Named in memoriam after Scott Edelstein’s father—who, Scott says, left this world too soon—Izzy’s Ices was founded two years ago in downtown Santa Cruz as both an homage and a fulfilled longtime dream. Born in Brooklyn and raised in Queens, Edelstein says Italian ices were a big part of New York City culture and his upbringing.
He moved to Santa Cruz in 1993, drawn here by his fandom for the Grateful Dead as well as a desire to learn the security business. And learn it he did, owning one security business and then another, before ultimately consolidating and selling. Longing for Italian ices and wanting to open his own shop locally, he took the proceeds from his security business exit to open Izzy’s.
He describes his shop as clean and inviting with prominent light pink and blue hues, headlined by authentic Italian ices in flavors like Jamaican Mango, Meyers Luna Park Lemon and Espresso Yourself Chunks. Edelstein’s personal favorites are Pistachio Italiano, Maui Pineapple and Birchmont Blueberry, and he says the number one most popular pick is the multi-flavored Keep the Peace Rainbow. They also have vegan options, and other offerings include large Bavarian-style soft pretzels and hand-crafted old school espresso.
How did your dad inspire the business?
SCOTT EDELSTEIN: He was a frozen dessert fanatic and a huge ice cream fan, but I was more of an Italian ice fan, so that was a fun struggle between us growing up. Italian ice has always been my thing; it’s so near and dear to my heart. Many of our flavors are fun spellings and plays on words inspired by my father, whose legacy lives on here at Izzy’s.
Tell me about your pizza pop-ups.
Because I’m from New York, pizza is my favorite food and I’ve always loved it. After selling my security business, I went back to New York City and went to pizza school to learn how to make a great pizza. I missed New York pizza and wanted it here, so I started making pizzas at functions and house parties and got rave reviews. People said I should sell them, so now I do on Tuesdays and Thursdays as kind of a local’s special and a nostalgic nod. It’s a fun way to share my love for pizza with others.
Silver Mountain Vineyards is an amazing place to visit. At 2,100 feet atop Skyland Ridge, tasting excellent wines also comes with panoramic views of organic vineyards and the Monterey Bay beyond. This is where proprietor Jerold O’Brien has made it his life’s work to take care of the land in keeping with his sustainable philosophy. The multi-purpose triple green canopy he built in 2007 reduces energy requirements, saves resources, collects rain water, and makes Silver Mountain entirely energy self-sufficient.
Silver Mountain’s wines are handcrafted and superb. The 2017 Syrah ($44) combines the best of two vineyards, Gali in Corralitos and Muns in the Santa Cruz Mountains, giving it depth and complexity. Its smooth tannins and delicious flavors of blackberry and plum make this earthy, spicy syrah a winner.
Silver Mountain is partnering with Abercrombie & Kent for an “unforgettable adventure” through the wine regions of Chile and Argentina. This exciting travel event takes place the first two weeks of March 2026—just in time for harvest season—and is a special opportunity to experience the heart of South American wine culture. I have tasted wines in Chile and Argentina, and can attest to their appeal and quality. Contact Silver Mountain for an overview of the fascinating itinerary.
Upcoming Events
Aug. 24—2pm tasting and history tour with owner Jerold O’Brien, who founded Silver Mountain in 1979.
Aug. 29—4–7pm Jerold O’Brien and Silver Mountain’s winemaker—British-born Tony Craig, whose Sonnet Cellars wines are available at Silver Mountain—have joined forces to hold a fun tasting called The Brit and The Yank.
Silver Mountain Vineyards, 269 Silver Mountain Drive, Los Gatos, and Silver Mountain’s tasting room in Santa Cruz at 328D Ingalls St., Santa Cruz. 408-353-2278. Silvermtn.com
The Santa Cruz Civic Auditorium drains more than half a million dollars from the city’s budget each year. But the real problem is that the city spends about $10,000 a week for the building to sit empty. On most nights, the 85-year-old landmark is a ghost.
It wasn’t always this way. To understand what we stand to lose, you have to travel back to its birth in 1940. America was clawing its way out of the Great Depression, powered by the New Deal—a radical belief that the government could invest directly in its people and places. The Works Progress Administration wasn’t just about creating jobs; it was about building monuments to a shared future. And in Santa Cruz, it built the Civic.
Imagine walking through its doors for the first time then. You would have felt the solid weight of the handles, smelled the fresh plaster and paint, and seen the light gleaming on polished concrete floors. Look up, and the vast, curved ceiling would have arched over you, not just as a roof, but as a promise. This wasn’t a private club; it was a cathedral of civic hope, built by and for the community. The air didn’t hold the silence of emptiness, but the hum of possibility. It was a declaration in steel and concrete that said, “We believe in this place. We believe in each other.”
In its heyday you could see internationally known acts, including Bob Dylan, Bob Marley, the Clash, Tom Petty & the Heartbreakers, the Ramones, Talking Heads, Smashing Pumpkins, Shakti and Ozzy Osbourne.
Flash forward 85 years, and that vibrant promise feels faded. The magnificent ceiling is still there, but it covers more empty nights than sold-out shows. The vastness that once felt like possibility can now feel like neglect. The silence is no longer hopeful; it’s the sound of missed opportunities.
The building’s modern story is told by a different set of numbers. It has a math problem. According to the City of Santa Cruz’s own budget, the Civic once recovered up to 80 percent of its operating costs. Today, that number has slipped below 50 percent. The city’s adopted FY 2025 budget shows the Civic Auditorium Fund requires a transfer of $564,303 from the General Fund to cover its operational shortfall. That is what it costs to maintain the ghost.
JAMMING Bob Marley is one of many big names that have played at the Civic over the years. Photo: Contributed
The Anatomy of a Decline
The Civic’s slide hasn’t been the result of a single catastrophe, but a slow erosion, a story told in the quiet language of budget documents and deferred decisions.
Inside the city’s Capital Improvement Program (CIP), a multi-year plan for infrastructure projects, the Civic appears repeatedly next to the words “unfunded” or “deferred.” A 2023 facilities report noted that its main barrel roof has reached its projected end-of-life. The item was flagged but pushed into future planning.
A modest request for a new $62,000 sound system was acknowledged in 2021 but never funded; in some documents, the line item disappears without explanation. A comprehensive $12 million renovation, addressing seating, seismic safety, lighting and accessibility, has remained a fantasy on paper for years.
City Council transcripts reveal a similar pattern. When the Civic is discussed in budget hearings, it’s often in the context of service reductions. In 2020, temporary event staff positions were cut. The move was described as a temporary measure, but those roles have not been restored, quietly lowering the building’s operational capacity. Revenue targets have also been lowered, from a projection of nearly $700,000 in a 2018 memo to the current reality of under $500,000. This reflects a quiet resignation to diminished performance.
The real-world consequences are clear. Archived booking calendars show the venue hosted over 180 event days in 2015; that number has now fallen below 130. Veteran promoter Eddy Dees, who learned under the Catalyst’s Gary Tighe, says a big reason is the city’s 5% admissions tax—enacted after the 1989 Loma Prieta earthquake as a short-term measure but never retired. The surcharge, unique in the region, adds cost for audiences and overhead for promoters, making Santa Cruz a harder sell compared to nearby markets. “It helps keep people away,” Dees says. “It’s not the staff—it’s decades of bad decisions.” On a $50 ticket, the tax adds $2.50; for a 1,200-seat show, it’s $3,000 tacked on to the event cost. For touring acts working with tight margins, that can be enough to skip the Civic—and for local cultural presenters, it can feel like a built-in penalty for bringing entertainment to town.
The fact that the tax has lasted more than three decades shows how a “temporary” fix can quietly become permanent. City leaders have never revisited whether it still serves its original post-earthquake purpose—and in a competitive live-music market, that absence of review can influence which acts choose Santa Cruz and which ones pass it by.
A Venue Out of Step
Local promoters and festival organizers, many speaking off the record, confess they’ve tried to book the Civic. They cite a history of unpredictable labor rules, outdated booking systems and a slog of bureaucracy that stifles creative risk. As one veteran producer sighed, “If I can book the Fox in Oakland in half the time, why keep begging for Santa Cruz? We love the place, but it isn’t set up for growth.”
REGULAR TENANT The Santa Cruz Symphony calls the Civic Auditorium home. Photo: Tarmo Hannula
Voices from the Inside
Gary Reece, executive director of the Santa Cruz Symphony, has lived this reality for years. He’s not a musician; he’s a former banker and turnaround specialist, a professional hired to rescue struggling ventures from the brink of failure. He was brought in to keep the symphony solvent, and he’s blunt about the challenges posed by its home venue.
[Editor’s note, Aug. 13, 2025: Good Times in no way meant to imply that the symphony is not solvent—only that Mr. Reece has the background to ensure that the organization continues to stay solvent. Reece shared more details on his background: Having served for many years as treasurer of the Santa Cruz Symphony’s board, he became executive director after his predecessor retired and an interim director stepped down. He brings a strong background in finance and management, and under his leadership the Symphony continues to thrive—presenting full seasons, attracting guest artists, and running a fully donor-funded program that brings nearly 4,500 local students to their first classical concert each year. He’s one of several voices advocating for a Civic that works better for audiences and performers. “This isn’t about rescuing the Symphony,” he emphasizes. “It’s about making the Civic a place that inspires.”]
“We’re performing on a basketball court,” he says plainly, referencing the flat floor that serves as the main stage. “That’s not hyperbole. It’s a fact.”
This isn’t a new conversation. Back in 2017, Good Times reported on a community push to renovate the Civic. Then-Mayor David Terrazas stated, “This building is intended to present the best of Santa Cruz’s past, present and future … the facility is letting down the performers and guests. The Civic is not living up to its potential currently.” At the same event, Cabrillo Festival Executive Director Ellen Primack warned that the aging facility was becoming a barrier to access. “The seating is becoming a deterrent to cultural participation. … People choose between beautiful facilities over the hill and coming here,” she said. Years later, Gary Reece is echoing the same frustrations.
On the other side of the desk is Tremain Jones, the city’s civic supervisor and superintendent of recreation. He sees the building through a different lens. “The Civic isn’t a loss,” he insists. “It’s a public good.”
Jones points out that the Civic hosts city council overflow meetings, firefighter training and departmental gatherings, which are dozens of uses the public never sees. He has also overseen critical changes; promoters can now bring in their own stagehands and use third-party ticketing platforms. The problem? Adoption lags, and many are unaware the old rules are gone. Jones acknowledges the slow pace of government. ADA upgrades, though federally funded, face frustrating delays. “If someone tells me to move faster, I’ll try,” he says, “but government moves slowly.”
A Personal Note: Why This Building Feels Familiar
I used to work night shifts running operations for a startup that promised to get you anything you wanted with a single text message. Behind the curtain, it was controlled chaos. We had a term for when a task was truly finished: “done-done.” It meant the problem was fully resolved, not just checked off a list, not escalated, not left for someone else to chase.
The Civic reminds me of that chaos. ADA handrails, lighting, ticketing, labor policy—all of it is in flight, but nothing feels done-done. The city is doing a lot, but this historic venue needs more than just progress reports. It needs someone to truly handle it.
At that same startup, I once watched a founder pop the tab off a can and let it clink onto the floor. It was a small thing, but it was the task right in front of us. I picked it up. The understanding was that we were all janitors; you build the magic, but you also sweep the stage. The Civic is littered with these small, fixable things, the kind of tasks you trip over when no one claims ownership. My concern for the ripped seats and the unfunded sound system stems from a belief that we deserve a worthy place to gather.
The Crossroads: Renovation or Replacement?
The conversation is now more urgent than ever as it unfolds within the context of the city’s larger Downtown Plan Expansion, a project aimed at revitalizing the city core south of Laurel Street. A key component is a potential new arena for the Santa Cruz Warriors, which would be significantly larger than the Civic. Warriors President Chris Murphy has confirmed the vision is for a versatile venue, stating, “The Civic has been the go-to performing arts arena in Santa Cruz for more than eight decades. … The plan under study now is closer to 4,000 seats,” capable of supporting year-round concerts and events in addition to sports.
This raises a pivotal question: Will a new, modern space render the Civic obsolete, or will we fight to ensure it can be revitalized to complement it? If the Civic is to remain meaningful, it will take more than maintenance. It will take imagination and a renewal of civic pride.
A Blueprint in Our Own Backyard
Inspiration for that renewal doesn’t have to be imported. Santa Cruz author Taylor Lahey’s novel, Cambio, provides a powerful local metaphor. The book, whose title means “change” in Spanish, tells the fictional story of a California coastal town, strikingly similar to Santa Cruz, where citizens become fed up with bureaucratic inertia and social decay. Instead of waiting for officials to act, they form a grassroots movement, organizing community cleanup days and taking direct action to reclaim and beautify their public spaces.
Lahey’s story offers a fictional blueprint for the exact kind of civic pride the Civic Auditorium needs. It argues that meaningful change doesn’t have to come from a top-down master plan; it can be sparked by a community that decides to care for what it already owns. The Civic is a perfect candidate for that kind of energy, a place where a “Friends of the Civic” group could organize volunteer days, fundraise for specific upgrades, and bring new life to its halls.
A phased, strategic plan could build momentum:
Estimated Costs on Projects
• ADA Handrail Installation (Already Funded): $360,000
This is not an insurmountable sum. It’s a tangible investment in a place that has served Santa Cruz for eight decades and, with the right support, could serve it for decades more.
The generation that built the Civic gave us more than a building; they gave us a head start. Today, that legacy of public belief doesn’t need to be a ghost haunting the halls; it can be a foundation to build upon. The plan to awaken this landmark doesn’t require a miracle—it requires a decision, followed by action. Santa Cruz has never been short on people who believe in the power of place. This is a moment for that belief to become tangible, for new names to join the long history of those who have invested in our city’s soul. The future of the Civic is not a question mark. It is a possibility, waiting for us to write its next vibrant chapter.
The last chapter of the Redman-Hirahara house was written Aug. 5 when the Santa Cruz County Board of Supervisors approved a staff recommendation to delist it as a historic resource.
The decision will allow the property owner to eventually demolish the decrepit 128-year-old building, but not before offering it to the public for salvage.
The resolution will now go to the California Office of Historic Preservation, which will likely remove the house from the National Register of Historic Places.
It is unclear when demolition would happen, but what is certain is that nothing will happen immediately.
Santa Cruz County Mark Connolly said that state and federal entities still have to approve the de-listing.
Connolly added that the current zoning of mixed commercial agriculture will likely be changed to be compatible with the development around it.
That includes a gas station, hotel and coffee shop recently built nearby.
“That would be the eventual goal,” he said. “To foster development that is appropriate for the neighborhood there.”
Juggy Tut, whose company Elite Agriculture owns the property, said he has no immediate plans for either the house or the 14-acre parcel of land on which it sits.
The house’s story began in 1897 when architect William Weeks built a home for sugar beet farmer James Redman.
The Victorian was eventually sold to the Hirahara family, who lived in the house and continued to farm there until World War II, when they were imprisoned in a Japanese internment camp.
Local attorney John McCarthy protected the property so that it stayed with the Hirahara family, who moved back and housed others who had also been sent to the internment camps.
The Hirahara family lived there until the house was red-tagged after the 1989 Loma Prieta Earthquake.
That synopsis, superficial as it is, nevertheless encapsulates the spirit of Pajaro Valley—hard work, friendship and community, with a mix of agriculture and architecture thrown into the mix.
Still, the house’s stateliness notwithstanding, the structure has been deemed uninhabitable, dangerous and unrepairable. Uninhabited and unmaintained for four decades, it has been deemed uninhabitable and, saving for a last-minute donor willing to cough up the millions of dollars it would take to fix up, beyond the reach of restoration.
There were efforts to save the house. The Redman-Hirahara Foundation purchased the property and led efforts to place it on the National Register of Historic Places. That group planned to restore the house and use it as a visitor’s welcome center.
But the economic recession hit and the foundation declared bankruptcy.
The house has now deteriorated to the point where it is considered a safety hazard, said Santa Cruz County Mark Connolly.
The Santa Cruz County Historic Resources Commission agreed, and on Feb. 10 unanimously voted to recommend delisting and rezoning the property.
County Planner Matthew Sundt, who oversees the commission, said that the house would need new plumbing, new electrical, and new redwood lumber sourced from the Santa Cruz Mountains. It would take “millions of dollars” to restore the structure, he said.
“It would be a huge effort,” he said. “Nothing is impossible, but here we are 40 years later. This house—this thing, this grand dame—has been advertised to the world with thousands of people driving by every day. All it takes is one person to say, ‘I’d like to rebuild that.’ And it just never happened, and here we are.”
Becky Steinbrunner, has been at the forefront of recent efforts to keep the house, pointed to Emma Prusch Farm Park in San Jose as an example of a successfully restored historic structure.
She said that the building inspector that deemed the house uninhabitable didn’t bother to go inside.
“This is historic preservation,” she said.
Eloise Shim, who sits on the Historic Resources Board in Salinas, said the house is “the last remnant of a large Victorian estate in a rural setting, which is itself a historic accolade.
“To delist it for the purposes of demolition is a travesty, and should not have been recommended by the historic commission,” Shim said.
Supervisor Justin Cummings, the only dissenting vote, said he has seen examples in the past of historic buildings that were allowed by owners to deteriorate over time, and use that as justification to demolish them.
Supervisor Manu Koenig said that the deterioration is the “inevitable result of years of inaction.”
But the fact that no donor has come forward is evidence it’s time to act, he said.
“If this house was going to be saved—if there was enough community support to save it—then that would have happened by now,” he said.
Supervisor Felipe Hernandez agreed, saying that the house has gone unfunded through times of prosperity and of economic troubles. Anyone who wanted to purchase it, he added, would also have to purchase the property.
“There’s going to be no magic pill, and no one is going to come give us $7 million to fix the house,” he said.
Next, the county will coordinate with a professional historian to document the site for archival preservation funded by the property owner. The supervisors agreed that the property will eventually get a plaque with historic information.
Keith McHenry is one of the most recognizable humans in Santa Cruz. Burly, with an almost cherubic smile, combined with the steely reserve of a man on a mission.
If you’re looking for McHenry, he is easy to find. He’s in downtown Santa Cruz, feeding the hungry.
The nonprofit that McHenry started in 1980, Food Not Bombs, is now active in over 33% of the countries in the world. There are a thousand Food Not Bombs, every day, somewhere, feeding those who cannot feed themselves, with vegan or vegetarian meals.
This isn’t the kind of founder who starts a viral grassroots movement and retires in Fiji. McHenry has been on the street since 1980, tirelessly promoting compassionate exchanges between the haves and have-nots.
“We started on May 24, 1980, in Boston and Cambridge,” McHenry begins. “I was studying painting and sculpture at Boston University. And I had a job as a produce worker at Bread and Circus.” At the time, Bread and Circus was the biggest distributor of “natural foods” in the Northeast. But the term “bread and circuses” was a ploy that the Romans used to pacify citizens from rising up in rebellion, by giving them free grain. McHenry isn’t interested in making citizens docile, nor interested in corporate involvement.
Bread and Circus “is now run by Whole Foods,” McHenry says, laughing.
McHenry grew up in a literate household that valued ideas and philosophies. “I had dyslexia, but my dad gave me Walden by Thoreau in fifth grade. That’s how I learned to read. But I mostly read the shorter part, on ‘Civil Disobedience,’” McHenry says.
It’s no wonder that the rugged activist is also third-generation Natural Parks Service. “My grandfather was the chief naturalist of Yosemite. And, my grandfather, on my dad’s side, lived with the Hopi. He would take us to the Snake Dances before they started strip mining Black Mesa. So I saw the Hopi land before electricity and walked it when it was pristine. Then, I saw the destruction of that whole area. And that was the final thing where I said, ‘OK, I’m going to just do nothing but organize to change society,’” McHenry recalls.
The name Food Not Bombs, known to millions, came about when McHenry heard of a building in Cambridge that was being used by people designing nuclear bombs, while he was delivering food. It should be obvious, but the two-fold agenda, perhaps hidden by the delivery of food to the unsheltered or hungry, is to stop all wars.
“On May 24, 1980, I was at the Seabrook [nuclear plant site in New Hampshire] protests with my friends. And one of my friends got arrested and we found somebody with a bunch of money to bail them out,” McHenry says. This was the day that Food Not Bombs was born. You can almost hear Thoreau whispering through the decades: “Under a government which imprisons any unjustly,” he writes, “the true place for a just man is also a prison.”
BOTTOM LINE “The food is always free to anyone, rich or poor, drunk or sober,’ Food Not Bombs founder Keith McHenry says. PHOTO: Contributed
From that protest, the young McHenry and friends had an epiphany that straddled the land of the Diggers/Yippies and Pranksters. A bake sale that fed the hungry. Which is a noble pursuit as long as one doesn’t have rent to pay.
Luckly, McHenry’s landlord at the time, who was owed back rent, was also a socialite who had heard of the nascent Food Not Bombs. “She said everybody loved what we were doing in Cambridge. Her husband was head of the French department at Harvard,” McHenry remembers. And like that, Food Not Bombs became a cause célèbre.
By 1992, the idea of Food Not Bombs was spreading quickly, and McHenry decided it was time to come up with the three principles of what the organization stood for. “The food is always free to anyone, rich or poor, drunk or sober. That there’s no headquarters, presidents or anything like that that we are dedicated to. Also, each Food Not Bombs must be decentralized and autonomous. And then the third thing was that we were not a charity, but that we were dedicated to taking nonviolent direct action to change societies,” McHenry says.
Now, in the middle of 2025, there are more hungry people than ever. While it might seem daunting to the average person, McHenry was never merely average. “The lines keep getting bigger at the meals. For three years now, I’ve been getting between ten to twenty calls a day from seniors looking for food, for home delivery. I mean, in the middle of the night, I get calls from Michigan and Alabama. The poverty is incredible. And the stories they tell me—it’s just heartbreaking,” McHenry concludes.
Pajaro Valley Unified School District’s governing body on July 30 took the first step toward allowing students to vote in district elections and help choose the trustees that represent them.
The board voted to form an ad-hoc committee that will talk to students, families and community members and research the legal implications of lowering the voting age to 16. The committee will report its findings to the board.
Trustee Gabe Medina, who created the “Student Promise Proposal,” said that he promised students during his campaign that he would give them a voice at the table.
“Students suffer direct impact from school board decisions, yet lack formal representation,” he said.
If ultimately approved—Medina estimated that could take about four years—it would lower the voting age to 16 for PVUSD trustees.
Allowing them to participate could boost attendance and activism, Medina said.
“Students who already lead walkouts, advocacy campaigns and coalition building now need the ballot to match their voices,” he said.
He pointed to Oakland Unified School District, where 67% of voters supported Measure QQ, which gave young people the right to vote in elections there. The measure added some 8,000 new voters to the roster.
‘We Need the Right to Vote’
Several people spoke about the issue, all of them in favor.
“The students should be able to hold the trustees accountable for their actions,” said Pajaro Valley High School junior Maximiliano Barraza Hernandez, who pointed out that former board members “expressed indifference and even antagonism” when students addressed them.
“As a 16-year-old, I know it would be a game-changer to be able to vote for board members, because I remember having to fight really hard just to be able to support people who represented me,” he said.
PVHS sophomore Ixel Barraza said she has been speaking at board meetings for two years.
“I feel like as students we need the right to vote, because I don’t want adults speaking for me without even asking what I think,” she said. “We are affected by the decisions of the board members who we don’t even get to elect. It’s unfair for us to not have a voice.”
Trustees Medina, Jessica Carrasco and Carol Turley volunteered to be on the committee.
Trustee Misty Navarro warned that a similar issue came before the Watsonville City Council, and that the city’s charter only allows citizens 18 and older to vote.
“Hopefully you can figure out a way around that,” she said.
Navarro also said that the district comprises two counties, and that lowering the voting age in only one could create equity issues.
No-Confidence Vote Rejected
In other action, the trustees rejected a vote of no confidence against Board President Olivia Flores, Vice President Misty Navarro and Superintendent Heather Contreras.
Medina, who brought the issue to the board, said he has seen a failure of leadership that includes unequal treatment of schools, blocking his requests to place items on the board agenda and disrespect during closed meetings that has not been addressed.
“What we’re seeing is not just dysfunction,” Medina said. “It’s leadership that abandons transparency, fairness and core values of public service.”
As one example, Medina said that the board declined to discuss the removal of critical youth programs, but held a vote on placing uniformed police officers on high school campuses that Trustee Joy Flynn requested—and during a meeting when she was absent.
“That’s not procedural oversight, that’s political opportunism,” Medina said.
He also said that the board has failed to hold Contreras accountable when she did not respond to trustees’ request for information.
In addition, Flores did not address “micro-aggression and racially charged comments” during closed-session meetings, Medina said.
“Silence in the face of this behavior is complicity,” he said.
The trustees rejected a motion by Medina to table the issue until Trustee Joy Flynn could be there.
Navarro said that the agenda-setting committee has been grappling with packed agendas, and that the decisions they made had nothing to do with Flynn’s absence.
“Had trustee Flynn asked us to table this, we would have, but she did not,” Navarro said.
‘Let’s Work on Real Stuff’
Several people addressed the board, both in favor and against the proposal.
“Of all the things we should be talking about—the budget, closing schools, declining enrollment, improving academic performance—we’re here to consider a no-confidence vote,” said Bill Beecher. “Talking about the pot calling the kettle black. Trustee Medina wants a no-confidence vote when he has been the major source of disruption for this board.”
Beecher asked that the issue be “tabled forever.”
“Let’s work on real stuff,” he said.
Eli Davies said that they have appreciated Medina’s stances on issues they feel are important to the community.
“If you look at actual items and policy, (Medina) speaks for the community, thinks about what the community needs,” Davies said. “To call him the divisive one is really coming from a place of not knowing the intricacies of what’s happening here.”
Gabriel Barazza said that Martin Luther King Jr. was criticized as being divisive during the Civil Rights movement.
“I always find it amusing that people who want to preserve the status quo and systems that are unjust and are not serving the community always tend to hide behind civility and respect,” he said.
Imagine not only losing your home and all of your property, but also five years or more of your life. That’s what’s happened to the more than 60,000 residents whose 911 homes and 1,500 structures burned in the CZU Lightning Complex Fire, which blazed from Aug. 16 to Sept. 22, 2020.
On the fifth anniversary of fires that affected 2 million acres in Northern California, including those 911 homes, we look at some of the success stories of people who, with community help, rose from the disaster.
Yes, we also need to know about the failures: 155 single-family homes have been rebuilt in the CZU fire area, with outstanding permits for another 142 dwellings. Less than a third of the total lost homes have been rebuilt five years on.
The county’s permitting process has been a major roadblock; despite years of promises to “streamline” processes, residents continue to have issues. But county officials—including a recently elected supervisor—have been pushing to fix the problems, working to get residents back in their homes and better prepare for the next disaster.
Is that the good news? Read Josué Monroy’s cover story for an in-depth look at how some of our neighbors have fared.
In other news: what’s going on at the Capitola Mall? Here’s a weird one: A “dimensional convergence” has taken over the abandoned Victoria’s Secret in the mall, transforming it into Middleof: A Journey of Mythical Proportions—an immersive experience that sets “accidental adventurers” on a perilous quest through elaborate dimensions, packed with intricately detailed puppets and interactive digital displays. The mission? To save the universe from the evil clutches of the Interdimensional Cryogenic Capture and Containment Corporation (ICCCI).
Intriguing? Love to see local creatives strutting cool stuff. You can read about it in Mathew Chipman’s fun article.
Speaking of Capitola, that’s what poet Magdalena Montagne is doing in her celebration of her history in the beloved village. It’s a fun read for locals and tourists.
Did you know there’s a second Silver Spur location backing up the one on Soquel Drive? Our Foodie FIle introduces you to the owners and the tucked-away spot well worth visiting.
Health columnist Elizabeth Borelli is out to quash all the quackery of some of the latest food trends…but this week she looks at an ice diet. Ice? Of course if that’s all you ate, it could work. But can anyone live on that? She has other helpful suggestions.
Eat well and prosper and have a great week.
Brad Kava | Editor
PHOTO CONTEST
LEARNING TO FLY A fledging scrub jay takes a perch while practicing flying. Taken at home at Pleasure Point. Photograph by Alex Bevan
GOOD IDEA
In 2023, storms fueled by strong atmospheric rivers pounded into Santa Cruz, damaging parts of West Cliff Drive. Ever since, tourists and locals alike have had to navigate around a detour on this beloved scenic stretch of road. To mark the opening of the road, the city will host a celebration with live music performed by SambaDá, activities for all ages and—most important of all—food trucks. S.C. Eatery, Rollin Snack Shack and Taquizas Gabriel will roll up to dispense their wares.
The party runs 5–8pm at Lighthouse Point, 700 West Cliff Drive, Santa Cruz. Admission is free. For more details, call 831-420-5591 or visit cityofsantacruz.com.
GOOD WORK
Goodwill Central Coast is marking a milestone that speaks to nearly a century of community integration, economic empowerment, and lives changed: 97 years of service in Santa Cruz. Since opening its doors in 1928, Goodwill Central Coast has provided job training, employment and pathways to self-sufficiency.
“Santa Cruz isn’t just where we started—it’s the heart of who we are,” said Christine Westbrook, president and CEO of Goodwill Central Coast. From families shopping secondhand and donors keeping reusable goods out of landfills, to job seekers finding their footing through on-the-job training and career services, Goodwill’s footprint touches every corner of the region.
QUOTE OF THE WEEK
‘The last five years have been so damn hard. I’m so grateful to get the help with the rebuild.’ —Tonia Weakland in our cover story
PVUSD needs leadership, not chaos. Pajaro Valley Unified School District cannot succeed under Trustee Gabriel Medina’s divisive leadership. Since his 2024 election, Medina has made antisemitic remarks, mocked a colleague with “Come at me, Barbie,” and threatened fellow board members with a $35,000 defamation lawsuit.
He has violated the Brown Act by leaking closed-session details and pushed personal convenience over district priorities—most recently demanding board meetings change to fit his work schedule. Medina ignored 80% community support for School Resource Officers and rejected a student teacher simply for her Christian college affiliation. His actions put ideology before students and staff. PVUSD deserves trustees who prioritize education, safety and unity—not personal agendas and disruption.
Michael Lelieur | Santa Cruz
BREASTFEEDING WALK
Community Bridges’ Women, Infants, and Children (WIC) program will host its 18th Annual Breastfeeding Walk & Health Fair on Thursday, August 7, from 1 to 4pm at Laurel Park, Santa Cruz.
The event celebrates World Breastfeeding Week by raising awareness about breastfeeding and the services available to families through Community Bridges WIC Program and other key health partners. Open to all, this event offers a welcoming environment for new parents, expecting families and anyone interested in supporting breastfeeding. It’s a chance to learn, connect and celebrate together as a community.
With ongoing rhetoric causing hesitation in accessing services, it’s crucial to provide outreach and ensure that families know WIC is here for them. In times of uncertainty, WIC stands firm in its commitment to supporting local families with not just nutrition assistance, but also educational resources, health services and a welcoming community.
Said Community Bridges Senior Program Director Dana Wagner: “It’s crucial that every family who qualifies for WIC feels empowered and supported in accessing our services. Despite the challenges and uncertainties we face, being together with the community to celebrate this event reminds us all the strength we have when we support one another. It’s truly rewarding to see families come together, share resources, and connect with the support they need during these difficult times.”
Participants can look forward to a variety of activities, including these:
Rally-style Walk at 3pm: A community walk around Laurel Park to show support for breastfeeding families.
Live Music: Enjoy tunes from a live DJ, creating a festive atmosphere.
Community Resource Booths: Local organizations will provide information and services related to family health and wellness.
Healthy Snacks: Complimentary refreshments to keep attendees energized.
Free T-shirts and Raffle Prizes: Exclusive event merchandise and chances to win prizes.
Breast Milk Donation Site: An opportunity to support the community by donating breast milk.
Additionally, the City and County of Santa Cruz will honor Breastfeeding Awareness Month with official proclamations, and a local employer will be recognized for providing lactation accommodations to their breastfeeding employees.
Since its inception, the WIC program has been instrumental in supporting the health and well-being of families in Santa Cruz County, the Pajaro Valley and neighboring communities. WIC serves approximately 550 pregnant women, 800 breastfeeding women, 1,100 infants and 3,800 children under five each month.
The Breastfeeding Walk & Health Fair has grown from a small gathering at Community Bridges headquarters into a major community event. Initially showcasing the WIC program’s lactation center and Peer Counseling, it started with just a few partner tables and around 35–40 attendees. As interest grew, the event moved to Watsonville City Plaza, attracting larger crowds.
With WIC Senior Program Director Dana Wagner as chair of the Santa Cruz County Breastfeeding Coalition, the event expanded through strategic partnerships, increasing awareness of breastfeeding support and available resources.
The Tagalog word gigil refers to the urge to squeeze or pinch something adorable. It’s an ecstatic tension that verges on overflowing the container of decorum. In the coming weeks, you Aries could feel gigil for the whole world. Everything may seem almost too vivid, too raw, too marvelous and altogether too much. I advise you to welcome these surges and allow them to enhance your perceptions. Laugh hard. Cry freely. Invite goosebumps. Please note: But don’t actually squeeze anyone without their permission.
TAURUS April 20-May 20
In Japan’s Snow Country, artisans practice yuki-sarashi. It involves laying woven cloth on snow under sunlight to bleach, brighten, purify and soften the fibers through the effects of snow, sunlight, cold and ozone. Because this process doesn’t require harsh chemicals, it helps maintain the fabric’s strength and prevents it from yellowing over time. I propose you make yuki-sarashi a useful metaphor, Taurus. Something fragile and fine is ready to emerge, but it needs your gentle touch and natural methods. You are often grounded in the adept manipulation of raw material—what works, what holds, what can be relied on. But this burgeoning treasure needs maximum nuance and the blessings of sensitive care.
GEMINI May 21-June 20
When African American dancer Josephine Baker arrived in Paris in 1925 at age 19, she was seeking refuge from her home country’s racism. Her electrifying performances soon made her a celebrity. Author Ernest Hemingway said she was “the most sensational woman anyone ever saw.” As she grew wealthy, she donated generously to French charities, hospitals and schools. Her compassionate works evolved further, too. During World War II, she worked as a spy for the French Resistance against the Nazi occupation. Later, she became a civil rights activist in the US. Can you guess the astrological sign of this multi-faceted star? Gemini! I hope you will be inspired by her in the coming weeks. May you, too, use your natural gifts and stylish flair to serve the greater good. Look for opportunities to mentor, encourage and advocate for those lacking your advantages.
CANCER June 21-July 22
When a glacier moves, it doesn’t rush. It presses forward incrementally, reshaping mountains, carving valleys and transporting boulders. In a metaphorical sense, Cancerian, you are now in glacier time. A slow, relentless and ultimately magnificent process is afoot in your life. Others may not yet see the forward momentum. Even you may doubt it. But the shift is real and permanent. Trust the deep, inexorable push. Your soul is hauling whole landscapes into new configurations.
LEO July 23-Aug. 22
In the Arctic, the sun shines for 24 hours a day during midsummer. There is no night, only the surreal glow of prolonged gold. The human body, confused by the unending day, may be confused about when to sleep. For some, this creates disorientation, and for others, a strange euphoria. In my astrological opinion, Leo, you have entered a metaphorical version of this solar dreamscape. Your creative powers are beaming like a relentless sun. There may be little darkness in sight. So how will you rest? How will you replenish under the glow of fervent possibility? Be wisely discerning with your energy. Don’t mistake illumination for invincibility. Bask in the light, yes, but protect your rhythms.
VIRGO Aug. 23-Sept. 22
Now is an excellent time for you to swear sacred oaths. I suggest you get less comfortable with transitory arrangements and short-term promises. The near future will also be a ripe phase to make brave commitments that require you to go farther and deeper than you’ve dared to before. I recommend you forgo the cheap thrills of skipping along from one random moment to the next. Embrace a game plan. Finally, I urge you to cast magic spells on yourself that will release your unconscious mind from old fixations that subtly drain your power to fulfill your dreams. Please please please surrender trivial obsessions that distract you from your life’s key goals.
LIBRA Sept. 23-Oct. 22
In West African traditions, griots are key figures in their communities. They serve as storytellers, oral historians, poets, genealogists and advisors. Their presence is often central to events like weddings, funerals and ceremonies. In the coming weeks, Libra, I hope that you will embrace a role that resembles the griot. Your ability to enhance and nurture your network is at a peak. You have extra power to weave together threads that have become frayed or unraveled. Given your potential potency as a social glue, I advise you to avoid gossip and instead favor wise, kind words that foster connection.
SCORPIO Oct. 23-Nov. 21
The phrase “elegant sufficiency” is an old English expression meaning “just enough” or “a sufficient amount in a refined or tasteful way.” I am expanding it to also mean “the simplest solution that solves a problem completely without unnecessary complexity.” It’s your power phrase, Scorpio. What you need is not intricate perfection, but elegant sufficiency: enoughness. I suggest you welcome this gift with enthusiasm—not in a resigned way, but with a quiet triumph. Maybe your plan doesn’t need more bullet points. Maybe the relationship doesn’t require further analysis. Maybe your offering is already thorough. Allow yourself the sweet satisfaction of having just the right amount. What you have created may be more organically whole than you realize.
SAGITTARIUS Nov. 22-Dec. 21
How do you become a maestro of desire? What must you do to honor your beautiful yearnings and cull your mediocre ones? What’s the magic that will help you fulfill your life’s purpose by trusting your deepest cravings? Here are some tips. First, jettison your inessential desires and cherish the precious yearnings that are crucial. Second, dispose of outmoded goals so you can make expansive space for robust goals that steer you away from the past and guide you toward the future. These are challenging tasks! The very good news is that the coming weeks can be a turning point in your quest to claim this birthright.
CAPRICORN Dec. 22-Jan. 19
I’m writing a fairy tale about an ancient land whose queen regards poetry as essential to the public good. She often invites poets to perform for her and her court. When they finish a stirring passage, they bow—not to the queen or other observers, but to the silence they mined to access their inspiration; to the pregnant chaos from which the poem was born. The pause is a gesture of gratitude and acknowledgment. I invite you to partake in similar acts of appreciation, Capricorn. Bow toward the mysteries from which your blessings flow. Honor the quiet sources that keep you fertile. Praise the treasures in the dark that fuel your intense activities.
AQUARIUS Jan. 20-Feb. 18
When I advise you to get naked, I’m not necessarily suggesting that you doff your clothes. What I primarily mean is the following: Shed the armor around your heart; strip off your defense mechanisms; discard knee pads you wear while kissing butt or paying excessive homage; recycle shoes, jackets, pants and opinions that don’t fit you; and discard pride-spawned obstacles that impede your communions with those you love.
PISCES Feb. 19-March 20
The Finnish word sisu describes a radical, unglamorous persistence. Those who possess sisu can summon extraordinary determination, tenacity and resilience in the face of confusion or difficulty. It’s not about bravado or flair, but about soulful gutsiness. I suspect it’s time for you to draw on your sisu, Pisces. It will empower you to tap into reserves of strength that have previously been unavailable. You will activate potentials that have been half-dormant.
From Carmel-by-the-Sea comes Rags Rosenberg. The comparisons to Leonard Cohen hold up, and in a good way. He doesn’t sound derivative, but his vibe matches, and one can imagine their roads crossing, both with notebooks in hand and a guitar on their backs. On Rosenberg’s prior albums, he sings of hitchhiking, migrant farmwork, philosophy—compelling storytelling supported by sparse, beautiful strings, both strummed and bowed, a good variety of percussion, a horn here and there, and occasionally joined by another voice. He’ll be celebrating the release of his newest album. KEITH LOWELL JENSEN
Brothers Zohar (piano) and Adam (drums) Cabo were raised in Beacon, NY, by musician parents. Their performing careers began as children, and by their teens, the two were cutting sessions at Memphis’ legendary Sun Studio. Their music is built on Zohar’s classically trained style and Adam’s jazz-informed drumming, drawing from Latin, hip hop, and world music in their duo format. Their recorded debut is the 2024 EP, Zohar & Adam & Friends (Live at the Howland). The Cabo brothers released their first full-length, Osmosis, in early 2025. That record emphasizes their pan-genre sensibility and features a guest spot by friend and mentor Christian McBride. BILL KOPP
INFO: 7pm, Kuumbwa Jazz Center, 320-2 Cedar St., Santa Cruz. $35-$37. 427-2227.
FRIDAY 8/8
CUMBIA
SPAGHETTI CUMBIA
Boyle Heights and East LA serve as the stewing pot for quintet Spaghetti Cumbia’s enticing mix of traditional Latin American cumbia music with punk, psychedelic rock, and a healthy dose of Ennio Morricone western movie soundtracks, hence the “spaghetti” in their name. With two guitars, additional percussion along with a classic rock kit, and electric bass, plus two lead vocalists (and everyone, including the audience, adding their voices in), it’s a busy, hectic but very danceable sound they’re conjuring. Pijama Piyama, and The Hellas are also on the bill. KLJ
Deadheads already know Jerry Garcia’s infamous guitar, Tiger, which has a tiger inlay on the neck. Not only was it one of his favorites, but it was also the last guitar he played before his death. “What sort of tales would Tiger tell if it could?” is the question local soul/rock/jam band Tiger’s Tale wishes to answer. This eclectic assortment of local musicians plays an array of Motown, soul, rock and R&B jams from the Garcia-Saunders playbook. Not your average Grateful Dead cover band, Tiger’s Tale also does tracks by Bob Dylan, J.J. Cale, Peter Rowan, Peter Tosh, Jimmy Cliff and, of course, Garcia and Hunter. MAT WEIR
Savej’s swampy soundscapes merge with Habitaat’s beats to create a high-energy dance party. Delivering his signature “ancient future” sound, Savej weaves tribal grooves and ancient medicine music with modern bass to create an intense, mystical pulse. Habitaat stirs up a distinctive, underground club sound which he seasons with cinematic scores to craft unique sonic worlds. Brazilian-born, San Francisco-raised Habitaat and Honey Swamp Island native Savej find joy in connecting listeners to natural beauty while stirring the human soul to dance. Their collaborative work serves as a bridge between the natural world and modern dancefloor culture, offering listeners a transformative and very much human experience. SHELLY NOVO
Hardcore is back and better than ever. New bands like Soul Glo and Scowl have the ferocity of ’80s hardcore, but with a more musically eclectic sensibility. (Controversial take!) Fortunately, the bay is one of the hot spots for new hardcore. Even more fortunate, we have the band Spy, a brutal riff-heavy five-piece, that’s clearly educated in music theory as much as they are basement punk shows. They put on a live show that is the talk of legends. So intense, audiences swear they’ve seen God. But the music itself is so damn interesting and well-written. It’s the best of all worlds. AARON CARNES
Mighty Mike Schermer is no stranger to Santa Cruz. For a quarter of a century, he called Surf City his home before relocating in 2009 to Austin, Texas. And while Austin might be cheaper, there’s something about Santa Cruz that he can’t stay away from. Which is a good thing, because Schermer is one of the unsung greats of modern blues. He’s performed and recorded with legends Charlie Musselwhite, Maria Muldaur and Bonnie Raitt, the last of whom called him “funky and authentic.” So authentic that even the great Tommy Castro has covered Schermer tunes. MW
INFO:4pm, El Vaquero Winery, 2901 Freedom Blvd, Watsonville. $10. 607-8118.
MONDAY 8/11
JAZZ
JOHN PIZZARELLI
Jazz guitarist, singer and bandleader John Pizzarelli is renowned for his tasteful style and deep devotion to the Great American Songbook. The son of swing guitar ace Bucky Pizzarelli, his musical journey began at age six and included onstage work with Benny Goodman, Les Paul, Zoot Sims, Slam Stewart and Clark Terry. Launching his solo career with 1983’s I’m Hip…Please Don’t Tell My Father, Pizzarelli earned an even higher profile when his trio opened for Frank Sinatra in 1993. He’s also an in-demand sideman, having played on albums by everyone from Rosemary Clooney to Paul McCartney to Rickie Lee Jones. BK
INFO: 7pm, Kuumbwa Jazz Center, 320-2 Cedar St., Santa Cruz. $58. 427-2227.
TUESDAY 8/12
THEATER
MARY’S WEDDING
Up next in Shakespeare Santa Cruz’s 2025 Fringe Series is a staged reading of Mary’s Wedding, by Stephen Massicotte. This reading is directed by Margaret Shigeko Starbuck and will feature Will Block. Mary’s Wedding is a story of first love, the Great War, hope, and regret. The Great War calls a young man to leave his life and fight. As the war goes on, so does the life of his love, Mary. This emotional tale takes the viewer on a trip down memory lane with Mary as she grapples with the memories of this pure love that couldn’t be. ISABELLA MARIE SANGALINE
INFO: 7pm, Audrey Stanley Grove, 501 Upper Park Road, Santa Cruz. $5-$50. 460-6399.
At Izzy's Ices downtown, the most popular pick is the multi-flavored Keep the Peace Rainbow. Also look for Pistachio Italiano, Maui Pineapple and Birchmont Blueberry.
For over 30 years, the Santa Cruz Civic Auditorium hasn’t broken even, yet it holds generations of Santa Cruz memories. An investigation into the numbers, the missed opportunities, and the fight to bring it back from the brink.
Imagine not only losing your home and all of your property, but also five years or more of your life. That’s what’s happened to the more than 60,000 residents...
