Dalai Lama Makes Local Cameo at ‘Book of Joy’ Event

Without even winning the lottery or having a genie bestow him three wishes, Douglas Abrams somehow got to spend a week hanging out with perhaps the two most celebrated spiritual leaders on the planet, Archbishop Desmond Tutu and His Holiness, the 14th Dalai Lama.

As the only guy in the room without a Nobel Peace Prize, Abrams was content to listen and record what he heard in the company of the two holy men in Dharamshala, India in the spring of 2015. The result was The Book of Joy: Lasting Happiness in a Changing World (Avery), which has sold over a million copies and has been translated into 39 languages worldwide.

On Sunday, Dec. 9, Abrams will host a community event at Temple Beth El in Aptos on The Book of Joy. He will not be accompanied by the archbishop nor the Dalai Lama. But he’ll come with the next best thing: video.

“I’m basically the warm-up band for the Dalai Lama and Desmond Tutu,” laughs Abrams, an author and literary agent from Santa Cruz.

The event—sponsored by Bookshop Santa Cruz, the Humanities Institute at UCSC, Santa Cruz Public Libraries and Temple Beth El—is a significant ecumenical gathering featuring many of Santa Cruz County’s most prominent spiritual leaders, including Rabbi Paula Marcus, the Rev. Deborah Johnson, Father Cyprian Consiglio and the Venerable Tenzin Chogkyi, each to speak on the spiritual component of finding joy in daily life, and other themes of the book.

It is also an opportunity to see some “backstage” footage of Tutu and the Dalai Lama. “It’s going to be like they’re there in the room with us, speaking directly to the audience,” says Abrams. “We’ll be telling the story behind the story and taking people on the road trip to Dharamshala and show them what it was like.”

Abrams, who has served as Tutu’s literary agent for more than a decade, says he is surprised and gratified with the reception that The Book of Joy has gotten in the two years since its publication. The book is a meditation on joy, its relationship to similar emotions like pleasure and happiness, and how it interacts with fear, anxiety, grief and other reactions to life’s inevitable trials.

“It has impacted people’s lives in extraordinary ways,” he says, “from helping people deal with chronic illness to getting through the grief from the loss of a loved one.”

The book has taken on a second life as a tool for workshops and community building, says Abrams. Local audiences will have the added benefit of getting a sense of the personality of the book’s two larger-than-life figures. “They’re like a comedy duo,” says Abrams. “They were so hilarious. It’s not what you would expect from revered holy men.” 

The free ‘Book of Joy’ talk will be 2 to 4 p.m. on Sunday, Dec. 9 at Temple Beth El, located at 3055 Porter Gulch Road, Aptos. Visit bookshopsantacruz.com for more information

A Guide to Holiday Entertainment in Santa Cruz County

In case you hadn’t noticed from the relentless parade of sales, decorations and TV commercials, the holiday season is here. Luckily, you will find refuge—and real holiday spirit—in plenty of live performances around town. Here are six shows that will put you in a joyful mood.

The Original Santa Cruz Nutcracker: This will be the 17th production of Santa Cruz Ballet Theatre’s annual classic, and it comes with all the bells and whistles–stunning costumes and scenery, a full professional orchestra, and over 70 local dancers. This year, SCBT alumna Melody Mennite and Chun Wai Chan, both principal dancers with Houston Ballet, will guest star as the Sugar Plum Fairy and her Cavalier. There will be five performances, and afternoon shows will include a Children’s Sweet Treats pre-show meet and greet with the dancers. 8 p.m. Friday, Dec. 21; 1 p.m. and 4:30 p.m. Saturday, Dec. 22 and Sunday, Dec. 23. Santa Cruz Civic Auditorium, 307 Church St., Santa Cruz. 420-5260. santacruztickets.com. $20.50-$96.50.

Journey of 1000 Lights: Kuumbwa Jazz Center hosts this show, subtitled “Music in Celebration of Our Immigrant Nation.” Music and poetry intermingle in this reverent concert, crossing styles and ethnicities to celebrate the richness of the immigrant experience. Tenor/composer Akindele Bankole, singer/songwriter/actress and teacher Lori Rivera, and pianist/composer Ivan Rosenblum lend their voices, musicianship and commentary to an unforgettable afternoon performance. The show is a benefit concert for Chadeish Yameinu Jewish Renewal Community of Santa Cruz. 3 p.m. Sunday, Dec. 16. Kuumbwa Jazz Center, 320-2 Cedar St., Santa Cruz. 427-2227. kuumbwajazz.org. $20 General, $35 Gold Circle.

A Celtic Christmas: For the last 20 years, Tomàseen Foley’s A Celtic Christmas has brought a seasonal celebration to Santa Cruz filled with Irish music, dance and storytelling. This heartwarming show transports the audience far away and back in time to a remote farmhouse in the west of Ireland during the 1940s or ’50s. In this wintry setting, TV and cell phones don’t distract from a neighborly Christmas celebration. The feel is rousing and authentic, the way great music and laughter among friends is supposed to be. 7:30 p.m. Wednesday, Dec. 19, UCSC Music Center Recital Hall, 402 McHenry Rd., Santa Cruz. tomaseenfoley.com. $12-$32.  

David Copperfield, The New Musical: Jewel Theatre Company stages this production based upon Charles Dickens’ most autobiographical novel. This dynamic recreation of a cherished masterpiece tells the story of young David Copperfield’s hard-won growth from a cruel and difficult childhood to mature adulthood, with triumph and tragedy along the way. Filled with eccentric and memorable characters, this story of transformation and grit is a classic. 7 p.m. Thursday-Saturday, Dec. 13-15 and 20-22; 2 p.m. Sunday, Dec. 16 and 23, Colligan Theater at the Tannery Arts Center, 1010 River St., Santa Cruz. 621-6226. jeweltheatre.net. $24 – $45.

Windham Hill Winter Solstice: What better way to observe the official beginning of winter than at a show celebrating the 30th Anniversary of Windham Hill’s multi-platinum Winter Solstice series? Windham Hill founder and Grammy award-winning guitarist William Ackerman is joined by Barbara Higbie and Alex de Grassi for a warm and festive holiday concert. 7:30 p.m. Thursday, Dec. 20. Rio Theatre, 1205 Soquel Ave., Santa Cruz. riotheatre.com. 423-8209. $36.75/$45.

The Santa Cruz White Album Ensemble: Santa Cruz’s iconic Beatles tribute presents its 16th annual Beatles music holiday shows, and no, they won’t call it a “white Christmas,” although we’re tempted to. During this 50th anniversary of the original album, they continue to take their role of Beatles interpreters to the next level. Their unique perspective, musical chops, and epic performances guarantee thrilled audiences and sold-out shows. Saturday includes a player’s choice with the Beggar Kings.

8 p.m. Friday, Dec. 29 and Saturday, Dec. 30. Rio Theatre, 1205 Soquel Ave., Santa Cruz. 423-8209. riotheatre.com. $25-$45.

Festivals of Light, Mercury in Shadow: Risa’s Star’s Dec. 5-11

The upcoming week is active, and can feel rather complicated. We are in the midst of Hanukkah, Jewish Festival of Lights (it began last Sunday evening, Dec. 2, and ends Dec. 10). Thursday, just after midnight, retrograde Mercury becomes stationary direct. Thursday night, also around midnight, a Sag new moon (15 degrees) festival occurs.

Friday, Mars (action) joins Neptune (a dissolving away) in Pisces.

Actions seem not to manifest. We may have felt rather exhausted (not knowing why) as Mars moved closer to Neptune. Friday’s new moon with Mars/Neptune is a perfect day for rest. Otherwise we may become quite overwhelmed.

Mercury remains in its retrograde shadow until Christmas Eve. So we move slowly forward, always careful of our communication, plans and agendas. Careful also with purchasing holiday gifts; our minds may still be within Mercury’s shadow.

This new moon of Sag is the last new moon of 2018. The next new moon occurs Jan. 5, with a solar eclipse. The keynote for Sag’s new moon is, “Let food be sought.” Experiences are gained that are emotionally fulfilling—any experiences will do. Hidden in the sign of Sag is also the fact that Sag’s are gourmands (connoisseurs of good food, lovers of food, often chefs).

Sagittarius offers us pure, high-reaching energies of the zodiac. We must, however, embody them. The Center of the Galaxy calls all disciples. Chiron stationary direct. Chiron restores us to wholeness via a wound that we feel, and reconnects us to what has been broken or what we are separated from. Chiron tells us healing can happen and beauty can be restored.

ARIES: Although you’re considered rather wild, there are traditional, stable, responsible and detailed aspects of yourself, and these assist in your outer world success. Few—except astrologers—know this about you. Those qualities will now be externalized. Simultaneously, assess your personal values and worth. It’s not how much money you have. It’s more about perseverance, reliability and being steadfast in adversity and challenges.

TAURUS: Research, patience and detail are how you assess anything new, moving step by step, thinking everything through with care. You’re a visionary, continually developing an illumined mind, influenced by the Pleiades, Aldebaran and Alcyone (stars in the Pleiades), bringing forth the wisdom of the Buddha. When faced with monetary situations, you’re quick and instinctive. These are your gifts. Ponder them with a partner after Mercury turns direct.

GEMINI: It’s most important that your presence in the world aligns with your sense of self and values. Gemini is a complex, dual sign. You have a fluid mind, and all information must be filtered through your emotional field. Therefore, that field (astral) must be clear, pure, with no opinions or judgments. This must be developed. You’re the sign of hidden treasures. Security for you isn’t money or wealth. It’s emotional ethics and who/what you love.

CANCER: It’s challenging for you to emerge from under your Cancer shell, have a sense of adventure, step beyond comfort and tend to things more edgy and cultural. What would that be for you? Build your sense of charisma (heart-self) with others. It furthers self-expression and creativity, things you seek deeply. Above everything else, you must also have fun. What constitutes fun for you? Ponder on this.

LEO: Most Leos are charming. Some are hidden. But all are magnetic—an important quality to understand, because it attracts others to you. When you are aware of this, you will either be kind and compassionate or you will create fear (in others) if your power doesn’t include love. In their hearts, what are people seeking when encountering you? Light, intelligence, vitality, discipline, direction, guidance, and the willingness to love. Are you these?

VIRGO: Along with your abilities to order, organize and discipline, you also seek to learn diplomacy. Virgos are also learning tact, refinement, how to relate with sophistication and to act with Right Relations—perhaps not consciously yet. It’s good to know these are the seeds planted within all Virgos. They lead later to the art of cooperation and conciliation through negotiation. You are learning how to be a Libra.

LIBRA: Your smile and your eyes invite others to talk about themselves, share their joys and sorrows, and be friends with you. Libra on the Soul level creates Right Relations, fairness, justice, openness, and kindness. If you are not yet within this expanded Soul reality, visualize yourself stepping into it. The results will lessen any fears and vulnerabilities, all hindrances, unforgiveness, and criticalness. And any boundaries you have created to protect yourself from loving more.

SCORPIO: You’re aware that whatever you do often challenges others. This is your task. As your life is ceaselessly transforming and regenerating you also ask (demand) this of others. Because your life has such intensity, you must schedule consistent times for rest and retreat—times to gather strength, and rediscover inner meaning and purpose. Only a few know, through constant little deaths and, phoenix-like flying out of the fire, that you are also a visionary.

SAGITTARIUS: Although you usually view life with optimism and a broad hopeful vision—and because you’re an imaginative thinker who sees signs and reads oracles in every situation—you also have a sense of being duty bound, responsible, traditional and conservative. Most aren’t aware of this as it hides behind your constant enthusiasm. Working under rules and regulations, you actually have a very serious side. Begin to value this. It’s both your discipline and your wisdom.

CAPRICORN: You exhibit great control, discipline, structure and reserve, often playing the role of the eldest child, parent, wise one. Traditions are therefore most important. But there is another valuable part to you—being progressive and inventive. Through these you enter the future, making you quite different than most. Often people can’t quite figure out who you are due to your abilities to change quickly and to offer everyone love and freedom to be (you and me).

AQUARIUS: It is important to acknowledge that you, like the planet Uranus, are distinctly different than most. Do you know Uranus is tipped on its side, its atmosphere arranged in layers of clouds; its magnetic tail twisted into a long corkscrew; the source of its magnetic field unknown? Uranus is blue/green, has a moon with many rings and satellites, is the seventh planet from the Sun and third largest planet in the solar system. This unusual planet rules your entire life. Value your differentness. It’s unique and beloved.

PISCES: The two signs most misunderstood are Scorpio and Pisces. Often the fish is seen as wandering about, a bit too idealistic for most, and too sensitive for everyone. In the outer world, you can seem lost and dreamy, if not confused. But there’s much more to you. You’re also very brave and courageous when someone is in danger. You’re independent and reward others for their innate gifts, which you see while others cannot. When you are spontaneous a light fills the air. Pisces saves the world.

Rob Brezny’s Astrology Dec. 5-11

Free will astrology for the week of Dec. 5, 2018

ARIES (March 21-April 19): When I write a horoscope for you, I focus on one or two questions because I don’t have room to cover every single aspect of your life. The theme I’ve chosen this time may seem a bit impractical, but if you take it to heart, I guarantee you it will have practical benefits. It comes from Italian author Umberto Eco. He wrote, “Perhaps the mission of those who love humanity is to make people laugh at the truth, to make truth laugh, because the only truth lies in learning to free ourselves from insane passion for the truth.” I swear to you, Aries, that if you laugh at the truth and make the truth laugh in the coming days, you will be guided to do all the right and necessary things.

TAURUS (April 20-May 20): You have a cosmic mandate and a poetic license to stir up far more erotic fantasies than usual. It’ll be healthy for you to unleash many new thoughts about sexual experiments that would be fun to try and novel feelings you’d like to explore and people whose naked flesh you’d be interested to experience sliding and gliding against yours. But please note that the cosmic mandate and poetic license do not necessarily extend to you acting out your fantasies. The important thing is to let your imagination run wild. That will catalyze a psychic healing you didn’t even realize you needed.

GEMINI (May 21-June 20): In my continuing efforts to help you want what you need and need what you want, I’ve collected four wise quotes that address your looming opportunities. 1. “What are you willing to give up, in order to become who you really need to be?” (Elizabeth Gilbert). 2. “Leave the door open for the unknown, the door into the dark. That’s where the most important things come from,” (Rebecca Solnit). 3. “You enter the extraordinary by way of the ordinary,”  (Frederick Buechner). 4. “Happiness is like a butterfly which, when pursued, is always beyond our grasp, but, if you will sit down quietly, may alight upon you,” (Nathaniel Hawthorne).

CANCER (June 21-July 22): I’ve called on author Robert Heinlein to provide your horoscope. According to my astrological analysis, his insights are exactly what you need to focus on right now. “Do not confuse ‘duty’ with what other people expect of you,” he wrote. “They are utterly different. Duty is a debt you owe to yourself to fulfill obligations you have assumed voluntarily. Paying that debt can entail anything from years of patient work to instant willingness to die. Difficult it may be, but the reward is self-respect. But there is no reward at all for doing what other people expect of you, and to do so is not merely difficult, but impossible.”

LEO (July 23-Aug. 22): What does “beauty” mean to you? What sights, sounds, images, qualities, thoughts, and behavior do you regard as beautiful? Whatever your answers might be to those questions right now, I suggest you expand and deepen your definitions in the coming weeks. You’re at a perfect pivot point to invite more gorgeous, lyrical grace into your life; to seek out more elegance and charm and artistry; to cultivate more alluring, delightful magic.

VIRGO (Aug. 23-Sept. 22): You know the expiration dates that appear on the labels of the prescription drugs you buy? They don’t mean that the drugs lose their potency after that date. In fact, most drugs are still quite effective for at least another 10 years. Let’s use this fact as a metaphor for a certain resource or influence in your life that you fear is used up or defunct. I’m guessing it still has a lot to offer you, although you will have to shift your thinking in order to make its reserves fully available.

LIBRA (Sept. 23-Oct. 22): Libran rapper Eminem is renowned for his verbal skill. It may be best exemplified in his song “Rap God,” in which he delivers 1,560 words in six minutes and four seconds, or 4.28 words per second. In one stretch, he crams in 97 words in 15 seconds, achieving a pace of 6.5 words per second. I suspect that in the coming weeks, you will also be unusually adept at using words, although your forte will be potent profundity rather than sheer speed. I encourage you to prepare by making a list of the situations where your enhanced powers of persuasion will be most useful.

SCORPIO (Oct. 23-Nov. 21): In May of 1883, the newly built Brooklyn Bridge opened for traffic. Spanning the East River to link Manhattan and Brooklyn, it was the longest suspension bridge in the world. But almost immediately people spread rumors that it was unstable. There was a growing fear that it might even crumble and fall. That’s when charismatic showman P. T. Barnum stepped in. He arranged to march 21 elephants across the bridge. There was no collapse, and so the rumors quickly died. I regard the coming weeks as a time when you should take inspiration from Barnum. Provide proof that will dispel gossipy doubt. Drive away superstitious fear with dramatic gestures. Demonstrate how strong and viable your improvements really are.

SAGITTARIUS (Nov. 22-Dec. 21): Robert Louis Stevenson published his gothic novel Strange Case of Dr Jekyll and Mr. Hyde in 1886. It was a bestseller, and quickly got turned into a theatrical production. In the ensuing 132 years, there have been well over a hundred further adaptations of the story into film and stage productions. Here’s the funny thing about this influential work: Stevenson wrote it fast. It took him three feverish days to get the gist of it, and just another six weeks to revise. Some biographers say he was high on drugs during the initial burst, perhaps cocaine. I suspect you could also produce some robust and interesting creation in the coming weeks, Sagittarius—and you won’t even need cocaine to fuel you.

CAPRICORN (Dec. 22-Jan. 19): A blogger on Tumblr named Ffsshh composed a set of guidelines that I think will be apt and useful for you to draw on in the coming weeks. Please study these suggestions and adapt them for your healing process. “Draw stick figures. Sing off-key. Write bad poems. Sew ugly clothes. Run slowly. Flirt clumsily. Play video games on ‘easy.’ OK? You do not need to be good at something to enjoy it. Sometimes talent is overrated. Do things you like doing just because you like doing them. It’s OK to suck.”

AQUARIUS (Jan. 20-Feb. 18): Aquarian athlete Michael Jordan is the greatest basketball player who ever lived. He was also the first to become a billionaire. But when he was growing up, he didn’t foresee the glory that awaited him. For example, in high school he took a home economics class so as to acquire cooking abilities. Why? He imagined that as an adult he might have to prepare all of his own meals. His ears were so huge and ungainly, he reasoned, that no woman would want to be his wife. So the bad news was that he suffered from a delusion. The good news was that because of his delusion, he learned a useful skill. I foresee a similar progression for you, Aquarius. Something you did that was motivated by misguided or irrelevant ideas may yield positive results.

PISCES (Feb. 19-March 20): The Bible does not say that Mary Magdalene was a prostitute or even a “sinner.” There’s no mention of her sexual proclivities at all. Delusional ideas about her arose in the Middle Ages, instigated by priests who confused her with other women in the Bible. The truth is that the Bible names her as a key ally to Christ, and the crucial witness to his resurrection. Fortunately, a number of scholars and church leaders have in recent years been working to correct her reputation. I invite you to be motivated and inspired by this transformation as you take steps to adjust and polish your own image during the coming weeks. It’s time to get your public and private selves into closer alignment.

Homework: Imagine that one of your heroes comes to you and says, “Teach me the most important things you know.” What do you say? FreeWillAstrology.com.

Helen Sung Melds Jazz Piano, Poetry at Kuumbwa

When New York jazz pianist Helen Sung met poet Dana Gioia at a White House state dinner in 2007, the two quickly struck up a conversation. Before long, she felt compelled to make a confession to him: Despite a quality education from Houston’s High School for the Performing and Visual Arts, she felt she’d received a lackluster education in English lit—and even worse, she didn’t read poetry.

“I told him I didn’t enjoy the experience, and didn’t like feeling unsure of meaning,” says Sung, who brings her Sung With Words project to Kuumbwa on Thursday. “He said, ‘Don’t worry about literal meaning. Poetry is supposed to be experienced out loud, like music, and the meaning will come at you sideways.’”

Gratified by the insight and impressed that he was acquainted with her two favorite science fiction writers, Ray Bradbury and Orson Scott Card, Sung and Gioia stayed in touch. As their friendship blossomed, so did Sung’s career. She’s become one of jazz’s most visible and versatile pianists, with a series of critically hailed albums under her own name and a regular gig with the Mingus Big Band. In October, she performed at the SFJAZZ Center as part of an all-star program celebrating Thelonious Monk’s 101st birthday, and last month she was at the piano for the premiere of “Ogresse,” an ambitious new work by Grammy Award-winning vocalist Cécile McLorin Salvant.

With the support of a Chamber Music America grant in 2014, the creative partnership between Sung and Gioia took root, then fully blossomed with Sung With Words, released in September. The collaboration album features her settings for his verse. Their friendship and conversations about words and music gave Sung the space to ease into songwriting.

“I noticed that when I’d imagine a melody for a line of poetry it would make the poem come alive with meaning,” she says. “I started thinking, ‘Can I make this into a song?’ Dana was really gracious. He gave me opportunities to perform my early attempts setting his poems. I got to know his family. Eventually, he said we should write some songs together.”

What’s most striking about Sung With Words is that Gioia’s lines come off as lyrics rather than poetry shoehorned into an uncomfortable space. And Sung’s music is effervescently accessible, with all of the expressiveness of jazz and the immediacy of pop.

“I listened to a lot of Stevie [Wonder], Earth, Wind and Fire, and Michael Jackson—songs that had the impact that I wanted, songs that were fun, but still had depth,” Sung says. “I didn’t have a method. I let each song direct me. Sometimes that took forever, and sometimes I’d start panicking. I was so grateful when the inspiration came.”

While the album features a sextet, she pared the ensemble down for the road. Sung will be performing around the Western U.S. with a stellar band featuring vocalist Christie Dashiell, saxophonist John Ellis, bassist Joe Martin and drummer Rudy Royston (a brilliant accompanist who returns to Kuumbwa on Jan. 25 with his frequent employer Bill Frisell). The focus will be on material from Sung With Words.

The only player carrying over from the recording is Ellis, a gifted multi-instrumentalist on tenor and soprano sax and bass clarinet. “John has been on most of my gigs for the past few years,” Sung says. “He’s such a fabulous artist.”

For the album, she recruited a powerhouse lineup of vocalists, including Jean Baylor, Charenee Wade and Carolyn Leonhart. But it’s Christie Dashiell, a rising star from Washington D.C., who’s featured on the most tracks, and she’s been the mainstay on the road. Sung’s singers ended up forming something of a mutual admiration society, with Baylor describing Dashiell’s voice as “dark chocolate mocha with whipped cream,” Sung says.

Nice turn of phrase! Sung might have found a new songwriting partner.

Helen Sung performs at 7 p.m. on Thursday, Dec. 6, at Kuumbwa Jazz Center, 320-2 Cedar St., Santa Cruz. $31.50/adv, $36.75/door. 427-2227.

Hidden Valley String Orchestra Plans Central Coast Shows

The first time I heard them play, I was stunned. The uncanny grace of Hidden Valley String Orchestra’s 16-member ensemble was mind-blowing. How was it that I could hear music this professional, this polished, and not be in some major metropolitan area? The sound of this stellar group rivaled anything I could hear in San Francisco. Yet I was sitting at Peace United Church.

I left that evening thinking two things: “Wow!” And “When is the next concert?” The next concert by this remarkable group of mostly-Bay Area professionals is coming up fast. Two events, the first on Dec. 8 in Carmel Valley and the second at 3 p.m. on Dec. 9 at the aforementioned Peace United Church, will give audiences one of the finest musical experiences they can have. Anywhere.

Concertmaster Roy Malan, renowned violinist and former concertmaster of the San Francisco Ballet Orchestra, gave me some insight about the upcoming concert. The participants will include well-known local figures, including Malan, Jonah Kim (associate principal cellist of the San Francisco Ballet), violinist Polly Malan, violinist and UCSC grad Rebecca Jackson, cellist Stephen Harrison and violinist Susan Harrison.

Malan revealed that some of his former UCSC students were “willing to travel some distance to participate in our wonderful string orchestra.” That includes Aaron Requiro, now of the Phoenix Symphony and Matthew Lau, Professor of English Literature at CUNY. “Others are coming from as far afield as Truckee and Ukiah,” Malan notes.

“They want to continue to associate with me,” he smiles modestly. “And it’s such fun. I like to see how they’ve formulated their own ideas since being away from school.” He also admits that, “It’s so little money and so much rehearsing.”

This all-star group, who play together several times a year, started up thanks to Hidden Valley founder Peter Meckel. “He started with an old barn and turned it into a small-scale opera house in Carmel Valley,” says Malan. “It started out with me inviting old friends, and over the series of years we built up a loyal group we could count on.”

Using the intimate facility as a music and practice retreat, the group prepares its concerts under the guidance of Artistic Director Stewart Robertson. “We each get our private rooms and rehearsal space. And there’s a wonderful chef who cooks for us. That’s how we can attract these musicians,” Malan grins.

Malan is also quite adamant about the joys of playing without a conductor. “The principal players have been in string quartets together over the years,” explains the former orchestra concertmaster. “There’s something about how they can breathe and feel together. It can be partly learned, but mostly it’s an inborn ability. Musicians of that type always resent being told how to play a piece. After so many decades of playing under conductors, we get to play without one.”

Yes, but doesn’t the concertmaster usually set the tone for your string orchestra, I ask?

“Well … there’s no question about the fact that when I start, we all play,” Malan twinkles.

Don’t miss this concert of rare music performed by an exceptional group of musicians. All strings! Music to the ears.

Hidden Valley String Orchestra Winter Concert

Dec. 8 at Hidden Valley Theatre; Dec. 9 at Peace United Church, 900 High St., Santa Cruz. hiddenvalleymusic.org.

Winter Concert Program

l  Edward Elgar—Sospiri 1904, adagio for strings composed in the months leading up to World War I (best known for “Pomp and Circumstance”)

l Arvo Pärt—Summa 1977, renowned living Estonian composer

l Isaac Albèniz—Tango 1890, leading Spanish composer of the post-Romantic era

l Gustav Holst—Vivace, from St. Paul Suite 1912, written for string orchestra

l William Grant Still—Mother and Child 1944, 20th century African American composer

l Manuel PonceEstampas Nocturnas 1923, Mexican composer and adaptor of folk songs for chamber orchestra

l John RutterSerenade for Strings 1973, American composer influenced by British folk songs; composed anthem for wedding of Prince William and Catherine Middleton

Shopper’s Corner’s Holiday Secret Weapon

At 7:05 in the morning, when I swing by after the gym, they’re already there, smiling, laughing, chattering away with each other before the crowds come in. Helpful even before the sun’s up, the team of can-do women who staff the check-out counters at Shopper’s Corner know how to be quick, strong and even how to suffer fools sweetly. Or at least those of us who can’t seem to insert our plastic correctly.

Always in motion, except during the rare lag times when they cluster and compare notes, the always reliable, always patient, always helpful check-out gals of Shopper’s make sure your holiday grocery shopping goes smoothly. (All-year-round shopping, too.) While the butchers work the back of the house, the checkers meet, greet, and work the front of the house. Scanning, packing, loading, and offering whatever help you might need, from slinging bundles of firewood into carts to snagging a bottle of Fernet sitting up high at the top of the liquor shelves. And of course helping patrons who might need strong arms to carry groceries into cars.

We love Shopper’s because of its vintage vibes and comprehensive inventory—all of the best plus many seasonal surprises. But it wouldn’t be wrong to suggest that the all-star team of female checkers is the secret weapon of this local institution. Kudos gals!

Beefed Up Menu

The new Alderwood—opening soon—is nothing if not ambitious, from an oyster bar to late-night craft cocktails. In concept, it’s daring, betting that even a stronghold of vegetarianism such as Santa Cruz is ready for sophisticated meaty alternatives.

To that end, executive chef Jeffrey Wall plans to tempt even the most resistant vegans with not simply a great steak, but many meat specialties, including USDA Angus and Wagyu, Bay Area grass-fed aged beef and Japanese meats. The wood-fired cuisine at Alderwood will be available early, often and late,  from happy hour, starting at 4 p.m., all the way to midnight, Tuesday through Sunday.

Alderwood is located in the former Erik’s Deli building at 155 Walnut Ave. in downtown Santa Cruz. Stay tuned.

Positive Addictions

I have now officially caved for flat pretzels. Snack Factory’s Pretzel Crisps (especially the organic ones in the big bag). Cannot get enough of them. Safeway has ’em. Ditto the hot trend for roasted seaweed snacks, those paper-thin, weightless and crunchy slices of pressed seaweed that taste like nori lite and make exceptional cocktail snacks. I grabbed a package of Cadia brand teriyaki-flavored roasted seaweed (on sale for $1.39) at New Leaf and ate half of them before I got home. I admit I’m a salt freak, so the quick hit of tamari and spices immediately got my attention.

Even better, IMHO, is GimMe brand’s toasted sesame seaweed ($1.99). More delicate in flavor, with a gentle topnote of sesame, these feather-light sheets of pressed roasted organic seaweed are free of anything except sesame oil, seaweed and sea salt. Tastes a bit like hamachi collar. The guy stocking shelves at New Leaf says the wasabi flavor is even better. Both these products come from South Korea. Toasted seaweed could be the potato chip of the 21st century. Calorie count is minimal—50-60 calories per package. However, these will not feed a hungry Kevin Durant. Whatever. Find your own favorite.

Reasons Why We Live Here

Still picking the most outrageous, sweetest, ripest cherry tomatoes on Dec. 1. The paper whites are already popping up through soggy soil. You cannot buy a bad cappuccino anywhere within a 50 mile radius. And, Companion Bakeshop.

Film Review: ‘Green Book’

Mahershala Ali could not have chosen a better follow-up role. After earning a well-deserved Supporting Actor Oscar for Moonlight two years ago, the versatile actor tries something completely different in Green Book. It’s a serious-minded yet entertaining view of racism in the American South, circa 1962, as experienced by a working-class white guy from Brooklyn hired to drive a cultured black pianist on a concert tour through the Deep South.

Directed by Peter Farrelly (one half of the filmmaking brothers responsible for notorious comedies like There’s Something About Mary), the movie is based on a true story. Its portrait of century-old racist attitudes still so deeply ingrained in everyday life could be (and often is) chilling. But the movie succeeds with the chemistry between its excellent stars—Ali as the reserved, morally particular pianist, and Viggo Mortensen is his gregarious, tough-guy driver, forging a hard-won alliance against institutional racism and their own personal prejudices.

Scripted by Farrelly, Nick Vallelonga and Brian Hayes Currie, the movie proceeds from the viewpoint of  Tony Vallelonga (Mortensen), called “Tony Lip” for his ability to BS his way out of any situation. (Co-scriptwriter Nick is the real-life Tony’s son.) Introduced as a quick-thinking, hard-hitting bouncer at the Copacabana, he’s well-liked among the neighborhood wise guys. So when the Copa shuts down for a few months, Tony is set up with a temp-job interview for a chauffeur position with a mysterious client.

He turns out to be Dr. Don Shirley (Ali), an African-American musician with a Ph.D. from Julliard, who greets Tony dressed in a white and gold dashiki, sitting on a throne in his swanky apartment above Carnegie Hall. Nimble-fingered Shirley is about to embark on a concert tour of the Deep South, and he warily hires Tony, despite the vast gulf in culture and experience between them. Tony needs a job to tide over his wife and kids until the Copa reopens; Shirley needs a driver who can handle himself.

Their travel guide is the “Green Book,” (published in 1936, and still sadly relevant in the ’60s) that points travelers of color to places considered safe to eat and sleep in the South. Tony and his Italian-American buddies indulge in the casual prejudice against their black neighbors that one tribe so often exercises against others perceived as even more underclass than themselves, but Tony is a worker bee who understands loyalty to his boss—especially after he sees Shirley play the piano.

Tony starts to empathize with the black man so lauded by the wealthy white audiences who come to hear him play (in private house concerts in increasingly Tara-like mansions), but forbidden to use the same bathroom or eat in the same restaurants. Shirley remains aloof at first, except to correct Tony’s diction and chastise him for littering. But it’s implied his reserve is more from inexperience of the world than sheer snootiness.

On the road, Tony loosens him up, introducing Shirley to fried chicken and Little Richard. (Remember, it’s Tony’s son telling this story.) Meanwhile, Shirley begins to edit, then dictate, romantic letters home to Tony’s appreciative wife, Dolores (Linda Cardellini). Their friendship blossoms into mutual respect as the trip becomes more dangerous. When Tony asks why someone as talented as Shirley undertakes such a risky tour, the cellist in Shirley’s trio says, “Genius is not enough. It takes courage to change people’s hearts.”

Farrelly trots out all the usual suspects—sneering Southern cops, smarmy white hoteliers, shifty black thieves at a rollicking roadhouse. (He trades in equal-opportunity stereotypes.) But the movie glides by on cruise control, thanks to its charismatic stars. Ali, with his killer grin, looks about a foot taller and way more willowy than he did in Moonlight. Mortensen impresses with his edgy, good-humored chutzpah and capacity to grow his character. Together, they make this a trip worth taking.

GREEN BOOK

***(out of four)

With Viggo Mortensen, Mahershala Ali and Linda Cardellini. Written by Peter Farrelly, Nick Vallelonga and Brian Hayes Currie. Directed by Peter Farrelly. A Universal release, Rated PG-13. 135 minutes.

Ocean Street Extension Lawsuit Spotlights CEQA Controversy

5

When developers Craig Rowell and Rick Moe bought 2.7 acres of land in Santa Cruz in April 2007, they weren’t expecting it to look the same more than 11 years later.

Today, the site at 1930 Ocean Street Extension is much the same mix of open grassy area and a few trees—not a development of 32 housing units, let alone the original proposal of 40. That doesn’t look likely to change anytime soon, either, as the site is now the subject of a lawsuit brought under the California Environmental Quality Act, known as CEQA (pronounced SEE-quah).

The Ocean Street Extension Neighborhood Association filed the suit in late October against Rowell and Moe, as well as the city of Santa Cruz and the City Council. The suit alleges —among other issues—that the environmental impact report (EIR), a document required under CEQA for some projects, doesn’t adequately analyze the cumulative impacts of the proposed development and fails to respond to many of the comments put forth by neighbors in the report drafting process.

Rowell and Moe say they weren’t surprised by the lawsuit. They feel neighbors have been opposed to the project, which would include at least a few affordable units, from the beginning. In their eyes, the CEQA suit is just another tool to try to stop it entirely.

“CEQA was certainly written and enacted with all the best of intentions,” Moe says. “And it has done a lot of good, there is no question. But it has some holes in it, and it is getting used to try to stop projects.”

Legal analyses of CEQA, which was signed into law in 1970 by then-Gov. Ronald Reagan, show divisions over its ripple effects on development and the state’s housing supply. Over the past three years, California’s nonpartisan Legislative Analyst’s Office, which blames lousy housing affordability on a lack of housing construction, has argued that CEQA inhibits housing construction statewide. This past winter, a study by San Francisco law firm Holland & Knight, published in the Hastings Environmental Law Journal, concluded CEQA has mostly been used in recent years “to block infill housing and transit-oriented land-use plans, as well as public service and infrastructure projects.”

Another recent report, however, published by the UC Berkeley School of Law, “Getting It Right,” contends that claims of CEQA’s slowing effects are overstated, and that the real drivers of struggles to add more housing are local agencies such as zoning boards and planning commissions that must sign off on any proposed development.

In extreme instances, outside groups have used CEQA as a way to extract last-minute payments out of developers and local governments, as one Irvine resident named Michael Goolsby did this past spring when he issued a couple challenges to a 125-unit Redwood City development shortly before the project set a date to break ground. The developer contributed $50,000 toward a settlement agreement with Goolsby, who is barred from practicing law.

No developers have stories of incidents quite so extreme happening on this side of the hill.

Here in Santa Cruz, Bill Parkin, a partner at the Wittwer Parkin LLP law firm, is representing Ocean Street Extension neighbors in their case against Rowell and Moe, and he’s well aware that CEQA sometimes gets painted as a law that slows down development or is used by “not in my backyard” (NIMBY) groups. CEQA, he says “is just not the problem.”

“At the end of the day, this notion that the environment is mutually exclusive from people having homes and from economic growth is simply silly,” he says.

He adds that the environmental law is used as a “scapegoat,” and says developers really don’t want the potential impacts of their projects disclosed.  

COMPLEX LEGACY

The Ocean Street Extension Neighborhood Association has spent much of the past decade entrenched in the proceedings around the proposed development at 1930 Ocean Street Extension. Community members filed more than 100 comments during the drafting of the project’s EIR, and “many of them were not addressed at all” in the final report as required by CEQA, says Ellen Aldridge, a member of the group’s steering committee.

“Our neighborhood association has been concerned about this development since it’s been proposed,” Aldridge says. Their concerns include the potential for increased traffic on the narrow road and how that might affect bicycle and pedestrian safety as well as residents’ ability to evacuate in an emergency, especially if Highway 9, the other route in and out of the neighborhood, is closed.

In a Sept. 25 City Council meeting, councilmembers voted 5-2 to advance the project at 32 units instead of the proposed 40, in what appeared to be a form of concession to neighborhood concerns. At least five of the units would be affordable.  

The affordable housing component seemed to be a selling point for some councilmembers on the project at a time when the pace of affordable housing construction locally—as throughout much of the state—has failed to meet mandated goals.

Even with the change to the number of units, the neighborhood group says no one has responded its concerns in any substantive way. The goal of its lawsuit is to have the city reissue the EIR, Aldridge says, “and substantively address the questions we raised and consider mitigations and alternatives,” which she says “were given short shrift.”   

“Everyone acknowledges there needs to be additional housing, that there’s a housing crisis,” Aldridge says. “That doesn’t mean you put projects that aren’t suitable for the site or the surrounding infrastructure in to just say you built more housing. You have to do a critical analysis of both the legal requirements and the environmental concerns, and make sure you’ve got the right project in the right place.”

That’s the key part of this lawsuit, Parkin says. The Ocean Street Extension project, he says, didn’t consider all feasible mitigations and alternatives that might reduce environmental impacts.

“What is very interesting about the Ocean Street case is the whole affordable housing crisis we have is driving this almost like a collective insanity,” Parkin says. “We just throw the baby out with the bathwater when it comes to good planning.”

BUILDING STAMINA

Santa Cruz Principal Planner Eric Marlatt can’t comment on the Ocean Street Extension case, but says that the city does occasionally receive letters from attorneys about CEQA documents before a project gets a hearing. Often, those letters are from attorneys representing neighbors who are opposed to a project. They don’t always progress to litigation like this one did.

Marlatt routinely goes to conferences to learn about the latest in environmental requirements. Generally, he says that most CEQA litigation has less to do with content of the actual environmental analysis than it does the procedural steps that a given agency follows. And, procedurally speaking, CEQA is doing what it was supposed to do, Marlatt says—local governments are looking at potential impacts to a project, disclosing them and mitigating or offsetting them.

Over Marlatt’s nearly 30-year career, CEQA has become more complex, he says, due in part to litigation that’s shaped the body of law around it.

When he first started interacting with CEQA in the early 1990s, an initial study for a project was a two-page checklist. Now, an initial study “many times can be 80 to 100 pages of analysis,” he says.

Rowell and Moe, the Ocean Street Extension developers, say they’ve spent some $713,000 to date in the effort to see their vision of housing on the property turn into a reality (not counting the $1.65 million they paid to purchase the site). The consultant fees and city review of the EIR alone cost nearly $100,000 combined, and took around two years. That was due, in part, to the “extensive” comments from neighbors, they say.

Other developers have shared similar concerns about CEQA gumming up housing construction that they see as essential, and which many advocates are clamoring for. Jesse Nickell, senior vice president of construction and development at Swenson, says the bottom line is that “people are really afraid of change.” While CEQA is generally a really good thing, he says, “it becomes a tool sometimes for anti-development.” From there, the effects are a simple matter of supply and demand on Santa Cruz’s housing market, he says.

“If nobody can get the product out, then everything goes up in value,” says Nickell.

Ocean Street Extension residents insist, though, that the project proposed in their neighborhood simply isn’t the right product for Santa Cruz. Aldridge says she and her neighbors aren’t against development, and she knows the lot won’t be vacant forever. “But the laws are there for a reason,” she says.

Rowell and Moe believe that the case against them doesn’t have anything to do with considering alternatives for environmental purposes. They say it appears more focused on stopping their whole project.

“I think what they really want,” Rowell says, “is they want us not to be there.”

Additional reporting by Jennifer Wadsworth.

Opinion: November 28, 2018

EDITOR’S NOTE

Here in Santa Cruz, I think we have a bit of cognitive dissonance around Jonathan Franzen, just because he lives here and has made himself such a part of the community. Obviously, we know about his Great American Novelist status. We may have even been blown away ourselves reading The Corrections and Freedom and Purity. And yet, a lot of us see him as a pretty normal dude with particularly fetching glasses who shows up at local library events, or as a bartender at a Bookshop Santa Cruz charity mixer, or out in the scrub while he’s doing some birdwatching.

So the various “Jonathan Franzen said this, and now the internet is mad at him” so-called controversies seem a million miles away. And of course, that’s how he likes it, as Wallace Baine discusses in this week’s cover story. It’s a great read, and an insightful look into Franzen’s life here, and his new collection of essays.

I also urge you to take a look at the story by Ryan Masters in this week’s news section about CERT, one of the nonprofits you can donate to through Santa Cruz Gives. There are only 34 days left in our holiday giving drive—so many great local causes, so little time. So go to santacruzgives.org and find your perfect philanthropic match!

STEVE PALOPOLI | EDITOR-IN-CHIEF


LETTERS TO THE EDITOR

Read the latest letters to the editor here.

Re: “Particular Exposure” (GT, Nov. 21):

As California burns around us, it’s easy to lose hope. For years, as the climate crisis has worsened, our nation has had neither a plan nor the will to face the problem.

Now, thanks to the Blue Wave of young people in Congress, we have a plan, but it will take all our efforts to make it happen. I support Rep. Ocasio-Cortez’s resolution to create a House Select Committee for a Green New Deal in Congress.

United Nations climate scientists tell us we have just 12 years to move our country off fossil fuels to avert catastrophic climate disaster. The Green New Deal does that, while also creating millions of green jobs and protecting working people of all backgrounds.

The Democrats must share a compelling vision for the future to win in 2020. The Green New Deal is our best hope. Representative Panetta should get behind his progressive colleagues and support the Green New Deal.

Hannah Jones
Santa Cruz

Re: “Push Track (GT, 11/21):

A novelty train can run once a year and call itself the “Polar Express.” A genuine high-speed train may be able to run only once an hour and yet serve a useful purpose. A “commuter train” running only once per half-hour is a stretch, and even every 15 minutes may be on the edge of acceptability. Such infrequency obviously deters interest in public transportation, so a goal should always be to do better. Properly providing strategic bursts of every five minutes would seem very desirable.

Such a passenger commuter train traveling through Santa Cruz County on a single track (intended only for slow moving freight) isn’t going to happen! A simple solution that should satisfy all is to replace the obsolete freight track with a low-cost, multi-use arrangement that would safely accommodate bus passengers, bicyclists, pedestrians, families and genuinely improve Highway 1 traffic during rush hours.

Briefly, the existing single railroad track could be covered with a surface that is drivable by existing buses. During morning commutes, buses depart the Watsonville bus terminal to pick-up this upgraded “single vehicle lane” corridor at the most convenient spot and travel westward unimpeded through the corridor to the Santa Cruz bus terminal and then return via the free-moving (at this time) eastbound Highway 1, back to the Watsonville bus terminal to repeat the process for hours.

All this can be accomplished within the schedule of the present RTC “approved plan” along the corridor for the “freight train to nowhere.”

Bob Fifield
Aptos

Re: Homeless Camp Closure

Good. Our citizens have been denied the use of our parks, and the parks have been polluted and damaged by illegal use. I’m very sorry that people are homeless. But Santa Cruz city is destroying itself through its generosity. Scotts Valley, Capitola, Aptos, Soquel offer few services. Since Santa Cruz has many services, and because it’s a nice place to hang out, we have attracted a disproportionate portion of the homeless population in the area.

This problem needs solutions at the county, state and federal level. Santa Cruz will destroy itself if we persist in the folly that we can solve this problem on our own.

— Gary


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GOOD IDEA

Thanks to a much-needed soaking, the city of Santa Cruz is reopening five open spaces it had recently closed due to fire danger: Pogonip, Arana Gulch, Moore Creek Preserve, DeLaveaga Park, and Arroyo Seco Canyon Trail. All of them are ready to have hiking trails traversed by outdoor lovers. Rains greeted Santa Cruz County this past week, starting on Wednesday, Nov. 21. As of press time, there are more showers in the forecasts ahead.


GOOD WORK

A heart-warming Facebook video posted by Clare Campbell recently made the rounds showing two children playing patty-cake at the Ishara House orphanage that Campbell founded in the Congo. Campbell, who owns Felton’s Outback Trading Company, launched scholarships to improve the lives of young Congolese. She also started Congo Threads, a sewing project to employ women in the region. Campbell carries Congo Threads clothes in her store.


QUOTE OF THE WEEK

“Fame is a series of misunderstandings surrounding a name.”

-Joni Mitchell

Dalai Lama Makes Local Cameo at ‘Book of Joy’ Event

Dalai Lama
'Book of Joy' event promises Desmond Tutu and the Dalai Lama via video

A Guide to Holiday Entertainment in Santa Cruz County

Nutcracker
From ballet and Celtic music to a celebration of our immigrant nation

Festivals of Light, Mercury in Shadow: Risa’s Star’s Dec. 5-11

risa's stars
Esoteric Astrology as news for the week of Dec. 5, 2018

Rob Brezny’s Astrology Dec. 5-11

Astrology, Horoscope, Stars, Zodiac Signs
Free will astrology for the week of Dec. 5, 2018

Helen Sung Melds Jazz Piano, Poetry at Kuumbwa

Helen Sung
Jazz pianist Helen Sung's new collaboration is pure poetry.

Hidden Valley String Orchestra Plans Central Coast Shows

Hidden Valley String Orchestra
Northern California ensemble sets date for Santa Cruz show.

Shopper’s Corner’s Holiday Secret Weapon

shopper's corner
Plus a menu preview from soon-to-be-open Alderwood

Film Review: ‘Green Book’

Green Book
Stars deliver heart, humor and Southern discomfort on the road

Ocean Street Extension Lawsuit Spotlights CEQA Controversy

News 2, Issue 2004, Ocean Street Extension
Is the California Environmental Quality Act an unfair tool for anti-development activists, or a developer scapegoat?

Opinion: November 28, 2018

Franzen
Plus letters to the editor
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