Smooth Blend

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Looking for a fabulous wine for Thanksgiving? Look no further than Silver Mountain Vineyards.

Silver Mountain’s Alloy, a Cabernet-dominant Bordeaux-style blend, is superb. And it’s also a much-sought-after wine round these parts. Silver Mountain Vineyards founder Jerold O’Brien, who established his winery in 1979, has sold many barrels of this award-winning wine over the years. And I have drunk many a glass of Alloy as well. It’s one of my favorites with its smooth medium tannins, and dark-fruit notes of blackberry and plum. It has a warm layer of characteristic earthiness, and is an ideal food wine.

The delicious Alloy ($50) won Best Bordeaux Blend in the 2022 California State Fair Wine Competition, and double gold in the 2023 East Meets West Wine Competition.

If you prefer a pinot on the lighter side, then Silver Mountain’s Rosé of Pinot ($28) is the way to go. Silver Mountain also produces chardonnay, cabernet and syrah. And consulting winemaker Tony Craig turns out terrific wines under his own label—Sonnet Cellars.

All these wines are available at the Santa Cruz tasting room, and from the winery in Los Gatos.

Silver Mountain Vineyards, 328D Ingalls St., Santa Cruz; 269 Silver Mountain Drive, Los Gatos. 408-353-2278. Silvermtn.com

Vine Time in the Village

More than two dozen wineries will be pouring their vinos at the very popular Aptos Wine Wander—a partnership between Wines of the Santa Cruz Mountains and Aptos Village businesses. Participating businesses take part in this fun day by hosting wineries. It’s an opportunity to taste many wines without traveling far and wide. Purchase the wines you like at the bottle booth.

Aptos Wine Wander, 1-4pm, Saturday, Nov. 22. Tickets $50 ($45 in advance). Info. Scmwa.com or 831-685-8463.

Being Here Now

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Santa Cruz local Dave Evans is remarkable for many reasons — not least of which is that his first book, Designing Your Life, co-written with Bill Burnett in 2016, has been translated into more than 27 languages and remains the top-selling book in Amazon’s Career category, the position once dominated by “What Color is Your Parachute”?

A former firefighter who put himself through Stanford, Evans also became the world’s first mouse product manager at Apple before co-founding Stanford’s renowned Life Design Lab. His follow-up book, Designing Your New Work Life, continues to explore how a designer’s mindset can help anyone live with more meaning, without adding more to an already full schedule.

A surprisingly down-to-earth person, Dave was generous enough to carve an hour out of his busy day to talk about his upcoming book, How to Live a Meaningful Life, (with coauthor Bill Burnett) and why now is the perfect time to start.

Designing Your Life was a gamechanger, but it seems some of your readers hit a dead end after the goals they achieved weren’t as fulfilling as they’d envisioned. Your new book suggests we can create more meaning by applying a designer’s mindset, without having to cram more into our already busy lives. What inspired this idea, and why is it so timely?

Dave Evans: When we first brought the “five designer mindsets” into our Stanford program—this goes back to the early days of Designing Your Life—we learned something powerful: point of view matters tremendously. The way you see things changes everything.

We’d hear from people saying, “Oh, I read Designing Your Life and it was so helpful.” And [co-author] Bill would ask, “So, which exercises did you do?” Overwhelmingly, the answer was none. Just reading about mindset was enough to help them reframe their experience.

People are struggling right now. That reframing, or aligning more closely with reality, is what opens the door to freedom. Stuff only happens in reality, so get there as soon as you can. Once you’re there, if you have a more attentive stance, one that lets you be in the present moment, you’ll find more freedom and more opportunity to live the life you’re choosing. You actually get more aliveness out of it while you’re doing it.

You reference a line between impact and meaning. How do you distinguish between them in a culture obsessed with productivity and results?

The number-one thing we’ve heard over years of research is: “It’s just not working for me. It’s not fulfilling enough.” When we dig deeper, people usually define meaning as impact—changing the world, leaving a legacy. And that’s great. But if impact is your only food group, you’ll go hungry.

Impact is an outcome, not a source of meaning. Even if you sell a million books, or hit the big goal, the half-life of that satisfaction is short. There’s always the next thing. We call that the hedonic treadmill. It used to be about money or power, now it’s meaning. How much purpose is enough? The answer is always a little bit more.

So we invite people to broaden their experience. Reframing meaning allows you to experience the fullness of being alive: coherence, flow, wonder and formative growth, not just achievement.

I get it. If you’re not enjoying the journey, the satisfaction of your achievements only lasts so long. And you may miss opportunities for growth as well. You also write about “radical acceptance”—the idea that we can’t change gravity problems, those unchangeable realities like “poets don’t get paid enough.” How does that idea help people move forward?

Exactly. There are some things you just can’t change—market realities, physics, gravity. So, if you’re a poet and the world doesn’t pay poets much, that’s the reality. The only way you’ll be happier than your underpaid poetic self believes she deserves to be is by accepting the fact that poets get paid poorly. Radical acceptance is our number-one mindset in the new book.

But we always emphasize, acceptance is not endorsement. You’re not saying it’s okay, you’re just acknowledging that it’s true. Once you do that, you can reframe your stance toward reality and actually move forward.

Let’s explore that effortless state of mind where focus meets ease that psychologists call flow, and the distinction between “being in the flow” and living with flow consciousness. Can you explain that?

Sure. The “flow state”—that high-performance zone Mihaly Csikszentmihalyi wrote about—is one form of flow. But we think the bar’s been set too high. You don’t need to be writing a symphony to experience flow.

“Simple flow” is available anytime. It’s about noticing what’s flowing by you right now, the totality of reality happening in this moment. You can either stand back, trying to control everything in the past or future, or you can participate in the flow that’s already happening.

When you’re in that mindset, you’re not chasing meaning—you’re living it.

And social media seems to pull us away from that…

Oh, absolutely. We’ve been in this acceleration loop since we invented the clock. Then came electricity, railroads, phones, the internet, and now AI and social media. Each step has pushed us further into transaction mode.

It’s highly effective, but it’s not very life-giving. The achieving brain has taken over. Flow invites the awakened brain back into the room.

You write about the “scandal of particularity”—that we experience the sublime only through small, specific moments. Why is that “scandalous”?

Because it’s humbling! There’s no such thing as the ultimate, complete experience of beauty, love or truth. You only ever get little glimpses: your grandchild’s eyes lighting up at a cupcake, sunlight on a leaf, the sound of laughter.

It’s scandalous that the infinite shows up in the finite—that the sublime hides in the ridiculous. But once you accept that, every small thing becomes an invitation. You start celebrating the particular instead of criticizing it for not being everything.

I love the case study of “Fritz” and how he reframed an important morning from stressed and over-managed to being in flow. What can readers take from that?

Fritz learned to plan his day so he could set himself up for success, then let go. Worrying feels like a necessary responsibility, but it’s really just anxiety. Once you’ve done enough prep, over-managing doesn’t make things better; it just fills your head with noise.

If you’ve set yourself up to win, you can actually enjoy walking into the office, greeting people, catching the light through the trees. When you’re not overthinking, you show up as a calmer, more present version of yourself—and you perform better, too.

So much of this comes back to trust and letting go. But what about all of the people who feel truly stuck?

Most people are stuck because they’re holding a bad question. They’ve decided the only valid solution is the one that isn’t available: “If I can’t get promoted, my life is over.” The first step is to restate the question so it gives you more freedom.

You could ask, “How can I make work more interesting?” or “How can I enjoy this life while I’m solving the problem?” If you’re stuck on something unsolvable, you need a better question.

The truth is, while you’re “stuck,” life is still happening, you’re still becoming, still invited into coherence, flow, wonder and formation. There’s more life on the table at any given moment than most people realize.

Speaking of wonder, your book introduces the idea of a “sniffari,” which for a sensory awareness nerd sounds inviting.

That one’s borrowed from dog owners! A “sniffari” is a walk where you let your dog follow its nose fully and freely. As olfactory beings it lights up all of their circuitry. For humans, who are primarily visual beings, it’s a way to awaken the senses. Go outside, walk slowly, and actually smell things: the wood, the dirt, the rain.

You’ll find yourself fully present, because smell demands attention. It’s mindfulness through the nose.

You also describe coherence, meaning when who we are, what we believe, and what we’re doing align.

Exactly. Catch yourself in the act of being coherent: “Oh, I’m doing what I believe in.” That’s an experience of meaning, right there. Don’t skip over it waiting for the big win. Notice it. Value it.

I appreciate the simple breakdown introduced in the book of two major life stages. What’s your best advice for readers to embrace growth in either stage?

First half of life you’re building the container. Second half you’re emptying it. The first half is about creating the person you respect. The second half is about transcending that person.

Don’t rush it, but don’t cling, either. Be willing to move through transitions, to let go of old definitions. Change is inevitable, but growth is optional and available throughout your whole life.

You’ve said before that “all of us contain more aliveness than one lifetime permits us to live.” What does that mean for you now?

We’re each a multiverse of beings—we each have many possible selves inside us. The work is not to become done, but to keep growing.

Ask yourself, “What am I learning now? What invitation is life making to me today?”

Change is inevitable. Growth is optional. But if you stay curious and keep saying yes to the invitations, you’ll live into the next version of yourself beautifully.

That’s a beautiful note to end on.

Thanks. Just remember—it’s not about doing more. It’s about noticing more.


Final Exam

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Local pro surfer Kyle Thiermann will appear at the Patagonia Outlet on Nov. 25 to talk about his new book, One Last Question Before You Go.

A Santa Cruz High School graduate, Thiermann lands somewhere between an innovative entrepreneur and a comedic raconteur. The 35-year-old buff athlete is widely known as a world-class big wave rider, an OG Patagonia surf ambassador, and the co-creator of the MotherF**ker Awards, which skewered corporate America. He’s also a successful podcaster who’s released 400 episodes and climbing. And now, added to an already dense résumé, he’s an author of a smart, timely and emotionally moving book.

One Last Thing Before You Go is subtitled “Why you should interview your parents,” and its origin story was hatched during the recent worldwide plague. “I came up with the idea during the pandemic. I was living in this old RV called Starflyte. It was a 1997 Ford RV. It was sick,” Thiermann says.

While the type of RV seems a minor detail, it’s part and parcel of the fabric of Thiermann’s life. Consider that this interview was done while he was maintaining his balance on a slackline. And that’s because balance is an integral key to understanding how Thiermann traverses the depths and heights of human experience and emotion.

Like so many of us during COVID, Thiermann feared that he would lose his parents, and worried if it was possibly the end of the world as we know it. “I had the idea to have my dad, Eric Thiermann, on my podcast.” Having interviewed so many intellectual athletes, best-selling authors and other inspiring folks, Thiermann has developed yet another skill, that of an intuitive interviewer.

“There’s a dance to it. And I figured I would turn the microphone around on my dad. So I invited him into my RV. I interviewed him about his life. He has had a fascinating life,” Thiermann relates.

His father, Eric, was a child magician and paid for his schooling by doing magic shows as a kid throughout Santa Monica. A year-one UCSC student (“back when they had trailers”), his father became a documentary filmmaker.

Thiermann began the interview by asking his father what got him into filmmaking. “I learned that year one at UCSC, he was tasked to take photos for their first yearbook. I didn’t know that, because I had never asked him. He had this old Mamiya Sekor camera, and that got him into filmmaking. He told me stories about magic and just lessons of life that I had never really taken the time to absorb from him or get down on tape. It was a fun conversation,” Thiermann admits.

At that point, The Kyle Thiermann Podcast had a fairly small audience, but after the interview was broadcast online, he began to receive a notable amount of emails from his listeners. “Listeners said that they’ve been wanting to interview their parents. They asked how do you do this? Can you just give me tips? So that was where the idea for the book started,” Thiermann explains.

Thiermann believes that interviewing your parents is a lot like ingesting psychedelics (which is another of his passions that he is quite knowledgeable about). “It can reframe the way you see your parents. You know, for a lot of us, we just see our parents as these like old statues that are unmoving. But the reality is there’s a stat that by the time we’re 18 years old, most of us will have already spent 90% of our total time in life with our parents. So if you think about that after you move out when you’re 18, you’ve already exhausted 90% of the total time with your parents. And then you see them for holidays, you see them for events, but you have an outdated version of who your parents are. And I think the interview is a chance, like psychedelics, to recontextualize how you see them,” Thiermann explains, still mid-balance, hanging in the air.

One Last Question Before You Go is not only a biography of some of Thiermann’s early experiences growing up in Santa Cruz, but also a chance to hear some of his podcast guests weigh in on the importance of listening to your parents’ stories—such as Supercommunicators author Charles Duhigg and Sex at Dawn author Christopher Ryan. They flesh out this small but mighty book, but what will make your heart laugh, and eyes cry, are Thiermann’s interviews with his parents.

Kyle Thiermann will appear at 7pm on Nov. 25 at Patagonia Outlet, 415 River St., Suite C, Santa Cruz. Free. Find out more at KyleThiermann.com.

BIG WAVE RIDER Pro surfer Kyle Thiermann talks about his new book at the Patagonia Outlet on Nov. 25. Photo: Ryan Chachi Craig

Public Weighs In on 150 Proposed Layoffs in PVUSD

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In the middle of more than an hour of public comment Wednesday during the Pajaro Valley Unified School District Board of Trustees meeting, Gabriel Barraza—a frequent critic of the district—gave a quote he said is well known in public administration.

“Show me your budget, and I’ll show you your values,” he said. 

The line became a common theme during the contentious meeting—which lasted well past midnight—when the board discussed a list of recommended layoffs to help stave off a projected $15 million shortfall by laying off more than 150 teachers and other school employees.

A frequent refrain from more than 50 speakers was criticism that administrators had recently been given raises, even as possible layoffs loomed.

“When you are padding cabinet-level positions, when you are giving raises to the superintendent and other administrators, and you are cutting from the people who are on the ground, doing the work to educate, to make our students feel safe and heard, that says a lot about your values,” Barraza said.

The trustees took no action during the meeting. They will revisit and finalize the layoffs on Dec. 11.

District officials say the need for the staff reductions comes after $127.5 million in one-time state funding that came in 2020 during the Covid pandemic dried up.

This is coupled with declining enrollment that is expected to last through the 2027-28 school year. 

Assistant Superintendent of Human Resources Kit Bragg said the district lost 450 students this year, and estimates that 500 will be gone next year, which amounts to a $13.5 million loss.

In addition, the lower number of students means low classroom ratios, with PVUSD schools averaging 18 students per teacher. 

“We can’t afford staff at these ratios,” Bragg said. 

PVUSD Chief Business Officer Gerardo Castollo referenced a letter sent from the Santa Cruz County Office of Education stating that the district is deficit spending by more than $10.4 million this year, $15.4 million next year and $17.7 million in 2027-28.

If that keeps up, he said, PVUSD could face eventual takeover by the state.

“And that is something, believe me, we do not want to do,” he said.

Bragg said the district could also consider closing some schools—a complicated process that can take up to a year. Other options include increasing class sizes, implementing furloughs and restructuring the district’s benefits plans, all of which must be negotiated with teacher and school employee unions. 

The list of recommended layoffs included 15 counselors, about 11 reading intervention teachers, 2 behaviorists, 13 mental health clinicians, 10 healthcare assistants, 15 instructional assistants, and 40 special education teachers. In addition, the proposed plan would eliminate 50 temporary, probationary and intern teachers.

Public outcry

Hundreds of people packed the Watsonville City Council Chambers, with more than 50 addressing the board for more than an hour, all of whom implored the board to look for alternative ways to save money.

Many decried plans to slash special education and counselor positions.

Amesti Elementary School teacher Rachel Hitchcock questioned why upper-level employees were recently given raises when teacher layoffs were a looming possibility. 

“If the budget is in such dire straits that educator and support staff cuts need to be made, why are the people who are already making the most money getting raises,” she asked. 

Trustee Misty Navarro said that the $15,000 salary increase for Superintendent Heather Contreras, who earns $275, 921 a year, was an agreement baked into her contract by the previous board.

“This was an obligation we already promised over a year ago,” she said.

“I wish we had unlimited funds and that we could do all things for all people, but we have to make really hard choices up here, and none of us were looking forward to this meeting,” Navarro said.

Michael Christensen, whose son is in special education, said that his teachers are an essential part of his education.

“These people are saints to us,” he said. “They give a chance for our kid to have a voice, he’s growing, he’s thriving, he’s doing all these incredible changes that would not happen at the private level. And now to hear all these cuts are going to happen, these really are… to the most vulnerable.”

Speaking through a Spanish translator, Maria Campos asked the board to reconsider cutting counselors, explaining that two of her family members who attempted suicide were saved by the help they received. 

“Thanks to (the counselors), they’re alive today,” Campos said, adding that the board’s decisions will be “the difference between life and death and the future of many students.”

Aptos Junior High School teacher Suzanna Langstaff said she relies on the school’s behavioral technicians, instructional assistants and behaviorists.

“Please do not cut the individuals who work with our students, who make their futures possible,” she said. 

Other options

Castillo said that the district can look for ways to boost attendance.

“We get paid only if our students attend school,” he said. “If they don’t attend school, we get paid nada, zero.”

While selling district-owned properties was presented as another option, Castillo stressed that those proceeds would be one-time funding that should not be used for ongoing salaries.

“To generate revenue we have very limited options,” he said. 

The district could also look to parcel taxes, he said.

Trustee Gabriel Medina questioned why the district is considering cutting counselor positions  with a recent spate of student suicides and assaults, without first considering cutting consultants, the Lozano-Smith law firm retained by the district, outside training and “executive perks.”

“We had a loss of 4 to 5 student lives to suicides, and you don’t think that we actually need counselors now to prevent that from happening more,” Medina asked.

Bragg said that the district has 41 counselors on staff, and that cutting 15, which were hired with the one-time Covid funding, would still allow the district to have counselors at the school sites.

“In order to deal with the reductions that have to take place, and the fiscal shortfalls that the board has to wrestle with, if we don’t release those teachers, then we have no way to right-size because we don’t have positions to put them into.”

Medina also asked whether the district could tap into its reserve funds to help make up the current shortfall.

While the district is required by the state to maintain a 3% reserve to weather financial crises—roughly $10 million—it currently has about $46 million in that account, Castillo said. 

“We have $46 million, we need $15, and we have to have $10 million,” Medina said. “What would be the shortfall?”

Castillo responded that such a move would leave the district unable to pay its bills within three years, which Medina called a “budgetary assessment.” 

Board President Olivia Flores read a letter from the SCCOE outlining the district’s obligation to keep a healthy balance, and said that the board should look to realistic solutions. 

“The fact is that we do have a $15 million deficit spending problem that we need to fix,” she said. 

Superintendent Contreras said the district has closed 130 classrooms this year, which saved an estimated $2 million to $5 million.

Trustee Joy Flynn asked district administrators to go to Watsonville city officials and to the Santa Cruz County Sheriff to ask them to cover the cost of school resource officers.

“I think that would be a really loud commitment to the future of our students and PVUSD, and show a community response and community responsibility,” she said, 

Flynn also asked the district to look into what the savings would be to close schools.

Letters

COVER VS ORIGINAL BANDS

It was very interesting to read Richard Stockton’s article about the challenge bands face by playing their own original music. We certainly wish he had included us, Extra Large, in his interviews. It’s rather ironic that we were overlooked as we were voted by Good Times readers as Santa Cruz’s favorite band 17 consecutive years all the while playing our own original music. Our sets include only 10% covers. We worked hard to establish ourselves as an original band and it paid off. Now we look out in the (huge) crowd and see happy dancing folks singing along to the songs we’ve created.

Valerie Leal | Santa Cruz

COVER OR NOT

My band is called THE JAMISSARIES. We play regularly at The Shanty Shack, The Crepe Place, Joe’s Bar, Henflings, Discretion and the Brookdale Lodge. I have been playing in bands in Santa Cruz since arriving here in 1991, escaping NYC, inspired by cassette tapes of jam bands recorded at The Catalyst, falling in love with the ocean, the mountains and everything in between. Our setlists are comprised of at least half of my original music. While we do funked-up jamband takes on Beatles, Donovan, The Grateful Dead, Tenacious D, etc., contrary to Mr. Stockton’s report, we have found that the dancefloor fills up and people get grooving to my originals, that local audiences are refreshingly receptive and responsive to them. For that we are, well, grateful.

Ed Levy | Santa Cruz

FAKE TRAIN NEWS

In their recent letter (“Billions for Rail”), Judith Carey and Russell Weisz repeated a persistent myth that “a few trackside landowners” would get a “payoff” if the rail corridor were railbanked. This claim is simply false and has been publicly debunked—even by rail advocates.

As Jim Weller, a leading rail supporter and self-described “Land Title Guru,” wrote in the Santa Cruz Sentinel (April 28, 2024):

“The RTC owns outright nearly all of the land in the 32-mile corridor. Among 113 distinct segments, just 14 of them are 19th-century easements. Only four of these affect the full width of the corridor. … The risk of loss by the public is vanishingly small as it stands.”

In other words, there is virtually no scenario in which adjacent landowners, such as myself, would receive any “payoff” if the corridor were railbanked for a trail. The property remains under the ownership of the Santa Cruz County Regional Transportation Commission, and the federal railbanking process explicitly preserves the public’s right-of-way for future rail use.

It would be greatly appreciated if Good Times and other local publications would fact-check these recurring misinformation points before printing letters that mislead readers. The conversation about the corridor’s future should be grounded in verified facts—not unfounded accusations about imagined windfalls for property owners.

Jack Brown | Aptos

Free Will Astrology

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ARIES March 21-April 19

The Akan concept of Sankofa is represented by a bird looking backward while moving forward. The message is “Go back and get it.” You must retrieve wisdom from the past to move into the future. Forgetting where you came from doesn’t liberate you; it orphans you. I encourage you to make Sankofa a prime meditation, Aries. The shape of your becoming must include the shape of your origin. You can’t transcend what you haven’t integrated. So look back, retrieve what you left behind, and bring it forward.

TAURUS April 20-May 20

The coming weeks will be an excellent time for you to engage in STRATEGIC FORGETTING. It’s the art of deliberately unlearning what you were taught about who you should be, what you should want, and how you should spend your precious life. Fact: Fanatical brand loyalty to yourself can be an act of self-sabotage. I suggest you fire yourself from your own expectations. Clock out from the job of being who you were yesterday. It’s liberation time!

GEMINI May 21-June 20

We should all risk asking supposedly wrong questions. Doing so reminds us that truth and discovery often hide in the compost pile of our mistaken notions. A wrong question can help us shed tired assumptions, expose invisible taboos, and lure new insights out of hiding. By leaning into the awkward, we invite surprise, which may be a rich source of genuine learning. With that in mind, I invite you to ask the following: Why not? What if I fail spectacularly? What would I do if I weren’t afraid of looking dumb? How can I make this weirder? What if the opposite were true? What if I said yes? What if I said no? What if this is all simpler than I’m making it? What if it’s stranger than I can imagine?

CANCER June 21-July 22

Cancerian novelist Octavia Butler said her stories were fueled by two obsessions: “Where will we be going?” and “How will we get there?” One critic praised this approach, saying she paid “serious attention to the way human beings actually work together and against each other.” Other critics praised her “clear-headed and brutally unsentimental” explorations of “far-reaching issues of race, sex, power.” She was a gritty visionary whose imagination was expansive and attention to detail meticulous. Let’s make her your inspirational role model. Your future self is now leaning toward you, whispering previews and hints about paths still half-formed. You’re being invited to be both a dreamer and builder, both a seer and strategist. Where are you going, and how will you get there?

LEO July 23-Aug. 22

The Tagalog language includes the word kilig. It refers to the butterfly-in-the-stomach flutter when something momentous, romantic or cute happens. I suspect kilig will be a featured experience for you in the coming weeks—if you make room for it. Please don’t fill up every minute with mundane tasks and relentless worrying. Meditate on the truth that you deserve an influx of such blessings and must expand your consciousness to welcome their full arrival.

VIRGO Aug. 23-Sept. 22

Your liver performs countless functions, including storing vitamins, synthesizing proteins, regulating blood sugar, filtering 1.5 quarts of blood per minute, and detoxifying metabolic wastes. It can regenerate itself from as little as 25 percent of its original tissue. It’s your internal resurrection machine: proof that some damage is reversible, and some second chances come built-in. Many cultures have regarded the liver not just as an organ, but as the seat of the soul and the source of passions. Some practice ritual purification ceremonies that honor the liver’s pivotal role. In accordance with astrological omens, Virgo, I invite you to celebrate this central repository of your life energy. Regard it as an inspiring symbol of your ability to revitalize yourself.

LIBRA Sept. 23-Oct. 22

The pupils of your eyes aren’t black. They are actually holes. Each pupil is an absence, a portal where light enters you and becomes sight. Do you understand how amazing this is? You have two voids in your face through which the world pours itself into your nervous system. These crucial features are literally made of nothing. The voidness is key to your love of life. Everything I just said reframes emptiness not as loss or deficiency, but as a functioning joy. Without the pupils’ hollowness, there is no color, no shape, no sunrise, no art. Likewise in emotional life, our ability to be delighted depends on vulnerability. To feel wonder and curiosity is to let the world enter us, just as light enters the eye.

SCORPIO Oct. 23-Nov. 21

Your dreams speak in images, not ideas. They bypass your rational defenses and tell the truth slantwise because the truth straight-on may be too bright to bear. The source of dreams, your unconscious, is fluent in a language that your waking mind may not be entirely adept in understanding: symbol, metaphor and emotional logic. It tries to tell you things your conscious self refuses to hear. Are you listening? Or are you too busy being reasonable? The coming weeks will be a crucial time to tune in to messages from deep within you.

SAGITTARIUS Nov. 22-Dec. 21

The tour guide at the museum was describing the leisure habits of ancient Romans. “Each day’s work was often completed by noon,” he said. “For the remainder of the day, they indulged in amusement and pleasure. Over half of the calendar consisted of holidays.” As I heard this cheerful news, my attention gravitated to you, Sagittarius. You probably can’t permanently arrange your schedule to be like the Romans’. But you’ll be wise to do so during the coming days. Do you dare to give yourself such abundant comfort and delight? Might you be bold enough to rebel against the daily drudgery to honor your soul’s and body’s cravings for relief and release?

CAPRICORN Dec. 22-Jan. 19

The Zulu greeting Sawubona means “I see you.” Not just “hello,” but “I acknowledge your existence, your dignity and your humanity.” The response is Ngikhona: “I am here.” In this exchange, people receive a respectful appreciation of the fact that they contain deeper truths below the surface level of their personality. This is the opposite of the Western world’s default state of mutual invisibility. What if you greeted everyone like this, Capricorn—with an intention to bestow honor and recognition? I recommend that you try this experiment. It will spur others to treat you even better than they already do.

AQUARIUS Jan. 20-Feb. 18

Bear with me while I propose an outlandish-sounding theory: that you have enough of everything. Not eventually, not after the next achievement, but right now: You have all you need. What if enoughness is not a quantity but a quality of attention? What if enoughness isn’t a perk you have to earn but a treasure you simply claim? In this way of thinking, you consider the possibility that the finish line keeps moving because you keep moving it. And now you will decide to stop doing that. You resolve to believe that this breath, this moment, and this gloriously imperfect life are enough, and the voice telling you it’s not enough is selling something you don’t need.

PISCES Feb. 19-March 20

The Inuit people have dozens of words for snow. The Scots have over 100 words for rain. Sanskrit is renowned for its detailed and nuanced vocabulary relating to love, tenderness and spiritual bliss. According to some estimates, there are 96 different terms for various expressions of love, including the romantic and sensual kind, as well as compassion, friendship, devotion and transcendence. I invite you to take an inventory of all the kinds of affection and care you experience. Now is an excellent phase to expand your understanding of these mysteries—and increase your capacity for giving and receiving them.Homework: What blessing would be most fun for you to bestow right now? Newsletter.FreeWillAstrology.com

© Copyright 2025  Rob Brezsny

Street Talk

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Do you recall an early experience of appreciating beauty?

Tus smiling for Street Talk
TUS

My first experiences of beauty were in my grandparents’ house and recognizing the colors and architecture. It was a small house that they had built into a multi-story home just like they wanted. The rooms were color coordinated, and full of antiques. I fell in love with that house.

Tus Henry, 32, Botanical Topicals

Fenryn smiling for Street Talk
FENRYN

Hiking up Beacon Rock in Washington when I was seven. It’s a very large rock—like 500 feet—with views of the Columbia River Gorge and a lot of chipmunks there. I was pretty young and just appreciating nature.

Fenryn Koen, 23, Tattoo Artist

Todd smiling for Street Talk
TODD

I had a big poster of Farrah Fawcett on my bedroom wall in 1975. I was only 12 at the time.

Todd Kent, 61, Retired

Jenny smiling for Street Talk
JENNY

I grew up in a village in Thailand. One afternoon I was sick so I couldn’t play. I sat in the shade under the mango tree and saw butterflies flying by and the light hitting the leaves. It was my first moment of stillness out in nature, thinking this is really pretty.

Jenny Houston, 34, Payroll Specialist

Paul smiling for Street Talk
PAUL

When I was really young, my dad took us on a boat on Lake Mead, and overlooking the vastness of the lake with the mountains was my first time really appreciating the desert landscape.

Paul Wright, 37, Instructor of Airport Policy


Nikhilesh smiling for Street Talk
NIKHILESH

I would say the most beautiful thing was when I saw a photo of a 2020 Ducati Diavel 1260 motorcycle. Then I saw one in person, and I was like whoa, this is beautiful. I fell in love like it’s like an Italian girl!

Nikhilesh Govindarajan, 31, Feature ADAS Viewing Systems Owner

Things to do in Santa Cruz

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THURSDAY 11/13

JAZZ

SASHA DOBSON Singer-songwriter-musician Sasha Dobson’s work seamlessly combines textures from country, jazz, folk, and rock. With a rich family heritage in music—her father Smith Dobson was a jazz pianist—she launched her career in the Bay Area before moving to New York City, immersing herself in that city’s indie and jazz communities. Dobson’s first album, 2006’s Modern Romance, introduced listeners to her smooth yet assured delivery. Later releases explored Americana and rock in greater depth. She’s also a member of alt-country trio Puss n Boots with Norah Jones and Catherine Popper. This evening’s performance will focus on jazz standards plus new and as-yet-unreleased songs. BILL KOPP

INFO: 7pm, Kuumbwa Jazz Center, 320-2 Cedar St., Santa Cruz. $32/adv, $37/door. 427-2227.

FILM

CHASING MAVERICKS As an ode to these awe-inspiring waves and their riders, Chasing Mavericks captures the true story of Jay Moriarity, a Santa Cruz teenager who trained under the local surf legend, Frosty Hesson. This biopic pays homage to California’s natural beauty and to its rich surf culture. This special showing also offers an exhibition of the authentic boards used in the film, presented by master board shaper Bob Pearson. Audiences are encouraged to bring a beach chair and come early to secure a great view. SHELLY NOVO

INFO: 7pm, The MAH Atrium, 705 Front St., Santa Cruz, $12, 429-1964.

FRIDAY 11/14

INDIE-ROCK

BUILT TO SPILL There aren’t many bands from 1992 still playing these days, and even fewer as great as Built to Spill. One of the original indie rock bands, Built To Spill revolves around singer and guitarist Doug Martsch, the only consistent member of the band since its inception. Which normally would be code for “not as good as they used to be,” however, Martsch originally envisioned the band to have a different lineup each album, something he returned to in 2012 after a decade of experimenting with a permanent lineup. No strangers to Santa Cruz, these tickets usually sell fast, so after reading this, make sure to buy them before they’re gone! MAT WEIR

INFO: 7:30pm, Rio Theatre, 1205 Soquel Ave., Santa Cruz. $42. 423-8209.

COMEDY

MATT BRAUNGER Matt Braunger is a tall, lanky guy who would be hard pressed to play an unlikeable character as his natural demeanor, his face, his voice, even his posture all say this is a gentle, friendly, goofy guy. This allows him to sneak in his razor-sharp wit and catch audiences off guard as they realize this silly man may be the smartest guy in the room, even if he’s totally unaware of it. He’s been all over your TV screen on MADtv, Agent Carter, and his voice can be heard on the cult favorite Bojack Horseman. The comic has stayed true to his stand-up roots, touring relentlessly and recording multiple albums and specials. KEITH LOWELL JENSEN

INFO: 7pm, Catalyst, 1101 Pacific Ave, Santa Cruz. $27. 713-5492.

SATURDAY 11/15

ROCK

DRAWING HEAVEN Hailing from San Jose, Drawing Heaven originally started out as an instrumental outfit. However, it’s a good thing they didn’t remain that way after meeting vocalist Casey Sky, who adds a gritty element with his classic singing style. One part Stone Temple Pilots, one part Alice in Chains, and eight parts their own sensibilities, Drawing Heaven is for anyone with a love for classic, heavy rock that walks the line between grunge and early metal. This week, see them at the Blue Lagoon with No Ordinary Yokel, Alecia Haselton and Midnight Dumpster Fire. Be sure to say “I love Eight” to guitarist Dan Delay! MW

INFO: 8:30pm, Blue Lagoon, 923 Pacific Ave., Santa Cruz. $10. 423-7117.

FOLK

STEPH STRINGS From Melbourne, Australia, singer, songwriter Steph Strings comes to us with quick fingers that dance busily over her guitar strings, often sounding like a second guitarist must be hiding behind the curtain. Then she opens her mouth and a strong voice adds poetic lyrics, full of storytelling and adventure. She quotes folk, blues, and Celtic influences, but she plays with the speed and intensity that suggests she’s got some rock, and maybe even a little metal in there as well, or at least that she draws from some of the same influences as her country’s number one musical export, AC/DC. KLJ

INFO: 8pm, Felton Music Hall, 6275 Hwy 9, Felton. $20.704-7113.

SUNDAY 11/16

JAM

JAY LANE, MICHAEL TRAVIS AND DAVID PHIPPS A new combo brings together leading lights of the jam/improvisation scene. After playing with Bay Area ska legends The Uptones, drummer Jay Lane was a founding member of Bob Weir’s RatDog as well as a two-time member of Primus (1988 and again in 2010-2013) and a member of Dead & Co. Michael Travis is a founding member of progressive bluegrass/jam outfit String Cheese Incident. Keyboardist David Phipps co-founded instrumental livetronica band Sound Tribe Sector 9 (STS9) in 1997 and still plays with that group. This evening promises “pure spontaneous composition” from these three accomplished players. BK

INFO: 8pm, Moe’s Alley, 1535 Commercial Way, Santa Cruz. $20/adv, $25/door. 479-1854.

TUESDAY 11/18

LITERARY

PEGGY TOWNSEND Best-selling author and journalist Peggy Townsend is here to present her latest book The Botanist’s Assistant. This quirky and charming murder mystery features the eccentric Margaret Finch, who suddenly needs to solve a death that shakes the small university where she works as an assistant researcher to a botanist. Margaret’s almost obsessive attention to detail and talent for organization will aid her journey to find the killer. Even while solving a murder, Townsend’s writing continues to be delightfully uplifting, humorous, and clever. Her own attention to detail allows her to build a witty science-centric mystery that will be hard to put down. ISABELLA MARIE SANGALINE

INFO: 7pm, Bookshop Santa Cruz, 1520 Pacific Ave, Santa Cruz. Free. 423-0900.

WEDNESDAY 11/19

INDIE

DELICATE STEVE Dreamy and melodic or syncopated with amps a-blaring, Delicate Steve turns out tunes with an authentic creativity that sounds like music made in a friend’s garage, perhaps Luke’s? His newest album, Luke’s Garage, brings up exactly those feelings and was made with adolescent aspirations and anything-goes creativity in mind. Hailing from New Jersey, the now LA-based Delicate Steve crafts joyful and mesmerizing synth-pop that conjures memories of summer days and soulful ballads that nod to candlelit intimacy. Although wordless, his songs speak for themselves, playing clear, direct guitar that creates beautiful and almost vocal melodies. SN

INFO: 8pm, Moe’s Alley, 1535 Commercial Wy, Santa Cruz. $20/adv, $25/door. 479-1854.

East Greets West

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It’s a momentous coming together of cultures, two years in the making, as the Korean Experimental Music Festival arrives at UCSC for four free performances Nov. 14-15. This is a rare opportunity to experience instruments whose origins span thousands of years, paired with what’s possible in cutting-edge music technology.

The idea was originally conceived by Hi Kyung Kim, a professor in the music department at UCSC, who saw it as an extension of her Pacific Rim Festival, which started in 1996. That festival brought together traditional Korean music performers with composers from California for opportunities of intercultural musical dialogue.

It’s a collaboration that has had a long process, not only due to the physical and cultural difference between the musicians, but also by the learning curve needed to understand each other’s instruments.

“It’s a first-of-its-kind ensemble pairing two gayageums—Korea’s zither-like string instrument—with a Western string quartet,” says Assistant Professor Matthew Schumaker of the Department of Music at UCSC.

“I’m involved largely in music with electronic music, live performers and technology,” Schumaker says. This event also integrates some of Schumaker’s colleagues at UC Berkeley and Stanford University who are also engaged in music technology pursuits.

Such an ambitious event is bound to make even the most tenured professor nervous. “I’m more excited than nervous because I just feel like we have this opportunity to work with these tremendous musicians from the National Gugak Center in Seoul, Korea. The National Gugak Center is like the New York Philharmonic of traditional Korean music. And so to have the opportunity to work with those tremendous musicians is just something that, I think, faculty and all of the composers who are involved feel so grateful.” Among the participants is the Del Sol String Quartet, which Schumaker calls “one of the most famous Bay Area string quartets.”

Collage of musicians performing at the Korean Experimental Music Festival, including traditional Korean and Western instrumentalists.
ON THE PROGRAM Four performances at UCSC include these artists (clockwise from top left): Bo-Mi Kim (playing saenghwang), Hyeyung Sol Yoon, Ben Krieth, Charlton Lee, Kathryn Bates, Ji-Hye Lee (gayageum) and Chi-Wan Park (piri). PHOTO: Contributed

Over the course of the four concerts, 19 new works of music will debut. With composers from the UCSC faculty and graduate students from Santa Cruz, UC Berkeley and Stanford, it’s a melting pot of collaboration.

One composer is Nina Barzegar, an Iranian-born DMA candidate in Music Composition at UCSC. A composer, pianist, improvisor and actor, Barzegar eagerly awaits the show. “The approach of the music department at UCSC is kind of focusing on world music, and getting familiar with other traditions and their instruments,” Barzegar says.

For many attendees it will be the first time they will get to see, and hear, traditional Korean instruments like the piri, a bamboo double-reed oboe, and the gayageum, a plucked instrument that has 12 to 25 strings.

“It’s been really wonderful to get familiar with these instruments and to know about the register, the quality of the sound, and about the notation symbols that they use in their music,” Barzegar says.

“It’s been a little challenging to get to know Korean music because it comes from a deep historical tradition and it’s not easy to learn the core aesthetics of their music. But we had the chance to learn about the instruments, and to know how to work with their instruments, and write our own music with this instrument. And this has been a great experience because we are experimenting with our own music using new timbres, which I think is rare,” Barzegar explains.

“For example, this concert is divided into two groups. Some write music with Korean instruments and electronics, and some for string quartet and gayageum,” she continues. “And this is not a kind of repertoire that you can find anywhere. So it’s a great opportunity for all of us to listen to this music from different musicians with different backgrounds.”

Schumaker’s specialty is in the electronics that will accompany the traditional instruments. “I think each performance will be unique. I know on the electronic side of things, in my composition, there are lots of different algorithms that are generating music on the fly. And so there’s a certain amount of variation that happens every single time the piece is performed as a result. But then of course you have the wonderful performers’ nuanced performances and they’re bringing different nuances to their performance every time they revisit a work in a performance. I think each experience is really individual and kind of special,” Schumaker explains.

Korean Experimental Music Festival shows take place at 5 and 8pm on Nov. 14-15. Free. UCSC Music Center Recital Hall, 402 McHenry Rd, Santa Cruz. events.ucsc.edu

From the Spirit

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In celebration of National Native American Heritage Month, a new art exhibit has gone up on the walls of the Aptos Branch Library.
Aptos artist Becky Olvera Schultz, who is part of the Kickapoo/Shawnee tribe, is sharing the exhibit with fellow artist Karen Whitaker. The show runs through Dec. 31 with 22 works by Olvera Schultz and 16 by Whitaker.

“I derive immense satisfaction from putting life into the materials I work with. My art is an extension of my spirit, a piece of my personal vision and a constant source of comfort and healing for me,” Olvera Schultz says.

She explains that after the loss of her brother, a friend suggested taking a Native American drum making class as a distraction. The class reawakened earlier interests in art and working with her hands. That led to working with clay and sculpting faces and masks.

“I believe my own indigenous bloodline, natural talent, research and travel experiences have all contributed to my specific style of art,” she says.

Whitaker said that she is “strongly moved by the ocean, clouds and ambient landscapes as well as figurative work.” Experimenting with new techniques and color, she says, “offers me a wide realm of possibilities in exploring ideas.

“My work has been described as having a subtlety of subject because it bridges the gap between pure abstraction and representational art,” she continues. “Inspiration comes from various sources, but I am most affected by atmospheric Native American and ambient music as it allows me to enter into areas of introspection and emotion.”

Smooth Blend

A bottle of Silver Mountain Vineyards Alloy wine on an outdoor table overlooking a mountain view.
Silver Mountain’s Alloy, a Cabernet-dominant Bordeaux-style blend is one of my favorites with its smooth medium tannins, and dark-fruit notes of blackberry and plum.

Being Here Now

A gray-haired man with a trimmed beard and mustache poses outdoors in a light gray button-down shirt, looking calmly into the camera.
Even if you sell a million books, or hit the big goal, the half-life of that satisfaction is short. There’s always the next thing.

Final Exam

A young Kyle Thiermann hugs his father Eric Thiermann from behind in a sunlit outdoor photo.
A Santa Cruz High School graduate, Kyle Thiermann lands somewhere between an innovative entrepreneur and a comedic raconteur.

Public Weighs In on 150 Proposed Layoffs in PVUSD

Exterior of the Pajaro Valley Unified School District headquarters building in Watsonville, California, on a clear day.
At the contentious meeting—which lasted past midnight—the PVUSD board discussed cuts to help stave off a projected $15 million shortfall.

Letters

fingers typing on a vintage typewriter
It was very interesting to read Richard Stockton’s article about the challenge bands face by playing their own original music. We certainly wish he had included us...

Free Will Astrology

Astrology, Horoscope, Stars, Zodiac Signs
Week of November 13, 2025

Street Talk

row of silhouettes of different people
Do you recall an early experience of appreciating beauty? My first experiences of beauty were in my grandparents’ house and recognizing the colors and architecture. It was a small house that they had built into a multi-story home just like they wanted. The rooms were color coordinated, and full of antiques. I fell in love with that house. Tus Henry, 32,...

Things to do in Santa Cruz

Silhouetted photo of the four members of the rock band Drawing Heaven standing against a dusky blue sky.
One part Stone Temple Pilots, one part Alice in Chains, and eight parts their own sensibilities, Drawing Heaven is for anyone with a love for classic, heavy rock. Plays Saturday at Blue Lagoon, 8:30pm

East Greets West

Members of the Del Sol Quartet pose together against a dark blue background.
Korean Experimental Music Festival arrives at UCSC for four free performances. This is a rare opportunity... Nov. 14-15.

From the Spirit

Giclée print of a Native American dancer wearing a colorful traditional outfit and feathered headdress against a bright blue sky.
n celebration of National Native American Heritage Month, a new art exhibit has gone up on the walls of the Aptos Branch Library. Aptos artist Becky Olvera Schultz, who is part of the Kickapoo/Shawnee tribe, is sharing the exhibit with fellow artist Karen Whitaker.
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