Nuz: Roger Grigsby’s Probably an idiot

Over the past year and a half, GT has been getting bigoted online comments from an email address that seems to belong to Roger Grigsby, Nuz has learned.

Grigbsy, of course, is the one-time local Chinese restaurant owner who earned the wrath of the Santa Cruz community for his $500 campaign contribution to former KKK Grand Wizard David Duke in the white supremacist’s Louisiana campaign for the U.S. Senate. Before everyone could forget about the fiasco, he became even more infamous for quickly doubling down, decrying “a war on whites” for bringing an end to his business.

These more recent comments compare GT’s reporters to rats and cockroaches. Oh and also, he’s all in on this whole racism thing. The “social space,” this latest comment argues, can be divided into just two camps: “pro-whites” and “anti-whites.” You’ll never guess which side he says GT is on.

Anyway, although we weren’t able to 100% confirm that the email belongs to Grigsby, the same address has been linked in online listings to Shen’s Gallery, which was associated with the now-retired restaurateur for years. If he isn’t the guy leaving these racially motivated comments, he really should let us know.

WHEREFORE ART THOU?

Now that Chip has left the Downtown Association and moved to Boulder, Colorado, his wife Abra Alan has temporarily taken the reins as interim executive director—a role she’s expected to hold until moving out to the Rocky Mountain State herself. The Arts Council also has an interim executive director right now, as does the Museum of Art and History.

Could all this portend a change in vision for the downtown Santa Cruz arts scene? Nuz hopes so … ’cuz that ugly automobile-oriented art on the side of the Soquel/Front Garage has been up for 10 years too long, and we’ve just been waiting for an excuse to say something. It looks like it was dreamt up by a 4-year-old with a lousy black-and-white photo album and overzealous Adderall prescription. 

NO LESSON PLAN

Santa Cruz Mayor Martine Watkins will receive an award from the Santa Cruz County Chamber of Commerce at a gala this October.

Old-timers occasionally reminisce on the toughest mayoral years in Santa Cruz history. There was Mardi Wormhoudt’s 1989 term, when the Loma Prieta Earthquake struck, and then Hilary Bryant’s 2013 stint when two police officers were killed, putting the town’s crime rate under a microscope. But given the level of dysfunction at the city right now, Watkins’ 2019 term has got to be up there. Whereas Wormhoudt and Bryant were remembered as courageous heroes, Watkins’ role is more thankless in nature—sometimes more akin to that of an especially underpaid preschool teacher.

Rob Brezsny’s Astrology August 7-13

Free will astrology for the week of Aug. 7, 2019

ARIES (March 21-April 19): When it came time to write your horoscope, I was feeling unusually lazy. I could barely summon enough energy to draw up the planetary charts. I said a weak prayer to the astrological muses, pleading, “Please don’t make me work too hard to discover the message that Aries people need to hear; just make the message appear in my mind.” As if in response, a voice in my head said, “Try bibliomancy.” So I strolled to my bookcase, shut my eyes, pulled out the first book I felt and went to a random page. Here’s what I saw when I opened my eyes: “The Taoist concept of wu-wei is the notion that our creative active forces are dependent on and nourished by inactivity; and that doing absolutely nothing may be a good way to get something done.”

TAURUS (April 20-May 20): There’s an old Rosicrucian vow you might have fun trying out: “I pledge to interpret every experience that comes my way as a communication of God with my soul.” If you carry out this intention with relaxed playfulness, every bird song you hear is an emblem of divine thought; every eavesdropped conversation provides hints of the creator’s current mood; the shape that spilled milk takes on your tabletop is an intimation of eternity breaking into our time-gripped realm. In my years of offering you advice, I have never before suggested you try this exercise because I didn’t think you were receptive. But I do now. (If you’re an atheist, you can replace “God,” “divine,” and “creator” with “life.”)

GEMINI (May 21-June 20): Below are unheralded gifts possessed by many Geminis but not commonly identified by traditional astrologers: 1. A skill for deprogramming yourself, for unlearning defunct teachings that might otherwise interfere with your ability to develop your highest potentials; 2. A sixth sense about recognizing artificial motivations, then shedding them; 3. A tendency to attract epiphanies that show you why and how to break taboos that may once have been necessary but aren’t any longer; 4. An ability to avoid becoming overwhelmed and controlled by situations you manage or supervise.

CANCER (June 21-July 22): In 1993, I began writing a book titled The Televisionary Oracle. By 1995, I had generated over 2,000 pages of material that I didn’t like. Although I was driven by a yearning to express insights that had been welling up in me for a long time, nothing about the work felt right. I was stuck. But finally I discovered an approach that broke me free: I started to articulate difficult truths about aspects of my life about which I was embarrassed, puzzled and ashamed. Then everything fell into place. The process that had been agonizing and fruitless became fluidic and joyful. I recommend that you try this strategy to dissolve any mental blocks you may be suffering from: dive into and explore what makes you feel ashamed, puzzled or embarrassed. I bet it will lead to triumph and fulfillment, as happened for me.

LEO (July 23-Aug. 22): I am overjoyed that you’re not competing for easy rewards or comparing yourself to the mediocre crowd. Some people in your sphere may not be overjoyed, though. To those whose sense of self isn’t strong, you may be like an itchy allergen; they may accuse you of showing off or acting puffed up. But freaks like me appreciate creative egotists like you when you treat your personality as a work of art. In my view, you’re a stirring example of how to be true to one’s smartest passions. Keep up the good work! Continue to have too much fun! I’m guessing that for now, you can get away with doing just about anything you want as long as it doesn’t hurt anyone.

VIRGO (Aug. 23-Sept. 22): Let’s enjoy a moment of poignant silence in honor of your expired illusions. They were soulful mirages: full of misplaced idealism and sweet ignorance and innocent misunderstandings. Generous in ways you may not yet realize, they exuded an agitated beauty that aroused both courage and resourcefulness. Now, as those illusions dissolve, they will begin to serve you anew, turning into fertile compost for your next big production.

LIBRA (Sept. 23-Oct. 22): Old rules and traditions about how best to conduct intimate relationships are breaking down. New rules are still incubating. Right now, the details about how people express their needs to give and receive love seem to be riddles for which there are no correct answers. So what do you do? How do you proceed with the necessary blend of confidence and receptivity? Can you figure out flexible strategies for being true both to your need for independence and your need for interdependence? I bring these ruminations to your attention, Libra, just in time for the “Transforming Togetherness” phase of your cycle.

SCORPIO (Oct. 23-Nov. 21): It’s time for your once-a-year shoutout to your most audacious possibilities. Ready? Go ahead and say, “Hallelujah! Hosanna! Happiness! Hooray for my brilliant future!” Next, go ahead and say, “I have more than enough power to create my world in the image of my wisest dreams.” Now do a dance of triumph and whisper to yourself, “I’m going to make very sure I always know exactly what my wisest dreams are.”

SAGITTARIUS (Nov. 22-Dec. 21): During the next three weeks, I advise you to load up on copious amounts of caffeine from Monday at 8 a.m. until Friday at 6 p.m. Then drastically cut back on the coffee and consume large amounts of alcohol and/or marijuana from 6:01 p.m. on Friday through 6 p.m. on Sunday. This is the ideal recipe for success. JUST KIDDING! I lied. Here’s the truth, Sagittarius: Astrological indicators suggest you would benefit from making the coming weeks be the most un-drugged, alcohol-free time ever. Your potential for achieving natural highs will be extraordinary, as will your potential to generate crucial breakthroughs while enjoying those natural highs. Take advantage!

CAPRICORN (Dec. 22-Jan. 19): I don’t presume you should or will gleefully embrace the assignment I’ll propose. The task may indeed be too daunting for you to manage right now. If that’s the case, don’t worry. You’ll get another chance in a few months. But if you are indeed ready for a breathtaking challenge, here it is: Be a benevolent force of wild nature; be a tender dispenser of creative destruction; be a bold servant of your soulful dreams—as you demolish outmoded beliefs and structures that have been keeping a crucial part of your vitality shackled and latent.

AQUARIUS (Jan. 20-Feb. 18): I have cast a feisty love spell that will be triggered in anyone who reads the first line of this horoscope. And since you have done that, you are now becoming even smarter than you already were about getting the most out of your intimate alliances. You’re primed to experiment with the delights of feeling with your head and thinking with your heart. Soon, you’ll be visited by revelations about any unconscious glitches that might be subtly undermining your togetherness, and you’ll get good ideas about how to correct those glitches. Astrological rhythms will be flowing in your relationships’ favor for the next seven weeks!

PISCES (Feb. 19-March 20): I estimate that about 25% of your fear results from your hesitation to love as deeply and openly and bravely as you could. Another 13% originates in an inclination to mistake some of your teachers for adversaries, and 21% from your reluctance to negotiate with the misunderstood monsters in your closet. But I suspect that fully 37% of your fear comes from the free-floating angst that you telepathically absorb from the other 7.69 billion humans on our planet. So what about the remaining 4%? Is that based on real risks and worth paying attention to? Yes! And the coming weeks will be an excellent time to make progress in diminishing its hold on you.

Homework: Make a playful effort to change something you’ve always assumed you could never change. freewillastrology.com.

Preview: Marquis Hill Blacktet at Kuumbwa

Marquis Hill has a theory about time.

“I look at it as I’m a part of this continuum,” says the 32-year-old trumpeter. “If you listen to someone like Kendrick Lamar—the rhythms that he’s spitting when he raps—and you listen to someone like Charlie Parker, or Dizzy Gillespie—the types of bebop, tap-dance rhythms that they’re playing—it’s the same thing. The flow is exactly the same.”

Hill first rose to international acclaim in 2014, when he won the prestigious Thelonious Monk International Jazz Competition. The following year, he was profiled by PBS on an episode of Jazz Night in America.

Last November, Hill released Modern Flows Vol. II, a bold, exciting album which develops his theory on music and time. Though it’s very much a jazz record musically, it is as in touch with contemporary musicians like Lamar and Flying Lotus as it is with Miles Davis, Roy Hargrove or Donald Byrd. Often, it puts them all in the same conversation at once.

In a rare move, the album opens with a kind of mission statement. Before a single note is played, the listener hears a voice: “My flow is rooted. My flow is modern. Modern Flows Vol. II.”

The speaker is Chicago rapper Brandon Alexander Williams, who reappears periodically throughout the album. Over a hypnotic vibraphone line, Williams develops the album’s themes: black history, art, time, and consciousness. On the next track, the vibraphone line morphs slightly, a shift in its own musical continuum, as it leads the charge for the excellent “Twin Flame.” Sprightly and packed with melodies, it’s almost easy to forget that you’re listening to jazz music until the two-minute mark, when the song opens up for Hill and saxophonist Josh Johnson to trade improvisational passages. The two go back and forth, trading bars like battle rappers before meeting back up again on the melody.

“Twin Flame” leads to the metamorphic “Ego vs. Spirit,” a track which features J Dilla style beats, a Miles Davis-like melody, and a choir straight out of Kamasi Washington—and that’s all before the spoken word passage kicks in. Somehow, it all hangs together, each element sounding less like separate pieces stitched together, and more like points of reference along a line.

“It keeps bringing me back to that word ‘continuum,’” Hill says. “We’re all connected.”

Raised in a music-loving household on the south side of Chicago, Hill picked up the trumpet at age 10, playing in his elementary school’s jazz band. There, he was forever changed when he heard the music of Lee Morgan. 

“It was mind-blowing,” he says. “I had never heard that form of black music before. I had heard the horn solos on Marvin Gaye records, and on Al Green records, but never heard actual Lee Morgan, Dizzy Gillespie—actual jazz, from the diaspora of bebop. I believe that I fell in love with the music at that moment. I’m grateful that I was exposed to it at a young age.”

An early point on his own continuum, Hill still credits that Lee Morgan record with shaping his sound today.

“Specifically the tone on track two, ‘Since I Fell For You,’” he says. “I’ll never forget, I heard that track and just fell in love. He had a very warm, dark, fluffy sound on that record, and it just stuck with me.”

While he keeps his early influences present today, Hill always keeps his eye on the far end of the continuum: the future, and the musical possibilities it brings. 

“Everything is very open musically now,” he says. “I think it’s beautiful. It creates newness. It creates new ideas. It creates new sounds. It creates new concepts and directions. It’s a beautiful thing, and I’m just happy to be a part of it.”

Marquis Hill performs at 7 p.m. on Thursday, Aug. 8, at Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $29.40 adv/$34.65 door. 427-2227.

Inner Revolution—Uranus Retrograde: Risa’s Stars August 7-13

When planets enter new signs, or retrograde back into previous ones, we change, too. Our time references shift, new possibilities and opportunities occur, we speak differently, our focus switches, things are either revealed or they go into hiding. July was quite a tumultuous month, with two eclipses (things disappeared) activating Saturn, Pluto and the South Node (transforming structures of the past—governments in disarray) and the Mercury retrograde (things turned upside down, inside-out).

In August, although we feel we can move forward (Mercury direct, returns Sunday to fiery Leo, where we begin to talk about ourselves again) another retrograde, the higher octave of Mercury (Uranus) is beginning. Uranus, planet of revelation, revolution and sudden, unexpected changes, stations retrogrades in Taurus Sunday evening. Uranus is the Great Awakener. It shakes us up and breaks everything down. With Uranus retrograde, it’s as if our whole body, our whole lives, are shaking apart.

Retrogrades are a time of restructuring the old, making room for the new. Internally, we begin to create new visions, seek new archetypes and new rhythms.

Uranus brings us a new order of things, an inner revolution. Our heads are turned around, facing both the past (old realities) and the future (new ideas). Taurus makes sure we stand in the present, with ideas practical, sensible and most of all, comforting.  

ARIES: You love and appreciate your work and those you work with, and communication is good with everyone (though you must battle against critical thoughts). You want to help others more, which inspires them, and then work is even better and more fulfilling. Loyalty toward you emerges, new goals are considered and workflow increases, and so does success. It’s like a river flowing harmoniously for everyone. You stand at the river’s beginning.

TAURUS: You may not be romantic outwardly because of so much work to be done to insure the future’s sustainability. But this doesn’t mean you feel less love. It’s just that you’re focused and determined and disciplined and must follow your instincts and intuition and not let relationship concerns get in the way. You seek intellectual activities that also offer fun and a bit of leisure. The environment is kind to you when you travel. Remember, though: health first!

GEMINI: Emotional and then physical safety and stability are concerns now, and so you must assess, tend to and create safety measures around your home and self, then ask everyone to help maintain them. Everyone knows you change your mind so often they really can’t make plans with you. But for now, this has eased up and decisions made are decisions you follow through with. Or try to. Something ended last month. What was it?

CANCER: You feel the need to communicate with everyone, both casually and in-depth, for you realize everyone has a gift, and if they simply talk enough, that gift emerges and you learn more. You, too, have a gift—in fact, many gifts—and when you speak, when you come out from under your crab shell, then we see your gifts, too, and we learn from them. You are very perceptive now, more than usual.

LEO: There’s an inner and outer reality concerning something. They seem to be in opposition. You think you have to choose one over the other. Do you? Oppositions are actually only different sides of the same coin, seeking integration. Eventually they come together and unify. What is occurring that seems in opposition? Is it spiritual or material factors, self or others’ needs or values, being worthy or not worthy? Time will integrate the two.

VIRGO: You want to talk about issues and ideas important to you—things held deep inside and not often communicated: what you believe and how you want to serve; your new emerging identity and all the things you hope, wish and plan to do. You’re practical and inventive, and thoroughly modern in your approach. These may be important and applicable, especially concerning family. You bring a new reality forth. At first, it’s shocking. Then accepted.

LIBRA: Plans created long ago are now ready to be implemented, and you’re on the road toward their fulfillment. I hope all that you expected, all that you hoped and waited for, are available. There are some issues hidden behind the scenes, not quite ready for the light of day. For now, you’re ordering and organizing your inner-self so you can order and organize your outer realities, relationships and environments. Did a dream come true?

SCORPIO: As changes continue, it’s good to have a get together of friends and acquaintances you care about. Include local, sustainable and seasonal foods, scatter several interesting books around, set the music to old jazz standards. Perhaps you could suggest a subject to discuss, like how to create communities (the steps), what people would be attracted, the focus and purpose of community, and how it would prepare everyone for the new times to come. Allow no criticisms. Have a giveaway while saying goodbye.  

SAGITTARIUS: Do all that you can to create compromise between yourself and those who see issues differently. Small disagreements can escalate quite quickly. Include good things in your compromises, so those around you feel they have been heard and listened to. Ask what they want and need, and this will be reflected back to you in terms of recognition and rewards. Be dashing as you perform these acts of kindness. You’ll become even more attractive and radiant. New vistas beckon ahead.

CAPRICORN: You could feel a bit overwhelmed due to just too many events flooding your reality, not eating adequately and in a timely matter, or simply because you’ve been “on” for just too long. When you’re upset, you can lash out with words that hurt everyone, including yourself. Lay low for a while, maintain a bit more solitude, rest and recuperate, allow others to perform tasks while you’re in the garden reading. Tell everyone you need tender loving care.

AQUARIUS: You may need to discuss issues with someone, perhaps a partner, parent, family, friend, or roomie. Do this openly with candor and ease, always using an informational, neutral tone. Do not be frightened to discuss finances. Information is knowing you’re speaking the truth for you and those listening. Ask for teamwork, understanding and consideration. Maintain humor each day as things change, and then change some more.

PISCES: The focus is on relationships, those close and intimate. This includes work partners and close friends. You find yourself with two trajectories—one seeks to create harmony and goodwill; the other to increase discipline and efficiency, forging ahead with ideas and plans. It seems the two are opposite, and sometimes they are. You will have to bring them together, create a unity and synthesis. It may be difficult. Have willingness, dedication and intention. Then harmony prevails.

Music Picks: August 7-13

Santa Cruz County live entertainment picks for the week of Aug. 7

WEDNESDAY 8/7

COUNTRY

GRETCHEN PETERS

As a tunesmith for hire, Gretchen Peters’ list of clients is like a music industry who’s who. Not limited to fellow country artists like Shania Twain, Martina McBride and George Strait, the Nashville singer has also written for Bryan Adams, Etta James and even the “Jewish Elvis” himself, Neil Diamond. While recent years have seen country bend towards big pop hooks and commercial viability, Peters’ songwriting has remained heartfelt and mature, focusing on the dusty magic of life’s small moments. MIKE HUGUENOR

7:30 p.m. Michael’s On Main, 2591 Main St., Soquel. $17 adv/$20 door. 479-9777. 

COUNTRY

THE BOXMASTERS

Since getting back together in 2015, the Boxmasters has reigned in some of its historic hillbilly-country leanings and focused more on an affable, rockabilly vibe with large doses of ‘60s British-pop hooks. Billy Bob Thornton, aka “Bud,” delivers an earnest performance as the frontman of a touring band. His voice is like a wheezy Tom Petty, and he charms as he sings about the loves, desires and troubles of the average person. His cohorts J.D. (guitar) and Teddy (keyboard) hold it together in the back, playing sidekick to Bud’s winsome country-guy antics with steady, understated poise. AMY BEE

8 p.m. Felton Music Hall, 6275 Hwy. 9, Felton. $38 adv/$44 door. 704-7113.

 

THURSDAY 8/8

JAM

HERE COMES SUNSHINE

Grateful Dead tribute bands are their own unique genre of music. These musicians love the Dead so much that paying tribute to the almightiest of jam bands means capturing the band’s essence, not playing note for note. Here Comes Sunshine is Scott Guberman’s project. He plays with Phil Lesh and has jammed with other Dead members. He gets the Dead. The rest of the band is made up of the member’s of Jerry’s Middle Finger, one of the top L.A. Dead bands around. AC

8:30 p.m. Moe’s Alley, 1535 Commercial Way, Santa Cruz. $10 adv/$15 door. 479-1854. 

FOLK-PUNK

LOST DOG STREET BAND

Break out the hobo satchel and dust off your cap, because the Lost Dog Street Band returns for a night of traveling tunes. Fresh off the release of their fifth album Weight of a Trigger, this year finds the bluesy, folk-punk group a trio, with the addition of Jeff Loops to founders Ashley Mae and Benjamin Tod. This year also finds the band digging deeper and darker, investigating the violence of human nature. Despite the demons driving the music, the Lost Dog Street Band keeps things upbeat and whimsical with fiddles and banjos. MAT WEIR

9 p.m. Catalyst, 1011 Pacific Ave., Santa Cruz. $15. 423-1338. 

 

FRIDAY 8/9

SOUL

TOKEN GIRL

What exactly is progressive soul? For Oakland’s Token Girl, it’s both a genre and a philosophy. While soul music has moved people for generations, even modern soul acts like Sharon Jones (RIP) and the Soft White Sixties tend to lean back towards the genre’s roots. Token Girl, on the other hand, aims to push the genre forward, incorporating buzzing synths and experimental elements into songs. This February, the three-piece dropped Two Fold, a solid two-song EP with their most snaky, sinuous songs to date. Stretch that soul. MH

9 p.m. Blue Lagoon, 923 Pacific Ave, Santa Cruz. $10. 423-7117. 

COMEDY

MIKE E. WINFIELD

Mike E. Winfield disarms the crowd with a giant grin, and 10 minutes later, they’re laughing at stuff they probably shouldn’t. This talent of his to flow from benign to inappropriate and back again is probably why people refer to him as “almost family-friendly.” Winefield often explores his family and marriage on stage. His stepson is almost Winefield’s age, and his wife sometimes treats Winfield like a child in public. Obviously, troubles and misunderstandings abound. This thematic goldmine, plus Winefield’s high energy and willing candor, always keeps the audience on his side. AB

7 & 9:30 p.m. DNA’s Comedy Lab, 155 S River St., Santa Cruz. $20 adv/$25 door. 900-5123.

 

SATURDAY 8/10

ALTERNATIVE

KATASTRO

What exactly were 311? Hip-hop? Rock? Alternative? If your answer is, “Shut up, man, they were awesome! Quit categorizing everything!” then Tempe, Arizona, band Katastro is the band for you. It’s sort of rap, but also an alt-rock band with funk and a bit of blues. It’s all of these genres, but really it’s a whole vibe predicated on danceable grooves. Is that your thing? If it’s not, you got a seriously negative attitude that needs to be addressed, bro! Grab a spliff and chill out to the million genres of Katastro. AC

8 p.m. Felton Music Hall, 6275 Hwy. 9, Felton. $12 adv/$14 door. 704-7113. 

PUNK

MDC

For anyone keeping score, the ’80’s and early ’90s are here again. Neon colors. Stranger Things. An old white guy in the Oval Office with a campaign slogan ripped from the KKK. It’s no wonder there has been an onslaught of O.G. punk-rock reunions. Thankfully, Dave Dictor and MDC won’t have any of that money-grabbing crap. They’re back at the Blue Lagoon with a little help from fellow Texan punk pioneers Verbal Abuse, Bay Area originals Fang and new local degenerates Kemper’s Temper and Monty Montgomery & His Band of Kooks. MW

9 p.m. The Blue Lagoon, 923 Pacific Ave. $15 adv/$20 door. 423-7117.

 

MONDAY 8/12

EMMET COHEN TRIO

Emmet Cohen’s ascendance as jazz’s most celebrated pianist under 30 was capped off in April, when he won the American Pianists Association’s rigorous Cole Porter Fellowship and the accompanying $50,000 prize and recording contract with Mack Avenue Records. In many ways, the competition confirmed Cohen’s accomplishments, as he’s doggedly sought out veteran masters like drum legend Jimmy Cobb and bass maestro Ron Carter for his Masters Legacy Series albums. Along with Benny Green, he’s been a steady accompanist for the sensational 25-year-old vocalist Veronica Swift. With his own trio, he’s a jaw-dropping improviser with fluent command of nearly a century of piano jazz idioms. ANDREW GILBERT

7 p.m. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $26.25 adv/$31.50 door. 427-2227.

Perla Batalla’s Ode to Leonard Cohen

Watch closely when Perla Batalla sings Leonard Cohen’s “Famous Blue Raincoat” and you might notice something unusual: she’s smiling.

Cohen’s iconic song about a devastating love triangle—which features lines like “And you treated my woman to a flake of your life/And when she came back, she was nobody’s wife”is famous for its moody melancholy. But Batalla thinks it’s rather misunderstood, as is Cohen himself.

“It’s also very positive, and it’s so funny,” she says of the song. “That’s one of the major misconceptions about Cohen, that he’s gloomy. He was one of the funniest people I’ve ever known in my life.”

And Batalla knew him well, beginning with her stint singing on his legendary 1988 European tour, during which he was riding high on the success of his comeback record I’m Your Man. On that tour, she was introduced to the lighter side of the man who had been defined in the public consciousness by his haunting vocals and intense lyrics.

“When he introduced ‘Chelsea Hotel,’ he was like a stand-up comic,” she remembers. “He got laugh after laugh. And it was always different—every time he told the story, it would be different.”

That’s why she wants House of Cohen—the project she’ll bring to Kuumbwa on Friday, Aug. 9—to do more than just keep the songs of her late friend alive.

“My mission is to get people to know this man, and how complex he was—including the qualities that you probably never heard about,” she says. “So I do try to share some of his stories, and some of the things that he found delight in, that just make me laugh whenever I think about them.”

The project’s name symbolizes that same intimacy. For many years, Batalla—who also performed on Cohen’s 1993 tour—lived near Cohen, and would drop by his house to sit and chat over a cup of coffee at his kitchen table.

“I started doing these concerts of Leonard Cohen songbook years before he passed, because I loved the work so much. And then after he passed away, I really felt a strong connection to being with him in his kitchen,” she says. “That’s when it all came to me. It was about being in his house. It’s almost like a church to me, the house of Leonard Cohen.”

Certain songs like “Take This Waltz” and “Anthem” are constants in her set because they relate directly to her relationship with Cohen in ways that she explains when she performs them live. Others cycle in and out depending on the tour, or even the particular night. But the most recent addition surprised even her.

“I didn’t even want to listen to his very last recordings, because I thought it would be too hard for me emotionally. I thought I couldn’t take it,” says Batalla. “But someone in Germany asked me if I would sing ‘You Want It Darker.’ So I was sort of forced to listen to it to see if it would resonate with me. And it’s incredible. The song is so amazing and deep and profound that I did it, and I have been singing it. It’s a very strong and healing experience.”

It seems especially fitting, considering that Batalla first worked with Cohen while he was releasing his mid-career songs like “I’m Your Man,” “First We Take Manhattan,” “The Future” and “Waiting for the Miracle,” all of which came from a middle-aged perspective that was in some ways very different from the sly-but-bold romanticism of his popular early songs like “Suzanne” and “Bird on a Wire.” You Want It Darker—his final album, released just three weeks before his death in 2016 at age 82—brought everything full circle.

“That last record is more like, ‘No, I’m not your man anymore,’” says Batalla. “He has a higher power. There’s a lot of God in that last one. There’s a lot of that higher whatever force that you’re about to face. It’s super intense.”

Just as she has tried to reveal a different side of Leonard Cohen to the world, so have his songs opened up a new perspective for her.

“What I’ve been experiencing with these concerts, very openly, is just the idea of what grief is and what it is to deal with and experience. That it’s not a bad thing,” says Batalla. “It’s a very complex thing. I’ve been taking grief and sort of recognizing it as a friend, as something that brings up memories that are very comforting to me. It’s seen as a negative thing so often, and I no longer see it that way.”

Perla Batalla performs at 7 p.m. on Friday, Aug. 9, at the Kuumbwa Jazz Center, 320 Cedar St., Santa Cruz. $25/$40 gold circle. snazzyproductions.com.

‘Comedy of Errors’ Goes ’80s Camp

As a producer or director, do you need a good reason to choose a particular era for your play? I’d say no.

Purists may get annoyed if the setting seems too random or wacky, but having seen a few of Danny Scheie’s Shakespeare Santa Cruz plays back in the day—some of which “wacky” doesn’t begin to describe—I can honestly say I’ve never been bothered by even the most anachronistic tweaking of Shakespeare convention. I’m there for your trailer park Two Gentlemen of Verona! Temporal displacement is fun, people!

In the program notes for Santa Cruz Shakespeare’s new production of The Comedy of Errors, director Kirsten Brandt says she chose to set it in the “identity-searching ’80s” because, “The play compels us to consider ideas of family, marriage, gender, and identity.” Uh, no. This production doesn’t uncover layers of meaning in what has got to be Shakespeare’s most ridiculous farce, because there are no layers.

The plot, such as it is, requires us to believe that characters with no outward signs of brain damage would not be able to tell the difference between two sets of twins with entirely different personalities and ways of speaking, not to mention that these long-lost twins have to have the same exact names (wait, did their parents give them those names, ’cause that really makes no sense) and for some reason be dressed exactly the same for the entire day or so over which the story takes place. It’s just plain silly.

My point is that there doesn’t need to be a fancy, schmancy reason to set this absurdist craziness in the ’80s. It just works. The neon and pastels of designer Dipu Gupta’s set is the perfect cross between Miami Vice and “Girls Just Want to Have Fun” (both the song and the movie). The Fast Times at Ridgemont High daze that the cast maintains as they sway and bob through every scene is just right for the material, but more importantly, they understand (as does director Brandt, clearly) that the laughs for a 2019 audience are not really going to come from the story. Heck, maybe this was true in 1619, as well. After all, does anyone remember the plot to Harold Lloyd or Buster Keaton movies? Of course not. We remember the gags.

The cast here, from Jennifer Erdmann and Patty Gallagher—both doing double duty as the separated twin sisters and their twin servants, respectively—to Mike Ryan, Madeline Wall, Uche Elueze and others in very funny supporting roles, recognize this as setup for some old-school physical comedy, and they go all out. I’m talking spontaneous dance parties, wet willies, slow-motion pro-wrestling moves, Three-Stooges-type eye pokes, and extended crotch-kick routines.

If you’re thinking that sounds pretty lowbrow … well, yeah! This is Shakespeare comedy, baby! The only thing that’s really thought-provoking at all is that the decision to gender-swap the two sets of twins (all four characters are men in Shakespeare’s original) leads to an interesting queer-romance angle between Erdmann as the visiting Antiphola of Syracuse and Wall as Luciana, sister-in-law of Antiphola of Ephesus, where the action is set. The actors tease out some interesting lines in the dialogue that make this choice seem pretty natural. But again, I don’t think it even needs a rationale—it’s fun.

A decade of ’80s revival, and especially the last few years of Stranger Things fever, have set us up to enjoy this take on The Comedy of Errors. Kudos to whoever put together the soundtrack of era-appropriate songs that float through the show, from Wang Chung to Tears for Fears to Depeche Mode. If, like me, you’re not always a fan of Shakespeare’s goofier comedies, you’ll appreciate how far this cast and crew are willing to go for laughs.

‘The Comedy of Errors’ runs through Sept. 1 at the Grove in DeLaveaga Park, 501 Upper Park Rd., Santa Cruz. $35-$60. santacruzshakespeare.org.

Love Your Local Band: Brad Sanzenbacher

Sadness is a running theme in local singer-songwriter Brad Sanzenbacher’s music. But the songs he’s written the past few years were on a whole new level—full of “crippling despair” and “sardonic self-awareness,” he says.

As Sanzenbacher observed the tone of his new material, he decided it was time to pick some songs that really vibed and put together a new EP.

“I probably could have not articulated these things about myself without a guitar in my hands. It’s like a therapy session,” Sanzenbacher says. “I’m a stream-of-consciousness kind of writer. I don’t sit down and say, ‘I want to write a song about this or that.’”

He recorded with former local engineer Kenny Schick, now located in Nashville. Schick played all the backing instruments on the album, aside from a fiddle. The result is a gorgeous, melancholy country record with lush vocal harmonies. The EP, Dying Old Flower, was released on July 15.

This is also the first studio recording Sanzenbacher has done in a decade. He made a homemade, bootleg-style live album a few years ago. His first record, released in 2011, was called Fear and Drought. Part of what inspired his new batch of songs was that he could envision them as fully flushed-out songs, not just on his acoustic guitar. At the same time, he’s been looking for material to highlight where he is now. 

“The goal of the record is to reintroduce myself, and show people what I can do,” Sanzenbacher says. “I’m hoping this new record will help me get new shows and help me find a new audience by showing them how I sound now. I think maturity is the key word there.” 

bradsanzmusic.bandcamp.com.

Discretion’s Santos Majano Elevates Brewery Food

So worth looking for, the Kitchen at Discretion. My friend Beverly called it “off the beaten track.” And it might be, unless you live or work in and around the 41st Avenue corridor. 

Tucked behind an industrial labyrinth of automotive, furniture and repair shops a few clicks from Café Cruz, the Kitchen is run by talented chef Santos Majano, who creates a steady stream of irresistible dishes, plates and ideas that play cultures, culinary styles and spices off one another. All of it seems perfectly designed to go with Discretion’s fresh brews. 

Seated outdoors under an arbor of honeysuckle, bordered by strawberries ripening on a hanging garden, we struggled to decide on lunch orders. “There’s nothing on this menu I wouldn’t want!” Ellen confessed before succumbing to snack platters of sweet-and-spicy chicken wings ($16) and a dish of killer tempura eggplant ($12). Betty and Bev split a knock-out salad of melon and peaches ($11) and two beer-battered local rockfish tacos ($16). I went for a serious main course of beer-braised pork shoulder with black rice and marinated cherry tomatoes ($21). A half-pint of IPA for Bev ($3), and a San Pellegrino Limonata ($3.50) for me. There was a lot of food, and in the interests of total transparency, we demolished it all (except for some of the pork and two chicken wings that I took home for the resident guy.)

Majano is a wizard at using contrasting flavors to heighten the dishes he creates. As exciting to the eye as they are to the tastebuds, each bite produced a shameless chorus of oohs and aahs from the four of us. In a deep, round bowl, a salad of thinly sliced peaches and squares of melon arrived bathed in fresh basil and olive oil, topped with ricotta salata cheese and a fistful of sunflower sprouts. Plump, piquant chicken wings came with various kinds of fresh pickles—pale yellow, green and pink—and a bowl of buttermilk dressing. Everything sprinkled with spicy togarashi. The tacos were spectacular, again inventively topped by cabbage slaw, cilantro and sriracha aioli, plus fat wedges of lime. Betty went for the slivered jalapeños (“I like it spicy!”) 

My massive plate of braised pork offered tender flesh under a succulent layer of fat. Marinated cherry tomatoes were outstanding, and the sweet-and-sour plum sauce knocked us out. The menu offers an alluring array of fish and meat—including a heavyweight charcuterie and cheese board—but it was that plate of tempura eggplant, with a soy-citrus reduction and aioli, all dusted with red pepper togarashi, that had us well and truly enchanted. I would drive from the Westside, even during rush hour, for this dish. 

Open daily 11:30 a.m.-9 p.m. The Kitchen at Discretion Brewing, 2703 41st Ave. Ste. A, Soquel. discretionbrewing.com.

Open and Shut

Nick the Greek has opened for gyros and other Mediterranean specialties at the Pacific and Lincoln slot once devoted to Sitar. Nearby, Barceloneta looks poised for lift-off downtown.

Shen’s Gallery has closed its Mission Street headquarters of so many years, only to pop up again in a sweet spot at the top of Pacific Avenue, next to the aforementioned Barceloneta.

Jaguar has closed on Soquel Avenue, and Surfrider Cafe has closed its Front Street spot after so many years, says proprietor Stephen Wyman. Local start-up Kind Brewery will open in that spot. Flynn’s is now the Felton Music Hall on Highway 9.

Film Review: ‘Sword of Trust’

He’s just past the expiration date to qualify as a hipster. At 54, rumpled, technology-challenged Mel has seen his rock dreams fade away in New York City, only to wind up improbably running a low-rent pawn shop in Birmingham, Alabama. Although he’s not especially political, he has reason to be wary when he’s thrust into the dark heart of Southern redneck culture in Lynn Shelton’s very funny comedy Sword Of Trust.

Mel is played by Marc Maron, better known as a stand-up comedy performer and podcaster. Filmmaker Shelton conceived the part of Mel as a showcase for Maron’s dry wit and scruffy sarcasm beneath a facade of rational cool—all on full display here, since so much of the movie’s dialogue was improvised. And Maron is up to the task; funny on a dime, yet just as persuasive in the character’s more serious and revealing moments. He provides the grounding for the rest of the excellent cast to build on. (An accomplished guitarist, he also composed and plays the bluesy guitar riffs on the soundtrack.)

Mel is the proprietor of Delta Pawn, a business he inherited from an uncle. His only employee, Nathaniel (Jon Bass), is kind of a good-natured dimbulb, and not much use around the shop, but he knows how to use the phone and do research online. Mel has an easygoing friendship with Jimmy (a terrific Al Elliott), the African-American owner of the diner next door who pops in periodically to trade jokes.

Into the shop one day walks Mary (Michaela Watkins), a no-nonsense outlier with an urban vibe, and her more pliant girlfriend Cynthia (Jillian Bell), whose Southern roots are still slightly traceable in her accent. They’ve just come from the estate of Cynthia’s deceased granddaddy, and while she didn’t inherit the house itself, Cynthia brings in the one item that was left to her—a Civil War sword.

But not just any sword. Enclosed documentation claims it “proves” that the South won the war. Mel is ready to laugh them out of the shop—until Nathaniel discovers an entire subculture of “provers” online. Convinced that the truth about the South actually winning the war has been “buried by the Deep State,” these folks are dedicated to collecting evidence that proves otherwise—and ready to pay big bucks for it. (Watching one online video post exhorting viewers to search their attics, Mel cracks, “Is this Antiques Roadshow for racists?”)

When a potential buyer makes a sizeable offer, and Mel and Mary agree they should join forces and split the profit, their journey down the rabbit hole begins. The shop is visited by a fellow called Hog Jaws (Toby Huss) for a preliminary look at the merchandise. A couple of junior-league bigots try to menace Mel for being an “East Coaster” (i.e., Jewish)—although he’s actually from New Mexico.

Finally, it’s time for Hog Jaws to escort the four uneasy business partners—Mel, Nathaniel, Mary, and Cynthia—along with the sword, out to meet “the boss.” It’s a long journey into the woods, shut up in a van without windows or seats but with an entirely carpeted interior. “This is how people die,” they remind each other, as they realize they’re entering into “the brain” of redneck craziness. “Apparently, it’s carpeted.” Irony won’t be much of a weapon if things get dire, but it’s all they’ve got.

More than this I won’t reveal, story-wise—the little twists and turns of the plot are way more delicious to discover along the way. The conversations are sharp and funny, with a few poignant moments sprinkled in. The actors are perfectly cast, including Dan Bakkedahl as the fearsome boss of the provers, and director Shelton herself in a key scene as Deirdre, Mel’s outwardly perky but fragile ex, who just can’t get herself clean. It’s a well-crafted movie of many small pleasures that add up to big fun.

 

SWORD OF TRUST ***1/2 (out of four) With Marc Maron, Jillian Bell, Michaela Watkins, and Jon Bass. Written by Lynn Shelton and Mike O’Brien. Directed by Lynn Shelton. Rated R. 89 minutes.

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