No Way Home

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Every day kids are being left at school and parents have had to take off work to pick them up because of a shortage of bus drivers.

PVUSD Transportation Director Mark Verch says the district needs 75 drivers to complete all of its routes, but is currently short 21.

And even with the mechanics, fuelers, trainers and dispatchers taking shifts, there are school routes every day that go unfilled, leaving families scrambling to find ways to get their kids to school and home again, Verch says.

During its Jan. 24 meeting, the Pajaro Valley Unified School District Board of Trustees approved a $1000 financial reward for anyone who recommends qualified bus drivers to take students to and from school, and on field trips.

That problem has been bedeviling PVUSDโ€“along with districts across the U.S.โ€“with the low pay and high cost of living driving people out of the industry.

โ€œIt really hurts, knowing those kids are going to have to find a different way home,โ€ he says.

Another impact, he says, is on field trips.

The low numbers leave just five buses available every day to take kids on extracurricular trips, so one that involves all the fifth-graders from a school will fill that.

Teachers as a result must put in requests for field trip transportation months in advance.

 โ€œItโ€™s on a first-come, first-served basis,โ€ he said. โ€œIt hurts to reject a field trip, because thatโ€™s special for the kids. Itโ€™s all impacting the students. Thatโ€™s what it comes down to.โ€

Verch says the problem stems largely from the pay, with hourly wages ranging from $19.68 to $25.11.

But the position also comes with a somewhat onerous application and certification process, which can take up to six months, and which makes California the strictest state to become a bus driver, he says.

This includes 20 hours of classroom work, and several written tests administered by the California Highway Patrol and the Department of Motor Vehicles. Drivers must also go through 20 hours of on-the-road training under the tutelage of an instructor. But that can be hard when the instructors are busy covering shifts, Verch says.

โ€œTheyโ€™re all now having to take on these roles of filling the vacancies, including our supervisor who goes out and drives, which means they arenโ€™t able to fill their duties. So their work is also suffering,โ€ he says. 

The requirements, he says, speak to the importance of the job.

โ€œThis is somebodyโ€™s child,โ€ he says. โ€œWe want to make sure they are getting the best service and the best drivers out there to protect these students, so there are no accidents.โ€

Another challenge for school districts is the state law that mandates transportation for special education students, but not for those in general education. So during a shortage, priority for buses shifts to that population.

The shortage is not limited to PVUSD.

Santa Cruz City Schools spokesman Sam Rolens says that district is in somewhat better shape, with four unfilled positions and two who are in the hiring process.

Still, with pay for Santa Cruz Metro drivers ranging from $25.81-$35.93 per hour, the competition for qualified drivers can make retention a challenge.

โ€œYou have a lot of employers to choose from,โ€ Rolens says. โ€œWe work hard to make sure that weโ€™re being competitive with the Metro, but any time youโ€™re in an industry where there are options, itโ€™s hard.โ€

Across the U.S., the number of school bus drivers has steadily declined since the economic recession of 2009, when roughly 290,000 were employed, according to a November, 2023 study by the Economic Policy Institute. That number has decreased to 192,400.

PVUSD Superintendent Murry Schekman said that a pay increase would help address the problem. But such a proposal would be a big ask, since the unions representing teachers and school employees have โ€œme-tooโ€ clauses in their contracts, which require that raises for any sector go to all employees.

โ€œWhen you give a pay raise, it should go to everyone,โ€ he says. โ€œThe benefits in PVUSD are so good that people stay when they see them, but I sure wish we paid better.โ€

Proposing pay increases could also be a hard sell for the cash-strapped district, which is facing enrollment decreases and subsequent loss of per-pupil funding.

Street Talk

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What is your favorite go-to, good times restaurant?

Isai Rincon, 19, UCSC Game Design major

Betty Noodles on Front St near the Metro Center is where my friends and I go. For a while they were called Monster Pot. The pho is my favorite. โ€”ISAI


Leah Leichty, 27, Face and body painter

Anywhere I can get some good sushi. Iโ€™m basicโ€”poke, sashimi, sushi, anything fish, I love it. You canโ€™t go wrong with a great rainbow roll. โ€”LEAH


Bob Ertl, 55, Marketing

The Crowโ€™s Nest is where we go the most. Laili on Cooper St is a great little restaurant for after an event Downtown. โ€”BOB


Aurora Friedman, 21, UCSC Human Biology major

My friends and I like Kiantiโ€™s pizza and pasta bar. Weโ€™re broke college kids so itโ€™s high-end for us. On weekends, they do fun dancing with pizza dough. I really like the jalapeno cheese bread and a salad. โ€”AURORA


Jeff Aldrich, 47, X-ray laser science manager

Itโ€™s past now, but The Dolphin, for breakfasts every Christmas morning. Now, Cafรฉ Palomar for breakfast and lunch. I go there and watch people play volleyball and see the boats go in and out of the harbor. โ€”JEFF


Regina Kim, 19, and Vince Moreno, 19, UCSC computer science majors

We go home to be with family for big celebrations, but for here, Arslans Turkish Street Food is the best. We love the kabobs. โ€”REGINA and VINCE


PVUSD kicks off โ€œBuild the Fieldโ€ campaign

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Pajaro Middle School has seen its share of setbacks in the past year.

First, there was the flood in March 2023 that brought mud and debris into the classrooms and forced closure of the school. It was the second time in the past three decades the school has flooded.

As a result of the most recent event, all 450 students were shifted to Lakeview Middle School, and to Ohlone and Hall District elementary schools.

But even before that calamity, the schoolโ€™s athletic field was in need of an upgrade, with uneven playing surfaces and gopher holes to contend with.

So now, as workers begin the repairs that are expected to allow students to return to class in August, Pajaro Valley Unified School District has kicked off a campaign to raise the $1.5 million needed to install an artificial turf field.

The ongoing $4.6 million repairsโ€“most of which is covered by state and federal relief fundsโ€“do not include the field.

In the meantime until the field can be built, the district will replace the grass to give the students a place to play.

Interim Superintendent Murry Schekman told the PVUSD Board of Trustees that he will help assure the field gets built.

My time in the district is limited, but if the money is not there, Iโ€™m going to hang around until we raise that money.โ€

Donations can be sent to 294 Green Valley Road, Watsonville, CA, to the attention of the Office of the

Superintendent. Checks should be made payable to the Pajaro Middle

School Field Fund.  PVUSDโ€™s Federal Tax ID will be shared with donating parties.

For information, or for a tour, call interim Superintendent Murry Schekman directly at 840-7675 or email mu************@***sd.net.

Left Bend Winery

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Winegrower Richard Hanke and winemaker Gary Robinson had a fortuitous meeting whilst cycling around the back roads of the Santa Cruz Mountains. Finding they shared a passion for local, mountain-grown fruit and structured, age-worthy wines, it eventually led to the formation of Left Bend Winery.

โ€œOur name,โ€ the duo says, โ€œrefers to the slight leftward bend in the San Andreas fault, which helped form the Santa Cruz Mountains.โ€

Hanke and Robinson now make an abundance of different wines including Cabernet Sauvignon, a Cab and Syrah blend, Cabernet Franc, Chardonnay, Pinot Noir, Carignane, Riesling, and a Sierra Morena red blend.

Thereโ€™s also a voluptuous ruby-red called Mashup v6 Solera. (Solera: a set of barrels in a winemaking process for aging wine by blending multiple vintages over time โ€“ with the introduction of younger fruit-forward wine each year.)

The Mashup ($58) is a standout concoction of Syrah, Cabernet Sauvignon and Cabernet Franc with โ€œrich aromas of cherry, blackberry bramble, currant and plum.โ€ Flavors of sweet tobacco, dried herbs, Earl Grey tea and black cardamom add a ton of pizzazz to this very tasty elixir. โ€œFine-Grained grippy tannins persist with hints of expressive peppercorn through the finish,โ€ says Left Bend.

Left Bend Winery, 1020 Mt. Madonna Road, Watsonville, 408-502-9280. Leftbend.com

Celebratory Sparkling Wines

Frank Family Vineyards has two terrific bubblies that will delight any discerning palate โ€“ a 2016 Napa Valley Blanc de Blanc Carneros and a 2017 Napa Valley Brut Rosรฉ Carneros, each $60. French imports include J. Laurens la Rose No.7 (about $30), and Cote Mas Brut (about $20). Some of our wonderful local wineries making superb sparkling wines are Equinox, MJA Vineyards, Sarahโ€™s Vineyard, Odonata Wines, Lester Estate Wines, Beauregard Vineyards, Windy Oaks, Ser Winery, and Silver Mountain Vineyards (Silver Mountainโ€™s sparkling wine is available only at the winery).

Ten-minute Plays

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Much like flash fiction, 10 minute plays loaded with fresh energy seem to captivate without sagging. The always appealing 8Tens at 8 Festival of Short Playsโ€”produced by Actors’ Theatre through February 18โ€”almost always delivers something you can savor on the spot, or take home and chew on. Sometimes the results just plain take your breath away, be it due to a singular performance, for example Jonathan Carter Schall in Bram Hartman’s Come On, Ref!,  or ingenious characters matched by resourceful players, as in Sam Weller‘s Talking to Myself, insightfully directed by Helene Simkin Jara.

Even near-miss concepts, can spring to life in the hands of a focused actor, as John Denham Bennett, the soldier in On the Road to Tikrit proves mesmerizing, transcending the script itself.  Of course, not everything captivates everyone. Several pieces were chosen for their social justice subtext, which often shouted above the dramatic setting and felt like so much preaching to the converted.

This season’s selections seemed drawn along large thematic lines, the mysteries of mortality were explored more than once in Part 1 productions, and social equity situations made their way into many of the Part 2 plays. On the whole, humor and surprise worked better than politics. And several pieces veered into sentimentality.

The Part 1 cycle of performances started off with an outrageous, laugh-out-loud funny glimpse at the real life absurdities of old age, Stop Saying That with a spot-on ensemble cast. Kudos to all! Surprise endings dotted Part 1 selections, for example in the very clever study of opposites attracting in Sense of Direction, acted with real chemistry by Scott Kravitz and Shannon Marie McDonough. Scott Kravitz again powered the haunting Signing Off, written by local actor/director Gail Thornton Borkowski. The struggle to stay normal in the face of some unknown terror was given a highly relatable scenario. A surprise ending worked its magic.

Part 2 of the cycle yielded that rarest of theater experiencesโ€”a perfect play. A charming O’Henry situation in The Stocking Exchange, by Lynnmarie May, was smartly directed by Sally Bookman, and well acted by Linda S. Gunther and always memorable Martin Sampad Kachuck. In a little over ten minutes this two-hander established its premiss, worked it up into a fever pitch, and then landed back after a very satisfying emotional arc into an “ah!” ending. The audience at the first week’s matinee was enchanted.

Every now and then the chemistry among playwright, director and actors came into entertaining balance. In Part 2, a wacky riff on predation and inter-generational conflict, The Hill, Andy Waddell and Lyndsey Marks worked a sit-com script with brisk expertise. The result, directed by Kathryn Adkins, was a delicious romp through an old, old story.

Sam Weller‘s inventive Talking to Myself, explored youth’s early ambitions mirrored ingeniously by middle-aged regrets, pulling no punches in its scathing dialogue and crisp acting by Isaac Ludington and Andy Waddell. Weller’s confident writing made this another high point of the 8Tens, Part 2.

In the final piece of Part 1, Ward Willats once again unleashed his range in a dazzling bit of absurdity called Waitering for Godot. We find Willats at a cafe table, Philip Seymour Hoffman channeling Robin Williams. Willats’ vocal abilities are limitless. Matched by Shannon Marie McDonough as the waiter waiting for him to leave after seven cups of coffee. At one point in the hilarious, sophisticated little study Willats’ character, named Godot, comes unglued and offers a dizzying monologue of increasingly outrageous clichรฉs. Kudos to director Gerry Gerringer. A spectacular display of stage magic in an engaging evening of new, short plays.

This annual showcase is one of the reasons why we live in Santa Cruz.

8Tens@8 – thru Feb 18 – 1001 Center St, SC  http://www.santacruzactorstheatre.org/

Going for Baroque

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Prepare your ears for the astounding rock music of the 17th century. The 51st season of the acclaimed Santa Cruz Baroque Festival is upon us, and is already the stuff of legend.

While it would be impossible to adequately honor the Festival’s brilliant founder, Linda Burman-Hallโ€”to whom this season is dedicatedโ€”she would definitely be impressed by the current programming.

This season’s Artist-in-Residence is wunderkind Jรถrg Reddinโ€”organist, Baroque musician, singer and conductorโ€”who currently occupies one of the roles once held by Johann Sebastian Bach.

The choral director/organist at the Bach Church in Arnstadt Germany is making his North American debut at the Festival. A virtuoso singer of Baroque opera and cantatas, Reddin has recorded solo organ works and performed throughout the leading music festivals of Europe. He is, in a word, major.

Joining Redding in the course of the Festival concerts will be illustrious collaborators, including UCSC opera director soprano, Sheila Willey; keyboard virtuoso Vlada Volkova-Moran; oboist Marc Schachman, Erick Anderson, Violoncello, Penny Hanna Viola da Gamba, and the UCSC Chamber Singers conducted by composer/choral director Michael McGushin.

You’ve heard about the Santa Cruz Baroque Festival for as long as you’ve lived in Santa Cruz, and if you’ve never attended one of the concerts, this is the year to make up for that oversight. Burman-Hall, who tragically died last summer, founded the group so that the exquisite music of the late 17th century (and early 18th century) could be performed in as close to authentic style as possible.

 A recording artist and rock star on harpsichord, Burman-Hall was devoted to the mesmerizing chamber musicโ€”Bach, Handel, Vivaldi, Purcell, Scarlatti, and friendsโ€”that enlivened countless ballrooms, private salons and royal courts from roughly 1600-1750. Over the years, the  SC Baroque Festival expanded its focus to include even more rarely-performed music, as well as works by later maestros such as Beethoven.

Intensely, some might say fanatically, devoted to the music that paved the way for the glory days of classical music, the Baroque Festival revels in the ornate music of the pre-digital golden age. Expect bursts of musical extravagance, dancing counterpoint amidst mathematical inventions and ravishing string and woodwind ornamentation. There is nothing boring about Baroque music, it takes your consciousness to new and unexpected neighborhoods. Can you say Monteverdi?

With Reddin at the organ, giving Baroque-lovers a taste of virtuoso Bach, the remaining concerts of this year’s Festival promise to be unforgettable.

On February 24, Artist-in-Residence Jรถrg Reddin takes the keyboard of the Peace United Church organ to perform Virtuoso Bach by Candlelight, solo organ works from Bach’s churches in Arnstadt, Weimar and Leipzig. (Tickets).

On Saturday March 9, Bach and his Precursors, also at Peace United Church, Reddin is joined by Sheila Willey, Vlada Volkova-Moran on organ, Penny Hanna’s viola da gamba, and the UCSC Chamber Singers performing sacred songs and organ works by Bach and Dieterich Buxtehude. (Tickets)ย  Listen closely and you can practically hear Bach inventing the algorithm.

The season finale April 6 features Erik Anderson at the UCSC Recital Hall performing J.S. Bach solo cello Suites on Baroque Violoncello. (Tickets).

Powerful and intricate, Baroque Festival concerts are as breathtaking as live music gets. Presented in settings with great acoustics. Prepare your ears to be astonished!

scbaroque.org.

David Wilcox โ€” Guided Tour

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While many artists express serious reservations about the Spotify music streaming platform โ€“ and with good reason โ€“ North Carolina-based singer-songwriter David Wilcox has taken a different approach: heโ€™s embracing some of the platformโ€™s opportunities for flexibility. His latest album โ€“ My Good Friends, something like his 20th studio release โ€“ came out last August in CD and download formats. But the streaming version bears the subtitle The Guided Tour, and features interstitial narration from Wilcox.

โ€œI love that Spotify has this ability to share a whole other version of the record,โ€ he explains. โ€œItโ€™s not just the songs one after another; thereโ€™s room for me to introduce each song.โ€ The Guided Tour configuration of the album allows Wilcox to set the songs up, providing backstories. He says that the narrative framing provides a metaphorical three-dimensional setting for each of his up-close-and-personal tunes. โ€œThat way,โ€ he says, the listener can โ€œdiscover each song with a certain emotional momentum and focus.โ€ The resulting experience creates an intimate atmosphere akin to a house concert.

Wilcox admits that the process of creating those narrative connective bits was itself a journey of discovery for him as an artist. โ€œWhen I started to walk myself through the songs, it was like looking through a journal,โ€ he explains. He found himself reflecting on questions: โ€œWhat have the past couple of years been about for me? What have I learned? What have I struggled with? Where have I found my hope? Why did this song come? What is it trying to tell me?โ€ Wilcox admits that in some cases, he found that his newest songs revealed depth he hadnโ€™t appreciated until that moment.

Not surprisingly for an artist whose reputation is built upon the warm give-and-take that is found in intimate performances, Wilcox says that conceiving the spoken-word introductory pieces for My Good Friends (The Guided Tour) informed the manner in which he presents those songs in concert. Conjuring a reference from the not-wholly-unrelated discipline of stage acting, Wilcox says that he has always appreciated the idea of subtext, โ€œthat whole Stanislavski theater thing.โ€

โ–ฃ

And he applies that โ€œart of experiencingโ€ method acting approach to public performance. โ€œYou know the line youโ€™re going to say or sing,โ€ he explains. โ€œSo you donโ€™t need to think about that. Instead, you think about why youโ€™re saying it.โ€ Connecting with the meaning of a song as he sings takes him back to  the thoughts and feelings at its core. โ€œIf a song moves me, it moves me because itโ€™s coming from the place I want to go emotionally,โ€ he says. 

On occasion, if rarely, Wilcox writes a song thatโ€™s somehow too personal to share widely. โ€œThere are one or two of my songs that I donโ€™t play,โ€ he admits, โ€œfor the sake of the people who are in those songs.โ€ But when it comes to opening up his own inner world, everything is fair game. โ€œIโ€™m happy to share anything about me,โ€ he says. And that openness is a key to the emotional resonance of Wilcoxโ€™s music. โ€œEarly on, I came to this idea: If youโ€™re willing to share almost everything, youโ€™re vulnerable,โ€ he says. โ€œBut if you share everything, then youโ€™re safe.โ€

Like many touring musicians, Wilcox found himself with time on his hands during the pandemic. Some of that time was inevitably spent reflecting on the pros and cons of a life on the road. And Wilcox arrived at a decisive conclusion. โ€œI love touring more than ever now,โ€ he says. โ€œAnd I think thatโ€™s because Iโ€™m doing it for different reasons.โ€

Some musicians are out there for the return on their investment, โ€œfor the get-back,โ€ he says. โ€œTheyโ€™re investing their time and money, thinking that [touring] will pay off. Theyโ€™re assuming that the struggle will eventually give them the success that will nurture their self-image and make them feel like this time of questioning, doubt and struggle was worth it.โ€

But Wilcox says that he never approached touring with that set of assumptions and goals. For him, such an approach would have represented โ€œsort of taking out a loan on my self image against the future,โ€ he says. โ€œAnd pretty soon Iโ€™d be paying interest.โ€ Instead, the David Wilcox brand of touring is built upon a fundamentally different idea. โ€œI always wanted to make it so if I [knew I] was going to die next year, I would still choose to do this. It [would be] worth it just for now.โ€

In practice, that means that touring is characterized by an easygoing informality. โ€œWhen I’m setting up a tour, instead of โ€“ for example โ€“ getting a string of hotels up the west coast, I just call friends and say, โ€˜Hey, Iโ€™m going to be in town on such-and-such,โ€™โ€ he says. โ€œThese people will come to the show, and then weโ€™ll come back, sit and sip tea and talk about stuff, and then go for a walk in the morning.โ€

And that, says David Wilcox, โ€œfeels like community.โ€ Because it is.

โ–ฃ

David Wilcox with Jean Rohe
7pm Friday Feb. 2
Kuumbwa Jazz Center, 320-2 Cedar St., Santa Cruz ($35-$45)

Tickets: https://ci.ovationtix.com/36279/performance/11382164

Free Will Astrology

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ARIES March 21-April 19
โ€œHappinessโ€ is an amorphous term with a different meaning for everyone. What makes me feel happy may be unlike what works for you. Besides that, any kind of perfect happiness is impossible to achieve. However we define it, we are always a mix of being happy and unhappy. Nevertheless, I invite you to ruminate about the subject in the coming days. I believe you are primed to arrive at a realistic new understanding of your personal version of happinessโ€”and raise your happiness levels by at least 15%. Maybe more! Now here are helpful clues from philosopher Friedrich Nietzsche: โ€œPrecisely the least thing, the gentlest, lightest thing, the rustling of a lizard, a breath, a whisk, a twinkling of the eyeโ€”whatโ€™s little makes up the quality of the best happiness. Soft!โ€

TAURUS April 20-May 20
I invite you to take an inventory of your taboos, inhibitions and restrictions. Meditate on why you originally adopted them. Evaluate how well they have served you and whether they are still meaningful. If you find any of them have become unnecessary or even injurious, jettison them. And be excited and happy about being free of them. If you decide that some taboos, inhibitions and restrictions are still wise for you to maintain, thank them for their service and honor the self-protection they provide.

GEMINI May 21-June 20
Gemini novelist Gregory Maguire says there are a โ€œthousand ways people shrink from life, as if chance and change are by their nature toxic and disfiguring.โ€ Your assignment in the coming weeks is to contradict his theory. Iโ€™m hoping you will interpret all chance and change as potentially expansive, redemptive and interesting. You will never shrink from life, but will boldly meet challenges and embrace twists of fate as interesting opportunities. I have abundant faith in your ability to carry out this vigorous project!

CANCER June 21-July 22
You could be a masterful eliminator of toxins and wastes in the coming weeks. Do it both for yourself and for those you care about. Start by purging nonessentials that obstruct the flow of the good life. These might include defunct fantasies, mistaken understandings, apathetic attitudes and unloving approaches. Among the other dross or dreck you could root out is any clutter thatโ€™s making familiar environments feel oppressive. By the way, fellow Cancerian, this should be fun. If itโ€™s not, youโ€™re doing it wrong.

LEO July 23-Aug. 22
My goals right now are to inspire you in the following three ways: 1. to be full of love for your daily life; 2. to adore yourself exactly as you are; 3. to shed any numbness or boredom you feel and replace them with alert aliveness. To help you in this exalted effort, I offer the inspiration of three quotes. 1. โ€œThe invariable mark of wisdom is to see the miraculous in the common.โ€โ€“Ralph Waldo Emerson. 2. โ€œThe universe is full of magical things patiently waiting for our wits to grow sharper.โ€โ€“Eden Phillpotts. 3. โ€œI have the mysterious feeling of seeing for the first time something I have always known.โ€โ€“Bernardo Bertolucci.

VIRGO Aug. 23-Sept. 22
In the coming weeks, I hope you avoid sucking up to egotistical manipulators. Please also refrain from being an unappreciated beast of burden and a half-willing pawn in boring games. If you are interested in paying off karmic debts, make sure they are yours, not anyone elseโ€™s. If you plan to work hard to lay the foundation for a future liberation, get a guarantee that YOU will be one of the liberated people. PS: Iโ€™m fine with you doing unselfish things as long as they will also have selfish benefits.

LIBRA Sept. 23-Oct. 22
One of the great maladies affecting modern people is the atrophy of the soul. Itโ€™s related to another affliction: the apathy of the soul. A key contributor to these misfortunes is the entertainment industry. Its shallow and artificial stimuli are engineered to overfeed our egos, leaving our poor souls malnourished. Please note that I have no problem with our egos. They are an important part of our make-up and are essential for healthy functioning. But itโ€™s a shame they hog all the glory and sustenance. Now hereโ€™s my climactic message for you, Libra: Itโ€™s high time to celebrate a holiday I call Nurture the Soul. Make it last at least three weeks. Homework: Identify three actions you will take to excite, cherish and enhance your soul.

SCORPIO Oct. 23-Nov. 21
In myth and legend, pregnancies donโ€™t always begin with two humans having sexual communion. The well-known story of the Virgin Mary tells us she was impregnated when the Holy Spirit, disguised as a dove, whispered in her ear. The Roman goddess Juno conceived her son Mars solely with the help of an enchanted lily flower. The Greek hero Attis germinated inside his virgin mother Nana after she placed a pomegranate in her lap. This might sound outlandish, but I foresee you having a metaphorically comparable experience. Do you believe in the possibility of being fertilized by miraculous magic or a divine spirit? Might you be dramatically awakened or inspired by a very subtle influence? I think it will happen even if you donโ€™t believe.

SAGITTARIUS Nov. 22-Dec. 21
Sagittarian computer scientist Grace Hopper (1906โ€“1992) wrote, โ€œThe most damaging phrase in the language is: โ€˜Itโ€™s always been done that way.โ€™โ€ I will expand on that wisdom. The most obvious meaning is that we risk ignoring our individualized needs and suppressing our creative inspirations if we mindlessly conform to the habits of society. But itโ€™s equally important not to mindlessly repeat our own longstanding ways of doing things. Maybe they were brilliant and appropriate in the past, but thereโ€™s no guarantee they will always be so. In conclusion, Sagittarius, I recommend you rebel against your own personal โ€œitโ€™s always been done that wayโ€ as well as everyone elseโ€™s.

CAPRICORN Dec. 22-Jan. 19
Being in love is as desirable for you Capricorns as it is for everyone else. You may be less open and dramatic than the rest of us in expressing your yearnings, but they are still a driving force. Hereโ€™s an important point: Even if you are not constantly chattering to others about your urges to give and receive intimate care, itโ€™s crucial that you acknowledge them to yourself. To keep your soul healthy, you must be in close touch with this core fuel. You must love your need for love. Now is an excellent time to deepen your appreciation for these truths.

AQUARIUS Jan. 20-Feb. 18
Itโ€™s the fifth annual Brag Therapy Holidayโ€”for you Aquarians only. During this celebration, we expect youโ€”indeed we want youโ€”to boast with panache. Tell us all in exquisite detail why you are such a marvelous creation. Explain how you have overcome seemingly insurmountable odds to transform yourself into a masterpiece of intuitive intelligence. Regale us with stories of your winsome qualities, your heroic triumphs, and your hilarious and poignant adventures on the edge of reality. Make sure we understand how educational and healing it can be to bask in your influence. Show us why we should regard you as a role model.

PISCES Feb. 19-March 20
I invite you to resolve old business, draw unrewarding projects to a close, and finish your lessons at the School of Tough Love. You donโ€™t have to carry out my next proposal, but if you do, I will be glad: Politely and quietly scream, โ€œGet out of my lifeโ€ at anyone who doesnโ€™t give you the respect and kindness you deserve. I also recommend that you do a Wrap-It-Up Ritual. Start by making an altar that pleases you with its beauty. Take scraps of paper and write on each one a description of an influence or experience you want to purge from your life. As you rip each scrap into bits, say this: โ€œIโ€™m grateful for what I have learned from you, but now I am leaving you behind.โ€

Homework: Read and hear free excerpts from my new book: https://tinyurl.com/BraveBliss

Letters

STOP CAR POLLUTION

This spring, the Environmental Protection Agency and other federal agencies will finalize transportation pollution rules for light- and heavy-duty vehicles which will impact generations to come and help pave the way for a zero-emission vehicle future.

The Biden Administration must keep the country on track to sell 100 percent new electric vehicles by 2035 by implementing the strongest possible vehicle standards today.

Paula Barsamian


THE COUNCIL SHOULD SPEAK OUT

In answer to your Street Talk question (1/24/24): Yes, a statement from the city council is appropriate when the issue is extremely urgent. In the case of Israel’s clearly disproportionate slaughter of women, children, elders, et al.–in Gaza–citizens of Santa Cruz really have nowhere else to go. Rep. Panetta seems to be a militant Zionist, whose bias toward the right-wing government of Israel seems obvious. He also appears to favor war rather diplomacy, even when innocent civilians continue to be murdered–more than 25,000, including minors and seniors. I urge folks to read the South African accusation of genocide filed with the International Court of Justice.

Robert deFreitas


DEMS ASK FOR CEASEFIRE

The Santa Cruz County Democratic Central Committee (SCCDCC) has approved a resolution calling on the President and the areaโ€™s congressional delegation to work for a permanent, sustainable, bilateral Gaza cease-fire, the return of hostages, and the resumption of humanitarian aid to civilians.

The Wednesday night vote was 24-3 following a lengthy and civil discussion, during which several amendments were also approved.

(1) urges the Biden administration and our congressional delegation to immediately call for and facilitate de-escalation, release of all hostages and a permanent, sustainable, bilateral cease-fire to urgently end the current violence; and

(2) calls upon the Biden administration and our congressional delegation to promptly send and facilitate the entry of humanitarian assistance for civilians in Gaza.

Tony Russamano

Santa Cruz Democratic Party Communications


The Editor’s Desk

Santa Cruz California editor of good times news media print and web
Brad Kava | Good Times Editor

The pandemic killed the performing arts for a long while, so much so we wondered if they would ever come back. The margins are thin in the arts at the community level. Unless you are Taylor Swift or the Rolling Stones or on Broadway, the economics can be tough all over.

And yet, when you see so many local performances in Santa Cruz, there is often just a razor thin difference between what you can see affordably and what you would pay the big bucks for.

Iโ€™ve spent fortunes in big cities for symphonies and plays recently and was just as satisfied with what I saw here in Santa Cruz. The price tag really doesnโ€™t reflect the skill, passion and quality of great local art and more often than not, the intimacy we have here adds more to the show than a fancy, too-crowded Broadway theater.

Critic Christina Waters took on a big challenge talking to our local arts aficionados about the state of live performance and what we can do to keep theaters filled. Sometimes it seems like our relatively small town (the County is only 280,000 people, 24th of 50 in the state) has more things going on than cities four times bigger.

One could go out every night of the week and be exposed to a wealth of entertainment and a renaissance of intelligence. Thatโ€™s a big reason why we live here, right?

What would you suggest we do to keep people going out?

While Iโ€™m asking for suggestions, let me pose this question. Weโ€™ve tried to squeeze more arts coverage into the printed edition by cutting some stories in half and running the other half online. That way we can fit more of whatโ€™s going on, but does it work for you? Are you willing to start a story in the paper and follow up on the web?

Or should we just have some whole stories on the web and other whole stories in the printed pages? Every print publication is wrestling with questions like this and I really need to hear what works for you, our loyal readers. Your feedback will be greatly appreciated.

Our news pages this week have some really important information. First, how should you vote on Measure M, the Santa Cruz city proposition to limit building height and require developers to include 25 percent of low-income housing with their projects? Reporter Josuรฉ Monroy talked to the people for and against the proposal to get you the scoop.

And reporter Todd Guild looked into an issue thatโ€™s driving parents of school kids crazy: why arenโ€™t the buses running when we need them so we can do our jobs and make sure our kids get home safely? Like so many things, economics and income inequality play a big role. What can we do?

Thanks for reading and peace out!

Brad Kava Editor


Photo Contest

HAPPY LANDINGS  A pelican in the Santa Cruz Harbor last fall. Photo: Susan J


Good Idea

The U.S. Department of Health and Human Services (HHS) will distribute $3,752,847 in federal funding to two health centers in Salinas and Watsonville as part of the Health Center Program, according to Congresswoman Zoe Lofgren.

$2,214,146 goes to Clinica de Salud del Valle de Salinas  and $1,538,701 to Watsonvilleโ€™s Salud Para La Gente.

โ€œIโ€™m proud to announce this federal funding that will help ensure underserved residents have access to quality and affordable health care services,โ€ said Rep. Lofgren.

Good Work

The upcoming Harvey West Studios will provide 120 Permanent Supportive Housing apartments to vulnerable members of our community experiencing homelessness, including those who are medically vulnerable, living with disabilities, and veterans. This project will be the largest permanent supportive housing project in Santa Cruz County. Rep. Jimmy Panetta secured a $3 million federal investment for this project.

 โ€œBy working together to significantly increase available affordable housing, we can ensure all those who contribute greatly to our community can live here too,โ€ said Panetta.

Panetta has introduced legislation to expand workforce housing, strengthen the low-income housing tax credit, better support renters, and get more homes on the market

Quote of the Week

To make a home for the homelessโ€ฆ whatever the world may say, it cannot be wrong.โ€ โ€” Vincent Van Gogh

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ARIES March 21-April 19โ€œHappinessโ€ is an amorphous term with a different meaning for everyone. What makes me feel happy may be unlike what works for you. Besides that, any kind of perfect happiness is impossible to achieve. However we define it, we are always a mix of being happy and unhappy. Nevertheless, I invite you to ruminate about the...

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The Editor’s Desk

Taming of the Shrew illustrates the quality of performing arts in Santa Cruz
The pandemic killed the performing arts for a long while, so much so we wondered if they would ever come back.
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