Rob Brezny’s Astrology April 10-16

Free will astrology for the week of April 10, 2019

ARIES (March 21-April 19): The Qing Dynasty controlled China from the mid-17th century to the early 20th century. It was the fifth-biggest empire in world history. But eventually it faded, as all mighty regimes do. Revolution came in 1911, forcing the last emperor to abdicate and giving birth to the Republic of China. I’m inclined to think of your life in 2019 as having some similarities to that transition. It’s the end of one era and the beginning of another—a changing of the guard and a passing of the torch. The coming weeks will be a favorable time to be very active in deciding and visualizing the empire you want next.

TAURUS (April 20-May 20): I hope that sometime soon you’ll acquire a new source of support or inspiration. Now is a phase of your astrological cycle when you’re likely to attract influences that are in alignment with your deep values. This addition might be a person or animal. It could be a vibrant symbol or useful tool. It may even be a fantasy character or departed ancestor that will stimulate vitality you haven’t been able to summon on your own. Be on the lookout for this enhancement.

GEMINI (May 21-June 20): Poet David Hinton analyzed the Chinese word for “poetry.” Its etymological meaning is “words spoken at the fertility altar.” Let’s make that your theme, even if you don’t write or read poetry. I suspect the coming weeks will be a favorable time to take a vow or utter a solemn intention in front of a homemade fertility altar. The oath you speak might express a desire to boost your use of your physical vitality: your lust for life, your adoration of the natural world or your power to produce new human life. Or your vow to foster your fertility could be more metaphorical and symbolic in nature: the imaginative intimacy you will explore or the creativity you’ll express in future works of art or the generous effects you want to have on the world.

CANCER (June 21-July 22): Christopher Robin Milne was the son of author A. A. Milne, who wrote the Winnie-the-Pooh stories. He said there are two ways to navigate through life. Either you “take a bearing on something in the future and steer towards it, or take a bearing on something in the past and steer away from it.” So in his view, “There are those who look ahead and pull and those who look behind and push.” I’m hoping that in the coming weeks and months, you will make a delighted commitment to the first option: taking a bearing on something in the future and steering toward it. I think that approach will inspire you toward the most interesting success.

LEO (July 23-Aug. 22): The national animal of Finland is the brown bear. The national insect is the ladybug, and the national instrument is a stringed instrument known as the kantele. As for the national author, it’s Aleksis Kivi, who produced just one novel that took him 10 years to write. He also published a short collection of odes and a few plays, adding up to a grand total of less than 800 pages of work. I think that the efforts you make in the coming weeks could have a disproportionately large impact as well, Leo. What you lack in quantity will be irrelevant compared to the sheer quality you generate.

VIRGO (Aug. 23-Sept. 22): I follow the blogger Evanescent Voyager because she makes me cry with sad joy and exultant poignance on a regular basis. One of her other fans wrote her a love note I could have written myself. It said, “Your emotional brilliance and thoughtful passion break me into pieces and then weave me back together with more coherence than I had before reading you. I revere your alchemical talent for undoing me so you can heal me; for lowering my defenses so I can be open to your riches; for demolishing my habitual trance so you can awaken my sleeping genius.” I believe that in the coming weeks, life itself will offer to perform these same services for you, Virgo. I urge you to accept!

LIBRA (Sept. 23-Oct. 22): “Love is no assignment for cowards.” That’s a quote attributed to the ancient Roman poet Ovid. What did he mean? Was he foreshadowing the wisdom of pop singer Pat Benatar, who in 1983 told us, “Love is a battlefield?” Was Ovid implying that to succeed in the amorous arts we must be heroic warriors prepared to overcome fears and risk psychological dangers? Probably. But I will also point out that it takes as much courage to create fun, interesting togetherness as it does to wrestle with the problems that togetherness brings. You need just as much bravura and panache to explore the sweet mysteries of intimacy as you do to explore the achy mysteries of intimacy. Keep these thoughts in mind as you marshal your audacity to deepen and expand your best relationships in the coming weeks.

SCORPIO (Oct. 23-Nov. 21): The literal meaning of the French term jolie-laide is “pretty and ugly.” Bloggers at wordsnquotes.com define it as follows: “It’s a fascinating quirkiness that’s irresistible, like a face you want to keep looking at even if you can’t decide whether it is beautiful or not.” Jolie-laide overlaps with the Japanese term wabi-sabi, which describes a person or thing that is lovely because of its imperfection and incompleteness. I bring these facts to your attention because I think you have extraordinary potential to be a master embodier of both jolie-laide and wabi-sabi in the coming weeks.

SAGITTARIUS (Nov. 22-Dec. 21): As Czech playwright Vaclav Havel (1936–2011) matured, he became a political dissident who opposed the Soviet Union’s authoritarian grip on his country. Eventually he was a key player in the Velvet Revolution that banished communism. When Czechoslovakia emerged as a new democracy, its people elected him president. Havel later thanked Lou Reed and the band the Velvet Underground for fully awakening his liberationist leadership. He said their unruly music stoked his longing to establish a culture where total creative freedom was possible. I mention this, Sagittarius, because now is a favorable time to identify the music or art or films or literature that might fuel your emancipation in the coming months.

CAPRICORN (Dec. 22-Jan. 19): Capricorn author J. R. R. Tolkien toiled on his masterpiece The Lord of the Rings for 12 years. Once he finished, it wasn’t published for more than five years. So 17 years passed between the time he launched his precious project and the time when it reached an audience. I don’t think you will need that much patience in shepherding your own venture to full expression, Capricorn. But I hope you’ll summon as much faith in yourself as Tolkien had to rouse in himself. To do so will bring out the best in you!

AQUARIUS (Jan. 20-Feb. 18): Released in 1998, The Prince of Egypt is an animated film that tells the story of the Hebrew prophet Moses. In the climactic event, the hero uses magic to part the waters of the Red Sea, allowing his people to run across the seafloor and escape the army that’s chasing them. To make that seven-minute scene, 28 professional animators labored for 318,000 hours. In the coming months, you could create your own version of that marvel, Aquarius. But you’ll need a team to help you, and that team is not yet ready to go. The coming weeks will be a favorable time to get it ready, though.

PISCES (Feb. 19-March 20): Piscean businessman Steve Jobs testified that taking LSD was “one of the two or three most important things” he ever did in his life. It opened his mind in ways he felt were crucial to his development. What are the three most important things you’ve ever done, Pisces? I invite you to revisit at least one of them, and see if you can take it to the next step of its power to inspire you. What if it has even more to offer you in your efforts to become the person you want to be?

Homework: What other sign would you want to be if you could take a vacation from your actual sign? Why? Write freewillastrology.com.

How Ghost-Note Found, Lost And Re-invented Their Sound

By the time drummer Sput Searight started Ghost-Note with Nate Werth, he’d  already dabbled in more genres than most musicians do in a lifetime. Not only was he a member of the kaleidoscopic jam-fusion band Snarky Puppy, but he’d also worked with Snoop Dogg, Timbaland and Kendrick Lamar.

All of that was just a prelude for Swagism, Ghost-Note’s second album.

It’s a dizzying, decidedly 21st-century jazz album, fully funked and respectful of no boundary. Interwoven equally with inspirational monologues straight out of Gil Scott-Heron and a whole bunch of zany phone calls, Swagism is post-G Funk, post-Tarantino, post-To Pimp a Butterfly jazz music.

But it was almost something else entirely. Searight and Werth spent more than a decade playing as drummer and percussionist in Snarky Puppy. The two played thousands of shows together, developing a uniquely collaborative style along the way.

“After shows, people would be like, ‘What song was that you guys were playing? What kind of groove was that? Was that rehearsed?’ But we just made it up on the spot,” says Searight. “After a while, we just started cracking jokes about putting out a record, saying it was going to be on our new release. We sat down and talked about it one day and were like, ‘We really should do that.’”

In 2015, the pair started working on music together. Later that year, they released Fortified, their first album as Ghost-Note.

“Initially, we wasn’t a band,” Searight says. “We were just two guys. Two percussionists that put out a record. It kind of gradually evolved into a band when people were asking us to come out and perform live. And the more we did that, the more interesting it got.”

Eventually, the ensemble grew to include Nate’s brother, Nick Werth, who plays an instrument called a “xylosynth.” “It’s pretty much like a vibraphone,” Searight says. “But he’s more like a DJ, the way he plays it.”

The xylosynth quickly became a central part of the band, and Searight and Werth set about writing an album for this new arrangement, a weird futuristic hybrid of electronics and percussion. This was the album that Ghost-Note was originally going to record. Then, less than a month away from the session, their xylosynth player told them he wouldn’t be playing on the record anymore.

The album was shot. But the studio time was already booked.

“We went into the studio dry,” Searight says. “With nothing, literally—a couple of ideas that we were conjuring up from other projects and stuff like that. But we didn’t have a game plan until the day we got there. And then we basically just threw out ideas, went in and recorded, started fleshing ’em out, and they started growing organically.”

Searight and Werth followed their instincts, chasing down ideas as they came. Clearly, they had some good ones, because the result is one of the most fun jazz albums in years.

“Everything we were playing in the studio was funk,” Searight says. “We didn’t really go that direction on purpose. That just kind of organically happened. The record just kind of got really funky.”

This willingness to take jazz in a more pop direction is part of what makes Swagism such a thrilling record. Check out the grimey synths and hi-hats in third track “Pace Maker,” or the almost J-pop melody on unabashed dance track “Fragile.” Taken as a whole, Swagism is a bracing reminder that jazz music isn’t a stuffy affair meant to be enjoyed in a turtleneck. It’s alive, engaged with the moment.

“It’s just freedom of expression,” Searight says. “We pride ourselves on being creative at all times.”

Ghost-Note plays at 8 p.m. on Saturday, April 14, at Moe’s Alley, 1535 Commercial Way, Santa Cruz. $15. 479-1854.

New-School Snap Taco Takes Over Old Assembly Space

“Eat Tacos, Be Happy,” insists the menu at Snap Taco, downtown’s frenetic new outpost for “New School tacos.”

The former Assembly space on Pacific Avenue is now home to hipster-industrial booths, a slender banquette for duo diners and a stable of group-friendly roundtops balanced on revamped metal drums. From the colorful facade, I expected all high-wattage, Baja-inspired tones inside. There are occasional painted stripes and leafy palms, but the design is filtered through a surprisingly muted north-of-the-border aesthetic, with a bit of Boardwalk kitsch thrown in.

The concept wants to be easy: you step up to the front counter, order, pay, and wait for a text to pick up your order. Meanwhile, you can grab a seat near the Instagram-friendly red neon “Tacos” sign or under the outdoor patio’s tin roof and debate whether it’s late enough for one of those good-looking cocktails from the bar. At lunch last week, we ordered the day’s special citrus-honey gingerade ($4) and wow, was it delicious! Great with Snap’s complimentary warm chips and citrusy-but-unexciting salsa.

The four tacos we’d ordered arrived nestled tightly in a metal tray. It was hard to tell which was which, and to keep the guts from spilling out. The salsa verde ($4.50) we ordered was quite good, a terrific accent. Two of the street-sized tacos (at least) are needed for an actual meal, which along with a la carte salsa, refried beans and a soda or Verve coffee will run $20 or more.

The Baja-style fish taco ($4.95) was delicious with its succulent interior, crisp batter, guajillo chile salsa, black beans, and cabbage. This is a good taco, as is the Tiki BBQ Pork taco ($3.95) with its zippy pineapple salsa. Less interesting, though adequately executed, were the ground beef Old School Taco ($3.95) and Carne Asada ($3.95) with pickled red onion, cilantro and cabbage.

For locals looking for a change of pace, out-of-towners seeking accessible options and selfie addicts, Snap Taco is one of a new wave of fast-casual restaurants paring down the costs and formality of table service dining, and is the latest offering from the entrepreneurs behind Penny Ice Creamery, the Picnic Basket and the late full-service Assembly.

I look forward to future meals at Snap Taco when the new restaurant disorientation and menu overload have died down—five exceptional tacos, rather than 10 scattered options. Snap’s menu is loaded with items that are vegan, vegetarian, dairy-free, and gluten-free. Seating verges on chaotic, but that can be eased. The colors could also be kicked up a notch to amplify the ambiance—or maybe after a few cocktails everything looks brighter.

Snap Taco, 1108 Pacific Ave., Santa Cruz. Open daily 11:30 a.m.-9:30 p.m. with regular food and drink specials. eatsnaptaco.com.

Pop-Up Breakfasts

Summer means al fresco Farmers Market breakfasts—wildly popular and selling out fast!

On June 29, Kenny Woods of 1440 Multiversity will cook at the Scotts Valley Market ($45). On July 20, Gema Cruz of Gabriella Cafe welcomes breakfasters at the Westside Market ($45). On Aug. 10, Katherine Stern (longtime La Posta chef) will get your Westside morning started with tomato and roasted corn salad, pork loin and potato biscuits ($45), and Sept. 14 Kendra Baker of Penny Ice Creamery cooks at Westside Market ($75). Breakfast starts at 10 a.m.

santacruzfarmersmarket.org.

Film Review: ‘The Mustang’

Matthias Schoenaerts has a great face for the movies.

With his long, crooked nose and hooded-yet-piercing eyes, he can seem completely impassive, almost catatonic. And yet a cascade of tightly controlled responses flicker across his face at the tiniest compression of his mouth or flattening of his eyebrows. It’s a face worth watching, and the Belgian actor who first came to prominence opposite Marion Cotillard in Rust and Bone is the best reason to see The Mustang.

With Robert Redford in the saddle as executive producer, The Mustang was workshopped through the Sundance Institute as the feature film debut for director Laure de Clermont-Tonnerre. Working from her original story idea, actress-turned-filmmaker Clermont-Tonnerre (who wrote the script with Mona Fastvold and Brock Norman Brock) spins a tale of wild horses, regret and redemption set in a high-security prison complex out in the middle of the Nevada desert. The analogy between wild-spirited mustangs and incarcerated men who have lost their freedom is pretty standard stuff, yet the nuances of character, story and subtle, yet profoundly felt emotion keep viewers involved.

Schoenaerts stars as Roman, a wary, tight-lipped prison inmate so taciturn he makes Clint Eastwood look like a chatterbox. After 12 years in the system, he’s recently been transferred to a new facility en route to being gradually reintegrated into society. (The movie was shot in and around the former Nevada State Prison in Carson City.)

It takes a while to find out what Roman is in for. He’s not exactly the type to chum up to his fellow inmates and share his life story—especially not with his jittery roommate (Josh Stewart). Nor does he cozy up to the prison therapist (Connie Britton), who tries to break through his protective psychological armor; we also see her conducting a session on “restorative justice,” the new buzz phrase for what used to be called “anger management.” Beneath his stoic demeanor, Roman radiates a potential for volatility that no one wants to push too far.

His story plays out against the larger backdrop of a wild horse round-up out in the surrounding desert, where mustangs are herded by helicopter into a holding corral adjacent to the prison. There, select inmates are assigned to break and gentle the animals for auction as part of their rehabilitation process under the watchful eye of program director Myles (Bruce Dern), a crusty, cantankerous old horse trainer.

Initially assigned to shovel manure around the compound, Roman is drawn to a particularly obstreperous animal so fierce he’s shut up in a pen by himself, away from the other horses. Apparently, the feeling is mutual; Roman doesn’t know any better than to enter the pen, and when the two of them size each other up, curiosity—not bloodshed—ensues. Myles decrees that Roman should enter the program, and with the help of gregarious fellow inmate and trick-rider Henry (an appealing Jason Mitchell), Roman and his mustang slowly establish the fraught, prickly bond of kindred spirits.

There are no particular surprises in the story; the tenderness with which Roman bonds with his horse begins to seep—very gradually—into his fractured relationship with his angry, abandoned grown daughter (Gideon Adlon), who occasionally visits him in prison with papers for him to sign. But Clermont-Tonnerre’s storytelling is thoughtful and stirring with lovely moments, like the first time the horse unexpectedly nuzzles the frustrated, frazzled Roman.

And then there’s Schoenaerts, whose haunted eyes take in everything, revealing the merest glimpses of feeling buried beneath his posture of menace. Schoenaerts has had a long, varied career in European film, from the steroid-pumped protagonist in Bullhead to romantic leads in Far From the Madding Crowd and A Little Chaos (he also played a slinky art dealer in The Danish Girl), and it’s always interesting to see what he’ll do next.

The other compelling aspect of the movie is its loving tribute to iconic wild mustangs from producer Redford, the horse whisperer himself. It’s these spirited animals whose freedom he (and we) care about most.

THE MUSTANG

*** (out of four)

With Matthias Schoenaerts, Bruce Dern, Jason Mitchell, and Connie Britton. Directed by Laure de Clermont-Tonnerre. Written by Laure de Clermont-Tonnerre, Mona Fastvold and Brock Norman Brock. A Focus Features release. Rated R. 96 minutes.

Birichino’s 2018 Pétulant Naturel Cinsaut

John Locke recently invited me to his Birichino tasting room in downtown Santa Cruz to try a new release. And what a wine!

I was bowled over with his 2018 Pétulant Naturel Cinsaut. But then, Locke likes the challenge of making something different, and this outstanding wine meets all the criteria.

Grapes are harvested from the Bechthold Vineyard nestled in the Mokelumne River area of Lodi. Planted in 1886, this vineyard is dry-farmed and the oldest Cinsaut on Earth. We should give thanks to Birichino owners Locke and Alex Krause for always tracking down the very best grapes.

Locke and Krause founded Birichino in 2008 with the aim of attaining the perfect balance of “perfume, poise and puckishness.” Their playful way with words is echoed on their wine labels, too, but they’re serious when it comes to making a fine product.

“Forecast: cloudy with a chance of amazeballs,” they say of the Cinsaut, adding that it’s supposed to be cloudy since the wine is unfiltered as it finishes fermentation. “Pétulant Naturel is Birichino’s querulous answer as to how to produce a complex and delicious lightly ‘pétulant’ wine using traditional lo-fi methods that don’t require luxury-group-funded production equipment, nor marketing fluff.”

In other words, this talented duo are making a “vividly refreshing and fragrant wine—with a special savory richness” and selling it for a mere $25.

When you enter the portals of Birichino’s fascinating tasting room, note the live carnivorous plants decorating the space. If you have never seen a Venus flytrap, then now’s your chance!

Birichino, 204 Church St., Santa Cruz. 425-4811, birichino.com.

High Time for Tea

The Aptos Chamber of Commerce is presenting a High Tea, Fashion & Shopping event to benefit Caroline’s, a nonprofit thrift shop in Aptos.

Fashions will be provided by Cinnamon Bay Clothing, Fleet Feet Sports, Hopscotch, Kickback, O’Neill Surf Shop, Pacific Wave, Sockshop & Shoe Company, Xandra Swimwear, and more. A buffet spread will include sandwiches, scones and chocolate-dipped strawberries—with bottomless mimosas for $25. Tickets $60.

11 a.m.-2 p.m. Sunday, April 14. Seascape Beach Resort, Aptos. aptoschamber.com.

Ambrosia India Bistro Grows on Central Coast

Sam Khanal and his two business partners opened the first Ambrosia India Bistro in Monterey 12 years ago.

Now the restaurant has four locations, including one in Aptos and another in Scotts Valley, which opened in 2016. Khanal, whose favorite dish is the rack of lamb, lives in San Jose and drives 100 miles a day on average. He enjoys offering slightly different menu items at Ambrosia’s various locations.

To hear Khanal tell it, cooking Indian food requires some grit. Ambrosia has one lentil dish, for example, called dal makhani, that must be soaked overnight before seven hours of cook time. “Small flame. That’s the beauty,” he says. “You need to have a lot of patience when you cook.”

Which is your favorite location?

SAM KHANAL: All of them.

You can tell me.

All of them, but I’m trying to spend more time here in this restaurant [in Scotts Valley]. This is more like my baby, like how a newborn needs more attention. With specific customers, you need to treat them well—that kind of thing. I’ve been in business since 2007, so my Monterey restaurant already took off. I don’t need to be there 24/7, whereas this one’s about 2-and-a-half years old.

What’s it like sharing ownership with two partners?

If you have understanding partners, it’s a very good idea, because obviously you can’t go around to all four locations and be present there all the time. They come here once a week. I go there once a week. They have different eyes to look at things, and so do I.

What’s your favorite alcohol and food pairing?

Our food goes well with the dry Riesling. It’s not too sweet, and it kills the spice. It goes well with vindaloo. For the red drinker, we have a Petite Sirah.

713-5594, ambrosiaib.com.

5 Things To Do in Santa Cruz: April 3-9

A weekly guide to what’s happening

Green Fix

6th Annual UC Santa Cruz Climate Conference

For the first time, the annual UC Santa Cruz Climate Conference will bring together prominent ocean scientists and leading social-justice advocates to discuss the environmental and equity dimensions of the crisis. The conference will focus on local, state and national efforts to pursue climate justice; the panel discussion will be followed by an interactive opportunity to learn about UCSC research and opportunities for local action. Panelists include UCSC professor Gary Griggs, sustainability and climate action manager for the City of Santa Cruz Climate Action Program Tiffany Wise-West and more.

INFO: 6:30 p.m. Thursday, April 11. Rio Theatre. 1205 Soquel Ave., Santa Cruz. climateconference.ucsc.edu. Free, online registration required.

Art Seen

The Tammi Brown Band

Local hero Tammi Brown was raised in the gospel and jazz traditions—roots that blossomed when she discovered the grace and power of great women in soul, R&B and pop. Brown has continued to spread her musical wings with Grammy-nominated vocal ensemble Linda Tillery and the Cultural Heritage Choir, SoVoSó, and in opening for Dr. Maya Angelou and Joan Baez, as well as co-producing her single “That’s How it Goes” with 13-time Grammy nominated jazz fusion artist Tom Schuman of Spyro Gyra. Brown will be performing with her band as part of Tandy Beal and Company’s ArtSmart Arts Education Program.

INFO: 11 a.m. Saturday, April 6. Veterans Memorial Building, 846 Front St., Santa Cruz. tandybeal.com. $15 adult/$10 child.

Friday 4/5

Felix Kulpa ‘Pro-Community Visions and Voices’

With work from 10 member artists, the Felix Kulpa gallery will be transformed into a thought-provoking space for visitors to look, listen and be heard. Just in time for First Friday, the exhibit centers around pressing issues like affordable housing, definitions of personhood, and the health of our ecosystems. In April and May, the collective will host a number of events, workshops and conversations in the exhibition space, exploring the powerful intersection of creative collaboration and civic engagement through drawing, painting, fiber sculpture, and video installation. Areperia 831 will be there slinging delicious vegan Arepas and other Venezuelan food.

INFO: 5-8 p.m. Felix Kulpa Gallery and Sculpture Garden, 107 Elm St., Santa Cruz. 421-9107, felixkulpa.com. Free.

Friday 4/5-Sunday 9/22

‘We’re Still Here: Stories of Seniors and Social Isolation’

Loneliness and social isolation affect 1 in 3 seniors in Santa Cruz County. Many seniors contact just one person a week; some said they see a visitor less than once a month. The new exhibit, curated entirely by Santa Cruz senior citizens, sheds light on this local crisis and gives visitors the tools to help. It also shares solutions to loneliness from different cultures and families around the world. It’s not your typical exhibition; over 180 seniors, advocates and organizations created this show themselves in partnership with the MAH.

INFO: Museum of Art and History, 705 Front St., Santa Cruz. 429-1964. santacruzmah.org. $10 general admission/free on First Fridays. Photo: Gina Orlando.

Wednesday 4/3-Sunday 5/26

‘Vote! Your Vote is Your Voice / ¡Vote! Su Voto es Su Voz!’

Pajaro Valley Arts’ latest exhibit is inspired by images and stories from Monterey Bay artists and activists who worked in the Civil Rights movement of the 1960s, and on Latino voting rights issues in Watsonville in the 1970 and 1980s. Contemporary art, historical images, artifacts, educational events, and films illustrate ordinary people taking courageous stands for democratic values. The exhibit features selections from the Stanford Library’s Bob Fitch Photo Archives and Maria Gitin’s civil rights archives, showcasing their experiences as young voting rights workers in the South.

INFO: Show runs through Sunday, May 26. Opening reception 2-4 p.m. Sunday, April 7. Pajaro Valley Arts Council, 37 Sudden St., Watsonville. Free.

Opinion: April 3, 2019

EDITOR’S NOTE

Working at a community newspaper that focuses as much as possible on local news, it’s always interesting when a story in Santa Cruz County offers a new or different perspective on an issue that’s being talked about at a national or even international level.

Sometimes a local story reveals an issue that should be discussed at a national or international level, but isn’t—and that’s the case this week.

It all started when a reader called the office to tell Georgia Johnson that the man she’d just bought cigars from in Midtown had an interesting life story that GT might be interested in writing about. That tipster was right—a former translator for the U.S. Special Forces in Afghanistan, Sayed Nadim Hashimi does indeed have a remarkable story—but I doubt she could have suspected that her call would lead to this eye-opening exploration of the issues that translators face after they’re done with their service.

It’s a prime example of why we love tips from readers; they are the starting point for some of our most important stories. I hope you enjoy this one.


LETTERS TO THE EDITOR

Read the latest letters to the editor here.

SHAKE UP THE PROCESS

Thanks to Jacob Pierce and the Good Times for covering the recent Santa Cruz City Council conflicts between progressives and moderates over agenda-setting and issues (GT, 3/13). I also thank all council members for their largely thankless, sparsely paid toil on our many urgent city issues.

Without repeating the details of the situation, I have suggestions to improve it.

Rather than focusing on accused wrongdoing and political labels, I’d like the council to cooperate, and to resolve their differences and address those issues that affect us all so deeply.

A major part of the controversy is the currently established (but not legally required) process of agenda setting by only the mayor and city staff—an undemocratic and inefficient way of dealing with the enormous job of setting a city government’s priorities. One solution would be to replace that protocol with a rotating three-member city council group, changing composition each meeting, determined by lot and not by rank such as mayor or vice mayor. That group would meet with staff to compose an agenda with all items requested by council members, possibly rationing times for each and all items so as to include all of the city business we have elected them to deal with. Other democratic solutions could be proposed as well as this one.

In order to put contention behind and effectively conduct business, all council members, including mayor and vice mayor, need to learn how to work together, as does any group with tasks. I suggest they set time apart from council business meetings to consult with expert facilitators in both group and meeting process and in how to reach out to each other to reconcile their personal and political differences. Most call this a retreat; if a full-scale retreat is not immediately possible, reconciliation may be done on a smaller scale. For example, the council members can meet with each other in pairs, or in groups less than four (in order not to violate the Brown Act prohibition on elected government bodies meeting in secret in quorums).

For our collective and individual sake, I think most of us, and the council members themselves, prefer that they solve these problems rather than continue them. I invite the public to support our council in finding creative solutions to an apparent but unnecessary showdown.

Carol Long
Santa Cruz

For the Birds

A recent story in Good Times (2/26) suggested that “there has been sort of a sea change in recent years with offshore-wind farms, as the graver existential issue of global climate catastrophe has trumped concerns about pelicans flying into windmill blades.” Are we really no longer concerned about pelicans?

Prominent environmental groups want wind energy development off the shores of California to happen “the right way.” But, what is the right way?

At American Bird Conservancy (ABC), we advocate for “Bird-Smart Wind Energy,” which means finding locations for turbines away from high-bird-collision-risk areas; conducting independent, transparent pre-and-post-construction monitoring; executing effective mitigation by wind energy facilities to minimize bird mortality; and providing compensation for the loss of protected birds. ABC recommended this strategy in our comments to the task force for California offshore wind.

We can combat climate change through responsible renewable energy development off the coast of California, while protecting pelicans and other marine birds and wildlife from potential harm. ABC is partnering with other environmental organizations and developers to ensure that offshore wind facilities and healthy marine bird populations can co-exist.

The future for California’s birds depends on responsible energy developers and regulators following Bird-Smart principles. Developers have already acknowledged that the benefits of wind energy need to outweigh its costs. They set a precedent by offering funds to offset impacts to the Morro Bay commercial fishing community. Now’s the time to think about something similar for birds.

HANNAH NEVINS & HOLLY GOYERT | AMERICAN BIRD CONSERVANCY

Corrections

Corrections from our Best of Santa Cruz 2019 issue: Alderwood’s daily happy hour is 4-5:30 p.m., with late-night happy hour available Friday and Saturday nights only. Regarding Alderwood’s corkage policy, the first two bottles are complimentary; after that, the corkage fee is $25 per bottle. Also, Oswald no longer serves abalone. Finally, the correct address of Connoisseur is 111#D Dubois St., Santa Cruz. We regret the errors.


PHOTO CONTEST WINNER

Submit to ph****@go*******.sc. Include information (location, etc.) and your name. Photos may be cropped. Preferably, photos should be 4 inches by 4 inches and minimum 250dpi.


GOOD IDEA

The recent “Saving Democracy” forum has been released on the podcast “Dastardly Cleverness in the Service of Good.” Dan Schnurr, a politics professor at USC and UC Berkeley, implored audience members to remember that “there’s a difference between being evil and being merely incorrect—and realizing that the person we’re disagreeing with isn’t stupid or evil.” He said we should remember that our opponents are concerned about the same issues we are.


GOOD WORK

The Santa Cruz Museum of Natural History has been hanging its Art of Nature exhibit, with its full unveiling set for First Friday on April 5. The show, now in its 30th year, features work from more than 30 Bay Area artists. There will be live artist demonstrations and free admission both this Friday and Friday, May 3, from 5-7 p.m. The show features everything from watercolors of fungi and herbs to highly detailed depictions of insects and colorful crustaceans.


QUOTE OF THE WEEK

“The term ‘jumbo shrimp’ has always amazed me. What is a jumbo shrimp? I mean, it’s like ‘military intelligence’–the words don’t go together, man.”

-George Carlin

Music Picks: April 3-9

Santa Cruz live music highlights for the week of April 3.

WEDNESDAY 4/3

INDIE-POP

SWEET SPIRIT

Founded and fronted by A Giant Dog frontwoman Sabrina Ellis, Sweet Spirit finds the Austin musician exploring the more unabashedly pop side of indie rock. Big, swaggering and just a little bit country, Sweet Spirit go for something along the lines of the New Pornographers-meets-Spoon. Appropriately, Spoon’s Britt Daniel (a fellow Austinite) was an early supporter of the band, inviting Sweet Spirit to open their They Want My Soul album release show. With each release, Sweet Spirit has upped the pop stakes, leading all the way to the recently released Southern, New Wave-y, ultra-catchy “Los Lonely Girls.” MIKE HUGUENOR

INFO: 9 p.m. Crepe Place, 1134 Soquel Ave., Santa Cruz. $8 adv/$10 door. 429-6994.

FOLK

JAMES MCMURTRY

With three decades of recording and touring under his belt, James McMurtry is one of the most recognizable names in folk rock today. His last album Complicated Game was hailed as an “Americana masterpiece” by Rolling Stone, and McMurtry dropped the online-only track “State of The Union” last year, in which he bemoaned how politics have divided the nation. MAT WEIR

INFO: 8 p.m. Rio Theatre, 1205 Soquel Ave., Santa Cruz. $30. 423-8209.

 

THURSDAY 4/4

INDIE-FOLK

CASS MCCOMBS

Cass McCombs has a lot to say, having released over 14 albums since 2002. No matter which genre he chooses to express himself—from quirky folk ballads to road trip psychedelic rock or even jaunty emo pop—it all ends up sounding like the bits and pieces of a strange person’s fever dream. Nothing is ever quite straightforward with McCombs’ decidedly folk-rock flair; even when it seems like you’re listening to a mere classic rock tripping-acid rip-off, the off-kilter prose will throw you for a loop, causing you to question whether you have been properly appreciating the possibility that Cass McCombs is a musical mastermind. AMY BEE

INFO: 9 p.m. Moe’s Alley, 1535 Commercial Way, Santa Cruz. $18 adv/$22 door. 479-1854.

ELECTRONIC

SPACE JESUS

Space Jesus has brought the “Temple of Noom” tour to our neighborhood with a friendly request for anyone within earshot to kindly jump up and bow down to our lords and lady of low frequencies. Thank you, Space Jesus—may he ever keep our ears bleeding and our hearts jammed in our guts. Naysayers are invited to enter the Temple of Noom to quiver and quake at the awesome power and never-ending progression of dubstep, techno, electronic, and any other far-flung genre our lords and lady choose to bring to the decks. True, believers, we welcome you. AB

INFO: 9 p.m. Catalyst, 1011 Pacific Ave., Santa Cruz. $20. 423-1338.

 

FRIDAY 4/5

ELECTRO-POP

DELHI 2 DUBLIN

Over a decade ago, when Canadians Tarun Nayar, Sanjay Seran and Ravi Binning formed Delhi 2 Dublin, they were really interested in taking traditional Indian instruments like the tabla and dhol and mixing them with the electronic rave music they loved. The mixture was hypnotic. As the group evolved, they really sharpened their pop game, writing some epic, amphitheater-level electro-pop jams. The music has gotten more accessible, but they’ve really been able to use these elements to talk about issues that matter to them, like what it’s like growing up as children of immigrants in Canada. AARON CARNES

INFO: 9 p.m. Catalyst, 1011 Pacific Ave., Santa Cruz. $15 adv/$20 door. 423-1338.

 

SATURDAY 4/6

JAM

MAGIC IN THE OTHER

The idea of finding “magic in the other” is a throughline that connects all jam bands, from titans of the genre like Phish and the Dead to fringe jam artists like My Morning Jacket and Bela Fleck and the Flecktones. Made up of members of Phil Lesh & Friends, Nicki Bluhm & the Gramblers, and Jolie Holland’s band, Magic in the Other conjures a cosmic jam, each musician bringing their own bit of magic to the jammy table. MH

INFO: 9 p.m. Crepe Place, 1134 Soquel Ave., Santa Cruz. $10. 429-6994.

 

SUNDAY 4/7

AMERICANA

TIM BLUHM

Tim Bluhm is back on the road and even releasing a new album. Some might consider that a miracle. Back in 2015, he shattered his pelvis and nearly lost one of his feet in a speed-flying accident. Recovery has been slow, with numerous surgeries. How has he processed all this life-changing, traumatic pain? If you want the full picture, his new album Sorta Surviving is a hefty one. AC

INFO: 8 p.m. Flynn’s Cabaret & Steakhouse, 6275 Hwy. 9, Felton. $18 adv/$20 door. 335-2800.

 

TUESDAY 4/9

FOLK

VASEN

The acoustic trio Väsen has earned an avid following among musical adventurers over the past three decades. Featuring Olov Johansson on the keyed fiddle nyckelharpa, Roger Tallroth on 12-string guitar, and Mikael Marin on viola, the group has influenced and inspired progressive American string players with an intricately textured blend of traditional terpsichorean melodies and beautifully wrought original compositions. Väsen has become an international creative force moving far beyond folk music circuits. The trio is touring in advance of a new album, Brewed. ANDREW GILBERT

INFO: 7:30 p.m. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $22 adv/$25 door. 464-9778.

SOUL

DASH

When thinking about great cities to spawn party-rock bands, Bozeman, Montana probably doesn’t come to mind. After listening to Dash, that might change. Barely a year old, this fledgling band has already recorded their first album, Super, and won several awards around their hometown, including Best New Local Band. Blending rock, funk, country and a little soul—mixed with a, ahem, dash of reggae—it’s hard to peg this quartet with just one label. MW

INFO: 9 p.m. Blue Lagoon, 923 Pacific Ave., Santa Cruz. $5. 423-7117.

Love Your Local Band: Gerard Egan

Two years ago, Gerard Egan and Carolyn Sills—both from the Carolyn Sills Combo—were hired to be DJs on KPIG.  

At first they dutifully followed the station rules and only played music from the station’s song database. But at a certain point, they figured why not sneak in some of the obscure ’40s and ’50s country, western, surf, blues, and rockabilly music they had stashed away in their collection, telling stories of these once-huge, now-forgotten songs of yesteryear.

But then the station manager caught on. She liked it so much she gave them their own show, The House Of Twang, which lands on one random Sunday per month.  

“At first, I thought she was busting me for breaking the rules. But she said, ‘No, it’s great! These are really cool songs that you don’t really hear on the radio,’” Egan says. “She basically cut us loose to play whatever we wanted.”

People really responded to these old songs, particularly the old country songs, which don’t really sound exactly how most people recognize country music. They have a bit more dance-y, jazzy feel to them.

When Egan decided six months ago to start playing the occasional solo show, he thought it would be cool to bring these songs to the stage. Not just playing the old songs, but also talking about them for live audiences and giving them some context.

He mostly covers artists from the ’40s, like Merle Travis, Bob Wills, Al Dexter, Skeets McDonald, and The Maddox Brothers & Rose, as well as a couple originals that he and Carolyn have written. Travis’ distinct style of picking, where it sounds like two guitars at once, is the foundation for what he does.  

“It’s like a one-man hillbilly orchestra kind of thing,” he says. “The music doesn’t take itself too seriously. It’s just fun. It’s kind of like jazz with a cowboy hat in one sense. It’s stuff that I feel is timeless. I feel like I’m doing a small part in keeping that history music alive and breathing some new life into it if I can.” 

INFO: 8 p.m. Friday, April 5. Michael’s On Main, 2591 Main St., Soquel. $12. 479-9777.

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Plus letters to the editor

Music Picks: April 3-9

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Santa Cruz live music highlights for the week of April 3

Love Your Local Band: Gerard Egan

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Gerard Egan plays Michael's On Main on Friday, April 5
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