Pot Growers Scramble as Sheriff Steps Up Enforcement

[This is part one of a two-part series on Santa Cruz County’s cannabis industry. — Editor]

High in the mountainous hinterlands above Boulder Creek, where the steep, bumpy road is passable only by four-wheel drive and cell reception is all but a rumor, there is a greenhouse that once held 250-square-feet worth of cannabis plants. Now, it’s empty.

For nearly a decade, property owner “Bam,” as he’s known by friends, has been living on the property and growing cannabis, some of it for his own medicinal use and that of a few friends, he says.

Bam says cannabis helps alleviate his symptoms of Lyme disease, and lessens mood swings stemming from a traumatic brain injury.

In July, Bam got a visit from the county’s Cannabis Licensing Office, which includes a contingent from the Santa Cruz County Sheriff’s Office. Officials notified him that he was growing the plants—as well as distributing and manufacturing cannabis-related products—without a license.

After cutting down all the plants, they searched his home for contraband, he says.

Thanks to a set of county regulations crafted in 2018 to help ease the county into the legal market, Bam has not been charged criminally. However, he now faces $7,500 in administrative citations, and an additional $10,000 in red-tag fines, he says.

“It’s been a nightmare,” Bam says. “They are trying to break the bank for people who have no bank.”

POT TO WORRY

The Cannabis Licensing Office includes Cannabis Licensing Manager Sam LoForti, one principal planner and two code compliance officers. It also includes Chief Deputy Steve Carney, who oversees two sheriff’s deputies for the office’s enforcement arm. Carney says his team’s role is to help implement, regulate and enforce the county’s relatively new cannabis ordinances.

Carney says that after Proposition 64 passed in 2016, many government agencies quickly learned that California needed tough law enforcement to crack down on the black market. Otherwise, users would not have much incentive to buy weed legally. “Our continued goal in working in the cannabis office is to help the regulated market flourish,” Carney says.

Enforcement operations begin at a property, Carney explains, when the licensing office receives complaints. The sheriff’s office provides security and offers law enforcement advice during the visits, he says.

Investigations largely begin after findings of bad behavior, like environmental degradation, money laundering or interstate transport, Carney says.

Carney says enforcement strategies have changed from the days when violators were merely mailed letters informing them they were out of compliance.

“We weren’t having success, because the people would just move illegal activities elsewhere,” Carney says. “We were trying to work with folks instead, but that didn’t get much traction because people were taking advantage of it.”

In April, authorities seized 540 pounds of processed marijuana and more than $140,000 from five properties suspected of skirting the county’s cultivation rules. Businesses faced charges such as money laundering and tax evasion.

The sheriff’s office has executed 55 criminal search warrants at 65 sites since January, Carney says. Earlier this year, his team confiscated 900 plants from a grower in the San Lorenzo Valley, issuing a warning since it was the first offense, he says. The team returned in September to find the person was still growing. He’s now facing a felony cultivation charge and a “substantial” civil fine, Carney says. The suspect, Carney adds, was damaging the environment in their own backyard by diverting water from a local stream and contaminating the runoff.

Santa Cruz County Supervisor Ryan Coonerty says environmental damage and fire risk are two reasons that county policy calls for reducing the number of small grows in the mountains.

“We want to move it to places that are zoned for commercial agriculture,” he says. “It’s not easy, but we’ve tried to do it in a way that works for the environment and neighborhoods.”

Coonerty says that by June 2021, the county plans to have licensed all qualified registrants who have applied for state and local permits, with a target of 102.

“We’re hoping to get people into business as quickly as we can,” he says.

Bam and growers like him have opined that moving mountain grows into Pajaro Valley greenhouses would be an unfortunate step away from the terroir that makes the county’s cannabis unique.

Bam also argues that the “vast majority” of growers are small-scale farmers who are hoping for a license and a chance to fly on the right side of the law.

“Do you know how much I would love to just be able to pay my taxes like a normal citizen, and go about my business and be thought of as an asset to this community?” he says. “Do you know what a badge of honor that would be?”

SHINING A LIGHT

Given the resources involved in the county’s effort, Santa Cruz cannabis attorney Trevor Luxon argues that the county has misplaced its priorities. The county has five people working enforcement and two processing applications.

“If county leaders directed more of the resources to licensing, they wouldn’t have to worry so much about enforcement,” he says

Luxon says that many of his clients are caught in a no-win situation, where they must either put their livelihoods on hold while waiting for their applications to be processed or take their chances growing without a permit.

Such growers have nowhere to sell their wares legally, since California law requires distributors and retail establishments to show they purchased from a licensed cultivator.

Once caught in the system, they’re slapped with administrative fines that start at $2,500 and can be as high as $7,500. They can also be hit with misdemeanor charges for illegal cultivation. If officials find illegal items such as firearms, illegal drugs or evidence of sales to minors, they can be charged with felonies.

GROWN UNKNOWN

For those looking to procure a cannabis cultivation license, the county charges a $1,500 pre-application fee, and an overall fee of $3,500 per site. Applicants must also pay $100 for background checks and $300 for on-site inspections. Additional fees are possible.

In all, local permitting can run from $3,000-8,000, says Cannabis Licensing Manager Sam LoForti.

LoForti acknowledges that commercial use permits are difficult to obtain, and that the required infrastructure improvements can be expensive. He stresses, though, that local cannabis licensing isn’t treated differently than any other permitting process in the county, and that it was created to help safely regulate a burgeoning industry.

“These are standards the state has, and mainly they are driven by state law,” he says. “We’re not going to change safety-related standards for any type of development.”

According to LoForti, there are about 28 use permits in process, and more than 50 operators are working toward their permits.

The two-stage process includes a pre-application screening, which can take up to two months. Growers also need a use permit application—an expensive proposition because it has to be drafted by professional engineers and must follow state code, LoForti says. Only one pre-application has been denied.

Once approved, growers must follow size minimums based on zoning and parcel size. Mountain areas, for example, need at least 5 acres.

To bring more growers into compliance, the county in May eased rules for those who use commercial agricultural land. Growers using greenhouses will no longer be required to go through a public hearing or notify neighbors.

Still, the Cannabis Licensing Office will continue to enforce local regulations as it acculturates to a legalized marijuana industry that generated $144.2 million in the second quarter of this year alone.

“We have a regulated market people need to get used to,” says Santa Cruz County spokesman Jason Hoppin. “This isn’t the Wild West. Those days are over.”

California’s Homeless College Student Problem

In addition to the 30 hours that he spends each week serving burgers and fries animal-style at In-N-Out, Alejandro Mayorga is a San Jose State student. He’s studying sociology with an emphasis on community change.

Mayorga transferred from a community college in the Southern California city of Inglewood and hopes to graduate in the spring. Last year was Mayorga’s first as a member of the Student Homeless Alliance (SHA), an organization that seeks to call attention to the plight of homeless students and campaigns for meaningful action. The coalition has made headlines in recent months by camping outside on college campuses and calling on school administrators for change. It’s part of a larger statewide movement spotlighting the needs of struggling students—especially those attending class in high-rent areas like San Jose and Santa Cruz.

A 2018 survey  of 43,000 students at 66 institutions in 20 states by Temple University and the Wisconsin HOPE Lab found that a quarter of college students skipped meals or cut portion sizes because they couldn’t afford enough food.

The lack of stable nutrition is a growing problem in the University of California system, where two in five students are food-insecure, and 19% experience “reduced food intake at times due to limited resources,” according to a 2016 report.

More and more students are having to choose between eating and learning as colleges nationwide scramble to open food pantries and resource centers. 

And according to the 2018 CSU Chancellor’s Office Study of Student Basic Needs, 13% of SJSU students experienced homelessness in 2017. SJSU has the highest population of homelessness in the 23-campus California State University system with 4,300 homeless students.

The SHA has three main demands of SJSU, which were enumerated in a Change.org petition created nine months ago. 

The group is calling for a minimum of 10 parking spots in a parking garage for safe sleeping—an increase from the five to seven spots that the SJSU administration agreed to last July but has yet to enact. Organizers also want a minimum of 12 beds where unhoused students may stay up to 60 days (an expansion from the two beds for two weeks that are now offered). Lastly, they’re calling for $2,500 emergency grants for students to remain in housing if they cannot afford rent.

This year, SHA members have also connected with homeless advocates, visited homeless encampments and provided water and other services to those in need. Part of the group’s campaign last year involved setting up booths that offered hot cocoa, granola bars and mini-donuts to students. 

Recent SJSU grad Mayra Bernabe, who served as president of SHA for the past academic year, worked these events and talked firsthand with students experiencing food and housing insecurity. Through these conversations she met many students who had faced housing insecurity or homelessness in a previous semester.

“That was really eye-opening for us,” says Bernabe, who got involved via a social action class, where she learned about the prevalence of homelessness and hunger among the student population.

TEACHING MOMENT

In Santa Cruz, the City Council considered quickly passing a number of homeless-related measures this past winter

Some of the proposals involved expanding overnight parking options for homeless individuals, with Councilmember Drew Glover eyeing one of UCSC’s Westside administrative buildings as a potential site. A university memo argued that the site wasn’t suitable, and stated that it was evaluating locations for its own overnight sleeping proposals.

The city’s policy ideas stalled in the face of stiff neighborhood opposition, largely due to a perceived lack of community dialogue about the issues. The back-and-forth process led the council to create a Community Advisory Committee on Homelessness that’s charged with studying a bevy of solutions.

At UCSC in May, the Academic Senate, a legislative body of the school’s faculty, voted to support the creation of a safe parking program for students. More than 1,300 supporters have signed on backing that approach.

CLASS ACTION

Organizers in San Jose have found that one of the hardest parts of trying to find solutions for unhoused students is that most don’t talk about their experience with homelessness until it’s over.

While the SHA petition received more than 1,200 signatures, a petition on the same site opposing a proposed homeless shelter in San Jose received more than 3,800 signatures. A commenter on this petition wrote: “Crime, criminals, drug use, needles belong nowhere near an elementary school and where a park is. Put this in an industrial area.”

Although their demands have not been met, SHA members met with SJSU administrators, who pledged to provide a centralized location for SJSU Cares, a resource hub for students dealing with hunger and homelessness.

Mayorga, the sociology major, is hopeful for resources, but he won’t be holding his breath. “I think we are heading in the right direction, but we are just moving extremely slowly—at least at the rate of the problem, the way it’s going down,” he says. “We want to bring in resources.”  

How Public Art Revived the Ruins of Post-Quake Santa Cruz

After the Loma Prieta earthquake, a group of artists came together under the name “On Sight” to rebuild a sense of hope in the wreckage of downtown Santa Cruz.

Art & Healing: 30 Years After The Loma Prieta Earthquake, a new exhibit at the Museum of Art and History (MAH), tells the story of a community finding closure and new beginnings in the wake of a tragedy.

On Sight founder Robin Kandel became fascinated by the aftermath of the disaster. In the excavated lots and empty storefronts of Pacific Avenue, she saw blank canvases where artists could create temporary works to inspire the rebuilding.

“Some people’s aesthetic gravitates to ruins and rubble,” Kandel says. “It was just that thing that’s revealed, you know, the hidden underpinnings of the town.”

Kandel started “messing around down there in the rubble,” and had soon constructed what she describes as five “20-foot-tall stick men sculptures, to get the ball rolling.”

She recalls a woman telling her that since her apartment building had been condemned after the quake, it was too depressing to walk past her old home, but the new sculptures brought a smile to her face.

“She was appreciative that something was happening, that it showed that we weren’t just going to be in the pits forever,” Kandel says.

Marla Novo, who curated the new MAH exhibit, also experienced the quake firsthand, and remembers the On Sight art projects fondly.

“I saw it all,” she says. “We were really in a funk for a while, and it was seriously dark and dusty. And then I remember these little sprouts of creativity coming up. These little artistic gifts started popping up everywhere, and it made us feel like, OK, things can get better.”

OUT OF THE RUBBLE

Kandel held the first meeting of what would become On Sight at her house on Nov. 1, 1989, just two weeks after the earthquake that destroyed 29 buildings in downtown alone. 

As lots were cleared, businesses began moving their inventories into seven enormous, temporary tent-like structures called Phoenix Pavilions, including a volunteer book brigade that helped to reopen what Kandel affectionately referred to as “Booktent Santa Cruz.” 

“It was like walking through a bazaar,” she says.

Artists Renee Flower and Gene Holtan got started with On Sight’s first project: free wrapping paper for the holidays. They made two designs, and the Santa Cruz Sentinel offered to print them for free, producing 10,000 copies in the first week of December and distributing them to downtown businesses.

Mike Mandel, an art teacher at Cabrillo College and UCSC, also got his students involved in the push for public art. They installed cardboard figures and faux movie posters in the entrance of the Del Mar Theater, and later decorated plywood construction fencing with photographs. Mandel also spread the word to a network of artists around the bay area, encouraging them to come to Santa Cruz to create something for the community.

On Sight became a tax-exempt corporation under the William James Association, and in 1990 the board submitted proposals to fund 18 art projects with some $68,000. Nine projects were funded through 1992. A photograph in the new MAH exhibit shows board members meeting for lunch in the remains of a downtown building.

One of the most iconic pieces produced was The Lighthouse, a 30-foot-tall wooden lighthouse built by Robert Catalusci, complete with a rotating spotlight and a carousel of portraits taken by UCSC students projected from within. Catalusci was quoted in the Sentinel in 1991, calling the sculpture “a beacon of light, signifying a safe harbor to come back to.”

Lighting artist John Ammirati was inspired by the ruins of the Pacific Western Bank at Front and Cooper streets, where only two walls of the building remained, heavily buttressed with supports. For his piece Phantom Bank, Ammirati projected lights onto the broken facades and interiors that slowly shifted and changed colors.

Other projects included Su-Chen Hung’s interactive photography and collage installation Behind Glass, Chip Lord and Mickey McGowan’s storefront installation for the city planning organization Vision Santa Cruz, and Andy Harader’s sculpture garden at the farmer’s market.

In addition to welcoming the community back to Pacific Avenue, the works these artists made after the Loma Prieta earthquake helped establish today’s vibrant arts scene in downtown Santa Cruz. Mandel and others advocated for spaces for art at the Vision Santa Cruz meetings where 36 city officials, bankers, merchants and community members decided the direction of the recovery and rebuilding of the downtown area.

On Sight board member Lin Marelick says in a quote featured in the exhibit that the group “paved the way for what is now an ongoing downtown site for installation pieces, and On Sight courageously made that move when the downtown was most devastated.”

For Antonia Franco, interim executive director of the MAH, the outgrowth of art from trauma also symbolized broader resilience. 

“This exhibit shows how we can turn challenges into uplifting, shared experiences,” Franco tells GT in an email. The post-disaster art wave doubled as a lesson, she adds, that, “We can use creativity to grow stronger and more connected as a community.”

Kandel says it was also personally invigorating to get a group of creative people together who may have otherwise never met.

“It became about owning your town,” she says, “owning some piece of hope,”

‘Art & Healing’ opened Friday, Oct. 4 at the MAH as part of a city-wide look back at the Loma Prieta earthquake after 30 years. It will run until Aug. 22, 2021, and then be incorporated into the history gallery. santacruzmah.org/lomaprieta.

NUZ: Fire Hydrant Crashes and PG&E Blackouts

Santa Cruz drivers must really hate fire hydrants, because they won’t stop running them over.

The fire hydrant at Ocean and Broadway, by the 7-Eleven, seems to get ambushed every year, creating a massive water fountain. Someone hit it again on Sunday night, Oct. 6, and sent waterfall-like rapids downhill over the sidewalk and all over Ocean Street. Apparently fed up, public works crews removed the hydrant once and for all. Then, on Monday evening, a driver took out a fire hydrant on West Cliff Drive.

It’s a real hassle for emergency crews and drivers, but if you pause to soak it in, it’s a heck of a lot easier than traveling to Yellowstone to see Old Faithful.

POTENTIALLY POWERLESS

With high winds and heat in the forecast, PG&E has announced that there could be power blackouts around California due to high fire risk. Shutoffs for up to 32,000 homes and businesses in Santa Cruz County are planned everywhere from Santa Cruz to Aptos, Bonny Doon to Watsonville. Go to pge.com or prepareforpowerdown.com for updates.

Rob Brezsny’s Astrology Oct. 9-15

Free will astrology for the week of Oct. 9, 2019

ARIES (March 21-April 19): “Love is when you meet someone who tells you something new about yourself,” wrote poet André Breton. I think that’s an excellent principle to put at the top of your priority list in the coming weeks, Aries. To be in maximum alignment with cosmic rhythms, you should seek input from allies who’ll offer insights about you that are outside your current conceptions of yourself. You might even be daring enough to place yourself in the paths of strangers, acquaintances, animals, and teachers who can provide novel reflections. There’s just one caveat: Stay away from people who might be inclined to fling negative feedback.

TAURUS (April 20-May 20): Constantine P. Cavafy’s poem “Waiting for the Barbarians” imagines the imminent arrival of an unpredictable agent of chaos. “The barbarians are coming today,” declares the narrator. Everyone in town is uneasy. People’s routines are in disarray. Faces look worried. What’s going to happen? But the poem has a surprise ending. “It is night, and the barbarians haven’t come,” reports the narrator. “Some people have arrived from the frontier and say that there aren’t any more barbarians.” I propose that we use this scene as a metaphor for your life right now, Taurus. It’s quite possible that the perceived threat isn’t really a threat. So here’s my question, taken from near the end of the poem: “What are we going to do now without the barbarians?”

GEMINI (May 21-June 20): Some folklorists prefer the term “wonder tales” rather than “fairy tales.” Indeed, many such stories are filled with marvelous events that feature magical transformations, talking animals and mythical creatures like elves and dragons and unicorns. I bring this up, Gemini, because I want to encourage you to read some wonder tales. Hopefully, as you do, you’ll be inspired to reimagine your life as a wonder tale; you’ll reframe the events of the “real world” around you as being elements in a richly entertaining wonder tale. Why do I recommend this? Because wonder tales are like waking dreams that reveal the wishes and curiosities and fascinations of your deep psyche. And I think you will benefit profoundly in the coming weeks from consciously tuning in to those wishes and curiosities and fascinations.

CANCER (June 21-July 22): I suspect that in the coming days you’ll be able to see into everyone’s souls more vividly than usual. You’ll have a special talent for piercing through the outer trappings of their personalities so as to gaze at the essence beneath. It’s as if your eyes will be blessed by an enhancement that enables you to discern what’s often hidden. This upgrade in your perception may at times be unsettling. For some of the people you behold, the difference between how they present themselves and who they actually are will be dramatic. But for the most part, penetrating to the depths should be fun, enriching, even healing. 

LEO (July 23-Aug. 22): “This heart is rusty,” writes poet Gabriel Gadfly. “It creaks, it clanks, it crashes and rattles and bangs.” Why is his heart in such a state? Because he has been separated from a person he loves. And so he’s out of practice in doing the little things, the caring gestures and tender words, that a lover does to keep the heart well-oiled. It’s my observation that most of us go through rusty-heart phases like this even when we are living in close proximity to an intimate ally. We neglect to practice the art of bestowing affectionate attention and low-key adoration. We forget how important it is for our own welfare that we continually refresh and reinvigorate our heart intelligence. These are good meditations for you right now, Leo.

VIRGO (Aug. 23-Sept. 22): “All the effort in the world won’t matter if you’re not inspired,” writes novelist Chuck Palahniuk. I agree! And that’s a key meditation for you right now. Your assignment is to enhance and upgrade the inspiration you feel about the activities that are most important to you—the work and the play that give you the sense you’re living a meaningful life. So how do you boost your excitement and motivation for those essential actions you do on a regular basis? Here’s a good place to begin: visualize in exuberant detail all the reasons you started doing them in the first place.

LIBRA (Sept. 23-Oct. 22): I hope you are embarking on a vigorous new phase of self-redefinition. I trust you are excited about shedding old ways of thinking about yourself and eager to revise and reimagine the plot of your life story. As you do, keep in mind this helpful counsel from physicist Richard Feynman: “You have no responsibility to live up to what other people think you ought to accomplish. I have no responsibility to be like they expect me to be. It’s their mistake, not my failing.”

SCORPIO (Oct. 23-Nov. 21): You’ve probably heard the saying, “Genius is 99% perspiration and 1% inspiration.” It’s often attributed to inventor Thomas Edison, but 16th-century artist Michelangelo expressed a similar idea. “If you knew how much labor went into it, you would not call it genius,” he said about one of his masterpieces. I’m guessing that you Scorpios have been in a phase when these descriptions are highly apropos. The work you’ve been doing may look productive and interesting and heroic to the casual observer, and maybe only you know how arduous and exacting it has been. So now what do you do? I say it’s time to enjoy the fruits of your efforts. Celebrate! Give yourself a thrilling gift.

SAGITTARIUS (Nov. 22-Dec. 21): “The universe is under no obligation to make sense to you,” declared astrophysicist Neil deGrasse Tyson. If that’s even a little bit true, I bet you won’t believe it in the coming weeks. According to my analysis, the universe will make a great deal of sense to you—at times even exquisite, beautiful, breathtaking sense. Life will be in a revelatory and articulate mood. The evocative clues coming your way about the nature of reality could tempt you to believe that there is indeed a coherent plan and meaning to your personal destiny.

CAPRICORN (Dec. 22-Jan. 19): In 2005, Facebook was a start-up company barely on the map of the internet. Its president asked graffiti artist David Choe to paint murals on the walls of its headquarters. Choe asked for $60,000, but the president convinced him to be paid with Facebook stock instead. Years later, when Facebook went public, Choe became a multi-millionaire. I suspect that in the coming months you will be faced with choices that are less spectacular than that, Capricorn, but similar and important. My conclusion: Be willing to consider smart gambles when projects are germinating.

AQUARIUS (Jan. 20-Feb. 18): “Experiment is the sole source of truth,” wrote philosopher and polymath Henri Poincaré. “It alone can teach us something new; it alone can give us certainty.” He wasn’t merely referring to the kinds of experiments that scientists conduct in laboratories. He was talking about the probes and explorations we can and should carry out in the course of our daily lives. I mention this, Aquarius, because the coming days will be prime time for you to do just that: ask provocative questions, initiate novel adventures and incite fun learning experiences.

PISCES (Feb. 19-March 20): In my opinion, Piscean singer, poet and actor Saul Williams produces high-quality art. So he has earned a right to critique mediocre art. In speaking about movies and TV shows that are hard to enjoy unless we dumb ourselves down, he says that, “We have more guilty pleasure than actual effing pleasure.” Your assignment in the coming weeks, Pisces, is to cut back on your “guilty pleasures”—the entertainment, art, and socializing that brings meager returns—as you increase and upgrade your actual effing pleasure.

Homework: I discuss some of my ideas about astrology in an article published at tinyurl.com/robonastrology.

Henry Chadwick Resets After Indie Success

In 2016, local singer-songwriter Henry Chadwick’s life flipped upside down when he released his debut solo EP Guest At Home. One of the songs, “Alright,” was getting an unusually high number of Spotify plays, which grabbed the attention of Rolling Stone and Time, both of whom wrote about it.

As exciting as it was, Chadwick was also overwhelmed. At that point in his life, he was playing in several projects at once. He was recording songs, jamming with friends at their shows and playing drums with successful local roots-rock group the Coffis Brothers. But his solo project—the thing he really wanted to do—was showing potential. He made the decision in 2017 to leave the Coffis Brothers after eight-and-a-half years, and pursue his solo career full-time.

As this was all happening, he wrote the song “Never Say No” about his state of upheaval. It’s a numbed-out, tense, piano-driven pop song that explores the contradictions that happen when a person feels overwhelmed with all the things they want.

“I was spreading myself too thin. I had to kind of reassess my priorities,” Chadwick says. “Writing that song was a cathartic thing.”

This song is the lead single off his latest EP The President Of Make Believe, which was released last month on Brooklyn indie label Swoon City Music, his first signing. It also comes after the full-length Marlin Fisher (2018), which followed his breakout EP. Three years removed from the stressful urgency he expressed in “Never Say No,” the music has softened.

“It’s less angsty than it used to be. It feels happier singing it now than when I wrote it. I feel like I feel happy with where I’m at,” Chadwick says. “It feels really good the last couple years to just be putting new music out.”

The President Of Make Believe was supposed to be released in 2016. When “Alright” took off, a couple different labels reached out about putting out new music, including Swoon City. They went back and forth negotiating the terms of the release. Meanwhile, Chadwick was getting antsy to move forward. Since he had more music, he recorded and self-released Marlin Fisher. It’s a heavier and smoother—though still Beatles-esque—collection of indie-pop songs, this time produced by Rob Schnapf (Beck, Elliot Smith, Kurt Vile). Once it got going, all the focus went towards that album. But he and Swoon worked out a deal eventually, and now they are releasing this three-year-old EP, which is musically diverse, with influences ranging from the Beach Boys to the Kinks to David Bowie.

“I just kept tracking things,” Chadwick says. “It always happens different than you think it would, but not always in a bad way.”

His LP didn’t have any breakout singles the way Guest At Home did. But he got written about in Rolling Stone again—this time, a longer piece. “Alright” continues to accumulate Spotify plays; it’s currently just under 200,000. His next highest song, “Guest At Home,” has 17,000 plays. He’s hopeful about the potential for “Never Say No,” and has a full team behind him.

“When a song reaches a point on there where it reaches a lot more ears, it takes on a little bit more of a life of its own, which is cool,” Chadwick says.

He’s also touring more and getting his name out however he can. Of course, he just wants to continue to write and record more music.

“It’s hard to know what brings people out, and the analytics of what’s reaching who,” Chadwick says. “I’m working on new demos now. I’m going to go in the studio this fall and work on some new stuff, hopefully. It’s good to keep charging ahead.”

henrychadwick.net.

Libra—Everything in Balance: Risa’s Stars Oct. 9-15

Tuesday evening, as the first star appeared at sunset, the Jewish Festival of Yom Kippur began. Jewish festivals always begin at sunset. The holiest day of the Jewish year, Yom Kippur is a Day of atonement, repentance, fasting, and prayer. We continue to ask forgiveness from everyone, including God, during these sacred days—also called the Days of Awe.

Wednesday is the birthday of famous Russian painter, designer, writer, theosophist, esotericist, traveler, and philosopher Nicholas Roerich (Oct. 9, 1874), known for his Peace Pact.  

Here we are in Libra, our harvest time. Sunday is full moon, Libra solar festival. The Harvest Moon time. Libra brings forth an interlude, when the light—moving here and there, up and down—seeks a place of contemplative rest. Autumn brings us to the dark half of the year. In Libra, the Virgin stands within the “cave of the heart” gestating the new consciousness/light to be birthed at Winter Solstice, when the week-long Festival of the New Group of World Servers begins. 

In Libra, Persephone enters the underworld, remaining with Pluto until spring. We enter the underworld with her. We eat pomegranates, persimmons and pumpkins. Ceres, Persephone’s mother, stands in grief at the loss of her daughter. We grieve with her. The golden leaves fall. Autumn is here.Everything comes into balance. 

 ARIES: Something appears, is seen, recognized, brought to balance, and creates an interlude in your relationships. Perhaps you identify how to have true Right Relations with those who love you. Perhaps you learn that through relationships your true self emerges because relationships are an I/Thou situation and this always balances you, provides structure and discipline, and leads to true intimacy. 

TAURUS: There are times when others tell you their deepest needs. Sometimes you can’t hear or understand them. This month, your needs—usually hidden and unknown to you, thus hardly ever tended—will emerge. Changes, small and subtle, begin to manifest in how you express yourself, and to whom you speak. It’s important to initiate a discussion of long-term wishes, desires and wants. Since your usual word is “no,” everyone listens attentively.

GEMINI: Who is your family? What does family mean to you? Perhaps family means criticism and judgments, or gardens of nourishment. Whatever family signifies for you, it’s time to create your own family, and build balance and love, discipline and rules, kindness and communication into it. We have times when we can recreate certain events and ideas. This time has arrived for you. When you praise others and show gratitude, an alchemy of love emerges.

CANCER: You’re both in the world and not, at home while also working, all at the same time. Family’s close by and yet it’s not. It’s always in your heart. Both you and family have spiritual work to accomplish, though perhaps not in the same geographical region. A new set of realities concerning resources emerges. Your specific and particular skills are a deeply needed resource. When you share them, they nurture and nourish, and we are grateful.

LEO: A tradition—perhaps religious, and including the emotional and intellectual—becomes important. It summons you to a discipline, structure and ritual that brings order and stability to your life. Perhaps you’re remembering a parent, teacher, someone older and wiser than you, who instilled ethics and justice, seeing you as equal. Who is this person? What is this ritual? Honor this. Ask and offer forgiveness.

VIRGO: You have resources in common with another. Resources don’t only refer to money. They include values and/or possessions held in common, intimacy, interaction, and relationships. There’s a question about relationships, and perhaps a feeling of restriction and grief? Remember the beginnings of your relationships and their original emotional value. Can you discover this again? What seems so far away is usually what is closest by.

LIBRA: Libra’s month is an important passage of time, a growing-up time and a maturing developmental stage for everyone. There’s a challenge to choose which path to take. A challenge to change, too. Perhaps frustrations and time issues, shadows and pressures, are distractions. You want wisdom to guide you. There will be times of stillness and times of acceleration. Saturn, your father, guide, disciplinarian, Dweller on the Threshold and Angel of the Presence, loves you. 

SCORPIO: Your deepest desires come forth and although directed at others, the reality is the desire to know the self, to create a new image that better defines you, and the need for a partnership between your emotions, intellect, body, and soul. Emotions may become more passionate; people may shy away should you display too much depth of feeling. Assess who’s safe, who understands, who will support, encourage, defend, and who truly loves you. 

SAGITTARIUS: Turn toward your religious roots, studying the teachings as tools and guidelines that illuminate and make sturdy your inner and outer life. This may sound old-fashioned. However, Jupiter, as a major planet of love and spirituality, is traveling through Sagittarius, where your sun resides. Jupiter provides you with love, wisdom and direction. Another choice is to maintain a state of self-enforced contemplation, solitude and seclusion. Include lots of music, reading matter, deep pools of water and food.

CAPRICORN: An old cycle ends and a new cycle begins. It’s connected to the harvest festival, the gathering of summer fruits and placing them into a root cellar of cool darkness. It’s time to begin fall and winter planting. I suggest reading the book Agriculture, a study of biodynamic planting, which uses special plant, animal and mineral (homeopathic) preparations, and follows rhythmic influences of the sun, moon, planets, and stars (reminding you that you are one). 

AQUARIUS: An entirely different set of ideals (values, goals) begin to dawn, and your view your life changes. Notice it seems the rules have changed, previous values become less important, things taken for granted are no longer useful, and perhaps your faith is being tested. It’s time for new journeys, new studies, definitely new adventures, and travels to new cultures. The disillusion felt will not last forever. Life becomes more realistic. Something about home beckons.

PISCES: While thinking about life and death, and the process of aging, take walks in the early morning and evening. Focus upon making contact with the elements, the devas and nature (plants). Nature is the most balancing of kingdoms. Gather seeds, pods, notice what is ripening yet still green, stop and view the architecture; notice what soothes and comforts. Read A Pattern Language by Christopher Alexander. Begin your own photographic journal. Life finds you in other places soon. The groups are gathering.

Music Picks: Oct. 9-15

Santa Cruz County live entertainment picks for the week of Oct. 9

WEDNESDAY 10/9

INDIE

ZACH DEPUTY

By now, most people have seen someone perform solo with a bunch of instruments and a looping rig, and just blow the audience away by creating what sounds like an entire 10-piece band. Georgia singer-songwriter Zach Deputy does this, but he takes it a step further and makes his looping station a one-man-dance-party band. We’re talking funk, reggae, drum ‘n’ bass, calypso, electronica. He’s sitting up there on stage creating it himself, alone, using all his fancy technology and having a blast. You’ll be surprised at how effectively those grooves will get under your skin. AC

8:30pm. Moe’s Alley, 1535 Commercial Way, Santa Cruz. $12 adv/$15 door. 479-1854. 

 

THURSDAY 10/10

JAZZ

BILLY COBHAM

Billy Cobham is the definitive jazz-rock fusion drummer. From the groundbreaking combo Dreams to his seminal work with Miles Davis on Bitches Brew to his game-changing tenure in Mahavishnu Orchestra, Cobham’s combination of torrential power and polyrhythmic precision still inspire awe today. An undiminished force at 75, the longtime resident of Switzerland has assembled a combustible band focusing on the music from his second album, 1974’s Crosswinds. ANDREW GILBERT

7 and 9pm. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $36.75-52.50. 427-2227.

 

FRIDAY 10/11

HIP-HOP

KRS-ONE

Rapper KRS-One has been critical of the materialism and sexism in hip-hop. He’s also made comments about a lot of rappers’ lackluster performances. Hey, if KRS-One wants to be critical, he has every right to be. Not only is he about as old school as you can get—his mid-’80s group Boogie Down Productions helped redefine the genre to be more artful and conscious—he’s also always been one of the most consistently high-energy rappers to see live. Between spontaneous freestyle verses, and rants about the metaphysical world, his energy is unparalleled. He’ll outlast rappers half his age, and still spit the best bars you ever heard. AC

9pm. Catalyst, 1011 Pacific Ave., Santa Cruz. $25. 423-1338. 

INDIE

PETE YORN

This coming November, Pete Yorn will be touring backed by his indie dream-pop group Day Wave. But for now, he plays Felton as part of the You & Me solo acoustic tour. Instead of his normal melodic vocals, hazy atmospheric ambiance and sparkling guitar riffs, folks will hear his music in its rawest and starkest form. But even his acoustic renditions have a reflective vibe that invites the listener to sink into a cushion-y porch swing and watch as summertime raindrops refract tiny rainbows against the screen door. Yorn’s music will invoke daydreams from the subconscious while he wistfully lulls alone on his guitar. Bring someone to philosophize and cuddle with. AMY BEE

9pm. Felton Music Hall, 6275 Hwy. 9, Felton. $27 adv/$29 door. 704-7113.

 

SATURDAY 10/12

COMEDY

JUDAH FRIEDLANDER

Judah Friedlander has seen the future, and in it, he is president. As early as 2012, the be-trucker-hatted comedian was regaling his future constituents with the abuses of power he’d one day wield with his presidential authority. “You like Hawaii?” he asked an unsuspecting audience member. “Ok, well I’m gonna move it to Michigan. Much closer.” You might recognize Friedlander for his iconic role on 30 Rock, but did you know he was once known as “the Hug Guy” in a Dave Matthews Band video? Nothing but respect for my president. MIKE HUGUENOR

7 & 9:30pm. DNA’s Comedy Lab, 155 S River St., Santa Cruz. $20 adv/$25 door. 900-5123.

SYNTH-POP

ASHE

Ashe’s emotive vocals and vintage pop sound make listening to the singer-songwriter’s tunes feel like a journey through the heart. Laden with dynamic melodies and dramatic lyrics, Ashe soars from impassioned vociferations on a messy divorce to quiet, pained platitudes on the nature of heartbreak. Her songs contain a soft edge of whimsical fun from the quirky musical arrangements. These almost-silly moments make you grin when waters are darkest and deepest, and pull you back toward safer shores. AB

8:30pm., Catalyst, 1011 Pacific Ave., Santa Cruz. $13. 423-1338.

ROCK

BRANDON “TAZ” NIEDERAUER

He’s wild, crazed and has shredded the guitar on the same stage as Gregg Allman, Buddy Guy and Slash. Oh, and he’s only 16 years old. Brandon “Taz” Niederauer says he’s living proof that dreams come true. Niederauer picked up the six-stringed axe at the age of 8 after watching School of Rock and never put it down. Four years later, he was cast in the Broadway production of his inspirational catalyst. This is one artist to keep on the radar—only time will tell what he has planned for the next eight years before he ultimately retires at 24. J/k! MAT WEIR

7pm. Felton Music Hall, 6275 Hwy. 9, Felton. $12 adv/$14 door. 704-7113.

 

SUNDAY 10/13

PSYCHEDELIC POP

AARON LEE TASJAN

Renowned as both a guitarist and a songwriter, Aaron Lee Tasjan’s melodic sense, sartorial style and proclivity for 12-string electrics have drawn more than a few comparisons to a certain four many consider to have been fab. On this year’s Karma for Cheap, however, the Nashville musician leans a little heavier into the ’70s, coating his psychedelic melodies in the glittering excess of glam rock. Songs like “The Truth is So Hard to Believe,” with its platform-booted stomp, and the piano-rocking “The Rest is Yet to Come,” will get your sequins shaking. MH

8pm. Felton Music Hall, 6275 Hwy. 9, Felton. $12 adv/$14 door. 704-7113.

 

MONDAY 10/14

HIP-HOP

THE PALMER SQUARES

Oh snap, son! The Palmer Squares are back on tour. This Chicago-based hip-hop duo first gained attention in the beginning of the 2010s on YouTube. In 2012, the group dropped its debut release, the Spooky Language EP, and have since continued on the independent path, releasing their own music, videos and, most recently, a podcast. For fans of Lyrics Born, Atmosphere, Run the Jewels or any woke hip-hop with beats and melodies that ride the line of funky and weird. MW

8:30pm. Blue Lagoon, 923 Pacific Ave., Santa Cruz. $5. 423-7117.

How Bantam Merged Fine Dining and Pizza

I love the boisterous pace and energy of Bantam, although I admit that Katya and I try to get there right at opening time in order to score our favorite spots at the bar. And before the noise level rises. 

Chef/owner Ben Sims was chopping and dicing along with his team in front of the hard-working wood-fired pizza oven, so we made a point of sampling some of the evening’s menu in addition to some liquid refreshments. We tasted a few wines by the glass, then zeroed in on an icy flute of Blanc de Blanc ($12) and a pour of Ampelos Cellars Santa Rita Hills Pinot Noir ($14), both solid choices with the food to come. 

A plate of house bread and salted butter made sense with a starter of cauliflower pickles ($6), bright yellow from turmeric and tossed with black sesame seeds. They were crunchy and dazzling to the tongue. Perfect, light pickling made them almost addictive. Another opening plate of creamy burrata ($12) with wood-oven figs and hazelnuts in an oregano olive oil sauce was diverting, but might have prospered with less oregano and more figs. Adventurous idea, though.

Two more dishes that we shared last week brought home the obvious: Bantam is a serious restaurant disguised as a neighborhood pizza joint. Our main plate was an elegant creation of grilled scallops astride a landscape of black lentils surrounded by avocado cream ($25). The scallops were perfect—tender inside, golden crisp outside. Crimson Jimmy Nardello peppers joined the shellfish, and everything gleamed in an intense citrus oil. This was a spectacular constellation of flavors and textures. Earthy luxury, and a dynamite pairing with both the bubbly and the Pinot. 

Since we had been sharing each plate, we both had room for a little something more. Dessert? You bet. We instantly went for a special blackberry and strawberry crumble, topped with almonds and a scoop of bold, house-made ginger ice cream ($9). This deeply satisfying pastry gave currency to the concept of bypassing dinner and going straight to dessert. The berries were warm from the oven, the almondy crumble an exact topping—not too much, not too skimpy. And the icing on the cake (I can’t help it) was the tart and barely sweet, ultra-creamy —almost gelato-esque—ginger ice cream. Berries, almonds and ginger ice cream: you do the math. Thank you Bantam for locating yourself very close to where we live. 

Bantam, 1010 Fair Ave., Santa Cruz. 420-0101, bantam1010.com.

Animal Branches Out

Just when you thought it was merely a sophisticated bookstore with a wine bar attached, now there’s fried chicken at Bad Animal (and no, the chicken isn’t the animal in question.) Proprietors Jess and Andrew continue with their Left Bank Brunches on Sundays, and in the evening, Chef Parker is growing and morphing the Southern Sunday Supper menu (5-8:30pm) in homage to the New Orleans institution Willie Mae’s Scotch House, featuring not only fried chicken (be still my heart) but the ultimate comfort food, macaroni and cheese. 

Bad Animal, 1011 Cedar St., Santa Cruz. 900-5031, badanimalbooks.com.

Love Your Local Band: Asari

When local instrumental quartet Asari formed a year-and-a-half ago, the goal was to play quietly and unassumingly enough to hear people’s conversations as they performed. That’s pretty much the exact opposite of what most musicians want, but Asari began with a different goal: not to take over events, but to blend in with them.

“You can engage or you can not engage,” says drummer Andrew Hawes. “I’m inspired by other art forms. So we try to make live music that leaves space for other things to happen.”

Asari wants to bring ambience to an event while also pushing boundaries musically. The group, which also features Ravi Lamb on guitar, Shahya Khodadadio on bass and Will Henry Dias on keys, mixes jazz, hip-hop, and R&B, and gives the whole thing a modern, low-key, chill vibe. The musicians are all highly skilled and each have a long resumé, spanning Boostive, Beat Tape, Redlight District, and Ginger and Juice. Asari plays originals but also give jazz standards a new twist.

As the band grew, they started to play actual clubs show, where the intent is generally to be an overpowering force. In those cases, the band frequently brings in guest singers, horn players or other instruments. The musical influences are similar, but the shows also depend on what the guest musicians are bringing to the table.

“We like to incorporate live sampling and improvisation,” says Hawes. “We try to be collaborative with what feels good for the artist.”

9pm. Friday, Oct. 11, Michael’s On Main, 2591 Main St., Soquel. $8 adv/$10 door. 479-9777. 

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