It will be more gentrified and expensive, like a mini-city with more high-rises. The homeless situation will be less welcoming, with police control over the homeless. I’d love rent control so people without crazy tech money can live here, and people restoring the San Lorenzo River … and maintaining its beauty.
Aster Galloway, 22, UCSC Environmental Studies
KAIA
A lot more commuters will live here, because housing is crazy on the peninsula and people love the small beach town feel of Santa Cruz. I would love the city to champion the community spaces that we have and foster more spaces that allow people to come together and be a community, to meet each other.
Kaia Garcia-Vandegrift, 21, UCSC Legal Studies
EMMI
I hope for more local businesses. I like the small shops that are locally owned—they make Santa Cruz happier.
Emmi Steiger, 20, Leaf and Vine Urban Plant Shop / Cabrillo EMT program graduate
ROSE
Santa Cruz is going to be a world-renowned arts destination. People will come here just to see what we’re doing. More art galleries, more performance venues, strengthening theater, dance, and visual arts. … People envision us all in Birkenstocks and tie-dye and we’re so much more than that.
Rose Sellery, 70, Co-owner/Curator of M.K. Contemporary Art
RICHARD
More downtown building—but I think it will be important that somebody had the presence of mind to preserve most of what we’ve got. Hopefully more freedom of movement from north to south and not overly “neighborhood-ized” because of traffic. People don’t travel the whole county anymore.
Richard Rossi, 75, Artist
DENNIS
I foresee Santa Cruz rivaling the oceanside spa towns in Spain, with more and richer tourists. For a lot of rich apartment renters, it will be like a second home. We’ll need more bohemian cafes to counterbalance the arrival of the rich, because this is a very cosmopolitan little city.
Dennis Holt, 83, Folk musician/Guitarist/Troubadour
Good Times has covered Santa Cruz for 50 years. In our publication’s third issue celebrating this anniversary milestone, we decided to look ahead, rather than back. The great American philosopher Yogi Berra once observed, “It’s tough to make predictions, especially about the future.” We asked cultural and political movers and shakers to take on that challenge and share what they foresee for the next 50 years.
The Mayor of Santa Cruz Looks Back
By Fred Keeley
Well, here we are in 2075.
The City of Santa Cruz has now grown to 75,000 residents, in large part due to the University of California at Santa Cruz’s 48,000 students. Many of the students have been attracted to this campus due to the opening of UCSC’s Medical School in 2043. The biomedical focus atop Science Hill on campus has stimulated the off-campus development of 117 private-sector companies who pay high salaries and benefits to locate in the Santa Cruz metropolitan area.
The BioTech Campus, which houses Moderna, Genentech and World Medicine Inc., now employs more than 12,000 folks, many of whom live and work on the private-sector campus. The West Side entertainment district, added in 2060 to complement the downtown entertainment district, features 82 eateries, bars, coffee shops and retail shops.
FRED KEELEY: ‘Hourly submarine tours of the Monterey Bay canyon continue to depart from the wharf’s magnetic lift.’ PHOTO: Contributed
Speaking of the Downtown Entertainment District, the SC Warriors, with four new players all over 7 feet tall, continue to draw sell-out crowds. The tribute band “The Trav and the Swifties” will perform at the arena next week, featuring Ta Swift’s granddaughter, Trav, on vocals.
The redesigned Santa Cruz Wharf, which is now 300 feet shorter due to the back-to-back La Niña storms in 2065, is again open for business. The hourly submarine tours of the Monterey Bay canyon continue to depart from the wharf’s magnetic lift.
Over at the Santa Cruz Beach Boardwalk, the nearly 200-year-old facility continues to attract over a million visitors each year. The newest ride, Boardwalk Blast, launched last week. It projects riders 1,500 feet from the Boardwalk, across the main beach, and into the Monterey Bay National Marine Sanctuary’s portable warm water plunge (an 80-foot-circumference structure built with natural sea glass and kelp). Santa Cruz’s housing crisis continues due in part to Governor Jerry Brown VIII’s veto of a $1 trillion bond, proposed for the 2070 ballot. While rents for a single room are at historic highs, $22,500 per month, the governor says that continued private sector development will drive down prices by simply building more apartments and homes. Some remain skeptical.
Well, another year has come and gone, but we continue to have hope and aspirations for our wonderful town on the bay.
Fred Keeley, currently serving a term as Santa Cruz’s first elected mayor, has worked in county, state and local government since the 1980s.
An Inventor Speaks: Innovation and Technology Needed
By Philippe Kahn
Most predictions are entangled with politics. I’m an optimist—and I don’t do politics. I’m an inventor, a technologist and a scientist. I believe tomorrow can be better than today.
PHILIPPE KAHN: ‘I believe tomorrow can be better than today.’ PHOTO: Fullpower-AI
That said, we face undeniable challenges: rising oceans, a changing climate, population growth and more. I don’t believe politics can solve these issues, especially in such a polarized world. But I do believe that invention and technology can. By asking hard questions—and then questioning the answers—we can make real progress. Constructively. Rigorously. Within the framework of the scientific method.
My prediction is simple: through scientific progress and human ingenuity, we can meet most of the challenges ahead. That’s why I remain an optimist.
Philippe Kahn is currently CEO of Fullpower-AI. Among his 235-plus inventions, Kahn may be best known as the inventor of the camera phone, made right here at Sutter Health, while his wife was in a long labor giving birth to their daughter.
Santa Cruz Will Still Be Arty
By Nicole Fischer
Fifty years from now, Santa Cruz will still smell like salt air and coffee beans. The cliffs will still catch the morning light in that same golden way, and close by will be someone trying to capture it, paintbrush in hand. But the way we live, create and connect here will have evolved, rooted in the same creative pulse that has always defined this town.
In 2075, the world outside Santa Cruz might move faster than ever, filled with digital conveniences and instant gratification. Here, we’ll still slow down long enough to notice the color of the sunset. Our downtown will hum with life again, full of studios, pop-ups, galleries, and tiny shops built around people rather than products. Community markets will look a lot like they did decades ago, but with solar awnings, shared garden courtyards, and artists painting live while drones deliver coffee.
Art will not just hang on walls; it will live in the spaces between us. Homes will be smaller but filled with meaning. Pieces will be traded, borrowed, and passed down, creating a circular economy of creativity that values care over clutter. Handmade will never go out of style here. If anything, it will matter more than ever.
NICOLE FISCHER: ‘Santa Cruz will still be a place that chooses soul over speed.’ PHOTO: Courtesy Rootstock Artisan Collective
The beaches will be cleaner because the people will be more conscious. Locals will still surf at dawn, gather at sunset bonfires, and plant wildflowers along the bike paths. Kids will still sell seashell jewelry on the wharf, just like their grandparents once did, learning that creativity is currency.
And Rootstock? By then, it might be more than a store. It could be a collective of light-filled spaces across town. A place where art, conversation, and community blend together. A place where mentorship is second nature, where locals drop in to recharge, sip something good, and be reminded that beauty and belonging are still worth building.
Fifty years from now, Santa Cruz will still be a place that chooses soul over speed. A place that holds space for creativity to thrive. And even as the world changes, the heart of this coast will stay beautifully, unmistakably Santa Cruz.
Nicole Fischer is the founder of Rootstock Artisan Collective, a creative hub and storefront in Santa Cruz. She describes Rootstock as “a place that was born from a love of art, storytelling, and community connection. It’s a space where local artists can be seen, supported, and celebrated. Every piece carries a story, every purchase supports a dream, and every conversation is an act of connection.”
You Can’t Go Backward
By Joe Ferrara
I love Santa Cruz 2025. It is not the Santa Cruz I moved into when I started my business in 1976 at the young age of 27, but then again that was not the Santa Cruz of 1926. Those who have chosen to live here have always cherished Santa Cruz on an individual basis. When I hear the lament of longtime residents—“I want my old Santa Cruz back”—I quickly point out that change is inevitable. Horseless carriages to driverless cars, cash registers to POS scanners, dial-up phones to cell phones, newspapers to the internet—a plethora of technical advances to improve our way of life that some would say have drained Santa Cruz of its former unique charm. Some of that charm is gone, but much of it remains. People who care will continue to make it so.
JOE FERRARA: ‘The new library will be the heart of a downtown neighborhood.’ PHOTO: Mat Weir
I believe we are always forging a new Santa Cruz. I also believe the new library will be the heart of a downtown neighborhood for many years to come, just as the old Cooper House was. It will be the blueprint for other communities. The old formula of a Central Downtown Business District will be replaced by neighborhoods with their own identities through unique shops and restaurants. Downtown, Midtown, East Side, West Side, Live Oak—all will incorporate the elements of community and appreciation of nature into their special charms.
I won’t be here in 50 years but I hope my business, Atlantis Fantasyworld, will continue to provide a fun and welcome environment to all our visitors. All I know is whatever I can think of today will be better in 50 years. The people who care will make sure of it.
In addition to being the owner of Atlantis Fantasyworld and a musician, Joe Ferrara is a former warehouse operative at San Jose Canning and a former vendor for the San Jose Bees minor league team. He studied music at San Jose State University.
A Place to Launch Tech
By Aviv Elor
Santa Cruz first pulled me in as a student, drawn by the redwoods and ocean. Then I tore my elbow during a judo match, and during recovery, I stumbled into virtual reality and assistive technologies research at UCSC. Suddenly, a decade had flown by: undergrad, PhD, launching Immergo Labs, all right here. This place shaped who I am. Looking ahead to the next 50 years, I’m both excited and nervous.
I feel we’re at a crossroads. Rents are through the roof. I’ve watched friends and colleagues leave because it’s too tough to stay. But there’s also this incredible foundation: UCSC pushing boundaries in research, a growing startup scene, and a community that genuinely cares about making things better for everyone.
Fifty years from now, I hope we’ve solved the housing puzzle, not by cramming in endless condos or renting garages to students (yes, I lived in a garage as a UCSC student), but by embracing real creativity in infrastructure. Imagine more ADUs offering affordable rents, expanded student housing that doesn’t mean cramming five people to a room, and a transportation network that connects new homes to the places people work and learn. Neighborhoods where you can truly walk or bike to work, and housing that’s thoughtfully woven into innovation districts. The beach town spirit that makes Santa Cruz home doesn’t have to fade. We need to be intentional about our growth.
AVIV ELOR: ‘I envision UCSC as a global research powerhouse, where scientists tackle the world’s most pressing problems.’ PHOTO: LinkedIn
I also believe that UCSC is really just getting started. Beyond the new medical partnership with UC Davis (which is exciting), it’s about the whole research ecosystem. The university is already making waves in genomics, AI, assistive tech, climate science, ocean health and so much more. In 50 years, I envision UCSC as a global research powerhouse, where scientists tackle the world’s most pressing problems while remaining connected to the nature of Santa Cruz and their community. Labs working on climate-resilient crops, AI that helps people with and without disabilities, materials to replace plastics, and precision medicine for underserved populations. All happening here, where someone might build new things in the morning and hike through the redwoods in the afternoon.
The startup boom is already underway. We’re not trying to copy Silicon Valley. We’re building companies that reflect Santa Cruz values: sustainability, accessibility and social good. By 2075, I picture innovation hubs throughout the county. Robotics teams, biotech startups, clean energy ventures and health tech companies thriving. What really excites me is technology that doesn’t just stay in labs. It’ll be woven into daily life, empowering us.
Imagine walking through Natural Bridges with a lightweight pair of augmented reality glasses that show you tide pool species in real time, overlaying historical photos of the coastline and connecting you with marine biologists working nearby. Picture rehab patients doing physical therapy on trails, using wearable sensors that give instant biomechanical feedback, making recovery more effective while staying connected to nature. Students learning ecology through immersive experiences that help them fall in love with protecting this place. Technology that enhances our connection to Santa Cruz, not replaces it.
But as a coastal community, we can’t get there without tackling climate change. The CZU fires, the floods, the Wharf collapse … this is our reality now. We need serious investment in resilience: fire prevention, coastal adaptation, and protecting the redwoods and watersheds that define this region. In 50 years, Santa Cruz should be a model for how coastal communities survive and thrive despite climate chaos.
The biggest challenge? Keeping it equitable. As we grow, we can’t price out the teachers, farmworkers, healthcare providers, artists and longtime residents who make this place special. Every new development needs affordable housing. Every innovation should consider accessibility from the outset. Every policy needs to ask: who benefits, and who gets left behind?
I’m optimistic because I’ve seen what this community can do. I’ve watched UCSC students choose to stay and build companies here. I’ve seen locals rally around tough challenges. I’ve experienced the magic that happens when passionate people care more about impact than chasing IPOs.
In 2075, I hope my future grandkids can grow up in a Santa Cruz that’s thriving, not despite its values, but because of them. A place where groundbreaking research happens next to world-class hiking breaks. Where you can afford to raise a family and chase your weird, ambitious ideas. Where technology makes life better without making us forget why we’re here.
The next 50 years will show if we can make it happen.
As founder, president and chief research officer of Immergo Labs, Aviv Elor is empowering movement care providers and their clients through building one of the world’s first embodied XR telehealth platforms. Its technology enables full-body avatar interactions for 3D care sessions, integrating AI-driven biomechanics analysis and immersive exercise guidance.
TIM JACKSON: ‘I hope this is a community that nurtures the younger generation.’ PHOTO: r.r. jones
Preserve Our Culture
By Tim Jackson
I have no idea where SC County will be in 50 years. My hope is that it will be a community that supports the arts and culture and the artists who create it, as this is such an important part of a vibrant community. I hope the environment, particularly the ocean and redwood forests are treated with the great care and respect that they deserve. And, I hope this is a community that nurtures the younger generation by supporting and providing affordable housing and business entrepreneurship opportunities. To me, these are the key areas that will allow Santa Cruz to thrive.
Tim Jackson founded Kuumbwa Jazz Center in 1975, and it continues to serve the Santa Cruz County community. He also worked with the Monterey Jazz Festival starting in 1991, stepping down as artistic director in 2024.
A Centurian Looks Back
By Jaron Lanier
It is beyond me to articulate how grateful I am to be tasked with writing this 2075 memoir of life in Santa Cruz. That there are young people reviving the art of reading is the most unexpected bliss of my later years.
To those of you who read, ignore the sneers. You deserve to be snobs. You earn it. All those sneers are only in the service of the Big Compute. When you read, you are yourself, free and proud.
Indeed, you become a little like an individual version of our Santa Cruz. When I first arrived, a century ago, I was a vagrant hippie teenager. I lived in a barely congealed structure close to the beach with almost ten others of my kind stuffed into tiny, moldy rooms. Most of us surfed, played guitar, took psychedelics, rode motorcycles, and read long, long, strange paperback novels by writers with names like James Joyce, Thomas Pynchon, Kurt Vonnegut, Marcel Proust and Ursula K. Le Guin. Ocean air caused these books to fray into moist, log-like sculptures over time, the curled pages barely separable, and yet they were not abandoned. Teenagers routinely remembered dozens of each other’s phone numbers and could navigate the entire region from memory alone.
What the Santa Cruz of a century ago and today hold in common (you will note that to me, the old Santa Cruz still resides in present tense) is a sacred, joyous apartness. You could taste the sterility of Silicon Valley, right over the hill, even back before the Internet was initiated. Yes, I remember that. The feeling was already there, in anticipation.
JARON LANIER: ‘Santa Cruz has struggled with the contradiction in our core.’ PHOTO: Contributed
You would manually drive a terribly dangerous, gas-powered car back over the mountain to escape the great vacancy, and at the summit, a feeling would come to you. What was it? Negative ions from the ocean air? Or something beyond the reach of science? A sense of beauty and grace would diffuse into the brain. It was colored like rainbows and young love.
When I first arrived, I naively tried to find a place to live by entering a door marked by a sign that said “Real Estate.” The conversation I heard inside was about how the cost of living would soon go up, especially rents, and that would finally drive the hippies out of town. I wondered who would be better than the hippies. Didn’t those other people already have a place to live over the hill? I figured out, just in time, that in Santa Cruz you find things through faith in magical social connections, not through offices with signs out front.
Since then, Santa Cruz has struggled with the contradiction in our core. Our values are liberal, so we want to be fair, inclusive and open. And yet we don’t want to be drowned by the pervasive mediocrity and digital obedience that has consumed almost everywhere else. So we must awkwardly oscillate. We isolate ourselves in order to remain inviting. We are ridiculous, but it is the only way. You will note this is like what you, the reader, must do to survive in this world of digital debraining.
Oh, I remember when earthquakes came under control, how we demanded, and achieved, a rise in the mountains, so that Highway 17 became even more treacherous. The ground rumbled a little every evening for almost two years. Many asked why. By then cars could fly, so who cared? We cared. We needed to send a signal.
When we gained our own colony on Titan, what did we do? Liquid methane surfing. Why? Why exist? We assert our love and joy out of pure, ludicrous absurdity, bringing a mystical spark into the void.
When you read you are not isolating. You are projecting yourself into existence.
Santa Cruz was and remains a miracle. A rainbow that makes its own light.
Jaron Lanier is a musician, author and futurist. Read about his work, including Ten Reasons for Deleting Your Social Media Accounts Right Now, at JaronLanier.com.
Santa Cruz: Future San Diego?
By Samuel LoForti
The majesty of the redwoods will fade, much like the surf breaks I’ll tell my grandkids about, those that no longer exist. Mountain towns and neighborhoods will give way to the ultra-wealthy, as the government struggles to maintain roads and insurance companies refuse to back mortgages. Our coastal towns will be amalgamated into something resembling San Diego, with higher-density developments spreading across the lower terraces.
As technology continues to isolate people, our community could become a refuge for those seeking connection and creativity. As the mountains depopulate, State Parks and Land Trusts will likely expand, preserving land for nature. Oak trees will spread, and pine forests will continue to grow, as the redwoods retreat north.
SAM LOFORTI: ‘We may live closer together, but our community will remain tied to the beauty of nature.’ PHOTO: LinkedIn
We may live closer together, but our community will remain tied to the beauty of nature, giving local artists space to thrive. While the financial outlook is uncertain, UCSC will continue to drive innovation—especially in creative fields and biotech, which could occupy parts of the West Side’s industrial zones. Skilled trades that blend craftsmanship and technology may become the backbone of our local economy.
Tourism will likely evolve from a seasonal industry into a year-round presence as climate change makes our region feel more like today’s coastal Southern California. We’ll remain a playground for Silicon Valley, but the progressive politics of today may shift toward a more libertarian mindset—one that values personal freedom in response to an increasingly technology-driven nanny state.
Our future may be uncertain, but our pursuit of happiness will endure. As the founders wrote in the Declaration of Independence, our willingness to navigate the limits placed on those freedoms will define this era of change.
Samuel LoForti is the cannabis licensing officer for Santa Cruz County. Since 2018 he has developed a compliance and licensing program for the county’s evolving cannabis industry.
The View from Here and There
By Roz Spafford
As I prepare to move back to Santa Cruz after a number of years in Canada, I’ve thought often about what Santa Cruz is and could become.
What accounts for the gravitational pull that would persuade a person (AKA me) to leave the haven of healthcare and of polite rationality? Partly it’s that Santa Cruz is closer to more of the people I love. It’s also because “Santa Cruz is in the Heart,” as Geoffrey Dunn puts it in the title of his book of essays about Santa Cruz; like a beloved person, Santa Cruz in all its incarnations burrows deep into memory. What is it we love when we have loved Santa Cruz—for 50 years and then some?
Your list is likely similar to mine: The fluid intersection of rock, ocean and sky. Its eclectic population, free to devise new versions of them/ourselves. Its determined and eloquent politics. Recently I’ve been reflecting on the forces that inspire Santa Cruzans to create innovative institutions—schools, businesses, service and arts organizations.
To name just a few: Kuumbwa, also turning 50. Bookshop Santa Cruz, nearly 60. The Santa Cruz Chorale. The Santa Cruz Community Credit union, turning 48 this year. Barrios Unidos—in its 50s. The Resource Center for Nonviolence—almost 50. Save Our Shores. In Celebration of the Muse. UCSC. Other important bodies live on in their legacy, in the community their work produced: Westside Neighbors. The Basic Exchange. The Santa Cruz Community Housing Corporation. Cafe Pergolesi and the Saint Cecilia Society for the Preservation and Restoration of Gregorian Chant. India Joze (though we are lucky to still have Joe himself). The Nickelodeon. KUSP. The Independent, Matrix, Phoenix, Express and Sun newspapers. These and many other groups were part of the fluid ecology of Santa Cruz that continually reinvented the place and people.
ROZ SPAFFORD: ‘The future Santa Cruz will flourish only if we remember to practice radical inclusion.’ PHOTO: Donna Santos
What we have been has come at a cost, however. Santa Cruz has had to learn and re-learn that leaving others out, defining them as “others,” damages them as well as the heart of the community itself. The future Santa Cruz will flourish only if we remember to practice radical inclusion, always asking ourselves whose voices are missing.
And every community institution—and person—is dependent on a myriad of people whose work is less visible: Food service workers, health care workers, mechanics, office workers, teachers, farmworkers, legal aid staff, many of whom find it increasingly difficult to survive here. I don’t mean to make a false distinction: Many of those who built these organizations worked simultaneously in these fields, at a time when the abyss between wages and rents was shallower. Now, though, housing is increasingly unaffordable by people with ordinary working- or middle-class jobs, despite the valiant efforts to build housing which is. Would the arts activists, food visionaries, environmentalists, fierce journalists, book people, and community organizers who created the Santa Cruz we now love be able to do so now—much less in 50 years?
I hope that as we work to invent the Santa Cruz of the future, we will think about what allows a community to give birth to itself, again and again, and about how inventing a world we can live in and love depends not only on creative vision and commitment but on consciously created economic and social conditions—on jobs with living wages; days free of the terror of deportation; legal protections for families of all kinds and statuses; grants without strangulating strings attached; accessible health care; rents that people can manage on one shift a day (so they can raise kids and/or projects in their second shift). In 1975, when Good Times launched, at least the economic basics were available to many more people, people who in return could build the community that supported them. When we think about Santa Cruz in 2075, we need to start with these fundamentals, these commitments. I’ve learned that these are Canadian values; I think they are Santa Cruz values as well.
Roz Spafford has been a writer, teacher and activist for a number of years, mostly near the central coast of California. She taught in the Writing Program at the University of California, Santa Cruz, where she also served as chair of Writing and provost of College Eight. One of her stories from the southwest, “Drought,” won the 2010 David Nathan Meyerson Award from Southwest Review and was anthologized in Road to Nowhere and Other New Stories from the Southwest. Another, “The Season,” won the 2014 Obsidian Prize from the High Desert Journal. Her first book of poems, Requiem, received the 2008 Gell Poetry Prize from Writers & Books in Rochester, New York.
ASHWIN BATISH: ‘In 50 years, it may be commonplace to summon a flying robotic vehicle to transport you to a specific location.’ PHOTO: Contributed
The Rhythm of Change
By Ashwin Batish
The recent surge in downtown construction, I believe, marks the beginning of a trend toward increased population density. Future developments will likely include larger housing projects, such as the proposed transformation of the Capitola Mall into residential units. However, I foresee a potential stalemate that may compel the county to impose limits on population growth, as the existing road infrastructure and schools may struggle to accommodate unchecked expansion. Enhancements in public transportation, particularly through rail-based systems, are anticipated, alongside the growing interest in flying cars. In 50 years, it may be commonplace to summon a flying robotic vehicle to transport you to a specific location, while self-driving cars could become a standard feature in everyday vehicles.
During my recent trip to Santa Monica, I observed a significant presence of rental units compared to owner-occupied homes, a trend that I can also envision occurring here. I am confident that Santa Cruz will maintain its distinctive beach atmosphere and continue to motivate new generations to explore innovative ways to thrive in an increasingly challenging economic landscape.
My family has deep roots in Santa Cruz, where my children were born and have developed a strong affection for the area. I take pride in witnessing them embrace and carry on our family’s musical legacy. Looking ahead to the next 50 years, I envision the establishment of a prominent music institute that attracts students from around the globe, eager to learn the intricacies of Indian music.
Ashwin Batish is a sitarist and tabla player and the proprietor of Batish.com.
Live Long and Prosper
By Corrina McFarlane
It’s 2075. I am 119 years old. Since I set my lifespan sights on 140ish way back (at my young granddaughter’s puzzlement that I might leave “early”), I’m definitely stoked about my birthday count to date. A worthy mile-marker in the mystery adventure of vibrant longevity.
Now that we are great-great-grandparents, we are living repositories of how this Santa Cruz World unfurled over a century, including how, back in the 1990s, we almost bailed out of the region entirely due to the crazy economics of the housing market. It seemed back then that we could never afford a house in this town as prices kept going up and up and up. And then, the unimagined grace of an inheritance split between 11 cousins, enough for a down payment on a Santa Cruz corner house. Nothing like 30 years as temporary renters to give you an appreciation of your own home. In this home now, two more generations of children have come of age.
One of the funnest “that’ll never happen” but it did is our how-did-we-ever-live-without-it Personal Rapid Transit—PRT—system. Now Santa Cruz is famous not only for such innovation as its Restorative Justice Neighborhood Accountability Board but also as a podcars transit town. Remember when there used to be only the “just for fun” Boardwalk cable cars that went back and forth high up along the seafront?
It’s crazy we didn’t realize sooner that this was the way of the future for transit. Now PRT goes to South and North County and up to UCSC. Kids of today can’t really wrap their heads around how we did anything before the SCCPRT system was part of everything.
Oh, and the days when car drivers regularly, inadvertently killed, mangled and maimed bicyclists—so-called “KSI”—those days are long gone, relegated to the Dark Ages of yesteryear. In the end it took us to spring ourselves from a car-centric mindset, and voilà! Radical new outcomes. If anything was a paradigm shift, that surely was.
CORRINA McFARLANE: ‘Eco-villages on higher ground are now quintessential Santa Cruz.’ PHOTO: Contributed
Maybe you didn’t need me to tell you this, but sea level rise is indeed par for the course these days, just as Russell Brutsché’s early 21st-century paintings depicted. The Sea Level Rise Vulnerability Assessment—the one that projected a “managed retreat” would be necessary “in the long-term”? That’s the reality we live with every day now from season to season.
It’s true, just as the London Council concluded back in the late 20th century, human beings don’t take these projections seriously until they get flooded out at least three times, and/or catastrophically. Okay, okay, we got the message; we’re backing off now.
The ocean gaining ground is the undeniable stark reality we live with. Even so, since we call this place home, between mountain and shore, with a fondness we cannot dismiss or deny, we are willing to be extraordinarily adaptive. Eco-villages on higher ground are now quintessential Santa Cruz, especially the house and village design based on Southern Italy’s Puglia region: trullo (plural: trulli) architecture; delightful beehive-like homes in clusters, structures that double as a highly effective water catchment device.
And I thought it could have happened one hundred years ago, but, hurray: Pavement is finally made of permeable surfaces, allowing winter rains to soak into the land. Coulda, shoulda, woulda … but better late than never.
Our persistent saltwater intrusion issue around Soquel was ultimately, spectacularly addressed with a state-of-the-art “Upcycle” industrial symbiosis center: Cold, brackish water effectively cools our county computer data center, after which the seawater is purified for land use. A win-win-win.
Our bioregion is a sparkling jewel of regenerative agriculture, fully incorporating the principles set forth by Helen Mayer Harrison and Newton Harrison and their Center for the Study of Force Majeure, a model of reciprocal deep ecology with solutions informed by the dictum “systemic problems require systemic solutions.” That is to say, development in our day and age has come to mean effectively integrated intelligent design. Everything I am describing is “triple bottom line” economics in real time: interdependence; people, planet, profit; everybody matters, everybody counts.
Living systems thriving is key. This is the dynamic protopia we aspired to from when our own children were small. And here we are, multi-generational, proactively inviting and actualizing “the more beautiful world our hearts know is possible.”
Corrina McFarlane is the president of Santa Cruz Passages, creating bespoke weddings since 1991 (your word is your wand).
Future for Our Kids
By Ryan Coonerty
Making predictions of life 50 years from now feels impossible. I can’t even predict what the headlines will be tomorrow morning. In 2025, every hour we are being forced to confront the impacts of some technological innovation, destruction of legal and moral norms, and global economic convulsions that overwhelm families and small businesses. AI, climate change, demographic shifts and authoritarianism alone could render an unrecognizable future.
Yet, while human nature is wired to focus on change and risk, I think maybe the wise thing to do is focus on what is likely to stay the same.
I am 51 years old, born and raised in Santa Cruz, so my frame of reference is the Santa Cruz of my childhood and how much things have changed in the last five decades. In the 1970s and ’80s, Santa Cruz was a coastal town (with no midtown!). There was significant tourism and a growing university. That dynamic created vibrancy, frustration and worry. People complained about social issues downtown, crime, technology hijacking childhoods, and a national government that often didn’t reflect our values. The Cold War posed an existential threat to life on Earth.
RYAN COONERTY: ‘For all technological advancement, people and communities evolve slowly.’ PHOTO: Tarmo Hannula
Still, people walked on West Cliff, surfed, fell in and out of love, went to Little League games and high school theater. Santa Cruz lacked large companies, so many people found creative ways to live here. They started businesses, nonprofits, and weekly newspapers like this one. There were racial divides and different socio-economic realities depending on where you lived—even if it was only a few miles apart. Yet, despite those divides, when natural disasters struck, we pulled together and helped each other. The bonds that formed in times of crisis often carried forward.
Now, despite the fact that I can swipe my phone and get a pizza delivered as opposed to calling in an order, I’m not sure that much has changed. This is partly because for all technological advancement, people and communities evolve slowly. It is also because our community consistently made decisions to invest in each other and the future we wanted. We built libraries, health centers and small businesses. We protected open space. We invested in schools, programs for kids, seniors and the arts. Our county is isolated—we are not connected to the state water system and have few roads in and out—so we are interdependent and, in many ways, self-sufficient.
My kids will be in their 60s a half-century from now. I don’t expect I will be here. They may be able to pull up a hologram of me for my grandkids. My hologram will tell them about the old days when you had to call someone to order a pizza instead of having Joby deliver it after you tap your finger three times. My grandkids will be bored by my story. Their implanted AI chips will sense their lack of interest and delete me. Then I hope they go for a walk on West Cliff, say hi to a neighbor, and complain about tourist traffic and the national government, before going to a City Council meeting to fight for a better future.
Ryan Coonerty, former Santa Cruz mayor and Santa Cruz County supervisor, now works for San Jose Mayor Matt Mahan as senior intergovernmental affairs advisor.
Santa Cruz County 2075: A Vision in Collaboration
By Robert Mazurek
After over two decades leading coastal conservation efforts, I’ve learned that though predicting the future is impossible, preparing for the future with honest reflection, a clear vision, and a bit of optimism is critical to our well-being. I have no doubt that Santa Cruz County in 50 years will be determined primarily by decisions we make today about climate adaptation, community resilience, and how we respond to accelerating climate impacts.
Our next 50 years will be defined by ecological realities we can no longer ignore: rising seas claiming beaches and neighborhoods, drought and deluge cycles stressing water supplies, wildfires threatening communities built into forests, and marine ecosystems shifting in ways that ripple through our economy and culture. The question isn’t whether these changes will reshape Santa Cruz—they will. The question is whether we’ll adapt intentionally or reactively.
But these past 50 years have revealed something extraordinary: our region’s remarkable capacity for science-based collaboration. The Monterey Bay National Marine Sanctuary, established in 1992, created a framework for multi-jurisdictional cooperation that now extends across watersheds, coastlines and communities. And through the California Marine Sanctuary Foundation’s Climate Resilient Monterey Bay initiative—a $71 million collaboration among 29 partners—we’re demonstrating that complex challenges can be solved through integrated solutions no single organization can deliver alone.
Now onto my crystal ball…
Five Years: Building the Foundation (2030)
In five years, Santa Cruz County will have completed critical flood risk reduction projects along the San Lorenzo River, Pajaro River, and lower Watsonville Slough. The living shoreline at Main Beach will help protect downtown Santa Cruz while restoring habitat. Importantly, the Monterey Bay Climate Adaptation Action Network will act as a permanent regional collaborative hub bringing together governments, tribes, NGOs and communities working toward climate resilience well into the future.
Our workforce development programs will have trained over 1,000 young people in climate adaptation skills—from ecological restoration to prescribed fire management to coastal engineering. These aren’t just jobs; they’re pathways to economic opportunity that directly strengthen our community.
Ten Years: Systems Taking Root (2035)
By 2035, we’ll see the compounding benefits of early investments. Restored floodplains along the Salinas and Pajaro rivers will have reduced flood risk while recharging aquifers and creating wildlife corridors. Fire risk reduction treatments will have demonstrably reduced wildfire danger to communities from Carmel to Santa Cruz.
Robert Mazurek: ‘The San Lorenzo, Pajaro and Salinas rivers will function as connected ecological systems rather than engineered channels.’ PHOTO: California Marine Sanctuary Foundation
Fifty Years: An Integrated Vision (2075)
Santa Cruz County in 2075 could be a global model for climate-adapted coastal communities. Here’s what that looks like:
Resilient Coastlines: Rather than fighting the ocean with seawalls, we’ll have embraced dynamic shorelines that migrate inland through restored marshes, dunes and floodplains. Portions of West Cliff Drive may need to adapt to changing shorelines, but in its place will be functional ecosystems that protect our community while supporting fisheries, tourism, recreation, and importantly natural infrastructure.
Living Rivers: The San Lorenzo, Pajaro and Salinas rivers will function as connected ecological systems rather than engineered channels. Seasonal flooding will be accommodated through strategic floodplain restoration rather than prevented through failing levees. Agricultural lands that flood frequently will have transitioned to wetlands and wildlife habitat, while remaining farms will use regenerative practices that build soil health and water retention.
Fire-Adapted Landscapes: Indigenous cultural burning practices, reintegrated through decades of collaboration with tribal communities, will have reduced catastrophic wildfire risk while restoring ecosystem health. Our forests will be actively managed through prescribed fire, grazing and selective thinning—not left to catastrophically burn. Communities will be designed with fire resilience built in, not added as an afterthought.
Diverse, Climate-Ready Economy: Rather than relying on tourism and tech, our economy will be anchored by climate adaptation industries—ecological restoration, renewable energy, sustainable agriculture, marine technology. The thousands of young people trained in our workforce programs over decades will have created businesses, nonprofits and innovations we can’t yet imagine.
The Work That Gets Us There
What most needs improvement in Santa Cruz County today? Our capacity to act at the pace and scale that climate change demands. We have excellent science, dedicated people and innovative projects—but we lack sufficient funding, coordinated governance and the political will to make difficult land-use decisions.
Who’s working most effectively for change? It’s not any single organization but the collaborative networks forming across jurisdictional and sectoral boundaries. Through Climate Resilient Monterey Bay, we’re proving that municipalities, tribes, universities, NGOs and community organizations can pool expertise to achieve more together than separately.
The past 50 years taught us that protecting pieces of the landscape—a beach here, a watershed there—isn’t sufficient. The next 50 years require integrated approaches: from watersheds to whales, from inland forests to offshore waters, from individual projects to systemic change.
An Honest Vision
I won’t pretend the next 50 years will be easy. We’ll lose beaches, neighborhoods will flood, fires will burn. Some changes are already locked in by emissions already in the atmosphere. But we have a choice about how we respond.
Santa Cruz County can become a place where adaptation isn’t reactive and haphazard but proactive and intentional. Where natural systems are restored not despite development but as essential infrastructure. Where diverse communities work together not because it’s easy but because it’s necessary. Where young people see a future worth staying for, building careers in climate resilience and ecological restoration.
This vision isn’t inevitable—it’s a choice. And we’re making that choice, project by project, partnership by partnership, community by community. After two decades doing this work, I’m not optimistic because I’m naive about the challenges. I’m optimistic because I see what’s possible when we work together, grounded in science, guided by communities, and committed to the long-term health of this extraordinary place we call home.
Robert Mazurek, executive director of the California Marine Sanctuary Foundation, has dedicated over two decades to strengthening ocean governance and creating resilient marine ecosystems worldwide. Though he grew up far from the ocean in Illinois, a fascination with whales and dolphins sparked a passion that would take him from California’s coast to international waters and back again.
Alice Waters, the pioneering founder of Chez Panisse and creator of the groundbreaking Edible Schoolyard Project, remains a leading voice in the farm-to-table movement. Now 81, she’s just released a new book, A School Lunch Revolution. As the title implies, her latest project is no less ambitious than the culinary innovations she’s so well known for.
Waters reminds us that the future of both health and climate begins with what’s on our plates. Changing the way schools buy food and serve lunch can have a major impact on climate change, health and even learning.
“We have to support only farmers who are farming organically and regeneratively,” she says. “That’s what worked at Chez Panisse—we got to know the farmers and have always bought our food straight from them.”
Before her talk at the Rio Theatre on Oct. 20, the tireless visionary talked about her book, her mission, and why lunch might just be the most powerful meal of the day.
You’ve introduced the idea that food is political, and that every choice we make about what we eat matters. How does A School Lunch Revolution carry that message forward for a new generation?
ALICE WATERS: By doing what we did at the beginning of Chez Panisse 54 years ago. It’s connecting with the local farmers and ranchers and fishers who are doing the right thing organically and regeneratively. This addresses climate change, and it fits into the USDA reimbursement requirements too.
We experimented with lots of schools in California and around the country and we know kids like very simple foods. It’s the power of food that makes me believe that we can make this change, absolutely.
You describe lunch as a daily opportunity for connection, nourishment and education. How do you envision the ideal school lunch, not just on the plate, but in spirit?
In spirit, I like to think about the Conscious Kitchen over in Marin. … They took the gymnasium, and they brought in dining tables and chairs, and they put up pictures of food during the lunch hour.
They managed to get the help of parents who go to the farmers markets, and they completely changed school lunch. Children come in and sit down and eat the food together, and that’s a big, important point. That’s how we, dare I say, could teach democracy.
It sounds like it turned lunch from controlled chaos into a time of value, learning and connection.
Yes! A long time ago, at the beginning of the Edible Schoolyard, I thought we would be able to go all the way and build the cafeteria and do school lunch. So, I thought about it very deeply, and I had the opportunity to decide. The cafeteria showed that it fed all 800 kids seated into rooms on either side of the cafeteria, and I thought, we could be connected so we don’t just waste time eating lunch, right?
So I’ve really thought a lot about that data. It’s not just about eating delicious local, seasonal food, but it’s about sitting down and eating it together.
Absolutely! It sounds like there’s so many other opportunities for learning that could be naturally folded in.
Yes, and in the testing they’ve been doing with Jennifer Newson they had real classes of kids that were coming in and it was so interesting that you didn’t have to really do anything in the way of teaching. They just started eating and talking to each other. There was not really any resistance.
Your work often blurs the line between nourishment and activism. How do you sustain hope and motivation in the face of systems that still resist change?
Because I am sure that the power of food wins. And it’s connected to how the food grows. Local and healthy is the only kind of food I want to eat. And that’s what we’ve been doing at Chez Panisse for 54 years. So I know that when I can’t find one thing, I find another. And I know also that if farmers know that I’m buying it at the real cost they want to continue to grow it. It’s helped spark a cultural shift toward local seasonal food.
Looking back, what lessons from that movement feel the most urgent to revisit today in an era of industrialized food systems and climate change?
Well, that’s school lunch, because the next generation needs to make different decisions about the world they live in. Food is essential, and I believe that education is as essential as food in an intellectual thinking way.
So, what could be better than to get every school on this planet buying food directly? And then it would normalize it too. Just in the Bay Area you can see what farmers markets have done.
Practically every town has them and they were designed to help the farmer. We need something more and school lunch is that idea. Every day, eating food from the local people who grow it. And that’s a support system that our farmers and ranchers and fishers have never had.
It’s bringing back the way things used to be in this country.
This is why I love it is because every country on this planet has done it in the recent past or is still eating that way. Cities like Paris. I saw it in Japan, one of the more enlightened places on the earth, Scandinavia, lots of places are doing this.
In England King Charles was part of a huge foundation too and so I know that we can learn a tremendous amount if we make this a global effort. And I’m hoping that Slow Food will take it on as theirs.
What I love about your cookbook is that it’s so simple, and I think that’s what people need. There’s a mistaken idea that eating healthy is time consuming, complicated and expensive, but it does not need to be.
No it doesn’t. I mean, the difference is in the preparation. I might bite into an apple, but most kids are not willing to do that. But if you cut the apple and slice it, every one of the kids wants to try it. It’s just about the intimidation of certain things that have pushed kids away, and of course, the indoctrination of all the ads [for highly processed food].
We have a lot to deal with, but the school really wants to do this. I know that it’s possible and what I’m going to try and do next is find videos of schools that have done it.
Because we need to see that in action.
Your work, your passion and your commitment are so inspiring.
I just know that it works, I would never change the way we purchase food for Chez Panisse. We serve 500 people a day, and always know the farmers to call. It’s a total education and everyone who comes eats every bite. I wouldn’t be so bold if I didn’t know for sure. I’ve done the Edible Schoolyard for 34 years and I don’t know if you know, but it’s expanded around the world to 7,500 schools.
It’s just because it’s an idea whose time has come. It’s about learning by doing and education of the senses.
An Evening with Alice Waters begins at 7pm on Oct. 30 at the Rio Theatre, 1205 Soquel Ave., Santa Cruz. Tickets: $45 (includes one book and donations to the Edible Schoolyard Project and Life Lab). bookshopsantacruz.com
‘I know that when I can’t find one thing, I find another. And I know also that if farmers know that I’m buying it at the real cost, they want to continue to grow it.’ —ALICE WATERS
Published in cooperation between Buy Instagram Followers EZ and Good Times
Buying Instagram followers has become a practical way for brands, entrepreneurs and creators to strengthen their online presence quickly. It helps build social proof, attract genuine engagement and make profiles appear more established in a competitive space. It offers a direct path to faster visibility and stronger credibility without the long wait for organic growth.
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Package Type
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Price Range (USD)
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Frequently Asked Questions
Buying Instagram followers can boost your visibility and help you reach new audiences. The positive impact really depends on the quality of the service, the authenticity of followers and how well you align with Instagram’s guidelines.
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Adding followers can instantly increase your social proof, making your profile more appealing to potential followers, collaborators and brands. A higher follower count often encourages more people to check out your content and engage with your posts.
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Coming off the heels of a successful production of Sweeney Todd last summer, and now in her third year as a directing professor at Cabrillo College, Andrea Hart invites us to explore the transformative power of love.
“Metamorphoses is the story of love: how can we allow ourselves to flow between the ups and downs of love, knowing that if you choose to love, you are choosing the potential of loss?” asks Hart.
Metamorphoses, adapted by Mary Zimmerman from Ovid’s epic, will be staged in an actual swimming pool built inside the Cabrillo Black Box. Actors emerge from the water like Venus in portrayals of ancient myths that remain relevant today.
“Ovid’s Metamorphoses was 200 stories. In her adaptation, Zimmerman selected stories she felt benefited the pool on stage, showcasing the power of transformations,” Hart says. “Some of these stories include ideas of gender transformation, reminding us that these are huge themes we’ve been thinking about for thousands of years and need to acknowledge.”
This collection of vignettes runs its ensemble through a gauntlet of characters, transforming from gods to men and back again, within the multi-layered pool designed by the resourceful Skip Epperson, designer for Cabrillo Theatre Arts and Cabrillo Stage.
“Water creates an interesting design challenge, affecting lights, costumes. How do we waterproof electronics? What fabrics dry fastest? How do we keep players dry and warm backstage? These were all problems Skip [Epperson], Maria [Crush, costume designer], and I had to solve in the production process, We’ve actually done tech rehearsals out of order to ensure movement and effects worked with the actors in the water, and converted a room to be a heated drying room where wet actors can stay dry. Our entire process has been completely impacted by the water,” Hart says.
In her time at Cabrillo College, Hart has looked at the big picture in productions she’s directed on how society reacts to fear, change and the fluctuation of ideas, from 2024’s SpongeBob the Musical to last summer’s Sweeney Todd on the Cabrillo mainstage.
“Metamorphoses feels like the antidote to Sweeney Todd,” Hart says. “Todd gives into the realities of darkness and injustice. This is the opposite; these are very personal stories, even though they deal with very large issues pertaining to the individual.”
Hart has had a lifelong love affair with Greek poetry and mythology, beginning in high school with Euripides’ Medea, and continuing into a modern exploration of themes and concepts the ancient Greeks attempted to understand and we continue to grapple with on a daily basis.
Metamorphoses runs Nov. 1–16 in Cabrillo College’s Black Box Theater. The production contains mature themes. Tickets: $20-$27. cabrillovapa.universitytickets.com
Given his start, it’s remarkable that John Fahey, the rebellious acoustic guitarist whose 1959 Blind Joe Death debut album took more than three years to sell 100 copies, would go on to influence generations of solo acoustic players with his “American Primitive Guitar” style.
Among them is Hayden Pedigo, a Texas panhandle native whose intricate fingerpicking, ambient soundscapes and open-tuned compositions follow in the footsteps of the solo acoustic pioneer.
But there are other sides to Pedigo. Lots of them, in fact.
Pedigo has, for instance, been known to incorporate elements of drone and ambient music and ’70s art-rock into his compositions. He’s collaborated with luminaries like This Heat’s Charles Hayward and Faust’s Zappi Diermaier. He’s been depicted as a corpse-painted gasoline attendant on the cover of Let It Go, the first album in his “Motor Trilogy.”
Pedigo is also the subject of Kid Candidate, a documentary that premiered at the South By Southwest Music Conference in Austin about his unlikely attempt to run for Amarillo City Council at the age of 24. It’s a subject that comes up in nearly every interview he does.
We caught up with Pedigo between stops on his current tour promoting his 2025 album, I’ll Be Waving As You Drive Away, which Paste magazine called “a total and affectionate rewrite of what instrumental music could and ought to be.” Delivered in a self-deprecating Southern cadence, Pedigo spoke about living in the middle of nowhere, recording with the nihilistic noise band Chat Pile, and using silence as a weapon.
Let’s start with John Fahey and Leo Kottke. When did you first hear them, and what would your music sound like if you hadn’t?
HAYDEN PEDIGO: Well, Leo Kottke was the first one I heard, back when I was 14. My mom had, for some reason, a copy of Leo Kottke’s greatest hits that I found in the cabinet under the TV. I think she bought it as a gift for my grandfather, but I guess he didn’t listen to it. By that point, I was already a fan of Ry Cooder. So it was Ry Cooder, Leo Kottke, and then I found John Fahey mentioned in the liner notes of the Kottke CD. And once I found Fahey, it was like off to the races for me. I really dove into the finger picking headfirst. I just preferred his writing and playing style over Leo Kottke’s.
Tell me about your collaboration with Chat Pile. It came as a surprise, kind of like when Scott Walker collaborated with Sun O))).
Yeah, my collaborations over the years have always been on the outlandish side, if I can have it that way. But I was worried that this one could be like a peanut butter and anchovy sandwich where they would be the anchovy—because they’re more acidic—and my music is more like pretty and sweet. But then, when we got in the studio, we quickly realized that there was actually a lot in common with our sounds.
On your live album, you tell the audience that your next song has a lot of silence in it, which is pretty unusual at a time when production techniques tend to fill every possible space. How and why do you incorporate silence into your work?
Well, a lot of my inclusion of silence was for two reasons. The first was because I had a background of being very much a fan of experimental and ambient music. And then, when I started playing live in 2023, the quickest way to get a room to shut up was long pauses. I was using silence as a weapon, like punisher silence. I wanted people to be afraid to open their beer. [Laughs.] Silence sometimes can be far more punishing than feedback, but I had to learn how to use it. And then once I got more respectful audiences, I no longer had to use silence as a punishment. I use silence as more like a gift or a tasteful thing that I think people enjoy.
I’ve read that you’re a fan of ’70s acts like King Crimson and Popol Vuh. Have bands like that affected your own music?
Oh yeah, both of them. I think they just have a grand sense of composition, and I find their music really rich and engaging. On my new record, the song “Smoked” has a Mellotron part on it that is very, very similar to those choir organ sounds you hear on Popol Vuh’s Werner Herzog scores like Wrath of God. That song is directly influenced by them.
One more question: What album would you say is the most emotional for you to listen to?
I would have to say the live record An Evening With John Denver from 1974. It was the album I listened to on childhood vacations to Santa Fe. Now I know it can be a little hokey, but I also think it’s incredibly beautiful. It causes me to tear up at times on the road.
That’s not what I would have expected to hear.
No one expects it.
Hayden Pedigo and Jens Kuross play at 7pm on Nov. 4 at The Crepe Place, 1134 Soquel Ave., Santa Cruz. $20 adv/$25 door. thecrepeplace.com
9B49 This is a special year. For all the turmoil, confusion and heartbreak, at least Halloween falls on a Friday, opening the whole weekend to party. Kick it off with higher vibrations at Motiv when House DJ 9B49 brings the party. Hailing from Washington, D.C., 9B49 is the brainchild of Cayhan Movaghari and was started when he convinced his friend he knew how to DJ and could open for him, then taught himself with a crash course from YouTube University. Catch him this Thursday and thank us later. MAT WEIR
INFO: 8pm, Motiv, 1209 Pacific Ave., Santa Cruz. $12. 226-1116.
HALLOWEEN
CREPE-O-WEEN For two spine-tingling nights, local bands will transform into rock ’n’ roll icons and party until the Witching Hour. Crepe-O-Ween promises a legendary rock lineup complete with costumed chaos, nostalgic covers and enough punk energy to wake the dead. Audiences are encouraged to join in on the fun and don a costume for one night or both while Harry and the Hitmen transform into No Doubt, Kentucky Mule channel The Rolling Stones, and Bounce House resurrect The Police. Rock out with all these star-studded masquerades among other heavyweights at Crepe Place’s haunting annual Halloween tradition on both thrilling evenings. SHELLY NOVO
ALICE WATERS Alice Waters opened Chez Panisse in Berkeley in 1971. A culinary pioneer, chef, entrepreneur and activist, Waters was an early leading light in the farm-to-table movement and a passionate advocate for sustainability and organics before either were household terms. Her approach places community as a foundation, and her influence has been considerable. Author of several cookbooks, Waters won the National Humanities Medal. Her latest book is A School Lunch Revolution. A portion of the proceeds from tickets to this event benefit Waters’ Edible Schoolyard Project and Life Lab, and include a signed copy of the book. BILL KOPP
INFO: 7pm, Rio Theatre, 1205 Soquel Ave., Santa Cruz. $45. 423-8209.
FRIDAY 10/31
FUNK
GHOST-NOTE With dynamically rotating styles, kinetic grooves and technical intuition, Ghost-Note brings their percussion-heavy funk to the stage. Led by drummer Robert “Sput” Searight and percussionist Nate Werth, Ghost-Note works with a rotating group of collaborators, continuing to innovate with inspiration from jazz, hip hop, West African, Afro-Cuban and Brazilian grooves. Passionate solos and sharp arrangements underscore these accomplished musicians who have performed and recorded with the likes of Prince, Herbie Hancock, Kendrick Lamar and Kirk Franklin. Their danceable tunes will create the perfect backdrop for Halloween night to remember. SN
SANTA CRUZ SYMPHONY: THE PLANETS When Gustav Holst wrote The Planets between 1914 and 1917, he had gained a fascination with astrology. He described it as a “series of mood pictures” and wrote it as seven separate movements. While it’s regarded as a masterpiece today, the initial reviews were mixed. Upon first review, Time called it “a great disappointment…elaborately contrived and painful to hear,” but changed their mind after their music critic heard it conducted by Holst himself. Upon the second review, the magazine claimed “The Planets still leaves us gasping,” and when the conductor passed away in 1934, Time proclaimed it his greatest work. MW
INFO: 7:30pm, Santa Cruz Civic Auditorium, 307 Church St., Santa Cruz. $45-$130. 420-5260.
JAM
JAM SESSION Spafford plays Saturday at Moe’s Alley. Photo: Sugarshack Sessions
SPAFFORD The jam band label can cover an awful lot of ground, and while it tends to conjure thoughts of Phish and The Grateful Dead, there are more influences available to those adventurous musicians who dare to engage in live improvisation, including virtuoso studio band Steely Dan, or even electronic acts like The Crystal Method, both of whom are cited by Arizona’s Spafford, a band known for their extended jams and free-form genre blending, also drawing influence from reggae, funk, jazz, ska and just about any other genre you can imagine. KEITH LOWELL JENSEN
MAC BARNETT That lovable space-cat is back, along with Captain Babybeard, the Moon Queen and LOZ 4000 in the fourth installment of The First Cat in Space graphic novel series: First Cat in Space and the Baby Pirate’s Revenge. The latest book is packed with everyone’s favorite characters and absurd humor, and to celebrate its release, join the authors, Mac Barnett and Shawn Harris, for a theatrical spectacular! The afternoon promises live music, thrilling adventures, dramatic performances and a photo-op with the authors. Each ticket package comes with a pre-signed copy of the book. Additionally, attendees who come dressed as their favorite character receive an extra-special prize from Mac & Shawn. ISABELLA MARIE SANGALINE
INFO: 4pm, Santa Cruz High School, 415 Walnut Ave., Santa Cruz. $24. 423-0900.
TUESDAY 11/4
AMERICANA
HAYDEN PEDIGO Lush and sparse manage to coexist in the beautiful fingerstyle guitar instrumentals of Hayden Pedigo. His latest album, I’ll Be Waving As You Drive Away, continues his tradition of celebrating the flat open spaces of his hometown, Amarillo, Texas, even though the songs were written during an artist residency on a 20,000-acre Wyoming Ranch, and recorded in California’s artsy, new age village Ojai. It’s easy to imagine you’re hearing a little bit of each of these places as purely acoustic-sounding picking mixes with almost electronic-sounding accents. KLJ
JOHN SCOFIELD Immensely influential guitarist John Scofield blends blues, funk, jazz and rock into an inimitable style. Veteran of live and studio sessions with giants including Miles Davis, Herbie Hancock and Charles Mingus, Scofield creates music that showcases his peerless improvisational skills, distinctive tone, and deep sense of melody and groove. His body of work includes many collaborations, including sessions with Medeski Martin & Wood, and demonstrates his passion for breaking down boundaries between genres. This date features Scofield leading Combo 73, a jazz ensemble featuring bassist Vicente Archer, Gerald Clayton (piano) and drummer Bill Stewart. BK
INFO: 7pm, Kuumbwa Jazz Center, 320-2 Cedar St., Santa Cruz. $58. 427-2227.
As a little kid growing up in Aguascalientes, Mexico, Manuel Monjaraz fondly remembers his grandma cooking very traditionally for him, making fresh masa every morning for yellow corn tortillas made with lard and paired with whole beans. This early-life inspiration started a passion for good food, giving him a discerning palette and sharp culinary instincts. Immigrating here at age 14, Monjaraz worked around town and honed his cooking skills, but found himself yearning for those traditional back-home Mexican flavors.
In this reminiscent vein, he founded San Marcos Charquito eight years ago in Capitola. The small space has big ambiance: bright blues, yellows and oranges pop to give the place a happy, tropical palapa–style feel. Monjaraz defines the menu as traditional street-style Mexican food, as authentic as it gets north of the border. Lupita’s quesadilla is one headliner; tortas and burritos are also hits. Further favorites are fish, shrimp and al pastor tacos, all on handmade tortillas. The housemade red and green salsas draw rave reviews and beverage options are made-from-scratch horchata and aguas frescas.
How did your immigration come about?
MANUEL MONJARAZ: As a kid I went through very challenging times because my father struggled with alcoholism and often didn’t treat me well, especially because I was the oldest son. After my first six years of school in Mexico, I decided to take an accounting career path but didn’t have the money to finish. My friend offered to get me across the border, but my mom wouldn’t allow it, so I told her to get me a student visa instead and that’s how I ended up here.
What inspires you?
My first passion was always for cars, not food, so my original plan was to pick in the fields, learn English and make enough money to afford a Volkswagen bug. One thing I learned over the years was that whatever you do, always do it from the heart. I got advice from a lady whose car I detailed way back in the ’70s. She told me to find something I love, don’t think about the money, and just follow your passion and the money will come later. And boy, was she right—it’s not about being rich, but about accomplishing your goals and having peace in your heart.
If you were so lucky to be able to select your last meal…what’s your play? My top choices go in many directions, but near the very top ranks something involving fresh Monterey Bay Dungeness crab—a multicheese bacon-crab melt on sourdough, perhaps.
With each passing year, that already hypothetical scenario feels more fantastical, as local crab season shrinks.
Déjà vu, then, all over again: Last week the California Department of Fish and Wildlife announced the statewide commercial opener of the upcoming Dungeness crab season has been delayed until at least Jan. 1, 2026.
The delay honors new regulations which delay the opener until the following year if three or more humpback whales are confirmed entangled in crab gear in a given calendar year.
However, you could say some good news has surfaced.
Last spring represents the most successful trial yet of pop-up fishing gear (aka called “ropeless” or “on-demand”) on the West Coast.
The technology avoids the lingering vertical lines that whales encounter, and proved profitable on top of safe, with 12 commercial Dungeness crab fishermen from Morro Bay to Crescent City hauling in $1.4 million of crab.
While plenty of fishermen fear they’ll be forced to adopt expensive ropeless tools, gear prices are dropping, and it’s nice to have alternatives if we like eating crab and cultivating a sustainable fishery.
“There’s not a lot of good news stories for the ocean environment these days,” says pop-up advocate and Oceana Senior Scientist Dr. Geoff Shester, “but a few years ago [pop-ups] were considered science fiction.”
He adds “not a single string of fishing gear was lost.”
“This world-class testing proves once again that this innovative fishing gear is successful, profitable, enforceable, whale-safe,” he says, “and ready to restore a vibrant spring crab fishery.” oceana.org/WhaleSafeOceans
DOUBLE SHOT
Max Turigliatto reports jazzy, classy and tasty Alley Oop Cocktail Lounge is making “slow but sure” progress, but still avoids throwing out even a conservative open date because he “doesn’t want to jinx it.” (I get that. He was originally hoping to open in 2024.) Meanwhile, his other spot, Mission West Bar (2405 Mission St., Santa Cruz)—one of the more character-rich, old-school and all-around classic dive bars in the area—remains a Westside institution. For Halloween (Friday, Oct. 31), Mission West hosts 5+ hours of costume partying, live music and DJ action. Space Heater plays, food and drink deals proliferate, DJ Kikkoman turntables and Duhran Wilson trumpets, $10 cover. missionwestbar.com.
SNAP RESPONSE
On Friday, California Attorney Rob Bonta co-led a coalition of 23 attorneys general in sending a letter to U.S. Department of Agriculture Secretary Brooke Rollins flagging the damage a potential lapse in Supplemental Nutrition Assistance Program (SNAP) benefits for the month of November would inflict on the 5.5 million Californians who use SNAP benefits to feed themselves and their families. “Every American—Democrat, Republican, and Independent—should be outraged,” Bonta says. oag.ca.gov.
QUICK SIPS
Savvy sommelier Ryan Cooley opened Vin Vivant (115 San Jose Ave G, Capitola) in August with fellow somm John Haffey, Michelin Guide’s 2023 California Sommelier Award Winner; now Cooley’s partnering with The Power Plant and chef Todd Williamson on a wine bar-food truck operation they’re calling The Food Lab (7990 Highway 1, Moss Landing), and the fish tacos, burgers and soft-shell crab sandwiches are well worth a pilgrimage, instagram.com/thelanding.ml, vinvivantcapitola.com…The 46th annual EcoFarm Conference cometh Jan. 21-24, 2026, to Asilomar Conference Grounds in Pacific Grove, eco-farm.org…Good Times Best Of Santa Cruz 2026 nominations have commenced and the window remains open through Sunday, Nov. 16, with the vote following from Dec. 15 on, goodtimes.sc/best-of-ballot…Playwright George Bernard Shaw, draw the curtain: “There is no sincerer love than the love of food.”
This is one of my favorite issues of the year. We asked people to contribute their visions of Santa Cruz’s future and the answers are eye-opening, fun and serious.
We have so many great talents here in Santa Cruz and they took the time to share their sci-fi-like visions. They remind me that science fiction has so often become reality. I think this is an exercise everyone should try. Where will we be as a community in the future and where do you want us to be and how will we get there? (Hint…drop us your answers and we can include them in upcoming letters pages.)
Check some of our contributors’ ideas: there’s a regular submarine tour of the Monterey Bay; cleaner beaches because people will be more thoughtful; a bustling downtown filled with artists and shops; a new library as the center of town; augmented smart glasses; serious research defying aging; controlling earthquakes; a spread of beach towns like San Diego…
Those are some of the possible futures. But wait, there’s more. Check out that cover story and jot down your own predictions for us.
Who would have thought even 20 years ago that cannabis would be sold in stores legally?
Speaking of a half-century of progress, that’s what Alice Waters talked about in her interview with Elizabeth Borelli. Waters’ future includes healthy, locally grown school lunches, something she compares to the growth over the years of farmers markets, helping farmers and helping people eat fresh and healthy foods.
For an uplifting piece of theater, check out Mathew Chipman’s article about the new work at Cabrillo Stage: “Metamorphoses feels like the antidote to Sweeney Todd,” says artistic director Andrea Hart. “Todd gives into the realities of darkness and injustice. This is the opposite; these are very personal stories, even though they deal with very large issues pertaining to the individual.”
It may not be too late to get your face done before Halloween (see the phone number in Lucille Tepperman’s story). Or you can get it done at the farmers market by a real pro after Halloween.
People on the street give you their opinions of what Santa Cruz will be like in 50 years in John Koenig’s beloved Street Talk column. As usual, there are intelligent, thoughtful answers.
Don’t forget to vote Nov. 4 or earlier with a mail-in ballot. This election is small in topics but will have a huge effect on the national front.
Thanks for reading.
Brad Kava | Editor
PHOTO CONTEST
SUNSET DRIVE Taken amongst the happy people enjoying the sunset at West Cliff, Oct. 17. Photograph by Paul Titangos
GOOD IDEA
The Valley Women’s Club Environmental Committee will host the 24th Annual Environmental Town Hall 1–3pm Nov. 8 at Felton Community Hall. The event will feature Assemblymember Gail Pellerin, who will provide an update on current environmental legislation and issues affecting the San Lorenzo Valley and the greater Santa Cruz County area.
Attendees can also connect with 21 local agencies and organizations, including Friends of Quail Hollow County Park, County Mosquito & Vector Control, the Santa Cruz Climate Action Network, the SLV Native Habitat Restoration Program, California Native Plants, and the Sierra Club Santa Cruz Group. Admission is free, and light refreshments will be provided.
GOOD WORK
With the rise of families being split up and deported, Community Bridges is stepping in to support local families with Puentes Para Familias, a new Emergency Family Aid Fund. The fund, created with generous seed funding from Sunlight Giving, provides up to $2,500 per household to help families bridge financial gaps while they reorganize and make longer-term plans.
“The detention of a parent or caregiver creates havoc for the entire family. Children face disrupted schooling, caregivers struggle to pay rent, and households lose the very person who provided for them,” said Raymon Cancino, chief executive officer of Community Bridges. “Our goal isn’t to replace every dollar lost—we can’t—but we can alleviate some of the immediate worry while families regroup.”
QUOTE OF THE WEEK
‘No one man can terrorize a whole nation, unless we are all his accomplices.’ —Edward R. Murrow
Alice Waters, founder of Chez Panisse, reminds us that the future of health and climate begins with what’s on our plates. "An Evening with Alice Waters" begins 7pm Thursday at the Rio Theatre
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In 'Metamophosis' a collection of vignettes runs its ensemble through a gauntlet of characters, transforming from gods to men and back again. At the Black Box Theater, November 1–16
Hayden Pedigo's intricate guitar fingerpicking, ambient soundscapes and open-tuned compositions follow in the footsteps of John Fahey. Performing with Jens Kuross, 7pm on Nov. 4 at The Crepe Place
At San Marcos Charquito, traditional favorites are as authentic as it gets north of the border. Lupita’s quesadilla is one headliner; tortas and burritos are also hits, with fish, shrimp and al pastor tacos on handmade tortillas.
Last week the California Department of Fish and Wildlife announced the statewide commercial opener of the upcoming Dungeness crab season has been delayed until at least Jan. 1, 2026.
This is one of my favorite issues of the year. We asked people to contribute their visions of Santa Cruz’s future and the answers are eye-opening, fun and serious.
