Music Picks Mar. 28-Apr. 3

Live music highlights for the week of March 28, 2018.

 

WEDNESDAY 3/28

PUNK

THE DICKIES & THE QUEERS

What’s better than seeing one classic punk band? How about two? As punk rock rolls into its 40s, it’s always a treat to see any band that helped to create and define the genre. This Wednesday, seminal L.A. punks the Dickies join forces with New Hampshire originals the Queers to melt some faces and prove that when it comes to being a snotty punk, age is just a number. MAT WEIR

INFO: 9 p.m. Catalyst, 1011 Pacific Ave., Santa Cruz. $17/adv, $20/door. 429-4135.

THURSDAY 3/29

INDIE-PUNK

TITUS ANDRONICUS

According to lead singer Patrick Stickles, the latest Titus Andronicus record, A Productive Cough, is a departure from their previous work in that it contains no “punk bangers.” That’s an odd statement, considering that the group is best known for its 2010 rock opera The Monitor, which centers around the theme of the American Civil War. The album even opens with a sample of Abraham Lincoln’s Lyceum address. But, for all the album’s grandiosity, much of the music on it and their other records was punk. So in that sense he’s right. A Productive Cough, meanwhile, sounds much more like swinging, drunken sing-along bar music. AC

INFO: 9 p.m. Crepe Place, 1134 Soquel Ave., Santa Cruz. $15. 429-6994.

THURSDAY 3/29

GYPSY ROCK

DIEGO’S UMBRELLA

San Francisco’s unofficial musical ambassador of gypsy rock, Diego’s Umbrella creates floor-rattling rock ’n’ roll that hits listeners from the word go. But the band is no one-trick pony. Underneath all that rock ’n’ roll are carefully crafted vocal harmonies, tight fiddle runs, and an appreciation of international music tradition—in particular the raucous, high-energy Roma traditions, styles and techniques that have been carried down for generations. Also on the bill: Monkeyhands, a local six-piece that traverses funk, ska, blues, reggae and more. CJ

INFO: 8:30 p.m. Moe’s Alley, 1535 Commercial Way, Santa Cruz. $9/adv, $12/door. 479-1854.

THURSDAY 3/29

AMERICANA

MARLEY’S GHOST

This West Coast ensemble leans into the bluegrass realm, but steers clear of the rules of traditional string music. These guys have been playing music since the mid-’80s and create gorgeous songs with an emphasis on lush vocal harmonies. There’s a late ’60s aesthetic to the music—a little bit folk, a little bit rock, intrigued by tradition while simultaneously bucking against it. It’s some feel-good folk-rock music. AC

INFO: 7:30 p.m. Michael’s on Main, 2591 S Main St., Soquel. $17/adv, $20/door. 479-9777.

FRIDAY 3/30

REGGAE/DANCEHALL

TANYA STEPHENS

An acclaimed reggae artist who has been touted as one of the best songwriters to come out of Jamaica in recent decades, Tanya Stephens is her own woman. A prolific artist, Stephens sings honest and fearlessly about life, the people around her and her unique perspective on the world, intelligently tackling social issues, including homophobia. A pioneering artist in the reggae/dancehall genre, Stephens first hit the scene with her late-’90s hit song “Yuh Nuh Ready Fi Dis Yet.” She has since released numerous albums, launched an acting career, opened a restaurant and co-founded a record label. CJ

INFO: 9 p.m. Moe’s Alley, 1535 Commercial Way, Santa Cruz. $20/adv, $25/door. 479-1854.

SATURDAY 3/31

FOLK

PAINTED MANDOLIN

Among the plethora of Grateful Dead cover bands in the world, Painted Mandolin is a unique gem. Considering Jerry Garcia had 30 years of recorded material, it’s a breath of fresh air to see people covering his full repertoire of tunes, from his days in Old and In the Way to his folk days duetting with David Grisman—and, yes, even some Dead tunes. Just don’t expect this to be your normal GD cover show, as this night of acoustic songs stars a supergroup of musicians including Joe Craven, who played with Garcia and Grisman, Matt Hartle and Roger Sideman (China Cats), and Larry Graff (Slugs N’ Roses). MW

INFO: 8 p.m. Kuumbwa Jazz, 320 Cedar St., Santa Cruz. $20. 427-2227.

SATURDAY 3/31

ELECTRONIC

JAAP BLONK & NINA DANTE

If contemporary electronic music is your thing, strap in, friend, you’re in for a treat. Jaap Blonk, an internationally renowned sound poet, electronic musician and composer based in Holland, is joining forces with soprano Nina Dante, a vocalist with the Chicago-based Fonema Consort, for an evening of “invented languages and electronically augmented extended vocal performance.” Though one can’t be certain what exactly to expect, chances are good that it will be mind-opening, musical-boundary-stretching and thought-provoking. CJ

INFO: 8 p.m. Wind River, 421 Wild Way, Santa Cruz. $10/student, $15/gen. indexical.org.

MONDAY 4/2

JAZZ

JOEY DeFRANCESCO + THE PEOPLE

Joey DeFrancesco possesses more than enough technique and imagination for three organists, but the Hammond B-3 maestro isn’t content to rule the console. Touring in the wake of last year’s Grammy Award nominated Project Freedom, he’s also contributing on keyboards, trumpet and vocals. The album is DeFrancesco’s soulful manifesto about music’s role in society, and includes his expansive interpretations of Sam Cooke’s “A Change Is Gonna Come,” John Lennon’s “Imagine,” and the spiritual “Lift Every Voice and Sing.” He’s joined by the People, a quartet featuring drummer Jason Brown, guitarist Dan Wilson and saxophonist Troy Roberts. ANDREW GILBERT

INFO: 7 p.m. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $32/adv, $37/door. 427-2227.

TUESDAY 4/3

INDIE-POP

SURE SURE

L.A. quartet Sure Sure takes art-rock influences like Talking Heads and Vampire Weekend and mixes in dancey backbeats, odd chords and catchy pop hooks. The four-piece mixes an assortment of random instruments—they supposedly live in a crazy band house lined with cables and instruments—into a nice blend of weirdo pop music. AC

INFO: 9 p.m. Catalyst, 1011 Pacific Ave., Santa Cruz. $10/adv, $12/door. 429-4135.


IN THE QUEUE

BAD LIGHT

Blues-driven stoner sludge. Wednesday at Crepe Place

TROUT STEAK REVIVAL

Colorado bluegrass outfit out of Denver. Thursday at Catalyst

ALICE DIMICELE

Singer-songwriter and her band, Force of Nature. Friday at Kuumbwa

LOOPED OUT

Producer showcase featuring Tahaj the 1st, Brycon, and Baghead. Friday at Crepe Place

AJA VU/STEALIN’ CHICAGO

Tribute to Steely Dan and Chicago. Saturday at Flynn’s Cabaret

Giveaway: Theo Croker

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A trumpeter, composer and bandleader out of Leesburg, Florida, Theo Croker is a rising star who’s captured the attention of some of jazz’s biggest names for his virtuosity and innovative style. As legendary trumpeter Donald Byrd said, “There are good, great and nice musical players, but then there are phenomenal instrumentalists such as Theo. I would place Theo in a class of musicians who will redirect the flow, change and alter the current of today’s New Jazz.” Back in the States after nearly a decade living and working in China, Croker and his band, DVRK FUNK (pronounced “dark funk”), perform at the Kuumbwa on April 19. 

INFO: 7 p.m. Thursday, April 19. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $27/adv, $32/door. 427-2227. WANT TO GO? Go to santacruz.com/giveaways before 11 a.m. on Thursday, April 12 to find out how you could win a pair of tickets to the show.

Love Your Local Band: Alex Lucero & Live Again

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It was always Alex Lucero’s dream to be a full-time musician, but as he toiled away at different jobs, music took a back seat to making ends meet.

“It’s just been what I wanted to do ever since I was trying to figure out what I wanted to do with my life,” Lucero says.

About a year before moving to Santa Cruz from Oakdale, he started to make that happen by gigging a lot. When he arrived in Santa Cruz a year and a half ago, he had to start over, but was fortunate enough to get a Monday night residency at the Sand Bar in Capitola. It was a nice gig that made it convenient for bookers to come check him out.

“Everything’s kind of sprung from the Sand Bar, weirdly enough,” Lucero says. “We went from the last year and a half only playing at Zelda’s and the Sand Bar. Now we are playing pretty much every place around here, and just loving it.”

Some shows are billed as Alex Lucero, and others as Alex Lucero and Live Again. His solo gigs feature a lot of the same songs, but lean heavier into the realm of singer-songwriter material. His Live Again shows have a lot more funk. For both set ups, the unifying factor is soul music.

“My favorite genre is soul music—Al Green, Marvin Gaye, Otis Redding, Sam Cooke. That’s my wheelhouse. That’s my favorite music of all time,” Lucero says. “I try to play that every single show we play, regardless of the lineup.”

Lucero has two new albums—one solo, one with Live Again—slated for release this month. You can see him perform with his full band on March 30. 

INFO: 8 p.m. Friday, March 30. Flynn’s Cabaret, 6275 Hwy. 9, Felton. $15/adv, $20/door. 335-2800.

5 Things to Do in Santa Cruz County Mar. 28-Apr. 3

Event highlights for the week of March 28, 2018.

 

Green Fix

Cesar Chavez Day of Service

March 31 is national Cesar Chavez Day, honoring the legacy of the civil rights and labor movement activist. And is there a better way to commemorate Chavez’s legacy and continued relevance than volunteering on a farm? The Homeless Garden Project is hosting lunch and a lecture by long time Watsonville farmer Antonio Rocha and his daughter, Adriana, who was this year’s recipient of the City of Watsonville Cesar Chavez Award for Community Service. All ages are welcome; for safety, organizers ask that children are accompanied by an adult and everyone wear close-toed shoes.

INFO: 10 a.m.-2 p.m. Saturday, March 31. Homeless Garden Project, 30 West Cliff Drive, Santa Cruz. 426-3609. homelessgardenproject.org. Free.

 

Art Seen

‘We Feed You’

popouts1813-artseenCalifornia produces and distributes nearly half of all fruits, nuts and vegetables in the country. The exported $5.16 billion worth of almonds and $5.58 billion of grapes last year speaks for itself, but who is doing the work to feed the nation? Tending to and harvesting millions of pounds of crops is backbreaking work for laborers who have few to no rights. After working with individuals from the United Farm Workers (UFW), Victor Cartagena compiled a few of the stories of laborers behind our food. “Behind every salad is a story” is the motto of the Museum of Art and History’s latest exhibit, and these stories are often of injustice and struggle against bureaucracy.

INFO: Show opens Friday, April 6 and runs through Sunday, July 22. Santa Cruz Museum of Art and History. 705 Front St., Santa Cruz. 429-1964. santacruzmah.org. $10 general admission, $8 students, free on First Fridays. Photo: “Labor Tea” by Victor Cartagena, Commissioned by the San Jose Museum of Art Courtesy of the artist.

 

Saturday 3/31

‘In Her Shoes’: Listening, Witnessing and Honoring the Lives of Women of Color

popouts1813-in-her-shoesAs Women’s History Month comes to a close, join the Resource Center for Nonviolence and Sisters in Solidarity for an evening of music, storytelling and spoken word to celebrate the lives and legacies of women of color everywhere. Local talent includes renowned musician Gina Rene, three-time Grand Slam poetry champion Queen Jasmeen, 15-year-old activist Carmen Azmita and many more.

INFO: 6 p.m. Resource Center for Nonviolence, 612 Ocean St., Santa Cruz. brownpapertickets.com. General admission: $15/$20. Senior/student: $10/$15. Photo: Gina Marie.

 

Saturday 3/31

First Annual Santa Cruz Seed Exchange

popouts1813-seed-exchangeYou’ve heard of stamp collecting, but chances are you haven’t heard of seed collecting. Seed collecting yields a much more fruitful outcome, pun intended, and insures a more biodiverse crop. Don’t worry if you don’t have any seeds, there will be free ones on site for everyone to get started. If that’s not enough, Master Chef Rick Cook will also be serving up samples of artisan barbecue. If you are bringing seeds, the event organizers ask that your plant be healthy and you label your seeds—no one wants sick, unidentified plants or a “feed me Seymour” moment.

INFO: 11 a.m.-4 p.m. Tres Pueblos/Veterans of Foreign Wars. 2259 7th Ave. Santa Cruz. Free.

 

Saturday 3/31

Free Swim Lessons

Learning to swim is a critical part of every child’s life. Drowning is one of the main causes of accidental death—an average of 10 children drown every day according to the Center for Disease Control. But many parents don’t put their kids in swimming lessons because they are often time-consuming and expensive. In light of this, Seahorse Swim School is offering free swimming lessons for anyone and everyone this spring. The lessons happen rain or shine and if you can’t make it to this one, there will also be more free lessons on April 28, May 5 and June 2.

INFO: 1-3 p.m. Seascape Sports Club, 1505 Seascape Blvd. Aptos. 476-7946. seahorseswimschool.com. Free.

 

Why the River Street Camp is Working

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Chris Monteith likes keeping a low profile. The lanky 6-foot-1 54-year-old may have managed to fly under the radar as he’s navigated a wide range of jobs—bike store owner, research analyst, electrician, Costa Rica mountain bike guide—as well as positions at Encompass and the Homeless Services Center. But as director of the River Street Camp, Monteith has had to adjust to the spotlight—he’s pretty much always on call, and in demand. And, despite his reluctance to make himself the center of attention, he seems to be thriving.

“I don’t think they could have picked a better person to lead this. He is so in tune,” says Troy Owen, who lives and works at the new camp. “He knows what to do when stuff pops off unexpectedly. We go to him a lot.”

The camp, located at 1220 River St., is the city of Santa Cruz’s latest effort to address the issue of homelessness, and Monteith is in charge of the site’s daily workings. The unlocked gates are monitored by First Alarm from the outside, and a Santa Cruz Police Department trailer is parked up the street. “This area in here is mine to run,” he says. “The politics, the city, the police are all outside.”

Susie O’Hara, a city analyst, met Monteith through the Downtown Accountability Program, and offered him the job, she says, because she wanted someone with “a trauma-informed approach.” Owen says the camp’s trauma workshop, required for all residents, has helped him de-escalate difficult situations, and lets him think outside the box when problems arise.

Adam Carothers, one of Monteith’s assistants, brings his support dog to work each day. Lucifer, a Brittany spaniel, is Carothers’ preferred tool for handling tense situations. “If anyone’s ever stressed out, I toss him their way,” Carothers says. “Everyone’s a little different, but for most people it brings them right down.”

Clearly, this is the front line of the city’s attempt to deal with its homelessness problem. Monteith says the camp offers fewer barriers to entry than traditional homeless programs. Many of the campers didn’t have access to county services until now.

O’Hara says Santa Cruz County officials have been responsive to Monteith’s requests for help, usually sending someone within the hour. Pets are allowed, although there have been fewer than O’Hara and Monteith expected. Partners may cohabitate in their tents, each of which offers a modicum of privacy. Monteith says that just having personal space generally lowers stress levels for everyone. There are currently 62 people staying in 50 available city-provided tents.

Since the program started a month ago, seven people have left. One went to Janus, and another to Pageant House, a veterans transition home. The others, Monteith says, just decided it wasn’t the right place for them.

“My vision was to create a community that was self-sustaining, self-regulating, where it didn’t need some sort of authoritative factor to regulate everything,” he says. “And I found this to be true. Everyone takes care of themselves for the most part. Those people who are not doing well in the community have left, and that’s primarily driven by the rest of the people who use our services.”

There are two spots for people to gather—a small smoking area, and a larger white tent where food is served. Monteith says they’ve brought some board games and a corn hole set to encourage socializing. Overall, the camp is quiet, and he says most campers keep to themselves.

In addition, 35 of the campers, including Owen, are part of the Downtown Streets Team and earn stipends for cleaning up around the city.

Owen, who joined the camp at the first move-in four weeks ago, says the Downtown Streets Team has helped him make a résumé, secure job interviews and get his life in order. “You’ve got to start somewhere. I just call this a grooming grounds for better things to come,” he says.

Owen says if he had to sum up the camp, “in one word, it would be family.” He shows me what he optimistically calls his “three-room” tent. He’s sectioned off his living room/bedroom, a closet, and the pantry—a box with sandwich supplies and some snacks.

Every day, campers get dinner at 5 p.m., and volunteers come to help serve from 4:30 to 6 p.m., which is the one opportunity the community has to come inside the gates—a setup that Owen admits looks like a prison from the outside, given the the fence’s barbed wire, but he says he doesn’t even notice it anymore.

Each camper agrees to 27 campground rules—including prohibitions against drugs, alcohol and visitors. Campers must arrive and depart the campsite via a designated shuttle. They get access to a storage facility when they sign off on 12 more rules.

Monteith says so far the shuttle service has been the biggest challenge. Administrators have had to change the schedule a couple of times and hope to keep it stable for the rest of the program. He says the drivers try to be as flexible as possible, for instance, when they have appointments. But campers have to be on time to catch a scheduled ride. He says he has actually gone out to pick up people who have missed the shuttle.

To get on the waiting list for the camp, homeless individuals can go to the library at 10 a.m. on Fridays, and Homeless Persons Health Project sends referrals. They keep a few spots open for emergency referrals as well.

The camp is set to end in three months, when the fiscal year ends. O’Hara says that June 30 is a hard end date because the $400,000 in funding for the project—which comes from the salaries of two vacant positions at the city manager’s office—will run out then. The county is paying $100,000 toward the camp, a quarter of the camp’s cost. City leaders are working on the next steps for a successful transition into “phase two,” which O’Hara says will involve a structure in a leased lot, but she doesn’t know where it will be yet.

Even the idea of an end date is already making residents like Owen nervous.

“When they do end it, you’re going to come in here and see the scratch marks,” he says, “and they are going to be mine.”

Santa Cruz Art-Rock Legends Monks of Doom Reunite

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Greg Lisher is best known as the guitarist for one of the most successful bands to come out of Santa Cruz, Camper Van Beethoven. While they had a minor hit with their cover of Status Quo’s “Pictures of Matchstick Men” in 1989, they broke up a year later—just before the Alternative Nation music revolution of the early ’90s took what Camper and other bands had been quietly building through the ’80s on college radio, and launched a generation of alt-rock superstars.  

“A lot of stuff that we were trying to touch on at the time wasn’t as popular as it became a few years after we broke up,” Lisher says. “I always think, ‘god, what if we hadn’t broken up?’ It could have been a different path.”

It’s a good way to describe what could have happened for Camper—except that he’s not talking about Camper. In fact, he’s talking about Monks of Doom, the other Santa Cruz band he was in throughout the late ’80s. The Monks formed as a side project for Lisher, CVB bassist Victor Krummenacher and drummer Chris Pederson, and guitarist David Immergluck (who replaced Chris Molla very early on, and eventually played with Camper, too, before joining Counting Crows).

In the indie-rock world of the 1980s, where Camper was considered “out there” for their instrumental jams and world-music influences, Monks of Doom was even more out there, with a darker, heavier art-rock sound. The band found a successful niche of its own, getting distribution from prestigious labels Rough Trade and I.R.S. But it broke up just before its sound was about to find a much larger audience, in 1993.

“Soon after the Monks broke up, there were all these heavy bands that became really popular in the ’90s. In a lot of ways, they were both on the cusp,” he says of CVB and Monks of Doom.

But Lisher, the only Monks member who still lives in Santa Cruz, isn’t bitter; in fact, he’s maybe even a little thankful that the bands broke up when they did.

“You’re in a band, you’re slogging away for five years, and all you’re thinking about is, ‘it’s gonna be nice when I get some time to breathe.’ And that’s important, too. The fact that we were able to resurrect these bands might be directly connected to the fact that we took a break. If we had kept going, they might have broken up for good.”

Camper reunited in the early 2000s; the Monks reunited briefly in 2005 for a covers album, What’s Left for Kicks. But this year, Monks of Doom is back in a much bigger way, with an album of original material—The Bronte Pin, which came out last week—and a U.S. tour. (The May 19 show at the Make Out Room is the closest it comes to Santa Cruz.)

It might seem incredible that the band actually started working on this album in 2009, but when you consider their circumstances, it’s actually kind of amazing it ever got finished at all.

“It’s important for us to work together as a band as much as we can, and it’s just hard to get all the members together at one time. It’s super complicated. The other guitar player, David Immergluck, he’s in the Counting Crows, and if the Counting Crows decide they’re going to go on tour, their tours can last up to a year. That’s totally understandable; it’s part of the deal. Plus, Chris lives in Australia,” says Lisher. “The time flies by, and then we might get stuck on something. Sometimes we’d disagree on something, and that would kind of hold us up. So then at a certain point it just became ‘Ok, we’re going to need to finish this and get this out.’”

Whenever possible, Lisher would work on the album here and there with Krummenacher, who lives in San Francisco, and the album’s producer Bruce Kaphan (known for his work with David Byrne, Chris Isaak and the Black Crowes), who lives in Fremont. Lisher’s also been working on a solo album produced by Kaphan, and another with Immergluck producing.

Last month, the Monks played their first show in 10 years at the “Camp In” in Athens, Georgia—one of two festivals every year that feature all the bands in the Camper Van Beethoven-Cracker family. In other words, Lisher seems to be on to something with his emphasis on the importance of keeping band members connected long-term over hitting the mainstream-radio jackpot.

Monks fans differ on which of the band’s albums was its best; some would go with the highly experimental debut Soundtrack to the Film Breakfast on the Beach of Deception (no, there was no such film), while others swear 1991’s Meridian is Monks of Doom’s semi-lost masterpiece. But I prefer their second record, 1989’s The Cosmodemonic Telegraph Company, which deftly balanced the members’ heavier and more instrumentally abstract King Crimson/Van Der Graaf Generator art-rock influences with the catchy postpunk of bands like the Fall, and contains the gorgeous “The Evidence You Hide.” The Bronte Pin, to me, most recalls that album, with songs like “John the Gun” and “The Last Leviathan (Interpolating Rabbit’s Foot)” walking the same line.

Lisher recalls the early days of Monks of Doom as a lot of heady fun. “We were all living in Santa Cruz,” he says. “I think our first show was at Diane’s Place, which was where the Parish is now. It was a bar and pool hall, and this woman that owned it was somehow hip to having bands play there. All kinds of bands played there … there was all kinds of stuff around that’s all gone now.”

Still, there’s one change that he’s definitely sure is for the better: “I’m a way better player now than I was back then.”

 

Preview: Hermano to Play Kuumbwa Jazz Center

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Dillon Baiocchi recalls a gig where everyone in the crowd was lying down as he and his fellow Hermano bandmate Michalis Michailidis created soundscapes in the middle of the room. The floor was draped in blankets and rugs, and the mood was transcendental, almost meditative.

What struck Baiocchi was how he could watch everyone transition back to reality after their hour-long set.

“Everyone’s quiet for a minute or two,” Baiocchi says. “It’s cool. It’s like slowly reawakening or something.”

Not every Hermano set inspires the entire crowd to bypass all social norms and engage in public napping, but they do generally take the audience on a journey. The duo’s music isn’t structured like standard pop, with repeating verses and choruses, but rather like musical journeys with slow builds and eventual transitions.

“I feel different from the gigs I played with past bands,” Baiocchi says. “This is like you created something beautiful and maybe meaningful. It feels really good to play.”

The previous groups that Baiocchi has played in are primarily jazz. In fact, when he was a high schooler he played in the Kuumbwa Honor Jazz Band here locally. Eventually he moved to New York to study jazz, and then returned to Santa Cruz where he was the director of the Kuumbwa Honor Jazz Band for a few years. He moved to the Netherlands in 2016 to go to grad school, continuing his jazz studies. Later that year, he started Hermano with fellow jazz grad student Michailidis. On March 29, the duo will play their first ever show in Santa Cruz.

For both students of jazz, the simple melodies and soundscapes of Hermano was an entirely different kind of music to be making. Everything Baiocchi had done up to that point was not just rooted in jazz, but more often than not was focused on extreme technical difficulty.

“There’s a lot of pressure when you solo to show off what you can do,” Baiocchi says. “When you play soundscape music, the goal for us is to create a sonic space for us and the audience to just relax into and transport ourselves somewhere else. It’s not about what I can do, it’s about how we can make a sound and space together for everyone to connect in.”

The collaboration started between the two of them after some conversations revealed that they had similar musical interests outside of the jazz they were studying. Groups like Sigur Rós were at the top of their list, along with film score music.

“We’re both getting our master’s, and I think we were getting tired of studying the way that most jazz people study, learning scales, licks and patterns, and all of these really complicated things, which are really challenging to play. But we wanted to make things that we’re a little more musical. We were trying to explore that,” Baiocchi says.

In Baiocchi’s early years, he had been more of a jazz traditionalist, which is precisely why he moved to New York and then the Netherlands to study music. Gradually, his ideas about the kind of original music he wanted to play began to evolve. But his background in jazz came in handy, and he didn’t approach soundscape music in an entirely different way. He and Michailidis utilized the skills and musical phrasings that they’d studied so hard in school to create this music. The school encouraged it.

At this week’s show in Santa Cruz, the band will be playing music from their full-length album, North of the World. The record allowed them to really showcase the unique experience that the music creates, as one song blends into the next. In fact, they tell friends that if they are going to listen to it, they need to set aside time to really take it in as a full experience.

“With the music I’ve been making before, you can just put it on in the background,” Baiocchi says. “This is like—it’s really cool to get into it. We kind of zone out and then we realize we’ve been listening to this already for a half hour. It’s kind of a different listening experience.”

Hermano performs at 7 p.m. on Thursday, March 29, at the Kuumbwa Jazz Center, 320 Cedar St., Santa Cruz. $20/adv, $25/adv. 427-2227.

 

Lunch Menu Shines at Cafe Cruz

I never realized just how life-altering a seriously great dish of coleslaw could be, until I tasted the gorgeous thicket of mixed cabbages (long on the ruffly Napa variety) that came with my burger last week. I was at Cafe Cruz, embraced by the coziness that this warren of rooms, patios and nooks creates. How can a place that serves so many patrons feel so intimate? Jack felt the same way, and quickly got absorbed in studying the vintage mural by Terry Wells that lines the main dining room. Two bars, two outdoor patios, plus various dining areas—one with flat screens, the other with linen tablecloths. And once seated, you immediately forget that 41st Avenue is just outside the front door.

I had ordered the house burger—the Cafe Cruz Burger (1/3 pound) for $9.50, a stunningly perfect version of the American classic. Arriving on the pink side of medium rare, just as I had hoped and asked for, the plump burger of grass-fed beef was topped with melted cheddar, a ripe tomato slice, shaved romaine and a thick schmear of mayonnaise (a cultural oxymoron if ever there was one). I could have had fries, but was delighted that I’d chosen the cole slaw. The slaw was phenomenal, at once creamy, tangy, and subtly sweet. The burger was crowned by a brioche bun that was the apotheosis of buns. (Make of that what you will.)

Jack ordered one of the specials, a Niçoise salad highlighted by two slices of seared Ahi (of epic proportion!), with a pretty soft boiled egg, crisp slabs of excellent roasted potatoes, the mother of all dill pickles, and assorted decor in the way of roasted asparagus, broccolini, olives (two kinds, and lots of them), plus a little arugula salad in the center that could easily have been a star in its own show. The Ahi special was so large that much of it became part of dinner later on. And it was priced accordingly at $18. Frankly, it was larger than it had to be. It would have been easier to finish in one sitting had it been a smaller creation, and perhaps priced a few dollars less. Just a thought. With our lunches we split one of those slender bottles of Voss water in a cucumber lemon flavor ($4). I love that cucumber is having its moment as a botanical companion to libations, as well as salads. Non-cloying, it has a fresh, elusive flavor and pairs nicely with almost anything except chocolate. Thank you chef-owner Steve Wilson for keeping a grand old tradition alive and well (remember the old Grape Steak?). And delicious. Cafe Cruz is at 2621 41st Ave., Soquel. Open 11:30 a.m.-2:30 p.m. Monday through Saturday; dinner from 5:30 p.m. nightly, and from 5 p.m. Sunday).

 

Manresa Mojo

Kudos, once again, to David Kinch of the celebrated three-starred Manresa. Kinch is currently one of five finalists nationwide for the “Outstanding Chef” award given annually by the James Beard Foundation. Fingers crossed—the award will be announced in May.

 

Appetizer of the Week

Is there any better partner for that cucumber (see above) and gin creation so effortlessly created at the bar of Oswald, than the little plate of ahi and avocado on crostini? ($8). Crunch and softness, a hint of wasabi, the earthiness of avocado, the sweet freshness of bright pink ahi tuna. So satisfying is this little morsel—beautiful too—that I did not need to covet my neighbor’s sliders one bit. Well, maybe one bit. But that was all. Oswald was a particularly apt spot for St. Patty’s day. Make a note for next year.

Three Festivals: Risa’s Stars Mar. 28-Apr. 3

This upcoming weekend brings three religious festivals: the Aries Festival (Esoteric), Passover (Jewish) and Easter (Christian). The Jewish Festival of Passover signifies the passage of the ages, from Taurus to Aries. The Christian Festival of Resurrection opened the door to heaven again (in the Age of Pisces). The Esoteric (new and full moon) festivals of Light provide the seeds of the new Aquarian world religion.

The Ageless Wisdom teachings tell us that when the many different religious festivals begin to occur simultaneously, the foundations of the new Aquarius world religion are being created for all of humanity. Passover, the Aries Festival and Easter (Christ’s Resurrection) Day are always decided astronomically. Only when knowing this can we arrive at a full and clear understanding of what, in His cosmic nature, Christ came to Earth to do. That event was of far greater importance than simply bringing about the salvation of any individual human being. It marked the closing of a great cosmic cycle, and the opening of that door (He “rent the veil”) into the kingdom of Heaven. Since the Christ’s presence on Earth (2000-plus years ago), the “door” has stood wide open, and the kingdom of God began to form on Earth.

Christ’s crucifixion signifies being crucified on the Cross of Matter. And this “crucifixion” spiritualized matter, which then allowed for the “assumption of matter into heaven.” This is the Resurrection (Easter) festival. The Risen Christ who became the “Water Carrier” is a story about each of us here on Earth. In the sign of Aries, where the Forces of Restoration “make all things new again.”


ARIES: Your energy becomes quieter in the Mercury retrograde, hiding away a bit. You will look calm and composed. However, internally you’re deeply reviewing your mission—what your dreams are, and how to make them manifest into real life. You like to help others; you become more sensitive, cry often and identify as a humanitarian. The artistic becomes important—music and painting, dance and drama, religion and spirituality. You’re up at night pondering these things.

TAURUS: It’s clear you understand the truth of the reality of what is occurring in our world now. You’re very concerned about society, children and the circulation of real news and ideas. You identify as a scientist, observing the actual facts of life. You also have an interest in astrology, the king of sciences, the science of relationship. You realize astrology is the language and tool, not only of the gods but of the Aquarian Age. You don’t want to be left behind.

GEMINI: Work becomes very important. It doesn’t matter what the work is. Work is child’s play to some. Work for others cultivates and builds civilizations. The work of the Devas builds form. Each year your cache of knowledge improves, building toward your success. You have become reliable, seeking things old, rare and architecturally interesting, and you come to realize that the next kingdom to turn to is the Kingdom of Souls, the fifth kingdom. It holds the promise of Venus.

CANCER: You become interested in cultures, especially those far away. You have a unique talent for discovering the most perfect gift for others. An inner feeling of optimism has begun to grow. You think about traveling, of leaving your home for places unknown. You teach all the time, every time you talk. You must begin to record dreams, impressions, thoughts, ideas and experiences. You are preparing for something.

LEO: Even though you don’t believe it, you’re attractive to everyone who meets you. Magnetism flows from you, even (especially) when you’re silent. You will learn how to work better with these energies. They are resources for you to learn how to use. It’s most important to share and tithe and help others in need. Your passions contain fear and magic, loss and trust, struggle and love. You sort them all out.

VIRGO: You seek active cooperation with others. At times, you can be dynamic in relationships. It’s good to be with partners and friends who have calm temperaments. You seek happiness in relationships. Great resources are available through marriage and partnerships. Take great care with all interactions. Allow an aura of collaboration and teamwork to exist between you and others.

LIBRA: For the next weeks you will participate in energetic physical work. You do this to improve conditions for humanity and for all of the environments you live and work in. You will attempt to instill order and organization; arrange, tidy, regulate and even classify things in order to make life healthy and beautiful. Gardening for you calls for multitudes of flowers in all shapes and sizes. Try hollyhocks this year. They put gardens in order.

SCORPIO: It’s important to pursue things that please and reward you, allow your competition to be exercised and a bit of flamboyance to come through. All of these can emerge if you focus upon the creative part of yourself. When you are creative, a new self-identity comes forth. Affection from children and little ones provides you with a spontaneous happiness and joy. Real companionship gives you the same. Who will you spend time with?

SAGITTARIUS: Home and family are important. There’s a desire to be at home and to have (own) a home. A desire to create a new family and to establish roots becomes strong and focused. There is a need for security, for devotion from one who loves you. There is also an inner restlessness. Create harmony in all parts of your life. It will magnetize all that you need; soothing you ’til everything needed comes forth. Gifts for you.

CAPRICORN: You’re working on expanding your mind, using daily movement and exercises for a greater state of awareness—a state of yoga, which means “union.” At times, you compete against yourself. At other times, joy sets in. You enjoy learning, study and contemplation. In Tibetan monasteries, the monks learn through debate and discussion. You’re a good student. You’re doing many jobs at once, poised at the center of each. While baking bread.

AQUARIUS: Use all money with care and resourcefulness. Something’s changing and it may take a bit more money. You are strong-willed and determined when you know your direction. You thrive on the challenge of looking for more and better ways of living. You enjoy life, even when some needs seem unmet. Seek the color of every sunrise. Listen for the first sound of morning birds singing.

PISCES: Personal leadership will call forth your self-expression and you will leap into opportunities with courage and confidence. Your willpower and willingness increase when you know you’re the first and best in your field. You will achieve much this year. Be careful not to overwork. You can become ill if your health is not tended to carefully. You will also be tested. Allow events to come and go as they will. Rest more.

 

Rob Brezsny Astrology Mar. 28-Apr. 3

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Free will astrology for the week of March 28, 2018.

ARIES (March 21-April 19): A few years ago, a New Zealander named Bruce Simpson announced plans to build a cruise missile at his home using parts he bought legally from eBay and other online stores. In accordance with current astrological omens, I suggest you initiate a comparable project. For example, you could arrange a do-it-yourself space flight by tying a thousand helium balloons to your lawn chair. APRIL FOOL! I lied. Please don’t try lunatic schemes like the helium balloon space flight. Here’s the truth: Now is a favorable time to initiate big, bold projects, but not foolish, big, bold projects. The point is to be both visionary and practical.

TAURUS (April 20-May 20): The Finnish word kalsarikännit means getting drunk at home alone in your underwear and binging on guilty pleasures. It’s a perfect time for you to do just that. The Fates are whispering, “Chill out. Vegetate. Be ambitionless.” APRIL FOOL! I told a half-truth. In fact, now is a perfect time to excuse yourself from trying too hard and doing too much. You can accomplish wonders and marvels by staying home and bingeing on guilty pleasures in your underwear. But there’s no need to get drunk.

GEMINI (May 21-June 20): Actor Gary Busey is very sure there are no mirrors in heaven. He has other specific ideas about the place, as well. This became a problem when he was filming the movie Quigley, in which his character Archie visits heaven. Busey was so enraged at the director’s mistaken rendering of paradise that he got into a fist fight with another actor. I hope you will show an equally feisty fussiness in the coming weeks, Gemini. APRIL FOOL! I lied, sort of. On the one hand, I do hope you’ll be forceful as you insist on expressing your high standards. Don’t back down! But on the other hand, refrain from pummeling anyone who asks you to compromise.

CANCER (June 21-July 22): In the Scots language still spoken in parts of Scotland, eedle-doddles are people who can’t summon initiative when it’s crunch time. They are so consumed in trivial or irrelevant concerns that they lose all instinct for being in the right place at the right time. I regret to inform you that you are now at risk of being an eedle-doddle. APRIL FOOL! I lied. In fact, the truth is just the opposite. I have rarely seen you so well-primed to respond vigorously and bravely to Big Magic Moments. For the foreseeable future, you are King or Queen of Carpe Diem.

LEO (July 23-Aug. 22): Paul McCartney likes to periodically act like a regular person who’s not a famous musician. He goes grocery shopping without bodyguards. He rides on public transportation and strikes up conversations with random strangers. I think you may need to engage in similar behavior yourself, Leo. You’ve become a bit too enamored with your own beauty and magnificence. You really do need to come down to earth and hang out more with us little people. APRIL FOOL! I lied. The truth is, now is prime time to hone your power and glory; to indulge your urge to shine and dazzle; to be as conspicuously marvelous as you dare to be.

VIRGO (Aug. 23-Sept. 22): The coming days will be an excellent time to concoct an alchemical potion that will heal your oldest wounds. For best results, mix and sip a gallon of potion using the following magic ingredients: absinthe, chocolate syrup, cough medicine, dandelion tea, cobra venom, and worm’s blood. APRIL FOOL! I mixed a lie in with a truth. It is a fact that now is a fine time to seek remedies for your ancient wounds. But the potion I recommended is bogus. Go on a quest for the real cure.

LIBRA (Sept. 23-Oct. 22): I expect you will soon receive a wealth of exotic and expensive gifts. For example, a benefactor may finance your vacation to a gorgeous sacred site or give you the deed to an enchanted waterfall. I won’t be surprised if you’re blessed with a solid gold bathtub or a year’s supply of luxury cupcakes. It’s even possible that a sugar daddy or sugar momma will fork over $500,000 to rent an auditorium for a party in your honor. APRIL FOOL! I distorted the truth. I do suspect you’ll get more goodies than usual in the coming weeks, but they’re likely to come in the form of love and appreciation, not flashy material goods. (For best results, don’t just wait around for the goodies to stream in; *ask* for them!)

SCORPIO (Oct. 23-Nov. 21): There’s a narrow waterway between Asia and Europe. In the fifth century B.C., Persian King Xerxes had two bridges built across it so he could invade Greece with his army. But a great storm swept through and smashed his handiwork. Xerxes was royally peeved. He ordered his men to whip the uncooperative sea and brand it with hot irons, all the while shouting curses at it, like “You are a turbid and briny river.” I recommend that you do something similar, Scorpio. Has Nature done anything to inconvenience you? Show it who’s the Supreme Boss! APRIL FOOL! I lied. The truth is, now is an excellent time for you to become more attuned and in love with a Higher Power, however you define that. What’s greater than you and bigger than your life and wilder than you can imagine? Refine your practice of the art of surrender.

SAGITTARIUS (Nov. 22-Dec. 21): Fifteenth-century Italian painter Filippo Lippi was such a lustful womanizer that he sometimes found it tough to focus on making art. At one point, his wealthy and politically powerful patron Cosimo de’ Medici, frustrated by his extracurricular activities, imprisoned him in his studio to ensure he wouldn’t get diverted. Judging from your current astrological omens, Sagittarius, I suspect you need similar constraints. APRIL FOOL! I fibbed a little. I am indeed worried you’ll get so caught up in the pursuit of pleasure that you’ll neglect your duties. But I won’t go so far as to suggest you should be locked up for your own good.

CAPRICORN (Dec. 22-Jan. 19): Now is a favorable time to slap a lawsuit on your mom in an effort to make her pay for the mistakes she made while raising you. You could also post an exposé on social media in which you reveal her shortcomings, or organize a protest rally outside her house with your friends holding signs demanding she apologize for how she messed you up. APRIL FOOL! Everything I just said was ridiculous and false. The truth is, now is a perfect moment to meditate on the gifts and blessings your mother gave you. If she is still alive, express your gratitude to her. If she has passed on, do a ritual to honor and celebrate her.

AQUARIUS (Jan. 20-Feb. 18): Aquarius author Alice Walker won a Pulitzer Prize for her novel The Color Purple. She has also published 33 other books and built a large audience. But some of her ideas are not exactly mainstream. For example, she says that one of her favorite authors is David Icke, who asserts that intelligent extraterrestrial reptiles have disguised themselves as humans and taken control of our planet’s governments. I bring this to your attention, because I think it’s time that you, too, reveal the full extent of how crazy you really are. APRIL FOOL! I half-lied. While it’s true that now is a favorable time to show more of your unconventional and eccentric sides, I don’t advise you to go full-on whacko.

PISCES (Feb. 19-March 20): Warning! Danger! You are at risk of contracting a virulent case of cherophobia! And what exactly is cherophobia? It’s a fear of happiness. It’s an inclination to dodge and shun joyful experiences because of the suspicion that they will disappoint you or cause bad luck. Please do something to stop this insidious development. APRIL FOOL! I lied. The truth is that you are currently more receptive to positive emotions and delightful events than you’ve been in a log time. There’s less than a one-percent chance you will fall victim to cherophobia.

 

Homework: What quality or behavior in you would most benefit from healthy self-mocking? Write Freewillastrology.com.

 

Music Picks Mar. 28-Apr. 3

Titus Andronicus
Live music highlights for the week of March 28, 2018.

Giveaway: Theo Croker

Theo Croker
Win tickets to Theo Croker on Thursday, April 19 at Kuumbwa.

Love Your Local Band: Alex Lucero & Live Again

Alex Lucero
Alex Lucero plays Friday, March 30 at Flynn’s Cabaret

5 Things to Do in Santa Cruz County Mar. 28-Apr. 3

Event highlights for the week of March 28, 2018.   Green Fix Cesar Chavez Day of Service March 31 is national Cesar Chavez Day, honoring the legacy of the civil rights and labor movement activist. And is there a better way to commemorate Chavez’s legacy and continued relevance than volunteering on a farm? The Homeless Garden Project is hosting lunch and...

Why the River Street Camp is Working

Chris Monteith, director of the new River Street Camp in Santa Cruz
A fresh face brings a sense of calm to the city’s new homeless camp

Santa Cruz Art-Rock Legends Monks of Doom Reunite

Monks of Doom
Camper Van Beethoven side project catches a second wind

Preview: Hermano to Play Kuumbwa Jazz Center

Hermano band
Hermano’s soundscapes sweep listeners off their feet—sometimes, quite literally

Lunch Menu Shines at Cafe Cruz

Cafe Cruz nicoise salad
Lunch at Cafe Cruz, plus James Beard nominations and bar bites at Oswald

Three Festivals: Risa’s Stars Mar. 28-Apr. 3

risa's stars
Esoteric Astrology as news for week of March 28, 2018

Rob Brezsny Astrology Mar. 28-Apr. 3

Astrology, Horoscope, Stars, Zodiac Signs
Free will astrology for the week of March 28, 2018.
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