In 2015, a large earthquake struck Nepal, registering 7.8 on the Richter scale. It was so powerful, it shrunk Mt. Everest. I mention this, Aries, because I suspect you will generate good fortune in the coming months whenever you try to shrink metaphorical mountains. Luckily, you won’t need to resort to anything as forceful and ferocious as a massive earthquake. In fact, I think your best efforts will be persistent, incremental and gradual. If you haven’t gotten started yet, do so now.
TAURUS April 20-May 20
We don’t know the astrological sign of Egyptian Queen Cleopatra, who ruled from 51 to 30 BCE. But might she have been a Taurus? What other tribe of the zodiac would indulge in the extravagance of bathing in donkey milk? Her staff kept a herd of 700 donkeys for this regimen. Before you dismiss the habit as weird, please understand that it wasn’t uncommon in ancient times. Why? Modern science has shown that donkey milk has anti-aging, anti-bacterial and anti-inflammatory qualities. And as astrologers know, many of you Tauruses are drawn to luxurious and healing influences that also enhance beauty. I recommend you cultivate such influences with extra verve in the coming days.
GEMINI May 21-June 20
In two trillion galaxies stretched out across 93 billion light years, new stars are constantly being born. Their birth process happens in stellar nurseries, where dense clouds of gas coalesce into giant spheres of light and heat powered by the process of nuclear fusion. If you don’t mind me engaging in a bit of hyperbole, I believe that you Geminis are now immersed in a small-scale, metaphorical version of a stellar nursery. I have high hopes for the magnificence you will beget in the coming months.
CANCER June 21-July 22
The planet Mars usually stays in your sign for less than two months every two years. But the pattern will be different in the coming months. Mars will abide in Cancer from Sept. 5 to Nov. 4 and then again from Jan. 27 till April 19 in 2025. The last time the red planet made such an extended visit was in 2007 and 2008, and before that in 1992 and 1993. So what does it mean? In the least desirable scenario, you will wander aimlessly, distracted by trivial battles and unable to decide which dreams to pursue. In the best scenario, you will be blessed with a sustained, fiery devotion to your best and most beautiful ambitions.
LEO July 23-Aug. 22
Famous rock musicians have on occasion spiced up their live shows by destroying their instruments on stage. Kurt Cobain of the band Nirvana smashed many guitars. So did Jimi Hendrix, who even set his guitars on fire. I can admire the symbolic statement of not being overly attached to objects one loves. But I don’t recommend that approach to you in the coming weeks. On the contrary, I believe this is a time for you to express extra care for the tools, machines and apparatus that give you so much. Polish them up, get repairs done, show them you love them. And if you need new gizmos and gear to enhance your self-expression, get them in the near future.
VIRGO Aug. 23-Sept. 22
In all of world history, which author has sold the most books? The answer is Agatha Christie, born under the sign of Virgo. Readers have bought over 2 billion copies of her 70-plus books. I present her as a worthy role model for you during the next nine months. In my astrological opinion, this will be your time to shine, to excel, to reach new heights of accomplishment. Along with Christie, I invite you to draw encouragement and inspiration from four other Virgo writers who have flourished: 1. Stephen King, $400 million in sales from 77 books. 2. Kyotaro Nishimura, $200 million in sales from over 400 books. 3. Leo Tolstoy, $413 million from 48 books. 4. Paul Coelho, $350 million from 28 books.
LIBRA Sept. 23-Oct. 22
Centuries before the story of Jesus Christ’s resurrection, there was a Greek myth with similar themes. It featured Persephone, a divine person who descended into the realm of the dead but ultimately returned in a transfigured form. The ancient Festival of Eleusis, observed every September, honored Persephone’s down-going and redemption—as well as the cyclical flow of decay and renewal in every human life. In accordance with astrological omens, I invite you to observe your own version of a Festival of Eleusis by taking an inventory: What is disintegrating and decomposing in your own world? What is ripe for regeneration and rejuvenation? What fun action can you do that resembles a resurrection?
SCORPIO Oct. 23-Nov. 21
The coming weeks will be an excellent time to take inventory of your community and your network of connections. Here are questions to ask yourself as you evaluate whether you already have exactly what you need or else may need to make adjustments. 1. Are you linked with an array of people who stimulate and support you? 2. Can you draw freely on influences that further your goals and help you feel at home in the world? 3. Do you bestow favors on those you would like to receive favors from? 4. Do you belong to groups or institutions that share your ideals and give you power you can’t access alone?
SAGITTARIUS Nov. 22-Dec. 21
“Progress was all right. Only it went on too long.” Sagittarian humorist James Thurber said that, and now I’m conveying it to you. Why? Well, I am very happy about the progress you’ve been making recently—the blooming and expanding and learning you have been enjoying. But I’m guessing you would now benefit from a period of refining what you have gained. Rather than even more progress, I feel you need to consolidate and integrate the progress you have so robustly earned.
CAPRICORN Dec. 22-Jan. 19
The people of Northern Ireland have over 70 colorful slang terms for being drunk. These include splootered, stonkied, squiffy, cabbaged, stinkered, ballbagged, wingdinged, bluttered and wanked. I am begging you, Capricorn, to refrain from those states for at least two weeks. According to my reading of the omens, it’s important for you to avoid the thrills and ills of alcohol. I am completely in favor of you pursuing natural highs, however. I would love you to get your mind blown and your heart opened through epiphanies and raptures that take you to the frontiers of consciousness.
AQUARIUS Jan. 20-Feb. 18
Beginning 11,000 years ago, humans began to breed the fig. It’s the world’s oldest cultivated food, preceding even wheat, barley and legumes. Many scholars think that the fig, not the apple, was the forbidden fruit that God warned Adam and Eve not to munch in the famous Biblical passage. These days, though, figs rarely make the list of the fruits people love most. Their taste is regarded by some as weird, even cloying. But for our purposes, I will favorably quote the serpent in the Garden of Eden: “When you eat the fig, your eyes will be opened and you will be like God.” This is my elaborate way of telling you that now may be an excellent time to sample a forbidden fruit. Also: A serpent may have wise counsel for you.
PISCES Feb. 19-March 20
The coming weeks would be an excellent time to file lawsuits against everyone who has ever wronged you, hurt you, ignored you, misunderstood you, tried to change you into something you’re not, and failed to give you what you deserve. I recommend you sue each of them for $10 million. The astrological omens suggest you now have the power to finally get compensated for the stupidity and malice you have had to endure. JUST KIDDING! I lied. The truth is, now is a great time to feel intense gratitude for everyone who has supported you, encouraged you and appreciated you for who you really are. I also suggest you communicate your thanks to as many of your personal helpers and heroes as you can.
Imagine stepping into a world where your wildest dreams come to life, and you can control every moment. Where you could solve problems, create art or improve your tennis serve—all while you sleep. If scientists working in the field of lucid dreams succeed, that world could become a reality sooner than we realize.
Beyond the mere fantasy appeal, the lucid dream state has the potential to heal deep-seated phobias, traumas and anxiety.
Lucid dreaming is a state of consciousness where sleepers are aware they are dreaming and can recognize their thoughts and emotions while doing so—and transfer the content of these dreams into their waking lives.
One researcher, driven by decades of single-minded focus, has catapulted this concept to the next level. Michael Raduga, CEO of REMspace in Redwood City, describes REM sleep as the next AI, and his new laboratory is primed to prove it.
Listening to Raduga’s story leaves little doubt about the lengths he’s traveled to pursue his passion. The Siberian lucid dreaming researcher, who was recently granted permanent residency in the US, conducted a series of famous experiments in 2011–2013, demonstrating that lucid dreams could be responsible for many alien abduction stories, religious visions and near-death experiences.
Raduga’s commitment to the psychological benefits of lucid dreaming knows no bounds. “I have nothing else in my life,” he admits, because he’s so driven to develop new technologies.
In response to inquiries about the therapeutic potential for this work, he says, “It’s not about exploring trauma, but reliving it in a new light, facing those fears head-on.” He shares a personal story, revealing that as a child he was so afraid of aliens that frequently he couldn’t sleep. So, he says, “I decided to see them for myself. At first, it was terrifying, but once I faced them in my dream, the fear vanished.”
Research supports this. Lucid dreams offer an alternate reality that can be a space for mental rehearsals. Imagine practicing a big presentation in front of a full audience, feeling the heat of the spotlight, hearing the murmurs in the crowd. It’s more than a mental exercise; it’s a full sensory experience.
Although not everyone can do it, roughly half of the population have experienced at least one lucid dream in their lifetimes. Around one-fifth experience them once a month or more.
And while this researcher’s work focuses on creating technology to bridge dream realities, he says other scientists are investigating the connection between lucid dreaming and reducing anxiety. “We’re working on the tech,” Raduga says, “but others are exploring its psychological potential.”
Raduga’s lab has already created a device that connects with lucid dreamers remotely, gathering data in real time and allowing for more advanced studies. The goal is to democratize lucid dreaming, making it accessible to everyone.
As for the future? Raduga and his team are on the edge of a breakthrough that could revolutionize our understanding of sleep and dreams, predicting that within a few years, a simple button could allow anyone to enter a lucid dream state at will.
But until that time, here are a few techniques to help you gain control over your dreams:
Dream Journaling: The moment you wake up, jot down everything you remember. This practice makes you more attuned to your dream world, increasing your chances of becoming lucid while dreaming.
Reality Testing: Throughout the day, take a moment to question your reality. Notice your surroundings and check for anything unusual. This habit trains your brain to recognize when you’re dreaming.
Intention Setting: Boost the likelihood of a lucid dream by repeating a phrase before bed—like, “I’ll remember I’m dreaming”—to help prime your mind for lucidity.
Wake Back to Bed: Set an alarm to wake you up about an hour before you usually rise. After staying awake briefly, go back to sleep. This method can lead to vivid dreams.
External Stimulation: Researchers are experimenting with gentle stimuli, like vibrations or flashing lights during REM sleep, to trigger lucidity. These cues help dreamers realize they are dreaming and gain control.
These techniques are just the beginning. With practice, lucid dreaming can become a regular part of your nightly routine. Happy dreaming!
Thanks for the attention and publicity…2 letters about us!
Come to Lighthouse Field this Fall to experience the Monarch Magic
The Monarchs🦋| Via Fiona Fairchild
GET A HANDLE ON CLIMATE CHANGE
As the country and the rest of the world experience another year of scorching heat waves, private, for-profit utility companies—whom we rely upon for our basic necessities like heating, cooling and electricity—are keeping us reliant on climate-wrecking fossil fuels while reporting record profits.
When they work well, utilities exist in the background of our lives: they power our homes, cool us down when it’s hot, and give us heat when it’s cold. But too often, they are sources of aggravation: The power goes off when it’s dangerously hot or cold out, our bills skyrocket, and these for-profit companies threaten to shut off services when we’re unable to pay.
We know that climate change raises those stakes even higher, and utility companies themselves play a massive role in exacerbating the climate crisis: 80% of electric utilities in the U.S. run on fossil fuels.
Shifting utilities to clean energy is integral to working toward a safer climate, but these private, for-profit companies would rather maintain the status quo and keep the public in the dark. Utility companies are charging us more while they get paid off by the fossil fuel industry to block the transition to renewable energy.
Utility companies have gotten away with profiting at the expense of people and our planet for too long. It’s time we hold them accountable and demand they stop using our money to burn our future while individuals and families struggle. We deserve an energy system that allows everyone to have access to clean and affordable energy.
Ben Ramsden-Stein
FAMILY BUSINESS CLOSING
Our family business Santa Cruz Radio TV is closing after 36 years in the same building. We have served and loved this community for so many years and want everyone to know just because we will no longer be in the same building that Mark and Greg Windt will be taking their business mobile and rebranding as WAVE: Windt Audio Video Electronics installation and repair.
When Aaron Frazer first began singing as a teenager, he was embarrassed of people hearing him practicing.
“I learned to sing while listening to Black Keys albums in my ’98 Honda Civic in high school because I was too embarrassed to sing in public. I thought maybe I had good pitch, but when you’re a kid, it’s embarrassing to sing,” Frazer says in a Zoom interview.
Frazer eventually got over his stage fright, and in the last decade the 33-year-old Baltimore native has spearheaded the retro soul revival alongside collaborator and bandmate Durand Jones. In a full-circle moment, Frazer’s first album, 2021’s Introducing…, was produced by Dan Auerbach, one-half of the Black Keys.
Now, the falsetto crooner is about to embark on his first solo tour to promote his second album, Into the Blue. The work is a time capsule of R&B/Soul, exploring the peaks of love and the lows of heartbreak. Produced by Alex Goose, the album has songs you’ll want to dance with your friends to; go for a drive in the car with; and others that you’ll want to float alone in your room with. “Time Will Tell” sounds Fleetwood Mac-ish, while “Fly Away” is reminiscent of ’90s R&B. “I Don’t Wanna Stay” evokes boulevard night rides in your car shedding a tear over a lover.
GT caught up with Frazer to talk about writing sad songs, finding your home away from home and discovering authentic Mexican food.
Good Times: How are you feeling for the upcoming tour? Is this your biggest solo tour to date?
Aaron Frazer : It’s my only solo tour to date. This is my first, so I’m so excited! I’ve been working really, really hard getting the show together, not just the music, but the performance of it itself. I’ve spent my whole musical life behind the drum kit, and so on this tour, I’ll be up front for probably most of the show, going back and forth.
We’ve come to Santa Cruz with Durand Jones and the Indications a bunch of times over the years—I think we’ve done The Catalyst twice. I feel like California audiences are truly some of the best in the entire world, and that includes Santa Cruz. The engagement from the fans just makes it feel electric.
GT: Into the Blue is very personal and explores the highs of love and lows of heartbreak. What was the writing process like for you and what state of mind are you in now compared to when you wrote the album?
Better now for sure. When I started (writing) I was definitely in kind of a very low place, just feeling very sad. The intention, originally, was to move to California with my partner at the time. So I arrived in a new city alone, and the Indications weren’t touring, we were taking a year break because we had just toured like crazy. Even that stability wasn’t there.
Originally, I was trying to avoid writing sad songs, honestly, just because I feel like a lot of people know me for these kinds of very tender, loving happy songs. But as soon as I allowed myself to start writing sad songs, the songs started flowing, yeah? And I also was able to go back and write some of the happy ones and appreciate the good times and the “highs of love.”
How has the album been received?
Great. I think this is an album that’s a little different for me. I still think it feels very much like me, but I just wanted to show growth, maturation. As a producer, as a songwriter, I wanted to bring all of my influences together, and I feel like I’ve really done that on this record. I think people are getting to see more dimensions of who I am as an artist, which makes me happy.
Musically, this album feels like a time machine taking you through various decades of R&B and soul. Was this on purpose?
It did come naturally. I’m a really eclectic music fan and music student, and I think that some people might look at these different genres and be like, ‘Oh, they’re too far apart, they’re too different.’ I think you can reach a point in your musical journey… it’s like you see The Matrix. That’s how it feels. It’s like you can see The Matrix, and when you get to that point, you realize that the distance between these genres is so small and a lot of times arbitrary.
You can very easily draw lines. It’s like, “Rapp Snitch Knishes” by MF Doom is a sample of a soul/jazz cover of David Bowie’s “Space Oddity.” I think all records are in conversation with other records, and so that’s what this album is. You can hear a musical conversation, and you can see what my record collection is through this.
Your lead single is “Dime,” featuring Chilean/Mexican artist Cancamusa. How did this collaboration come about?
I am a big Mon Laferte fan, and I found Natty (Cancamusa) through Mon’s Instagram page. At a certain point, Natty was featured on her Instagram and I was like ‘This is a super dope drummer, and she sings too,’ which is a very uncommon pairing. We connected the internet; I had written demos with a couple friends here in LA, and I knew I wanted to feature a Spanish-speaking artist on the track, and I love Natty’s voice. And I also just think it is really special to have two singing drums on one track. I honestly can’t think of another song that has that. It’s probably happened, I’m sure, but I can’t think of one.
It was nice to be able to do that together and we really dig into each other’s company. The love that you see in the “Dime” music video is really real. We really care about each other a lot. So, yeah, she’s great.
What’s a track you’re looking forward to playing live?
I’m really excited for people to hear “Fly Away” live because we have a special horn arrangement that’s not on the recording. That’ll be cool, to bring that to life. I think “Play On” has emerged as a fan favorite. It’s the one you never expect, the one people respond to. “Easy to Love,” also, because there’s just so much energy. It feels really good.
On this tour, I’m doing covers that people have wanted me to do for a long time. I’m playing some covers—some most-requested and some obscurities. It’s going to be a little bit of everything.
How do you like California and how is it inspiring you musically? Are you a fan of lowrider culture?
I’ve been so embraced as a solo artist and with the Indications by the lowrider communities all up the West Coast. All over the country, really, but especially on the West Coast and especially in California. Even though I’m not from here, it does feel weirdly like this is a musical hometown for me. It’s really one of the greatest honors of my life to be welcomed into the culture here in California and the lowrider scene. When that crowd rocks with you, they rock with you.
I’ve spent this year mostly in the studio, so I still feel like I’m laying down roots, in a way. But being here has skewed my point of reference for Mexican food! California just allows you to access a lot of different kinds of dimensions of life, and I think you can hear that on this record. There are so many different dimensions being represented. So, this is definitely a California record.
Might this record open you up to a new audience?
Yeah, that’s the hope. I feel like for my core listeners, it’s there for them. It knocks; it’s smooth; it’s sweet. But I do think that this record could also work in the context of other people’s musical universes that don’t know me yet. On digital streaming platforms, like Spotify, it’s been cool to see where these songs have ended up in terms of playlists. It’s in these interesting playlists with the Black Keys or a bunch of pop artists. I’m a music person who can kind of fit into any room. And I like to make music that can kick it with everyone.
The live show is really something that you can share with people. Of course, bring a lover, but also bring a homie; bring your mom; bring your dad; bring your kid. I’m making something that we can share together. And in these times when we are divided in a lot of ways, and we don’t always see eye to eye, it’s really rare when we can come together and share.
Headliner Aaron Frazer and opening act the Tailspins play at 9pm on Friday, Sept. 6 at the Catalyst, 1101 Pacific Ave, Santa Cruz, 831-713-5492. Tickets: $27/advance, $32/door. catalystclub.com
Ibiza is ready to party. In a wholesome, nutritious and energizing way.
The brand-new fast casual joint at the west end of downtown Santa Cruz’s Pacific Avenue (1541 Pacific) soft-opened last week.
The simple breakfast and lunch menu and counter service hinge on fresh local produce and grab-and-go convenience. The stylish and airy space and eager service invite a longer linger, with help from smart details like blue glass water carafes sculpted like fish and imported gins for house specialty G&Ts
Items to earmark on the breakfast front include cardamom granola puffs with Greek yogurt and fresh fruit; smoked salmon toast with pickled onions and crispy chives; and shakshuka stew with tasty house flatbread.
Come lunch, salads and flatbread wraps star, with a choice of smoky pork shoulder, thin-and-crispy chicken schnitzel or falafel on top, and a range of accessories like hummus, gazpacho and fries.
The two signature salads, BTW, scream Santa Cruz: The Hippie pulls together thinly sliced kale, spiced yams, “herby” tabbouleh, preserved lemons, crisp chickpeas and sunflower seeds with a carrot ginger vinaigrette; the Summer Salad features romaine, feta, sweet corn, cucumbers, tomatoes, mint, za’atar pita croutons and toasted pumpkin seeds with a lemon sumac dressing.
Um, yum.
Ibiza takes over the space where Barceloneta created an enthusiastic following with its Spanish tapas and lively vibe, with the same husband-wife duo, Brett and Elan Emerson, doing the chef floor general duties, respectively.
I swung by opening day after an all-nighter spent writing against deadline, feeling about an iced tea short of an Arnold Palmer.
After a substantial falafel wrap with freshly fried garbanzo balls, crispy outside and alive with herbal elements within—given an uncanny spark by the house slaw, pickled mango and harissa chili crisp—I was back, just like this key location in the downtown foodscape.
Ibiza is now open 9:30am-4pm Tuesday-Sunday; more at ibizasantacruz.com.
ALL OF THE LIGHTS
CT Lights Lounge has been glowing for about a month in the former Firefly Tavern and 99 Bottles of Beer on the Wall (110 Walnut Ave., Santa Cruz). Views of San Francisco’s skyline now cover the restaurant’s longest walls, though a great selection of craft beers remain on the wall behind the bar too.
As of last week, the rotating taps proffered their own City Lights Blonde Ale by Native Fermentations, Socks & Sandals by Humble Sea, Big Love DIPA and One Love West Coast IPA by Almanac to go with a handful of other draft beers and a few local ciders, complemented by 15 other curated cans and bottles. The food menu, meanwhile, spools through an eclectic mix of chicken chile verde bowls, double cheeseburgers, buttermilk fried chicken and Korean fried rice with brisket smoked in house.
I dropped by on Taco Tuesday, where the straightforward options were two: al pastor or carne asada tacos for a couple bucks each, and the atmosphere was super-friendly, stoked by welcoming owner-operator Noel Cardona. “I’m working like crazy,” he says. “But I love it.” Reliable sources report the brunch action—and particularly the biscuits and gravy—are worth a visit. @ct_lights_lounge on Instagram for more.
TASTY TAKEAWAYS
Local pop-up baker and crowd fave Danielle Orlando opened her homespun, health-minded, brick-and-mortar Dani O Bakeshop last weekend in the Capitola Mall (1855 41st Ave.), daniobakeshop.com…On the corner of Rodriguez and West Beach, Buena Vista Brewing has a place called Cerveceros Union on the way (30 West Beach St.). PS: Cerveceros means “brewers” in Spanish and the license is specifically for a small beer manufacturer license, vamos, buenavistabrewingco.com…Ocean Film Festival World Tour arrives Sept. 7 at at Rio Theatre and benefits Save our Shores!, riotheatre.com…“The sea, once it casts its spell,” Jacques Cousteau once said, “holds one in its net of wonder forever.”
From a young age, Yadira Maldonado found purpose in helping out her hardworking mom, Esperanza, at Taqueria Tepeque in Capitola. Esperanza founded the popular local spot 23 years ago, but her journey started much earlier when she began cooking as a child in Mexico. She immigrated to the U.S. at 14 without her parents, seeking a better future.
Yadira, who has now been working at Tepeque for over a decade and is also on the medical assisting career path has a menu that features a large variety of classic Mexican dishes, a combination of passed down family recipes and Esperanza’s own creations.
The best-selling birria is available in a soup, plate, burrito or taco. Other favorites include carne asada, red sauce enchiladas finished with cotija cheese and mole, a family recipe featuring chicken smothered in a sauce with many notes and a kiss of semi-sweet chocolate. For dessert, Esperanza’s flan is a can’t-miss. Yadira says if they run out, “people get mad.”
Tell me more about your mom’s incredible story.
YADIRA MALDONADO: She was born and raised in Michoacan, Mexico, where as a child her mom would help her cook small portions of food in hominy cans and she would sell them right outside her house. People really loved her food, and from there, she moved to the plaza in the middle of town and sold her food alongside other vendors. She woke up at 5am every day, and would always sell out. She always loved cooking, so when she moved to the US and wanted to be her own boss, she started this business with only $50 in her pocket, and has been able to grow it over 23 years.
What sets Tepeque apart?
My mom handmakes all the sauces and doesn’t measure anything; she just goes with her eyes’ and hand’s instincts. Sometimes we ask her for a recipe, and she says, “I don’t know, I just go by hand. Just do whatever feels right.” And she also makes our corn tortillas from scratch, which a lot of other places don’t do, and is very comforting for our guests.
3555 Clares St., Suite LL, Capitola, 831-462-2758; taqueriatepequeca.com.
How does a politician who brands himself as a Midwest hillbilly end up in business with top-flight Silicon Valley technology executives, who have helped him build a national political career?
Journalist, radio host and former Santa Cruz Board of Supervisors candidate Ami Chen Mills takes a peek behind the curtain where money, moguls and politicians meet.
It’s a fascinating look at the surprising roots of former President Donald Trump’s pick for vice president, J.D. Vance. Who knew how connected to the tech bros is this supposedly down-home junior senator from Ohio?
Chen Mills’ story traces the growing wave of the tech bro oligarchy and how it’s taken over San Francisco politics and crept down the coast to our hometown. She’s written a story of national and local interest you won’t be able to put down and you will need to keep a score card of the players.
Remember when Silicon Valley was home to liberal idealists? Not so much anymore, according to Chen Mills. And how does Lord of the Rings fit in? Read it and see.
Five local school districts are asking voters for half a billion dollars to fix decrepit buildings and build new affordable housing for teachers. It’s going to be one of the biggest issues on November’s ballot and will show whether county residents are truly committed to education. Reporter William S. Woodhams talks to Patrick Sánchez, the new superintendent of the Live Oak School District, about that district’s future and its request for needed funds. Scarily, he fears layoffs are in the future if funding isn’t.
There’s a new sheriff in town, literally, and reporter Todd Guild brings us the scoop in an online story on goodtimes.sc.
On the cultural front, writer Josué Monroy catches up with soul singer Aaron Frazer before he arrives in town Sept. 6.
“I learned to sing while listening to Black Keys albums in my ’98 Honda Civic in high school because I was too embarrassed to sing in public,” says Frazer. “I thought maybe I had good pitch, but when you’re a kid, it’s embarrassing to sing.”
How’s this for a concert you want to catch? Just weeks after opening for Taylor Swift’s Eras Tour, to a crowd of 90,000 at a sold-out Wembley Stadium in London, Sofia Isella is hitting the road on her first-ever headline tour with her first stop at the Catalyst in downtown Santa Cruz. Read Mathew Chipman’s story about this hot new talent. It doesn’t get bigger than that.
HEADER A hunting pelican takes a dive by West Cliff Drive. Photograph by Max Ferrero
GOOD IDEA
On Sept. 22, the Downtown Felton Association and Ethel & Sabel are excited to host the first Youth Artisan Faire—an event designed for local students (grades 7-12) to showcase and sell their handmade goods, including crafting jewelry, painting, baking or any other creative pursuits. The event will take place 10am-2pmin the back parking lot shared by Ethel & Sabel and Redwood Pizza.
Participation costs $20, and all proceeds from booth sales go directly to the young artisans. Sign up at downtownfelton.com.
GOOD WORK
The City of Santa Cruz is pleased to announce the approval of a new stipend program for members of the city’s advisory bodies. The City Council voted on Aug. 27 to implement this initiative, which aims to foster greater diversity and representation.
Starting in January advisory body members will be eligible to receive a stipend of $75 per public meeting. This program is designed to support participation from historically underrepresented groups, including Latinx community members and renters, as part of the city’s commitment to equity and inclusivity.
“We recognize that financial barriers can prevent some residents from fully participating in these important roles, and this initiative is designed to help address that,” said Mayor Fred Keeley.
In the late 1990s, I lived in a rented room in an old Victorian on Potrero Hill in San Francisco. This was just before the Tech Boom of the ’90s imploded, and the entire Bay Area was awash with lavish corporate parties. The vibe at that time was a lot, with dramatic and excessive displays of wealth as each new NASDAQ company tried to out-glitz the other.
Tech companies had already transformed the Santa Clara Valley into Silicon Valley, replacing fruit orchards from Sunnyvale to the southern reaches of San Jose with campuses for the likes of Apple, Oracle, Adobe, Intel, Hewlett-Packard and Cisco.
But tech employees were choosing to live in San Francisco and commute down the Peninsula, reversing traffic flows that traditionally moved from the suburbs into the city. Though the tech downturn of 2000 would soon hit many of these companies, this was the beginning of Big Tech “invading” San Francisco and altering its politics—and national politics—in ways we are just now beginning to understand. What does this sea change in San Francisco politics mean for Santa Cruz County?
The impact companies like Salesforce, Yelp and Twitter have had on San Francisco has gone far beyond economics. The city itself has become a pilot program with which to study what tech and cryptocurrency titans might envision for our nation. Because their companies are here, many executives have focused their political designs on and around the Bay Area and, in particular, San Francisco—historically known as a hotbed of LGBTQ+ activism and progressive politics.
While often claiming a moderate, centrist or even “progressive” mantle, and riding the wave of the YIMBY movement (or Yes in My Backyard), tech and crypto executives and VC heads Garry Tan, Marc Andreessen, Ben Horowitz, Peter Thiel, David Sacks and Balaji Srinivasan, among others, have altered San Francisco’s political landscape, helping elect Mayor London Breed, recalling progressive District Attorney Chesa Boudin and upsetting the school board and, most recently, the Democratic Central Committee. They are pro-police, support criminalization of homelessness and—echoing new Democratic campaign rhetoric re: MAGA—can rightfully be called very, very weird.
Since Trump tapped Ohio Senator J.D. Vance as his VP, it has been widely assumed that Thiel, Sacks, Elon Musk and other tech titans pushed for Vance to be Trump’s VP pick. Paypal founder Thiel, in particular, has attracted media scrutiny.
The Paypal founder poured $15 million into Vance’s Ohio Senatorial campaign—more money than Vance raised within his own PAC. And Thiel helped Vance ingratiate himself at Mar-a-Lago with Trump for an endorsement. Trump has famously said about that meeting that Vance was “kissing my ass, he wants my support so bad.” And shortly before the VP pick was revealed, Thiel has said he would vote for Trump only with a gun to his head, which implies that the grander scheme may look beyond the current MAGA leader.
The two men’s ties go back to 2015, when Thiel hired Vance to work at his venture capital firm Mithril—named after the precious metal in Tolkien’s Lord of the Rings series—and introduced Vance to his networks of tech and venture fund capitalists, as well as his own version of reactionary Catholicism, giving J.D. a moral purpose to replace or justify the simple thirst for money and success Vance has said he had before.
Vance soon left Mithril for the VC firm Revolution. Former employees from Mithril told the Wall Street Journal that Vance was barely seen at Mithril and cannot remember anything he accomplished there. Vance, they said, was mostly promoting his memoir, Hillbilly Elegy. Vance went on to found Narya (named for a ring in Lord of the Rings, with funding from Thiel), a VC firm based in Ohio which invests in Rumble and a company called Strive, among others.
TECH TWIST There’s more to J.D. Vance than the hillbilly life portrayed in his book ‘Hillbilly Elegy.’ He has strong ties to Silicon Valley.
San Francisco and the Donor Class
The first signs of a new wind blowing in San Francisco came with the recalls of Chesa Boudin, a progressive district attorney, and school board members Ali Collins, Gabriela Lopez and Faauuga Moliga. Much of the San Francisco legacy media and even “liberal” outlets like NPR have reported superficially on these events as a city moving “centrist.” But more energetic and even unpaid digging by Bay Area alternative journalists like D. Scot Miller and Kevin L. Jones (co-hosts of the Doom Loop Dispatch podcast) Toshio Meronek (“Sad Francisco” podcaster) and Emily Mills (citizen journalist @sf_mills on X) has revealed a more disturbing picture.
The school board recall, for example, was led by a bizarre conglomeration of tech execs, out-of-towners who had just moved to the city, YIMBY supporters and back-channel affiliates of Moms for Liberty.
As documented by Southern Poverty Law Center, Moms for Liberty has spent the last few years attempting to overrun school boards and purge schools of LGBTQ+ materials, POC history and even gay-friendly Disney films. They seem, ultimately, to want to privatize and Christianize the schools.
Diane Yap, a major player in the school board recalls, as president of Friends of Lowell Foundation in SF—who accused then school board member Ali Collins of racism—would go on to regularly flame-throw racist tropes on X and in essays for the Manhattan Institute (where Christopher Rufo, architect of the GOP’s anti-DEI campaign, is also housed). Mills discovered that Friends of Lowell shared an IRS mailing address with Moms for Liberty.
Community volunteers Julie Pitta and Jeremy Mack did the work paid journalists should have been doing and led research for The Phoenix Papers, tracking money (at least what can be tracked) coming from all quarters into SF elections, under the guise of “moderation.” This money comes through both nonprofits and political PACS.
“Not surprisingly,” the authors write, “74 percent of all donations–over $10 million–comes from just 23 extremely wealthy, mostly right-wing and conservative donors and corporations. Combined, these donors have a net worth of over $22 billion.”
Miller, a veteran Bay Area journalist, says he first noticed a sea change in the early 2000s, when the older, Black chess players at Market and Powell were cleared out of the area by police and the city.
“These older Black men were keeping the peace down there, but then these new folks felt uncomfortable with them. All these tech people wanted to turn the city into the suburbs,” Miller says. “I kept thinking: ‘Who has that much power?—to culturally transform the city like that?’ And that’s also when our cultural institutions started to shut down.”
Miller and Jones have been tracking the rise and fall and rise again of tech in San Francisco on Doom Loop Dispatch, which has, over the last few years, taken a turn toward the bizarre as millionaire and billionaire techies throw their considerable weight around.
What About Santa Cruz?
The nationally growing YIMBY movement is one darling of the new “moderate,” SF “Democrats.” YIMBY is a pro-housing movement that purports to alleviate the very real Bay Area housing affordability crisis by removing obstacles to building new housing.
While many Democrats support YIMBY, M. Nolan Gray, the California YIMBY Research Director, has been contributing regularly to the far-right Manhattan Institute.
YIMBY claims to want to house the unhoused, but the Manhattan Institute recently submitted an amicus brief to support Grants Pass–as did SF Mayor Breed–in the recent Supreme Court decision which has made being unhoused a national crime.
Here in Santa Cruz, YIMBY Action is deeply involved in electoral and Democratic politics, including making endorsements. Santa Cruz has become one of the most YIMBY-friendly small towns in the state, driven by expensive housing, a severe housing crunch and big bucks from tech and real estate.
The policy director for both YIMBY Action and Law, Rafa Sonnenfeld, lives in Santa Cruz. Sonnenfeld and other staffers at Yimby Action and Yimby Law have distanced both groups from CA YIMBY and the Grants Pass decision by condemning it.
The most nefarious trends in San Francisco are perhaps still just a cautionary tale for Santa Cruzans. We may have at least one billionaire here in the form of JoeBen Bevirt, who landed Joby Aviation headquarters in the Harvey West industrial park. (Bevirt lives in Bonny Doon). In February, the Santa Cruz City Council granted Joby—a company with a market cap hovering around $4 billion—$500,000 in the form of a forgivable loan. And wealthy individuals like Bud Colligan have weighed in heavily for Manu Koenig’s campaigns and against the Rail and Trail.
Wealth has always translated into political power, including here in Santa Cruz County, but San Francisco illustrates the inevitable trajectory of US wealth disparity, unchecked political contributions a là Citizens United and the new and seemingly unhinged power of global tech.
‘Grays’ Are Really Red
Garry Tan, CEO of Y Combinator, is nationally famous for calling for the “slow death” of still progressive members of the SF Board of Supervisors. (His attorneys contacted Metro to say that the remark was “a reference to lyrics in a 1996 Tupac Shakur song” and that “The tweet was made during an alcohol-fueled night of celebratory karaoke in Chinatown; an act for which Mr. Tan has since profusely and publicly apologized.”—Editor)
Tan has poured over a hundred thousand dollars into props, and recalls, as well as supporting YIMBY and YIMBY-allied electeds. Though he calls himself a Democrat, Tan is allied in many ways with Balaji Srinivasan, CTO of Coinbase, who calls for whole sections of San Francisco to be walled off from “Blues,” or Democrats. Srinivasan is famous for the tech-bro version of Project 2025, “The Network State” manifesto, also published online. The book promotes tech communities starting whole new cities, even new countries—as successors to the nation state, or “network states.”
In a “Moment of Zen” podcast, Srinivasan stated that San Francisco’s call for Musk to remove the unpermitted and possibly dangerous “X” sign he had hung on Twitter headquarters somehow logically necessitated creating “Gray Zones” comprising whole city blocks in San Francisco, where only “Grays,” for example, with key cards, could enter. (Musk’s company just this month announced it would leave SF for the South Bay.)
On the podcast, Srinivasan said Gray Zones would be the natural “inverse of the situation” in which San Francisco Democrats or “Blues” actually enforce city laws on tech companies. His “Grays” are tech workers, their families and police—lots of police—who would wear uniforms and badges showing their “Gray pride” and march in parades with drones flying overhead. Balaji also calls for an overall purge of “Blues” from the City, citing Saddam Hussein’s “De-Ba’athification” in Iraq as a model.
Tan, who has funded and fundraised for candidates and recall campaigns in San Francisco, speaks often in public with Srinivasan. Tan has advocated for tech “campuses” in San Francisco—some of which have taken shape in the form of the Solaris Project, which first listed Srinivasan as a funder and then claimed he had no role in the project. The Solaris idea is also to create sort of tech-exclusive neighborhoods in the City, to “build community”—bypassing the idea that one might build community by connecting with people who already live in these neighborhoods. Tan recently said at an “Effective Accelerationist” meet up: “If we can build it here, we can build it anywhere and we can take over the whole world.”
No DEI on the Musk Space Ark
In April, reporter Gil Duran wrote, in an important article for The New Republic: “Those who try to downplay Balaji’s importance in Silicon Valley often portray him as a ‘clown.’ But Donald Trump taught us that clowns can be dangerous … Since his secession speech at [Tan’s startup incubator] Y Combinator, Balaji’s politics have become even more stridently authoritarian and extremist, yet he remains a celebrated figure in key circles.”
Scratch the surface of figures like Thiel, who is obviously politically important, and you find the same “Network State” ideas in Thiel’s founding of the SeaSteading non-profit, which seeks to build autonomous, floating, libertarian nations. One version of sea-steading, EphemerIsle, is enacted every summer in the Sacramento Delta, in which enthusiasts build a flotilla of rafts upon which they then proceed to do a lot of drugs.
Peter Thiel
Journalist Duran notes that the SF mainstream media has turned a blind eye to this darker aspect of the “centrist” takeover. “No local story has mentioned [Tan’s] long affiliation with Balaji or the Network State cult that is currently trying to create tech-controlled cities around the globe, and which maintains a fascination with an alt-right, neo fascist movement known as the ‘Dark Enlightenment.’”
Overall, this seems a familiar trend of the absurdly wealthy, to attempt to remove themselves from the rest of society, or the unwashed masses, altogether. And serious attempts have been made at such “apartheid” nations, according to Oakland-based Miller, who says all these extremist and authoritarian ideas have taken the form of actual projects in Honduras, El Salvador, Nigeria, Palau and the Mediterranean.
Miller is especially concerned with the spread of this “tech takeover” into Oakland, where a similar effort to recall the newly elected female and Hmong Mayor Sheng Thao and Black, female DA Pamela Price has been 80 percent funded by hedge fund manager Philip Dreyfuss.
“We’ll see what happens here in the most racially diverse metropolitan area in the nation. I love this community and I am going to try to protect it,” Miller says.
“There is a profound anti-Blackness under all these intentions, which they try to cover by running POC candidates who do their bidding. But remember that Peter Thiel and David Sacks were authors of The Diversity Myth in 1996.”
In December of 2022, Musk tweeted a painting of a spaceship called “The Ark” getting ready to launch from Earth with animals marching up its ramp, two-by-two. Armed guards kept masses of humans at bay, who all, in this painting, appear to be Black. Musk’s X platform is hardly alone in amplifying the racist dog whistles and misogyny of the Tech-Crypto-Bro-MAGA movement. Vance’s capital fund Narya funds the social media platform Rumble, which is rife with white supremacist conspiracies, as well as asset-management company Strive, which has sent lengthy, threatening letters to Boeing, claiming that its “DEI” policies created Boeing jet crashes and that it must cease integrating its workforce immediately.
Libertarian Dreams and Authoritarian Schemes
Successful tech and VC executives have built and controlled corporations and seem unable to comprehend why they can’t control the overall society as well. As David Corn reported in Mother Jones, democracy is an obstacle for them and Thiel has said as much. “I no longer believe that democracy and freedom are compatible,” he wrote for the Cato Institute. He also asserted that women’s suffrage is an obstacle to libertarianism.
Applying top-down, corporate logic to our nation would likely feel a natural extension of the power executives create for themselves in the so-called “private” world, actually often a major beneficiary of government (read: taxpayer) funds. Anyone who opposes them must be simply removed from the company, or, er, country.
But these dictatorial dreams—fueled by the new, untethered, or “crypto” currency—bump up against the realities of American democracy and the fact that not everyone who lives in their worlds agrees with them, wants to join their communities without being paid to do so, nor even appreciates their products, which they often refer to as miraculous feats of “innovation.”
California Forever CEO Jan Sramek, an immigrant from the Czech Republic, gets his Western idealism, he says, from “the movies” and now intends to change the face of California. While he and other execs want to “build community” for the children of tech employees in Solano or elsewhere, they fail to appreciate how tech itself has destroyed much of the community they now crave.
The coordinated influence of these power players from the Bay Area is now visible in the Trump-Vance platform and Trump’s promotion, early this year, of “freedom cities” built by private individuals on federal land. The platform also calls for uninhibited development of AI and states the GOP “will end Democrats’ unlawful and unAmerican Crypto crackdown and oppose the creation of a Central Bank Digital Currency [sic].”
Additionally, Trump “will defend the right to mine Bitcoin,” and, in an apparent nod to Musk, “create a robust Manufacturing Industry in Near Earth Orbit, send American Astronauts back to the Moon, and onward to Mars, and enhance partnerships with the rapidly expanding Commercial Space sector to revolutionize our ability to access, live in, and develop assets in Space.”
Reclaiming ‘Lord of the Rings’
Self-driving cars, smart phones, on-line shopping, Uber Eats, DoorDash, “self-check-out” and AirBnB have increasingly created a society in which human contact, and especially contact between classes, races and ethnicities, has plummeted. Just because these innovations have made life prosperous for the C-suite class does not always mean they have made life “better” for all of us. Indeed, technology is likely now killing us.
Nowhere is the conflagration and disaster that is the ongoing climate crisis mentioned in their blogs and speeches as these executives extoll AI and cryptocurrencies, both of which are setting the transition to alternative energy back decades. We are already 30-plus years behind in the “race” (if there even is one) to ensure a habitable world for most of us.
Recall that Thiel hired Vance to his firm Mithril. Another of Thiel’s companies—Palantir, the controversial, CIA-funded surveillance and data synthesis company founded in Palo Alto, which helped target immigrant families for deportation after Trump’s election—also takes its name from LOTR, as does Vance’s Narya.
Both seem to love the Lord of the Rings series. I do too. But what role do these wealthy execs play on our Earth?
Chief opponent to Sauron—the evil force that must be defeated in LOTR—is Gandalf the Grey, known to all groups in Middle-earth and loved by them all. He did not separate elves from dwarves, nor hobbits.
But there is another wizard—Saruman the White—who joined with Sauron and tried to recruit Gandalf to his cause, in which only one race—the race of Men—would rule the kingdom. Gandalf refused, countering that evil was afoot. Fighting Sauron would “require the union of all our strength,” Gandalf said. In the end, it was a diminutive hobbit and a mixed-race band of unlikely warriors who saved the realm.
As for Thiel, Vance and others who see themselves as lords and kings—now casting their sizable lot with the would-be dictator of our own lands—the legend of Mithril may be apt.
In Fellowship of the Ring, Gandolf recounts the legend of the Dwarf Durin, his people and how they mined for Mithril: “The Dwarves tell no tale, but even as Mithril was the foundation of their wealth, so also it was their destruction: they delved too greedily and too deep, and disturbed that from which they fled, Durin’s Bane. Of what they brought to light, the Orcs have gathered nearly all, and given it in tribute to Sauron, who covets it.”
Ami Chen Mills is an author, coach and host–with a team–of the podcast and radio show, “Moment of Truth with Ami Chen Mills,” where she has recently covered J.D. Vance and the tech bros of San Francisco. Meilin Obinata and Joy Schendledecker contributed to this article.
An earlier version of this article misattributed a post applauding Chilean dictator Augusto Pinochet’s practice of throwing communists out of helicopters to Mr. Tan. The author of the X.com tweet was made by Tan’s colleague, Lee Edwards, who described it as a “sarcastic shitpost.”—Editor
THE POLYPHONIC SPREE—In our fast-paced, ever-changing society, who wants to be tied down by committing to one religion or cult (and really, what’s a cult but a religion in its beta phase)? Tim DeLaughter’s nebulous musical and visual happening, the Polyphonic Spree, allows you to join a cult for a night—a third-eye-opening, spiritual-gift-giving, soul-engaging, chakra-aligning night. Maybe you’ll drag a bit at work the next day, but at least you won’t be moving into a compound or handing out flowers at the airport. The Spree’s music is gorgeous, and they leave everything they have on the stage. Embrace! KEITH LOWELL JENSEN INFO: 8pm, Moe’s Alley, 1535 Commercial Way, Santa Cruz. $36/adv, $42/door. 479-1854.
EXPERIMENTAL
THE WAMEKI—What is punk rock? The question has plagued hipsters, outsiders, cranks and cool kids for over five decades—even longer if one considers that “punk rock” can be interchanged with whatever status quo-defying trend is happening at the time. But the Wameki, a musical Molotov cocktail igniting a warehouse of C4, is here to destroy all definitions of what is or isn’t punk rock. In the true style of Japanese noise, they mix chaos, power violence, electronic static and offbeat time signatures for a sound that leaves questions but will be a helluva live show. Joining them are Apparition (hardcore industrial hip hop), Vantana Row (East Bay dystopian Nintendocore) and I’ve Never Been Here Before (hyper electronic punk). MAT WEIR
INFO: 7pm, SubRosa Community Space, 703 Pacific Ave., Santa Cruz. $10. 426-5242.
SATURDAY 9/7
DEATH METAL
SEPSIS—As if their indecipherable logo wasn’t challenging enough, Sepsis is back for another barn burner of a show with two killer (operative word) SC locals. Sepsis is named after the body’s extreme response to an infection and a life-threatening medical emergency; it’s a moniker that couldn’t be more apropos for a much-buzzed-about death metal quartet. For the curious, the band has a dedicated Bandcamp page that features their Twisted Remains demo (2016), the heavier-than-Hades “Facial Deformities” single (2019) and the over-the-top Interdimensional Decay, released back in October 2019. Sepsis is Sam Hughes (drums, vocals), Ballard Greedy (guitars), Liam Harris (bass) and Mason Aalgaard (guitars). Time to die! Special guests: Terra and Hideous Creature. EDDIE JORGENSEN
INFO: 9pm, Blue Lagoon, 923 Pacific Avenue, Santa Cruz, $10. 423-7117.
ELECTRONICA
RANDOM RAB—After immersion in the San Francisco underground music scene, electronic artist Random Rab relocated to Colorado in the ’90s. There, he launched his career with a fusion of electronic sources and vocals. Deep-groove beats coexist with ethereal, ambient textures and washes of synthesizer pads, disembodied voices and evocative soundscapes characterize his work, but straightforward and catchy pop values often make themselves known, as well. To date, Random Rab has released over a dozen albums; On Magnificence is his latest. His live performances aim for—and deliver—a multisensory, enriching experience. Koresma opens. BILL KOPP
ANGEL OLSEN—Asheville-based indie singer-songwriter Olsen has a distinctive sound that bridges folk, country and pop. Throughout nine albums, Olsen has traversed a great deal of stylistic ground; her music is informed by classic country and western, but she’s far too individual an artist to fit neatly into that category. The haunting quality of her approach colors her collaborative work, too. Olsen’s latest effort finds her guesting on “Mercury Avenue,” a Maxim Ludwig single. The tune is a modern-day indie take on the classic and grandiose Phil Spector “wall of sound” pop of the early ’60s. BK
INFO: 8pm, Rio Theatre, 1205 Soquel Ave., Santa Cruz. $47.25. 423-8209.
JAZZ
Jazzmeia Horn Photo: Empress Legacy Records
JAZZMEIA HORN—Jazzmeia Horn—one of the most acclaimed, celebrated jazz vocalists, three-time Grammy nominee, and NAACP Image Award winner, Sarah Vaughan International Jazz Competition winner and Thelonious Monk Institute International Jazz Competition winner—is in town for one night only. While the artist and the venue haven’t shared the specifics, it seems safe to assume only the best musicians imaginable will join an artist of her stature on stage. She is improvisational, innovative and passionate, and her voice is truly a finely tuned instrument played by a maestro, the kind of voice you need to experience live. KLJ
INFO: 7pm, Kuumbwa Jazz Center, 320-2 Cedar St., Santa Cruz. $47-$53. 427-2227.
TUESDAY 9/10
ROCK
SORRY IT’S OVER—Sorry It’s Over is here to hold the hands of everyone who needs a close and emotional talk. The brainchild of Louis Petrella, Sorry It’s Over is an alternative indie pop project flowing from the uplifting and emotionally manic to the down-and-out dog days. Throughout their music, a dreamlike sense of wonder maintains innocence while delivering the news, good and bad. The show also marks the first day of Sorry It’s Over’s West Coast tour, so even though it’s free, throwing a couple of bucks Petrella’s way toward gas in exchange for a T-shirt, sticker or CD adds karma credits from the concert gods. MW
HUMMINGBIRD POETRY PRESS POETS—Significant poets and heavyweights in the local written and spoken word arena will bring it big time to aficionados and those with noses pressed to the glass. The poets of Hummingbird Poetry Press (a rare gathering!) will share current work by Charles Atkinson, Wilma Marcus Chandler, Maggie Paul, Kim Scheiblauer, Amber Sumrall and Ken Weisner. Almost nothing is as primal, soothing and provocative as the spoken word. Discover that it is still possible, even nowadays, to fall under a spell of poetic enchantment. Okay, maybe you won’t love every poem, but bring an open mind and be prepared to engage in hand-to-hand criticism after the dust has settled. CHRISTINA WATERS
INFO: 7pm, Bookshop Santa Cruz, 1520 Pacific Ave., Santa Cruz. Free. 423-0900.
WEDNESDAY 9/11
THEATER
THE GLASS MENAGERIE—When to leave home and when to stay is a dilemma many people struggle with. We love our family, but it’s healthy to leave the nest and experience the world. Even Tennessee Williams wrestled with similar quandaries. He loved his family but knew he would have to leave his hometown to grow as a writer. That internal struggle inspired the short story “Portrait of a Girl in Glass,” which then became The Glass Menagerie, a play that launched him into the spotlight. Runs through Sep 28. ISABELLA MARIE SANGALINE
INFO: 2pm, Santa Cruz Shakespeare, 501 Upper Park Rd., Santa Cruz. $5-$50. 460-6399.
Bees asleep on flowers — under special circumstances. I used to work at a farm, and we would often see little bees before the sun was fully up, asleep on the flowers. Sarah Carruth, 39, Cabrillo Horticulture Major
ELDRITCH
Running into people I know, like when I’m Downtown, or anywhere in Santa Cruz, just spontaneously. Eldritch Alvarez, 22, Juggler
LEONA
Sunsets that are orange and pink, especially around Scotts Valley. I really like to see them at the park, like the sunset over the mountains. Leona Agrella, 14, Student
SAMUEL
Walking Downtown at 9am, the pure quiet, the seagulls and the ocean. The peacefulness of the morning and enjoying nature. I’m a late sleeper, but I’ve had to be up early for work. One day it just totally caught me off guard. The atmosphere just completely captured me. Samuel Spivey, 19, Pizza My Heart on Pacific / UCSC Computer Science Major
TRINITY
Bubbles. Clouds. Kids playing. Small animals, like puppies, kittens, birds. Good food. Music, especially on the street here downtown. Trinity Hinde, 20, Portal of Love on Pacific Av
AARON
A good walk. All kinds of weather. And any time with my son, anything, any time. He’s just 4, so he keeps me young. Aaron Drake, 48, Massage Therapist / Teacher
ARIES March 21-April 19
In 2015, a large earthquake struck Nepal, registering 7.8 on the Richter scale. It was so powerful, it shrunk Mt. Everest. I mention this, Aries, because I suspect you will generate good fortune in the coming months whenever you try to shrink metaphorical mountains. Luckily, you won’t need to resort to anything as forceful and ferocious...
Sofia Isella is hitting the road on her first-ever headline tour with her first stop at the Catalyst in downtown Santa Cruz. Read Mathew Chipman’s story about this hot new talent.
Venture capitalists and tech execs made J.D. Vance Donald Trump’s choice for VP. Is what they have done to San Francisco what they also want for the nation?
What are the little things that make you happy?
Bees asleep on flowers — under special circumstances. I used to work at a farm, and we would often see little bees before the sun was fully up, asleep on the flowers.Sarah Carruth, 39, Cabrillo Horticulture Major
Running into people I know, like when I’m Downtown, or anywhere in Santa Cruz, just...