Be Our Guest: Watsonville Film Festival

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The Watsonville Film Festival prides itself on being “the multicultural film festival of the Monterey Bay.” Launched in 2012, it has been a showcase for our diverse local community with a variety of events, from films at the Mello Center and matinee screenings for students at the Green Valley Cinema to movies at the park and much more. Festival organizers partner with local organizations and community members in their mission to inspire and engage, empower young filmmakers, encourage conversations, and promote economic and cultural development in Watsonville. Bonus: the festival takes place in the newly reopened Historic Fox Theater. 


INFO: Sept. 29-Oct. 2 at the Fox Theater, 15 Maple St., Watsonville. Free-$70. More information: watsonvillefilmfest.org. WANT TO GO? Go to santacruz.com/giveaways before 11 a.m. on Monday, Sept. 26 to find out how you could win a pair of all-access passes to the festival.

Love Your Local Band: Ten O’Clock Lunch

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The name Ten O’Clock Lunch is kind of an inside joke for people who work at grocery stores, or anywhere else where the shift begins at 6 o’clock in the morning. It’s a fitting name for the group, which was started by George Zaferes, a grocer who would use his 10 o’clock lunch break to play music.

Zaferes started jamming with a co-worker, who’s no longer in the band. Other band members came on after riding their bikes by the jam session and asking to join in.

Eventually these jam sessions turned into a regularly gigging band, playing an array of covers from genres including blues, rock, soul, country and reggae. The band’s rehearsals quickly got much more formal. One of its strengths is the vocals. There are three members that sing lead, and do harmonies. But no matter what, the band’s always been about having fun and getting people to dance.

“We’re all professionals, but we don’t really take ourselves all that seriously,” says harmonica player Richard Wankoff. “We’re not just playing songs that we want to play, even though we chose songs that we like. We thought other people would like them, too.”

The band has been going for four years now, popping up at local spots like Crow’s Nest, Michael’s On Main, Severino’s Bar and Grill, and the Fish House.

The repertoire is diverse, and it’s all covers. It’s hard for the members to describe just what connects their material. The main thing is that they feel like it’s going to get people to dance That’s what it’s all about.

“We’re versatile. We’re really all about playing a groove and having a good time and helping the people have a good time,” Wankoff says. 


INFO: 8:30 p.m. Thursday, Sept. 22. Crow’s Nest, 2218 East Cliff Drive, Santa Cruz. $5. 476-4560.

Preview: Craig Johnson comes to Bookshop Santa Cruz

If you haven’t seen the Netflix series Longmire, it’s well worth your time, not just because it’s great TV, but because great TV should send you back to the great books it’s often based upon. An Obvious Fact is the twelfth novel in Craig Johnson’s terrific series about Walt Longmire, a sheriff in Absaroka County, Wyoming. In anticipation of his appearance at Bookshop Santa Cruz, Johnson shared his thoughts on fiction, television, the writing life, and the Milky Way.

The Longmire novels are set in the least populated county in the least populated state, but they’ve tapped into something larger, even universal. Why?

When I wrote the first Longmire novel, the CSI stuff was really catching on and everything was about ballistics, forensics, and DNA testing. I thought all that technology was robbing the stories of their humanity. I figured if I wrote a procedural about the sheriff of a rural county in a rural state, it might focus more on character and place, which is where the best writing takes place, and what Steinbeck referred to as a “universality of the human condition.” There’s always going to be an epic, romantic quality to westerns, even contemporary ones, but it comes down to the characters. Walt isn’t like most characters you find in crime fiction. He’s more like us.

How do you incorporate the landscape into your novels?

Studs Terkel once said, “Nothin’ ever happened nowhere.” The landscape informs the characters, and with Wyoming being a place of extremes, it makes for a rich environment. I’m sometimes asked if I’m a mystery writer or a western writer and I guess I’m both, but the western part is the settings of my books, and that has an effect on everything.

“I think if I ever kill Walt off, the readers will kill me. I was lucky to find him. Walt is the best insurance that I’ll continue the series. He’s good company.” — Craig Johnson

You write about people and places many of us don’t have experience with. How do you balance authenticity with great storytelling?

Most of my novels come from newspaper articles, which keep them anchored in the reality of what western sheriffs really deal with. There’s also a responsibility in writing about a place you love the way I love the Bighorn Mountain region of Wyoming—you need to be honest about it so that even if people have never been there, they know it.

You work as a consultant on the TV series. What has surprised you about the process?

I’ve come to consider it an equal but separate universe from the books. There are things that work in books and things that work in television and those two things might not be identical. The greatest surprise is how much I enjoy the show. It’s interesting to see a different take on the characters and world I created.

Do you have an end in mind when it comes to the Longmire series?

I think if I ever kill Walt off, the readers will kill me. I was lucky to find him. Walt is the best insurance that I’ll continue the series. He’s good company.

Any advice for hopeful novelists?

Being a writer is kind of like being a cop—if everybody is running in one direction, you need to run in the other. Take chances and do something different. There are agents and publishers who want you to be the next Hemingway—don’t disappoint them.

Like Longmire, you live in rural Wyoming. It’s a beautiful but challenging place. What keeps you there?

Ucross, the nearest town to my ranch, has a population of 25. That offers me the isolation and focus I need for my writing. At night, after I’ve grained the horses, I step outside the barn and look up into the thick part of the Milky Way—that strip of stars that runs from horizon to horizon, what my Northern Cheyenne friends refer to as the Hanging Road, the trail that our ancestors used to travel back and forth between here and the Camp of the Dead—and no pun intended, I thank my lucky stars. After a few moments, I’ve got horses resting their heads on my shoulders, probably wondering what in the world I’m doing out there, and I wouldn’t trade that for the world.


Craig Johnson will read from and discuss his book at 7 p.m. on Thursday, Sept. 22 at Bookshop Santa Cruz. Free.

Review: ‘A Streetcar Named Desire’

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These days, Tennessee Williams’ groundbreaking drama, A Streetcar Named Desire, could seem as quaint and mannered as the fading, delusional Southern belle at its center. But the old girl holds up surprisingly well in the smart new production of Streetcar that launches the twelfth season of Jewel Theatre Company.

First produced onstage in 1947, the play was controversial for daring to whisper (obliquely) about taboo subjects like homosexuality, sexual promiscuity, and rape. It examines the erosion of Southern gentility, in the hothouse flower that is Blanche DuBois, exposed in the merciless glare of the postwar modern world represented by her working-class brother-in-law, Stanley Kowalski. But Williams knew that the perceived elegance of the Old South—built on generations of slavery and repression—was as much an illusion as Blanche’s image of herself as a fragile innocent.

These are no longer considered scandalous, or particularly new ideas. But director Susan Myer Silton sets them up vividly in her JTC production. The story is set in the French Quarter of New Orleans, and one of Silton’s coolest innovations is to place a three-man jazz combo on a wrought-iron balcony overlooking the stage; they play the audience in, and the actors in and out of scenes, subtly punctuating the action, but never overwhelming it.

Stanley Kowalski (Brent Schindele), a factory foreman and ex-GI, lives in a two-room apartment with his wife, Stella (Erika Schindele). He downs beers, and plays poker with the boys, she gossips with the neighbors, and they enjoy a strong physical, if sometimes volatile, relationship.

But their marriage is strained when Stella’s older sister, Blanche (Julie James), arrives. A spinsterish onetime high school English teacher, Blanche spins a tale of woe about how the family home (a Mississippi plantation called Belle Reve), has been “lost,” as the elder generation died out. Alternately reproaching Stella for
“abandoning” the family that Blanche had to care for, and buttering her up as her “precious baby sister,” Blanche has nowhere to go, and her travel plans are indefinite.

Blanche deplores what she considers the Kowalski’s miserable living conditions, and finds Stanley crude and common. (James is extremely funny in Blanche’s speech on how “ape-like” Stanley is, even as the dramatic tension builds.) Stanley suspects her of cheating Stella out of the family inheritance; he loathes her superior attitude, her interference in his marriage, and her pretense to gentility, which he considers a phony act.

The clash of wills between them intensifies when one of Stanley’s poker buddies, Mitch (solid, sympathetic Kurt Meeker), a lonely, unmarried, middle-aged man caring for his aging mother, is drawn into Blanche’s flirtatious orbit. Stanley investigates Blanche’s background, and revelations ensue, as truth shines an unforgiving light on the past.

As Stanley, Schindele is (refreshingly) nothing like Marlon Brando’s famous performance in the role. Schindele’s Stanley is more savvy, less elemental, and yet still conveys an air of danger. Since Schindele was previously seen in a dinner jacket, tinkling the ivories as the lounge pianist in JTC’s delightful film noir musical, Gunmetal Blues, his performance here is a pretty nifty about-face. Erika Schindele (she and Brent are married in real life) invests Stella with strength and compassion beneath her nice-girl exterior.

The Kowalski’s apartment (kitchen and bedroom, with a flimsy curtain between) is rendered in precise period detail by scenic designer JR Bruce. It includes staircases on both sides leading up to the balcony, and the actors use every inch of space. B. Modern’s costumes are terrific, especially the filmy, flowery concoctions of lace and tulle that emerge out of Blanche’s trunk. (OK, for the men Modern only has to provide mostly undershirts and bowling shirts, but those are crisply done as well.)

Without complete blackouts onstage, the opening night audience wasn’t sure if it should clap between scenes. But don’t be shy; each movement deserves your encouragement. Another nice touch is Silton’s selection of songs for the jazz trio throughout, especially the recurring ballad, “That Old Feeling”—a telling lyric on so many levels as pasts and present collide in this adroit production.


The Jewel Theatre Company production of ‘A Streetcar Named Desire’ plays through Oct. 2 at the Colligan Theater in The Tannery Arts Center. Call 425-7506, or visit jeweltheatre.net.

Film Review: ‘Little Men’

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Childhood friendships are delicate enough without interference from the grown-ups. Ira Sachs’ thoughtful family drama Little Men begins with a bond bubbling up unexpectedly between two boys from very different backgrounds thrown together by circumstances. But circumstances change, and it’s the consequence of parental agendas on the boys’ newfound friendship that’s explored in Sachs’ small-focus tone poem of a film.

The story revolves around 13-year-old Jake (a very poised performance from newcomer Theo Taplitz). A quiet kid who loves to draw, Jake lives in a comfortable, upper middle-class apartment in downtown Manhattan. The family housekeeper comes to meet him after school while his parents are at work.

His mother, Kathy (the always-radiant Jennifer Ehle), is a psychotherapist whose income supports the family. His father, Brian (Greg Kinnear), is a stage actor; he loves the theater, but most of the work he gets is in small nonprofit theater companies that don’t pay much. When Jake wonders why he’s no longer auditioning for Broadway shows, his dad tells him he’s become “adaptable.”

One day after school, Jake gets a phone call from an uncle he hasn’t seen in years, sending condolences on the death of the grandfather he barely knows, Brian’s father, Max. Brian inherits the building he grew up in, a Brownstone in Brooklyn, and moves his family in. The property includes a storefront on the ground level, a dress and tailoring shop run by immigrant seamstress, Leonor (Chilean actress Paulina Garcia, who was so great in the film Gloria a couple of years ago).

On the day the family moves in, Leonor’s son, Tony (Michael Barbieri), offers to help carry in some of Jake’s stuff. He’s blown away by Jake’s drawings, and when they discover they both love the same video games, the boys hit it off. Leonor brings a cake upstairs to the after-funeral gathering that she says was Max’s favorite, and Kathy buys a dress in Leonor’s shop.

But trouble brews when Brian, his sister, Audrey (Talia Balsam), and Kathy, decide they have to raise the rent on Leonor’s shop to something approaching market value. Single mom Leonor can barely make the rent as it is, and while Brian understands that Leonor and Max were friends, and his dad kept the rent affordable so she could stay there, Brian needs the extra income.

Sachs manages to present every viewpoint without heroes or villains. (Except maybe the scheming Audrey, reminding Brian that she didn’t inherit the house, and deserves further compensation from the rental.) Brian feels guilty that his wife pays the bills, and tries to come to terms with Leonor to avoid eviction. For her part, Leonor is not above subtle digs that she was more “family” to Brian’s father than he was.

The boys watch in perplexity as their parents find ways to curtail the time they spend together. “Our parents are involved in a business matter,” Tony says to Jake. “It’s getting ugly, so they’re taking it out on us.” In retaliation, they decide to stop talking to their parents, which further aggravates everybody, but is no more effective than Kathy’s “conflict resolution” skills in solving anything.

The impact of this adult drama on the boys is the soul of the movie. Tony is a real Brooklyn kid, gregarious and feisty; he plays soccer with the guys in the park, but he wants to be an actor, dragging Jake along to an after-school acting workshop for kids. But hanging out with Tony is an even bigger deal to Jake, who’s too shy to make friends easily. When we see the two of them (from two different schools, and two different worlds) racing around the neighborhood together on scooter and skates, we realize all that’s at risk from their parents’ impasse.

There’s no easy resolution to the story, and Sachs doesn’t try to impose one. Instead, he offers a wistful coda in which Life, inevitably, goes on.


LITTLE MEN

*** (out of four)

With Greg Kinnear, Paulina Garcia, Theo Taplitz, and Michael Barbieri. Written by Ira Sachs and Mauricio Zacharias. Directed by Ira Sachs. A Magnolia Pictures release. Rated PG. 85 minutes.

Luca Viara Looks to Expand Tramonti

The charming Craftsman home-turned-restaurant at 3101 N. Main Street in Soquel has gone through several reincarnations in the last 10 years—most recently as La Gioconda, an authentic Tuscan kitchen headed by restaurateur Luca Viara—and is about to undergo another transformation under the ownership of chef Brad Briske.

Briske, whom Viara praises as “the perfect fit,” was the chef at the location during its Main Street Garden & Cafe days, and after honing his “food-as-medicine” philosophy and farm-to-table ethos as the head of La Balena in Carmel for the last few years, is excited to return home … or, rather, Home.

“I decided to name my restaurant Home because the space is an old house with a lot of charm converted into a beautiful restaurant where people will be taken care of. ‘Home’ is how I want my customers to feel,” says Briske.

Briske was a vegan before teaching himself how to butcher and use entire animals, and is extremely dedicated to sourcing the best local ingredients, which he says isn’t difficult in an area with such passionate farmers. He describes his cuisine as wholesome, holistic, Californian-Italian with a “whole animal and food-as-medicine philosophy.” Briske also teases the idea of doing a chef-served tasting menu at his new location, although he hasn’t quite worked out the details. He hopes to open the doors to Home this fall.

With the sale of the Main Street kitchen complete, Viara has time to focus on several other projects, including his casual and authentic pizzaiolo, Tramonti. The Seabright restaurant, opened in 2012, is flourishing, and he’s looking to open another location in Santa Cruz as soon as he can find an appropriate property. Viara, who was born in Turin, is also starting a small catering company with his former business partner, with whom he ran several successful ventures in Milan and Sardinia called “We Cook the Food We Love.” He expects to be online by November, while simultaneously opening Amore, an organic farm-to-table pizza spot in Kauai.


PARTY ON VENUS

Event Santa Cruz is celebrating three years of highlighting local movers and shakers with a Collaboration on the Lot party at Venus Spirits on Friday, Sept. 23. More than 20 beloved craft food and beverage makers will offer special collaborations, like a Verve Coffee and Humble Sea craft brew, along with live music and local artists. Tickets and info at eventsantacruz.com.


SAUSAGEFEST

Dust off your dirndls, ladies, and button up your lederhosen, lads—Sausagefest is back on Sunday, Sept. 25. This year, the tongue-in-cheek Oktoberfest-style festival will feature a competition between local sausage vendors like El Salchichero and Sun’s Out Buns Out, local craft beer and cider makers, autumn treats and live music at the Westside farmers market lot from 2 p.m. to 5 p.m. Hosted by Emily Thomas, owner of Santa Cruz Mountain Brewing and the Cremer House, proceeds will benefit the Friends of Santa Cruz State Parks. Tickets at scmbrew.com/events. Prost!


STEAK OUT

I was skeptical when my friend insisted we grab a steak for our backpacking trip over Labor Day weekend, especially since he also assured me we also did not need a grill or pan of any kind. I still wasn’t convinced when he let our cooking fire burn down and banked the coals to one side. I even tried to stop him when, after heavily frosting the outside of the meat with kosher salt, he placed it directly on the embers. Then I walked away and had a glass of wine (because everyone brings wine when they’re backpacking, right?). When I returned, he was cutting a perfectly charred, medium-rare steak that was amazingly ash free. I was delighted to eat my words and a delicious steak dinner on the trail that night. Next time you’re out in the wilderness, try it for yourself!

Preview: Grazing on the Green

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Thirteen years ago, the Santa Cruz Cancer Benefit Group threw their first Gourmet Grazing on the Green festival. The purpose was to help raise money for their organization, and it’s been incredibly successful in doing that. It’s also become a prime destination for local foodies looking to sample the best food, beer and wine in the area. Event director Keikilani McKay gave us a little more insight into this year’s event.

Anything new that people can expect this year?

KEIKILANI MCKAY: There are about 10 additional participants at this point. We have 29 wineries, breweries, and spirits, and then 30 restaurants. And a couple of lifestyle vendors; art and local products. New this year I have the Turkey Boat—they’re from Pajaro. We also have Odonata Wines—they haven’t participated in a few years. I have the Cremer House, Cantine Winepub in Aptos, Hive and Hum.

Can you explain briefly what the money raised will do?

All the proceeds go directly to the beneficiaries. SCCBG raises money to provide cancer services and research locally. The mission of the group is to help the beneficiaries fight cancer, and provide critical support services for families that are undergoing the trauma of cancer. The idea when we founded it was to simply give back to local services. The national organizations are doing a great job, but you don’t always feel the immediate impact in your community. This is an organization that delivers food to families that are undergoing cancer treatment, and don’t have time to make their dinner.

How many people do you expect this year?

Between 1,200 and 1,500. It started with about 250 people for the first several years, and it keeps growing each year. Last year, we had 1,200 attendees. We want it to grow, but we don’t want it to grow so big that it’s packed and overwhelming. Aptos Village Park is great, and we can accommodate about 2,500 people there. We want to keep it so you’re not fighting crowds.

How has the beer aspect of the event evolved?

The beer has definitely expanded over the last six years, especially with the movement here in Santa Cruz with craft beer. Discretion, Santa Cruz Ale Works, Santa Cruz Mountain Brewery are part, as well as Sante Adairius and Uncommon Brewers. It’s definitely growing into a larger part of the conversation.

INFO: Noon-4 p.m. on Sept. 24, Aptos Village Park, 100 Aptos Creek Road., Aptos. $55-$70. 465-1989, sccbg.org.

Martin Ranch does Pinot

A gorgeous piece of property, tasting room and vineyards lie up Redwood Retreat Road in Gilroy: Martin Ranch. It’s always a joy to visit Dan and Thérèse Martin—they are happy, ebullient people who make everybody feel welcome. And their wines are exceptional, so a wine-tasting at Martin Ranch is always a rewarding experience.

Meeting up with some friends, we crack open a bottle of Pinot Noir 2012 Thérèse Vineyards Santa Cruz Mountains – Lester Family Vineyards. A stunning Pinot, this one, packed with gorgeous flavors that will make you want to drink it over and over.

“The wine’s garnet color shows off a real gem,” say the Martins. “Its bright raspberry spice up front moves into a silky vanilla middle palate with a seductive, lingering oak finish.” But I love the wine’s notes of leather and spice, and the overall earthiness of this superb Pinot ($47). When the grapes come from Lester Family Vineyards, you know you’re onto something good.

Martin Ranch Winery, 6675 Redwood Retreat Road, Gilroy, 408-842-9197, martinranchwinery.com. Open every first and third weekend of the month from noon to 5 p.m. on Friday, Saturday and Sunday.


Nourishing Generations Fundraiser

Nourishing Generations, a local Santa Cruz nonprofit, announces a fundraising party to celebrate bringing much-needed professional nutrition, cooking, and movement classes to kids, teens and adults in our community. The fundraiser will be held from 4-7 p.m. on Saturday, Oct. 1 at Hale O’Hana, 2599 Soquel San Jose Road in Soquel. There will be delicious food, fine wine, a silent auction, and live music by Eric Morrison and the Mysteries. To purchase tickets visit nourishggenerations.org.


Bonny Doon Vineyard Day of the Doon Dinner

Bonny Doon Vineyard will be celebrating in great style at their next al fresco dinner at Popelouchum—winemaker Randall Grahm’s property in San Juan Bautista. Grahm promises “a magical late afternoon and evening affair” with a guided tour of the Popelouchum estate and partaking of library wine bottlings. Food will be prepared by chef Alexander Ong and the event is 4-8:30 p.m. Saturday, Oct. 15. Tickets are $140 for this multi-course feast. Visit bonnydoonvineyard.com for more info.  

Rob Brezsny’s Astrology Sept 21—27

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ARIES (March 21-April 19): Even if you are a wild-eyed adventure-seeker with extremist views and melodramatic yearnings, you’ll benefit from taking a moderate approach to life in the coming weeks. In fact, you’re most likely to attract the help and inspiration you need if you adopt the strategy used by Goldilocks in the fairy tale “Goldilocks and the Three Bears”: neither excessive nor underdone, neither extravagant nor restrained, neither bawdy, loud, and in-your-face nor demure, quiet, and passive—but rather just right.

TAURUS (April 20-May 20): Some of my readers love me but also hate me. They are drawn to my horoscopes in the hope that I will help relieve them of their habitual pain, but then get mad at me when I do just that. In retrospect, they feel lost without the familiar companionship of their habitual pain. It had been a centerpiece of their identity, a source of stability, and when it’s gone, they don’t know who they are any more. Are you like these people, Taurus? If so, you might want to avoid my horoscopes for a while. I will be engaged in a subtle crusade to dissolve your angst and agitation. And it all starts now with this magic spell: Your wound is a blessing. Discover why.

GEMINI (May 21-June 20): In my dream last night, bad guys wearing white hats constrained you in a canvas straitjacket, then further wrapped you up with heavy steel chain secured by three padlocks. They drove you to a weedy field behind an abandoned warehouse and left you there in the pitch dark. But you were indomitable. By dawn, you had miraculously wriggled your way out of your confinement. Then you walked back home, free and undaunted. Here’s my interpretation of the dream: You now have special skills as an escape artist. No cage can hold you. No riddle can stump you. No tangle can confuse you. (P.S.: For best results, trust yourself even more than you usually do.)

CANCER (June 21-July 22): The next four weeks will be a favorable time to come all the way home. Here are nine prompts for how to accomplish that: 1. Nourish your roots. 2. Strengthen your foundations. 3. Meditate about where you truly belong. 4. Upgrade the way you attend to your self-care. 5. Honor your living traditions.  6. Make a pilgrimage to the land where your ancestors lived. 7. Deepen your intimacy with the earth. 8. Be ingenious about expressing your tenderness. 9. Reinvigorate your commitment to the influences that nurture and support you.

LEO (July 23-Aug. 22): What tools will work best for the tasks you’ll be invited to perform in the coming weeks? A sledgehammer or tweezers? Pruning shears or a sewing machine? A monkey wrench or a screwdriver? Here’s my guess: Always have your entire toolbox on hand. You may need to change tools in mid-task—or even use several tools for the same task. I can envision at least one situation that would benefit from you alternating between a sledgehammer and tweezers.

VIRGO (Aug. 23-Sept. 22): I’m confident that I will never again need to moonlight as a janitor or dishwasher in order to pay my bills. My gig as a horoscope columnist provides me with enough money to eat well, so it’s no longer necessary to shoplift bread or scavenge for dented cans of beets in grocery store dumpsters. What accounts for my growing financial luck? I mean besides the fact that I have been steadily improving my skills as an oracle and writer? I suspect it may in part have to do with my determination to cultivate generosity. As I’ve become better at expressing compassion and bestowing blessings, money has flowed to me in greater abundance. Would this strategy work for you? The coming weeks and months will be a good time to experiment.

LIBRA (Sept. 23-Oct. 22): Here’s my translation of a passage from the ancient Gospel of Thomas, a gnostic text about the teachings of Jesus: “If you do not awaken and develop the potential talents that lie within you, they will damage you. If you do awaken and develop the potential talents that lie within you, they will heal you.” Whether you actually awaken and develop those talents or not depends on two things: your ability to identify them clearly and your determination to bring them to life with the graceful force of your willpower. I call this to your attention, Libra, because the coming months will be a highly favorable time to expedite the ripening of your talents. And it all starts NOW.

SCORPIO (Oct. 23-Nov. 21): You can’t completely eliminate unhelpful influences and trivial saboteurs and debilitating distractions from your life. But you’re entering a phase of your astrological cycle when you have more power than usual to diminish their effects. To get started in this gritty yet lofty endeavor, try this: Decrease your connection with anything that tends to demean your spirit, shrink your lust for life, limit your freedom, ignore your soul, compromise your integrity, dishonor your reverence, inhibit your self-expressiveness, or alienate you from what you love.

SAGITTARIUS (Nov. 22-Dec. 21): Work too much and push yourself too hard, Sagittarius. Eat corn chips for breakfast, ice cream for lunch, and French fries for dinner—every day, if possible. And please, please, please, get no more than four hours’ sleep per night. If you have any extra time, do arduous favors for friends and intensify your workout routine. JUST KIDDING! Don’t you dare heed any of that ridiculous advice. In fact, I suggest you do just the opposite. Dream up brilliant excuses not to work too much or push too hard. Treat yourself to the finest meals and best sleep ever. Take your mastery of the art of relaxation to new heights. Right now, the most effective way to serve your long-term dreams is by having as much fun, joy, and release as possible.

CAPRICORN (Dec. 22-Jan. 19): I propose that you and I make a deal. Here’s how it would work: For the next three weeks, I will say three prayers for you every day. I will ask God, Fate, and Life to send you more of the recognition and appreciation you deserve. I will coax and convince them to give you rich experiences of being seen for who you really are. Now here’s what I ask of you in return: You will rigorously resolve to act on your core beliefs, express your noblest desires, and say only what you truly mean. You will be alert for those times when you start to stray from the path with heart, and you will immediately get yourself back on that path. You will be yourself three times stronger and clearer than you have ever been before.

AQUARIUS (Jan. 20-Feb. 18): If you loosen yourself up by drinking an alcoholic beverage, don’t drive a forklift or ride a unicycle. If you have a hunch that your luck at gambling is peaking, don’t buy lottery tickets or play the slot machines. If you’re drawn to explore the frontiers of intimacy, be armed with the ancient Latin maxim, Primum non nocere, or “First, do no harm.” And if you really do believe it would be fun to play with fire, bring a fire extinguisher with you. In presenting this cautionary advice, I’m not saying that you should never push the limits or bend the rules. But I want to be sure that as you dare to experiment, you remain savvy and ethical and responsible.

PISCES (Feb. 19-March 20): I invite you to explore the healing power of sex. The coming weeks will be a favorable time to do so. You are also likely to generate good fortune for yourself if you try to fix any aspect of your erotic life that feels wounded or awkward. For best results, suspend all your theories about the way physical intimacy should work in your life. Adopting a beginner’s mind could lead you to subtly spectacular breakthroughs. (P.S. You don’t necessarily need a partner to take full advantage of this big opening.)


Homework: Name the one thing you could change about yourself that would improve your love life. Testify at freewillastrology.com.

Peace Messengers, Mercury Direct, Autumn Equinox

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Wednesday is the United Nations International Day of Peace. It calls all of humanity to gather together in a spirit of peace and to commit to intentions for peace even amidst differences. There are peace day activities everywhere around the globe. Everyone is asked to participate in a public or private activity related to peace.

At noon the United Nations, the Peace Bell, given to the U.S. by Japan, will be rung. Simultaneously we are called to a “Moment of Silence” at noon in every time zone, creating a united “Peace Wave” around the world.

Students from around the world participate in Peace Day at the United Nations. They are called Peace Messengers. We can be a Peace Messenger, too. But first we must know how to bring about peace.

I have written about this before. I will write it again. There is an esoteric equation that tells us how to bring about peace. Goodwill = Right Relations = Peace. We begin with Intentions for Goodwill (in all actions, thoughts and speech). Goodwill becomes Right Human Relations (RHR with all Kingdoms; mineral, plant, animal and human). RHR then creates the first steps toward an active and ongoing process called Peace.

The New Group of World Servers, as our action for peace, will be reciting the Great Invocation every 15 minutes on Peace Day. For an event map and information on how to get involved, visit internationaldayofpeace.org.

Wednesday night, Mercury stations direct, at 15 degrees Virgo.

Thursday morning, Sun (at the equator) enters Libra, and autumn begins. Persephone enters the underworld. Ceres grieves. The plant kingdom begins to withdraw. The apples, persimmons, pomegranates and guavas ripen.


ARIES: The sign Virgo and the lunar eclipse brought to the forefront in your life aspects of service. This is a time of asking all of us what and whom we serve. In daily life the issues of order and organization have become important, along with health and well-being. Virgo asks us to purify. The eclipse lets things fall away from our life. You discover renewed faith in yourself.

TAURUS: A new level of courage is offered so you can begin to take little risks along the way. In order to bring forth the new realities it’s good to call forth confidence in yourself that what you see and feel are correct and are actual directions as to your next step in life. You must learn a bit more about working as a team with care and cooperation. Sharing, too.

GEMINI: Home and work in the world are both activated by Virgo and the Pisces lunar eclipse. Both need a new level of attention, for both are changing. You work instinctively when it comes to family and home. Your wounds seem to be stimulated when you think of work in the world. Recognize them and allow them to wash over you. Take Ignatia Amara (homeopath for grief). Home at this time safeguards you.

CANCER: Learning new things and sharing your knowledge and experiences with others is what is needed now. You often keep information to yourself under your shell of protection. This is good for you. However, there are so many who need your knowledge, expertise, ways of knowing and living. Please consider sharing more. In the months to come you will want to travel and perhaps move.

LEO: Security, your own and for others, becomes a significant focus along with finances and resources, sexuality and spirituality. They are all different levels of resources in your life. Begin with making yourself secure and comfortable. Then move onto others in need. Perhaps they are another kingdom (animal, plant, mineral). Ponder upon what intimacy means to you. It’s time to begin a new creative endeavor (again).

VIRGO: You may be called to act with courage and confidence concerning how you identify yourself. Events may occur in which who you thought were your friends may actually turn out not to be. What this means is that a new journey has begun for you as old ways begin to pass away. It’s good to assess your wardrobe. As we change internally our appearance in the world must change too.

LIBRA: Inner spiritual resources will come to your aid when you feel lost or at sea without direction. Prayer helps, storming heaven does too. Much of what you have relied upon, even desires, fall away. You’ve built up strong inner resources over the years. Though it seems as if answers are covered by a mist, persevere in your prayers of asking and the veils will fall away.

SCORPIO: There may have been expectations that didn’t quite work out as planned or hoped for. There are people, friends, hopes, wishes and dreams hovering about in the airs around you. Who and/or what are they? Be sure to communicate with those who love and support you. Soon new challenges will come your way. That’s the way for Scorpio. It’s always something … reorienting, transforming, dying, shifting, or being born.

SAGITTARIUS: Something happened during the retrograde that was unusual. You were called out to be a different persona, to uphold a new, reality, to assume a different task in the world. You undertook this with bravado and a sense of theatre. But underneath a deep spiritual value came forth. This experience will hold you to something new in the future. As the clouds clear and the mists part, you will understand.

CAPRICORN: So many things felt uncertain, cloudy and misty over the past weeks. Things in form and matter got lost, laid in the sun, fell apart. There was disappointment, perhaps. Now life turns around again, falls into place. New plans are made, new encouragements and enthusiasm. Hands are steadier, ideas able to be turned into action. New opportunities await. They’re all around you. Choose all of them. You laugh.

AQUARIUS: You’re learning how well you can provide for yourself. You’re recognizing that your creative efforts keep you well-protected and cared for. I have written many times that Aquarians are the ones who come from the future. So they know the future. Rather like an “unthought known.” And therefore all that they experience prepares others who watch them for that future, for the times to come. You are valuable. You are our forerunner.

PISCES: There is a seeking for clarity about the nature of your relationships with intimates, friends, acquaintances. Some have fallen away and some you no longer want to be part of. This signifies that you are walking down a different road now, entering into new studies and world relationships, working on new and different goals. At first there’s sadness. Then you turn toward the new lands offered. A new world comes into view.

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Rob Brezsny’s Astrology Sept 21—27

Astrology, Horoscope, Stars, Zodiac Signs
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