Conference Takes On Human Trafficking in Santa Cruz

[dropcap]S[/dropcap]itting in a dusty-red former brothel in downtown Santa Cruz a few weeks ago, Carmel Jud softly shatters my naive view of the world with a fact: sex trafficking of children happens in Santa Cruz County; and accessing it is as easy as typing a web page into a browser.

About two years ago, the founder of Rising International got a call about a local 13-year-old girl who’d been sold by her father. “I realized I was more connected to resources in India than on the Central Coast,” says Jud, who immediately began emailing other organizations and individuals who could help. Ultimately, her efforts resulted in the relaunch of a coalition begun years ago by two nuns in Santa Cruz that had lost its momentum. Today, the Coalition to End Human Trafficking in Santa Cruz and Monterey Counties is an active network of more than 40 Central Coast organizations, businesses, law enforcement and governmental agencies.

As the #MeToo movement gains traction, conditions may be prime for a social awakening around human trafficking—whose most basic definition is when a person is made to work under conditions of force, fraud or coercion. For minors, those elements do not need to be proven—they are assumed.

On Saturday, March 24, the coalition hosts a free conference entitled Human Trafficking Happens Here: Understanding Child Sexual Exploitation. The conference will include several survivors’ voices, which the coalition places at the center of its work, as well as a workshop for youth 12 and up that includes education around healthy relationships vs. red flags of potential exploitation—as traffickers, or “pimps,” span all demographics and levels of privilege, and often falsely present themselves initially as a boyfriend.

Up until 2016, the legal protocol in California was to arrest, charge, and generally send minors found to be victims of commercial sexual exploitation to juvenile hall. Senate Bill 794 now prevents Commercial Sexual Exploitation of Children (CSEC) survivors who are forced into prostitution, solicitation or loitering by their traffickers or buyers, from being arrested for those crimes.

“We have a new paradigm of understanding this as a very traumatic crime, a very serious crime, a crime that affects children, affects vulnerable people. But that is a new paradigm. For far too long, the kind of mentality around this issue was that this was the world’s oldest profession, that the stigma belongs on the women, the young people, the vulnerable people who are ‘choosing’ to do this,” says Deborah Pembrook, who has chaired the coalition since it began in 2016. We’re sitting in her sunny office in Salinas, at the Monterey County Rape Crisis Center—a key member of the coalition—where she works as an outreach advocate. She’s also on the executive committee of the National Survivor Network.  

That all-too-common mentality, adds Pembrook, serves to treat human trafficking as a nuisance issue—something that has always happened, “just not in our neighborhood.” But what came to the fore first when looking into trafficking locally was commercial sexual exploitation of children, says Pembrook, and it’s more prevalent in our community than we see broadly.

Between January 1, 2015 and Dec. 31, 2016 a prevalence study within the tri-county region of Santa Cruz, San Benito and Monterey identified 91 children, youth and young adults as survivors of CSEC. During that same time period, 690 were identified as at-risk or vulnerable of experiencing CSEC. Released by the Human Services Department of County of Santa Cruz, Family and Children’s Services, the study also found that the age of survivors’ first commercial sex exploitation ranged from five to 18 years, with 17 percent having experienced the first exploitation at the age of 10 or younger. Almost half had been exploited in a home, and a quarter in a hotel or motel. Boyfriends and biological family members were the most frequently identified exploiters of CSEC survivors.

A recent local trend Pembrook notes, is with youth, often in their teens, becoming vulnerable to trafficking after a deportation occurs in their extended family. “So things that really impact communities can impact those youth and can impact their vulnerability to trafficking,” says Pemrbook.

Now in her 40s, Pembrook left her tech job a couple of years ago to devote herself full time to education and outreach around human trafficking. From the mid-’70s to the late ’80s, and beginning when she was a young child in the midwest, Pembrook was brought by a trusted adult to both low-end roadside motel rooms and high end hotels in the neighborhood, and sold. She was able to successfully go into hiding at 17 and moved to California at 18, changing her name. But she questions whether today’s survivors have the same ability to get free. “Because privacy is very different now. You can be found easier, and traffickers have better tools now for tracking people.” These are people who go to bed at night thinking about how to make money, exploit, and completely obliterate a person’s sense of self with tried and true tactics, she adds. “We want to be smart and have an approach that’s really grounded.”

That approach includes trauma-informed language that removes the shame from the victim, and places it more accurately on the perpetrator. “It was that shift in language, of understanding that my experience wasn’t just this language that was so stigmatizing to me—that it was human trafficking, that it was modern slavery, that really opened up the door for my own healing process,” says Pembrook, of a realization that came in 2007.

Trauma literacy will be addressed at the conference—and an understanding of how deeply a survivor may be traumatized, as well as the complexities of “trauma bonding,” which is a better way to describe what was once referred to as Stockholm Syndrome, is an important component of today’s outreach education and therapy for survivors.

“It could be someone who goes to middle school during the day and has a very different life at night,” says Pembrook. “It could be someone who in past times could be thought of just a regular runaway, or a delinquent.” Exploitation of a minor is a mandated report, she reminds, so if something just doesn’t seem right, it’s best to make a call.

While the prevalence study reported survivors as predominantly female U.S. natural-born citizens, Pembrook points out that while human trafficking is absolutely a women’s issue, it also impacts boys, men, and transgender people, who are particularly vulnerable because of less access to other kinds of employment options, and high instances of homelessness.

Unlike drug dealers, human traffickers can profit over and over. It’s a billion-dollar industry, and an estimated seven out of 10 CSEC survivors are trafficked on backpage.com, whose multi-million-dollar annual profits have continued to grow over the years (more information on this in the documentary I Am Jane Doe).

But Pembrook is careful to clarify that not all pornography, and not all commercial sex, involves modern day slavery—though they are deeply intertwined. That’s why the voices of commercial sex workers are ever important in the anti-trafficking movement, as are the voices of survivors of exploitation. “We also know that women are becoming, more and more, buyers of pornography and other forms of commercial sex, so that is an important piece that we also look at,” says Pembrook. “That there would be no commercial sex if there weren’t buyers.”

Catie Hart, a human trafficking survivor and expert who now trains thousands in law enforcement, social work, juvenile halls and youth trainings across 33 California counties, says it’s impossible to empower women and girls without teaching them about the trafficker. “Pimps almost always fraudulently present themselves as a boyfriend,” says Hart, who was 20 when she was lured that way into a seven-year nightmare of sleep deprivation, abuse and torture.

“Abusive relationships will not stop existing if operated from a standpoint that if we teach girls to be ‘smarter’ then domestic violence and human trafficking will go away,” says Hart. “This messaging puts all blame and assumes women are the ones who need to change. I have seen proof—men can ‘unlearn’ their violence.”

Like many survivors, she says she would have been able to escape sooner if she’d understood she was experiencing exploitation earlier on. She will lead a Safe and Sound Human Trafficking Prevention workshop for youth at the conference.

“Most curriculums teach that you should ask for help when you are in trouble, and that ‘you have to be smart enough not to be a victim’… If they do end up being trafficked, we are asking them to raise their hand and say they have been trading sex for money without a gun to their head, and that they feel stupid. We must stop asking ‘why did she stay’ and start asking ‘why does he abuse?’” says Hart.

 

Human Trafficking Happens Here: Understanding Child Sexual Exploitation is Noon-5 p.m. on Saturday, March 24 at Louden Nelson Center. More information on speakers, workshops, and free registration at coalitiontoendhumantrafficking.org.

Giveaway: Don Carlos

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Jamaica’s Waterhouse district has produced a number of genre-defining dub and reggae artists, including King Tubby, Junior Reid, King Jammy and former Black Uhuru vocalist Don Carlos, who was part of the band’s classic reggae album Love Crisis (later retitled Black Sounds of Freedom). Now an elder statesman, Carlos has had a successful career as a solo artist and bandleader and has a legion of fans around the world. Though his musical peak was during the ’80s, when he had five top 10 hits between 1982 and 1985, Carlos remains a giant of the genre.

INFO: 9 p.m. Friday and Saturday, April 6 & 7. Moe’s Alley, 1535 Commercial Way, Santa Cruz. $25-$35. 479-1854. WANT TO GO? Go to santacruz.com/giveaways before 11 a.m. on Friday, March 30 to find out how you could win a pair of tickets to the April 6 performance

Love Your Local Band: Jazz the Dog

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Jazz the Dog is the name of a new band in Santa Cruz. Jazz is also literally the name of a dog—guitarist Rick Zeek’s dog, in fact. Unfortunately, she passed away. But he commemorated her by getting her stuffed, and now you can see her at every Jazz the Dog show, set up on stage while the band plays.

“She’s our mascot,” says band founder Rhan Wilson. “Half the people think it’s the coolest thing in the world, and they want to ask all kinds of questions. And the other half of the people just think it’s the weirdest thing, and they’re horrified by it. So that’s kind of fun.”

The band is new, but Wilson, Zeek, and Patti Maxine have been playing music together through various projects. They played together for Wilson’s “Altared Christmas” shows, where he’d take popular Christmas tunes and play them in minor keys or other offbeat alterations. Sometimes they’d play a show billed as Rhan and Friends, or Patti and Friends, or whatever name they came up with.

“It gets confusing,” Wilson says. “Jazz the Dog is … well, you remember it. Everybody has remembered this name. It’s kind of hard to forget it, and then you have a dog there. It’s the same kind of music, but we’re trying to come up with a way for people to remember who we are and have fun with it.”

The band’s set features a combo of Zeek’s original tunes, which are in the realm of Americana, and covers that have been altered by Wilson, much like he does for the “Altared Christmas” shows. There’s also a high probability that the band will improv and change things up at the show depending on the crowd that night.

“I’ll rearrange them and slow them down, or make them a Bossa Nova beat, or put them in a minor key. They’re not all rearranged. We don’t go for a note-for-note replication,” Wilson says. “We’re trying to be original about everything we do. I want them to know that we are creating whatever we’re doing that night.” 

INFO: 5 p.m. Friday, March 23. Michael’s on Main, 2591 S Main St., Soquel. Free. 479-9777.

5 Things to Do in Santa Cruz Mar. 21-27

Event highlights for the week of March 21, 2018.

 

Green Fix

Eighth Annual Operation Surf Santa Cruz

This one-of-a-kind program offers personalized surfing lessons for wounded and post 9-11 active duty and veteran service members from the U.S. military. The event provides an environment where participants work to overcome perceived limitations connected to physical and psychological disabilities sustained while serving.

There are also volunteer opportunities for those looking to get more involved.

INFO: Thursday, March 22-Tuesday March 27. See website for all locations and events. March 22: Welcoming at the Dream Inn. Capitola Opening Ceremony: March 23-25. 805-544-SURF. amazingsurfadventures.org.

 

Art Seen

Belly Dance Class

popouts1812-Art-SeenThat hot belly dancer at the Greek restaurant didn’t get her six-pack overnight, and neither did Shakira. Great belly dancers make it look really easy, but beneath the facade of beauty and grace, belly dancing requires a tremendous amount of core strength and fluidity. Sure, her hips don’t lie, but they can be complicated—belly dancing is hard work. Learn the basics, build up your confidence, and you’ll be moving like a Colombian pop star in no time. All levels welcome.

INFO: 10:30 a.m. Watsonville Yoga, Dance and Healing Arts. 375 N. Main, Watsonville. 713-9843. watsonville.yoga. $10.

 

Sunday 3/25

13th Annual Harp Festival

popouts1812-Harp-FestivalThe harp is one of the oldest instruments in the world, so it’s only fitting that there be a festival to commemorate it. There are a couple of different kinds of harps, and various ways to play. The event features soloists from Monterey to New Orleans, and a harp “petting zoo” at intermission to get up close and personal with the harp. Don’t worry, it doesn’t bite unless you stroke the spine the wrong way.

INFO: 2 p.m. Santa Cruz Museum of Art and History, 705 Front St., Santa Cruz. 429-1964. santacruzmah.org. Free, donations gladly accepted.

 

Thursday 3/22

Kimchi Workshop

popouts1812-Kimchi-WorkshopSure, you can buy a jar of kimchi for $15 in your local grocery store, but it’s much more gratifying, cost-effective and generally better to make it at home. Kimchi is really just like ultra-fancy sauerkraut, and is rich in probiotics and antioxidants. Despite the recent popularity of fermented foods like kefir and kombucha, kimchi has been a Korean staple for more than 1,500 years. It’s meant to be enjoyed in moderate amounts, so if you are a new kimchi eater, maybe don’t eat the entire jar, or you will really regret it later. These are the kinds of things you can learn at this week’s kimchi workshop. Vegan options are available.

INFO: 6 p.m. New Leaf Community Market. 1101 Fair Ave., Santa Cruz. 426-1306. newleaf.com/events. $35.

 

Saturday 3/24-Sunday 3/25

Celebration! For Santa Cruz Symphony

popouts1812-SC-SymphonyIt’s the Santa Cruz Symphony’s 60th anniversary this year, and symphony director Daniel Stewart has something very special in store. The unveiling of his newest composition, “Social Media,” is in celebration of the symphony’s success. And there’s more—the evening begins and ends with Mozart, with other historic works sprinkled in. His joyful “Overture to the Marriage of Figaro” opera opens the evening, and the event concludes with “Sinfonia Concertante for Violin and Viola K 364.”

INFO: 7:30 p.m. Saturday, March 24. Santa Cruz Civic Auditorium. 307 Church St., Santa Cruz.

2 p.m. Sunday, March 25. Henry J. Mello Center for the Performing Arts. 250 East Beach St., Watsonville. santacruzsymphony.org. $29-$85.

 

Rob Brezsny Astrology Mar. 21-27

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Free will astrology for the week of March 21, 2018.

ARIES (March 21-April 19): The “School of Hard Knocks” is an old-fashioned idiom referring to the unofficial and accidental course of study available via life’s tough experiences. The wisdom one gains through this alternate approach to education may be equal or even superior to the knowledge that comes from a formal university or training program. I mention this, Aries, because in accordance with astrological omens, I want to confer upon you a diploma for your new advanced degree from the School of Hard Knocks. (P.S.: When Ph.D students get their degrees from Finland’s University of Helsinki, they are given top hats and swords as well as diplomas. I suggest you reward yourself with exotic props, too.)

TAURUS (April 20-May 20): Europeans used to think that all swans were white. It was a reasonable certainty given the fact that all swans in Europe were that color. But in 1697, Dutch explorer Willem de Vlamingh and his sailors made a pioneering foray to the southwestern coast of the land we now call Australia. As they sailed up a river the indigenous tribe called Derbarl Yerrigan, they spied black swans. They were shocked. The anomalous creatures invalidated an assumption based on centuries of observations. Today, a “black swan” is a metaphor referring to an unexpected event that contravenes prevailing theories about the way the world works. I suspect you’ll soon experience such an incongruity yourself. It might be a good thing! Especially if you welcome it instead of resisting it.

GEMINI (May 21-June 20): Crayola is one of the world’s foremost crayon manufacturers. The geniuses in charge of naming its crayon colors are playful and imaginative. Among the company’s standard offerings, for example, are Pink Sherbet, Carnation Pink, Tickle Me Pink, Piggy Pink, Pink Flamingo, and Shocking Pink. Oddly, however, there is no color that’s simply called “Pink.” I find that a bit disturbing. As much as I love extravagant creativity and poetic whimsy, I think it’s also important to cherish and nurture the basics. In accordance with the astrological omens, that’s my advice for you in the coming weeks. Experiment with fanciful fun, but not at the expense of the fundamentals.

CANCER (June 21-July 22): According to Vice magazine, Russian scientist Anatoli Brouchkov is pleased with the experiment he tried. He injected himself with 3.5-million-year-old bacteria that his colleagues had dug out of the permafrost in Siberia. The infusion of this ancient life form, he says, enhanced his energy and strengthened his immune system. I can’t vouch for the veracity of his claim, but I do know this: It’s an apt metaphor for possibilities you could take advantage of in the near future: drawing on an old resource to boost your power, for example, or calling on a well-preserved part of the past to supercharge the present.

LEO (July 23-Aug. 22): Booze has played a crucial role in the development of civilization, says biomolecular archaeologist Patrick McGovern. The process of creating this mind-altering staple was independently discovered by many different cultures, usually before they invented writing. The buzz it provides has “fired our creativity and fostered the development of language, the arts, and religion.” On the downside, excessive consumption of alcohol has led to millions of bad decisions and has wrecked countless lives. Everything I just said is a preface to my main message, Leo: The coming weeks will be a favorable time to transform your habitual perspective, but only if you do so safely and constructively. Whether you choose to try intoxicants, wild adventures, exhilarating travel, or edgy experiments, know your limits.

VIRGO (Aug. 23-Sept. 22): The astrological omens suggest that the coming weeks will be favorable for making agreements, pondering mergers, and strengthening bonds. You’ll be wise to deepen at least one of your commitments. You’ll stir up interesting challenges if you consider the possibility of entering into more disciplined and dynamic unions with worthy partners. Do you trust your own perceptions and insights to guide you toward ever-healthier alliances? Do what you must to muster that trust.

LIBRA (Sept. 23-Oct. 22): If you want people to know who you really are and savor you for your unique beauty, you must be honest with those people. You must also develop enough skill to express your core truths with accuracy. There’s a similar principle at work if you want to know who you really are and savor yourself for your unique beauty: You must be honest with yourself. You must also develop enough skill to express your core truths with accuracy. The coming weeks will be a favorable time for you to practice these high arts.

SCORPIO (Oct. 23-Nov. 21): Your journey in the coming weeks may be as weird as an R-rated telenovela, but with more class. Outlandish, unpredictable, and even surreal events could occur, but in such a way as to uplift and educate your soul. Labyrinthine plot twists will be medicinal as well as entertaining. As the drama gets curiouser and curiouser, my dear Scorpio, I expect you will learn how to capitalize on the odd opportunities it brings. In the end, you will be grateful for this ennobling respite from mundane reality!

SAGITTARIUS (Nov. 22-Dec. 21): “Love is the only sane and satisfactory answer to the problem of human existence,” wrote philosopher Erich Fromm. I would add a corollary for your rigorous use during the last nine months of 2018: “Love is the only effective and practical way to graduate from your ragged, long-running dilemmas and start gathering a new crop of fresh, rousing challenges.” By the way, Fromm said love is more than a warm and fuzzy feeling in our hearts. It’s a creative force that fuels our willpower and unlocks hidden resources.

CAPRICORN (Dec. 22-Jan. 19): My goal here is to convince you to embark on an orgy of self-care—to be as sweet and tender and nurturing to yourself as you dare to be. If that influences you to go too far in providing yourself with luxurious necessities, I’m OK with it. And if your solicitous efforts to focus on your own health and well-being make you appear a bit self-indulgent or narcissistic, I think it’s an acceptable price to pay. Here are more key themes for you in the coming weeks: basking in the glow of self-love; exulting in the perks of your sanctuary; honoring the vulnerabilities that make you interesting.

AQUARIUS (Jan. 20-eb. 18): One day, Beatles’ guitarist George Harrison decided to compose his next song’s lyrics “based on the first thing I saw upon opening any book.” He viewed this as a divinatory experiment, as a quest to incorporate the flow of coincidence into his creative process. The words he found in the first book were “gently weeps.” They became the seed for his tune “While My Guitar Gently Weeps.” Rolling Stone magazine ultimately named it one of “The Greatest Songs of All Time” and the 10th best Beatles song. In accordance with the astrological omens, I recommend you try some divinatory experiments of your own in the coming weeks. Use life’s fun little synchronicities to generate playful clues and unexpected guidance.

PISCES (Feb. 19-March 20): Millions of you Pisceans live in a fairy tale world. But I suspect that very few of you will be able to read this horoscope and remain completely ensconced in your fairy tale world. That’s because I have embedded subliminal codes in these words that will at least temporarily transform even the dreamiest among you into passionate pragmatists in service to your feistiest ideals. If you’ve read this far, you are already feeling more disciplined and organized. Soon you’ll be coming up with new schemes about how to actually materialize a favorite fairy tale in the form of real-life experiences.

Homework: Imagine a bedtime story you’d like to hear and the person you’d like to hear it from. Testify at Freewillastrology.com.

 

Mercury Retrograde & Palm Sunday: Risa’s Stars Mar. 21-27

Here we are in spring now, a new livingness appearing. Its color is green. And so, each solstice and equinox, there is a festival in the zodiacal Mystery Temple. Each season in the Mystery school is sacred, each season an element. When Aries begins, humanity steps upon the “burning grounds,” entering holy fires. Spring presents to us the element of fire. All around us, mostly unseen, “desire currents” rise up from the Earth (her kingdoms), ascending and on a journey to meet the Sun at Summer solstice. This “rising up” is our journey too. All of us, together, each year. It was a long time ago that we forgot these things. As the Aquarian Age unfolds, we will remember more and more of these mysteries, together.

Thursday, late afternoon/evening, Mercury becomes stationary retrograde (16 degrees Aries). Mercury retrogrades back to 4 degrees Aries. Where are these degrees (house, area of life) in everyone’s chart? We all know the “rules” of Mercury’s retrograde. We all know that everything becomes upside down, inside out. It’s more of a coyote time, a “time-out” time, when revelations occur and everyone assumes Virgo qualities. Mercury is retrograde till Sunday, April 15 on Aries new moon day.

Sunday is Palm Sunday, a week before Easter (Resurrection Festival). Christ ended His time in the desert and on Palm Sunday, rode into Jerusalem, palms waving above His head. It was a brief moment of triumph for the Christ, seated on the back of a donkey, symbol of patience and humility, the crown jewels of greatness (for Disciples), virtues we are to emulate. Christ’s three-year mission was almost complete. The road into Jerusalem is the Path toward the City of Peace. This is the road “less traveled”. The road Disciples must also take.


ARIES: Everything changed for you when Mars entered Capricorn. Your energy became more available. You also felt more impatient, wanting to move forward, engage in new enterprises, make new impressions in the world. You might feel the need to assume leadership over everyone and everything. Careful. Be kind. Be a leader, but understand you move more quickly than others.

TAURUS: You tell everyone you’d rather remain at home and research and not go out and about for a long time. You want to catch up on tasks not tended to the past many years. Needing to maintain reserves of energy to get through each day, you need privacy and solitude. Many different behaviors may arise. Observe them. Consider if they are useful. You may dream more. Record your dreams. Over time they tell you a story about yourself.

GEMINI: You need to participate in your group of friends a bit more, seeking their cooperation in either working on a project with you or listening to you with care and intention so you can clarify your thinking. If you lead a group, teach cooperation, organize them as a team to achieve a particular goal. Ask each member their hopes, wishes and desires for the future. You’re achieving Aquarian goals. The heart of Aquarius is love (Jupiter). That’s Gemini’s goal, too.

CANCER: You want to be recognized for your knowledge, abilities, and what you accomplish each day. It’s good to want this recognition for it stimulates your ability to share and provide information to others. Many are in need of real and true information. You always ask the question, “What is real and true?” When we ask, we are also given to. For those seeking new work, wait till after the retrograde. Research now.

LEO: You may feel a hunger for things far from your usual life and ways of living. Other cultures, people and places seem to be summoning you in subtle yet persistent ways. You’re restless for a new reality, a new adventure, new activities, conversations, different goals, interesting subjects to study. An outer fire blends with your Leo inner fire. Everything you seek will appear. Careful with legal matters.

VIRGO: You may be called to be more cooperative and collaborative and you can do this. Relationships will be the challenge and perhaps you will need to consult with someone concerning how to be more dynamic and loving, how to settle differences, how to really listen with the heart. Careful with impatience and ending things too quickly. Reconcile with those you have separated from.

LIBRA: Life seems to be accelerating, moving faster each day. Sometimes those around you move too quickly and you could feel left behind. Perhaps you’re working too hard and long. Even though you have abundant energy, tend to your health as a daily and practical practice. Careful with inflammation and infections. Slow down on glutens, grains and all sweets. Handle others’ frustration, restlessness and anger calmly. Libra is always poised.

SCORPIO: Intimacy is important for you at this time. There are many types of intimacy – between friends and lovers, intimacy of the mind, the heart, and physical intimacy. Things held in common with another is an intimacy. Knowing your values is an intimate level concerning the self. Intimacy beginnings and endings affect you deeply. Be aware of any subtle feelings. Realize what you truly need. Different than wants. When asking, there is always a response. In time.

SAGITTARIUS: There’s so much energy flowing through your body and mind you simply can’t find any self-discipline. That’s OK if you use that unbounded energy for creative activities. You could also find children, or those who are child-like, to play with. Romantic things are good, too, and your love life may sense a deeper level of passion. Make sure you get enough sleep. Don’t risk anything by gambling. Just play (innocently) more. And be in the Sun more.

CAPRICORN: Much of your energy is focused at home, where your domestic self resides. You’re highly intuitive at this time and protective. It’s important you feel secure especially when called to make important home and family decisions. When feeling unusually moody or out-of-sorts, garden, tend to home repairs and arrange family activities. Step back if arguments begin. Old emotional issues may surface for review. Place them into your heart.

AQUARIUS: So many ideas and plans in your head that you feel a bit overwhelmed and scattered and so you try to share these ideas with others but so many errands and tasks come in between you and sharing with others that you feel frustrated and can move into arguments if you’re not careful. Realizing you could feel impatient and impulsive be careful driving and when using machinery, scissors or knives (while cooking). Your deep intelligent mind works overtime.

PISCES: It’s a good time to create a journal of daily tasks, events and personal values—past, present and future. It’s good to begin each new season. Often, we can ascertain values by deciding what we need. Tend to monetary issues—savings accounts, taxes, insurance, inheritances. In terms of savings, consider gold and silver. Refrain from impulse buying. Know that anything bought in the retro will never be used. Invest wisely.

Building a Surfboard from Post-Dinner Seafood Scraps

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[dropcap]I[/dropcap]n the remake of The Graduate that will surely never be made, the movie’s most famous line is ripe for rewrite. In the original film, when a well-meaning older man puts his arms around young Dustin Hoffman’s shoulder to offer some unsolicited career advice, he says “I just want to say one word to you: Plastics!”

In the contemporary updating, one word wouldn’t be enough.

“I just want to say four words to you: Sustainable alternatives to plastics!”

If the salvation of humanity depends simply on the stuff we use (and then throw away), then the next planetary superhero is likely to be a materials engineer like John Felts, CEO of the start-up Cruz Foam, who will be honored as Innovator of the Year at the 2018 NEXTies at the Rio Theatre on Friday.

Felts and his business partners/co-founders—UCSC engineering prof Marco Rolandi and fellow engineer Xiaolin Zhang—have put a distinctly Santa Cruz stamp on their effort to save the world: They’re working to create a new kind of surfboard, and in the process develop a sustainable substitute for polyurethane foam.

Polyurethane foam is everywhere in the contemporary world—in buildings, cars, shoes, furniture, bedding, medical devices, packing material and, indeed, surfboards. It is a synthetic polymer related to traditional plastics, and the manufacture, use and disposal of polyurethane foam causes significant environmental hazards. It is an uncomfortable irony for many surfers that their daily communing with Mother Ocean is only made possible by a giant slab of polyurethane foam covered in polyester resins. Surfboard shapers, who make the “blanks” from which surfboards are manufactured, are particularly aware of the toxic nature of these materials.

Enter Cruz Foam, with a novel idea to tackle this dilemma. Felts and his partners are looking to create an alternative to polyurethane foam through a material called chitin, a natural substance found in the exoskeletons of shellfish such as crab, lobster and shrimp.

Chitin, Felts says, is cheap, widely available, durable and without many of the hazards associated with polyurethane and polystyrene, more commonly known as styrofoam.

“It’s a material that back in the 1970s and ’80s was promised as this super-material that was going to solve the world’s problems,” says Felts in his office on Santa Cruz’s Westside. “But people found out pretty quickly that it wasn’t easy to process. It can be processed, but under extremely harsh conditions with some really nasty chemicals.”

Felts says his company has developed an eco-friendly, water-based process to turn chitin into an industrial foam. Once the prototype surfboard is ready, he and his partners can get it in the hands of local surfers who will test it out in Santa Cruz’s surf breaks.

“Somebody will ride it, and they can tell us, ‘y’know, it was a little heavy, or it dragged here a bit, or didn’t feel right in the flex.’ Then we can take it back, do a little tweaking and get it back out there for more testing,” he explains.

Despite its drawbacks, polyurethane foam has many desirable qualities for surfboard manufacturing. It’s durable, affordable, dense, lightweight and “shapeable,” all of which sets a high standard for any material aiming to replace it.

“Shapers really want a different material,” says Felts. “Many have said to us, ‘Please, I would love to have a different product.’ But when it comes down to it, you have to meet or beat what they’re used to. As much as they might like the idea of something, if it’s going to diminish or lessen the product they’re making, they’re not going to use it.”

Felts says that he is shooting to bring a product to market by the end of the year, at which point he hopes to explore potential partnerships with surfboard manufacturers. If all goes well on the surfing front, Cruz Foam may move into other realms where polyurethane foam is now the standard.

“As the tech becomes more refined, you have to look at how the economies of scale come into play. We have to be able to compete [on price],” he says. “That’s one of the reasons we’re starting with surfboards. Typically, they are a high-margin product, compared to, say, packing peanuts, which are so so cheap.”

Throughout it all, Cruz Foam will have to work to get the message out about its raw material. The chitin that the company plans to use for its surfboard blanks comes largely from seafood shell waste, which is a cheap by-product produced in fisheries and manufacturing plants in southeast Asia, among other places.

To be clear, “we are not grinding up shrimp to make surfboards,” says Felts with a laugh. “It’s an off-white powder. You’d never know it came from a shrimp if you held it in your hand. And no, for the record, we don’t think it’s going to attract sharks, or anything like that. Hey, it’s a fair question. And we have to test it, obviously. And it’s not going to have that nasty shrimp smell. That would be a hard sell. It’ll be nothing like that.”

For more information on John Felts and Cruz Foam, go to cruzfoam.com.

The Redemption of Jesse Daniel

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[dropcap]S[/dropcap]itting at Firefly Coffee House on a cold March morning, Jesse Daniel looks deep in thought as he stares at his tattooed hands, trying to figure out how to describe his life.

“One phrase I use a lot is ‘hell and back,’” he says finally.

On the surface, it might seem dramatic coming from someone who is only 25 years old, but Daniel’s tale is one of youthful excess, years of struggle with drugs and alcohol, and—finally—redemption through his music. The local country artist has always been reluctant to tell his story; music, after all, is an image-conscious industry. But with the upcoming release of his debut album and his NEXTie win for Musician of the Year, Daniel is ready to open up about his past, in the hope that his story might inspire those struggling to change their ways.

“I’ve always had an overflow of creative, nervous energy,” he says. “But I’ve always focused it in the wrong direction. Now I have it focused in a positive place.”

 

MAMA TRIED

Daniel and his brother, Sage Wilkinson, were born and raised in the mountains of Ben Lomond. The son of a musician father and artist mother, they grew up in a home filled with songs and culture.

“The radio was always on, playing classic rock like Creedence Clearwater Revival” Daniel remembers. “And my dad was always playing guitar.”

Even from an early age, it seemed he was meant for country life. When he was five, his parents bought a barn and converted it to a home, complete with concrete floors.

“Whenever someone uses the phrase, ‘Where did you grow up? In a barn?’ I tell them I did!” Daniel says with a laugh.

But things changed at age nine, when his parents divorced. His father moved to Santa Cruz, giving Daniel access to downtown while he lived in Ben Lomond with his mother, a welder. To make ends meet, he and his brother would help her dig through scrap yards and landfill to find pieces she could make into art they sold at weekend flea markets from Santa Cruz to Oakland. He learned the meaning of hard work and sacrifice, he says, knowing his mother was trying her best to provide for them, but unsettled by the knowledge that “there was an underlying desperation out of necessity.”

It was also around this time that his mother enrolled Daniel in children’s summer theater at Ben Lomond’s Little People’s Repertory Theatre. As an artist, she always wanted to make sure her children had some form of creative outlet to express themselves. A shy child, Daniel says many of his roles were of a tree or car, but he still credits this time on the stage as a turning point where he’d learn performance lessons for his later career as a musician. It was also where he would meet his longtime friend and frequent collaborator Henry Chadwick.

 

RAMBLIN’ MAN

“I’ve known Jesse basically my whole life,” says Chadwick, in between sips of coffee. Another Santa Cruz County native, Chadwick is perhaps best known as one-third of local punk trio My Stupid Brother. After meeting, Daniel and Chadwick quickly became best friends and would often fool around with making music—but never very seriously.

“He’s always been a super-talented dude,” remembers Chadwick. “It’s funny, because I always knew him as a drummer, but looking back, he would pick up a guitar and make country songs as a joke. But they were good.”

“It’s cool to see Jesse come back to his musical roots with the country-western genre,” says Sage Wilkinson. “Growing up, our dad would play a lot of country along with the classic rock.”

As a young teen, Daniel played in several bands, but lasted for only a few shows—sometimes only a few practices. However, in 2006, he was asked to drum for My Stupid Brother, and he jumped at the opportunity.

Still dealing with anger over his parents’ divorce, and well into the throes of teen angst, Daniel dove into the fast and furious sounds of punk rock, fueled by drugs and alcohol. However, what began as simple youthful indiscretion slowly evolved into something darker, even if nobody really noticed at first.

“When you’re young, it’s hard to tell the difference between partying or having fun and something being a problem,” says Chadwick. “Looking back, there were definitely signs he didn’t have the ‘off’ button we did. But it never seemed to affect his routine or life.”

“It started just as drinking, smoking weed and taking pills,” Daniel remembers. “I’m from the  generation that got into pharmaceuticals because they were prescribed to us.”

Even though he had taken pills to party before, Daniel realized a “switch flipped” in his head, and opioids became his drug of choice after he was prescribed painkillers following wisdom teeth surgery.

By the time he was 16, in 2010, he had quit My Stupid Brother and was drumming in another prominent Santa Cruz punk band, 3UpFront.   

“Jesse was the most talented drummer I’ve ever played with,” says 3UpFront singer Adam Pierce. “He’s just a phenomenal musician.”

However, Daniel was heavy into his addiction by this point, he now admits. Still, no one saw the warning signs, least of all Daniel himself.

“Once I got introduced to the punk scene at 14, I really started using a lot more regularly,” he says. “It wasn’t abnormal in the scene to do it heavily.”

“For a while there, Jesse was sort of a functioning addict,” states Wilkinson. “He had a job, was still able to play music, and had a normal life.”

But Daniel soon spiraled into depression and self-loathing. Supplied by friends and dealers, pills were the “most effective way not to feel.” As his tolerance grew and buying became more expensive, Daniel turned to the most potent fix available: heroin. His first time using was at a friend’s house, and he never looked back.

“It was cheaper, and in a lot of ways, more accessible,” he explains. “After the first time I did that, it was a wrap. It was all I wanted, and all I wanted to do.”

Little did he know that first taste would take him down a road that would guide almost the next decade of his life. As the addiction grew, Daniel continued to maintain the life of a “normal” person, working and writing music with his friends. However, the symptoms of abuse began to surface.

“Henry’s parents have always been like a second family to me,” he says. “And his dad would check in on me saying, ‘Hey, I see what you’re doing,’ and give me those talks.”

Pierce remembers when he started noticing a change as well.

“A lot of time he wouldn’t show up for practice,” he says. “Unfortunately, the struggle was winning over life.”

 

BURNING SUN

The fissures split into cracks as Daniel continued to use as often as he could. While some claim to have a singular moment that defined their addiction, he recognizes multiple points in his life that serve as significant. For instance, there’s the first time his family urged him to go to rehab—shortly after turning 18—and the optimism he felt when he left the facility.

“However, I was really young,” he says. “I really didn’t have a fighting chance at being sober. I didn’t know enough about life to want sobriety for myself. [Drugs] still had an allure to me.”

This became apparent when he started getting high again shortly after, and landed his first arrest for possession.

“We were at a gig, waiting for him to show up so we could play,” Pierce remembers. “And then he called from jail, saying he wouldn’t make it. Unfortunately, that was the end of him playing with us.”

The next several years remain a hazy blur for Daniel. As he sunk deeper into the black tar, he bounced in and out of rehab, ultimately selling his drums for a quick fix. Like many addicts, he committed petty crimes for money to get his stash.

In total, he would be arrested four times, with six separate stints in rehab. Still, there were moments of clarity along the way reminding him of his true calling, sometimes in the most unlikely of places. Like the time he was standing outside the old Community Television building on Pacific Avenue, waiting to meet up for a fix. A group of older homeless individuals were standing around the window, watching the television, and commenting on how much they enjoyed the band that was broadcasted.

“I was out of it. When I looked, I realized I knew each person the camera was doing a close-up on,” he says taking a long, drawn-out pause. “And then they showed my dad. At first I was happy and proud to see him. But then it became soul crushing, because that was my dream from day one—to write and play songs. It was a moment of clarity because I realized I could be having a good life playing songs, or going back to a shitty dope motel.”

That night he chose the dope motel, returning for another score. But another major moment of clarity came in 2013 when he checked into MPI Treatment Services in Oakland. Strung out and in physical pain from the dope-sickness, Daniel knew he was coming to a fork in the road: either get clean, or die.

“[Being dope-sick] feels like in your core there’s a burning sun of anxiety and discomfort,” explains Daniel. “It’s compelling, because when you feel like that, the solution is more drugs, which is clearly counterintuitive. But when you’re in it, it really does seem like that’s the only way to feel better.”

After several days of withdrawals, sleepless nights, horrific sweating and night terrors, he noticed someone had been playing old-fashioned country guitar throughout his stay. Broken and tired, he mustered up enough energy to approach the guitarist, who was covering the likes of Billie Joe Shavers, Hank Williams, Emmylou Harris and others Daniel grew up listening to.

“He was a volunteer who just came in to play country songs,” he says. “I told him I wanted to play like him, and his response was, ‘Why don’t you?’”

The simple but poignant question was the catalyst for Daniel’s recovery. Sober and armed with a guitar, he began writing country tunes with his first band, The Slow Learners—originally with a punk rock twist similar to the music he grew up with as a teen. But after his first EP dropped in 2015, he decided to stick with the straight slide-guitar-driven and honky-tonk-fried country he remembered from childhood.

 

RAINBOW AT MIDNIGHT

In 2016, Daniel started dating local tattoo artist Jodi Lyford, and the two opened up True North Tattoo—where she tattoos and he manages—a year later. They also moved back into the converted barn house that Daniel had grown up in. Daniel started a new band with Lane Cunningham, Sean Mohoot and Connor Kelly, this time going by just his name. His self-titled debut full-length was recorded by Chadwick at Compound Studios and mixed at Chadwick’s father’s studio, Hale Kula. It comes out May 26, with a CD release party at Moe’s Alley.

Famed country musician Conway Twitty once said, “A good country song takes a page out of someone’s life, and puts it into music,” and Daniel’s songs are filled with chapters from his past. “SR22 Blues,” for instance, warns about the dangers of liquor through his experiences “being on Mugshot Santa Cruz,” and getting a DUI. And what country album would be complete without a song like “California Highway,” where he croons about hitting the open road after a break-up?

Not every song on the album is about bad times and heartache, but, after all, it is a country record.

And in a remarkable twist of fate, it features a special performance by Daniel’s father on one of the tracks.

“It was one of the most rewarding parts about where I’m at in life,” says Daniel with smile.

The rewards continued when Daniel was shocked to hear he won a NEXTie for Musician of the Year. For the past nine years, the NEXTies—presented by Event Santa Cruz—have been Santa Cruz County’s premiere award ceremony for up-and-comers in the community who are not only making a name for themselves, but exemplify the values of Santa Cruz.

“When choosing winners we ask, ‘Are you really involved in the community?’” says Event Santa Cruz founder Matthew Swinnerton.

Nominated by members of the community, Swinnerton tells GT that winners are chosen by a majority vote from a committee of Event Santa Cruz participants and previous NEXTies honorees. So even though he doesn’t specifically choose who is awarded, Swinnerton was rooting for Daniel.

“He was the one person I wanted from seven months ago,” Swinnerton says. “Everyone in town knows him, he’s constantly playing shows, and he collaborates with a lot of other prominent musicians in the area.”

On stage, Daniel will be joined by his band and Chadwick as they play songs throughout the 2018 NEXTies award ceremony at the Rio Theatre on March 23. The awards also honors other local individuals and organizations who are being  proactive in areas such as entrepreneurship, food, green businesses and innovation.

“We’re really focus on diversity,” explains Swinnerton. “It’s a fun time with people accepting awards for doing awesome things in our community.”

Reflecting on his life and upcoming achievements, Daniel summarizes his struggle, with country wit and a positive twist.

“Whenever people ask why I work so hard, I always tell them I put the hustle I learned on the street into my music,” he says. “It’s a huge honor to be thought of for a NEXTie and I’m so grateful to be a positive influence in the community and to give back to Santa Cruz any way I can.”

 

 

A Guide to the 2018 NEXTies

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[dropcap]H[/dropcap]ow does one describe the NEXTies?

“It’s kind of like if Event Santa Cruz and the Oscars had a baby,” explains Event Santa Cruz founder Matthew Swinnerton. Now in its ninth year, the NEXTies, presented by Event Santa Cruz, honor some of this area’s best and brightest. Out of 1,700 nominations this year, the NEXTies will honors 16 individuals, businesses and nonprofits that focus on progressive, community-building work. Last year’s hosts—actress and singer Danielle Crook and local comedian DNA—return to the Rio Theatre for the 2018 awards, with catering by Santa Cruz Food Lounge vendors and drinks provided by New Bohemia Brewing and Venus Spirits. Here’s a look at this year’s winners:

 

Entrepreneur of the Year

Jennalee Dahlen                                                                                    

As an esthetician and owner of Yoso Wellness Spa, Dahlen’s work focuses on holistic, healing treatment in a peaceful setting. Along with offering acupuncture, deep tissue massages, manicures, facials and more, Yoso uses eco-friendly products so clients don’t have to worry about leaving an environmental footprint. Beyond Yoso, Swinnerton says she was chosen because of all the active work she does in Santa Cruz County, like throwing fundraising benefits for various causes and organizations. “She’s just a good do-gooder in our community,” he says with a laugh.

 

Musician of the Year

Jesse Daniel               

See our cover story.

 

Artist of the Year

Ann Hazels  

As the director of the Radius Gallery at the Tannery Arts Center, Hazels provides a space for some of the county’s most interesting artists. Swinnerton tells GT she was chosen not only for her work at the gallery, but because she is a catalyst for other artists to gain the courage to continue to create and display.

 

Writer of the Year

Santa Cruz Heritage Food Project  

Wait, the Santa Cruz Heritage Food Project won for Writer of the Year? That’s right. For three years, Sierra Ryan, Liz Birnbaum, Jody Biergiel Colclough and Katie Hansen pored over local archives researching how certain foods came to Santa Cruz, who used them, how or where they were grown and what recipes they were used in. Last year, they released a cookbook tracking the agricultural history of Santa Cruz County along with 25 historical recipes.                                                                                      

Give Back Person of the Year

Just Chip

As the executive director of Downtown Association of Santa Cruz and the co-director of First Friday events, Chip is immersed in the city of Santa Cruz. “Along with all the amazing work he does with the Downtown Association and helping out local businesses, he was also chosen because he was a big proponent and organizer of the Downtown Streets Team,” says Swinnerton. Indeed, Chip was fundamental in raising the $48,000 initially needed to fund the program.

 

Foodie of the Year

Burn Hot Sauce                                                                                                  

Owned and operated by chef Amanda Pargh and her partner, farmer Chase Atkins, Burn is an organic and fermented hot sauce fortified with probiotics. Made from locally grown peppers, flavors vary upon seasons and range in a wide variety from Habanero to Bulgarian Carrot and even Agave Spirit Habanero.

 

New Business of the Year

YaDoggie                                                                                           

YaDoggie’s nutritious, grain-free food comes in duck, lamb and turkey flavors with YaDoggie’s own delivery system that will bring the food right to pet owners’ doors. Their welcome kit even comes with biodegradable poop bags and a tennis ball for fetch, plus a Bluetooth-capable scoop that keeps track of usage and orders a new bag to your doorstep before you run out.

 

Athlete of the Year

Mike Holt

“He’s a world-class sailor, although you would never know it because he’s not a boaster,” Swinnerton says of Holt. “However, he’s won several international sailing competitions. It’s interesting to us because he’s not celebrated like other athletes—and sailing, in general, is not talked about enough as a sport in town. So we decided to honor a world-class athlete who highlights Santa Cruz.”

 

Under 18 Person of the Year

Kim Garcia

Volunteering at multiple various organizations throughout the county, Garcia has given hundreds of hours volunteering to many organizations, particularly Salud Y Cariño, a program that focuses on physical activity, harm prevention and education for kids and middle schoolers. “She’s overwhelmingly involved in the community and incredibly dedicated to her volunteer service,” Swinnerton says.

 

Nonprofit of the Year

Gravity Water                                                                                   

Founded in 2016 by Danny Wright, this nonprofit’s mission is to provide safe, clean drinking water to communities around the world. Their special three-tiered tanks capture rain before  99.9 percent of contamination can occur. Gravity then filters the water through the tanks, providing a pure life source for some of the world’s hardest-hit areas. They’ve already provided clean water to 5,000 people in 10 different communities spread through Nepal and Vietnam, and have been featured in National Geographic. “It’s a 100 percent new idea and I’m shocked, honored and grateful to have my hometown community behind this global work,” Wright says.

 

Mentor of the Year

Rachel Mitchell                                                                                         

Mitchell is an Anthropology Instructor at Cabrillo College with a B.A. from UCSC and her Master’s from the University of Kentucky. Swinnerton tells GT that she was the most nominated person this year, and she had no idea. “Usually people or businesses know they are being nominated. However, all of her students, past and present, got together and said she had such an impact on their lives, both in and outside the classroom, that they submitted her name.”

 

Innovative Business of the Year

Steeped Coffee                                                                          

Launched to the public through a Kickstarter campaign, the brainchild of Josh Wilbur is a single-use coffee in a biodegradable steeping bag, much like tea. While it may sound simple, it actually took Wilbur years to develop a coffee steeping bag. The packaging is all recycled paper, and the coffee is ethically sourced—providing the purest and most Santa Cruz way of getting that warm cup of joe.

 

Innovator of the year

John Felts                                                                                               

See story.

 

TECHie of the Year

Jeremy Almond                                                                                                

As CEO of Paystand, Almond is changing the way local companies do business. Paystand is a new way for companies to pay and receive money in a digital, business-to-business model. This allows companies to improve their bottom line by saving money with a flat rate for the service instead of a percentage for each transaction.

 

Green Business of the Year

Upcycled Skate Art                                                                   

What’s more Santa Cruz than skateboards and art? What about art made out of skateboards? When Alexander Michael Wong moved to town in 2015 to attend UCSC, he combined his love of skateboarding and art to relieve the stress of studying. He now creates everything from picture frames to keychains and coasters out of old skateboards. With nearly three million boards dumped in landfills yearly, Wong is able to give the wood a new life.

 

Wildcard

Ryan Foley

“So many people don’t fit into the NEXTie categories, so the ‘Wildcard’ is a catch-all for everything else,” says Swinnerton. If that’s the guideline, then Ryan Foley falls perfectly into this category even if his work is out of this world. The assistant professor in Astrophysics at UCSC won the prestigious Packard Fellowship for Science and Engineering in 2016 for his work in the mysterious realm of dark energy. First discovered in 1998, dark energy is the force causing the expansion of the universe to speed up, yet very little is known about it. Foley is currently leading two separate teams to more closely observe supernovae in an effort to better understand this force that makes up for 70 percent of our known universe.

 

Theater Review: Jewel Theatre Company’s ‘Coming of Age’

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[dropcap]P[/dropcap]atrons of the Jewel Theatre Company may fondly recall its last production of a new play by Santa Cruz author Kate Hawley back in 2015. That excellent play, Complications From a Fall, is a kind of companion piece to Hawley’s newest work, Coming of Age, “a serious comedy” now having its world premiere at JTC. Both plays deal with the theme of aging parents and their effect on the lives of their middle-aged children.

Hawley is particularly incisive in exploring the radical idea that parents may have once had—or continue to have—separate and interesting lives outside the box into which their children have always confined them. In Complications, a pair of bickering siblings, one uptight, the other footloose, divvy up the duties of caring for their recently bedridden mother, then discover explosive family secrets their mom reveals only to her beloved hired caregiver.

The themes are serious in both plays, but Coming of Age is less overtly comic than its predecessor, although it still has plenty of witty dialogue—as befits characters from the worlds of academia and literature. Protagonist, Ian (Mike Ryan), is an author of literary novels. After a book tour, he drops in to the family home in upstate New York to visit his recently widowed father, John (J. Michael Flynn), an acclaimed university professor (now retired) and Dickens biographer, who cast a long shadow over Ian’s youth.

Ian doesn’t exactly drop in; they’ve been setting up his visit for weeks, although John is surprised to see him, and doesn’t seem too eager to have his son stick around. Ian finds out why with the arrival of Deirdre (Martha Brigham), with her arms full of groceries, and an intimate knowledge of how to find her way around the house. Once a bedazzled student of John’s, nearly 40 years younger than he is, Deirdre has become a fixture in the household. As discreet as she is in person, her presence chips new fissures into the already tense father-son relationship.

The first act is a bit slow-going, setting up this plot, but director Paul Whitworth keeps the action unobtrusively fluid while the characters talk—tables are cleared, objects are stowed, drinks are poured (a lot of comic mileage is gotten out of a cocktail shaker), and served (finally). It’s in the dynamic second half that Hawley’s focus becomes sharper: all of these characters get their one-on-one encounters and their chance to make sense of their own feelings and motivations in Hawley’s simple, eloquent dialogue. This half also features a lovely interlude in which John’s beloved late wife, Ian’s mother (played with tart, wistful aplomb by Nancy Carlin), returns for a few potent observations.

As usual with JTC, the tech work is first class. Scenic Designer Kent Dorsey’s set is outstanding, a Craftsman interior full of books and Stickley-style furniture, with Art Nouveau stained glass panels around the door (you will want to live here!). Doorways and one slyly visible passage accommodate the action. B. Modern’s costumes are tuned into each character’s psyche, from John’s professorial tweed jacket, to the flannel shirt Deirdre wears in the last scene, whose dark teal and dusty rose plaid subtly reflects the color scheme of the rooms.

The cast is terrific, especially Flynn: his portrait of John as a cranky oldster betrayed by time is tempered by flashes of the magnificent lion he must have once been. Ryan is entertaining as Ian, muscling through in a state of agitation in search of grace, and Brigham brings composed, savvy presence to Deirdre, persuasively resisting the perception that she’s some kind of golddigger.

Having once had her own literary aspirations, Deirdre refers to her first effort as “my coming-of-rage novel.” This might not be a bad title for the play, except that it’s not rage that fuels Hawley’s intriguing drama—it’s insight.

 

The Jewel Theatre Company production of ‘Coming of Age’ plays through April 8 at the Colligan Theatre at the Tannery. 425-7506, or JewelTheatre.net.

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Theater Review: Jewel Theatre Company’s ‘Coming of Age’

Martha Brigham (Deirdre) and J. Michael Flynn (John) in Jewel Theatre’s production of ‘Coming of Age,’ written by Kate Hawley and directed by Paul Whitworth.
Loss, redemption, maturity fuel family healing in witty ‘Coming of Age’
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