Street Talk

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What is something that you love—that your friends just can’t understand?

NICK

Metal Music. I’m always going to concerts and it’s hard to get my friends to come along.

Nick Heath, 26, Loan Officer at Santa Cruz County Bank


AISHA

Sourdough bread. Everyone loves it, but they don’t understand what goes into the outcome of the deliciousness. Like behind the scene. They think it’s very, very simple—or maybe not, maybe the opposite.

Aisha Samon, 32, Trader Joe’s Downtown


EZRA

Doom metal is my thing, it’s like metal but it’s even more miserable. It’s long and slower, it just doesn’t end, it goes on for even longer like kind of a drone thing. There’s lots of screaming too, yeah. A lot of people hate that.

Ezra Bettencourt, 37, Musician / Tile guy


AVERY

The Panic In Needle Park, an old art film with Al Pacino. Friends think I’m strange because it’s a downer about drug addiction, but it’s actually a comparison with love. I used to watch it on Valentine’s Day when I was single.

Avery Johnson, 30, Photographer


REGGIE

A film called Hi, Mom, directed by Brian DePalma. It’s DeNiro’s defining movie before Taxi Driver. It’s dark and disturbing and it freaks people out. I’ve watched it multiple times.

Reggie Williams, 49, Philosophy Professor


TIFFANY

People don’t get how much I love Star Wars—I have a Star Wars tattoo. And poetry and English literature, like JaneEyre, and Jane Austen’s novels.

Tiffany Dauner, 40, English Teacher

Andy Frasco Shows His Grown-up Side

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Could it be that Andy Frasco is maturing? He returned to touring this winter, and fans can expect Andy Frasco and the U.N. to bring the party on stage (or somewhere in front of the stage when Frasco is crowd surfing). But the singer/keyboardist is toning down the partying and other shenanigans that typically happened on and off stage on past tours.

“I’m doing it for my liver,” Frasco said, when he phoned in for a recent interview. “I’m all about the party, but I want people to know that I’m a songwriter, too. So I’m just really dialing in my songwriting, really dialing in my musicianship, so I know I can’t blame my partying for my shitty songs…I love partying and I love giving the people their entertainment, but I also want to give them something to think about.”

The fact is, by the time the pandemic hit in spring 2020, Frasco was not in a great place. He’d been drinking too much and doing cocaine, and his life-of-the-party behavior had left him wondering who his friends were and battling some genuine bouts of depression.

No one wanted the pandemic, but being forced off of the road gave Frasco the much-needed opportunity to take a hard look at himself, figure out how to get his life in a better place and decide if he still truly loved writing music and going on tour.

“I was just very selfish,” Frasco said, citing one of the contributing factors to his emotional issues.

“I was, like, doing things and not thinking about others. All of a sudden people wouldn’t start calling me back. I was realizing maybe it is me. I always blamed everyone else that I am on an island. But maybe I’m putting myself on an island.

“Before the pandemic, I didn’t want to be there. And I was faking a smile because I was just too depleted,” he said. “I had to look at myself in the mirror, like what are you doing this for if you’re not going to wake up? You preach happiness and you’re not even happy, so why do you keep (doing) it?”
One significant change was to kick his cocaine habit. He also cut back on drinking, although he admits he still enjoys his beverages.

But the supply of Jameson liquor is lasting longer these days, as he and his band have moderated their intake onstage these days.

“There’s still drinking. I’m not going to lie to you there,” Frasco said. “But it’s definitely more toned down. We’re drinking a half a bottle of Jameson a night, not the full bottle.”

The changes in behavior won’t surprise those who’ve been paying attention. Especially on 2020’s Keep On Keeping On and then Wash, Rinse, Repeat., the album that arrived in April 2022, it was clear Frasco wasn’t just offering escapism in his music.

That was a main theme for Frasco after he founded Andy Frasco & the U.N. in 2007, began touring and released the first of what is now nine studio albums in 2010.

One look at song titles like “Mature As Fuck,” “Blame It on the Pussy” (from 2016’s “Happy Bastards”) or “Smokin’ Dope n Rock n Roll” and “Commitment Deficit Disorder” (from 2014’s Half a Man) and it was obvious that Frasco and company were bringing the party with funny, sometimes bawdy lyrics, a disregard for rules, decorum (and sobriety), and a rowdy sound that mixed rock, funk, blues, soul and pop.

The approach generated a good bit of popularity, as Frasco and the U.N. began what became a consistent routine of playing roughly 250 shows a year—a pace that continues to this day. Along the way, the band especially caught on in the jam band scene and festival circuit.

But Frasco started to shift the narrative of his songs to more thoughtful subject matter. He kept the music buoyant and catchy, but the lyrics now wrestled with topics like getting older, maintaining his mental health, finding happiness, being considerate and appreciating life as it happens.

Keep On Keeping On arrived shortly after the pandemic hit. With touring halted, Frasco didn’t worry about taking the next musical step for quite awhile.

Instead, he took to social media. He hosted a video I Wanna Dance With Somebody Dance Party, and started podcasting. His current series, Andy Frasco’s World Saving Podcast, features interviews—some of which get downright deep—with musicians and other celebrities, commentary and comedic bits. The series has gained considerable traction and Frasco, who is frequently joined by co-host Nick Gerlach, will continue doing these podcasts even as he returns to a full schedule of touring, songwriting and recording.

With all of this activity, it wasn’t until about six weeks before he was due to return touring in 2021 that Frasco realized he wanted to have new music for the upcoming shows and charged into making Wash, Rinse, Repeat.

He traveled to several cities to write and record with other songwriters, a process that helped him sharpen his songwriting chops.

“It was basically like going to songwriting school,” Frasco said. “I wrote with 20 different songwriters and I wrote with, like, 15 different songwriters in Nashville, and I wrote with a couple of guys in Charleston and a couple of guys in L.A., and instead of like the mind state of I know everything, I went in there with my mind state of I don’t know anything. It kind of helped me grow into the next phase of my career.”

Feeling he was in a creative space, Frasco spent a chunk of 2022 making his current album, L’Optimist. The new album reflects a new development in Frasco’s life.
“I think it’s a love album. I finally committed to someone and I’ve been writing about her,” Frasco said.

The songs, though, aren’t all about romantic bliss.

“It’s scary as hell. I’ve never had a relationship,” Frasco revealed. “I don’t even know what the fuck I’m doing. That’s what I’m writing about. Like, is this OK?”

Some of the songs from L’Optimist are popping up in set lists on Frasco’s current tour with his band, along with material from his back catalog.

“I have two different philosophies when I write songs,” Frasco said. “Sometimes I write songs for the record and sometimes I write songs for the set. And these new songs, I was really focusing on trying to write it for both. It’s been really nice. It’s given me confidence that I can write songs for both the (album) and for the live show.”

April 4, 8pm, at the Felton Music Hall

Free Will Astrology

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ARIES March 21-April 19
Aries author Eric G. Wilson claims, “Darker emotional states—doubt, confusion, alienation, despair—inspire a deeper and more durable experience of the sacred than contentment does.” I disagree. I know for a fact that an exquisite embrace of life’s holiness is equally possible through luminous joy and boisterous triumph and exultant breakthroughs. Propagandists of the supposed potency of misery are stuck in a habit of mind that’s endemic to the part of civilization that’s rotting and dying. In any case, Aries, I’m pleased to tell you that in the coming weeks, you will have abundant opportunities to glide into sacred awareness on the strength of your lust for life and joie de vivre.

TAURUS April 20-May 20
Will humans succeed in halting the decimation of the
environment? Will we neutralize the power of fundamentalism as it fights to quash our imaginations and limit our freedoms? Will we outflank and outlast the authoritarians that threaten democracy? Sorry I’m asking you to think about sad realities. But now is an excellent time for you to ponder the world we are creating for our descendants—and resolve to do something in loving service to the future. Meditate on the riddle from Lewis Carroll’s book Through the Looking Glass: “It’s a poor sort of memory that only works backwards.”

GEMINI May 21-June 20
The genius polymath Galileo Galilei (1564–1642) contributed much treasure to science and engineering. One encyclopedia sums up his legacy: “He was the father of observational astronomy, modern-era classical physics, the scientific method, and modern science.” Unfortunately, many of Galileo’s ideas conflicted with the teachings of Catholicism. The church fathers hounded him for years, even arresting him and putting him on trial. The Vatican eventually apologized, though not until 350 years after Galileo died. I expect that you, too, will generate many new approaches and possibilities in the coming months, Gemini—not Galileo level, of course, but still: sufficiently unprecedented to rouse the resistance of conventional wisdom. I suspect you won’t have to wait long to be vindicated, however.

CANCER June 21-July 22
Now would be a perfect time to prove your love. How? You might begin by being extra considerate, sensitive, sweet and tender. I hope you will add sublime, scintillating touches, too. Maybe you will tell your beloved allies beautiful truths about themselves—revelations that make them feel deeply understood and appreciated. Maybe you will give them gifts or blessings they have wanted for a long time but never managed to get for themselves. It’s possible you will serenade them with their favorite songs, or write a poem or story about them, or buy them a symbol that inspires their spiritual quest. To climax all your kindness, perhaps you will describe the ways they have changed your life for the better.

LEO July 23-Aug. 22
Leo naturalist and ornithologist William Henry Hudson (1841–1922) said, “I am not a lover of lawns. Rather would I see daisies in their thousands, ground ivy, hawkweed, and dandelions with splendid flowers and fairy down, than the too-well-tended lawn.” I encourage you to adopt his attitude toward everything in your life for the next few weeks. Always opt for unruly beauty over tidy regimentation. Choose lush vitality over pruned efficiency. Blend your fate with influences that exult in creative expressiveness, genial fertility and deep feelings. (PS: Cultural critic Michael Pollan says, “A lawn is nature under totalitarian rule.”)

VIRGO Aug. 23-Sept. 22
I praise and celebrate you for your skills at helping other people access their resources and activate their potentials. I hope you are rewarded well for your gorgeous service. If you are not, please figure out how to correct the problem in the coming months. If you are feeling extra bold, consider these two additional assignments: 1. Upgrade your skills at helping yourself access your own resources and activate your own potentials. 2. Be forthright and straightforward in asking the people you help to help you.

LIBRA Sept. 23-Oct. 22
I don’t regard a solar eclipse as a bad omen. On the contrary, I believe it may purge and cleanse stale old karma. On some occasions, I have seen it flush away emotional debts and debris that have been accumulating for years. So how shall we interpret the total solar eclipse that will electrify your astrological house of intimate togetherness in the coming days? I think it’s a favorable time to be brave and daring
as you upgrade your best relationships. What habits and patterns are you ready to reinvent and reconfigure? What new approaches are you willing to experiment with?

SCORPIO Oct. 23-Nov. 21
At your best, you Scorpios are not invasive manipulators. Rather, you are catalysts. You are instigators of
transformation, resurrectors of dead energy, awakeners
of numb minds. The people you influence may not be aware that they long to draw on your influence. They may think you are somehow imposing it on them, when, in fact, you are simply being your genuine, intense self, and they are reaching out to absorb your unruly healing. In the
coming weeks, please keep in mind what I’ve said here.

SAGITTARIUS Nov. 22-Dec. 21
In my astrological opinion, it’s prime time for you to shower big wild favors on your beautiful self. Get the fun underway with a period of rigorous self-care: a physical checkup, perhaps, and visits with the dentist, therapist, hairstylist and acupuncturist. Try new healing agents and seek precise magic that enhances and uplifts your energy. I trust you will also call on luxurious indulgences like a massage, a psychic reading, gourmet meals, an emotionally potent movie, exciting new music and long, slow love-making. Anything else, Sagittarius? Make a list and carry out these tasks with the same verve and determination you would give to any important task.

CAPRICORN Dec. 22-Jan. 19
The coming days will be a favorable time for you to wrestle with an angel or play chess with a devil. You will have extraordinary power in any showdown or collaboration
with spiritual forces. Your practical intelligence will serve you well in encounters with nonrational enigmas and supernatural riddles. Here’s a hot tip: Never assume that any being, human or divine, is holier or wiser than you. You will have a special knack for finding compassionate solutions to address even the knottiest dilemmas.

AQUARIUS Jan. 20-Feb. 18
Your featured organ of the month is your nose. This may sound beyond the scope of predictable possibilities, but I’m serious: You will make robust decisions and discriminating choices if you get your sniffer fully involved. So I advise you to favor and explore whatever smells good. Cultivate a nuanced appreciation for what aromas can reveal. If there’s a hint of a stink or an odd tang, go elsewhere. The saying “follow your nose” is especially applicable. PS: I recommend you take steps to expose yourself to a wide array of scents that energize you and boost your mood.

PISCES Feb. 19-March 20
When is the best time to ask for a raise or an increase in benefits? Can astrology reveal favorable periods for being aggressive about getting more of what you want? In the system I use, the time that’s 30 to 60 days after your birthday is most likely to generate good results. Another phase is 210 to 240 days after your birthday. Keep in mind that these estimates may be partly fanciful and playful and mythical. But then in my philosophy, fanciful and playful and mythical actions have an honored place. Self-fulfilling prophecies are more likely to be fulfilled if you regard them as fun experiments rather than serious, literal rules

Homework: Imagine that everything and every place in your life are holy.

Newsletter.FreeWillAstrology.com © Copyright 2024

Under Ben Bulben — A Jewel Theatre premiere

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While the rest of us were busy looking for the right yoga pants, or flirting with the guy across the bar, Kate Hawley was listening. Watching. Paying close attention.

Thanks to this playwright’s pitch-perfect ear, Jewel Theatre has launched another probing theater piece, the world premiere of Hawley’s Under Ben Bulben. Tongue firmly in cheek, the title nods both to a middle-of-nowhere spot of Ireland and a poem by Irish literary star William Butler Yeats.

Unfolding in a succession of vignettes, Ben Bulben places us in a run-down hotel managed by the unflappable Mrs. Brennen (a seamless, adroit performance by Patty Gallagher). With cheery scolding about the cost of hot water, and a stern warning against eating in the room, she welcomes a procession of guests. All have come with plenty of baggage.

We know these guests. We have been these guests.

With care and cunning Hawley and her scenario turn the hands of time back and forth, musing on memory and life’s inevitable lessons. Hawley is brilliant at surprises that are nonetheless familiar.

Thanks to knockout performances, the laughs are as rich and abundant as the tender epiphanies. Hawley writes funny as well as bracing, and never more so than for a breathtaking performance by Karel Wright as Maggie, accompanied to the hotel by her grandson Shaun (Andrew Yabroff).

As she remembers a childhood friendship that gave her the happiest times of her life, we watch an actor equal to the play’s best writing. It was one of those spellbinding moments that can only happen in live theater.

The tone is set as we meet the first guests, Sally (Julie Eccles) and Jack (Paul Whitworth), returning after many years to the site of their honeymoon. Hawley’s superb ear is at work as Jack makes a phone call to his daughter to let her know they’ve arrived safe and sound.

Talking with his little granddaughter, he launches into silly grandfather talk. Whitworth adroitly reveals the conversation on the other side through his own responses and reactions. The play often uses a phone call as a crucial device to expand the world

of the stage by way of unseen relationships, joys, disappointments and woeful disconnects. The phone calls to invisible others also invites the viewer into the play’s interior as we provide the unheard dialogue in our own imaginations.

Time, memory, what is said, and what isn’t, all form the deep tissue of Under Ben Bulben, a play whose appeal is immediate but whose scenes and implications will generate conversations long afterwards.

The Jewel pampers theater-goers with exceptional sets and lighting, and here kudos are due to lighting designer Kent Dorsey and scenic designer Michael Schweikardt.

Impeccable sound design by John H. Koss adds further texture, offering sonic reminders of the surrounding world.

The play keeps us engaged from start to finish as the characters bring their issues into the well-worn hotel room, inflected here and there with tart enthusiasm by Mrs. Brennan.

We meet another couple, on a return overnight for a golf tournament, and while the husband (Jeffrey Fiorito) drunkenly stumbles into bed and sleep, his wife (Nancy Carlin) recalls their previous stay. Both players are flawless in this gorgeously written bit of domestic revelation.

Cristina Anselmo as Josie and Solange Marcotte as her bored daughter Caitlin work their tense scene into a perfect lather of mother-daughter miscommunication.

Yet nothing is stereotypical in Hawley’s writing.

My heart was won, and not for the first time, by Rolf Saxon’s deft turn as a man on the phone to his ex-wife about their daughter’s wedding plans. His reactions to what we know she must be telling him are a masterclass in technique.

Finally, kudos to superb direction by Paul Mullins, whose insight into the script encouraged each actor to create a unique character.

Replete with memorable performances, Under Ben Bulben—the penultimate offering by the Jewel Theatre Company—is a splendid evening of theater.

Under Ben Bulben
Through April 14, $53
jeweltheatre.net

Weed Reeps

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The politics of cannabis sometimes seem complicated because, almost uniquely in this sad political era, both support for and opposition to laws reforming cannabis laws can be found on both sides of the aisle.

This has led to some unfortunate rhetoric from reform advocates in support of ghouls like Matt Gaetz just because those ghouls favor liberalizing pot laws. For such single-issue proponents (most of them, to be fair, just individual social-media randos, though there are a lot of them), Gaetz’s overall vileness doesn’t matter a bit; he’s pro-weed, so they support him.

From many of the same people, we get statements of opposition to Democratic politicians, and not just the ones, like Joe Manchin, who oppose liberalization, but even the ones like Chuck Schumer, who favor it but are perceived to be moving too slowly or getting too cozy with big, corporate weed companies (not that they are above criticism for those things, of course).

But the situation isn’t really as complicated as it might seem. It’s not really necessary to get into a moral debate over whether it’s OK to vote for people who want to deport millions or who are fine with women dying from ectopic pregnancies as long as those people are pro-cannabis.

The best course for reformers is to support Democratic politicians, period. Support for reform comes overwhelmingly from Democrats; opposition comes overwhelmingly from Republicans. If the Democrats had control of the Senate over the past several years, weed would almost certainly have been legalized at the federal level by now.

But we don’t even need to examine Congress. Look at what’s happening at the state level.

In 2022, voters in five Texas cities approved ballot measures to decriminalize weed. Or, more accurately, not even to decriminalize, but simply to ratchet down enforcement by local cops of laws prohibiting the possession of small amounts of pot.

The ballot measures—in Austin, Denton, Elgin, Killeen and San Marcos—were passed overwhelmingly. In Austin, probably the most progressive of those cities, 85% of voters approved the measure. In Killeen, a military town and not exactly a hippie haven, the initiative won 69% of the vote.

In January, Texas Attorney General Ken Paxton filed a lawsuit against the five towns, seeking to block implementation of the voter initiatives. Paxton proudly issued a press release declaring that he filed the lawsuit “to protect the public from crime, drugs and violence.”

Paxton of course knows that problems stemming from “crime, drugs and violence” aren’t impacted at all by people possessing small amounts of pot, and that busting those people won’t help solve them. He’s doing this to appeal to his base, which skews toward the elderly and the malevolent. And he knows that the MAGA types who support him won’t change their votes even if they support pot reforms.

Republicans in Ohio are motivated by the same thing: sticking it to Democrats, whatever the will of the people might be. In November, a ballot measure to legalize adult-use weed passed with a whopping 57% of the vote. Senate Republicans, who control that chamber, immediately began attacking the measure, offering a substitute bill that would ban home growing, restrict allowed THC levels, raise the excise tax rate from 10% to 15%, and direct tax proceeds away from social-equity programs and general substance-abuse programs, and toward law-enforcement and “marijuana substance abuse” programs, as well as safe-driving initiatives.
That would run directly counter to what Ohioans—including many Republicans—explicitly voted for. But screw that if you have the chance to own the libs, right?

Facing widespread criticism, the Republican senators have backed down a bit since then (conceding on the home-grow provision, for example) but they’re still trying to fiddle with the law, including by insisting that tax proceeds go to cops.

If any of these efforts are successful at all, look for Republicans in red and purple states, and those in Congress, to step up their opposition. When it comes to pot reform, only one party can be counted on to do the right thing, even if they sometimes go about it in frustrating ways.

The Gospel According to Rev. Billy C. Wirtz

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With a stage name like Rev. Billy C. Wirtz, you’d expect that the man would be an evangelist of some kind. And you’d be right. But Wirtz—born William Wirths in Aiken, South Carolina, just up the road from where James Brown was born 19 years before him—isn’t selling old-time, fire-and-brimstone religion; no, he’s on a mission to spread the good news about American roots music. A bona fide renaissance man of song, Wirtz is a singer, songwriter, humorist, broadcaster, journalist, historian, author and filmmaker.

And he considers all of his various creative endeavors as part of one big calling. And that’s been the case ever since long before he got started as a recording artist with 1983’s Salvation Through Polyester. “I still do a comedic live presentation,” he explains. “But within the comedy, I’ll play an old classic and talk about how it evolved.”

A Rev. Billy C. Wirtz concert is a history lesson wrapped in a rollicking, laugh-riot live show. He might start out by playing one of his originals: maybe a new one like “Go Little Golf Cart,” about the alleged naughty goings-on in the Villages, Florida’s deep red, Disneyfied and 95% white community. From there, Wirtz might launch into a lively, fast-paced discussion about “Got My Mojo Workin’,” the blues classic popularized by Muddy Waters.

“But Muddy didn’t write ‘Mojo,’” Wirtz will explain. Composed by Preston Foster in 1956, the song was first cut by a woman named Ann Cole. “She and Muddy were on the same bill at the Manhattan Casino in St. Pete,” he’ll tell the audience. Waters had been looking for a blues song that combined country beats, like Chuck Berry had done with “Maybelline” in 1955.

Helping the audience to appreciate that blues, gospel, country and rock ’n’ roll are closely woven strands of the tapestry that is American music, Wirtz will then demonstrate that “Got My Mojo Workin’” and Johnny Cash’s “Folsom Prison Blues” are, in his words, “the identical song with the same beat.”

After pausing to let that fascinating fact sink in, he continues. “I put stuff like that in between ‘Mama Was a Deadhead’ and ‘Roberta’ [from 1989’s Deep Fried and Sanctified] and all the classics.”

Wirtz’s other pursuits dovetail with his own music-making. For years now he has hosted radio shows like Reverend Billy’s Rhythm Revival, broadcast in different forms on Santa Cruz’s KPIG-FM, Western North Carolina’s WNCW and Tampa’s WMNF. “I’ve been doing the show for about 15 years now,” he says.

As a music fan with a deep well of knowledge paired with insatiable curiosity, Wirtz is the ideal person to explore and document overlooked corners of musical history. One of his current projects is a documentary about 92-year-old pianist Leon Blue. A member of classic blues band the Mannish Boys, Blue’s extensive credits include work with everyone from “king of Western Swing” Bob Wills to Ike & Tina Turner to Lloyd Price to B.B. King. The documentary isn’t quite finished yet, but Wirtz has his title: The World According to Leon.

Wirtz writes often for America’s oldest blues periodical, Living Blues, and other outlets. In 2022 he won an award in Florida for Best Nonfiction Magazine Article. That history of the state’s so-called chitlin’ circuit was, according to a well-connected acquaintance of his, “a bad motherfucker for a documentary.” Work is about to commence on that project. “We begin by interviewing Alan Leeds, who was James Brown’s road manager for 15 years,” Wirtz says.

Rev. Billy C. Wirtz’s passion for music is contagious, and it knows no bounds. He loves the wild stuff, and he has dedicated life and career to spreading that love to listeners, readers and audiences. “When the segregationist preachers screamed about the devil n-word music, they said it would lead to premarital sex, and to interracial couples dancing,” he says with a smile and hearty laugh. “And they were right!”


Reverend Billy C. Wirtz with Bob Malone, April 6, Kuumbwa Jazz, 320-2 Cedar St, Santa Cruz, 7:30pm $30/$45
gold circle.snazzyproductions.com

Oyuki Sushi, Atypical Oasis

Downtown has added a category of cuisine with new Oyuki Sushi (1010 Pacific Ave., Suite F, Santa Cruz) which would be great news on its own.

But there are more tasty subplots where that came from.

Oyuki specializes in Nikkei-style food—essentially Peruvian ingredients with Japanese technique—via items like salmon nigiri with house chimichurri or special sushi rolls finished with Peruvian sauces like acevichado, a lightly spicy ceviche marinade made from leche de tigre.

Full-on Peruvian dishes present more welcome additions, including albacore ceviche, chicken ají, causas (smashed potato-seafood towers), lomo saltado (a signature Peruvian sirloin-onion stir fry, with fries), papa a la huacaina (potato in an aji amarillo-and-cheese sauce), and choros a la chalaca (steamed mussels with corn, cilantro, onion, tomato and traditional spices), with regionally-born drinks chicha morada and Inca Kola to pair with them.

A solid roster of fusion sushi helps, with eye-catchers like the Fuji special with shrimp tempura, salmon, cucumber, avocado and the house Fuji sauce made with Andes Mountains inspiration.

Vegan sushi presents another bonus, with a dozen rolls like the Machu Picchu with carrot-based vegan “salmon,” avocado, spinach, cucumber and seasoned mushrooms.

So does the cozy and clean setting—with the alpaca wall hanging made of alpaca fur—and the approachable vibe of husband-and-wife team Carla Estrada and chef Maynor Lopez, both veterans of the hospitality industry with a range of Latin American heritage, Peruvian included. oyukisushi.com

RISING FLAVOR
Gifted pastry guru—and local popup darling—Enzo Pelliccia has thrown open the doors on his own spot with Emozioni Pasticceria (2814 Porter St., Suite B) in Soquel. His major draws include Napolitano pizzas, savory flatbreads and top-shelf sweets like millefoglie

Andersonwith pistachio cream, chocolate “bombs” and authentic Italian lemon cream sponge cakes. It’s now open 9am-5pm Tuesday-Friday, and
until 2pm Saturday-Sunday, instagram.com/emozionipasticceria

ON THE WATER
Made my overdue maiden voyage to reader favorite Riva’s Fish House (31 Municipal Wharf) and came away pleased with the easy vibe, engaging service, worthy cioppino and quality crab cake sandwich. My eternal search for quality—and ideally oceanside—happy hours finds a home here too, 3-6pm weekdays, with $1 off draft beers, $4 domestics and $5 well drinks, rivafishhouse.com. Speaking of the Wharf, Riva’s sister spot Makai Santa Cruz (49a Municipal Wharf) does one of the best fried chicken sandwiches in town with the Hawaiian Mochiko marinated in gojuchang; and Humble Sea’s wharfside beer garden (45 Municipal Wharf) is back noon-sunset Friday-Sunday with craft drafts, BYO food, prime views and merch, humblesea.com

FLAVOR BURSTS
Santa Cruz VegFest gets cruciferous 10am-6pm Saturday, April 6, with 80 vendors and thousands of attendees channeling plant-based, cruelty-free, animal friendly and environmentally-sustainable lifestyles at the Boardwalk’s Cocoanut Grove ballroom ($5, free/12 and under), vegfestsantacruz.org…Santa Cruz Community Farmers’ Markets popular Sunday Live Oak Market (at East Cliff Village Shopping Center) was given the boot by Swenson Builders last week, who then decided they would have an additional 30 days on their lease to find a new home, santacruzfarmersmarket.org…Cruz Kitchen and Taps (145 Laurel St, Santa Cruz) does an uncommon salad worth flagging called “Da Baby,” with smoked whitefish, avocado, sweet onions, wakame, sesame seeds, lime, ginger, chili paste and soy sauce, cruzkitchenandtaps.com…

May the fork be with you.

Things to do in Santa Cruz

THURSDAY

ROCK

ANDY FRASCO & THE UN “Got an armful of wristbands to cover the stars,” Andy Frasco sings on his recent single. “What we used to be is not who we are.” Signed to Fun Machine Records, Frasco and his band are masters of super emotive, hard-charging, introspective rock ‘n’ roll. His 2023 record, L’Optimist, takes his lifelong battle with depression head-on, audaciously asserting optimism in the face of darkness. For those who want to feel all the feels—set to pounding drums and ample power chords, no less—and come out stronger for it, Andy Frasco & the UN provide musical catharsis. ADDIE MAHMASSANI

8pm, Felton Music Hall, 6275 Hwy 9, Felton. $24/adv, $26/door. 704-7113.

FRIDAY

ROCK

CAGE WORLD A collective space like SubRosa rocks because of how close to the ground they can get with the artists they book. Sometimes the musician or group is well-known, like when Kimya Dawson played to an audience so packed it spilled onto Pacific Avenue. More often, they feature the best new and unknown underground band, soon to be every attendee’s favorite. This will undoubtedly be the case with indie rockers Cage World. Cage World combines the melancholy of shoegaze, the thoughtfulness of post-hardcore and the prowess of ’90s college art rock for songs with an old soul and a new sound. This might be the last chance to see Cage World at an intimate venue. MAT WEIR

6pm, SubRosa, 703 Pacific Ave., Santa Cruz. $10. 426-5254.

ROCK

MEATBODIES Garage punk meets neo-psychedelia in Meatbodies, helmed by Chad Ubovich. After touring with LA rockers like Mikal Cronin and Ty Segall Ubovich formed Meatbodies in 2014. The album Alice found Ubovich exploring political questions with a loose concept he described at the time as “almost like a made-up scripture.” The band continues to evolve its sound with the triumphant Flora Ocean Tiger Bloom, which was born of a series of disasters in Ubovich’s personal life. Pitchfork writes, “If anyone’s earned the right to check out from reality and indulge in the transcendental properties of psychedelic rock, it’s this dude.” AM

8pm, The Crepe Place, 1134 Soquel Ave., Santa Cruz. $18. 429-6994.

SATURDAY

BLUES ROCK

REVEREND BILLY C. WIRTZ

Self-ordained Reverend Billy C. Wirtz has pounded the 88s like a whackier version of the great Jerry Lee Lewis for over 44 years. Wirtz is an imaginative purveyor of twisted tales and off-the-wall parodies and has grown his fandom into an international cult of “Snazzyheads.” A steady stream of original albums with titles like Salvation Through Polyester and Unchained Maladies showcases the aggressive absurdity of working as a pro wrestling manager (his past profession). His album Backslider’s Tractor Pull won the American Association of Independent Music’s award for Comedy Album of the Year. Opening the show will be keyboard wizard Bob Malone, a longtime sideman for John Fogerty, Ringo Starr and Avril Lavigne, among others. DAN EMERSON

7:30pm, Kuumbwa Jazz Center,
320-2 Cedar St., Santa Cruz. $30. 427-2227.

COMEDY


CONNOR WOOD

Connor Wood, best known to the internet as @Fibulaa, has much to say, and people want to hear it. With over 35 million likes and 800 thousand followers, Wood has earned the attention of TikTokkers and IG Reels subscribers alike. His humor appeals to everything Gen Z, with jokes spanning from Adderall shortages to the crazy parking laws of LA and Andrew Scott’s undeniable sex appeal. Wood is tapped into the cultural zeitgeist, and he’s ready to find the humor in it. His tour lands in Santa Cruz after a slew of sold-out appearances across the country. JESSICA IRISH

8pm, Rio Theatre, 1205 Soquel Ave.,
Santa Cruz. $28. 423-1854.

SUNDAY

PERCUSSION

THIRD COAST PERCUSSION

Third Coast Percussion is kicking off the annual April in Santa Cruz Creative Music & Arts Festival at UCSC. The Grammy award-winning quartet will perform the music of composer JLin (Jerrilyn Patton), who has been touted as a revolutionary contemporary composer, and a new work by ultra-modern composer Jay Afrisando. The festival’s theme this year is “A Time for Change,” and the multiday event focuses on various creative styles, including workshops developed for the ensemble’s UCSC residency by composers Rodrigo Barriga and Michael Fleming. DE

7:30pm, UCSC Recital Hall, 402 McHenry Rd., Santa Cruz. Free

TUESDAY

AUTHOR EVENT

PAM PEIRCE

For 30 years, Golden Gate Gardening has been the go-to book for urban gardeners in the Bay Area. Don’t believe us? Food journalist and author Michael Pollan once described it as “…indispensable—if you buy one gardening book, this is the one.” The newly revised and expanded edition touches on proper planting techniques, climates and soil, watering and pruning tips, how to naturally fight pests and more. Author Pam Peirce makes a special appearance at the Bookshop Santa Cruz to discuss tactics for creating an optimal small-space garden, with tips and tricks for gardeners old and young, new or experienced. MW

7pm, Bookshop Santa Cruz, 1520 Pacific Ave., Santa Cruz. Free. 423-0900.

WEDNESDAY

ROOTS

FANTASTIC NEGRITO

Prepare to groove to the unfiltered music of Fantastic Negrito. Known for displaying a rawness in his music, he meditates on the personal, from surviving a car crash to his interracial grandparents’ love story, and each song intersects themes of survival, space, love, racism, capitalism, history and freedom. Fantastic Negrito plays a form of Black roots, combining older forms of folk and funk with modern technology and sound to create something new. Not one to follow the guides of any one genre, Fantastic Negrito reminds us that we are all born free. ISABELLA MARIE SANGALINE

8pm, Moe’s Alley, 1535 Commercial Way, Santa Cruz. $26/adv, $30/door. 479-1854.

INDIE

The BETHS — Photo: Frances Carter

THE BETHS Last year, the Beths opened for the Death Cab for Cutie/Postal Service reunion tour, earning lots of love from the crowd and the man behind the bands himself: Ben Gibbard. It’s not difficult to understand why Gibbard was drawn to the Beths; their sound captures the same energy that Cutie’s Transatlanticism album so brilliantly contained: emotive lyrics, a gritty yet poppy guitar sound and a chorus worth jumping up and down to. With a talented female vocalist lead and plenty of catchy yet moody hooks, the Beths are not to be missed. J

8pm, The Catalyst, 1011 Pacific Ave.,
Santa Cruz. $27/adv, $32/door. 713-5492.

FRIDAY

OPINION

Dan Pulcrano | Publisher

It’s been 10 years this week since Good Times returned to local ownership. We’d been publishing Metro Santa Cruz and Santa Cruz Weekly for 20 years when the opportunity arose to purchase Good Times from the East Coast private equity firm that owned it and merge it with our weekly.

The move made sense from an economic and editorial standpoint, but it was risky nonetheless. We made a seven-figure investment at a time when others were fleeing the industry and demonstrated that not only is print journalism appreciated and viable, but it makes a difference in communities.

Despite the economic impacts of California’s increasing business costs, our highly subsidized competition, a pandemic and natural disasters, Good Times has grown. As the four-time winner of the California Journalism Awards’ top prize for weeklies, General Excellence, we have been able to deliver a product that is second to none in the state.

The success of Good Times has enabled us to keep jobs here and reinvest locally. We bought and restored a mid-century building on the San Lorenzo Riverwalk, purchased Watsonville’s 156-yearold Pajaronian newspaper and, more recently, the Press Banner, which serves Scotts Valley and the San Lorenzo Valley.

We were very pleased when the Pajaronian was recognized with a General Excellence award in its circulation category last year, giving the county two of the state’s top newspapers. We organize a number of community events, among them Santa Cruz Restaurant Week, Santa Cruz Burger Week, Best of Santa Cruz and Santa Cruz Gives, which has raised millions for local nonprofits.

We also support the efforts of others, such as First Friday and the upcoming TEDx Santa Cruz. We are grateful to the readers, advertisers and supporters who have kept Good Times the county’s best read publication. I am particularly thankful for the early efforts by Lee May, Jeanne Howard and Steve Palopoli, who shared the vision and the heavy lifting needed for its realization. After 10 years, it feels like we are just getting started and look forward to what’s ahead. Here’s to the future.

DAN PULCRANO | CEO/EXECUTIVE EDITOR.


PHOTO CONTEST

FUNKY REST KICKER A Trestle Lounge over Antonelli Pond. Photograph by Ross Levoy

GOOD IDEA

The Santa Cruz County Board of Supervisors approved a new ordinance prohibiting E-bikes from most places where pedestrians walk, with some exceptions. Under the new rules, E-bike riders in the unincorporated parts of the county cannot use them on sidewalks, unless there is no bike lane and as long as there are no pedestrians. E-bikes are prohibited from park trails, unless the parks director makes specific exceptions. Scofflaws face a $100 fine for the first violation, $200 for a second violation within one year and $500 for each additional violation in the same year.

GOOD WORK

In a little more than a year, Ramsay Park in Watsonville will boast a new dog park, a new multi-use synthetic sports field, a new state-of-the-art nature center and new lights for its pathways, parking lots and athletic fields. Plans also include an all-inclusive playground, picnic areas and the Watsonville Slough Connector Trail Project, a connector trail between Main St. and Harkins Slough Road. The project is slated to kick off in May, and is expected to take 15 months at $24.5 million,

QUOTE OF THE WEEK

“The greatest menace to freedom is an inert people”
–JUSTICE LOUIS BRANDEIS

LETTERS

0

CORRECTION

In the story about the band Flat Sun Society last week bassist Avery Bick was misidentified.

RAIL/TRAIL UNSAFE

I’m J. Ben Vernazza, a 90-year-old retired CPA and Certified Forensic Accountant (CrFA). As a CrFA, I pride myself on sniffing out potential problems. That’s why I’ve been closely following the Santa Cruz County Regional Transportation Commission (SCCRTC) and Board of Supervisors (SCCBOS) discussions regarding the safety of the proposed Ultimate Trail. Public agencies have a primary duty: public safety. My analysis of the SCCRTC’s plan raises serious concerns. Initially, the Ultimate Trail was advertised as a Class I trail (meeting Caltrans safety standards) but fell short. This could have been considered non-feasance (failing to fulfill a required duty). The Final EIR avoids the safety issue. Staff claims the trail is Class I “with design exceptions” and not subject to Caltrans standards. Yet, it ignores the reality of 4 of 7 miles with 15-foot concrete walls and fences. Caltrans guidelines account for these limitations, reducing the usable width to 8 ft from 12 which is below the width for low volume trails (Santa Cruz to Capitola is not low volume – 2019 estimate of 584 bikes-pedestrians at peak hours. The current plan could create a public nuisance, potentially leading to injuries and deaths. The project’s safety flaws and potential legal implications warrant further investigation. This email is a call to action for local media to exercise their constitutional right to investigate.
J. BEN VERNAZZA
CPA/PFS TEP(UK) CRFA EMERITUS

When you trash Congress’s lack of planning please be specific and note it’s the GOP/GQP that doesn’t know how to govern. Dems do a lot of good when they have that power, Check out the legislation passed when Pelosi ruled the House with a paper thin majority.
PXL

When you trash Congress’s lack of planning please be specific and note it’s the GOP/GQP that doesn’t know how to govern. Dems do a lot of good when they have that power, Check out the legislation passed when Pelosi ruled the House with a paper thin majority.
PXL

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Under Ben Bulben — A Jewel Theatre premiere

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Weed Reeps

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Things to do in Santa Cruz

Garage punk meets neo-psychedelia in Meatbodies, helmed by Chad Ubovich. Friday, 8pm, The Crepe Place

OPINION

It’s been 10 years this week since Good Times returned to local ownership. We have been able to deliver a product that is second to none in the state.

LETTERS

Letters to the Editor published every wednesday
As a CrFA, I pride myself on sniffing out potential problems. That's why I've been closely following the Santa Cruz County Regional Transportation Commission ...
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