What Can You Really Compost in Santa Cruz County?

[This is the first story in a series on recycling and waste reduction in Santa Cruz County. Part two runs next week. Read part two here. Read part three here. — Editor]

We’ve all been there. You’re standing in the kitchen with a compostable to-go container from your favorite restaurant. Or maybe with the compostable see-through cup you grabbed at a local juice bar. Flip the cup over, and you might see a rounded triangle of arrows pointing to one another, a logo that would seem to indicate that this cup is somehow environmentally friendly.

Do you toss the cup into the recycling bin? Or walk outside to throw it in the green yard waste container sitting in your driveway?

The answer is that you put the cup in the trash.

This compostable ware—the biodegradable cups, cutlery and to-go boxes available at local restaurants—is made from natural material, often polylactic acid (PLA), derived from plant sources, like cornstarch. Local governments require businesses to use these biodegradable products for to-go items, but because it isn’t a traditional form of plastic, PLA can’t be recycled like one. The green bins, on the other hand, are reserved only for yard trimmings.

Many local businesses participate in regional government-run composting programs for food scraps and other non-yard waste compostable material. For the time being, though, all their waste gets hauled across county lines—to Santa Clara and Monterey counties. And the services aren’t available to residents in their homes.

The whole setup doesn’t sit well with Santa Cruz resident Andrew Tuckman, the vice president of business development for Vision Recycling, a compost producer serving the Monterey and San Francisco Bay areas. Tuckman says that the composting process is best done locally. Ideally, in the end, locally made compost is readily available for community members to purchase for use in their gardens and on their farms.

“In a county such as Santa Cruz, that says ‘We’re green, we’re sustainable,’ what the hell do you have happening, other than all this feedstock being shipped out of the area?” says Tuckman, whose company handled yard waste for the county until the end of last year. “And nothing’s coming back to Santa Cruz. This should be a closed-loop cycle, and it’s not.”

WARE TO

Three local governments—Santa Cruz County, Capitola and the city of Santa Cruz—all require take-out materials to be compostable. The problem is that there’s usually no easy way for customers to dispose of those items in a sustainable way, at least once they leave the business where they purchased their food. Sure, one might try throwing his or her to-go cup into their own compost pile, if they have one, but a cup could take more than a year to break down there, compared to a couple months at an industrial facility.

State regulators, meanwhile, have been steadily rolling out increasingly stringent food compost requirements. The initial rules applied to businesses that create the most organic waste, like grocery stores and hotels. The second phase extended requirements to many large restaurants. The third will rein in many smaller restaurants. Starting at the beginning of this upcoming year, any business producing more than 4 cubic yards of total waste per week will have to have its food scraps, also known as organics recycling, hauled away for composting.

Santa Cruz, Capitola Watsonville, and the County all have food scrap programs, but not every business that takes part has compost bins in the front of the house for customers to throw in compostable products when they’re done with them.

In the next few years, California may require local governments to haul food scrap from local residences for composting. The road map for where Santa Cruzans will send their growing mass of compostable material is unclear.

BREAK IT DOWN

But Santa Cruz County has a good reputation when it comes to waste management, and for good reason.

The county government has received two recent awards, including one last month from the National Recycling Coalition, honoring the county for Outstanding Community/Government Program of the year.

Santa Cruz County was at the forefront of the effort to ban plastic straws, a movement that inspired Starbucks to commit to banning them by 2020. Now, the county Board of Supervisors has set its sights on eliminating single-use plastic shampoo, conditioner and lotion bottles from local hotels, motels and vacation rentals, making Santa Cruz County the first in the nation to tackle the issue.

Compost is a little more complicated, especially given the confusion about what happens to all of the compostable cups, containers and cutlery once they get to local landfills, as they do every day.

There is disagreement about what becomes of all that compostable ware, and whether or not it decomposes. A 2012 study found that once at the dump, compostable ware takes more than 100 years to break down, taking up landfill space in the process. (The county’s landfill is forecast to fill by up in 2030, and the city of Santa Cruz’s in 2056.) A more recent study found that the items break down quickly. In the process, they will release a significant amount of methane, a greenhouse gas that’s 30 times more potent than carbon dioxide.

When misinformed residents mistakenly toss compostable cups into their recycling bins, they cause additional problems. All those clear, flimsy cups often gum up the sorting process, because the machines think it’s normal plastic, says Emily Hanson, the business development and communications director for GreenWaste, which hauls waste for Capitola, Scotts Valley and the unincorporated area. At its San Jose facility, GreenWaste sorts recycling from those communities, as well as cities from around the Bay Area.

Hanson, a UCSC grad, says at the very least, it’s nice that many Santa Cruz County businesses have food scrap bins on site for customers to toss their compostable items into when they’re done with them.

“The moment, though, that you ask a consumer to get that compostable and go home, you’re back in the situation of being screwed on what container to put it in, because there’s no container you’re supposed to put it in,” she says. “You end up putting them in the garbage, and when it goes in the garbage, it off-gasses methane. It’s the worst-case scenario. So unless there’s a comprehensive food waste program in a jurisdiction, all that stuff is complicated and confusing the consumer.”

Over at the city of Santa Cruz’s landfill, Craig Pearson, superintendent of waste disposal for the city, sees it differently.

In a world where waste often ends up strewn among our natural spaces, and plastic is filling up the ocean, these compostables have merit, he says. “If it’s compostable, it’s gonna go into the river or the creek or ocean, and break down in a year or so,” he says. For that reason, he says compostable cups are better than plastic ones.

The breakdown rate of compostable items in the ocean has never been fully studied, according to a book called Management of Marine Plastic Debris, which makes it impossible to draw strong conclusions, although one report found that a biodegradable bag broke down significantly in three months. Various materials break down at different rates, depending mostly on their thickness.

Tim Goncharoff, the county’s resource planner, has heard the concerns about the environmental impact of compostable ware, and calls it “valid criticism,” one that he says he even shares himself. He knows there are still some gaps in the county’s waste management systems, and says that county officials are working to fill them as quickly as possible.

“I regret that we couldn’t make it all happen at once,” he says.

COMPOST SCRIPT

A lump of food scraps is sitting in a far corner of the Monterey Regional Waste Management District (MRWMD) facility, where Santa Cruz County sends both its food scraps and its compost.

Angela Goebel, MRWMD’s public education and outreach specialist, drove me down here from the main office in the district’s SUV. The waste here is mixed in with wood chips for mulch. “It soaks in the moisture, but you also want a certain balance of carbons and nitrogens,” Goebel says, the heels of her boots on the edge of the heap.

MRWMD mostly serves the Monterey peninsula and Watsonville, but it also gets food scraps from around the Santa Cruz area, including UCSC, Cabrillo College and a number of Santa Cruz County businesses.

Zach Falk, the program’s operations technician, says that compost that comes in from the county is usually very clean, especially from UCSC. In Monterey County, leaders have expanded food compost collection beyond local businesses by putting yellow bins at farmers markets where locals can drop off scraps.

From the mulch pile, the composting pile goes into one of four anaerobic digestive modules, where it decomposes for another two or three weeks. Above the digester, a circus-like tent collects methane, which the facility converts into enough electricity to power 30 homes an hour.

When I visit, the garage-like door of one of the modules is open, with plumes of steam wafting out. The waste is ready to get loaded to nearby giant windrows, where the composting process is finished.

The overwhelming amount of what comes through the composting program is truly biodegradable, with a low contamination rate of around 5 percent. The most common contaminants are plastic garbage bags.

When it comes to local restaurants, Goebel, who lives in Aptos, says a business that doesn’t have compost bins in the front of the house often has lower contamination rates than the ones that do have them—something she can understand. It can be tricky for everyday customers to keep track of what goes in which bin, and she says some of her co-workers sometimes get confused at work in the facility offices.

At the regional level, the clock is ticking for local leaders to expand their food-scrap composting programs.

California is getting ready to announce new rules, and they could include a food scrap pick-up requirement for local governments at all single-family homes by 2020.

The city of Santa Cruz has plans to start a new composting program of its own. Equipment for “pre-processing” at the city’s Dimeo Lane facility will handle the the initial phase, before workers transport the waste to an anaerobic digester at Santa Cruz’s Wastewater Treatment Facility, says Janice Bisgaard, a spokesperson for the Public Works Department, in order to accommodate food waste from local businesses.

Outside the city, solutions are a little murkier. They may involve the county’s other local governments partnering together.

Goncharoff says the county hopes to create a composting facility at or around its Buena Vista Landfill. He’s counted seven state and federal agencies that would have to sign off, including the California Coastal Commission and the Federal Aviation Administration. (The operation would be about a mile and a half from the Watsonville Airport and, without needed mitigations, might impact the flight paths of migrating birds.) The new composting program would also be subject to the California Environmental Quality Act, and during the review, any opponents could use environmental laws to undermine the potential project, regardless of its environmental benefits.  

If a local site doesn’t work out, the county might be able to partner with the MRWMD or with GreenWaste—both of which plan to expand operations—if they can reach an agreement, and if one of the agencies has enough capacity. Goncharoff says that it would be more environmentally sustainable to keep the facility in the county. No matter what path local leaders choose, the county would likely have to raise garbage rates to cover the cost.

These issues aren’t unique to Santa Cruz. Hanson says she’s heard that California has a major shortage of composting facilities—assuming the state is serious about its organics recycling goals—with a deficit of more than 100 programs statewide.

As Goebel drives me back to MRWMD’s main parking lot, we talk about recycling’s bigger picture, and I fill her in on Santa Cruz County’s struggles to sort out the best site for composting and the challenges that lie ahead.

Goebel, who’s worked in resource recovery for nine years, isn’t surprised.

“What you’re probably finding,” she says, “is that it’s a very political industry.”

Update: Dec. 12, 2018 – A previous version of this story misreported the details of the city of Santa Cruz’s composting plans.

Watsonville Wetlands Watch Fosters Environmental Stewardship

The Watsonville wetlands sustain more than 250 species of birds and 23 species of native plants and animals that are threatened or endangered. But they are also serving another unlikely group—more than 300 Pajaro Valley Unified fifth graders.

Last year, the local nonprofit Watsonville Wetlands Watch partnered with the Pajaro Valley Unified School District to create the Wetlands Wonder Program for fifth-grade students. The program aims to increase environmental literacy and stewardship through the “5E” learning model—engage, explore, explain, elaborate and evaluate.

Watsonville is a fairly urban environment, so getting out to this wild place feels like you are in the middle of nowhere—you wouldn’t know it’s an urban area,” says Emily Howard, Wetlands Watch director of education programs. “Some students have never been to the wetlands before, and they just love it. They discover little animals living in the water. We might see a deer, and they learn about how stewardship is an important part of keeping the wetlands healthy.”

The Watsonville Wetlands Watch is one of 33 local nonprofits selected for the Santa Cruz Gives fundraising campaign. Funds will help support their Wetlands Wonders program alongside many other educational and conservation efforts. All of their programs combined serve more than 3,000 youth in Pajaro Valley. So far, the Watsonville Wetlands Watch is the top fundraiser, and they hope to raise double their initial match of $22,100 in the next few weeks.

The funds raised through Santa Cruz Gives will be used to increase the number of students who participate in the Wetland Wonders program, Watsonville Wetlands Watch director Jonathan Pilch says. The nonprofit hopes to expand the program to new schools in the Pajaro Valley, doubling their current 300 student count.

“We see both a tremendous need and a major opportunity to expand our environmental education programs, with the goal of ensuring that every child in the Pajaro Valley experiences hands-on outdoor learning in a way that inspires them to care about the natural world,” Pilch says, via email. “We’ve seen first-hand how these programs also translate into improved outcomes for their academic and career pathways and inspire youth to take active steps to improve Watsonville’s wetlands, parks, streets, and neighborhoods.”

The Watsonville sloughs are some of the largest freshwater wetlands on the coast. They feature a network of rivers and trails running from the ocean inland to Watsonville, which are often overlooked because waterways aren’t always in plain sight. In 1990, developers proposed building 800 homes on the uplands of Struve Slough, which lies just east of Highway 1. Thanks to a group of concerned citizens that urged the city to protect the wetlands habitat, development was stopped. The group eventually formed into today’s Watsonville Wetlands Watch.

Alongside their Wetland Wonders program, the Watsonville Wetlands Watch facilitates restoration and volunteer opportunities, tours and after school programs. The year-long Wetland Wonders program begins in the classroom, where someone from the Wetlands Watch will talk to the 10- and 11-year-old students about what the wetland ecosystems are and how they operate. This is part of the engage aspect of the 5E model.

Next, the students will explore the Watsonville wetlands in the fall dry season, and collect data on water quality, plants and animals to answer the ultimate question: “How healthy are the wetlands?”

“We don’t want it to be just going out one time for a hike,” Howard says. “Our curriculum is integrated with what they are learning in school and aligned with new content and science standards. We created this program to be more supportive of fifth-grade science standards, while incorporating additional pieces to the classroom.”

The class will return in the spring, once the Wetlands are full, to collect more data and observations. The program ends with a final classroom activity, where students compile the data in bar graphs and come up with suggestions for future wetland protection for the “explain, evaluate and elaborate” components of the 5E educational model.

“The idea is that the students make recommendations to the educators about land management around that slough,” Howard says. “For example, if we noticed that the aquatic invertebrate biodiversity was low when we were there, it could be related to Highway 1 putting runoff into the slough. So maybe they’ll recommend that the highway be moved or that a housing development not go in next to the sloughs.”

Because the students are just being introduced to the habitat ecosystem, Howard says the program doesn’t focus on climate change or the doom and gloom aspects of the environment. Instead, they focus on the smaller tasks that the students can do to help their environment. In some cases, those small tasks, like trash removal, can translate to larger impacts.

“By the end of the second field trip, the students feel a sense of place,” Howard says. “They feel connected to the site, and familiar with it, and they want to do what they can to protect it. That’s a really exciting piece to see.”

Rob Brezny’s Astrology Dec. 12-18

Free will astrology for the week of Dec. 12, 2018

ARIES (March 21-April 19): In 1930, some British mystery writers formed a club to provide each other with artistic support and conviviality. They swore an oath to write their stories so that solving crimes happened solely through the wits of their fictional detectives, and not through “Divine Revelation, Feminine Intuition, Mumbo Jumbo, Jiggery-Pokery, or Act of God.” I understand that principle, but don’t endorse it for your use in the coming weeks. On the contrary. I hope you’ll be on the alert and receptive to Divine Revelations, Feminine Intuition, Mumbo Jumbo, Jiggery-Pokery, and Acts of God.

TAURUS (April 20-May 20): When you’re prescribed antibiotic pills to fight off infection, you should finish the entire round. If you stop taking the meds partway through because you’re feeling better, you might enable a stronger version of the original infector to get a foothold in your system. This lesson provides an apt metaphor for a process you’re now undergoing. As you seek to purge a certain unhelpful presence in your life, you must follow through to the end. Don’t get lax halfway through. Keep on cleansing yourself and shedding the unwanted influence beyond the time you’re sure you’re free of it.

GEMINI (May 21-June 20): Danish scientist and poet Piet Hein wrote this melancholy meditation: “Losing one glove is painful, but nothing compared to the pain of losing one, throwing away the other, and finding the first one again.” Let his words serve as a helpful warning to you, Gemini. If you lose one of your gloves, don’t immediately get rid of the second. Rather, be patient and await the eventual reappearance of the first. The same principle applies to other things that might temporarily go missing.

CANCER (June 21-July 22): Cancerian author Elizabeth Gilbert is a soulful observer whose prose entertains and illuminates me. She’s well aware of her own limitations, however. For example, she writes, “Every few years, I think, ‘Maybe now I’m finally smart enough or sophisticated enough to understand Ulysses. So I pick it up and try it again. And by page 10, as always, I’m like, ‘What the hell?’” Gilbert is referring to the renowned 20th-century novel, James Joyce’s masterwork. She just can’t appreciate it. I propose that you make her your inspirational role model in the coming weeks. Now is a favorable time to acknowledge and accept that there are certain good influences and interesting things that you will simply never be able to benefit from. And that’s OK!

LEO (July 23-Aug. 22): More than three centuries ago, Dutch immigrants in New York ate a dessert known as the olykoek, or oily cake: sugar-sweetened dough deep-fried in pig fat. It was the forerunner of the modern doughnut. One problem with the otherwise delectable snack was that the center wasn’t always fully cooked. In 1847, a man named Hanson Gregory finally found a solution. Using a pepper shaker, he punched a hole in the middle of the dough, thus launching the shape that has endured until today. I bring this to your attention because I suspect you’re at a comparable turning point. If all goes according to cosmic plan, you will discover a key innovation that makes a pretty good thing even better.

VIRGO (Aug. 23-Sept. 22): I can’t believe I’m going to quote pop star Selena Gomez. But according to my analysis of the current astrological omens, her simple, homespun advice could be especially helpful to you in the coming weeks. “Never look back,” she says. “If Cinderella had looked back and picked up the shoe, she would have never found her prince.” Just to be clear, Virgo, I’m not saying you’ll experience an adventure that has a plot akin to the Cinderella fairy tale. But I do expect you will benefit from a “loss” as long as you’re focused on what’s ahead of you rather than what’s behind you.

LIBRA (Sept. 23-Oct. 22): Among the pieces of jewelry worn by superstar Elvis Presley were a Christian cross and a Star of David. “I don’t want to miss out on heaven due to a technicality,” he testified. In that spirit, and in accordance with astrological omens, I urge you, too, to cover all your bases in the coming weeks. Honor your important influences. Be extra nice to everyone who might have something to offer you in the future. Show your appreciation for those who have helped make you who you are. And be as open-minded and welcoming and multicultural as you can genuinely be. Your motto is “Embrace the rainbow.”

SCORPIO (Oct. 23-Nov. 21): Are you a gambling addict seeking power over your addiction? If you live in Michigan or Illinois, you can formally blacklist yourself from all casinos. Anytime your resolve wanes and you wander into a casino, you can be arrested and fined for trespassing. I invite you to consider a comparable approach as you work to free yourself from a bad habit or debilitating obsession. Enlist some help in enforcing your desire to refrain. Create an obstruction that will interfere with your ability to act on negative impulses.

SAGITTARIUS (Nov. 22-Dec. 21): “What is the point of being alive if you don’t at least try to do something remarkable?” Author John Green asked that question. I confess that I’m not entirely comfortable with it. It’s a bit pushy. I find I’m more likely to do remarkable things if I’m not trying too hard to do remarkable things. Nevertheless, I offer it as one of your key themes for 2019. I suspect you will be so naturally inclined to do remarkable things that you won’t feel pressure to do so. Here’s my only advice: up the ante on your desire to be fully yourself; dream up new ways to give your most important gifts; explore all of the possibilities of how you can express your soul’s code with vigor and rigor.

CAPRICORN (Dec. 22-Jan. 19): In the fairy tale Goldilocks and the Three Bears, the heroine rejects both the options that are too puny and too excessive. She wisely decides that just enough is exactly right. I think she’s a good role model for you. After your time of feeling somewhat deprived, it would be understandable if you were tempted to crave too much and ask for too much and grab too much. It would be understandable, yes, but mistaken. For now, just enough is exactly right.

AQUARIUS (Jan. 20-Feb. 18): In 1140, two dynasties were at war in Weinsberg, in what’s now southern Germany. Conrad III, leader of the Hohenstaufen dynasty, laid siege to the castle at Weinsberg, headquarters of the rival Welfs dynasty. Things went badly for the Welfs, and just before Conrad launched a final attack, they surrendered. With a last-minute touch of mercy, Conrad agreed to allow the women of the castle to flee in safety along with whatever possessions they could carry. The women had an ingenious response. They lifted their husbands onto their backs and hauled them away to freedom. Conrad tolerated the trick, saying he would stand by his promise. I foresee a metaphorically comparable opportunity arising for you, Aquarius. It won’t be a life-or-death situation like that of the Welfs, but it will resemble it in that your original thinking can lead you and yours to greater freedom.

PISCES (Feb. 19-March 20): The National Center for Biotechnology Information reported on a 15-year-old boy who had the notion that he could make himself into a superhero. First he arranged to get bitten by many spiders in the hope of acquiring the powers of Spiderman. That didn’t work. Next, he injected mercury into his skin, theorizing it might give him talents comparable to the Marvel Comics mutant character named Mercury. As you strategize to build your power and clout in 2019, Pisces, I trust you won’t resort to questionable methods like those. You won’t need to! Your intuition should steadily guide you, providing precise information on how to proceed. And it all starts now.

Homework: Do a homemade ritual in which you vow to attract more blessings into your life. Report results at FreeWillAstrology.com.

The Rider on the White Horse: Risa’s Star’s Dec. 12-18

We are in our last days of 2018, with less than a month ’til Christmas and the New Year.

Until then, we have December dedications centered around Light—Advent and the recently ended Hanukkah—and the rider on the white horse. And Mercury now direct, as it just re-entered Sagittarius.

December is dedicated to Advent, the Latin word “adventus” meaning “something’s coming” (winter solstice, Sun turning northward, new light, holy child’s birth, revelation). For four weeks, we light candles representing hope in the dark half of the year. All of December’s religious festivals are festivals of preparation, (re)dedication and the kindling of our light (hope, promise) within the darkness of matter.

We are in the time of Sagittarius, symbolized by the archer on the white horse. Sometimes pictured as the centaur with bow and arrows, it symbolizes the duality of human and divine purpose.

As humans, we carry a multitude of realities, polarities, glamours and illusions, which fall away slowly as we progress upon the Path of Light. Sagittarius is the sign of Silence. In that silence, we are asked to discern and then just be with all that is good and truthful. Sagittarius is seen in symbols form in Revelation 6.2—there is a going forth, a reconnecting with all duality and focusing it into the pure light.

The Revelation 6:2 sees the same mighty Conqueror going forth, who had reconnected all of the duality into a focused spiritual existence: “I looked up and saw a white horse standing there. Its rider carried a bow, and a crown was placed on his head. He rode out to win many battles and gain victory.” This is the foretelling of Sagittarius.

ARIES: You’re out and about, in and of the world—its people, events, food, travel, adventures, mountain peaks, plains and cultures call you to participate. Perhaps you’ll consider writing a book, or travel. Think deeply on your goals. Create more. Ponder this statement: “I see the goal, I reach that goal and then I see another.”

TAURUS: I ask that you also think on the statement at the end of Aries. And then observe the many varied goals, dreams, hopes and wishes that filter through your mind each day. There’s not enough time, day or night, to accomplish all of the inside and outside work, preparation and plans before you. There’s also the issue of money, which may be uncomfortable, yet is most important to consider. You have many resources yet untapped.

GEMINI: What are your holiday plans? Will you prepare with your significant others, or with one in particular? I suggest you plan with the one closest to you. The last new moon’s silver path shines on your relationships, especially one in particular. A new intimacy is being called for. Is it with love, sex, marriage, money, or all of this together? You and another need to travel somewhere. Make plans.

CANCER: Your health at this time is most important. Focusing on this—and not much else—is best, because you have the capacity to heal more quickly now. Appropriate and healthful foods also must be a focus. You’re considering preparing foods to give as gifts? Simultaneously, endless tasks and responsibilities keep appearing. Decline most of them. You need rest, good natural light, a plant and a few good books to read.

LEO: You need a bit more adventure, fun, play and being tended to in a most creative way. You need to accept invitations, go to parties and festivities, be with friends, attend plays, art shows, galleries, dances, and visit other people’s homes. You need both a Christmas tree and a Hanukkah bush with lights and candles everywhere. You need to be loved, cared for, recognized and then loved some more. Who can do this best?

VIRGO: You’re the light bearer to your family this year. You’re the one who must connect them, creating festivities of domestic comfort and care. You must begin to plan a large gathering so those who have no family can feel at home (where you are). You must merge realities that are separated, unify what is opposed, and synthesize all of the parts and pieces. You love being given these tasks.

LIBRA: Being out and about in neighborhoods, dropping in on neighbors, driving around town to view holiday lights, charitable parties with friends, unboxing holiday decorations, finding more to trim the tree (Hanukkah bush), seeing relatives, phoning, sending emails, holiday cards, having dinners—you love and cherish these festivities, looking forward to the beauty of the season all year. We wish we could join you.

SCORPIO: For the next several weeks, it seems a light is shining upon you. You’ll feel lucky, capable, resourceful, wealthy, emotionally supported. Don’t run out and buy everything you fancy, unless it’s for loved ones. Then be lavish. However, most appreciated would be your heart offered to another. Even simply to a friend. We think of you as internal, hidden, watchful. Give a little more for a while.

SAGITTARIUS: All parts of you are active, energetic, hopeful (we hope). You also become a bit more impulsive, quick to anger, impatient, wanting your own way for a time. We see you as being more assertive, daring like a warrior. You become very attractive. However, be careful with communicating, driving, walking, running, using tools, implements. Things red, hot and sharp (all of which, to some, you are) might attack. You’re laughing. That’s good. Caution.

CAPRICORN: You may be in need of rest. Soon you’ll need to be out and about in the public more, so take this time to draw back, do less work. You can still plan agendas and consider creative goals. However, don’t act upon them immediately. Instead, make health, rest and well-being your central focus. Allow these thoughts to direct your actions for at least a month. Blend grass-fed whey in raw or nut milk for protein and strength. Add a bit of chocolate, something green (parsley, kale, etc.), a banana and a date or two.

AQUARIUS: Everything personal and professional has the green light. You have energy and enthusiasm, hopes and wishes along with opportunities and invitations. Amidst the many possibilities, attend only one or two at a time, bringing them to successful conclusions. Then focus on several more. Pay all bills promptly, don’t worry about money. You’re beginning to thrive differently, in so many alternate ways.

PISCES: You become more public with leadership qualities naturally emerging. A forum or group recognizes, invites and accepts your gifts of communication, intelligence and knowledge. You prepare. However, you are aware that at any time in the life of Pisces, things dissolve away. So you are hopeful, patient, accepting, yet you’re also wary, cautious, circumspect, careful and coiled like a snake in preparation, which is good enough for now.

Radical Movement Factory Takes Westside to New Heights

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From high atop the dizzying ceiling of the Wrigley Building, aerial performers are contorting, gyrating and flying through the air with the greatest of ease.

Only through practice, dedication and a certain fearlessness could anyone ever think of hanging 50 feet in the air. But on Dec. 16, a local aerial school is partnering with international talent for a special evening of holiday fun called Shine!: An Eclectic Holiday Circus Cabaret.

Allie Cooper, co-founder of the Radical Movement Factory, is behind the ambitious production. “We’re having instructors and colleagues collaborate on a show. People can expect a high level of performance,” she says. Get ready for aerial acts with aerial silks, aerial rope and high-energy dance numbers.

Center stage for the festive event is MC David Poznanter, who will not only be the ringmaster of the evening, but will be performing precision juggling and acrobatics. Poznanter graduated from UCSC in 2001, and spent the better part of the next two decades touring overseas with circuses. He recently moved back to Santa Cruz in July with his French wife to have their baby here. At UCSC, Poznanter was a music major for three years and then created an independent major and earned a bachelor’s degree in music and theater.

For the last two years, Poznanter has been traveling the world with an original masked theater and live music show he created called Boom! The inception of Boom! happened when Poznanter was 22 years old in Santa Cruz. At that time, the young student began exploring manifesting his own theatrical performances while collaborating with like-minded individuals.

Poznanter believes that live performance is central to developing young people into well-rounded adults. “I was having a conversation about the future of technology, and the questions came up: ‘Can a simulated reality ever replace all the gradients of actual reality?’” says Poznanter from his new home in Santa Cruz. “What I realized is that if you don’t know how to ask yourself that question in the first place, it doesn’t matter. If you never hike in the forest you will not compare or question it to a simulated forest. A guiding principle for me is to help the daily experience of young people to include the concrete and the actual as much as possible.”

Poznanter says one thing he loves about the circus is that most of its elements have been done for hundreds of years.

Boom!, for example, is a two-person, six-character masked show,” he says. “We play ukulele, drums and perform multiple circus numbers, as well as comedic interaction with the audience. We use a speaker system, but we can also unplug and perform as people have performed for centuries.”

Poznanter is philosophical when it comes to the power of the circus in influencing a new generation of performers. “There’s something exciting about investing in things that have always been here,” he says. “In the movement, in the connections between people and in the virtuosity of circus crafts. There’s no shortcut to learning how to juggle five balls or do a backflip. You can’t do it faster than you can teach your body to do it. Something is lost in the desire for everything to happen quickly, and that is the mental and emotional state of learning. As we turn more to screens, we turn away from the things around us. We lose a part of our humanity.”

Events like Shine! that feature extraordinary performances can rebuild those lost connections, says Poznanter. “One thing I love about the circus is the transformation of the everyday world into a playground you can interact with,” he says. “The circus can transport you to a place where you can see the living potential inside something else.”

‘Shine!: An Eclectic Holiday Circus Cabaret’ will be performed at 6 p.m. on Dec. 16 at the Wrigley Building, 2801 Mission St. Extension, Santa Cruz. 531-8407. Tickets are $45 each, two for $80. Admission includes gourmet tapas, complimentary drinks and a dessert tasting. Advance tickets are highly recommended; go to shinecabaret.brownpapertickets.com.

The Poetry of Santa Cruz Mountains Wine

Is it optimistic to believe that in wine, there is truth? Maybe. But certainly, in wine, there is poetry. In his first collection of poems, American Oak, Bonny Doon native Jake Young finds inspiration in wine and the land that produces it.

Thumbing through the pages of Young’s handsome new book, I find the flavors, weather, wildlife, and vintages that inflect our slice of California, explored in spare, pungent lines. Understanding that wine is a living moment of its place of origin, Young’s poems offer glimpses of our sensory memory, inflected by surprise. Memories of flavors and top notes, the feel of the land in our hands and mouths. A newly bottled Chardonnay contains “a hint of graphite, like wetting a pencil on my tongue.”

Abstract yet intimate, his work takes us along with him watching a heron, savoring a coastal sunset, feasting on sunlight and silence. Young currently lives in Missouri, where he’s completing a doctorate in English literature, but his heart belongs to the Santa Cruz Mountains, where he spends summers working at Beauregard Vineyards.

“My work in the wine industry found its way into my poetic writing almost immediately,” Young says. “I became fascinated with the concept of terroir while working at the winery.” That experience sparked the poet’s understanding “of the many ways that food and wine connect us to the land, and thus to nature … place, and culture.” He also happens to be a Certified Specialist of Wine with the Society of Wine Educators.

The sensory mysteries of our coastline, vineyards and fog-drenched canyons run through this new book, from which Young will be reading locally next Thursday, Dec. 20—appropriately enough, at a winery, Stockwell Cellars. An accomplished debut collection by a poet with his taste buds tuned to the natural world.

Also reading from his newest book of poems will be another literary artist named Young. Gary Young. And yes, there is a connection. Gary Young is a much-admired, award-winning poet and printer who teaches creative writing at UCSC. (He is also the father of the aforementioned Jake Young.) He will be reading from his latest collection of poems, That’s What I Thought.

Gary is a shaman of the tenderest, and darkest, in humans. Capable of capturing in compact images the fleeting beauty of our place in the world. Each of his poems reaches deep within the reader, embedding itself within our cellular structure.

In other words, sensuous poetry such as that by the Youngs, père et fils, calls out for a glass of wine—wine loaded with as much terroir as the poems themselves. So you absolutely will head over to Stockwell Cellars next Thursday, Dec. 20, for some fine locally crafted wine and equally fine locally crafted poetry. Given the context, you’ll probably discover that in vino veritas is more than just a line from Kierkegaard.

Poetry Reading by Jake Young and Gary Young. Thursday, Dec. 20, 5-7 p.m., Stockwell Cellars, 1100 Fair Ave., Santa Cruz.

Wine of the Week

Zaca Mesa’s vivid and lyrical 2013 Z Cuvée Rhone-style blend of Grenache, Mourvedre and Cinsault scored 91 Wine Enthusiast points, yet costs only (gasp!) $9.99. Of course you can guess where this outrageous bargain is happening. Shopper’s Corner.

Better hurry, I might just grab it all for myself. Seriously, this is a beautiful blend from the

winery’s Santa Ynez Valley estate vineyard, offering the immediate appeal of dark berries, thyme and firm tannins riding on exactly the right amount of alcohol, 14.2 percent, which I would call medium-light. The tang of plums in the finish. Wonderful with steelhead, pasta, and/or roast

chicken. Get some quick.

Quattlebaum Asks: Is the World Ready for Singer-Songwriters with Banjos?

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Austin Quattlebaum was intrigued by the banjo, but he didn’t really like bluegrass. Then he caught some jam bands at a Florida rock festival incorporating banjo into their sound. The floodgates opened a few months later, when he caught avant-jazz banjo player Béla Fleck.

“My whole brain cracked open,” Quattlebaum says. “That’s when I decided to try to do the banjo thing.”

It was a smart move. Growing up in Savanna, Georgia, all his friends were strumming guitars. He wanted to join in, but he didn’t see much point in being just another guitarist in the oversaturated landscape of guitar players.

The singer-songwriter, who’s currently based in Portland, Oregon, tours the country with just his vocal chords and a banjo (and occasionally a guitar), picking and strumming somber indie-folk songs that are spacious and emotive, and have an implicit groove to them. When he plays, you can hear the reverberations of the rustic mountains clashing with the breezy ocean.

“It is a new thing for a lot of people,” Quattlebaum says of solo singer-songwriter songs on the banjo.

Before Portland, he went to college in Asheville, North Carolina. There, he got a proper education on his instrument, but it was, of course, in the context of a bluegrass band. The school had an Appalachian folk music department. But he’s OK with it now that he’s more acquainted with the instrument.

“When you’re a banjo player studying bluegrass, it’s kind of like the Suzuki method in classical violin. If you don’t really have that foundation, it’s kind of hard to take it in a new direction,” Quattlebaum says. “I’ve never considered myself a traditionalist. Even growing up in the South and practicing bluegrass in North Carolina, I feel like even if I wanted to be like ‘I’m a traditional bluegrass player,’ the locals still would have been like, ‘Nope.’”

He hit the road after college, rambling the countryside in his Volkswagen, armed with his banjo, eventually landing in the Sierra foothills near South Lake Tahoe. There he recorded his first solo album, 2013’s The Ghost Tangled in the Oaks, which has some prominent country and bluegrass elements in it. The songs are also full of stories and an overall storytelling approach to songwriting. After its release, he started the band the Crow and the Canyon in Portland, and joined the Sam Chase in San Francisco, as well as occasionally contributing to a third band over in the Sierra foothills. But he wasn’t the primary songwriter in all of these projects.

He kept on writing and performing as a solo artist, originally under his full name, but eventually shortening it to just Quattlebaum. His participation in those other bands recently lowered significantly, giving him the chance to finally record a lot of these solo songs he’s been working on for a while.

Quattlebaum released his follow-up album, EP Vol. 1, in October. The bluegrass and country influences are nearly buried underneath the surreal and lonesome, almost vintage folk sounds that dominate the new record.

“It was time for some new music and the older album … it was old. It didn’t really feel like me anymore. I wanted to put out something a little more representative of my solo show,” Quattlebaum says.

The new songs also have less storytelling and are more abstract lyrically. Quattlebaum says that there are usually stories somewhere in the music, but that it tends to come out more abstract, with lines pieced together artfully like poetry.

“I’ll just puke out a bunch of words on the page, and then go back through and kind of rearrange my thoughts. Sometimes in that method of editing, the story gets lost, but there is still some descriptive writing in there,” Quattlebaum says.

He’s developed his show to be a more complete, full, live experience. Which is why he switches his instruments around on stage, and even tries to incorporate some comedy and funny stories in between songs.

He’s finds all kinds of ways to mix it up as just one person.

“I’m not doing just straightforward rollicking bluegrass stuff the whole time. It’s more dynamic than that,” Quattlebaum says. “I like to get spacey and dance-y sometimes, but then I do kick it into high gear and play some bluegrass stuff as well.”

Quattlebaum plays at 9 p.m. on Thursday, Dec. 13, at the Crepe Place, 1134 Soquel Ave., Santa Cruz. 429-6994.

Film Review: ‘At Eternity’s Gate’

If you’re looking for a portrait of artistic torment and isolation from the inside-out, look no further than At Eternity’s Gate. The subject is Vincent van Gogh in the last years of his life, impoverished and churning out his delirious canvases with no encouragement whatsoever in the sun-splashed rural village of Arles in the South of France. Directed by artist-turned-filmmaker Julian Schnabel, it’s more like a feverish plunge into the act of creation itself than a conventional biopic about the facts of Van Gogh’s life.

This is familiar territory for Schnabel, who’s drawn to stories about creative people in conflict with society (Before Night Falls, Basquiat, The Diving Bell and the Butterfly). What Schnabel gets absolutely right in Eternity’s Gate is the way Van Gogh’s single-minded hunger to get what he calls his “visions” of life (especially nature) down on canvas isolates him from the townspeople who don’t understand his unconventional pictures, and see him as a dangerous lunatic.

To this end, we often see landscapes, objects, and people in the movie through a slightly distorted camera lens, trying to approximate that woozy, dreamlike state in which we all believe Van Gogh must have painted. Outlines are sometimes blurry, contrasting colors often shockingly vivid. In one lovely shot, Van Gogh (played with manic fervor by Willem Dafoe) sprawls, embraced and half-obscured by huge fronds of green and gold wheat, as if he’s becoming one of his paintings.

But this subjective view from the artist’s perspective has its drawbacks, too. The camera is in constant, reeling motion, especially in the first half-hour or so, so pack your Dramamine if that sort of thing affects you. And when we’re not seeing things through Van Gogh’s eyes, Schnabel invites us to commune with the artist’s neverending angst and mania through extreme close-ups of Dafoe’s furrowed, sunken cheeks and unnaturally bright eyes, a portrait of torment that can get a little claustrophobic—especially when juxtaposed against dull ochre and poison green interiors borrowed from Van Gogh’s paintings.

The good news is Dafoe can be utterly mesmerizing, and Schnabel has assembled a stellar cast in supporting roles. Oscar Isaac is quite good as Paul Gauguin, who is at first Van Gogh’s compatriot and mentor in Arles; they debate painting what the artist sees instead of real reality. But their relationship starts to fray when Gauguin’s advice to work slowly and build the canvas clashes with Van Gogh’s insistence that a painting must be done fast, “in one clear gesture.” (Schnabel also turns Gauguin into a seer, telling Van Gogh, “The people in your portraits will be famous because you painted them, not because of who they are.”)

Rupert Friend has a couple of touching scenes as Van Gogh’s loyal brother, Theo, and Diving Bell alumnus Mathieu Amalric has a winsome moment as the benevolent asylum doctor immortalized in Van Gogh’s “Portrait of Dr. Gachet.” Mads Mikkelsen has one scene as a stoic priest disputing Van Gogh’s claim that his bizarre painting style is “a gift from God.” Van Gogh’s response—“Maybe God made me a painter for people who aren’t born yet”—also seems sort of jarringly prescient (although much of Van Gogh’s dialogue and his occasional voice-over observations are culled from his well-documented letters to Theo).

Schnabel’s storytelling fails in two key emotional scenes in which a confrontation or confession plays out, immediately followed by the exact same dialogue, while Van Gogh sobs or looks stricken. It’s an annoying device that stops the narrative cold and suggests Schnabel didn’t trust us to understand what was going on the first time. It also calls attention away from the drama onscreen to the filmmaker himself.

Still, the movie offers some arresting images (a frosty field full of dying sunflower stalks), and thoughtful insights into the creative life. (“I paint to stop thinking,” Van Gogh tells Theo.) But for all of Schnabel’s determined technique, nothing in his movie ever quite achieves the emotional clarity of a single Van Gogh painting.

At Eternity’s Gate

**1/2 (out of four)

With Willem Dafoe, Oscar Isaac, and Rupert Friend. Written by Jean-Claude Carriere, Louise Kugelberg and Julian Schnabel. Directed by Julian Schnabel. A CBS Films  release. Rated PG-13. 110 minutes.

DeMarcus Cousins Makes Santa Cruz G-League Debut

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DeMarcus Cousins got in some shooting drills during his debut practice with the Santa Cruz Warriors at Kaiser Arena on Monday afternoon.

Golden State Warriors coach Steve Kerr has said that Cousins, who was traded to the Warriors over the offseason, may play in a game during his time with the team’s G League affiliate in Santa Cruz.

Cousins is working his way back from a torn Achilles he suffered last season while playing for the New Orleans Pelicans. No date has yet been set for his first game with Golden State.

What Can You Really Compost in Santa Cruz County?

Santa Cruz compost
Environmental impact of bioplastic take-out containers remains unclear

Watsonville Wetlands Watch Fosters Environmental Stewardship

Watsonville Wetlands Watch
With the Santa Cruz Gives-funded Wetland Wonders program, Watsonville nonprofit sees a teaching opportunity

Rob Brezny’s Astrology Dec. 12-18

Astrology, Horoscope, Stars, Zodiac Signs
Free will astrology for the week of Dec. 12, 2018

The Rider on the White Horse: Risa’s Star’s Dec. 12-18

risa's stars
Esoteric Astrology as news for the week of Dec. 12 , 2018

Radical Movement Factory Takes Westside to New Heights

Radical Movement Factory
‘Shine!’ brings aerial action to the Wrigley Building

The Poetry of Santa Cruz Mountains Wine

Jake Young wine poetry
Reading by Jake Young highlights the lyric qualities of the local terroir

Quattlebaum Asks: Is the World Ready for Singer-Songwriters with Banjos?

Quattlebaum
Portland artist brings a new take on bluegrass to Santa Cruz

Film Review: ‘At Eternity’s Gate’

At Eternity's Gate film
Director Julian Schnabel takes a feverish look at Van Gogh’s creativity

DeMarcus Cousins Makes Santa Cruz G-League Debut

DeMarcus Cousins
Golden State Warriors star shoots for local rebound from injury

Think Local First 2019 Directory

Think Local First 2019
Where to shop like a local
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