City of Santa Cruz Settles in Sean Arlt Shooting

As a family tries to heal, the city of Santa Cruz is attempting to close a controversial chapter in its history, at a cost of $1.6 million.

That’s the settlement the city has reached to resolve a lawsuit brought by the family of Sean Arlt over the police shooting that left Arlt dead in October of 2016.

The Santa Cruz City Council approved a settlement agreement with the Arlt family in exchange for the dismissal of all claims against the city. After a months-long investigation, the Santa Cruz County District Attorney’s Office concluded in February of 2017 that there was no legal wrongdoing on the part of the officer who fired.

Officers from the Santa Cruz Police Department were called to a home on the Westside when Arlt, who was in the midst of a mental health crisis, was pounding on someone’s doors. Police said that, when they arrived, Arlt charged them with a heavy metal rake.

In a press release on Monday, Nov. 20, Mayor David Terrazas expressed a desire “to progress forward” and work collaboratively on mental health issues.

Amid Metro Concerns, RTC Delays Vote on Transportation Future

Barrow Emerson leaned forward nervously in his seat in the far corner of the Watsonville City Council chambers. As the four-hour-and-twenty-minute Nov. 15 Regional Transportation Commission (RTC) meeting stretched late into the night, Emerson sat tethered by his phone to one of the room’s few electrical outlets, awaiting the commission’s decision on whether to delay a major vote on Santa Cruz County’s transportation future.

The commission voted unanimously to hold that vote no sooner than mid-January, giving more time to the Santa Cruz Metropolitan Transit Department and other interested groups to respond to recommendations in the RTC’s Unified Corridor Study (UCS). Otherwise, a decision on the UCS could have happened in early December.

After Thursday’s vote, Emerson—planning and development director for the Metro bus agency—leaned back in his seat, looking suddenly at ease. When asked by GT if he felt relieved, Emerson downplayed the moment, saying that he didn’t want to “apply an emotion to it.”

“More time will allow people involved in this to share information,” he added diplomatically, as commissioners and activists filed out of the council chambers.

A staff report prepared by Emerson laid out concerns about the 230-page UCS, which examines the best way to improve north-south travel times along three major corridors—Highway 1, the dormant coastal rail corridor, and the 19-mile stretch of surface streets from Soquel Avenue in Santa Cruz to Freedom Drive in Watsonville.

On Thursday, RTC staff spoke to the commission about their preferred scenario, which they had released a few days earlier. Staff suggested a combination of rail corridor changes, highway improvements and upgrades to the Soquel/Freedom corridor. The bulk of cash in the plan, some $635 million, would go toward the rail corridor, where the RTC would introduce passenger service alongside a long-planned bike path.

Metro’s own report indicated that the RTC’s chosen scenario would divert funds away from buses in the future, and also suggested that the commission should seriously consider bus rapid transit, both along Soquel and Freedom or up and down the rail corridor, where buses could serve as a possible alternative to rail.

At the board’s direction, Metro staffers are drafting a letter to the RTC that will make a few suggestions. One of them is that the RTC should compare train transit on the corridor side by side with bus rapid transit. Metro CEO Alex Clifford says that the comparison should be broken into four categories: projected ridership, capital costs, operating costs, and funding plans. If the RTC has no intention of taking bus money to cover the costs of the train, Clifford says that the commission and its staff should outline what their plan is for paying for the train.

And if the RTC would like to divert funding, he says the RTC needs to own that and be transparent before any vote on the UCS.

“You don’t choose until you go through thorough analysis,” Clifford told GT after the meetings.

Heard Rail

In a way, the preferred scenario is more of a best-case scenario.

The corridor study outlines a long list of transportation improvements, to the tune of $948 million. Most of that funding hasn’t been secured. The highest-profile, and most expensive issue in the UCS process has been what to do with the coastal rail corridor.

Activists from the groups Trail Now and Santa Cruz County Greenway have long questioned whether a commuter train would move enough people daily to offset its costs. They’ve called for the RTC to ditch its rail-with-trail plan in favor of a trail-only corridor.

Pro-train activists, on the other hand, have felt bolstered by favorable RTC estimates since the draft UCS came out last month. They cite the environmental benefits of a train, as well as the study’s cost estimates for the trail-only plan, which look relatively steep.

In a letter to the RTC, the Greenway board asked for clarifications, and criticized portions of the UCS, including its cost estimates. During public comment, Greenway cofounder Bud Colligan asked the commission not to rush into a vote next month on the future—in part because he argues that incoming RTC Director Guy Preston should have plenty of time to weigh in. Preston begins work at the RTC in two weeks.

Commissioner Patrick Mulhearn was thinking about Preston when he suggested the RTC officially delay its vote to Jan. 17, as it ultimately chose to do. Mulhearn, an alternate for county Supervisor Zach Friend, also wanted to give groups like Metro and the Association of Monterey Bay Area Governments time to weigh in more formally.

Other items in the suggested UCS scenario include the extension of Highway 1 merge lanes, metering on on-ramps, buffered bike lanes, and intersection improvements. Under the plan, the RTC would consider adding carpool lanes on Highway 1 after the year 2035. That option would cost an extra $452 million.

Commissioner Andy Schiffrin, an alternate for Ryan Coonerty, pushed back on the notion that the RTC would ever divert money away from Metro. He noted that Metro already gets more than four-fifths of local Transportation Development Act money, and he argued that the RTC’s three Metro representatives are very active and effective on the commission.

“Metro always gets what it wants,” Schiffrin said.

Highway Robbery

The UCS process also presents a preview of the next battle over Highway 1. Some activists are getting ready to challenge the environmental impact report on the next installment of merge lanes on Highway 1.

Environmentalist Jack Nelson told the commission to weigh the impacts of induced travel demand and remember that new road capacity will, over time, essentially fill up into new congestion. “You spend the money, and then you’re back to square one on congestion,” said Nelson, urging the commission to prioritize commuter rail over cars.

Commissioner Randy Johnson, a proponent of highway improvements, sees things differently. He said that, no matter what, residents will make decisions about how to get to the store or work or soccer practice based on convenience—not based on high-minded ideas of what’s best for their community or the environment. Any alternative transportation projects aimed at changing commuter habits, Johnson argued, are like trying to pound a square peg into a round hole.

Outgoing Watsonville Councilmember Nancy Bilicich asked the commission to remember the comprehensive Measure D sales tax measure that voters approved with a two-thirds vote in 2016.

The initiative meant many things to many people, but to Bilicich and some other South County residents the measure meant highway widening. She added that she would be in favor of a passenger train as well, especially if it were electric.

“I want it all,” Bilicich said. “The money—I don’t know where we’ll get the money, but we always figure it out.”

Thanksgiving—a Mercury Retro/Full Moon/Void-of-Course Day! Risa’s Star’s Nov. 21-27

Sun enters Sagittarius Thursday, which is also Thanksgiving, and at the end of the day, a full moon (1-degree Sagittarius around midnight). Not only are we in a Mercury retrograde but on Thanksgiving Day the moon is void of course, which means we must make an extra effort to have gratitude and to be thankful.

When a festival day is void of course with Mercury retrograde, the day can feel like a misadventure. We forget things, become a bit exhausted. People may not be focused, and everything feels internal. With travel, people, thinking, cooking, everything can be upside down, inside out. It’s a “Heyoka” sort of day. We could also think of it as a magical realism sort of day.

We are to rest during void of course days. During retrogrades we retrace our steps, doing things over and over, needing to check and double check everything. Time is different, the rules seem changed, mishaps occur, one feels to be a roller coaster of miscommunication and mishaps. Couple these with fiery Sagittarius full moon emotions and Thanksgiving may feel more like a calamitous journey rather than a festive day with friends and family.

When we know what is occurring in the heavens, influencing us on Earth, we learn how to work with the energies, not against them, not reacting or repressing them. A Mercury retrograde and full moon void of course are potent influences but especially on a day that is usually over-wrought with emotional family interactions, heated discussions and debates. Perhaps, make a rule that no politics be discussed. Fill the day with calming, chats, bells.

This Thanksgiving create something madly different. Align with the frequencies of Mercury (Ray 4—harmony emerging from conflict and chaos; planetary note of Mercury is E; Hebrew letter Beth; Tarot the Magus and Strength; Yellow like the Sun) and Sagittarius (G#; Hebrew letter Gimel, Tarot High Priestess and Temperance; Rose/Blue). These energies last well into the weekend. Happy Thanksgiving, everyone. I am grateful for each and every one of you. Love to everyone, Risa.

ARIES: It’s most important to find the “pause that refreshes” because there’s such an onrush of activity, ideas and ideals, of wanting to travel and discover new realities, that details important to your well-being, may be missed. It’s also time to review values, sense of justice, ideas of what’s occurring in the world, and how you are aiding humanity’s endeavors in building the new society. What are your visions?

TAURUS: You continue to tend to the well-being of others. Sometimes you remember to care for yourself. You remember that you are a resource and if you as a resource are not tended to well enough, you no longer can be a resource for others. Ideas for the new reality continue to appear. Their manifestation into form has been elusive. Now you see the new world coming forth as the new physics. This is the new Aquarian art, too.

GEMINI: It’s most important to reflect upon what your relationships are based upon. Include all relationships, but begin with your most intimate. It might be that you consider what’s taken for granted, what’s not understood, what allows you to be most truthful, and what is occurring about health, happiness and rethinking resources. A new path comes forth and a new message within the relationship. You must listen quietly and perceptively.

CANCER: Your idea of a schedule runs quickly out the back door and you suddenly find yourself with no routines, plans or the ability to take control of daily events. Anything you’ve thought of doing simply melts into states of chaos seeking the next level of harmony but the harmony’s not manifesting for a while. The best thing to do is to prepare nurturing foods. Offer this food to others. They will receive it as goodness from the heavens. You are that.

LEO: The past year has been rather serious, structured to keep you in a state of ongoing training and discipline. There needs to be a time of respite for you to partake in—a state of ease, amusement, recreation, children, pleasure, creativity, games, fun, enjoyment and being with others who think as you do. A previous relationship is in your thoughts, too. Perhaps they show up at your door. Will you let them into your life again?

VIRGO: Family and parents, the foundations of your life, and childhood beliefs learned while young and carried into the present time will be on your mind for the purpose of appraising, cleansing, clearing, and eliminating what’s no longer useful. Be aware that moodiness, brooding, and perhaps intense feelings will arise. Assess these with intelligence and careful observation. They will pass.

LIBRA: It’s good to be in touch with siblings, to communicate, take trips, have conversations with them, sharing news, family gossip, hopes, wishes, dreams and ideas. Be aware that even when doing so, thoughts and ideas and feelings may be difficult to share or information may be misconstrued. Communicate anyway with the intention to make contact, which releases Love. Your family misses and loves you.

SCORPIO: The entire world’s in a state of reorientation, a state you know well for you experience this endlessly. Our world is in a Scorpio state of transformation, testing, and dying, so a new Aquarian world can come forth. Your importance in this great shift is in your research abilities, seeking information to build new culture and civilization. What are your present tasks? What are you using your resources for?

SAGITTARIUS: There’s an opportunity now to redefine yourself, your identity, plans and purpose. You’re able to change your mind about who you (think you) are and how you see yourself. Be aware that your presence is very impactful to others around you. Issues you thought were complete reappear for review, reassessment and rearrangement. A new rhythm is appearing. Find some music and enter it. Remain there for a while.

CAPRICORN: You may feel like you are behind a curtain in a theater, waiting in the wings for new realities to appear. It’s like planting a garden—lovely arugula, kales, onions, wintergreens, thyme, oregano, parsley—waiting each day for the first green shoots. Everything on inner levels is being restructured. You feel this but it hasn’t manifested in your outer world. Quietly these new roots of a new reality anchor, become strong, and later reshape your life.

AQUARIUS: In the following weeks you will discover your true friends, what groups truly support your endeavors and whom you can turn to for nurturance, needs and kind rapport. So much of humanity remains misinformed. You have the ability to provide humanity with questions that allow them access to real information. Then you become part of the education of humanity. You will assess your life’s journey. When traveling, follow scrupulously the rules of the road. For safety.

PISCES: Some Pisces will ponder upon writing a book, some may consider publishing or will be contacted by publishers. Consider these ideas without making final decisions. Acknowledgements and recognitions may come forth unexpectedly. Careful of miscommunication to and with the public. Tend to previous tasks and be careful of your public image. You will continue to work with focused consistency. Healing begins.

Preview: MAH’s ‘Power Hour of Fun’

When I went to the very first Power Hour of Fun in 2014 at the Museum of Art and History, I had no idea what I was in for—but then, neither did the rest of the world.

At the time, it was just a secret plan for a totally unique interactive social experience brewing in the mind of the MAH’s “Community Catalyst” Elise Granata. That night, though, it became real.

Oh man, so real. I can sort of generally describe the experience by saying that Granata leads the proceedings from up on stage, giving a new prompt for the crowd to follow every 60 seconds. These prompts range from making a particular motion to interacting with other crowd members—and the more ridiculous they get, the more sublime the experience. With 60 different prompts over 60 minutes, the pace gets both frenetic and hilarious, and so—in honor of the next Power Hour of Fun coming up at the MAH on Thursday, Nov. 29—I tried to recreate a bit of that feeling via a rapid-fire interview with Granata in which I like to think we tapped into the true spirit of the Power Hour. Hold on tight.

Why power? ELISE GRANATA: Because we all have it and when used correctly, it can be superglue between strangers. Why hour? That’s all the time we need to get weird. And have fun. And maybe make a few new friends.

Why random prompts? Unprompted, I don’t know if people would invent secret handshakes with each other like they do at Power Hour. Why crazy random prompts? One hundred people in a room need permission to yell at the top of their lungs and give each other sharpie tattoos. Favorite crazy random prompt? “Greet a stranger like you’re old friends.” Craziest random prompt ever? Group flossing.

Who needs power hour? Everyone who needs to get out of their head and into social bungee jumping. Who does power hour need? Everyone who is willing to say “I can do anything for a minute.” How’d you think of this? Riffed off of the power hour drinking game and made it a sober (if you want it to be) social experience. How did the first time go for you? It was for my 23rd birthday—so beyond my wildest dreams.

What did you learn the first time? We humans need very little coaxing to be able to slow dance with a stranger or tell someone the last time you cried. What was better the second time? I removed a minute ranking how much we resented our fathers. Why is a minute ideal? You can do anything for a minute. What’s an ideal minute? Being prompted to talk about chips to the sounds of Salt-N-Pepa. What minutes are less than ideal? Every minute you’re not at Power Hour. Duh.

BREAK!

Did you enjoy the break? No. I was too excited to come back. What do you do if the energy is lagging? Become a cheerleader on jet fuel. Why is it good for social people? It is so much less boring than a happy hour. Why is it good for shy people? Everyone is out of their element, so it is fantastic cover to be out of yours, too. Why is it in a museum? It is the perfect venue for connecting with something unfamiliar. Do you ever feel silly? Always. Why is good to feel silly? It is proof of resilience from your weird day, days, year, or years.

How do you pick the music? I hear it playing in Trader Joe’s and think “oh, this would be perfect for 100 people to catwalk to.” How does the music pick you? Whitney Houston whispered to me as a newborn baby in 1991 and told me one day I would use “I Wanna Dance With Somebody” to help strangers have fun.

How do you feel afterward? Like I just went to a pep rally at a dance club in rock ’n’ roll heaven and the french fries were free. What’s the best compliment you’ve gotten? “My girlfriend and I started dating because of this.” What’s the weirdest suggestion you’ve gotten? Blindfolded baked potato eating contest. When you wave your hands in the air, do you care? No, and neither should you.

The Power Hour of Fun will happen on Thursday, Nov 29 at the Museum of Art and History, 705 Front St., Santa Cruz. Warm-up games and mingling begin at 7 p.m., Power Hour begins at 8 p.m. Tickets are $5-$10; go to powerhouroffun.com for more information and to buy tickets.

The Real Health Risks of Wildfire Smoke

“It’s scary to see people with respirators,” a man waiting in line behind me at the ATM told me last week, his eyes lingering on the bulbous white contraption covering most of my face.

“Yeah, I know,” was my muffled reply, though I wasn’t sure if I should be apologizing for my startling appearance, or the climate-fueled hellscape we once knew as “fire season.”

Headaches, fatigue, itchy eyes and throat—the physical symptoms of smoke exposure are nothing compared to the fear and sadness that’s come with the November wind. It’s safe to say California is in a state of collective grief. To the first responders and firefighters, including 1,400 prison inmates and backup engines coming from Colorado and other western states, Thanksgiving goes to you. For the third year in a row.

It wasn’t long before my sole N95 mask, purchased online during last year’s fire season, began to suffocate, plugged up as it was, and I joined the vast majority of Santa Cruz residents going without; our lungs naked to air so polluted it’s registering on monitors as far away as Delaware.

“That material will eventually come out of the air, but we know from volcanoes and other huge serious forest fires throughout the world that this stuff can remain airborne for a number of weeks,” says Richard Stedman, an air pollution controller at Monterey Bay Air Resources District (MBARD).

That’s after the fires are out. But if the wildfire trend continues for the next decade as scientists predict, we are at a turning point for air quality norms.

“It looks like more and more, people are going to have to plan their events at different times of the year, and have a closer relationship with public health officials,” says Stedman, after the Monterey half-marathon was canceled due to dangerous air quality two weekends ago.

Doing anything that increases your heart rate also deepens your breathing, and is the exact opposite of laying low and limiting exposure, which common sense and health officials strongly advise.

So what exactly is raining down on us? A PM2.5 particulate is very tiny. The EPA offers this analogy: the average human hair is 70 micrograms in diameter. Picture one-thirtieth of that. They’re made up of carbon, various chemicals, minerals, and other known and unknown byproducts of combustion.

“The particles are inflammatory wherever they end up,” says Dr. Dawn Motyka of the podcast Ask Dr. Dawn. The lung, the gut—if you swallow enough of them—nasal passageways. “And they can irritate the brain. Many of them contain compounds that are carcinogenic. They can cause transformation of the human bronchial epithelium, so in other words they can trigger cancers.”  

If you’re outside without a mask, breathe in through your nose, and out through your mouth, says Motyka. “The nose is designed as a filter. It serves to trap a lot of the larger particles.” Many of the particles that get past our natural defenses remain in the lung to do their damage. But “when you breathe in the smaller particles they get down into the alveoli, and we now know that they go everywhere. They cross the capillary bed into the bloodstream,” says Motyka. “They’ve been found in Alzheimer’s plaques, and throughout the lungs.”

Some of the particles are fatty, acting like liposomes that can cross into solid tissue readily, she adds.

On Saturday, Nov. 10, the Air Quality Index (AQI) in Santa Cruz reached an “unhealthy” high of 188—with the highest concentration of PM2.5 or smaller that day reading 92 micrograms per cubic meter—nearly three times the federal health standard of 35 micrograms per cubic meter, says Stedman. Most of the smoke has come from the Camp Fire, 229 miles to our north. Over the past two weeks, concentrations have spiked higher than that, too, says Stedman. But AQI is determined by a rolling 24-hour average of inhalable particulate matter. The health impacts of shorter windows of exposure to high concentrations have not been determined, says Stedman. To that end, the EPA has released a citizen science app called SmokeSense to gather data around wildfire smoke impact.

“When you burn through a house, you get a much more toxic situation,” says Motyka. In addition to burnt organic matter, “we’re also getting every fluorocarbon, all of those compounds, the fire retardants, the waterproofing agents, the Scotchguard, all of the polycyclic aromatic hydrocarbons.”

The Camp Fire has burned more than 11,000 structures. It’s likely that asbestos, which doesn’t burn, was also released, though MBARD only measures particulate concentration, not its makeup. As for rumors of radioactive particles, Stedman says, “There’s a lot of natural radioactive material in our natural environment, so that would not be surprising,” but as for man-made or mined materials, “I don’t think anybody’s looking for that.” Agencies don’t test for radioisotopes unless they have reason, like a nuclear plant or waste depot in the burn path.

N95 masks block 95 percent of particulates that are .3 microns and larger in size. “That’s dropping it way, way back,” says Motyka, though they won’t protect you from CO2 or some of the other gases released. Along with air purifiers (which Motyka highly recommends using) N95s are pretty much sold out locally, though Kelly-Moore Paints is waiting on its next shipment after giving out hundreds over the last couple of days.

Stedman is not enthusiastic about the masks, pointing out that facial hair and individual features can prevent a vacuum seal, allowing particulates to seep in (Motyka recommends using paper tape if that’s the case), and that they can pose risks to the elderly and individuals with health issues, as they make it harder to breathe. Ideally, such sensitive people should get to cleaner air.

Obviously, anyone with a history of respiratory or heart vulnerability is at greatest risk, and should be extra careful. Keep doors and windows shut, wash your vegetables extremely well, and even after this stuff comes out of the air, says Motyka, hose down your walkways. Pretending the particles are radioactive is a good standard for limiting exposure, says Motyka. “If you go back to all of the precautions that one takes for radioactivity—people had manuals for this stuff back in the ’50s—we’re trying to keep small particles from coming inside. Mopping the floor, taking your shoes off outside, those are the things you want to do.”

As for the heavy metals and some of the lipid-soluble chemicals already in our systems, the best thing to do is sweat them out, says Motyka, who recommends five minutes a day in a sauna or a hot bath. “And poop. A lot,” says Motyka. “Remember you’re swallowing a lot of particles, and because they’re lipid soluble, if they’re sitting in your colon, they’re going to melt back into the bloodstream the way that oil goes through a paper towel.” Drinking lots of water and eating lots of fiber should do the trick.

“If you are going to exercise, your best place to do it is probably in the ocean or in a pool,” says Motyka, as air quality is generally improved above water—but only for about six inches above the surface.

Stedman recommends AirNow.gov, which gets its data from MBARD, to stay on top of AQI—but they don’t provide up-to-the-minute particulate concentration like PurpleAir.com does. “What we’ve been finding is [Purple Air monitors] have been over predicting concentrations, and then in other areas, especially along the coast, they’re actually under predicting,” he says. “We may have a situation where in the future we start giving instantaneous air results. This was never an issue until these last few years when we started seeing these severe wildfires, and we realized that people want to know what they’re being exposed to currently.”

Please consider donating to one of the many relief efforts being organized by North Valley Community Foundation, at nvcf.org; California Community Foundation, at calfund.org; and 805undocufund.org.

Rob Brezny’s Astrology Nov. 21-27

Free will astrology for the week of Nov. 21, 2018

ARIES (March 21-April 19): In his autobiography On the Move, neurologist Oliver Sacks praised his friend Jerry’s curiosity and knowledge. “Jerry has one of the most spacious, thoughtful minds I have ever encountered, with a vast base of knowledge of every sort,” wrote Sacks, “but it is a base under continual questioning and scrutiny.” So willing was Jerry to question and re-evaluate his own assumptions that Sacks said he had “seen his friend suddenly stop in mid-sentence and say, ‘I no longer believe what I was about to say.’” That’s the gold standard to which I hope you will aspire in the coming weeks, Aries. As bright and articulate as you’ll be, you will have an even higher calling to expand your mind through continual questioning.

TAURUS (April 20-May 20): In recent years, a few pioneers have gotten microchips implanted under their skin. These technological marvels enable them to open doors and turn on lights with merely a wave of their hands, or receive up-to-the-minute readings on what’s transpiring inside their bodies. Now an additional frontier has arisen: people using do-it-yourself kits to experiment on their own DNA. For example, some have tweaked their genes so their bodies create more muscle than is natural. I would love for you to change yourself around in the coming weeks, Taurus, but not in these particular ways. I’d rather see you do subtle psychological and spiritual work. The astrological omens suggest it’s a favorable time for focused self-transformation.

GEMINI (May 21-June 20): Are you smart enough to take advantage of the fact that your best relationships would benefit from bursts of innovative energy in the coming weeks? Are you brave enough to banish the ghost that still haunts your romantic life? Do you have the moxie to explore frontiers with collaborators who play fair and know how to have fun? Will you summon the curiosity and initiative to learn new strategies about how to enhance your approach to intimacy? I’ll answer those questions in your behalf: yes, yes, yes, and yes.

CANCER (June 21-July 22): Would you agree with me that there are both boring, tiresome problems and fun, interesting problems? If so, read on. According to my analysis of the astrological omens, you’re at a fork in your path where you could either get further involved with a boring, tiresome problem or else a fun, interesting one. (I think you’ll have to engage with one or the other.) Of course, I’m rooting for you to proactively wrangle with the fun, interesting one. Here’s timely inspiration from Cancerian author John W. Gardner: “We are continually faced with a series of great opportunities brilliantly disguised as insoluble problems.”

LEO (July 23-Aug. 22): The Jharia Coalfield in eastern India is a 110-square-mile reserve of underground coal. In some places, it’s on fire, and has been burning for over a hundred years. This isn’t a good thing. It’s wasteful and causes pollution. But now I’ll ask you to put aside that scenario, and imagine a more benevolent kind of steadily burning fire: a splendor in your soul that never stops radiating warmth and light; that draws from an inexhaustible source of fuel; that is a constant source of strength and courage and power. I’m happy to tell you that the coming months will be a favorable time to establish and nurture this eternal flame.

VIRGO (Aug. 23-Sept. 22): Marilyn Monroe, Georgia O’Keeffe, and President Franklin Roosevelt were direct descendants of the pilgrims who sailed from England to the New World on the famous Mayflower ship in 1620. I, on the other hand, am a direct descendant of a 19th-century Slovakian coal miner who toiled in the underground darkness. What about you, Virgo? Now would be a rich and provocative time to reconnect with your roots; to remember where your people originated; to explore the heritage that served as the matrix from which you sprouted.

LIBRA (Sept. 23-Oct. 22): According to researchers who study animal behavior at two Italian universities, chickens can do arithmetic. The birds don’t even need to be trained; the skill seems to be innate. (Read details here: tinyurl.com/ChickensDoMath.) I’m wondering whether chickens born under the sign of Libra might even be able to do algebra in the coming weeks. According to my assessment of the astrological omens, the mental acuity of many Libran creatures will be at a peak. How will you use your enhanced intelligence?

SCORPIO (Oct. 23-Nov. 21): In March 2005, far more people than usual won big money in a regional Powerball lottery in the U.S. The average for each draw is four winners, but on this special occasion, 110 players were awarded at least $100,000 and as much as $500,000. The reason for the anomaly seemed to have been an oracle that appeared in a number of widely distributed fortune cookies. It provided five of the six winning numbers. Inspired by this crazy stroke of good fortune, and in accordance with the favorable financial omens now coming to bear on you, I hereby offer you six numbers to use as your lucky charms. Will they help you win a game of chance? I can’t be sure. At the very least, they will titillate and massage the part of your psyche that is magnetic to wealth. Here they are: 37. 16. 58. 62. 82. 91.

SAGITTARIUS (Nov. 22-Dec. 21): “You have two ways to live your life,” writes spiritual teacher Joseph Vitale, “from memory or inspiration.” In other words, you can take your cues about how to live your life from what happened in the past, or else you can make your decisions based on what you’re excited to do and become in the future. According to my analysis, the next 10 months will be an excellent time for you to fully embrace the latter approach. And it all starts now.

CAPRICORN (Dec. 22-Jan. 19): You’ve always got more help available than you imagine, and that’s especially true these days. Both people you know and people you don’t know may come to your assistance and offer extra support—especially if you meet two conditions: 1. You sincerely believe you deserve their assistance and support; 2. You clearly ask for their assistance and support. Now here’s more good news about the help that’s available. Whether or not you believe in spiritual beings, they, too, are primed to offer blessings and resources. If you don’t believe in their existence, I invite you to pretend you do and see what happens. If you do believe in them, formulate clear requests for what you’d like them to offer you.

AQUARIUS (Jan. 20-Feb. 18): In one of his poems, Arthur Rimbaud extolled the exquisite evenings when the mist soaked his face as he strolled, and he sipped that heavenly dew till he was drunk. Was he speaking literally or metaphorically? Probably both, if I know Rimbaud. Anyway, Aquarius, I’d love for you to engage in similar exploits. What are some natural adventures that might intoxicate you? What simple pleasures may alter your consciousness, nudging you free of its habits? Meditate with sweet abandon on how to free yourself through the power of play and the imagination.

PISCES (Feb. 19-March 20): It’s illegal to hunt animals in Kenya. But members of the Dorobo tribe circumvent the law to provide food for their families. As three or more Dorobo men wander out on the savanna, they wait for hungry lions to kill a wildebeest or other creature. Then they stride toward the feasting beasts in a calm show of force until the predators run away in confusion. The brave scavengers swoop in and swiftly remove a portion of the wildebeest, then coolly walk away, leaving plenty for the lions when they return to their meal. I bring this scene to your attention, Pisces, because I suspect that in the coming weeks you will have similar levels of courage and poise as you go after what you want.

Homework: How could you change yourself in order to get more of the love you want? Go to FreeWillAstrology.com; click on “Email Rob.”

Husband-Wife Duo Birds of Chicago Bring the Folk to Moe’s Alley

The day President Trump was sworn into office was a dark day for a lot of Americans. But husband-and-wife duo Birds of Chicago spent that day in the studio recording Love in Wartime, an uplifting and emotive album that drifts beyond the traditional folk they’re known for into rock ’n’ roll and gospel territory.

“That was a relief, to be able to do something that felt joyful and something good that we could control on a day that felt very much the opposite,” says singer/guitarist JT Nero. “It felt like cheating to have our own personal little bubble for a while. It was nice to shut the doors.”

But the record wasn’t meant to exist in a vacuum. It very much deals with the process of finding joy and expressing love in the midst of difficult times. The title track in particular is a touching ballad that reminds the listener of the humanity all around us that’s easy to ignore, but powerful to focus on.

“It’s that kind of basic recognition of someone else’s soul. That’s the crucial DNA for a more loving culture in general,” Nero says. “It starts with those basic little covenants between people. ‘I see you, I got you.’ Wartime being a metaphor for any condition that negates love. The antimatter to love.”

The album’s title and general mood suggests the duality of trying to find joy and peace in our turbulent political times. But at the same time, it’s about something much more than the Trump era. In fact, the duo was writing the songs before Trump got the nomination.

“Political realities are emblematic of deeper wounds,” Nero says. “While initially, they didn’t feel explicitly political, certainly not partisan, I would say the need for a suite of songs that dealt with love in all its kind of practical and celestial applications felt pretty crucial. It felt like we’ve been operating at a love-and-empathy deficit in a way that has felt particularly urgent as of late.”

Much of this realization is something came to Nero well after recording the songs. As he and partner Allison Russell were writing the songs, they had no idea why.

“As a matter of course, I almost try to never be clear about what I’m writing,” Nero says. “You’re out with your guitar trying to catch butterflies, and you see what you come up with. A phrase will pop out, and I will be singing it a certain way. Then it’s more like a detective: Why does that phrase not want to let go?

They wrote some songs during the initial songwriting process that had a melancholy folksy sound to them, but set those aside for an EP called American Flowers, which they released a few months prior to Love in Wartime. The title track from that EP has become a show closer for the duo. It’s a front-porch sing-along that acknowledges the sadness and strife of the country, but pairs it with a message of hope. (“I have seen American flowers all across this land/From the banks of the Shenandoah, along the Rio Grande/Do not fear the winter blowing in the hearts of men/I have seen American flowers they will bloom again.”)

“That song I wrote to remind myself that good people in this country are the rule, and not the exception to the rule,” Nero says. “No matter how up in arms any of us are about what is going on politically, deep down we know we’re going to have to figure out a way to talk to each other and not demonize the other side. The only way you talk to each other is if you remember that we’re all humans.”

Birds of Chicago plays at 9 p.m. on Saturday, Nov. 24, at Moe’s Alley, 1535 Commercial Way, Santa Cruz. $15/adv, $20/door. 479-1854.

Film Review: ‘Can You Ever Forgive Me?’

Most movies about writers revolve around someone glamorous or outrageous whose oversized personality spills over into their body of work. (Like the recent biopics about Oscar Wilde and Colette.) Lee Israel was not the glamorous kind of writer. But her largely unexceptional writing career took one detour interesting enough to attract filmmaker Marielle Heller, whose film Can You Ever Forgive Me? is based on Israel’s autobiographical memoir, published in 2008.

And who is Lee Israel? A longtime staff writer a The New Yorker, toiling away for long hours in complete anonymity, she had published a few biographies of bygone celebrities like Katharine Hepburn and Tallulah Bankhead, and cosmetics icon Estée Lauder. Her books were never successful enough for her to quit her day job, but when she was fired, she found a more lucrative career in literary forgery—specifically, forging letters from famous authors and selling them to unwary dealers.

The movie begins in 1991, with Lee (Melissa McCarthy) fired from her job for her foul mouth. Worried about her ailing cat, and prodded for back-rent owed to her landlord, she’s drowning her sorrows in scotch and soda when she meets Jack (Richard E. Grant) in a bar. With no known address or employment, but plenty of style, Jack gets by on wits alone, and the occasional tumble with a handsome young waiter. He becomes Lee’s drinking buddy and confessor.

Advised by her agent (a nifty cameo by Jane Curtin) that nobody cares about the once-famous people she writes about and to find a new line of work, Lee is stubbornly researching her next biography subject—vaudeville comedian Fanny Brice—when an authentic letter from Brice falls out of the dusty pages of a library book. Lee takes the letter to rare book dealer, Anna (Dolly Wells). Anna is interested, but the content is a little bland, so Lee goes home, jazzes it up with a snappy P.S., and brings it back to Anna, who buys it on the spot.

Soon, Lee is buying vintage typewriters at junk stores and fabricating completely fake letters from famous wits like Dorothy Parker and Noel Coward, copying their signatures in pen over a lightbox. Memorabilia dealers eat them up. At last, Lee has discovered a lucrative market for her work.

Annoying little details sometimes trip up the story. When Anna buys that first Brice letter, wouldn’t she recognize it as the same letter she rejected before, with a suspicious addition? For that matter, wouldn’t all the three or four dealers to whom Lee routinely sells her forgeries be more suspicious of where she was getting them? In real life, she might have widened her pool of buyers (I don’t know if she did), but in the movie, she just keeps taking her bogus letters to the same eager dealers—until the FBI intervenes.

While the real-life Israel was a middle-aged Jewish woman, Lee in the movie is robbed of any ethnicity. (She doesn’t even talk with a particularly New York accent.) She’s been turned into a vehicle for McCarthy, a generic frump in a bad haircut and shapeless clothes. Yet McCarthy is quietly affecting in the role, broadening her range beyond the madhouse comedies for which she’s best known.

But the movie may depend too much on McCarthy’s underdog popularity to sell the character’s less pleasant aspects. (At a swanky literary party, Lee steals a warm coat from the cloak room, and she plays phone pranks worthy of Bart Simpson.) We begin to see why her life is so solitary, although it’s revealed she once had a relationship with another woman (Anna Deavere Smith, in another cameo), who left because she felt the prickly Lee was pushing her away.

Still, the movie’s epiphanies work well—as in the moment Lee realizes she’s done the best work of her career in other authors’ voices. And McCarthy’s curmudgeonly Lee and Grant’s fizzy Jack make a delicious odd couple. Their friendship is the emotional lodestone by which the viewer can navigate this often twisted and cynical tale.

CAN YOU EVER FORGIVE ME?

**1/2

With Melissa McCarthy and Richard E. Grant. Written by Nicole Holofcener and Jeff Whitty. From the book by Lee Israel. Directed by Marielle Heller. Rated R 106 minutes

Hearty Entrees Shine at Lillian’s Italian Kitchen

Entrees were the stars at our recent dinner at Lillian’s Italian Kitchen.

Along with glasses of rich Eberle Cabernet Sauvignon 2015 ($12) and an excellent Bonny Doon Vineyard Cigare Volant 2012 ($13), we shared a salad of roasted beets, arugula and candied walnuts tossed in a vinaigrette with gorgonzola ($12). Sweeter than most antipasti salads, it made us wish we’d ordered the Caesar. My robust penne Margherita ($14) came tossed with marinara, fresh basil, gooey mozzarella and an addition of fat grilled Tiger prawns ($9). This was an absolutely fulfilling and generous bowl of pasta.

My companion’s entree of pan roasted salmon arrived on a bed of smashed potatoes ($27). The wedge of beautifully cooked salmon filet was joined by plump asparagus spears, everything strewn with diced fresh tomatoes and sauced with lemon and capers. Both entrees showed off the kitchen’s sure hand with Italian-American classics, and a take-no-prisoners devotion to garlic. The dessert of cannoli ($5.50) studded with chocolate chips was unlike the cannoli made by my companion’s grandmother. But then, what isn’t? The glass of Bele Casel Prosecco ($10), however, was fine.

Lillian’s Italian Kitchen. 1148 Soquel Ave., Santa Cruz. Open from 4 p.m; closed Monday. lilliansitaliankitchen.com.

Well Wok’d Music Party

Celebrating the 40th anniversary of both New Music Works and the Santa Cruz Chamber Players last week, world cuisine master Jozseph Schultz outdid himself with a gorgeous spread of dish after delicious dish for the sit-down dinner crowd of arts glitterati.

From pappadams and salmon flatbread, through feta Greek salad and Spanish marinated mushrooms, the chef wok’d up a feast of his all-star recipes. My favorites included paper-thin spiced baby kale crisps, arugula-cheese tortillas, squid in Greek seasonings, outrageous browned Brussels sprouts, chicken with walnut garlic sauce, quince chutney, amazing eggs with sumac and Egyptian dukkah spices, and a fiery fennel and tomato salad. Hibiscus cooler, chai, champagne, and a massive cake finished off the meal.

While we feasted, we were treated to memorable live music. Standouts included beautiful work from the Malans, harpist Jennifer Cass’ gossamer playing of Jon Scoville, as well as Lou Harrison’s Jahla with Phil Collins on percussion, and Stan Poplin’s smokin’ double bass walk through avant garde jazz by Joe Zawinul.

Libation of the Week

The delicate quince chamomile shrub ($5) at Ristorante Avanti. Vibrant and refreshing, this pungent infusion of vinegar-based botanical syrup in soda made a perfect partner for fresh local halibut and an addictive saute of winter veggies. Plus a creamy fresh pea risotto ($23). Alas, this will be one of my last lunches at the original Avanti. Ciao to Paul and Cindy Geise, and welcome to new chef/owners Jonathan and Tatiana Glass.

Tidbits

Hula’s Island Grill and Tiki Room at 221 Cathcart St. in Santa Cruz, takes you to the Islands this holiday season with an enticing gift certificate deal. You need only purchase a $50 gift certificate and you’ll also get a $10 certificate for yourself! Purchase $100 and you get an additional $20 gift card to treat yourself! Truly a win-win. Offer good until Dec. 24. Meanwhile, Soif Wine Shop at 105 Walnut Ave. in downtown Santa Cruz will deliver wine orders of $300 (or more) within Santa Cruz County now through the end of the year. Such a deal.

Post-Turkey Wine Dinner

In Aptos, Persephone restaurant welcomes Sante Arcangeli winemaker John Benedetti at 6 p.m. on Thursday, Nov. 29 for a five-course meal ($135 non-inclusive) that begins with puntarelle salad with prosciutto and duck egg, and ends with dessert of rose meringue, pomegranate and pistachio. Each course paired with a special Sante Arcangeli wine. Almost sold out! Reservations at 831-612-6511 or email in**@pe******************.com.

Theater Review: ‘Suds’

Back in the pre-digital age, before everyone’s earbuds were plugged into their own personal playlists, remember what it used to be like to hear some random oldie on the car radio that just made you grin? Going to Suds is kind of like that.

Subtitled “The Rocking ’60s Musical Soap Opera,” it’s the new Jewel Theatre Company production now playing at the Colligan Theater.

No, you don’t get to hear the original recordings, where you know every lick by heart. And, yes, the idea behind the show—to weave together nearly 50 rock classics (OK, a few are a little less than classic) into a loose narrative about a teenage girl looking for love—is an obvious attempt to create a crowd-pleaser without having to bother writing a bunch of new material. But the JTC production is full of fun anyway, thanks to a quartet of powerhouse vocalists who know how to sell the songs we love.

Conceived in San Diego by Melinda Gilb, Steve Gunderson, and Bryan Scott, this bouncy musical comedy made its off-Broadway debut in 1988, and has been a popular staple of regional theater ever since. Its only set is a laundromat, decorated here by Scenic Designer Steve Gerlach with giant, colorful murals of vintage Cheer boxes and other soap products. Shaun Carroll directs with the upbeat energy the show demands.

Employee Cindy (Brittany Law), is a fresh-faced ingenue having the worst day of her life, even though it’s her birthday. Among other things, her pen-pal boyfriend has just dumped her. She tries to end it all (wrapping a pair of capris around her neck and dangling one end into a washing machine on the spin cycle—sort of an upside-down hanging), but her plans are thwarted by a couple of guardian angels. Marge (Diana Torres Koss) is worldly and sarcastic. Dee-Dee (Lee Ann Payne) is more of a rah-rah type. But in between sniping at each other, they set out to convince Cindy, via the Tao of pop songs, that life is worth living and true love exists.

That’s about it for plot. But the always watchable Koss and Payne, both great singers, are two of JTC’s most reliable performers—and they deliver, especially in their big solos. (Koss’ “You Don’t Have To Say You Love Me” is epic.) Payne also staged the lively choreography. Law, too, has a big, bright voice; these three divas probably don’t even need to be miked.

Rounding out the show’s quartet is Nick Gallegos as everybody else, meaning every man the women encounter. He’s a riot in a variety of guises and personas, riffing on Elvis and Paul Lynde in walk-on bit parts like Mr. Postman, Mr. Right, and Johnny Angel. A five-person combo in matching powder-blue jackets that marches in to take its place in the upstage balcony keeps the action flowing with familiar downbeats and song cues.

And while the songs are familiar (glance down your row and see how many knees are bouncing up and down as the tunes roll out), the inventive way they’re strung together in service to the minimalist libretto gives the show its pop. “Wishing and Hoping” segues into “Tell Him” as a call to romantic action. The angels burst into “The Loco-Motion” when they mistake Cindy’s flailing away at the washing machine for a new dance craze.

The songwriters represented on the show’s hit parade are a diverse bunch, from Burt Bacharach to James Brown to Johnny Rivers to Otis Redding to Lennon and McCartney. Most of these tunesmiths are male (with Carole King and Phil Spector alumna Ellie Greenwich among the exceptions), but they were often writing for female performers like Lesley Gore, the Ronettes, Dusty Springfield, Dionne Warwick, and the Supremes, who made gigantic hits out of them—simple (and catchy) songs of heartbreak, yearning, hope, and swoony romance.

In other words, perfect material for this lightweight laundromat operetta.

The Jewel Theatre Company production of ‘Suds’ plays through Dec. 2 at the Colligan Theater at The Tannery. Call 425-7506, or visit JewelTheatre.net.

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Theater Review: ‘Suds’

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Crowd-pleasing ’60s oldies get a new spin in Jewel Theatre Company musical
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