Supervisors Set to Approve Cannabis Rules

Sometimes when Robin Bolster-Grant is driving down a road in Santa Cruz County’s unincorporated area, she’ll a get a strong whiff of fresh skunk-like aroma—the unmistakable scent of cannabis—and can’t help asking herself if the grows she’s smelling are legit.

“These issues were never going to be easy,” Bolster-Grant, the county’s cannabis licensing official, says of the regulations which the Board of Supervisors is expected to finalize on Tuesday, May 8. It’s one thing, she explains, to develop a regulatory framework, “even in a place as liberal as Santa Cruz.”

“But,” Bolster-Grant adds, “having a pot farm in your neighborhood is real.”

Given that the coming cannabis rules will take effect June 8, everyone is soon going to see if and how the new licensing program and local laws work in the real world.

Many neighbors wanted to see the plant regulated the same way any other form of agriculture would be—especially given cannabis’ odor and other impacts (like reggae music and watching Seth Rogen movies with the volume turned way too loud, probably). And in a lot of ways, it makes sense, since cultivators often say they wanted to be taken seriously, like a real industry. What could possibly be more legitimate than getting placed on par with a commercial tomato- or lettuce-growing operation?

The problem is that if you crack down on growers too hard, you disincentivize pretty much everyone from coming out of the black market—including growers that have been following every medical cannabis guideline for years. A thriving black market would undermine the entire point of legalization and could conceivably create more problems for neighbors, too.

Bolster-Grant says planners tried to find a middle ground, but she has still seen how difficult it’s been for some cultivators to pivot in the newly legalized world.

“There are a lot of forces that argue against coming out of the black market because you’ve always done things differently,” she says. “Maybe you don’t have all the money to come out of the dark. It’s also a culture shift. ‘Wait, what’s a permit? I have to go to the planning department?’”

Bolster-Grant says she doesn’t worry about the little grows that go unnoticed or the small-time hobbyist cultivators sharing a little herb with their friends. The county, she says, is focused on the bigger neighborhood impacts.

She adds that if the rules end up being devastating to either growers or the environment, county planners and supervisors will “take another look.”

Bolster-Grant has heard the concerns that code enforcement won’t have the muscle to take on anyone who refuses to play by the rules. But she says that with the resources the county is adding to the sheriff’s office, the district attorney and county counsel should help tremendously when it comes to pulling bad weeds.

Even without all that backup, the county has already managed to put two people in jail for growing in the past, via code enforcement, Bolster-Grant says. And when that fails, ripping plants out of the ground is a pretty effective method as well.

“If your whole business is growing 1,000 pot plants,” she says, “that’s going to hurt.”

Opinion May 2, 2018

EDITOR’S NOTE

It was a tough week, with the news that our community lost two people I’ve long respected. One of them was local artist Jim Aschbacher. He was always a big supporter of the paper and a friend to many of the people here, so it should be no surprise that we have a couple of heartfelt tributes to him this week, from Wallace Baine and Christina Waters. Our hearts go out to his wife Lisa Jensen, who brought him into the GT family.

We also lost a longtime fixture in Santa Cruz’s radio community last week with the passing of Rob Mullen, known to many locals as Mr. Earl. Rob’s presence on the Santa Cruz County airwaves goes back decades—he was on KHIP, KPIG, KZSC, KUSP and more over his many years of DJing. He was always ready to talk music, was an expert on early rock and rockabilly, and if he liked a set you played, you knew it was good. By the way, he got his DJ handle from the 1955 doo-wop hit “Speedo” by the Cadillacs: “Well now, they often call me Speedo/But my real name is Mr. Earl.”

All of this has me thinking about the legacy we leave behind, so it seems appropriate that this week’s cover story is about Pete Souza, the White House photographer for Barack Obama. It’s interesting to read the thought process behind his photos, but I find the images themselves particularly mesmerizing. Look at that cover photo! We had a president who knew how to read! How did we get here?

STEVE PALOPOLI | EDITOR-IN-CHIEF


LETTERS TO THE EDITOR

Read the latest letters to the editor here.

Beyond the Bus

I’m wondering how many people opposed to the Rail Trail have taken either bus route 71 or 69 to or from Santa Cruz to Watsonville. The 71 is a long, lurching ride, with the 69 somewhat faster. The 71 makes every stop along Freedom Boulevard and Soquel Drive, with the 69 stopping at the Capitola Mall and continuing through Live Oak. For morning rush hour commuters driving north from Watsonville, expect the slowdown to occur just past Mar Monte—from there the crawl usually continues well into Santa Cruz.

On weekdays, I wait until 9:30 a.m. at the earliest if I need to drive into Santa Cruz from South County where I live. As a former teacher at Watsonville High (retired), I had many students who each spring would get hired by the Boardwalk to work the rides or concessions. I’d ask them how they got there, and most of them would tell me by bus, leaving at 6:05 a.m. and arriving by 7:15 a.m. I feel that a modified clean air bus converted for rail travel—or something similar to San Jose’s light rail—with perhaps two stops between Watsonville and Santa Cruz, would greatly benefit our community. Not only for students, but also commuters, the elderly and the disabled. To take it a step further, travelers from San Jose could board at Diridon and transfer in Pajaro.

Mark Sterrett | Watsonville

What is Confusing?

While I appreciate your coverage of the rail and trail, I don’t really see what is so confusing. We have two similar proposals for a trail along the rail corridor. The Rail with Trail would be built more quickly, as it is already in progress. The Trail Only option would be wider and cheaper. There is absolutely no doubt that either could be built. While the Rail with Trail option could end up costing more money than was originally envisioned, the shortfall will easily be obtained via state and federal transportation grants, just like every other transportation project. While the Trail Only project would take a lot of backtracking and renegotiating with the state, clearly our local government could accomplish that if that was our collective goal. The difference between the two proposals is that one includes the potential for a train and the other does not. That is the real controversy. Some people want a train. Others do not.

I spent much of 20 years advocating for the trail. I led an effort to build the trail without permission to dare the government to explain why it couldn’t be done and organized the train ride to Sacramento to plead for the state to assist us in buying the rail line. The whole time, the trail was foremost in my mind. My family and I will use the trail every day to stay away from the fear and danger caused by automobiles. But while I was working for the trail, I was also working for the opportunity to have a train.

Trains are an important part of the transportation networks of societies that create way less greenhouse gases and kill way less people than automobiles. Trains, including quiet electric trolleys and trams, create an alternative to cars that is not easily achieved by buses. And because trains run on fixed lines with defined stations they encourage the type of development that allows people to walk and ride to their basic services. They move us away from sprawl.  On a personal level, a wider trail sounds great, but I also care about people that cannot easily ride bicycles. And I care about the earth’s climate, which is in the balance. So I support the trail and the train.

Micah Posner | Santa Cruz


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GOOD IDEA

RAINY DAY FUND
The past winter saw below normal rainfall and runoff, and the city of Santa Cruz needs to provide water flows for fish habitat. Even though the Loch Lomond reservoir is full and spilling, its meager 2.8 billion gallons of storage can only provide so much security. That explains why the Santa Cruz City Council adopted stage 1 water restrictions, which took effect May 1, limiting water for outdoor usage, restaurants and hospitality. Visit cityofsantacruz.com or call 420-5230 for more information.


GOOD WORK

FULL CIRCLE
Santa Cruz’s Kris Nardello, a spinner, dyer, weaver and knitter, will bring a 17th-century spinning wheel to life this weekend at the Tor House in Carmel. At the May 6 Tor House Garden Party, she’ll operate the wheel by walking backward while spinning wool. The annual event is held in honor of the poet Robinson Jeffers and his wife Una, who both resided at the house for years. A member of their family last spun the wheel when Una’s mother visited, with 100 people gathering around to watch her work, in 1927.


QUOTE OF THE WEEK

“But you, Mr. Trump, recognized that the real problem was a lack of leadership. And so ultimately, you didn’t blame Lil Jon or Meatloaf. You fired Gary Busey. And these are the kind of decisions that would keep me up at night.”

-Barack Obama

If you could choose anyone, living or dead, to have over for dinner, who would it be?

“I’ve always wanted to meet Nikola Tesla, because he had some amazing ideas about electromagnetic waves, and I have always been a gearhead. ”

Matt Porter

Soquel
Entrepreneur

“Katherine Hepburn, because she was a fabulous actress and I loved her in all her movies.”

Sabina Ayne

Virginia Beach
Customer Service

“The guy who developed Bitcoin. I’d like to hear what his intentions are, and where he hoped it would go.”

Chris Jefferson

Santa Cruz
Counselor

“Tutankhamun’s scribe. Because I’m always seeking wisdom and knowledge.”

Cat McDaris

Santa Cruz
Massage Therapist

“Abraham Lincoln. He was very intelligent, he had a great sense of humor, and I think he really cared about our country.”

Frank Smith

Illinois
Housewife

Silver Mountain Vineyards’ 2012 Syrah

My husband and I were lucky to find Jerold O’Brien manning his tasting room one Sunday last month. With two locations for tasting his wines, plus a constant string of wine-related events to take care of, O’Brien is always busy.

One of the wines we tasted was a superb 2012 Syrah, Santa Cruz Mountains ($34). Rich and full-flavored, this bursting-with-fruit Syrah is laden with stewed plum, blackberry and an abundance of earthy spices. Aromas of licorice, jam, smoke and tar let you know in advance what deliciousness awaits.

O’Brien’s wines don’t miss out on any score. With nearly 40 years of winemaking under his belt, all of his varietals are impressive and well-made. His hefty Syrah comes with the expected “meat and pepper” flavors—although this is not the criteria for a good Syrah.

Silver Mountain is participating in the Silicon Valley Wine Auction, May 19-20, a prestigious event organized by the Santa Cruz Mountains Winegrowers Association. Visit scmwa.com for information. And last month O’Brien participated in the fun Dare to Pair food and wine competition—pairing his well-known Alloy (a rich Bordeaux-style blend) with a delicious tri-tip.

Silver Mountain Vineyards, 42 Ingalls St., Santa Cruz, and 269 Silver Mountain Drive, Los Gatos. 408-353-2278. silvermtn.com.

 

Farm-to-Table Wine Dinner Series

Chaminade is gearing up for its 11th annual farm-to-table dinner series—an outdoor feast featuring a five-course meal paired with local wines. Enjoy panoramic views of the Monterey Bay as you listen to live music and watch the sunset. Dates for the dinners are: June 1, July 13, Aug. 10, Sept. 7 and Sept. 28. Visit chaminade.com for more info or call 475-5600.

 

Wine, Beer & Art Walk

The City of Watsonville is celebrating its 150th anniversary and putting on its first annual Wine, Beer & Art Walk in the Civic Plaza Lobby, at 275 Main St. in Watsonville. Special tastings include local wines, craft beer, hard cider and non-alcoholic beverages. Cost is $25 in advance (before May 4) and any remaining tickets will be sold at the event—from 1-5 p.m. on Saturday, May 12—for $30. Visit watsonville150.org.

Patricia Davis Shares the Secrets of the Perfect Loaf

I’m no stranger to fermentation, and enjoy making everything from beer, cider and soda to sauerkraut, kimchi and cheese. But one project has intimidated me for years: bread. This year, I decided it was time to put my fears aside and finally fulfill my dream of filling my home with the smell of sourdough.

I armed myself with books, a gloopy-looking starter and the attitude that if humans have been doing it for thousands of years, then I can, too. Despite my optimism, however, my first few dozen loaves refused to rise in the oven. No matter how many YouTube videos I watched, I was stuck in what I now refer to as “my crouton phase,” as I repurposed the failed loaves into toast for soups and salads. I decided I needed professional guidance.

Help came in the form of Patricia Davis, founder of Quail Hollow Kitchens and breadmaking maven. I attended her “Science of Bread: Intro to Sourdough Bread-Making” workshop held at the gorgeous Quail Hollow Ranch that inspired the name of her business. Over the course of three hours, Davis revealed a wealth of information on bread baking with starter—from choosing ingredients to picking tools to baking technique. The slices of warm, airy bread she offered were proof to me that she walked the walk. And she quickly identified my problem: the chlorine in the tap water I used was killing the good bacteria in my starter, inhibiting its ability to properly ferment. In the weeks since, my baking has done a complete 180.

While Davis grew up with sourdough bread and baked goods, her own enthusiasm for baking it was reawakened about five years ago when her daughter returned from Humboldt with a vigorous starter. Two years ago, she shifted the focus of her classes to sourdough bread, and now offers beginner, intermediate and advanced classes.

For Davis, there are many benefits to sourdough bread that you don’t get from other kinds of baking. “You really do get probiotics from sourdough,” she says. “There is proven literature that it remains through high temperatures of baking. The other thing you get is a sense of peacefulness. It’s very restful. It’s not a lot of kneading, but there’s a lot of touching and it’s hands on. It’s very rewarding when you bake it and you fill your house with those beautiful smells. It fulfills me. And you enjoy the health benefits.”

 

The “Science of Bread: Intro to Sourdough Bread-Making” workshop will be held Saturday, May 12, 10 a.m. to 12:30 p.m. at Live Oak Community Complex Center. Full schedule at quailhollowkitchens.com.

Film Review: ‘The Avengers: Infinity War’

Preposterously large, purple, and full of wrath, the villain in Avengers: Infinity War—the destroyer of worlds, Thanos (Josh Brolin)—reveals his philosophical reasons for wanting to prune the universe. Hearing him out, the magus Dr. Strange (Benedict Cumberbatch) is unimpressed: “Congratulations, you’re a prophet.”

This is but one of dozens of styles of grace under pressure here. It’s all about courage in various modes: headstrong idiots like Chris Pratt’s Peter Quill; the Vision (Paul Bettany) resigned to his potential fate; the unsuperpowered Black Widow (Scarlett Johansson) pitching herself into a fight with a monster; Peter Parker (Tom Holland), still an eager, fearless kid who ends up clinging to a spaceship before he’s had a chance to think it over; and Robert Downey Jr.’s Iron Man—Nanotech-Suit Man now—who has mortality hanging over him like a cloud.

Somehow the most satisfying style is the mad confidence of Thor (Chris Hemsworth). How genuinely stirring to see him wave away the warning of a Jack Kirby-worthy giant dwarf (Peter Dinklage) that a certain ordeal is suicide: “It will kill you!” Thor’s noble response, “Only if I die!”

Avengers: Infinity War is all over the map from deep space to Wakanda to the U.K.—there, Paul Bettany’s The Vision and Elizabeth Olsen’s Scarlet Witch toss a henchman of Thanos all over Durham Cathedral. Yet, despite the shifts of scene, the dozen-and-a-half leads, the changes of mood from comic to lethal—from colossal fight scenes to the Avengers’ usual battlefield backchat—the Russo Brothers’ adventure seems solidly entertaining and surprising.

The flavors of this multi-movie sundae blend beautifully. And there isn’t that sense of the ride coming to an end as soon as the big final fight commences. The Russos seemingly always have something to cut to—some new angle on this mad multiverse fight as Thanos tries to gather essential jewels for the gauntlet he needs to complete his omnipotence.

It is the first half of a two-parter—always a bringdown. The movie has infinity in the title, but there’s a sense of limits coming up. Given the roster of entertainments to come, we may be facing in 2018 what 1968 was to spy movies: a complete saturation, structures so big that they can’t be topped.

 

Avengers: Infinity War

PG-13, 156 Mins. Starring Paul Bettany, Josh Brolin, Benedict Cumberbatch, Peter Dinklage, Robert Downey Jr., Chris Hemsworth, Tom Holland, Scarlett Johansson and Elizabeth Olsen.

Is Barre the Next Zumba?

Donning knock-off Lululemons and the finest compression-wear a Groupon can buy, I timidly entered the studio of my first ever Barre class at Inshape Fitness in Capitola with one goal in mind: “Fit In.”

Almost immediately, I realized this might not be possible. Stretched out before me, from wall to mirrored wall, were 35 women. I couldn’t help but notice as they stretched and talked among themselves that their Lulus looked real. Picking up on my confusion and borderline desperation as the only male in attendance, 36-year-old Barre instructor Lindsey Brookman greeted me warmly and guided me to the equipment section.

For the one-hour Barre class I would need a cushiony yoga-esque Barre matt, a yoga strap, a rotating disc (think Frisbee that spins around), a small green exercise orb/ball, and a set of weights. “One pound or three pounds?” asked Brookman. That one was easy. “One pound,” I answered, quietly. I headed back to my inconspicuous corner spot by the barre (ballet bar) and the class started with a bang—actually a “Boom!” The surround sound speakers pulsated, bathing the room with an upbeat and eclectic mix of music- from ’90s alternative to Ellie Goulding.

Since Black Swan was released in 2010, the popularity of barre has really taken off. Barre “chain” Pure Barre has more than 300 locations nationwide and “The Barre Method” has more than 80.

“Pretty much all of our Barre classes are completely full,” Brookman says. “It’s really been exciting to see Barre grow from maybe three people each class to over 40 in some of my classes.”

Brookman likes to sing along with the songs she carefully selected for the class and when the Spice Girls came on she couldn’t help but yell “So I’ll tell you want I want, what I really really want!” And, for an hour, she told us exactly what she wanted.

The workout begins with a quick warmup and a series of upper body exercises. “We are here to strengthen and lengthen!” Brookman shouts wildly. The 1-pound barbells which had seemed so darn puny, quickly became pumpkins that I strained to lift.

Brookman tells me that Barre participants use small weights to tone and sculpt smaller supporting muscles that are often overlooked when using heavier weights. “The muscles don’t have a chance to kick in when using heavier weights,” she says.

The free weights, planks, push-ups and other moves to target the triceps, biceps, back, and chest muscles left me breathless and my whole body aching. Next, it was barre time. Channeling my inner ballerina, I gripped the ballet barre and used my body weight as resistance to focus on my butt and thigh muscles. I’m so glad no one filmed me trying to keep the fitness orb/ball between my legs, or slipping and sliding on the rotating disc.

The barre is used as a (much needed) prop for balance while doing exercises that focus on isometric strength training—holding your body still while you contract a specific set of muscles. It’s all about high reps of small range of motion movements.

“People are really seeing results in their muscle tone,” says Brookman of the effectiveness of smaller movements and smaller weights. Brookman tells me that Barre is a cross between, yoga, pilates, and ballet, and is core-focused. The core is engaged and specifically targeted in a balanced workout that combines cardio and strength training. I didn’t believe I even had a core before this workout. Now, I feel it.

The one-hour class ends with a cool down—a much-needed period of gentle stretching to increase flexibility and allow tired muscles to recover. As I lay in my corner during the two-minute corpse pose I simply couldn’t believe how amazing I felt.

Brookman’s classes are a hot ticket. Those craving one of her classes, or any of the Barre classes offered at Inshape Fitness, routinely show up at least 15 minutes early to snag a coveted spot at the barre.

“Barre might be the next Zumba,” says Brookman. “Zumba is like a cult!”

My hour of Barre with Brookman and 30 other barre-belles was the most complete workout I’d had in years. I asked my Barre instructor why I was the only guy in her class and if men regularly take her classes. “Maybe the ballet makes some guys nervous,” she says. “Usually when guys lift they lift heavy. I did have a burly guy come to my class and he was like ‘oh my God!’ He was shaking and sweating … and he came back! I’d love to see more men take my classes—usually they just joke about it.”

5 Things to Do in Santa Cruz May 2-8

Event highlights for the week of May 2, 2018.

 

Green Fix

Iris Farm Sale and Show

popouts1818-greenfixBearded Irises smell and look amazing, and are drought tolerant, as well as deer- and gopher-resistant. What more could you ask for from a little plant? Brook Lomond Iris Gardens is opening their doors to the public for two weekends, and will be selling them along with other certified organic irises and holding demonstrations on plant care. This is prime blooming season for bearded irises, so if you don’t have any Mother’s Day plans (or forgot about it altogether) grab your mama and head on down.

INFO: 9 a.m.-4 p.m. Saturday, May 5 and 12, Sunday May 6 and 13. Brook Lomond Iris Farm. 10310 California Drive, Ben Lomond. 336-2203. Free.

 

Art Seen

‘Collage’ Art Show

popouts1818-artseenFor T.S. Anand and Christianna Hunnicutt, collage is more than just gluing things together. Sure, it’s fun and expressive, but it also requires a tremendous amount of patience, diligence and inspiration. Anand teaches for the Prison Arts Project inside the Santa Cruz Main Jail, and her work there has inspired her most recent collages that consist only of torn paper, inspired by popular culture and landscapes. Hunnicutt is renowned for her figurative ceramic sculpture, and after 30 years, has transitioned to working with magazine cuttings, photographs and cell phone parts in her collage.

INFO: First Friday Opening: May 4, 5:30-8:30 p.m. Show runs through May 27. Michaelangelo Gallery. 1111 River St., Santa Cruz. 426-5500. michaelangelogallery.wordpress.com. Free.

 

Saturday 5/5

Third Annual Mini Maker Faire

popouts1818-makersmarketThe Mini Maker Faire is the ultimate form of show and tell, without the pressure. Whether it’s drones, salsas or candles, there is literally something for everyone. Makers include tech enthusiasts, crafters, scientists, and chefs of all ages and backgrounds. The idea is to celebrate all of the makers and inventors in Santa Cruz and inspire others along the way. Whether you go to network, learn or enjoy a cupcake, you’ll leave feeling inspired by the creative community.

INFO: 10 a.m.-5 p.m. Cabrillo College, 6500 Soquel Ave., Aptos. santacruz.makerfaire.com. Free.

 

Saturday 5/5 and Sunday 5/6

Spring Art Market at the Tannery

This year’s market has doubled in size, and is already bursting at the seams with tons of local gifts, puppets and live music. With 40 artist vendors, live music, dragons, face painting, and brunch—yes, there will be both dragons and brunch—the Spring Arts Market has some of the best artisanal gifts around. Tannery Studio Artists will open their doors to sell directly from their creative spaces and another two-dozen outdoor pop-ups will showcase jewelry, ceramics, paintings, textiles and leather, glass and photography. There will also be a treasure hunt and face painting for kids.

INFO: 11 a.m.-5 p.m. The Tannery Arts Center. 1050 River St., Santa Cruz. tanneryartscenter.org. Free.

 

Friday 5/4

Wenger Designs Show

popouts1818-wenger-showFormer computer programmer for the U.S. Space program and theoretical physicist Daniel Wenger somehow also found time to make stunning mid-century modern steel and leather furniture in the ’60s and ’70s. The 1969 the Lotus Chair (pictured) is his most well-known piece, and has appeared in galleries and collections all over the world. After a 30-year hiatus from furniture making—during which he worked at UCSC, among many other things—Daniel and his son Sam began making functional art together around six years ago. Agency will be showcasing Wenger Designs work along with two other artists during First Friday.

INFO: 6 p.m. Agency. 1519 Pacific Ave., Santa Cruz. 515-7937. wengerdesigns.com. Free.

 

Music Picks May 2-8

Live music highlights for the week of May 2, 2018.

 

WEDNESDAY 5/2

BLUEGRASS

TONY FURTADO TRIO

A multi-instrumentalist with a pro handle on banjo, guitar, ukulele and more, Tony Furtado is a longtime favorite of roots music fans. He’s a skillful singer-songwriter who defies categorization, consistently putting out genre-bending music that spans bluegrass, jazz, folk and rock. With a well-developed picking technique that’s been described as “rapid-fire quick, sharp and clear,” Furtado stands apart as an artist who balanced traditional and progressive styles into something all his own. Joining Furtado are multi-instrumentalist Luke Price and mandolinist John Reischman. CAT JOHNSON

INFO: 7:30 p.m. Michaels on Main, 2591 Main St., Soquel. $17/adv, $20/door. 479-9777.

WEDNESDAY 5/2

EXPERIMENTAL

BOB LOG III

Delta blues is a style of music that evokes a primitive, swampy sound that will make you feel like you woke up in the early 1900s and are living in an electricity-free barn. That is, unless it’s being played by half-robot-half-man Bob Log III, whose version of the music sounds like it immigrated from Mars. In fact, Log looks like he emigrated from there himself, dressed in the kind of spacesuit people in the ’50s imagined we’d all be wearing in 2018. On top of all that, he’s a one-man-band, and no one normal ever decided they were going to start a one-man-band. AARON CARNES

INFO: 9 p.m. Crepe Place, 1134 Soquel Ave., Santa Cruz. $12/adv, $15/door. 429-6994.

THURSDAY 5/3

HIP-HOP

BLACKALICIOUS

For anyone left on the “hip-hop isn’t art” bandwagon (how is that still even a thing in 2018?), go see Blackalicious at the Catalyst this Thursday. Formed in Davis in the early ’90s by MC Gift of Gab and DJ Chief Xcel, Blackalicious is known as one of the most talented and complex hip-hop groups ever, by critics and fans alike. Quite an amazing feat for a duo that only has four albums over 20 years. However, it’s easy to see once listening to Xcel’s futuristic beats and Gab’s mind-numbing metaphors delivered in a torrential downpour of tongue twisters. MAT WEIR

INFO: 9 p.m, Catalyst, 1011 Pacific Ave., Santa Cruz. $17/adv, $20/door. 429-4135.

FRIDAY 5/4

INDIE-BLUES

HILLSTOMP

One person’s trash is another person’s musical instrument—or so goes the thinking of Henry Hill Kammerer and John “Lord Buckets” Johnson, the artists behind junkbox-blues duo Hillstomp. Hailing from Portland, Oregon, Hillstomp’s pioneering brand of indie-blues includes homemade instruments, found sounds and upcycled buckets, cans, lids and whatever else might sound good. The kicker, however, is the chemistry and passion of Kammerer and Johnson, which is absolutely mesmerizing. If DIY art and music are your thing, this band is not to be missed. CJ

INFO: 9 p.m. Crepe Place, 1134 Soquel Ave., Santa Cruz. $10/adv, $12/door. 429-6994.

FRIDAY 5/4

COUNTRY

SUNNY SWEENEY & WARD DAVIS

Sunny Sweeney has the kind of name that suggests America’s sweetheart. But don’t let the name fool you; she writes the kind of honky-tonk music that would be best suited to bars with iron wiring covering the stage. Her song “Everybody Else Can Kiss My Ass” tells you pretty much everything you need to know about where she’s coming from. Sweeney is touring with Ward Davis, whose brand of country is more of the low-key, miserable variety. There aren’t any good guys in his songs. The two will give you an evening of music that you won’t likely hear on popular country radio, but that’s just because there’s no soul in mainstream country anymore. AC

INFO: 9 p.m. Moe’s Alley, 1535 Commercial Way, Santa Cruz. $20/adv, $25/door, $100/VIP, 479-1854.

SATURDAY 5/5

POP/RAP

DESSA

A singer, writer and rapper who NPR described as “breaking the rules of rap,” Dessa is a multi-dimensionals artists whose accomplishments so far include co-composing for a 100-voice choir; four million streams of her track, “Congratulations” on The Hamilton Mixtape; being published in New York Times Magazine; a new book set for release later this year; and much more. Dessa’s new album, Chime, showcases the uber-talented artist’s easy embrace of “rap noir,” ballads and pop jams, as well as her magnetic presence, fiery ethos and compelling delivery. This Saturday, Dessa and her band bring the show to the Rio. CJ

INFO: 9 p.m. Rio Theatre, 1205 Soquel Ave., Santa Cruz. $18. 423-8209.

MONDAY 5/7

KURT ELLING AND MARQUIS HILL

Much like the late great Mark Murphy, a formative influence, vocalist Kurt Elling turns each project and recording into an opportunity to explore new sonic and emotional terrain. One needn’t embrace every investigation to appreciate Elling’s artistry and intrepid spirit. His latest album The Questions is a serious meditation on our current unpleasantness, featuring a brilliant cast of guest artists (including rising Chicago trumpeter Marquis Hill, who’s touring with Elling). As the title suggests, Elling is looking for answers more than delivering a manifesto, joined by his top-shelf band featuring longtime guitarist John McLean, Stu Mindeman on piano and organ, bassist Clark Sommers, and the impressive young drummer Christian Euman. ANDREW GILBERT

INFO: 7 and 9 p.m. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $31.50-$47.25. 427-2227.

MONDAY 5/7

INDIE

RAINBOW KITTEN SURPRISE

Rainbow Kitten Surprise sounds like the kind of band that is obsessed with American roots music, but has never stepped foot in the U.S.—an interpretation of an interpretation of an interpretation. In reality, the five-piece hails from the Americanest of states, North Carolina, but the members have nonetheless mastered the skill of hocking all their Americana, country and R&B influences into a spittoon until it comes out sounding like a lost collaboration between Modest Mouse and the Kings of Leon—but weirder. AC

INFO: 8 p.m. Catalyst, 1011 Pacific Ave., Santa Cruz. $25. 429-4135.


IN THE QUEUE

KABAKA PYRAMID

Rising reggae star out of Jamaica. Wednesday at Moe’s Alley

TONY LINDSAY’S BLACK MAGIC

Bay Area vocal favorite and standout guitarist Chris Cain. Thursday at Kuumbwa

BE NATURAL MUSIC YOUTH ROCK CONCERT

Local bands benefit the Be Natural Music scholarship program. Saturday at Louden Nelson

ACHILLES WHEEL

California rock ’n’ roll. Saturday at Flynn’s Cabaret

PEOPLE UNDER THE STAIRS

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Giveaway: Amendola vs. Blades vs. Parker vs. Baptista

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Drummer Scott Amendola is a fixture on the contemporary jazz scene, a Bay Area-based artist who works up and down the West Coast as well as in New York. With a resume that includes work with jazz greats Charlie Hunter and John Zorn, Amendola has long been a bandleader himself, bringing his unique vision and artistry to life in the group setting. On May 21, Amendola joins forces with Wil Blades on organ and clavinet, Jeff Parker on guitar and Cyro Baptista on percussion. Santa Cruz native and Grammy-nominated composer, pianist and producer Pascal Le Boeuf shares the evening’s bill, presenting the West Coast premiere of his Chamber Music America commission “Ritual Being,” featuring San Francisco’s Friction Quartet. 

INFO: 7 p.m. Monday, May 21. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $28.35/adv, $33.60/door. 427-2227. WANT TO GO? Go to santacruz.com/giveaways before 11 a.m. on Monday, May 14 to find out how you could win a pair of tickets to the show.

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Giveaway: Amendola vs. Blades vs. Parker vs. Baptista

Win tickets to Amendola vs. Blades vs. Parker vs. Baptista on Monday, May 21 at Kuumbwa Jazz
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