 22): Can I talk you into being more tender and open-hearted toward the people who care for you? I don’t mean to imply that you are currently too hard and closed. But all of us can benefit from enhancing our receptivity, and the coming weeks will be prime time for you Leos to do just that. I think you’ll find it easier than usual to deepen your listening skills and intensify your sensitivity. You’ll have an acute intuitive grasp of the fact that you can earn yourself huge blessings by expressing love and compassion in very practical ways.

VIRGO (Aug. 23-Sept. 22): All of us are in service to someone or something—to certain people or ideas or situations. We provide them with help or energy or mirroring or love. We are dutiful in attending to their needs and wants. For some of us, our service feels like a burden. It’s grating or humbling or inconvenient, or all of the above. For others of us, being of service is fulfilling, even joyful. We find a rich sense of purpose in our devotion to a higher cause or deeper calling beyond our selfish concerns. Among the 12 signs of the zodiac, you Virgos are more likely than most to carry out the latter kind of service. I bring these thoughts to your attention because the coming weeks will be an excellent time to re-evaluate, reconfigure, and reinvigorate your own service.

LIBRA (Sept. 23-Oct. 22): Author David Markson imagined what it would be like to write a novel that lacked conflicts or confrontations—in other words, a novel unlike any ever created. Libran author Ursula Le Guin also fantasized about stories with plots that weren’t driven by strife and struggle. Since many of us are addicted to entertainment that depends on discord to be interesting, we might find it hard to believe Markson’s and Le Guin’s dream would ever happen. But I’m pleased to inform you, Libra, that your life in the coming weeks may be exactly like that: a fascinating adventure with few hassles and wrangles.

SCORPIO (Oct. 23-Nov. 21):  According to Scorpio painter Georgia O’Keeffe, success is irrelevant. The most crucial life-long effort that anyone can be devoted to is “making your unknown known.” Did she mean making your unknown known to yourself? Or making your unknown known to other people? Or both? According to my analysis of the astrological omens, the coming weeks will be a favorable time for you to do both. So I hope you will tease out your best and biggest mysteries from their hiding places. Give them expression.

SAGITTARIUS (Nov. 22-Dec. 21): You Sagittarians have a talent for burning bridges that really do need to be burned. Your intuition often guides you to assess when the time is ripe to withdraw from connections that no longer benefit you. On the other hand, you sometimes burn bridges prematurely. You decide that they are in such disrepair that they’re of no use to you, even though it might serve your ultimate interests to fix them. I offer these thoughts as a preface for my advice: 1. Refurbish rather than burn a certain bridge you’re a bit disenchanted with. 2. Build at least one new bridge that will be valuable in the future.

CAPRICORN (Dec. 22-Jan. 19): The shape of the planets’ orbits around the sun is elliptical, not circular. Capricorn astronomer Johannes Kepler (1571–1630) was the first person to figure this out. He didn’t like it. He really wanted the orbits to be circular. That would have been more satisfying to his aesthetic and spiritual sensibilities. Explaining the arduous labor he did to arrive at his conclusion, he wrote, “Take pity on me, for I have repeated these calculations seventy times.” In the big picture of our understanding of the universe, of course, his discovery was felicitous. It’s not a problem that the orbits are elliptical, merely the truth. In the coming weeks, Capricorn, I foresee you engaging in a process that’s metaphorically comparable to Kepler’s. Hard work will yield useful, if unexpected results.

AQUARIUS (Jan. 20-Feb. 18): Please don’t imitate or repeat yourself in the coming weeks. Refrain from relying on formulas that have worked for you before. Resolve to either ignore or rebel against your past as you dream up fresh gambits and adventures. Treat your whole life like an improvisatory game that has just one purpose: to attract and stir up useful novelty. If you do these things, Aquarius, I can practically guarantee that you will win the game.

PISCES (Feb. 19-March 20): Poet Robert Bly believes that each of us has a special genius, and the key to understanding and fully activating that genius is in our core wound. In other words, the part of us that got hurt the worst is potentially the generative source of the best gifts we have to give. Do you know where that is in yourself: the wound that could be the source of your blessing? Now is a great time to investigate this tantalizing mystery. 

 

Homework: Avoid the Tragic Magic Triad: taking things too personally, too literally, and too seriously. FreeWillAstrology.com.

Candlemas, Fire Festival, Blessings and Corn Dollies: Risa’s Stars Jan. 29 – Feb. 4

Sunday is Candlemas Day, a day of significance astronomically and religiously. Candlemas marks the moment in time (day) between winter solstice and spring equinox (cross-quarter day). It’s a festival of preparations for spring—setting up green houses, turning over the soil, learning biodynamic gardening. We sort our seeds and call forth their life-force, thus securing our future food supply. The Light has returned. We feel hopeful once again.

Feb. 1 and 2 are St. Brigid’s Days. We bake multigrain breads and weave crosses out of wheat or oat stalks, hanging them in homes, barns, sheds and gardens. The crosses protect us from fires and lightning. Some make corn dollies from dried (soaked in water) corn sheaves, offering the dollies, dressed in gingham, as gifts.

In the Catholic Church, Candlemas, 40 days after Christmas, marks the end of Epiphany. Candlemas is a fire festival, reflecting the Sun’s rising light. In the plant kingdom, a fire is rising in the sap. In the Catholic churches today, beeswax candles are blessed and used throughout the year for light and protection. These rituals anchor into our little world the Light of Life itself. They connect us to the earth and to the heavens. We come into balance on this cross-quarter day. We prepare always and first, through knowledge of these things.

ARIES: Experiences and thoughts, dreams and visions come quickly these days. It’s as if visions make up your daily reality. You’re being called to study and research, discover (or create) groups that support and belong to you, forging a template for community. You are to negotiate fear because you know it’s no longer useful. Wisdom’s coming. It would be good to study the art and science of astrology.

TAURUS: Your future is in front of you. It’s asking you to help create a large portion of everyone else’s future, to lead with others in partnership and cooperation, and to discuss new era visions others can uphold and bring into form and matter. Careful if you carry too many responsibilities. You need to ask for help every now and then, something you never do. Take care of your health. Do you need someone by your side? Call them.

GEMINI: You might have the desire and aspiration to take up a new study, return to school, learn a new profession, travel far away and/or ask for an expanded job description. It seems as if you’ll travel to one or more communities in order to visit friends, assess living there and review their spiritual emphasis and orientation. Daily work strengthens your body. Consider your resources and finances. Pray over them each day with gratitude. Judge all that you have, including yourself, as deeply worthy.

CANCER: Great benefits, at first very subtly, begin to fall into your life. Later you realize a joy has quietly entered your life as if on little cat’s feet. You find your thinking is reshaping itself. You become a receiving, transmitting, intuitive, perceptive agent and visions become more and more available. Allow nothing to stress or impose demands upon you. Your fear could do this. Love neutralizes fear.

LEO: You become more and more aware that you’re working with powerful cosmic forces these days. You are a powerful force, too, to others. Notice that people around you may be acting these forces out in their behaviors. This is an extraordinary piece of information, to know that people in our environments act out planetary movements. Observe all work realities. Remember also that from loss comes a profound new life. It is a good time to be creative now.

VIRGO: Take hold of the family resources and begin to work carefully with them, restructuring, making changes, rearranging all financial comings and goings. Place more into savings; use the money for tangible goods. Use it also to prepare for the future when goods may not be as available. Who in your daily life, including your work world, would you consider your community? If no one, then begin visualizing one right where you live.

LIBRA: Some shift and/or transformation, something from the past or something deeply forgotten, something expansive, something important in your domestic world—all these are creating changes in your sense of self-identity. Something also is creating more discipline in your life. Perhaps there is a distance or a withholding or an absence or a task needing to be completed that will bring a new depth of feeling (and forgiveness) to your personal world. Think good fortune, health and healing, order and structure. “Be of love, more careful than of anything.”

SCORPIO: Your personal seed thought is the word “creativity.” Study this word from all levels, and then list for yourself all the ways you are creative. Then list all the ways you wish to be creative. Then list all those you consider creative. Then define the word creative. From these exercises, create an art piece that is an expression of your joys and sorrows, enjoyments, talents and abilities, hopes, wishes and dreams. The creative field is wide open now. Bring it down and in, like a mudra.

SAGITTARIUS: Everything about you is of value. It’s also very personal, very inner and the nature of your potential opens in direct relation to your spiritual beliefs and endeavors. Venus is overseeing your domestic reality. You have the opportunity to make great things occur, especially if you work ceaselessly with the art of gratitude (for everything). Then you’re bestowed with great blessings and grace. Grace is an esoteric word for Initiation, a change in consciousness, which you’re going through. You laugh….

CAPRICORN: You’re inspired to study family and relatives seeking your history so you can have a realistic (building to compassionate) view of where you came from and who you are. This gives you stability and a sense of self within a cycle of history. Sometimes in families misunderstood communications occur and realities are lost. It’s a cross between political idealism and freedom. Family is more important than politics. There’s a mantram that is useful to recite daily: “Let reality govern my every thought and truth be the master of my life.”

AQUARIUS: Take extra care with personal resources, with what you consider of value. Realize that things in matter, although they have monetary value, are not the same as people with feelings, hopes and needs. Try not to overspend and know there are financial benefits coming your way. Also realize when you help others, your well-being and self-identity grow exponentially. It’s time for you to be in community. You’re needed there. In the meantime, careful with communication. Love more.

PISCES: You will, day by day, begin to experience a greater freedom of identity, much of which has been hidden in a cloud of unknowing for the past several years. You will experience a new destiny, a celebration, a bit of self-indulgence, horizons widening, opportunities appearing and expanding, projects initiated with beauty and the arts more and more incorporated in daily life. You had almost given up, yes? Life magically comes to your aid.

Be Our Guest: Atmosphere

In the early 2000s, Minneapolis duo Atmosphere would almost single-handedly redefine indie-rap with their two landmark records God Loves Ugly (2002) and Seven’s Travels (2003).

Rapper Slug is uncomfortably confessional, and chaotically emotional—everything Kanye got credit for bringing to rap later in the decade. Slug was also a clever lyricist and managed to make some of the most poetic lines sound like a conversation he was having directly with the audience. As the lines separating indie and mainstream rap became more blurred, Atmosphere continued to push the boundaries of the genre into odd and creatively adventurous territory—nd they’re still creating great records.

INFO: 8pm. Sunday, Feb. 9, Catalyst, 1011 Pacific Ave., Santa Cruz. $32.50/adv, $35/door. Information: catalystclub.com.

WANT TO GO?

Go to santacruz.com/giveaways before 11am on Friday, Jan. 31, to find out how you could win a pair of tickets to the show.

Rank Tanky Delivers Gullah-Inspired Music

Even in their home country, many people don’t know of the Gullah people, a subculture of African Americans spanning the coast and nearby islands of the Carolinas, down through northern Florida, who developed their own culture as well as the Gullah language (an offshoot of Creole). Similarly overlooked by most is their enormous contribution to the shape and shuffle of American music.

“Ever heard of a song called ‘Michael Row Your Boat Ashore?’” asks Charlton Singleton, trumpeter and singer in Ranky Tanky. “Gullah. Ever sang ‘Kumbaya?’ Ever seen little girls play pattycake hand-games with beats on 2 and 4? Gullah.” 

The Gullah were descendants of enslaved West Africans forcibly brought to America to work the rice, cotton, and indigo fields along the East Coast. There, they existed in relative isolation, with many of the fields located off the coast on the small Sea Islands. As a result, Gullah culture became insular, and in the 1800s, it gave birth to its own dialect, cuisine, and, of course, music.

Ranky Tanky brings the traditional music of the Gullah region into the present, giving the songs a modern twist with the addition of electric guitar, stand-up bass, and drum set.

“Back in the day, it was just their voices, hand claps, and stomping their feet,” says Singleton.

The result of Ranky Tanky’s modernization is a moving, soulful rendition of the tunes that laid the groundwork for literally all of America’s great musical forms, from jazz and folk, to soul, rock, and hip-hop.

“The swing and the shuffle of jazz is deeply rooted in Gullah music,” says Singleton, himself an accomplished jazz musician. “It has been the informant, or the mother, of all these other styles. That’s just the truth. They didn’t have any Elvis Presley or any of that stuff in 1905.”

For a band focusing on the sound of Reconstruction-era America, Ranky Tanky’s music is remarkably infectious. Their 2017 debut won critical acclaim from NPR and Downbeat magazine, and shot immediately to #1 on Billboard, Apple, and Amazon’s jazz charts. Last July, they released Good Time, their second album, and first to feature original songs in the Gullah tradition. The album makes a case for the Charleston band as not just an important contribution to modern musicology, but also essential and relevant songwriters.

Good Time opens with the sizzling “Stand By Me,” a call for God’s protection during the troubled times in which we find ourselves. Led by an undeniably funky bassline, and singer Quiana Parler’s powerful voice, “Stand By Me” effortlessly connects Gullah music to the genres it went on to inspire. Second track “Freedom” revolves around a deceptively simple guitar riff that recalls Ghana’s highlife music—funky and soulful, while remaining cool and understated. On the chorus, Parler makes a demand every bit as relevant today as it was a hundred years ago: “We want freedom.”

Writing original songs in the Gullah tradition came easily for Ranky Tanky.

“In the Gullah community, there is a saying called ‘raising up a song,’” says Singleton. “When you raise up a song in church, that means someone starts singing or humming something. It might be something nobody knows, but by the end, I’m guaranteeing that everyone in church has already found something to do in that song.”

Many of Ranky Tanky’s originals emerged in a similar fashion, “Freedom” included.

“Quiana was on her phone one day when we were getting ready for soundcheck,” Singleton says, “Something had happened in the news. She was frustrated or something, and she was just went, ‘ugh…freedooooom.’ And that spurred what became ‘Freedom.’”

The product of this spontaneous process is a remarkably unique sound that builds on tradition, while incorporating elements of countless modern genres—not just soul, funk, and jazz, but also drone, Afrobeat, highlife, and gospel.

“We’re giving Gullah music a contemporary adjustment, basically,” Singleton says, “extending the Gullah traditions and everything. And all of the elders and high priests have been very supportive of us, and encouraging us along the way, so we feel very proud.”

 

Ranky Tanky performs at 7pm on Thursday, Jan. 30, at Kuumbwa Jazz Center, 320-2 Cedar St., Santa Cruz. 427-2227. 

Music Picks: Jan. 29 – Feb. 4

Santa Cruz County live entertainment picks for the week of Jan. 29

WEDNESDAY 1/29

FOLK

ERIC ANDERSEN

What do the Kingston Trio, Mary Chapin-Carpenter and the Grateful Dead all have in common? They’ve all recorded songs written by storyteller and musician Eric Andersen. Andersen was inspired by Elvis, took part in the 1960s Greenwich Village scene and was even dubbed a “great ballad singer and writer” by none other than Bob Dylan. And speaking of Dylan, performing with Andersen will be acclaimed violinist Scarlet Rivera, who was part of his Rolling Thunder Revue. MAT WEIR

INFO: 7:30pm. Michaels on Main, 2591 Main St., Soquel. $20/adv, $20/door. 479-9777.

 

THURSDAY 1/30

HIP-HOP

EDDY BAKER

Ontario rapper Eddy Baker spits bars over hard hitting beats like the best of them. He’s also one of the few hardcore hip-hop heads to release a synth-pop record. This new EP, I Hope This Helps, is a mesmerizing batch of six songs that sounds plucked out of ’80s MTV, then washed in acid and given the transcendental vibe of a ’70s cult. Does it make sense? Not exactly, but it’s one of the most interesting releases of 2019. AC

INFO: 9pm. Catalyst, 1011 Pacific Ave., Santa Cruz. $10/adv, $12/door. 423-1338. 

 

FRIDAY 1/31

INDIE

LEFT AT LONDON

If, like me, you love yourself some weepy music, Left At London will hit all the buttons. She can get political, or ruminate on her trans experience, or lesbian experience, or Borderline experience; in fact, all of those discussions show up in her witty, slightly odd, mega charming and personal lyrics. And her bold voice, full and unadorned, sings plaintively and intimately about ADHD and Autism. But it’s the heartbreak factor that holds it all together, keeping her sad alt-pop bittersweet, achingly earnest, and totally lovelorn.  Oh yeah, eyes are misting up. AMY BEE

INFO: 8pm. Blue Lagoon, 923 Pacific Ave., Santa Cruz. $8. 423-7117. 

 

FOLK

KEITH GREENINGER & DAYAN KAI

Keith Greeninger remembers the old Valley. Not the silicon one, but the Valley of the Heart’s Delight: an agricultural landscape that existed long before the brogrammers discovered IPAs. With just his dusky voice and restrained acoustic work, Greeninger recalls this rugged, unguarded era through Steinbeckian folk songs about lovers, and dreamers. Joining him is skilled guitarist and songwriter Dayan Kai, a fellow musician cut from the same roots-music cloth. Longtime friends, the two complement each other musically. They’ll co-headline with Fred Eaglesmith at this release show for Greeninger’s new album. MIKE HUGENOR

INFO: 7:30pm. Rio Theatre, 1205 Soquel Ave, Santa Cruz. $30. 423-8209.

 

COMEDY

PACO ROMANE

Paco Romane is one of those guys who’s done a little bit of everything, from stand-up, acting, writing, and improv to voice-overs, podcasts, and producing comedy shows like the The Charm Offensive. He’s also one of those guys who wins awards and titles while doing so. Known as a versatile mash-up of everything comedic, Romane is a natural entertainer ready to riff on bad breakups or poke fun at himself and his everyman physique. If you head to his show, prepare to be charmed by Romane and his easy-going, self-effacing ways, but remember: no hugs. Romane is a strict non-hugger. AB

INFO: 7 & 9:30pm. DNA’s Comedy Lab, 155 S. River St., Santa Cruz. $20/adv, $25/door. 900-5123. 

 

SATURDAY 2/1

REGGAE

SOULWISE

Last month, local reggae-rockers Soulwise released their new album Healing Power. It’s got the laid-back grooves and smooth harmonies that has made the group one of the most popular Santa Cruz reggae bands on the current scene. Fans will appreciate how pristine the recording is; it captures the beauty of their music. Even though the album’s been out for a month, the group hasn’t properly celebrated its release unto the world. So join the group to do so at Moe’s, with other local and regional reggae acts Harbor Patrol, Hijinx and Shawn Yanez. AC

INFO: 9pm. Moe’s Alley, 1535 Commercial Way, Santa Cruz. $10/adv, $15/door. 479-1854. 

 

INDIE ROCK

OCEANOGRAPHY

Oceanography describe their music as a Raymond Carver story set to a beat. Maybe that’s a little too on-the-nose, but it’s not necessarily wrong. Brooding and yowly, the Oakland band specialize in a kind of Walkmen-meet-Arctic Monkeys cool that could reasonably be called “What We Talk About When We Talk About Indie Rock” (between swigs of gin in a silent room, of course). The singles from last year’s Collier Canyon take stadium-sized power-pop riffs and compress them down to pill form, perfect for popping to mask your suburban ennui. MH

INFO: 9pm. Crepe Place, 1134 Soquel Ave, Santa Cruz. $10. 429-6994.

 

MONDAY 2/3

JAZZ

STANLEY JORDAN PLAYS JIMI

Stanley Jordan was a budding 11-year-old pianist when Jimi Henrdix’s 1970 death inspired him to take up the electric guitar. By the ’80s, Jordan entered the guitar pantheon himself with his extraordinarily ambidextrous tapping technique. In paying tribute to his seminal source of inspiration, Jordan isn’t just playing songs associated with Hendrix. Decked out in vintage psychedelic garb, he channels the volatile spirit of the iconic guitarist. Hendrix was collaborating with some of jazz’s greatest artists in the months before his death and had been talking with Miles Davis about jamming. Jordan imagines what might have happened. ANDREW GILBERT 

INFO: 7pm. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $36.75/adv, $42/door. 427-2227.

 

TUESDAY 2/4

POST ROCK

CASPIAN

Celebrating their 17th year together, post-rockers Caspian are not showing any signs of slowing down. Then again, they’re not showing any signs of speeding up either. Despite a career spanning almost two decades, the band currently has only five albums released, with their latest, On Circles, just released on Jan 24, five years since the previous record. But some things take time and Caspian’s dynamic but ethereal music is worth the wait. MW

INFO: 8pm. Felton Music Hall, 6275 Hwy. 9, Felton. $15adv, $20/door. 704-7113.

Inside the New Ser Winery Tasting Room in Aptos

One more tempting reason to visit Aptos Village is the new Ser Winery tasting room. Retro chandeliers and polished wood decor, pressed tin ceilings, spacious tables for group tasting and future food events—there is much to like about the sleek new showcase for Nicole Walsh’s intelligent wines.

The tall, lean winemaker never sleeps. She is a soccer mom, surfer, property manager of Randall Grahm’s San Juan Bautista vineyards, head winemaker for Bonny Doon Vineyard (BDV), and now the hands-on brains behind the spacious tasting room for her own wines. I sip a crisp 2017 Wirz Sparkling Dry Riesling perfumed with nectarines and admire the wall-sized GPS map of the Monterey Bay and coast ranges, with important vineyards flagged so that tasters can understand what they’re drinking. Walsh is happy to go into deep background with inquiring tasters, talking vineyard management, old vines, and terroir. Even a week before its official opening, the tasting bar—created by Walsh’s fireman husband from vintage wine barrels—was full.

“The idea for the mural came from telling people over the years about microclimates, and the growing needs of varietals. Now I can show them where certain grapes are grown, and why,” says Walsh. 

The flights offered for tasting will rotate among the dozen varietals Ser has currently in release. “In a couple of months, I’ll have a new rosé. And a Vermentino from Arroyo Seco. And then I’m doing a Vermouth.” My ears perked up at the mention of an artisanal, botanically inflected Vermouth. “I’ll begin with fortified orange muscat, herbs, and some bittering agents,” she promises, with a grin. “It will be a cocktail all by itself. Maybe over ice.”

Looking at the current tasting flight of five wines, I see some of the best vineyards in the state, including Tondre Grapefield and Wirz. As wine manager for the booming BDV back in 2003, Walsh dealt with 55 growers all over California. “Wirz was one of the first vineyards we sourced back then,” Walsh tells me. Those years with the expanding winery gave Walsh depth in the state’s wine industry and long-standing relationships with important grape growers.

The new tasting room, she says, “is crucial for my model.  I’m creating a direct-to-consumer product. Having a tasting room in my community, I can represent our specific interests, have events and food pairings, and also it will help to build a wine club. You can’t do that without a tasting room.”

The winemaker is delighted to be part of the Aptos Village population. “I love how it’s so local—you can feel the energy,” she says. Walsh’s neighbors are Cat + Cloud next door, and David Kinch’s new Mentone across the street.

I fell in love with the mineral-driven, ultra-crisp 2018 Nelson Ranch Dry Orange Muscat, one of Walsh’s current favorites, and took home a bottle of the hauntingly floral white wine. Ser’s eye-catching label with an abstract wave motif makes complete sense. “Our coastal wines are influenced by the Pacific Ocean, and I’m a surfer,” she says. Plus, her eyes are in fact the color of the ocean. A dozen varietals—including a Cabernet Pfeffer, Syrah, Pinot Noir, Graciano, as well as several choice whites and a rosé—currently wear the Ser label. 

Ser Tasting Room, 10 Parade St. Suite B, Aptos. Thurs – Sun, noon – 6pm. Tasting flights $15 for five wines. serwinery.com.

Nanny Reservations

I was forced to use Resy when making a reservation last week. During the following three days, I was reminded twice by text, and then scolded via text that I had “only one hour to be at the restaurant!” What? That’s way too much hovering for my taste. Hope this annoying feature will be abandoned ASAP.

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