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As Joe Williams surveyed the congressional race for District 20, he kept waiting for a proven local liberal like Assemblymember Bill Monning (D-Carmel), Assemblymember Mark Stone (D-Scotts Valley) or Assemblymember Luis Alejo (D-Salinas) to jump in.
But Williams, a hospital lab technician, says they were all scared off by Jimmy Panetta, the son of political heavyweight Leon Panetta, who racked up endorsements quickly after current Congressmember Sam Farr (D-Carmel) announced his retirement.
“He walked in as a fait accompli,” Williams says. “That’s not democracy to me.”
Three years ago, the Monterey Herald wrote a story about Leon Panetta campaigning for Sam Farr in exchange for the lawmaker’s endorsement of his son. Farr officially endorsed Jimmy Panetta last week.
Now that he’s running, Williams has been slamming local media, GT included, for covering the District 20 election as a two-person race between Panetta and Republican Casey Lucius.
Williams, Panetta and Lucius are joined on the ballot by Jack Digby, a Capitola ironworker, and Jay Blas Cabrera, who has run for Santa Cruz City Council in the past. Other candidates include Barbara Honegger, a 9/11 truther based in Carmel Valley, who ran against Farr in 1993, and Benjamin Joseph Julius Strickland, who did not submit any contact information and doesn’t appear to have a web presence.
Williams’ campaign is motivated by his work in unions and by Bernie Sanders‘ presidential campaign. Unlike Lucius and Panetta (both of them military veterans), Williams would like to halt wars overseas. He plans to leverage social media to galvanize support, encouraging followers to pen letters to the editor for local newspapers. His goal is to come in second to Panetta in the June 7 primary and get a head-to-head race with him in November, raising important issues along the way.
“I’ve done it before. I’m not scared of these people,” Williams says. “I’m not scared by money and names and military uniforms and all that. It’s like, let’s do it. Here I am. For the next 80-odd days until the election. Let’s see what I can do.”
Paul Steffen is in the midst of one of Santa Cruz’s greatest stresses: looking for a place to live. Currently living out of the Paige Smith building at the Homeless Services Center (HSC), he has applied to 15 places over the last several months, and has been turned away 15 times.
“I want to stay in Santa Cruz,” says the 62-year-old Steffen, stroking his bright-red-dyed goatee. “I’ve lived in other places, but this is my home.”
Steffen says he has a Housing Choice Voucher (HCV), commonly known as a Section 8 voucher, to help assist with the rent. Time is ticking, with his voucher expiring next month, he says. In the Santa Cruz rental market, a housing voucher is no golden ticket.
“I think anyone with a voucher is having a harder time [finding housing] than someone without one,” says Shannon Healer, the director of the Veterans Affairs Supportive Housing (VASH).
Federally funded by the Department of Housing and Urban Development (HUD), the HCV provides rental assistance for low-income people and families. They can apply for various vouchers through collaborative groups like HSC and the 180/2020 housing project. There are also special vouchers awarded to veterans with applications through the Veterans Resource Center and Veterans Services.
While the program is meant to help people with financial or medical problems, it often comes with its own set of stigmas and stipulations. Scouring Craigslist housing ads, an attachment at the end often reads, “No Section 8.” California law does not allow landlords to discriminate based on source of income, but the housing voucher is considered a subsidy and therefore not a source of income. Some cities and counties throughout the state have prohibited discrimination against housing applicants with Section 8 vouchers, but Santa Cruz has not.
While both Kramer and Healer say the waiting period averages about six to eight weeks, several recipients told GT it took six months to a year.
“There are some efforts underway statewide to prohibit landlords from this practice,” Jenny Panetta, director of the county’s Housing Authority, tells GT via email. “But we are focusing our efforts on incentivizing landlords to give the program another look.”
“There’s a lot of misinformation about Section 8,” says Phil Kramer, the interim director of HSC. Incentives for landlords to choose Section 8 candidates include competitive prices, which keep up with market rates, and the fact that HUD directly deposits money into the landlord’s account.
There are currently more than 2 million active HUD vouchers throughout the nation, Panetta says. Santa Cruz County has about 4,500, of which about 4,200 are “leased up,” according to Panetta, meaning they’ve already found a place to live with the voucher.
Healer says 286 veterans have vouchers through VASH. “About 71 percent are in use, and the remaining are either waiting or at some stage of the process of obtaining a voucher,” she says.
In the struggle for affordable housing, veterans have been given an extra helping hand with the “Be a Hero: Help A Hero” program, announced in November. A collaborative effort between veteran and housing authorities, the program aims to house 193 veterans by the end of 2016.
Kramer estimates the shelter is currently working with about 150 people who are looking for housing, 90 percent of them with vouchers from a variety of places.
The application process for Section 8 vouchers is often mired in bureaucratic red tape, and it can take months for applicants to be notified if they qualify. While both Kramer and Healer say the waiting period averages about six to eight weeks, several recipients told GT it took six months to a year. When the voucher comes, the work continues.
“Once you get the voucher you have 60 days to find a place,” Steffen says. “Which just isn’t realistic in Santa Cruz.”
After those two months, voucher holders can apply for two additional 60-day extensions. Veterans receive an initial 120-day window, twice that of civilians, to find a place, with the same two extensions. If the vouchers do not get used within the time frame, they are recycled to the next eligible recipient. The problem is the waiting list for HCV and Low Income Public Housing is currently closed. According to the Housing Authority’s website, it is unknown when the waiting list will be reopened, and as of May 2015, 4,800 households were waiting to get on the list.
Section 8 vouchers cover only part of the rent, and recipients are told to spend roughly 30 percent of their income on rent. That means that if someone has an $800-a-month income, but a $1,200 room, the voucher holder generally pays only $240, with the federal government paying the other $960.
Administrators like Kramer are bewildered by the reluctance of landlords to take housing vouchers for rentals. He suggests that maybe some landlords are frightened by the prospect of mandatory property inspections that come with renting to someone on Section 8. “But this is done by the Housing Authority, not the city or county. Basically they are seeing if it’s safe and lives up to basic living standards,” he says. “They are not looking for [building] code violations.”
Steffen says that no matter what, his plan is to “just keep on looking.”
“We’re often told by caseworkers not to ask [prospective landlords] if they take Section 8,” he explains. “It’s easier to just take the application and tell the landlord after you return. You’ll have a better chance, but still not much of one.”
For the past five weeks I’ve been driven to the brink of insanity by a seemingly harmless bodily phenomenon: the eye twitch. A little eyelid flutter is not uncommon to the human experience, and of course I thought nothing of it at first. Then it took over my life. Every morning, for weeks now, I wake up and wonder if I’ll find relief—until there it is again, a lively Mexican jumping bean dancing on my upper lid.
Following a less-than-fruitful crusade to calm the pulse—in which I pulled down my pants for vitamin B-12 shots, consumed magnesium supplements and far too many bananas (“you need potassium,” someone said), irritated my coworkers with constant twitch updates, and stopped just short of chugging tonic water, hearing that quinine (once a main ingredient) is said to bring relief—I finally consulted Dr. Craig Blackwell, an ophthalmologist in Capitola, about what turns out to be medically termed a “myokymia.”
The muscle in question is the orbicularis oculi, a circular muscle controlling the eyelid which happens to contain more fast-twitch muscle fibers than anywhere else in the body. The more extreme and rare version of eye twitch, blepharospasm, involves a forceful shutting of the eyelid, says Blackwell.
“The minor version like the one you describe is not uncommon, and seems almost always related to stress,” says Blackwell. “When stress goes away, so does the twitch.”
It’s not the response I had expected, having narrowed my suspicions down to excessive screen time. But it’s an explanation that could feasibly fit my lifestyle, where deadline looms like a guillotine over every Tuesday, and there is never enough time to make things as perfect as I’d like them to be.
“I want to ask you,” says Stuart Thompson, Ph.D, a neuroscientist and professor of biology at Stanford, “not as a physician, but if you go for a walk on the beach and you just kind of let yourself experience that, be in nature for a little bit, does the eye twitch stop?” Yes.
While the exact connection between stress and the eye twitch remains unknown, Thompson says that “play” activities like dancing, hiking, laughing with friends—you know, all of life’s good stuff—results in a very healthy chemical process in the brain.
“So for one thing, in that state you’re secreting oxytocin, you’re raising the growth factor concentrations, you’re growing new synapses. I mean, what changes is really amazing,” Thompson says. “The health benefits are very similar to what a good night’s sleep does.”
In addition to neurotrophin, or the growth of new neurons, a state of play activates the entire pathway of feel-good neurotransmitters, from oxytocin and the cannabinoid receptors to serotonin, dopamine and endorphins.
It’s almost the exact opposite of what is happening in the brain during times of prolonged stress. Of course, the chemical response of acute stress is designed to protect us in situations that require hyper-alertness and charges of adrenalin, but when the response sticks around it becomes completely counterproductive.
“Now, there are not a whole lot of things that are known to be neurodegenerative, but stress is,” says Thompson. The numerous effects of stress on the body and brain are caused by glucocorticoid hormones, he explains.
“In stress, your ability to form new synapses and remember or recall something is really heavily impacted. All of that stuff is kind of shut down by the stress hormones,” says Thompson.
The stress hormones also trigger inflammation in the brain itself, which causes the brain’s immune cells, microglia, to attack neurons and kill them, leading to a loss of brain function, says Thompson.
“There is tremendous crosstalk between immune cells in the body and immune cells in the brain,” he says. “What happens in your body affects what happens in your brain, too.”
We all react to the world in slightly different ways, says Thompson, and we all have a baseline level of anxiety, but we also come equipped with the means to lower those tensions and stresses in our lives. “I think we have a great deal of resources to improve our moods without drugs,” says Thompson. “There’s nothing as good as your own sense of well-being when you have a little oxytocin flowing … the things you get from being a human animal and enjoying it.”
In a world where being healthy often means physical exertion and dietary deprivation, I can’t think of a better prescription for a healthy brain: find the flow and zone out on walks, playing guitar, or whatever it is that takes your mind off the grind.
Every day as I return from the gym, I gaze longingly at the various contractor signs still papering the windows of Lillian’s-in-progress, on the corner of Seabright and Soquel. Soon, I tell myself. Soon I’ll be able to feast on hearty Italian food in the old historic Ebert’s space.
Luckily, we can all take our appetites over to the newly opened East End Gastropub, the twin sister of West End Tap. Well, not identical twins, as it turns out. An early look at the East End menu reveals a heightened level of ambition at the new eatery housed in the former Tony & Alba’s at 1501 41st Ave. in Capitola. Chef Geoffrey Hargrave has spun the new menu into some intriguing conceptual regions; for example, goat cheese, leeks and bacon pizza, rye pappardelle, and honey-cured pork belly with Brussels sprouts, faro and fried farm egg. Sign me up! We can expect locally-made artisan beers and lunch and dinners seven days a week. If the mega-scene that causes almost seismic activity over at the West End Tap & Kitchen is any measure, the new gastropub owned by Hargrave and partner Quinn Cormier should shake up the 41st Avenue neighborhood big time.
In the quest to be ever-more welcoming to customers, the savvy conceptualists at New Leaf Community Markets will now host monthly complimentary tastings. Not simply microbrews, but also local ales and/or new craft hard ciders will be presented every third Thursday of the month. So that means that March 17, otherwise known as St. Patrick’s Day, the Leaf will be pouring SCMB’s organic Dread Brown Ale and Lavender IPA, and Surf City Cider will pour a Santa Cruz Scrumpy Hard Apple Cider (note that artisanal brews and ciders have long names). The Scrumpy Cider is both vegan and gluten-free, FYI. Yes, cider is turning out to be the new Chardonnay among aficionados of refreshing creations that contain some but not tons of alcohol. If you haven’t tried one of these shockingly refreshing, brisk, not-your-grandfather’s ciders, then get on over to New Leaf, 1101 Fair Ave., Santa Cruz, on one of these third Thursdays.
The supple—nay, tumescent—almond orange cookie, dusted with powdered sugar and weighing in at a reasonable $3 at Cafe Ivéta took my breath away last week. I have never been able to get past the outrageous gluten-free fudgy cookie, packed with bittersweet chocolate chips, but somehow the almond orange number finally got my attention. The tension of flavors, intense almond pushing against the tangy citrus, is enough to make anyone’s afternoon (pair with jasmine green tea for a serious bliss event). But I was utterly unprepared for the texture; “chewy” is too poor a word for the succulent effect of teeth on cookie. The exterior seemed to melt, while the interior offered a wonderful moment of resistance. Now I have to confess that I adore this cookie as much as the mighty fudgy cookie. Can it be possible? Ivéta has two divine cookies on its mouth-watering pastry counter. 2125 Delaware Ave. on the Westside of Santa Cruz.
Santa Cruz Mountain Vineyard 2014 Grenache. Jeff Emery just can’t stop making appealing wines, and his 2014 Grenache, from Hook Vineyard in the Santa Lucia Highlands, underlines his skill. The wine’s 14 percent alcohol delivers a steady abundance of red berries, white pepper, bay leaves, and complex spiciness. Refreshing acidity amplifies the versatile effect, thanks to the cool climate of the chosen vineyards. $18.99 at New Leaf.
Now that Santa Cruz City Councilmember Micah Posner has admitted to renting out a unit in his backyard that was unpermitted for housing, some of his former supporters are feeling betrayed.
“I put an addition on my house, and my husband and I haven’t had a vacation since 2008, and we’re paying for it, because we enjoy it, but we did it legally,” said Sarah Nash, who voted for Posner four years ago, at a hearing on Posner’s violations on March 8. “And I can’t tell you how totally upset I am.”
Nash, a retired federal employee, stressed that it wasn’t personal—she would be “pissed” at any of the other council members if they had broken such laws, as well—even saying that she felt she was probably going easier on Posner because he’s her neighbor in the Lower Ocean area.
“But I don’t just want my neighbors to put something in their shed and think they can get away with it,” she added, her voice trembling. “I didn’t even think about getting away with it.”
Others told the council they felt it was unethical that Posner had presided over regulations around accessory dwelling units (ADUs)—some of which passed on narrow votes—while skirting the rules on his own.
Posner supporters spoke as well, outnumbering critics 4 to 1 at the meeting. They called his since-abated unit a valuable piece of affordable housing in an increasingly expensive town, and praised Posner for apologizing. Some suggested the council’s whole hearing was part of a larger crackdown on poor and liberal community members—like Keith McHenry, who has been charged with vandalism downtown, and Leonie Sherman, a former council candidate who was called an anarchist by a police officer in 2014.
“This, to me, is one of the final straws,” activist Grant Wilson said.
The council voted to censure Posner, issuing a formal reprimand that has no effect on his ability to serve. Council members also voted unanimously to have City Attorney Tony Condotti send a formal letter to the Fair and Political Practices Commission (FPPC) notifying the group that they are now aware of Posner’s actions.
Upon inspection, the staff found that the unit did not have a bathroom, a foundation, heating, or permits for electricity and plumbing.
Posner voted for the motion, too, saying he understood and respected the council’s decision.
Councilmember Pamela Comstock says she hopes that the letter will relieve the city of any possible legal responsibility should the FPPC decide that Posner did anything seriously wrong. “It’s about the impropriety, and I want it to be airtight in our statement that we didn’t do anything wrong,” Comstock said at the meeting.
Councilmember Don Lane, who in the meeting called Posner’s violation “embarrassing,” says the censure should help the council put this whole thing in the past. “I felt like it was important for the council to make a statement on this and move on,” he tells GT.
Community members were packed into the council chambers benches so tightly that they overflowed into the aisles and lined the back wall. The meeting was at times intense, with people clapping with those they agreed with and yelling at those they didn’t. As Lane described the ethical problems he had with Posner’s actions, one person blurted out, “That’s enough, Don.”
Condotti said that he did not think Posner’s votes on ADUs presented any conflict of interest because the council member’s unit was in a multi-residential zone where such units aren’t allowed anyway.
Posner has taken heat for not disclosing the income from his back unit on his form 700 through the FPPC. He has since updated the paperwork, and at the meeting he provided his tax returns showing that he had reported the income on his income taxes.
A confidential housing complaint about Posner’s house had tipped off city planning staff about the violation. Upon inspection, the staff found that the unit did not have a bathroom, a foundation, heating, or permits for electricity and plumbing, city planning director Juliana Rebagliati says.
Posner has stressed that it would have been difficult to afford the fees for a remodel, but Rebagliati says that staff works with homeowners to try and bring buildings in violation up to code and that there is a way to waive all fees, as long as landlords make their units affordable to renters. “There was no discussion of that. There is a process to waive the fees,” she tells GT. Under the plan, homeowners also must pay a prevailing wage for the construction labor.
Posner, who hasn’t decided yet whether he’ll run for re-election this year, says it would have been impossible to bring the building up to the city’s housing code for a second unit. He and his wife Akiko Minami would like to build a second unit using those same provisions to waive fees, but he says it has been a lesson in permitting. “Essentially I’m starting over, and I’m excited to learn how it works,” he says.
In his remarks last week, Posner said he understands and agrees that public officials should follow the rules and that he especially regrets the impact this has had on his colleagues at the city.
“It’s been a month of apologies, and I think that’s reasonable,” Posner said. “I am a public official, and I understand why the council would want me to speak about this matter and frankly to publicly apologize. So, I want to do that.”
Isaac Nieblas’ world changed when he signed up for a Chicano Studies class at Santa Clara University.
The son of Mexican immigrants, Nieblas grew up for a time in Arizona, where ethnic studies were banned from the public school curriculum during his sophomore year of high school. He never had the opportunity to learn about Mexican-American history, politics or literature, which created a disconnect he felt for his course material until he attended college—the first time in his life that he began learning about his own people.
“I felt I was studying who I was as a human,” says Nieblas, now a junior. “Learning about the Chicano revolution in the 1960s made me feel as though my concerns, my issues, my humanity were legitimate.”
Nieblas’ experience with ethnic studies is far from unique, but for the first time it’s being quantified. New research out of Stanford University shows clear academic benefits to ethnic studies.
Thomas Dee, a professor at the Stanford Graduate School of Education, recently tracked more than 1,400 ninth-graders enrolled in a pilot ethnic studies program in the San Francisco Unified School District. The students were enrolled in the course if they had a GPA below 2.0 the year before, meaning they were considered at-risk for dropping out.
Dee found that the students who took the ethnic studies courses, which focused on issues such as social justice, discrimination, stereotypes, and social movements in U.S. history, saw a boost in overall academic performance compared to their peers—and not just in the ethnic studies course itself. Ethnic studies students increased their attendance by 21 percent, credits earned by 23 percent, and cumulative GPA by 1.4 points, elevating them from failing grades to the B-minus/C-plus range. Some of the highest GPA gains were made in math and science.
“Learning about the Chicano revolution in the 1960s made me feel as though my concerns, my issues, my humanity were legitimate.”
While there have been many qualitative studies on the value of culturally relevant pedagogy, this is the first quantitative one.
“I’ll confess that when we first generated these results, I was incredulous,” Dee says. “If I was reading a study saying that taking the course increases GPA by 1.4 points, I would not believe that.”
While the results seem clear, the reason for the benefits may be less so. Dee attributes the value of ethnic studies to pedagogy. “It’s about having instruction that corresponds with the out-of-school experience of these kids,” he says. “It’s simply going to fit them better and promote academic engagement.”
Another explanation is what’s known as the stereotype threat, which theorizes that minority students underperform in the classroom because of anxiety stemming from the expectation of negative stereotypes. But through buffering, either by forewarning against stereotypes or providing external examples of the challenges people of color face, students can overcome the stereotype threat.
“When I look at the ethnic studies curriculum,” Dee says, “it has many of the active ingredients of these light-touch psychological interventions.”
Here in Santa Cruz, Eric Porter, a professor with UCSC’s newly created Critical Race and Ethnic Studies department, says the basic findings “make sense.”
“It provides a sense of self worth to students, understanding of how their groups exist in the world,” Porter says of ethnic studies.
The study has made an impact in Sacramento, too. Last month, California State Assemblymember Luis Alejo (D-Salinas) introduced legislation that would require California high schools to create ethnic studies programs. Alejo, who also introduced similar legislation two years before, cites Stanford’s new report as newly minted support for the cause.
Despite the newly identified advantages to ethnic studies, the field has faced political challenges since its inception in the 1960s. Even though Santa Clara has one of the oldest ethnic studies programs in the country, Anna Sampaio, director of ethnic studies at Santa Clara University, says it still hasn’t been granted departmental status, and it still can’t offer a standalone major to undergraduates.
UCSC, meanwhile, has had a major for over a year, but no department. All of the major’s professors and staff share responsibilities with other disciplines on campus, like history or Latin American and Latino Studies. The first two critical and ethnic studies students are applying to graduate this quarter, and 12-18 will by the end of the year. Porter hopes to regularly graduate about 40 students per year in the major soon.
The seemingly sluggish embrace of ethnic studies is not entirely surprising. “Ethnic studies completely shifts the learning rubric,” Sampaio explains. “It says the center of the universe isn’t just rich, white, well-educated men. It can also be poor, working-class communities of color or women of color, and their voices have validity.”
Last year, Gov. Jerry Brown vetoed a bill authored by Alejo that would have required the California Department of Education to develop an ethnic studies curriculum for public schools.
Alejo notes that some laws he’s written—like the minimum wage increase and a bill to provide driver’s licenses for undocumented immigrants—were carried for years by previous lawmakers before they finally passed and received the governor’s signature. Alejo is optimistic Californians won’t have to wait decades for the governor to sign an ethnic studies bill into law.
“We’re building a broad coalition—teachers, university scholars, teachers, labor unions and legislators—to convince the governor to do it,” Alejo says.
Santa Cruz City Schools don’t currently have an ethnic studies program, per se. The district does, however, support a Heritage Language class at all three high schools providing Spanish language instruction with history and culture studies for students whose first language is Spanish.
Elsewhere in California, some school districts are working to implement ethnic studies on their own. In 2014, Los Angeles approved plans to make ethnic studies a high school graduation requirement, and San Francisco and Oakland school boards voted to mandate that all high schools offer ethnic studies.
Nieblas argues that, given his own experiences, ethnic studies should be required starting in elementary school.
“I’m one out of 87 in my kindergarten class to make it to university,” he says. “If those other 86 could have seen themselves in the books—if they knew there was an Angela Davis, a Malcolm X, a Cesar Chavez—I think it could have made a ton of difference.
“I could be at this university with all of my childhood friends.”
Ask Greg Brown what he’s been doing the last few years and you’ll likely get a few mumbled words about how he’s old and tired and worn out.
Though not particularly old, the 66-year-old singer-songwriter is one of the elder statesmen of contemporary folk music, having laid down a lot of songs, years and miles. These days though, he’s happy to have more time to relax at home.
“I’m just sitting around, looking at the sky,” he says, explaining that he’s looking forward to some spring fishing in his favorite streams. “I go and do gigs, but not nearly as many as I used to.”
When asked if he picks up his guitar very often, Brown perks up. “Oh yeah,” he says, “I’m still writing songs. I’ll probably do another CD here before too long.”
Such is the life of Greg Brown—a weary traveler with little tolerance for bullshit, who also happens to be one of the most talented songwriters of our time. Beneath his gruff disposition lies a tender heart and a keen ability to tap into the universal through tales of everyday life and simple pleasures like fishing, love and old friends.
In concert, Brown sits on stage, looking and sounding like a big, ornery bear, telling stories and jokes. He’ll then launch into a song full of such emotional insight that eyes well up in the audience. Then the tune ends and the bear resurfaces.
In his song “The Poet Game,” from the album of the same name, he explores the beauty and struggle of the poet’s life, spent crafting tales about the sadness, joy and the beauty of it all. In one verse, he references his grandparents’ young courtship singing, “She’d been cooking, ashamed and feeling sad / she could only offer him bread and her name / Grandpa said that was the best gift a fella ever had / and he taught me the poet game.”
On “Kate’s Guitar,” a song that pays tribute to the late Kate Wolf, Brown captures the gentle, enduring strength of the legendary songwriter and gives a nod to Wolf’s friend and collaborator, Nina Gerber, who now plays Wolf’s guitar: “I know why we live, I know why we die / I know why we laugh, I know why we cry / But I don’t know how this color of sky invites the evening star / I don’t know how such peacefulness found a home in Kate’s guitar.”
Brown has more than 30 albums to his name now, but he didn’t buy in easily to the idea of a music career. He gave it a shot in his late teens, but the business didn’t agree with him.
“I got into it for a while,” he says, “then I thought, ‘man, I don’t really care for this stuff’—8×10 glossies and all that—so I quit for four or five years.”
Music and writing run deep in Brown’s family, though. His grandfather and mother were both musicians, and his father was a Pentecostal minister. Despite his best efforts, the urge to write songs and play guitar was strong, so he returned to the musician’s life.
“I wanted to be a lawyer,” he says with a laugh, “but I was forced by circumstance to become a singer-songwriter.”
These days, Brown is still surrounded by music. He and his wife, singer-songwriter Iris DeMent, play music together at home—and when his daughters, including celebrated singer-songwriter Pieta Brown, are around, they’ll join in, too.
A favorite of local audiences, Brown has been performing in Santa Cruz for decades. On March 19, he plays the Rio Theatre, joined by singer-songwriter Karen Savoca and guitarist Peter Heitzman, two old friends Brown regularly performed with in the ’90s.
When asked if he has any advice for young singer-songwriters considering a career in music, Brown simply says, “Run.”
True to form, however, his growl is followed by warm insight.
“If you can find something that you really love to do, and that feels natural to you, and you feel like you’re putting something good out, stick to it as far as you can,” he says. “We’re not here long and if you can find something that really fills you up, just hang on to it.”
Greg Brown will perform at 7:30 p.m. on Saturday, March 19 at the Rio Theatre, 1205 Soquel Ave., Santa Cruz. $32/general, $42/gold. 423-8209.
Gray whales and elephant seals can’t vote in elections, but if they could, these charismatic wild animals would do away with national borders and regional conflicts. Their understanding runs much deeper. They’re part of an interconnected web of life that migrates along sweeping natural corridors.
If acclaimed nature photographer Florian Schulz has his way, these corridors will become the focus of wildlife conservation moving forward. In his new book, The Wild Edge – Freedom to Roam the Pacific Ocean, stunning images and passionate essays erase political boundaries. Along with scientists, writers, and environmentalists, he documents the journey taken by gray whales from the birthing lagoons in Baja up the coastline to the high arctic, where they feed during the summer months.
“I wanted to look at animals that really stand for the need to roam,” he says, “and the need to protect these places on a larger scale. We can’t think about conservation by drawing a line around an area and saying it’s protected. Even elephant seals will swim all the way up to Alaska and feed.”
The history of open space in the U.S. inspired Schulz’s thinking decades ago. He came here as a 16-year-old exchange student, and his first book to explore wildlife corridors, Yellowstone to Yukon, evolved out of the uniquely American concept of national parks. “You created the first one with Yellowstone in 1872,” he says. “Imagine if a new vision of wildlife corridors, which are essential to maintaining the fauna and animals in an area, could spread around the world.”
He isn’t surprised by the recent uptick in wildlife sightings and encounters in Monterey Bay. “It’s a special area,” he says. “There are deep canyons with cold water masses and algae blooms that later set up a food chain along the coast. But also, because food is scarce in other areas, it brings animals right to near shore waters.”
Other ecosystems have not been so lucky. He points out dramatic changes in the arctic because of climate change. “Sea ice is gone much earlier and doesn’t return until much later,” he says. “This results in major erosion in areas essential to animals like walruses that now have to swim further between foraging and have been seen hauling out on beaches in great numbers due to the absence of ice rafts.”
But Schultz tempers the overwhelming nature of climate change by focusing on opportunities. “We can protect habitat, and if we give animals the possibility to use natural coastline, to get a break from over-fishing, and to have reserves and other areas where they can retreat and take refuge, they’ll be more resilient and resistant to factors challenging them.”
His career in photography began 28 years ago when his father gave him a manual Praktica camera with a slide zoom and lenses that had to be screwed on. “The beauty of it was that I had to really learn photography, because each time you wasted a roll of film with bad exposures or out of focus images, it was expensive.” By now, the choice of a lens or settings is second nature to him, but the key to his passion for the art lies in a strong sense of place. “I love developing images in my mind before I take them,” he says, “so I return to locations again and again. I look for ways to be out in the wild. The longer I’m out there, the more special images come forward.”
Florian Schultz will speak at Bookshop Santa Cruz on Wednesday, March 16 at 7 p.m. Free.
His reaction to the digital revolution in photography was complicated, but ultimately gave him piece of mind. “I worried about the value of it when everyone can snap a picture,” he says, “but there have been pens and pencils around for ages. It doesn’t make everyone a writer.” He also worried about the ease with which digital photography could be manipulated. “For me it’s about being out there. I want to live that moment and see something real. If I started manipulating my photographs, I couldn’t tell the story of how I got them. There would be no joy for me. When I stay true to what I do, people pay attention. They see that it’s real, and it puts me at ease.”
Book talk and presentation at Bookshop Santa Cruz – 1520 Pacific Avenue – 831-423-0900 Wednesday, March 16th @ 7:00pm – Free