The Price of Prevention

Back when I toured nationally, I played a lot of comedy clubs in Texas, and my San Francisco comic buddies would tease me for playing venues that had a โ€œtwo- tooth minimum.โ€ California/Texas tooth disparity is real: Californiaโ€™s Medi-Cal, our version of Medicaid, provides comprehensive dental benefits to eligible adults through Medi-Cal Dental. Texas Medicaid generally does not provide comprehensive dental coverage for most adults.

I had not been to a dentist in years but recently my comedy career reignited; I played the Truckee KOA where a woman got so turned on by my act she threw her teeth onstage. I go to my wifeโ€™s dentist, who x-rays my mouth for $300 and tells me that, while I donโ€™t have any cavities, I need three crowns that will cost me out-of-pocket over $5,000. $5,000 is close to my total comedy income last year, counting the change I found in the seats after the shows.

The good news is that Californiaโ€™s newly signed 2026โ€“27 budget delays a planned reduction in Medi-Cal Dental benefits until July 1, 2027. For Dientes, that one-year reprieve for certain adult immigrants preserves coverage for patients who otherwise would have lost routine dental benefits this summer, but it postpones rather than settles the political fight.

If you are low income and wonder if you qualify for Medi-Cal, donโ€™t assume you make too much. Eligibility depends on household size, age, disability status, pregnancy and other factors, and the rules change. Californians can check their eligibility through the MyMedi-Cal portal, BenefitsCal, or by contacting their county Medi-Cal office.

Santa Cruz Countyโ€™s hidden dental system

This story is not about my teeth; itโ€™s about all of ours. Facing a $5,000 bill for crowns, I began exploring an exciting new retirement plan: chewing only on the left side of my mouth. The crowns, my dentist explained, were preventive. My back molars were cracked and worn from decades of nighttime teeth grinding.

They hadn’t broken yet but someday will. I got accepted into Medi-Cal Dental. The state paid to fill one small cavity I actually had but declined to pay for the three crowns. My molars, according to Medi-Calโ€™s guidelines, werenโ€™t broken enough. I left with an uneasy understanding that California will help me after my molars shatter, but not necessarily before.

Dignity through dentistry

Ask people in Santa Cruz County what Dientes is, many will have a vague idea. I spoke with Sheree Storm, Chief Strategy Officer for Dientes, who explained that roughly 70,000 Santa Cruz County residents receive their health coverage through Medi-Cal. Dientes expects to provide more than 80,000 dental visits this year to approximately 18,000 patients through its five clinics and a mobile dental program in Santa Cruz County.

This isnโ€™t charity dentistry. It is a professionally staffed nonprofit health system employing about 150 people, with digital X-rays, modern operatories, pediatric dentistry, oral surgery, dentures, periodontal care. Its clinics look like the private dental offices we have been visiting for years.

โ€œOur whole thing is dignity through dentistry,โ€ Storm tells me. โ€œWe want people to walk in and feel like theyโ€™re treated really well.โ€

Storm says another misconception is who actually receives Medi-Cal. Storm sees independent contractors, gig workers, retirees, people working multiple jobs, small business owners, people trying to make ends meet in one of Californiaโ€™s most expensive counties. Hardworking people. Even journalists.

I ask Storm how many Santa Cruz County dentists accept Medi-Cal Dental. Storm says the stateโ€™s provider directory lists ten private Santa Cruz County dentists as accepting Medi-Cal Dental, but only five were listed as accepting new patients.

Suddenly, Dientes makes a lot of sense. The organization isnโ€™t merely another dental clinic; itโ€™s part of the countyโ€™s safety net.

Storm explains that the hardest appointment to get is the first one. Getting through the front door remains the biggest hurdle and that bottleneck isnโ€™t because dentists donโ€™t care, it’s because dentistry is expensive. Every practice must pay for buildings, equipment, sterilization, staff, insurance, laboratory work, technology and continuing education before a single filling is placed. These costs help explain why relatively few private dentists participate extensively in Medi-Cal Dental.

Storm isn’t criticizing them. The question isn’t whether private dentists are compassionate. The question is whether the reimbursement system makes it financially possible.

We pay for catastrophe, not prevention

Years ago, I had a neighbor in Seabright who ignored his leaking roof; he thought replacing five shingles seemed too costly. Twenty-five years later, the entire house had to be torn down.

Evidence suggests that preventive dental care isn’t merely compassionate policy, it’s sound economics.

California learned that lesson the hard way after eliminating most adult Medi-Cal dental benefits in 2009. Nearly three million low-income adults lost access to routine cleanings, fillings, crowns, dentures and root canals. Instead of saving money over the long run, the state saw an immediate surge of roughly 1,800 additional dental-related emergency room visits each year, while Medicaid spending on those visits jumping 68 percent.

When California restored adult dental benefits beginning in 2014 and fully in 2018, access improved dramatically. Medi-Cal Dental providers increased by 34 percent, and new dental visits by Medi-Cal patients rose 37 percent (American Dental Association).

The price of prevention, the cost of catastrophe

Longtime Santa Cruz dentist Dr. Alan Heit has watched that cycle play out for nearly four decades. I asked the health provider why people postpone dental care.

โ€œFear is part of it,โ€ Heit said. โ€œA huge part of it is economics. Do you want to pay for a filling or pay the rent? A filling that initially costs less than $500, can become a root canal and crown costing thousands.โ€

Alan tells me that emergency departments may prescribe antibiotics, control pain or admit someone with a dangerous infection, but many patients leave still needing a dentist. Hospitals, and ultimately all of us absorb part of that expense.

Heit sees something that doesnโ€™t appear in budget spreadsheets. A painful mouth changes lives; dental infections can spread beyond the mouth into other parts of the body. Missing teeth change nutrition because people stop eating foods that are difficult to chew. Chronic pain affects judgment, parenting, work performance and simple day-to-day patience.

โ€œOral health has to do with your overall well-being,โ€ Heit says. โ€œPsychologically and physically.โ€

I asked the good doctor what he would do if he ruled the world. His prescription for California is simple: routine examinations, x-rays and cleanings. Find problems early. Fix them early. โ€œItโ€™s a no-brainer. Prevention is primary.โ€

Newsom’s budget does not permanently restore or expand Medi-Cal Dental. It simply delays the proposed reductions for one year, meaning the political fight over adult dental benefits will return during next year’s budget negotiations.

As for me, Medi-Cal says my worn-down molars aren’t broken enough to justify paying for crowns. Maybe theyโ€™re right, Iโ€™m still chewing. But after talking to Alan Heit and Sheree Storm, my thinking has changed. A state-of-the-art dental office I found in Sacramento has offered to give me three preventive crowns for $800 apiece. Damn, that seems expensive. But maybe the expensive thing is doing nothing. Be it climate change, or shingles on a roof, or our teeth, we always pay eventually. Do we want to pay for prevention, or catastrophe?

Donโ€™t mess with Texas. They might gum you.


Street Talk

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What are your coolest picks for a Santa Cruz summer?

CASEY

โ€œMy choice for a hot-day triple scoop is Cookie Doughโ€”made with Pacific Cookie Company cookie doughโ€”plus Mint Chip and Northern Oregon Blackberry, all from Marianneโ€™s. The mint chip is especially cool on a hot day.โ€

Casey Gates, Pacific Cookie Company, 1203 Pacific Ave


SCOTT

โ€œIn Italy, our ices are called a granita, slow-frozen for an intensely concentrated flavor. My triple cup would be Macon County Georgia Peach; the pineapple and coconut Piรฑa Colada; and then something like our Brazilian Passion Fruit, Big Island Guava, or Jamaican Mango. I pick the tropical on a hot day.โ€

Scott Edelstein, Izzyโ€™s Ices, 106 Lincoln St


LUCIANA

โ€œOur Incanto Calabrese is walnut gelato with Calabrian figs and tangerines. Whiskey Croccante is made with whiskey crรจme, dark chocolate and cantucci almond biscuits. Our โ€˜Benvenuti al Sudโ€™ means โ€˜Welcome to the South,โ€™ with flavors from Sicilyโ€”almond, orange and pistachio. We rotate small-batch flavors all day.โ€

Luciana Costanza, Gran Gelato Caffรจ, 525 Cedar St


TRAM

โ€œIced Vietnamese phin coffee. Itโ€™s special because it is drip brewed slowly and densely for a concentrated coffee, sweetened with condensed milk. Or our sweet espresso prepared Cuban-style and poured over iceโ€

Tram Vu, Mariposa Coffee Bar, 1010 Pacific Ave


ENRIQUE

โ€œOur special Otter Latte, iced. Itโ€™s made with organic cocoa, Saigon cinnamon, cardamom and honey.โ€

Enrique Lopez-Rivera, Cafรฉ Delmarette, 1126 Pacific Ave


ALEX

โ€œIced Berry Crรจme Compote Tisane. A tisane drink is blend of herbs, spices, fruits and botanicals. We use our Spring Berry Blend with a hint of crรจme.โ€

Alex Hayes , Lulu Carpenter’s, 1545 Pacific Ave


The Sartorial Revolution

Chloe Chapinโ€”author, former Broadway costume designer, Harvard academic and Santa Cruz nativeโ€”will be returning to her roots at Bookshop Santa Cruz to share her debut book, Suitable: The Sartorial Revolution and the Fashioning of Modern Men, at a free in-store event with costume designer B. Modern on July 27 at 7pm.ย 

The book, published by Oxford University Press on June 1, is a detailed account of the evolution in menโ€™s fashion between the American Revolution and the Civil War. 

But the book is more than just a book about menswear; according to Chapin, โ€œI show how the language of power is written into the clothes we wear.โ€

The event will be a homecoming for Chapin, not only returning to Bookshopโ€”where she spent her youth shelving used science-fiction books in the basement and eventually working the floor, and later helping out during nearly every winter break or summer off from university. 

โ€œI’m proud of her on so many levels, as a personโ€”but it’s also very cool when a bookseller becomes a published author,โ€ said Casey Coonerty Protti, the owner of Bookshop Santa Cruz and a childhood friend of Chapin. 

โ€œThis is somebody who loves her subject matter, infuses it with cultural phenomena and rounds it out with a sparkling personality,โ€ said Coonerty Protti. โ€œI think it’s going to be just a very joyful event.โ€

Throughout the book, Chapin traces how the clothing that defined menโ€™s fashion transitioned from a colorful display of ornately decorated frocks to a plain, structured uniform of black-and-white suits, a shift Chapin refers to as โ€œpeacocks to penguins.โ€ 

The book grew out of Chapinโ€™s dissertation during her PhD in American Studies from Harvard University, but despite being a book of academic pedigree, Chapin thoughtfully engages with the reader, keeping what could be heavy, light and digestible. 

Chapin gently guides the reader through the history of menswearโ€”exploring how the plain black-and-white suit has come to be so revered in modern American society, the uniformity that defines it, and how it has come to represent masculinity and power. 

โ€œEvery time there is sartorial uniformity, there is some kind of power at play, and menโ€™s suits are probably the most pervasive form of visual hegemony in the Western world.โ€ Chapin writes in the preface. 

The inspiration for the book came from the multiple decades of Chapinโ€™s adult life spent in fashion and theater, from her time at Santa Cruz Shakespeare to her later work on Broadway.

Part of Chapinโ€™s academic journey into the world of suits and tuxedos and the sartorial revolution began in 2008, born of a discussion with Daniel Radcliffe at the opening night of Equus, said Chapin. 

โ€œHe was wearing this beautiful midnight blue tuxedo,โ€ said Chapin. 

The tuxedo left Chapin captivated, and she approached Radcliffe to discuss it, who explained the royal origins of the particular tuxedo style. 

In the 1920s, Edward VIII, the then Prince of Wales, was one of the first widely photographed royals, according to Chapin, and to make his suit tailoring stand out, he chose a midnight blue fabric over the traditional black. 

โ€œAnd I just thought that was such a fascinating story. And so, because of that, I started doing research on tuxedos,โ€ said Chapin. 

Nearly 4 years after that conversation, while costuming an opera, Chapin had to decide what the performers would wear for the opening act. However, it was difficult to ascertain what would be period-accurate and appropriate for the scene, said Chapin. 

โ€œI was scrolling through my mental database about in the 1850sโ€”was it actually that strict of a uniform that was before tuxedos were invented?โ€ said Chapin. 

โ€œAnd I was like, wait a minuteโ€”in the 18th century, they weren’t wearing black and white at all. They were wearing a very wide range of things, just like the women were. But then by 1850, they were all dressed exactly alike. That doesnโ€™t make any sense. Why did that happen?โ€

While on the quest to answer that question, Chapin found that โ€œthe more research I did, the more I found that there was a kind of a bigger question about this uniformity of suits.โ€

The question became a foundational tenet for both her later PhD and the book.  

โ€œI couldn’t be more excited to share it with the Santa Cruz audience,โ€ said Chapin. โ€œGetting the opportunity to share it [the book] with the community that raised me, that helped contribute to this book, is really meaningful to me.โ€ 

To attend the free event on Monday, July 27, individuals interested can use the Bookshop website to RSVP.

Catalyzing Effect

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Ask anyone on the street about some of the biggest stories in Santa Cruz right now and inevitably one personโ€”more likely severalโ€”will bring up the questions surrounding the Catalyst Club. Whatโ€™s going on with it? Will it continue to operate? Will Santa Cruz continue to have its legendary venue? Whatโ€™s going on with the scarce calendar bookings for a venue that once boasted a show almost every night of the week?

Well fear not, because it appears the Catalyst will still be around. At least for a little longer. On Sunday, July 12th the first of several Atrium shows kicked off a new series. Curated by longtime Santa Cruz promoter Chas Crowder, the new series wonโ€™t have to look far for talent to feature.

โ€œWeโ€™re going to feature all local artists,โ€ Crowder says. โ€œItโ€™s an attempt to get the community back into The Catalyst.โ€

Itโ€™s a throwback to better days, when the Atrium was the place to go to see homegrown music without breaking the bank. Longtimers may remember the Dollar Nights featured in the room where one could buy a slice of pizza, get a cheap beer and see a show when funds were thin. Well, times have changed of course, but that doesnโ€™t mean concert goers have to pay the price of a full tank of gas to see live music.

โ€œWeโ€™re doing this as low cost as possible while still paying the bands well,โ€ states Crowder.

The first several shows will be free in order to draw people in. After that Crowder says there will be a $10 cap on shows leaving attendees with some money for a cold beverage at the bar. The Catalyst even launched a new website, AtriumAtTheCatalyst.com for people to check out all the upcoming acts.

This isnโ€™t Crowderโ€™s first rodeo.

As the proprietor of Santa Cruz Entertainment News and Events (SCENE), Crowder has booked an astounding 11,000 shows over the last five years. Some of the venues in his constant rotation include the Four Points by Sheraton which covers 11 properties across the Bay, Santa Cruz Beach Boardwalk, Henflings Tavern, the River Run at Brookdale Lodge (โ€œBy the way, weโ€™re working on the Mermaid Pool and the venue, right now. So thatโ€™s coming,โ€ he says) and the Chaminade. As if thatโ€™s not enough, he also started recently booking the Parish in Aptos.

But the Catalyst Atrium is where it all began locally for him 22years ago.

โ€œI thought it was important to start where I left off,โ€ he says. โ€œThatโ€™s one of the reasons why I wanted to do the Sunday showcase because thatโ€™s how I started my career in Santa Cruz.โ€

According to Catalyst Production Manager, Earl Salindo, the Atrium local showcases will continue through the summer until October when the Catalystโ€™s booking agency, Gate 52, starts their new season. However, he says the shows might have a chance to continue if they โ€œmake sense,โ€ so the more people show up to these summer gigs, the more of a chance theyโ€™ll have to flourish throughout the year.

For Crowderโ€™s first event on the 12th, he decided to truly go full circle and booked the two artists to play his Sunday showcase oh-so-many years ago: his mom, Alabama Annie and local legend, Vince Tuzzi.

โ€œWe didnโ€™t know what to do when I first started playing the Atrium so they would put speakers by the door and people would come in to see what was going on,โ€ Tuzzi remembers.

The 77 year old musician is a local celebrity, known as the owner and operator of the Paradise Dogs hot dog stand that was on the Santa Cruz Municipal Wharf from 2006 to 2017. However, the bushy bearded Tuzzi might even be more famous as Santa Clause. For 46 years (this will be his 47th) he has portrayed the jolly fellow in his famous red and white attireโ€“or in a Hawaiian shirt and shorts with sunnies as โ€œTropical Santaโ€– in the past for The City of Santa Cruz and Roaring Camp Railroad for their Holiday Lights Train along with an annual appearance at Mountain Feed and Farm Supply in Ben Lomond.

Heโ€™s also a member of the Ukulele Club of Santa Cruz and can be found regularly playing at one of the ragtag groupโ€™s weekly or monthly events. Even after playing music for 62 years, he believes itโ€™s still an honor to play the Catalyst stage where so many greats have graced the halls. However, with the future of the music venue in question, Tuzzi says itโ€™s important to remember the Catalyst isnโ€™t a building, but an idea.

โ€œWhen I moved here the Catalyst was in the St. George Hotel,โ€ he states. โ€œTo me, the Catalyst is just what it is: a catalyst. Think of all the wonderful musicians who have played our small little town from way back when:Neil Young, Bonnie Raitt, Leon Redbone. You can go to a concert and be home in 10 minutes.โ€

Now with the Atrium re-open to local talent, Santa Cruzans have a chance to once more experience what made the Catalyst so great in the first place: community. 

Find out more about whatโ€™s happening in the Atrium along with showtimes at AtriumAtTheCatalyst.com

Free Will Astrology

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ARIES March 21-April 19

Authentic love songs are rare. Much of contemporary music leans toward infatuation, sex, heartbreak and fury, while few artists seem interested in singing unabashedly about unique expressions of tenderness and enduring devotion. In the months ahead, Aries, your inner life will be gloriously out of step with that trend. Your heart is poised to wake up in sometimes surprising ways. Even if youโ€™re not a trained vocalist, you may feel regular urges to express your passion and adoration in song. If I could give you a gift, it might be a curated playlist packed with the most radiant love songs of the last 60 years, so youโ€™d have a soundtrack worthy of the lush emotions that I suspect will bloom in you.

TAURUS April 20-May 20

Nobel Prize-winning Taurus physicist Richard Feynman kept a notebook titled Things I Donโ€™t Know About. When he came across a question he couldnโ€™t answer, he added it to the collection. I recommend a similar discipline for you now, Taurus, but with a twist. Keep a log of โ€œBeautiful Mysteries I Donโ€™t Really Need to Solve.โ€ Rejoice that not every paradox and puzzle needs resolution. Savor the fun fact that some riddles enrich your life precisely because they remain open-ended. Hooray for not knowing. My theory is that some of your finest qualities will flourish in the presence of productive uncertainty.

GEMINI May 21-June 20

In the early days of radio broadcasting, engineers sometimes spoke of โ€œtuning the receiver.โ€ Even when a station was transmitting clearly, a listener might hear static until their radio dial was adjusted to exactly the right frequency. The message was present and clear; the challenge was homing in on it. Thereโ€™s a similar phenomenon going on in your life, Gemini. Useful information, fun inspiration and interesting possibilities may be circulating in your vicinity. But you will need to adjust your attention so you can actually receive it. To bring the signals into focus, listen differently. Or pose alternate questions. Or pay attention to sources you donโ€™t usually notice.

CANCER June 21-July 22

Neuroscientists have found that remembering the past and imagining the future rely on many of the same brain networks. That overlap helps explain why vivid visualization may influence our emotions and behavior. When we repeatedly simulate alarming scenarios about what could conceivably happen, our brains treat them much like memories. This makes us prone to spotting โ€œthreatsโ€ in places that may be relatively safe. The good news is that the coming months will be an excellent time to retrain this habit, Cancerian. More than ever, your imagination can be a precision instrument you use to recalibrate yourself away from fear and toward possibility. Fantasize about wonderful possibilities with the same intensity that you have dwelt on scary speculations in the past.

LEO July 23-Aug. 22

Oak trees produce far more acorns than could ever grow into trees. Squirrels bury thousands and forget many of them, preparing the way for the next generation of forest. The trees succeed through strategic overproduction. I invite you to adopt their method, Leo. In the coming weeks, overproduce. Make more than you can track. Release more than you can manage. You donโ€™t need to be perfect, just abundant. P.S.: This expansive capacity is yours to explore with delight and confidence; I guarantee it.

VIRGO Aug. 23-Sept. 22

In the 19th century, Virgo naturalist Alexander von Humboldt helped launch the modern science of ecology. While exploring South America, he came to a revolutionary conclusion thatโ€™s obvious to us now: Nature isnโ€™t a collection of separate objects but an intricate web of relationships. Mountains shape the weather. The plants and pollinators rely on each other. Underground mycelial networks perform many services for the trees. I propose that you channel your inner Humboldt, Virgo. Shift your focus away from isolated problems and instead observe the larger systems. Solutions may be elusive when youโ€™re bound to a narrow view but strikingly clear when you perceive the wider pattern. If youโ€™d like to take bold action, rely on the spacious perspective.

LIBRA Sept. 23-Oct. 22

The coming months will be a favorable time to triple your devotion to the art of rowdy fun. I urge you to attend more revels and celebrations than usual, and always be ready to energize social functions with infusions of festive wit and gleeful conviviality. You will also have extra power to inject buoyant amusements into your intimate liaisons. Therefore, dear Libra, I designate you to be the Party Maestro of the Zodiac. I hope you will carry out your role with maximum exuberance, ingenuity and joy.

SCORPIO Oct. 23-Nov. 21

What if I told you that your most personal and potent dream can come trueโ€”but only through months of persistence, disciplined sacrifice and stretches of bewildering but fascinating uncertainty? Would you reorder your priorities to chase it with every ounce of creativity you have? Or would you set it aside in favor of a safer and easier possibility? Between now and the end of October, I predict the moment will arrive to choose one path or the other.

SAGITTARIUS Nov. 22-Dec. 21

On some occasions, you just donโ€™t have the power to act with impeccable integrity and do the totally right thing. Doing the partially right thing may, however, be a useful and compassionate option. I bet this will soon be helpful advice for you. Blunt truth: There are moments when the โ€œperfectโ€ ethical, emotional or practical choice simply isnโ€™t availableโ€”the timing is off, resources are thin or someone elseโ€™s limits block the ideal outcome. In those situations, waiting around for the flawless solution is a kind of paralysis that keeps you stuck in guilt or indecision. Instead, you can aim for the best available good.

CAPRICORN Dec. 22-Jan. 19

In botany and gardening, there is a practice called โ€œcompanion planting.โ€ Certain plants thrive when grown near each other because they share nutrients, repel or distract pests, or improve soil and microclimate. Hereโ€™s an example: Indigenous peoples of the Americas planted the โ€œThree Sistersโ€ together: Corn gave beans a living trellis, beans added nitrogen to the soil and squash shaded the ground to hold moisture and deter weeds. This principle may be useful for you to contemplate now, Capricorn. The people, tools and influences you place near one another will influence your productivity and well-being. By blending complementary energies, your efforts will flourish without strain.

AQUARIUS Jan. 20-Feb. 18

Author Alain de Botton observed that โ€œthe person we marry is always far more remarkable, frightening and complex than we quite realized when we first declared our love.โ€ Rather than feeling alarmed by this revelation, I invite you to find it thrilling as you apply it to your best allies. The fact that they contain mysteries you havenโ€™t yet plumbed means the relationships arenโ€™t likely to grow stale. There are undiscovered depths in those you may think you know completely. My advice: Approach even your most familiar intimacies as ongoing discoveries.

PISCES Feb. 19-March 20

Do you ever fear or distrust your own desires? Are you suspicious of achieving โ€œtoo muchโ€ success? Do you ever feel starved for hope, but belittle yourself for wanting it? Do you go emotionally blank in the face of possibilities that should thrill you? If so, the coming weeks could bring healing and a breakthrough. You will have a chance to perform a rare kind of exorcismโ€”not of garish demons or foolish ghosts, but of the quiet defeatism and lack of faith that dull your brilliance. Seize this moment, dear Pisces. Purge the automatic doubts that the world has trained you to mistake for wisdom.

Homework: Name an unnecessary taboo and describe how you would violate it if it didnโ€™t hurt anyone. tinyurl.com/s9s9s9s9

Things to do in Santa Cruz

THURSDAY 7/23

PUNK

CAM GIRL Itโ€™s the triumphant return of Cam Girl to the Blue Lagoon! Coming all the way out from Asheville, North Carolina, Cam Girl is a transwoman-fronted, futuristic glam metal band that shreds and looks good doing it. Theyโ€™re raw, heavy and have catchy riffs that defy anyone not to headbang. Plus, they have a killer neon sign with their name on it instead of the generic banner which really adds to their sci-fi themes. They will be joined by Santa Cruzโ€™s punk rock wrestling accompaniment collective, The Randy Savages and San Jose/Oakland-based punks The Roughies to celebrate the birth of Jesse Williams. Those who know, know. MAT WEIR

INFO: 9pm, Blue Lagoon, 923 Pacific Ave., Santa Cruz. $10. 423-7117.

AMERICANA

JAMES MCMURTY Named one of Americaโ€™s greatest living songwriters by Rolling Stone, James McMurty is a true craftsman, beloved by his peers. His wonderfully poetic and transportive lyrics draw from his family history. His smart songwriting was influenced by his late novelist father, who gave him his first guitar at age seven, with odes to his hallucinations, The Black Dog, and The Wandering Boy, the title of his latest album. McMurtyโ€™s rock sensibilities give him a gritty fierceness that he weaves together with an Americana twang that has audiencesโ€™ ears continually perking up. SHELLY NOVO

INFO: 8pm, Rio Theatre, 1205 Soquel Ave., Santa Cruz. $42. 423-8209.

FRIDAY 7/24

GOTH

SPARK IN THE DARK GALA A tribute to the defining post-punk figure and founding member of Bauhaus and Love and Rockets, David J Haskins, this two-floor mini-festival is sure to spark up the dance floor. Guests are welcome to move freely between Cat Alley Street and the Catalyst Atrium all night, taking in DJs, live music, performances, and the Macabre Makers Faire featuring local vendors. David J headlines with a two-hour all-vinyl set. Love My Robot brings a full multimedia experience with live instrumentation, electronics, projected visuals, and dancers. With sets spanning from post-punk, goth, soul, dub, psychedelia, and trip-hop, there will be something for everyone to groove to. SN

INFO: 6pm, Catalyst, 1011 Pacific Ave., Santa Cruz. $41-$46. 713-5492.

POST-PUNK

60 JUNO 60 Juno is proof that it doesnโ€™t matter where you are from; you can create music that transcends your boundaries. Originally a โ€œone-man army,โ€ 60 Juno was created by Jericho Tejeda in his home in Fresno during COVID. Now a full band (that Jericho met on IG chats) with Daniel Gonzรกlez (guitar), Justin Suรกrez (drums), and Marcus Felix (bass), Juno 60 sounds like acid surf meets soaring โ€™90s pop music. Out of the gate, 60 Juno hit international acclaim with their second single โ€œJ Song.โ€ A short West Coast tour before they head to Spain keeps 60 Juno on the move. DNA

INFO: 8pm, Felton Music Hall, 6275 Hwy 9, Felton. $26. 704-7113.

EXPERIMENTAL

SARAH HENNIES A rare solo performance on German cowbells (almglocken) by composer/musician Sarah Hennies. Moderated by UCSC Scholar and educator Madison Heying, this evening peels back the layers of accepted reality. Hennies resides in upstate New York and has had her compositions performed around the world, often with Hennies on percussion. So much of art is about intention, and Hennies’ passionate focus on queer & trans identity, psychoacoustics, and the social and neurological conditions underlying creative thought imbues the evening with context.  โ€œIndexical has done it again,โ€ as Mr. Magoo might say. DNA

INFO: 7pm, Indexical, 1050 River St. #119, Santa Cruz. $16. (949) 395-3805.

SATURDAY 7/25

METAL

LAWNMOWER Those familiar with the darker, seedier, drunker corners of the Santa Cruz music scene probably already know Lawnmower. For everyone else, listen up! Formed in 2024, Lawnmower is a degenerate trio of punks who play a โ€œwho cares about practicingโ€ brand of the genre mixed with a tinge of downbeat sludge. In all honesty they actually do practice and write some of the funniest-without-being-satire songs currently in the scene. Lawnmower is raw with hoarse vocals screamed with all the fury and honesty of someone who identifies with Michael Douglas in Falling Down. This band rules and their show at the Jury Room with Total Joke and Apricot Court will be anything but a buzzkill. MW

INFO: 9pm, Jury Room, 712 Ocean St., Santa Cruz. $10. 426-7120.

SUNDAY 7/26

INDIE

FRANCES ANCHETA Bay Area singer-songwriter and creative arts therapist Frances Ancheta draws upon her Filipina heritage, folk, pop, British new wave, world and roots music in the creation of her original, acoustic-based songs. Anchetaโ€™s debut album, 2008โ€™s Now Weโ€™re Here was followed by a second album three years later. After that, she took a sabbatical from music to focus on family, her work as a music therapist and a battle with cancer. That latter challenge had a happy outcome and also brought forth a bounty of songs that would fill her next several albums. Her latest release is 2025โ€™s upbeat Saving Graces. BILL KOPP

INFO: 3pm, Streetlight Records, 939 Pacific Ave., Santa Cruz. Free. 421-9200.

MONDAY 7/27

THEATER

SANTA CRUZ SHAKESPEARE PLAYS DUNGEONS & DRAGONS The Santa Cruz Shakespeare (SCS) cast will be shaking things up later this month at their Monday Night Revels. The SCS will be putting on a special performance where they and the audience will watch the story develop together. They will be playing Dungeons and Dragons (D&D) live! Every decision a character makes, every dice roll, every twist, and every battle will unfold on the stage. Only the Game Master knows what is in store for the lively party of adventurers. This performance will be exciting and intimate. It is perfect for those who have played D&D for years and those who have never played before. ISABELLA MARIE SANGALINE

INFO: 7pm, Audrey Stanley Grove at DeLaveaga Park, 501 Upper Park Road, Santa Cruz. $15. 460-6396.

TUESDAY 7/28

JAZZ

YILIAN CANIZARES Born in Havana and now based in Switzerland, composer, violinist and singer Yilian Caรฑizares comes from a classical foundation but launched her professional career in jazz leading the Ochumare Quartet. She released two albums with the group in 2009 and 2011. From there, Caรฑizares continued as a solo artist, with three albums to her credit. She has also collaborated on record with acclaimed Cuban pianist Omar Sosa on a pair of releases, including a 2019 release, Live at Elbphilharmonie, Hamburg. Caรฑizaresโ€™ vocals are delivered variously in French, Spanish and Yoruba, and she often plays violin while she is singing. BK

INFO: 7pm, Kuumbwa Jazz Center, 320-2 Cedar St., Santa Cruz. $40-42. 427-2227.

We the Dreamers

The theme of the Cabrillo Festival of Contemporary Musicโ€™s season embraces the off-the-grid instincts that power the best in contemporary music. It also honors the visionary founders of the United States, now celebrating its 250th anniversary.

Creating any new architecture of sound and voice requires imagining something beyond. To compose is to envision, to dream a new suite of musical possibilities. And to create a new country is to dare, boldly, and against all rational odds. As Cabrillo Festival Music Director Cristian Mฤƒcelaru puts it, “At this historic moment, we are asking how music can help us imagine a more expansive we, one that listens deeply, embraces complexity, and dares to hope.”

How fitting it is that this year’s festival begins with music that embraces our utopian republic, most hypnotically in the form of Philip Glass’s Symphony No. 15, entitled Lincoln. In this symphony written for baritone and orchestra, the words of President Abraham Lincoln’s most powerful speeches and letters will be sung and spoken by Zachary James, Glass’s muse for various iterations of our 16th President. The new symphony offers quotes from the Gettysburg Address, the Emancipation Proclamation, the Lyceum Address of 1838, and Lincoln’s Farewell Address of 1861.

Itโ€™s impossible to resist the glistening undercurrent of Philip Glass’s imagination. The restless surge of his mesmerizing repetitions, his almost excessive minimalism. The extraordinary reach of his curiosity ranges from avant-garde abstraction to Hindu and Egyptian mythology. Glass’s fifteenth symphony, offering his signature dissonances and arpeggiated undercurrents, was jointly commissioned by the National Symphony Orchestra and The Kennedy Center. Glass famously cancelled his participation in the scheduled premiere when the Trump name was added to the Kennedy Center faรงade.

 Last week I spoke with Zachary James, the Grammy-winning Broadway and opera performer, who has appeared in seven Philip Glass creations, from Akhnaten to a robotic version of Abraham Lincoln.

 How did your synchronicity with Philip Glass begin?

Zachary James: Well, it’s an interesting story. I was a huge fan of his, and never really imagined that we would cross paths. I was at the start of my career. I was doing The Addams Family on Broadway and my director asked me to audition for a new Philip Glass opera called The Perfect American, coincidentally to play Abraham Lincoln. Oh, wow, so I went from playing Lurch in The Addams Family on Broadway to playing Abraham Lincoln at the Teatro Real in Madrid. I had some classical horse training, but I really needed to suddenly learn how to be an opera singer and perform without a microphone with a large orchestra.

That’s how my opera career began and my long collaboration with Philip Glass. And then I continued on with that piece for quite a while. Then his opera Akhenaten, which I’ve been doing now for 10 years, and then, because of kind of the natural connection with me and Lincoln, when the Lincoln Symphony was being developed, I was asked to do a demo recording.

 How was the audition for Lincoln Symphony?

I was quite nervous going into audition for him. I sang for him and he immediately told me how much he liked how I used text and words, and he really liked that I was an actor, and thought about words that way. So we connected immediately on that and now I’ve done two world premieres, both of which have me playing Abraham Lincoln.

You were on board then when it was scheduled to premiere at the Kennedy Center. Was that a big shock when Glass pulled out of that program?

It was not a shock at the time. I was part of the conversation about doing this, and my stance on it for a while was let’s continue on and do it, if anything, as a quiet protest, speaking these words in this place that’s been… taken over.

When it was pulled, I, of course, trusted Philipโ€™s judgment, but it was also a bit of a heartbreak.

The Glass Symphony is spoken and sung, an eight-movement symphony, and I have a lot of text in it. It’s a big, big challenge on focus and attention to detail, but how do you express everything Lincoln had to say in 30 minutes?

I think what Philip has done is so incredibly beautiful. Now I’ve been working hours and hours a day on it, because this next weekend we’re premiering at Tanglewood (July 6), and now the West Coast premiere at Cabrillo. 

A baritone plus symphony is an unusual composing style, isn’t it?

Oh yeah, it is. It really is. When I first looked at it, I said, I think this is a theater piece. This is kind of like a solo opera. I even wondered if it would be staged, with costumes. But no, it’s a symphony. Since I’m more of a theatrical performer, I had to really wrap my head around what it is.

If you had to choose opera or Broadway, which one gives you the biggest thrill?

Well, Broadway raised me, and I just did a couple of West End shows in London in the past couple of years. But when I look at all my experiences on stage, it is opera, and specifically Phillip’s operas. Those experiences have changed my life and are the most vibrant moments of my life on stage. My opera career has taken twists and turns. I’ve sung lots of Verdi and Mozart, but my home in an opera space is really contemporary works and new works. It’s incredibly cool that I’m doing Einstein on the Beach next year.

A really interesting time to make art, and riding the wave of Lincoln this summer for me.

ISLAND STRINGS

A Contemporary Crew (from L to R) U.S. Poet Laureate Emerita Rita Dove, Music Director Cristian Mฤƒcelaru & Executive Director Riley Nicholson, Native Hawaiian composer Leilehua Lanzilotti, and baritone soloist Zachary James. PHOTOS: Fred Viebahn, r.r. jones, Blaise Hayward and Nathan Cazella

This year’s Festival gives audiences a genre-breaking experience on August 1, the Defiant Dreams concert. Composer and multimedia artist Leilehua Lanzilotti explores time and place through vibrant cinematography, experimental string groupings and instrumentations. Radical composing and tuning styles explore the bittersweet legacy of old Hawai’i into new and disarming territory. Lanzilotti teaches at various universities and performs her string compositions with ensembles and orchestras all over the world.

A widely recorded viola instrumentalist, Lanzilotti’s work with eyes the color of time, was a Finalist for the 2022 Pulitzer Prize in Music. Lanzilotti has worked with countless international conductors, including Gustavo Dudamel, who led the world premiere of light and stone with the New York Philharmonic. This provocative and poetic piece receives its West Coast premiere at the Festival on August 1.

Leilehua Lanzilotti has shared background of her piece of light and stone (West Coast premiere), which draws on the legacy of Nฤ Lani สปEhฤโ€”the โ€œHeavenly Fourโ€ of Hawaiian royaltyโ€”to honor Indigenous Hawaiian identity, gathering, and the enduring power of cultural lineage.

โ€œThis new work, of light and stone, will, like me, be born in the diaspora but connected to home: an experiment of melodies passing each other in the night,โ€ she says. โ€˜The brass chords throughout frame the architecture of the palace. The second movement opens with foreboding sounds of loss: a shipโ€™s bell signaling the death of Kalฤkaua. Taking the place of a traditional scherzo, the third movement is a dance of wind, the memory of the melody is passed around the winds in fragments.

Can you say more about indigenous Hawaiian culture as an inspiration to your work?

The four siblings of the Kalฤkaua dynasty were all composers and contributed extensively to both preserving cultural traditions and encouraging innovation. In their music, this manifested in combining western hymn styles with traditional Hawaiian poetry and chant.

Lanzilotti provides an example of the interbraiding of instrumentation and of cultural origins in her of light and stone program notes. Lanzilotti’s instrumentation for this piece engages classic orchestral instruments such as flutes, oboe, clarinets, bassoons, trumpets, trombones and percussion, plus triangle, various drums and strings. It’s how she uses these instruments that makes her work utterly unique.

 “The brass chords throughout frame the architecture of the palace, sourcing their harmonic material from the opening chords of โ€œHawaiสปi Pono’i,โ€ she adds. โ€˜โ€œWritten in 1874 with words by King Kalฤkaua and music by Royal Hawaiian Band conductor Henri Berger (1844โ€“1929), Hawaiสปi Pono’i became the Kingdom of Hawaiสปiโ€™s National Anthem in 1876, and continues to be used in present-day. Shimmering below, the strings light up the stage with harmonics.”

As an experimental sound artist, how do you begin a piece? with an idea? or a sound?

The kernel that develops into a full work is often a resonance in relationship with a conceptual idea, a shimmering in the air around a strong logical framework.

How did being a Pulitzer Finalist enter into your opportunities?

My composition with eyes the color of time for string orchestra (the piece that was a finalist for the Pulitzer) commemorated The Contemporary Museum in Honolulu where I grew up playing as a child, in the sculpture gardens, in the permanent David Hockney installation, which played Ravel’s L’enfant et les sortilรจges on loop.

The museum closed its doors permanently in December 2019 as I was writing my string orchestra work. The most beautiful, and perhaps tragic, thing about that work being honored in such a big way is that the former docents, curators, staff, and grounds people frequently come up to me still today and thank me for remembering that place in a way that everyone can experience outside of time and space. It helps them to know that it was a place that let lots of different kinds of people feel welcome and seen, that it gave so many of us tools for processing the world and our own hardships and defeats through contemporary art.

BULLET POINTS

The Grand Finale on Sunday August 9 offers, in addition to the work of three daring composers, a rare and timely Post-Season Reflectionโ€”a West Coast Premiere reading of original poetry by U.S. Poet Laureate Emerita Rita Dove.

The legendary poet will be at the Festival to read her work honoring the life and legacy of Martin Luther King Jr, spoken to Samuel Barber’s Adagio for Strings. And given the overarching theme for this seasonโ€”We the Dreamersโ€” words inspired by the great civil rights dreamer will make a poignant and fitting close to the concerts.

In a two-week season of highlights, several items on the program should sparkle with surprises. Watch for these:

Friday July 31, the opening program includes Philip Glassโ€™s Symphony No.15, Lincoln, plus Festival commissions by Vivian Fung as well as Pedro Emanuel Pereira.

Saturday August 1, the program opens with genre-defying composer Leilehua Lanzilotti, honoring indigenous Hawaiian identity, and closes with the Creative Lab Commission by Sarah Hennies.

At 2:30 that day Meet the Composers offers a chance to hear composers Vivian Fung, Pedro Emanuel Pereira, Leilehua Lanzilotti, and Sarah Hennies, talk about their process. Led by Cristi Mฤƒcelaru.

Saturday August 8, showcases a Festival commission by Clarice Assad, featuring violinist Philippe Quint, an experimental work combining narration, projections, and solo violin.

Sunday August 9 the Festival Finale includes a piece by one of the country’s brilliantly edgy composer Lisa Bielawa. Her West Coast premiere work, interwoven with the sounds and folk melodies of Appalachia, will be performed by violinist Tessa Lark.

Festival regulars never miss the FREE Open Rehearsals (afternoons and mornings, Sunday July 26 (7-9:30pm) Monday July 27 (2:30-5pm), Tuesday July 28 (10am-12:30pm; 7-8pm), Wednesday July 29 (10am-12:30pm), Thursday July 30 (2-5pm), Wednesday, August 5 (10am – 12:30pm;2:30-5pm), Thursday August 6, (10am-12:30pm;2:30-5pm) Friday August 7 2:30-5pm; 7-9:30pm). Fascinating inside glimpse of the works and their makers adds musical power to this 64th season of the Cabrillo Festival of Contemporary Music.

For a complete schedule: cabrillomusic.org/2026-season

Not Dead Yet

It would be just about impossible to describe all that goes into Monterey Bay Salmon and Trout Project (MBSTP)โ€”from rearing to rescuing to releasingsโ€”but maybe thatโ€™s appropriateโ€ฆbecause keeping the once mighty local coho salmon and steelhead trout alive can feel near impossible too.

But MBSTP has done just that, for a full half century, which will be honored with a 50th anniversary celebration fundraiser 5โ€“8pm Saturday, Aug. 1, at the Crosetti Hall on the Santa Cruz County Fairgrounds (2601 E. Lake Ave., Watsonville).

The long version of what they do reads like science fiction blended with an adventure novel, and a lot of grunt work, but itโ€™s all fact. I saw it in person this spring up at Swanton Pacific Ranch in the burned-scarred redwoods near Davenport, where the tasks include incubating new generation of eggs and tending larger smolt in tented tanks with artificial water currents and fresh-frozen krill diets.

The shorter version: Without MBSTP and its California Department of Fish & Wildlife and NOAA Fisheries partners, coho salmon in this regionโ€”once a major part of the Amah Mutsunโ€™s culture and diet for thousands of yearsโ€”would be long gone.

To volunteer, support, learn about the K-12 Salmon and Trout Education Program, and/or get in on the 50th anniversary banquet, visit mbstp.org.

FRUIT FORWARD

Gold Ridge Organic Farms hopes to help fill the void caused by S. Martinelli & Co. shifting its apple sourcing to Washington state by courting Pajaro Valley farmers to process fresh fruit and press juice, cider and vinegar at its forthcoming 20,000-square-foot Heritage Apple Press in Santa Rosa. โ€œBy supporting growers and bringing more locally grown apples to consumers, we hope this investment helps keep these orchards thriving and strengthens the future of apple farming in Northern California,โ€ says Gold Ridge owner and longtime organic apple and olive farmer Brooke Hazen, goldridgeorganicfarms.com.

HUBBA HUB

The ever-inspiring small food business incubator that is El Pรกjaro Community Development Corporation hosts its annual Tacos & Tapas Fundraising Party from 6-9pm Thursday, July 23, at its expansive shared kitchen facility (412 E. Riverside Dr., Watsonville). The evening gathers 20+ local food entrepreneurs serving an array of tacos, tapas, and globally inspired bites, alongside craft beer, local wines, and live music by Flor de Caรฑa. The $80 admission undergirds the nonprofitโ€™s programs to help aspiring and underserved entrepreneurs across Santa Cruz, Monterey, and San Benito counties with business education, technical assistance, one-on-one coaching, and capital to launch and grow successful businesses, elpajarocdc.org.

FLAVOR CAROUSEL

Tried my first Wise Goat Organics jalapeรฑo sauerkraut, picked up at Shoppers Corner (622 Soquel Ave., Santa Cruz), last week and dang it was deliciousโ€”well-rounded, fresh and textural, expertly spiked, wisegoatorganics.comโ€ฆBeer, sake and soju are 50% off 8:30-10:30pm at Sushi Mori (429 Front St., Santa Cruz)โ€ฆAnother downtown spot with deals and without a website, Pho House (1102 Pacific Ave, Santa Cruz), is now doing ramen and gimbob combos for $17.95โ€ฆNative Habitat Restoration at Lompico Pond takes place 10am-noon Saturday, July 25, and continues on the fourth Saturday of every month through October, with tools and supplies provided (gloves required), slvhabitatrestoration.orgโ€ฆRIP Pea Soup Andersenโ€™s, a roadtrip staple on Highway 5, now thatโ€”due to vandalism, unauthorized entry, and structural decayโ€”the Buellton City Council voted 5-0 earlier this month to void the restaurantโ€™s historic designation, allowing for its demolition, though the former Bueltmore Hotel will be preserved, and the Santa Nella Andersenโ€™s abides, peasoupandersens.netโ€ฆThereโ€™s a new epicurean term for the opposite of a cleanse: โ€œIโ€™m going on a clogโ€โ€ฆMorgan Freeman (*MF cadence*): โ€œThe best way to guarantee a loss is to quit.โ€

By the Sea

General manager Hailey Lozano started at Dos Pescados five years ago when it was Palapas, the Aptos spaceโ€™s previous longtime restaurant across from Seascape Resort.

Born and raised locally, her best friend  got her the job as a busser and Lozano ran with it, becoming a server who impressed with exceptional professional customer service and was then promoted to GM.

She says she loves both her job and the industry, using her elementary school teaching credential to sub on the side with an aspiration to one day be a full-time teacher.

Opened in July 2024, Lozano describes the ambiance at Dos Pescados as โ€œpositive, comfortable energyโ€ with a coastal Mexican vibe punctuated by an ocean view patio and a white/turquoise/burnt orange color play. The food menu is curated by executive chef Estella Gutierrez, featuring a mixture of her specialties and classic Mexican cuisine with coastal Californian influence.

The signature starter is calamari, panko-battered steaky strips with chili tamarindo and pasilla tartar sauce. The Chipotle chicken/pineapple quesadilla is also a hit, as is the cabbage slaw with avocado, jalapeรฑo, peanut brittle and poblano vinaigrette. Main dish favorites include fried local fish tacos with pickled mangos and jalapeรฑos and grilled prawns in a tomato-based smoky guajillo chili sauce alongside housemade corn tortillas. Popular postre picks include churros with chocolate sauce and berries and Gutierrezโ€™s classic recipe flan. The beverage side features a full bar and local beer/wine.

How do teaching and restaurant management coincide?

HAILEY LOZANO: I would say the aspect of controlling a classroom really set me up for success in running a restaurant. I feel like knowing how to listen and empathize with both employee and guest concerns is almost second nature to me after getting my teaching credential and working in classrooms. It turns out that kids and adults arenโ€™t that different, everyone wants to be genuinely listened to, heard and understood.

Tell me more about chef Gutierrez.

She was the executive chef of Palapas for over 30 years before we became Dos Pescados. She is beloved by me, the staff and the community for not only for her food, but also her kindness and extremely positive attitude. Having her spearhead our menu and kitchen has been great for our restaurant and clientele, and she helps tie us to Palapasโ€™ roots, keeping our food nostalgic but also new and intriguing.

21 Seascape Village, Aptos, 831-662-9000; dospescados.com

Berry โ€˜Greenwashingโ€™ Suit

Watsonville-based berry giant Driscollโ€™s is facing a federal class-action lawsuit alleging the company misled consumers by marketing its conventional strawberries as safe, sustainably grown and subject to rigorous food safety standards while failing to disclose the alleged presence of PFAS-related pesticide compounds, commonly known as โ€œforever chemicals.โ€

The 65-page complaint, filed June 26 in the U.S. District Court for the Northern District of California, seeks to represent consumers in Illinois, New York, New Jersey and Massachusetts who purchased conventional Driscollโ€™s strawberries. The plaintiffs allege the company violated consumer protection laws by omitting material information about PFAS-related pesticide residues while promoting the berries as being produced under exceptional quality and environmental standards.

Driscollโ€™s strongly denied the allegations, calling them โ€œwithout merit.โ€

โ€œAs a family-owned company, food safety, quality, and integrity are fundamental to who we are,โ€ the company said in a statement. โ€œWe maintain robust food safety and compliance programs and rigorous standards designed to support compliance with applicable regulatory requirements.โ€

The lawsuit does not challenge Driscollโ€™s organic strawberries, which it says are subject to separate federal organic certification requirements and different pesticide-use standards.

โ€œThis consumer protection class action arises from Driscollโ€™s marketing, labeling, and sale of strawberries that it represents to consumers as being produced โ€˜subject to rigorous food safety and quality standardsโ€™ while failing to disclose the presence, risk of, and/or use of persistent fluorinated pesticide compounds associated with so-called โ€˜forever chemicals,โ€™โ€ the complaint states.

The lawsuit also accuses the company of โ€œgreenwashing,โ€ alleging Driscollโ€™s portrayed itself as environmentally responsible while using pesticides associated with PFAS chemistry.

โ€œAt the same time, Driscollโ€™s ran an environmentally friendly campaignโ€”greenwashing its true farming and manufacturing practices that included these forever chemicals known to be extraordinarily difficult to clean up and break down and accumulate in the environment and living organisms, including humans,โ€ the complaint states.

Farmworkers harvest Driscollโ€™s strawberries in a Watsonville field
FRESH TROUBLE Field workers harvest fresh strawberries for Driscoll’s on a farm on Riverside Drive in 2021. Photo: Tarmo Hannula

PFAS, or per- and polyfluoroalkyl substances, are a family of thousands of synthetic chemicals that have drawn increasing scrutiny from regulators because they persist in the environment and have been linked in some studies to health concerns.

According to the lawsuit, the case stems from independent laboratory testing published in May by consumer advocacy website Mamavation. The complaint says the testing found residues from 12 pesticides on Driscollโ€™s conventional strawberries, including eight pesticides the plaintiffs describe as PFAS-related or โ€œforever pesticides.โ€

Among the compounds listed in the complaint are flonicamid, fludioxonil, flupyradifurone, fluxapyroxad, indoxacarb, novaluron and tetraconazole.

The plaintiffs are not claiming the strawberries made them sick or violated U.S. pesticide residue limits. Instead, they argue they paid premium prices because of Driscollโ€™s marketing and would not have purchased the fruitโ€”or would have paid lessโ€”had they known about the alleged PFAS-related compounds.

โ€œHad Plaintiffs and consumers known the true facts concerning the strawberries, including the presence and/or use of PFAS-related compounds, they would not have purchased the products or would have paid significantly less for them,โ€ the lawsuit states.

A central argument in the complaint is that Driscollโ€™s built its reputation around food safety, quality and sustainability. The lawsuit cites the companyโ€™s trademarked slogan โ€œOnly the Finest Berries,โ€ along with website statements touting โ€œrigorous food safety standards,โ€ integrated pest management practices, environmental stewardship and a commitment to reducing synthetic pesticide use.

The complaint argues those statements would lead a reasonable consumer to believe the berries were free of PFAS-related compounds.

The lawsuit also references allegations made in a separate wrongful termination case filed in Ventura County by former Driscollโ€™s food safety manager Kaz Harada.

According to the complaint, Harada alleges company management knew of pesticide compliance issues involving strawberries sold under the Driscollโ€™s brand and instructed employees to prioritize protecting the companyโ€™s reputation rather than addressing those concerns. The lawsuit further alleges Harada was disciplined and eventually fired after refusing to participate in efforts to conceal or minimize the issues. Those allegations remain unproven and are the subject of separate litigation.

The plaintiffs are asking the court to certify the case as a class action, require Driscollโ€™s to disclose the alleged presence of PFAS-related compounds in its conventional strawberries and award restitution, damages and other relief to consumers.

The Price of Prevention

Santa Cruz dentist stands onstage beside two microphones
Richard Stockton examines why preventive dental care remains beyond reach for many Medi-Cal patientsโ€”and why waiting for catastrophe ultimately costs everyone more.

Street Talk

What are your coolest picks for a Santa Cruz summer?

The Sartorial Revolution

Author Chloe Chapin signs copies of Suitable at Mount Vernon
Santa Cruz native Chloe Chapin returns to Bookshop Santa Cruz to discuss Suitable, her new history of menโ€™s fashion, masculinity and power.

Catalyzing Effect

Alabama Annie performs with an acoustic guitar at the Catalyst Atrium in Santa Cruz
The Catalyst Atrium is reopening its stage to Santa Cruz musicians with a summer series of affordable weekly showcases curated by longtime local promoter Chas Crowder.

Free Will Astrology

Astrology, Horoscope, Stars, Zodiac Signs
This weekโ€™s horoscopes explore enduring love, productive uncertainty, imaginative renewal, abundant creativity, deeper relationships and the courage to choose possibility over fear.

Things to do in Santa Cruz

Singer-songwriter James McMurtry poses with an acoustic guitar
Acclaimed Americana songwriter James McMurtry brings his poetic, hard-edged songs to the Rio Theatre in Santa Cruz on Thursday, July 23.

We the Dreamers

Cristian Mฤƒcelaru conducts the Cabrillo Festival Orchestra during rehearsal
The Cabrillo Festival of Contemporary Music invites audiences to imagine a more expansive future through Philip Glass, Rita Dove, Leilehua Lanzilotti and other visionary artists.

Not Dead Yet

Ava Sabella feeds krill to juvenile coho salmon at Swanton Pacific Ranch
The Monterey Bay Salmon and Trout Project marks 50 years of protecting threatened coho salmon and steelhead with an Aug. 1 anniversary fundraiser in Watsonville.

By the Sea

Grilled prawns with vegetables, rice, beans, guacamole and tortillas at Dos Pescados
Dos Pescados in Aptos pairs coastal Mexican cuisine with ocean views, serving local fish tacos, grilled prawns, calamari and housemade desserts.

Berry โ€˜Greenwashingโ€™ Suit

Omar Dieguez speaks at a pesticide protest outside Driscollโ€™s headquarters in Watsonville
A federal class-action lawsuit accuses Watsonville-based Driscollโ€™s of misleading consumers about pesticide compounds and environmental standards for its conventional strawberries.
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