Things to do in Santa Cruz

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THURSDAY 9/25

JAZZ

DAYRAMIR GONZALEZ

Havana-born pianist Dayramir Gonzales boasts a sterling pedigree. He began his musical journey at age 16 as a member of Diákara, the Afro-Cuban jazz outfit led by Oscar Valdés. Gonzales released his debut Dayramir & Habana enTRANCe in 2007, winning several awards. Attending Berklee on a Presidential Scholarship, he graduated summa cum laude in 2013. A veteran of high profile performances at venues including Lincoln Center and Carnegie Hall, he continues to return to Cuba to play the annual Jazz Plaza Festival. Gonzales is at the forefront of contemporary artists infusing today’s jazz with the lively musical traditions of his native country. BILL KOPP

INFO: 7pm, Kuumbwa Jazz Center, 320-2 Cedar St., Santa Cruz. $40-$42. 427-2227.

AMERICANA

THE LONE BELLOW

The word vulnerable gets tossed around a lot these days. The Lone Bellow earn the descriptor. Founded when Zach Williams took the journal he was keeping while caring for his wife who was recovering from a serious horse-riding accident. He learned to play the guitar so that he could add music to his words. The core trio, often joined by additional musicians, trades off on vocal duties, harmonizing beautifully over three guitars strumming for an emotionally rich, sincere and vulnerable example of Americana. KEITH LOWELL JENSEN

INFO: 8pm, Felton Music Hall, 6275 Hwy 9, Felton. $35. 704-7113

FRIDAY 9/26

MUSICAL

CINDERELLA

The Prince is giving a ball! Finish sweeping the floors and find the most elegant gowns because the show is about to start. The lovely Cinderella must leave by midnight. The Scotts Valley Performing Arts presents the Rodgers & Hammerstein’s Cinderella. This timeless fairy tale has been told countless times. Even so, the contemporary twist and iconic, original music added to this version breathe new life into the story. This musical continues to fill audiences with magic, love, and hope as they watch Cinderella and the Prince fall for each other. Goes until Oct 12th. ISABELLA MARIE SANGALINE

INFO: 7pm, The Landing, 251B Kings Village Rd, Scotts Valley. $33.42. 566-9411.

REGGAE

BIG MOUNTAIN

Radiating with love and gratitude, reggae band Big Mountain brings their melodic, bubbly melodies and uplifting words to the stage with renowned releases like “Baby Touch my Light,” and their cover of Peter Frampton’s “Baby, I Love Your Way.” Though the lineup has been through a series of changes, frontman, Joaquin “Quino” McWhinney, has kept a passion for reggae and a joyful stage presence since the band’s creation in 1991. Big Mountain boasts international reputation, having performed at Reggae Sunsplash in Jamaica, Hornbill Festival in India, and Pol’and’Rock in Poland. SHELLY NOVO

INFO: 9pm, Moe’s Alley, 1535 Commercial Way, Santa Cruz, $25/adv., $30/door, 479-1854

SATURDAY 9/27

SINGER-SONGWRITER

CLEM SNIDE

Clem Snide sounds like a stage moniker, but so does the given name of the artist, born Eef Barzelay. His songcraft has variously been characterized as indie rock and alt-country, but at his core, Snide is a singer-songwriter. He’s a prolific one as well, with 17 albums and five EPs to his credit. Snide’s lyrics—as showcased on the newest album, Oh Smokey (released September 2024)—explore themes such as God and death. It’s a slow burn of a record, one designed for close, contemplative listening. And that approach is well applied to Clem Snide’s live shows as well. Rye Valley opens. BK

INFO: 8pm, Crepe Place, 1134 Soquel Ave., Santa Cruz. $24. 429-6994.

EXPERIMENTAL

RICK WALKER

Rick Walker is a drummer, percussionist, producer, and multi-instrumentalist who was a major player in the world music/fusion scene that blew up in the ’80s and ’90s, but perhaps his biggest cultural contribution has been his early adoption of live looping. He founded the International Live Looping Festival, now in its 25th year, and himself been performing and recording with loops generated and layered on the spot, for over 30 years. He has created new hardware and software for himself and fellow loopers to utilize as they chase the ultimate collaboration of electronic music and improvisational ingenuity. KLJ

INFO: 8:30pm, Indexical, 1050 River St. #119, Santa Cruz. $16. (509) 627-9491.

SUNDAY 9/28

ROCK

FREAK FEST

Dubbed “An Evening of Strange, Wonderful Music” (with a really killer psychedelic poster to boot), Freak Fest features five of Santa Cruz’s most eclectic young bands: Carabeza, Mutt, Kook and Rio and the Soup. The headliners, Red 40, are the newest on the scene and have already made huge waves for themselves playing house shows around town. They’ve even already played the main stage at the Catalyst earlier this year, a feat that takes most bands years to accomplish. And it’s no wonder, their heavy, metal infused psych sound is like if Mr. Bungle, Primus and Black Flag had a baby then left it to “go get cigarettes” and never returned. MAT WEIR

INFO: 7pm, Catalyst, 1011 Pacific Ave., Santa Cruz. $19-$24. 713-5492.

DARK FOLK

WAUL OF THE WEALD

One of the more unexpected metal subgenres is what can only be described as forest folk. Think a medieval bard strumming his lyre, while smoking a pipe underneath a canopy deep within the woods of time. Yeah, it’s like that. It’s the type of music that can be enjoyed by the elderly, Renaissance Faire enthusiasts and metalheads clad in black leather jackets with armored plating. Turn to The Jury Room this Sunday to see what all the clamor is about when local drone flutist Dean Fraser, Portland’s “darky hypnotic psych folk” Catal Huyuk and Whitehorn, California’s Waul of the Weald play mystic ballads. MW

INFO: 8pm, Jury Room, 712 Ocean St., Santa Cruz. $10. 426-7120.

WEDNESDAY 10/1

MARIACHI

MARIACHI HERENCIA DE MEXICO

Paying tribute to traditional mariachi music, while celebrating and creating its future, Mariachi Herencia De Mexico has made its mark with five chart-topping albums and two Latin Grammy nominations. Beginning in Chicago and performing across North America, this band performs with vibrance and technical poise. Fourteen musicians aged 18 to 32 electrify audiences with their sharp percussion, piercing and rich vocals, and singing strings. Mariachi has deep roots in Guadalajara and Mexico City, and many of these young talents have studied under and played with grandparents and relatives who passed the tradition down to them. SN

INFO: 7:30pm, Rio Theatre, 1205 Soquel Avenue, Santa Cruz. $47. 423-8209.

La Bahia: The Lost Years

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For almost one hundred years, La Bahia Apartments was ground zero for the most legendary parties, soirees and quinceañeras. Legends persist of the dubious bell tower encryptions, hauntings and the “vibe.” Ask just about anyone who grew up in Santa Cruz, and they have a La Bahia story.

The original La Bahia Apartments, that 1926 plaster of Paris, architecturally Spanish/Italian, secret Bohemian enclave (that many thought was a mission) was a rare sanctuary for students, families, dogs, artists, refugees and the socially maladjusted. As well as a home to thousands and thousands of young people from around the world, including lucky Santa Cruzans.

For those in the know, La Bahia, even in the 1980s, was already undergoing hard times. The constant saltwater mist of the bay had eroded the facade over the decades and anything that was metal became corroded with a fluorescent green oxidation. Also, an odd black mycelium inhabited the framework. I thought wires were sticking out of my ceiling in room 302. Nope. It was mushrooms.

Bahia hotel photo of train
VINTAGE B&W train from a photo in the hallway at the Boardwalk. Photo: Beach Boardwalk archives

Some days are diamonds

When I got hired by the Santa Cruz Beach Boardwalk in 2008, it was obvious La Bahia’s “best days” were behind it. And yet it was exactly that decomposition, with winding pathways through pungent blooming magnolias, that imbued the physical space with magical charm. Early in the morning, when all was quiet, the courtyard filled with tapered fog and the echoing sound of seals bounced off the mosaic tiles. That courtyard had an ability to transport and lift up the spirits.

I worked out of the SCBB Human Resources Department for a decade. I was specifically involved with the legion of workers who were there under the J1 International Student Visa. Every year, upwards of 300,000 international students descend on the United States to work. Most have to choose between work at state parks, resorts or amusement parks, with the Boardwalk being a highly valued, and talked about, summer workplace.

For six months a year, La Bahia was filled to the brim with students from around the world, ages 19 to 24. Ukraine, Poland, Bulgaria, Macedonia, Jamaica, Singapore, Romania, Mongolia—you name it. Every summer was like an episode of International Big Brother.

La Bahia teardown
REHAB The long teardown begins pre-COVID in 2020. Photo: DNA

Some days are rocks

Tudor George Croitor came from Romania to work at the SCBB, and lived in La Bahia during the summer of 2014. “I was sitting in front of La Bahia on a bench, with my friend from Poland,” says new dad Croitor, from his home in Romania.

“We were enjoying the ocean breeze, and talking about how the corner market raised its price of a can of beer, 30 cents, in one day. All of a sudden, a naked guy is in front of La Bahia and starts talking gobbledygook. We locked his arms behind his back until the police came. Later, DNA came out and told us not to touch crazy naked people. Good advice, I suppose,” Croitor laughs. He called the entire experience living at La Bahia a “fever dream.”

Some doors are open

Joanne Purdy Guzman, co-owner of Bruno’s Restaurant in Scotts Valley (with husband Rogelio), grew up in La Bahia. “My mom, Lois, was the property manager since the early ’90s and lived in that iconic three-story unit with the giant picture windows [aka the command center]. I lived right across the deck with a built-in TV screen—also known as an unobstructed view of the ocean, the beach, and endless people-watching gold. Honestly, the deck was better than anything Netflix has ever produced,” Guzman says.

From Romania to Scotts Valley, there’s a certain tone of voice when people reminisce about La Bahia. It was more than just a building. It was a safe gated space where young people, just off back-to-back, all day/night shifts, at SCBB, could let their hair down. Which could only mean one thing.

La Bahia was ground zero for parties.

And my job was to shut down parties.

Story author DNA with guest workers from 23 countries
CAMP BAHIA The reluctant party-pooper, dead center, surrounded by guest workers from 23 countries. Photo: DNA

Some roads are blocked

I lived with 100 different international students, each year, in La Bahia. The other 100 were scattered amongst Beach Flats, and would drift to La Bahia at night. Everyone in the program was part of my roster. We co-existed, we mingled and we looked out for each other (at least that’s what I tried to teach them).

I worked 24 hours a day, seven days a week, sometimes. And every day was different. My ADHD brain was in heaven.

The first two years, I worked solo-ish (my immediate supervisor, Q, was my lifeline when things got unhinged—she was on speed dial).

My job included weekly trips to Safeway (for all 200), getting their rooms ready with beds and accoutrements, making sure they arrived safely, finding them when they were lost en route, orientation to their new life, waking them up if they were late for work, mail, taking them to the hospital, fixing whatever was broken (if possible), bedside pep talks when depression was noticed, ombudsman when apartments got tense, and the aforementioned shutting down of parties.

My back bedroom window faced what was constructed as a vecindad. A place to gather. During my first weekend, the noise coming from the courtyard was more than a din; it was approaching a roar. I had been told to “shut down parties” but without an instruction manual. I had heard horror stories of other people who held my position. The first night, I closed all my windows, turned up my stereo, and made believe I lived alone.

Second night, 1am, I balled up and headed out into the courtyard. A good 150 people made up of local boardwalk employees, new friends and international students were mingling. Jamaicans were dancing in the gigantic banyan tree. A Macedonian was on the tiled roof of the apartments and yelling, “DNA. In my country, parties do not start until one!”

A frosty keg was on the interior steps and was pumping out full red cups at a high velocity. I will not degrade this article with the vulgarity that came out of my mouth—nor do I relish that it was directed at somebody who was only trying to have a good time—but was it effective? Yes. It was like I poured a ton of sand on a raging bonfire.

I have been called a “party-pooper” in almost every language.

Sundowns are golden

Santa Cruz’s Psychedelic Laureate, David Jay Brown, recalls his times at the infamous party place. “The La Bahia was where legendary writer Peter Stafford—author of the classic Psychedelics Encyclopedia—used to live,” Brown says. “I used to hang out there regularly when I first moved to Santa Cruz during the 1980s. When Peter was low on cash to pay his rent he used to post posters for his lectures on “How to Use Psychedelics Intelligently” (that he held in his home) all over Santa Cruz. Dozens of people used to show up, donating money, turning his apartment into a wild party each time,” Brown laughs.

In 1987 you might have found legendary writer R.U. Sirius, or Robert Forte, author of Entheogens and the Future of Religion, or Bruce Eisner, author of Ecstasy: The MDMA Story, or even David Jay Brown talking to the fish in the koi pond. It was a genuine cluster of literate psychedelia. Which explains why La Bahia sometimes acted as a strange attractor, and a non-locational time-phasing TARDIS.

Work and Travel assistants showing the La Bahia b-ball team their new ‘uniforms.
BALLIN’ Work and Travel assistants Doug and Luke Haight showing the La Bahia b-ball team their new ‘uniforms.’ Photo: DNA

Then fade away

Tourists would always come in and ask what La Bahia was. I was more than happy to show them room 412. The Clint Eastwood room, where Dirty Harry stayed in the movie Sudden Impact—spurring his most famous catch phrase, “Go ahead, make my day.” But mostly I looked after the two thousand J1-ers who walked the alabaster hallways.

My techniques evolved from yelling to weekly newsletters that spelled out where parties should be held (the beach). For the ten years I was living there, a palpable electricity ran through that building. It might have been faulty wiring. But everyone will tell you it was more than that. La Bahia was special.

And if I never do nothing

The cultural differences made acceptable workplace behavior challenging at times. Because HR tended to be almost all women, I was often brought in to advocate for male employees who were under investigation for improper sexual comments.

Vlad swore to me that the only thing he said to his manager at the Boardwalk was “balls.”

“I said balls, she said balls. Balls, balls, balls. Big deal,” said Vlad.

Surrounded by the entire HR team, Vlad and I awaited the accounting of this ball talk. “You have several complaints against you,” the top HR boss said.

This didn’t bode well for Team Ball. “Vlad, Your manager says you crept up behind her, and whispered in her ear, that you, I quote, ‘have a large penis and would like to put it on her back,’ end quote.”

We lost that case and Vlad went back to Ballgaria.

GOOD OL’ DAZE Summer 1984, David Jay Brown and Peter Stafford (author of the Psychedelics Encyclopedia) in La Bahia. Photo: Steven Ray Brown.

And if I never do nothing

Other times were more transcendent. Ileana from Romania was lithe, almost ethereal and feeling very sick. In the waiting room at  Dominican Hospital, it was obvious that her English was only good enough to just get by. She was tense. I pulled out my phone and started showing her pictures of Romania. Her face lit up, and the knot in her chest subsided. We looked at digital pictures and laughed. She was 6,000 miles from home, but for a little while it felt like she was with family.

I’m coming back some day

“Every third weekend in July, we’d wake up to the sounds of slamming porta-potties (an underrated alarm clock) as the Wharf to Wharf crowds, thousands of people, assembled right outside our windows. From that perch, we witnessed epic storms, rogue waves, police chases, wandering musicians, dramatic tourists, lost UCSC students, and the full spectrum of humanity—fanny packs and all. It was live theater, and we had front-row seats every day,” Guzman recalls with pride.

Even walls fall down

Whatever original firmament that still might exist of La Bahia, held together with mycelium spores and seaweed, no longer holds the tales, the journeys, the epic parties and transformed lives that inhabited its sacred walls, for decades.

La Bahia is dead, long live La Bahia.

DNA is an author, comedian, and filmmaker. Find out more at votedna.com

Taking Off

A new form of flight is taking off in Santa Cruz.

Transportation secretary Sean P. Duffy has announced that companies will now be allowed to test limited operations of electric vertical takeoff and landing aircraft—air taxis that lift off like helicopters but cruise like airplanes—before they are fully certified by the FAA. The pilot program is intended to accelerate adoption of what’s often called “advanced air mobility.”

Santa Cruz–based Joby Aviation is one of the companies ready to seize the opportunity.

“We’ve spent more than 15 years building the aircraft technology and operational capabilities that are defining advanced aerial mobility, and we’re ready to bring our services to communities,” said Greg Bowles, Joby’s Chief Policy Officer. “This program provides a clear and pragmatic path to introduce our service sooner, while continuing to meet the FAA’s rigorous safety standards.”

The FAA normally requires years of rigorous testing and approval before any new aircraft can operate commercially. No aircraft like Joby’s has yet been certified, and the first such approval is not expected for at least another year. The new program creates a bridge, letting mature designs begin real-world flights—whether carrying passengers, cargo, or providing emergency services—under strict oversight while certification continues.

Joby’s prototypes are designed to carry a handful of passengers or small cargo loads, beating traffic while producing zero operating emissions. The company has already logged tens of thousands of miles in testing, including nearly six hundred flights this year alone. It has flown in extreme environments to demonstrate durability, and is currently in the fourth of five stages of FAA type certification. Joby expects to fly its first FAA-conforming aircraft later this year, with FAA pilots onboard early next year.

Santa Cruz has been home to Joby from the beginning, bringing together engineers, designers, and builders, making this new form of transportation possible. Close to home, Joby has scaled up operations in Marina, expanding its manufacturing footprint to more than 435,000 square feet and preparing to build what it describes as the first scaled electric aircraft production facility in the United States.

For Santa Cruz, the implications reach beyond aerospace headlines. Advanced air mobility could translate into hundreds of local jobs, new investment in infrastructure, and a reputation as the birthplace of a new transportation industry. It also positions the region alongside Silicon Valley in pioneering technologies with global impact.

Challenges remain—certification is ongoing, air traffic integration and community acceptance are far from simple, and scaling production will be costly—but once again, Santa Cruz is not just watching the future take shape. It may soon be the place where the age of air taxis truly takes off.

Retail to Residential

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Capitola City Council OKs housing plans for ailing mall

For 15 years, city leaders have been looking for ways to re-envision the Capitola Mall, which, like many of its shopping-center brethren across the U.S., has lost a measure of the luster it had a few decades ago, the neon-colored heyday of the ’80s.

And while a handful of new, local businesses have helped to revitalize Santa Cruz County’s only mall, it is no longer the draw it once was.

That is likely to change after the Capitola City Council on Sept. 11 unanimously approved a set of zoning amendments that will allow the creation of a housing development on the mall property, which is bordered by Clares Street, Capitola Road and 41st Avenue.

With a rezoning plan expected by January, Merlone Geier Partners (MGP)—the majority owner of the mall site—will begin plans to redevelop the property.

The project is an effort by city officials to help meet its Regional Housing Needs Allocation numbers, which the state of California  requires of every jurisdiction.

That means Capitola must plan for 1,336 units of low, moderate and market-rate housing units by 2031.

But because Capitola is just 2 square miles—and has few buildable spaces—city officials have to look to infill development such as the mall.

In addition to the sizable housing project, recently approved changes also include building heights up to 75 feet.

The plan approved includes community engagement sessions.

MGP managing director Jamas Gwilliam said it is too early in the planning process to say what the project will look like.

Once the city provides the objective design standards it wants to see at the site, the company can move forward, he said.

“Then we can share that with the community, run studies to look at traffic, talk to the community more about the placemaking aspects, the number of units and affordable units and get you the specifics on what that exactly looks like,” he said.

Gwilliam said that MGP is hoping to get feedback from the community, but warned against extending that period for too long.

“There is a timeline HCD is given and the questions, while good…it would be better to respond to a project once we have the zoning code,” he said.

Of the four choices presented to the council for the development process, Councilwoman Susan Westman opted for one that both expedites the process and calls for more public engagement, although at $68,000 is slightly more expensive than a similarly expedited $46,000 plan that allowed only one public session.

“I think it’s worth the city spending that money to engage with our community and give us an opportunity to engage with our community to try and move this project forward,” Westman said.

Councilwoman Melinda Orbach said she would also like to see a hotel at the site with a large event and conference space.

“I’ve heard from many people who struggle to find a big enough space to hold their events in Santa Cruz County,” she said. “Rarely are there spaces for the capacity of more than 500 people. Many of us working professionals travel to conferences where we spend thousands of dollars each year out of the pocket of our employers. Why not spend the money here? People already want to come to Capitola. Why not build the infrastructure needed to support this tourist industry?”

Feds Target ‘Hispanic-Serving’ Programs at Cabrillo College

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When U.S. Secretary of Education Linda McMahon on Sept. 10 announced that the Department of Education is ending discretionary funding to Hispanic-serving institutions (HSI), she pointed to a decision by the Office of the Solicitor General that such programs violate the equal protection clause of the U.S. Constitution.

“Discrimination based upon race or ethnicity has no place in the United States,” McMahon wrote in a statement. “To further our commitment to ending discrimination in all forms across federally supported programs, the Department will no longer award Minority-Serving Institution grants that discriminate by restricting eligibility to institutions that meet government-mandated racial quotas.”

Under the HSI program, which Cabrillo has been enrolled in since 2006, colleges foster a sense of belonging and cultural validation for LatinX students.

But McMahon in her statement said the Trump administration is taking some $350 million in discretionary funding for programs nationwide that serve a wide variety of minority student groups such as Hispanic, native and Black.

Locally, the policy shift severs two key programs at Cabrillo College in the middle of a five-year grant cycle, said college President Matt Wetstein. 

Camino al Exito, which provides assistance during the first year, and Abriendo el Camino, which offers dual enrollment to high school students, were part of an effort to retain students and grow its numbers, Wetstein said.

He pointed out that the HSI grant program was created by Congress and supported by U.S. presidents on both sides of the aisle.

McMahon in her letter also argues that the program calls for unconstitutional “quotas,” an assertion that Wetstein rejects.

“I don’t agree with that argument,” he said. “I don’t know of any ruling from any court, particularly from the Supreme Court, where that’s ever been articulated.”

Wetstein added that Cabrillo is an open-access college. 

“We don’t discriminate in any manner in our admission process,” he said. 

Wetstein said the college plans to apply for extensions to the existing grants, and braid that funding with other sources to keep staff doing the work through June 2026.

He is also considering legal challenges to McMahon’s decision.

“We’re going to take every opportunity we can through our legal channels to file for a reconsideration with this Department of Education,” he said. 

If the programs end, Wetstein said it will mean that plans to grow the college’s dual enrollment program—allowing high school students to take classes at Cabrillo—will be harder.

“If the money goes away in the way this cancellation order suggests, our ability to scale out begins to disappear,” he said. 

In addition, the college will be unable to pay student mentors to help first-year students, he added.

The announcement, he said, is part of a growing pattern with the Trump administration.  

“I think this is part of a pattern,” he said. “It is another arm in the attack and assault on higher education institutions from this administration. It is an effort to undermine confidence in colleges and universities in trying to argue that they’re doing something illegal and unconstitutional.”

County Unveils Center for Youth in Crisis

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For years, young people experiencing a mental health crisis in Santa Cruz County were taken to overloaded emergency rooms, the county’s adult psychiatric facility or were shifted to out-of-county facilities, away from their families.

That problem will end in the winter, when the Santa Cruz County Behavioral Health department opens Hope Forward–Esperanza Adelante, a crisis center in Live Oak designed for young people.

It will be available 24 hours a day, every day of the year.

The center’s Crisis Stabilization Unit offers eight chairs and is designed for short-term stabilization and stays of less than 24 hours.

Upstairs, the 16-bed Crisis Residential Program will offer therapeutic support and treatment for young people and their families, with typical stays ranging from two to 10 days.

Such care is essential, as mental health professionals over the past decade have noticed a “concerning trend” of mental health issues cropping up among young people, said Santa Cruz County Behavioral Health director Marni Sandoval.

In the U.S., Sandoval said, an estimated 20% of youth suffer from a mental health concern, and 80% of those have not received treatment.

Worse, professionals have noted a 104% increase in inpatient visits for suicide and self-harm for children 1–17, Sandoval said.

“Mental health is the number-one reason our kids under 17 are hospitalized, and it is the second leading cause of death for youth ages 10–24,” she said. “So this is a pretty serious issue.”

The center’s programs will provide short-term, intensive support for children and youth experiencing acute mental health crises

Santa Cruz County Supervisor Manu Koenig called the new center “truly transformative.”

“This is a complete 180-degree turnaround in the care that our county is providing,” he said. “Until now, youth needing long-term care went out of county, separated from their families and support systems. That ends now.”

Santa Cruz County Supervisor Kim De Serpa, who has spent her career as a social worker with a focus on focusing on public health, child welfare and healthcare, said that it can take hours for mental health workers to find a place for a young person experiencing a mental health crisis.

“It’s a nightmare,” she said. “This facility is a huge benefit to our community and our hospitals.”

The $26.1 million project was funded from state grants and county sources. The project was completed after only three years of work.

Aspiranet, a California-based nonprofit, will operate the center. The Santa Cruz County Mobile Crisis Response Team will also support the center by providing referrals and transporting youth.

For information, visit santacruzhealth.org/YouthCrisis.

Santa Cruz Wellness Expo Offers Demos for Health-Minded People

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Ever feel daunted by the sheer volume of health and wellness treatments out there? You are not alone.

A growing frustration with conventional care is leading more people to explore alternative and Eastern medical practices. Yet it can be overwhelming when it comes to understanding all of the choices.

What if one had access to a restorative bodywork session, a mini-yoga workout, a healthy snack and a talk with a hypnotherapist or sleep expert, all under one roof? These are just a few of the resources attendees can access at the Santa Cruz Wellness Expo, a Sept. 20 event showcasing 40-plus local fitness, coaching, nutrition, and wellness professionals at the Santa Cruz Museum of Art & History (MAH).

Hosted by the MAH and local media outlets (including Good Times and Growing Up in Santa Cruz), the inaugural expo will showcase dozens of nutrition, holistic health, fitness and self-care advocates through free talks, demos, product samples and more than 40 giveaways, says expo organizer Elizabeth Borelli, founder of Mindful Mediterranean Workshops and Events. “There is a variety of different modalities to experience, including massage, Breema, Reiki and bio-tuning,” Borelli says. The event is expected to take over the entire first floor of the museum, lobby and garden room.

Helping People Thrive

Blue Zone Waters will be handing out samples of hydrogen-rich “structured living water,” a Kangen ionized and alkalized water. “Expos are great because they’re not there to buy, they are there to learn,” says Alayna Nathe, owner of Blue Zone Waters. Nathe invites attendees to learn more about the health benefits of molecular hydrogen water and the scientific principles behind water ionization systems. “I’ll be bringing lots of handouts and flyers to talk about the water specifically.”

“Kangen water is a Japanese word that means specifically returned to origin,” Nathe explains. “Kangen water has a high mineral content, contains molecular hydrogen, is anti-oxidant and anti-inflammatory.”

What’s the one thing she wishes more people knew about her business? “Not all water is created equal or treated equal,” Nathe says. “Nor does our body respond the same way to all water.” Celebrating its second anniversary (which fell on Labor Day), Blue Zone provides quarterly water classes and free water in exchange for education. Blue Zone Waters is located at 3617-B Portola Dr. in Pleasure Point.

Alisha Slaughter will be on hand to talk about Alchemy Holistic Mind Body Health, an online and in-person nutrition and movement resource providing a range of services, including yoga classes, health coaching and natural solutions to issues such as mental health, digestive problems and hormonal issues. “I’m really excited about helping people look at nutrition and movement that is going to be best for their bodies to feel vibrant and energetic,” she says. “My passion is 35 and older women.”

Health coaching can help people get to the root cause of their health issues, Slaughter explains. “I don’t think that people get a lot of support in the traditional medical system to get to the root,” she said. “I try to be as much as possible a one-stop shop to deal with chronic health issues and just uplevel their approach to life.”

In addition to tackling digestive issues, mood issues and hormonal health, she recently added nervous system support and somatic guidance to her practice. “Your nervous system can’t be activated all the time,” Slaughter said. “We need strategies to switch into that rest and digest mode.”

Slaughter says the “first 50 or so” guests will receive free hats from her “Self Love Club,” and visitors can try their luck in a drawing for a $275 credit for services.

Fitness facilities—including GOAT, Breath & Oneness Yoga and Santa Cruz CORE Fitness + Rehab—have demos in store for Expo guests. UCSC alum Jaimi Jansen started Santa Cruz CORE as a personal training facility 16 years ago, when she was 26, and now has locations in Santa Cruz and Watsonville. “It started as a personal training facility and grew into a medical clinic,” she says. The business recently added ketamine therapy, platelet-rich plasma therapy and stem cell therapy.

“We are going to have an acupuncturist there, a chiropractor and massage therapist,” Jansen says of her plans for the Expo. “They are going to offer chiropractic evaluations and a mini treatment. We could do a brief injury assessment.”

For those looking to try a more alternative treatment, Jansen will provide ear seeds, a treatment that triggers acupuncture points to work on different meridians of the body. “On the ear, there are a lot of different organs you can treat,” Jansen says. “I found that with strength training and functional movement, it really helped.”

“It’s all about nonsurgical ways to heal your body and live your best life,” Jansen says. “We pride ourselves on getting people better faster. We try to be on the cutting edge of ways to inspire longevity and keep people injury free so they can live an optimal life.”

Additional participants in the Santa Cruz Wellness Expo include Harbor Health Center, Rejuvenate Medispa & Wellness, Amanda Edward Alchemy BeWell IV, Breath & Oneness Yoga Studio, Carrie Asuncion of Keys to Empowerment, holistic gut health specialist Cordelia Sidijaya, Don Nathe of Intuitive Healing Touch, Dr. Alexandra Johnson of Breema Bodywork, Dr. Mayra Sanjuan of Florecer Wellness, Eat for the Earth, Elizabeth Borelli of Mindful Mediterranean Diet & Lifestyle, Empowering Hands Therapeutic Massage, mindset coach Ilana Ingber, spiritual wellness coach Jason Hottel, Maaliea Wilbur of Therapyworks, Dr. Marylou Romo, Neumi Skin, Merry Alanis Quantum Health, Buteyko educator Michelle Dixon, The Essential Canning Cookbook author Molly Bravo, Nurture Women’s Health and Fertility, Rabia Barkins of Unstuck Coaching, Rise Collective gym and studio, Rita Rivera Healing, breathwork teacher Sam Kabert, Reiki master Sam Renfroe, Santa Cruz Ayurveda, Sleep Sovereign, SoulCare Studios, Stacy Pan Hypnotherapy, The Healthy Way Weight and Lifestyle Solutions, Tierra Owen, The Hearth and Ledger, Wild Beauty Cosmetics, GOAT Santa Cruz, Loving Hands Infant Massage, Far West Fungi, Amelia Yeager of Looking Good Feeling Good.

Santa Cruz Wellness Expo happens 1–4pm on Sept. 20 at MAH, 705 Front St., Santa Cruz. Free, but register in advance at elizabethborelli.com/scwellnessexpo.

Always on Tour

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Paula Poundstone, the delightfully intelligent and engagingly scruffy veteran comic, continues to be a leading voice of sanity in an increasingly nutty world.

Poundstone has been performing brilliantly unique stand-up comedy every week, around the world, since 1979. It’s oddly compelling that, in spite of her easy 10K times onstage, Poundstone might be best known for her current work on NPR’s Wait Wait… Don’t Tell Me! A radio show. Radio!

“When I was younger, I didn’t even like public radio,” says the always refreshingly honest Poundstone. “I eat those words now, because I do love public radio, and I think it provides a really important service. But, you know, I was young and stupid. They just always sounded too whispery to me. And that kind of voice drove me crazy.”

Every week, for almost 50 years, Poundstone has traveled nonstop, across the country, making strangers laugh. And if you condense her arc, Poundstone went from working her way up from legendary San Francisco dives like the Holy City Zoo and the Other Cafe to touring the world.

When questioned, Poundstone—who thinks like Jack Kerouac writes, and talks with a stream-of-consciousness set of memories that contain a View-Master look at our rich regional comedy history—the answers come fast, so you need to keep up.

“You know, what I used to do at the Holy City Zoo,” Poundstone begins. “It’s a tiny, tiny place, if you’re familiar with it. And it had a chalkboard. Sort of not right directly behind the performer, but on the wall to the side of the performer. There was a chalkboard where they would have your name up in chalk. And so I used to delight in taking the chalk from that board and drawing. I can’t draw, not any way, but I would make stick figures of the audience. It was just a way in, and I liked it so much that I actually bought a chalkboard, and an easel, and used to take them on the road.

“I used it until, I believe, I was opening for Dave Mason. His roadies were putting their stuff away, and they just took it. And I never bothered replacing it,” Poundstone laughs.

The one thing you can’t manufacture, yet, is authenticity. It’s something people aspire to, or somehow fool themselves into thinking that their conformity is authenticity, but either you got it, or you don’t. And comedian Paula Poundstone has always had it. She was always there in her corner, always talking on and on and on, or napping with a blanket over her head—but mostly just waiting, patiently, to go onstage and create something new.

More than ever, people are talking about comedy. And there’s a lot of statistical analysis, AI-generated dialogues, and Bro Joes talking about the “best comics”—and their data is complete garbage. Because their sense of humor has been co-opted, monetized and sold back to them. It’s an ouroboros of ass-eating jokes for eternity.

On the other cheek, you have comics like Paula Poundstone. It isn’t about viral moments, or crowd clips, or what does AI think—it’s about the work.

“This is the greatest job in the world,” Poundstone starts. “You know, it really is. I mean there was, and I’m not proud of this, but there may have been a brief period, prior to the stay-at-home order, and maybe possibly where I complained about the travel. …

“I don’t know about you, but I didn’t know if we would ever be able to be in theaters again because of this virus. There was really that period where there was just such uncertainty. And boy, after that, you could put me in the overhead compartment and I’m fine, you know? I mean, I never needed fancy to begin with,” she concludes.

And that’s Paula Poundstone. She might phase back and forth between timelines, but she’s always in the moment, trying to find the heart of the matter—and make it funny.

Paula Poundstone appears at 8pm on Sept. 19 at the Rio Theatre, 1205 Soquel Ave., Santa Cruz. Tickets: $30/$45. riotheatre.com

Taking the Lead

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When Ruthie Foster opens her mouth, it’s hard to believe the little girl who started out playing guitar in church in Texas was more than content, as she said in a late-June interview “to be the person who backed up incredible singers because I was really, really shy.”

But 10 studio albums in, Foster has developed a rich voice that lives at the crossroads of gospel, blues, soul and country and has garnered her six Grammy nominations, with the most recent being a win for Best Contemporary Blues Album by way of 2024’s Mileage. For the Lone Star native, who grew up taping sermons and regularly attending services in the small town of Gause, she’s just as surprised to see where she’s wound up.

“I thought I wanted to be part of a group that could really move people,” she recalled. “I wanted to be support, because I didn’t want to be up front. Little did I know that I had a knack for being up front because I had studied so many incredible players and singers in the church. Great guitar players—rhythm guitar players and incredible soloists, including my mother putting on Sam Cooke and the Soul Stirrers, young Aretha [Franklin] and Dorothy Norwood, who was a great gospel songwriter—all of these songwriters who wrote gospel. I was introduced to all of that first.”

While sacred sounds lit the fuse, Foster was quick to embrace secular music once she focused on studying music and audio engineering at Waco’s McLennan Community College. There she transitioned from playing in Black and white churches to widening her musical palette while getting a real-time education in the blues.

“I went to school for music so I was surrounded by blues, which didn’t move me as much,” she admitted. “Later on, when you have something to say you realize that the blues says it all. The first time really experiencing the blues was when Stevie [Ray] and Jimmie Vaughan were playing Waco. We got a chance to open for The Fabulous Thunderbirds when Jimmie was with them, so I got a chance to watch the band and make eyes at Jimmy down front. They would come through Waco at a time when my band, which was mostly Hispanic, was doing a lot of quinceañeras.”

Over time, Foster’s role as a musical sponge has found her working with a number of artists, ranging from the Tedeschi Trucks Band and Gov’t Mule to late producer/musician Jim Dickinson, the Blind Boys of Alabama and storied soul singer William Bell. Along the way, the singer-songwriter, 61, has accrued a stellar string of albums, including 2007’s The Phenomenal Ruthie Foster, 2008’s The Truth According to Ruthie Foster and 2017’s Joy Comes Back, while dropping on an array of eclectic covers drawing from myriad corners of the music world, including The Black Keys, Black Sabbath, Adele and The Meters.

For the current album, Mileage, Foster worked with producer Tyler Bryant, who also enlisted wife Rebecca Lovell (one half of duo Larkin Poe) to help with the creative heavy lifting. That collaboration eventually found Foster shuttling between the duo’s Tennessee home and Texas.

Mileage came about one song at a time,” Foster said. “I was introduced to Tyler Bryant during the lockdown. Everyone is on YouTube, and that’s where I saw him and loved his segment on Andrews Masters, his YouTube channel. He mentioned Paris, TX so now I know this guy is from Texas. That stuck in my mind—and the fact this twentysomething little white boy from East Texas was playing slide guitar like an old Black man and I needed to know where he learned that. Fast forward and it’s time to do another project. My management mentioned Rebecca, from Larkin Poe, who is also part of my management. Her husband was this guy named Tyler. I asked if he wouldn’t happen to be Tyler Bryant and that’s what brought us together.”

She added, “I started taking trips up to Nashville, sat on their couch, drank coffee and talked about my life. They are wonderful listeners. Me and Rebecca sat across from each other just coming up with lyrics for “Mileage” for that particular song while Tyler walked around with an acoustic guitar, coming up with chords. And then we just kind of did that off and on for about nine or 10 months. Maybe one or two songs per visit.”

With a brand-new batch of songs under her belt and a solid canon to draw from, being on the road is a constant state of being for Foster, who plans to keep fans guessing on her current string of dates.

“I’m mixing it up on this go-round,” she said. “I will be anywhere from solo to quartet, so they can expect anything from just having ‘An Evening With…’ to me and my fellas with me.” For this week’s show at Moe’s Alley, Foster will perform with Chris Jones, frontman of local band Wolf Jett. Foster promises to do material from the new album, but she’ll also look back at earlier work, including 2007’s The Phenomenal Ruthie Foster: “We’ll try to put it all in there and stuff it.”

Ruthie Foster appears with Chris Jones of Wolf Jett at 8pm on Sept. 18 at Moe’s Alley, 1535 Commercial Way, Santa Cruz. Tickets: $45. moesalley.com

Yuk It Up

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Adam Bergeron and wife Jaimi Holker are back in the owners’ saddle at The Crepe Place, which bodes well for the Santa Cruz comedy scene. Previous shows with Neil Hamburger, Kyle Kinane and other quirky underground legends have made The Crepe Place a bit of a legendary spot for the yuk yuks.

Starting on Thursday, Sept. 18 is a new monthly (third Thursdays) comedy show at The Crepe Place, with longtime Santa Cruz comedian Richard Stockton.

Stockton is a fixture in the local comedy scene, pioneering the revered Planet Cruz Comedy shows that zeroed in on “what’s weird (and funny) about Santa Cruz.” The silver-coiffed curmudgeon was the only white comic on BET’s influential show Live from LA, playing the “out-of-touch” Caucasian, on set, with folks like Dr. Dre, Shaggy and L.V. (singer of “Gangsta’s Paradise,” which was the theme song for Dangerous Minds, which was filmed in Santa Cruz).

This new monthly show is born out of Stockton’s vision and Bergeron’s loyalty to the comic. “I’ve always felt a special kinship with Richard,” Bergeron says. “After his Planet Cruz Comedy shows, the whole cast would come in afterwards, and we’d put our big tables together in the back, and we’d all hang out ’til closing. It’s going to be nice to sort of officially put a stamp on it.”

It’s a new gambit for the Crepe Place to use the recently renovated, spacious backyard patio as a comedy venue—and it’s a super nice spot.

“We see the garden as a community multi-use space that is used for a broad spectrum of entertainment, but we’ve always wanted comedy in here, and Richard is the comedian I like. Our ethos aligns, and this seems like a perfect marriage. I want him to get us all riled up in a beautiful setting,” Bergeron says.

Both men are committed to a thought-provoking space, where freethinkers can congregate and express their art, and that sounds perfectly Santa Cruz.

Comedy in the Garden begins at 6pm on Sept. 18 at the Crepe Place, 1134 Soquel Ave., Santa Cruz. $10. thecrepeplace.com

Things to do in Santa Cruz

Clem Snide playing guitar
Clem Snide been characterized as indie rock and alt-country. His lyrics explore themes such as God and death. Saturday at The Crepe Place, 8pm.

La Bahia: The Lost Years

La Bahia cover photo
When I got hired by the Santa Cruz Beach Boardwalk in 2008, it was obvious La Bahia’s “best days” were behind it. And yet it was exactly that decomposition, with winding pathways through pungent blooming magnolias, that imbued the physical space with magical charm.

Taking Off

Joby air taxi
Santa Cruz is not just watching the future take shape. It may soon be the place where the age of air taxis truly takes off.

Retail to Residential

Capitola Mall
The Capitola City Council unanimously approved zoning amendments to allow the creation of a housing development on the Capitola Mall property

Feds Target ‘Hispanic-Serving’ Programs at Cabrillo College

College buildings seen at a distance
The Trump administration is taking some $350 million in discretionary funding for programs nationwide that serve minority student groups.

County Unveils Center for Youth in Crisis

People inside a building at a press event
For years, young people experiencing a mental health crisis were taken to distant facilities, crowded emergency rooms or an adult psychiatric ward.

Santa Cruz Wellness Expo Offers Demos for Health-Minded People

Woman in a kitchen holding up fresh produce
The Sept. 20 event, taking place at the MAH, showcases 40-plus local fitness, coaching, nutrition and wellness professionals.

Always on Tour

Paula Poundstone
In spite of her easy 10K times onstage, Paula Poundstone might be best known for her current work on NPR’s Wait Wait… Don’t Tell Me! A radio show. Appearing Sept. 19 at the Rio Theatre.

Taking the Lead

Ruthie Foster
10 studio albums in, Ruthie Foster has developed a rich voice that lives at the crossroads of gospel, blues, soul and country and has garnered her six Grammy nominations. At Moe's Alley, Sept. 18

Yuk It Up

Richard Stockton
Richard Stockton is a fixture in the local comedy scene, pioneering the revered Planet Cruz Comedy shows that zeroed in on “what’s weird (and funny) about Santa Cruz.”
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